And of course, if the job comes through, I'll buy a pint when I get there.
― Guymauve (Guymauve), Thursday, 19 August 2004 16:10 (fourteen years ago) Permalink
― Ned Raggett (Ned), Thursday, 19 August 2004 16:19 (fourteen years ago) Permalink
― Russ (Russ), Thursday, 19 August 2004 16:34 (fourteen years ago) Permalink
And of course I'll also buy you a pint when I get there.
― Guymauve (Guymauve), Thursday, 19 August 2004 16:41 (fourteen years ago) Permalink
― chr1sb0y (chr1sb0y), Thursday, 19 August 2004 16:55 (fourteen years ago) Permalink
― Guymauve (Guymauve), Thursday, 19 August 2004 17:20 (fourteen years ago) Permalink
― JC-L (JC-L), Thursday, 19 August 2004 17:49 (fourteen years ago) Permalink
― Bill E (bill_e), Thursday, 19 August 2004 20:32 (fourteen years ago) Permalink
In terms of a unique NZ sound, a couple of acts from Wellington are making huge waves with the public, and bypassing the music bizz circus – Fat Freddy’s Drop and Trinity Roots. Trinity have two self-released albums, Freddy’s have some 12”s on overseas based labels, but rumour has it a (double?) album in the works. Both acts fuse soul/dub/reggae/funk/electronic but in a very deep, very cool way. New Zealand hiphop has been getting the big push recently too – Scribe, Deceptakonz, P-Money, Che Fu etc.
On major labels, there's the straight up rock of The Datsuns, The D4 and about a hundred thousand million lesser bands...
In Wellington there’s real healthy little avant rock (if that’s what you call it) scene based at a venue called Happy – saw an incredible band there last night called The Elephant Men- manic vaguely free jazz but with trad rock line up and f*cked up vox. In terms of indie guitar music, Marineville (Wellington) are fine band – due to release their second album this year some time. And of course the Phoenix Foundation (Wellington) are great. Lots of other little bands here doing cool stuff – The Chandeliers, The Timeless Sounds, The Labcoats. Plenty of talented musicians with open minds…
There’s always exciting sh*t happening here underground, eh? Most of those great Dunedin bands are still going in some capacity and tour every once and a while. Saw The Renderers here in Wgtn last week and they were incredible (still).
Hmm this probably didn’t help – it’s mostly pretty hard to access if you don’t live here! Try googling ‘bnet awards” – that’ll list the nominees for the national “college radio” (in American parlance) awards – most good new acts will be there…
― steve kerr, Thursday, 19 August 2004 20:42 (fourteen years ago) Permalink
― el sabor de gene (yournullfame), Thursday, 19 August 2004 21:17 (fourteen years ago) Permalink
NZ artists to check out:mint chicks (auckland spazz-new-wavey-punk with real good songs)pumice (ultra-varied lo-fi/experimental outfit)futurians (fucked-up dunedin yobbos with a penchant for noise)disasteradio (c64-totting keyboard whizzo)die! die! die! (ex-carriage h - explosive scuzz-rock / screamo from auckland)silo (former substandard guitarist danny bare's new chch neu-type krautrock duo with rustle covini on drums - ex-aesthetics)
+ birchville cat motel, sunship, crude, spacedust, renderers, terminals, greg malcolm, bruce russell, minisnap, bats, shocking pinks, trillion, operation rolling thunder, undercurrents, coolies, international telepaths, goldenaxe etc etc all making great shit..
the a low hum fanzine / tours are always a good place to start..oh and my site too, of course..
― chris andrews (fraew), Thursday, 19 August 2004 21:48 (fourteen years ago) Permalink
― chris andrews (fraew), Thursday, 19 August 2004 21:54 (fourteen years ago) Permalink
terminals are godlike, are they still going? stephen cogle, sigh. where's the new bats album, i know someone stole their computer with the album on it but i think that was a long time ago.
― keith m (keithmcl), Friday, 20 August 2004 02:23 (fourteen years ago) Permalink
Ugly roolz OK. Then again I love the Dead C.
― Ned Raggett (Ned), Friday, 20 August 2004 02:24 (fourteen years ago) Permalink
last i heard of the terminals people, three of them were carrying on as the minus two.
― el sabor de gene (yournullfame), Friday, 20 August 2004 02:25 (fourteen years ago) Permalink
― Andrew Blood Thames (Andrew Thames), Friday, 20 August 2004 02:27 (fourteen years ago) Permalink
― Sean Carruthers (SeanC), Friday, 20 August 2004 02:28 (fourteen years ago) Permalink
― Andrew Blood Thames (Andrew Thames), Friday, 20 August 2004 02:30 (fourteen years ago) Permalink
― purple patch (electricsound), Friday, 20 August 2004 02:42 (fourteen years ago) Permalink
Don't know how new they are but they are new to me.
― mentalist (mentalist), Friday, 20 August 2004 02:42 (fourteen years ago) Permalink
― chris andrews (fraew), Friday, 20 August 2004 02:53 (fourteen years ago) Permalink
― Russ (Russ), Friday, 20 August 2004 04:43 (fourteen years ago) Permalink
― Andrew Blood Thames (Andrew Thames), Friday, 20 August 2004 07:17 (fourteen years ago) Permalink
― cameron, Friday, 20 August 2004 10:46 (fourteen years ago) Permalink
― Andrew Blood Thames (Andrew Thames), Friday, 20 August 2004 11:04 (fourteen years ago) Permalink
― Andrew Blood Thames (Andrew Thames), Friday, 20 August 2004 11:31 (fourteen years ago) Permalink
― Andrew Blood Thames (Andrew Thames), Friday, 20 August 2004 11:47 (fourteen years ago) Permalink
― Andrew Blood Thames (Andrew Thames), Friday, 20 August 2004 11:48 (fourteen years ago) Permalink
― cameron, Friday, 20 August 2004 13:56 (fourteen years ago) Permalink
― southern lights (southern lights), Friday, 20 August 2004 15:28 (fourteen years ago) Permalink
― The Lady Ms Lurex (lucylurex), Friday, 20 August 2004 21:47 (fourteen years ago) Permalink
hey cameron, i run the http://thebigcity.co.nz nz music site, and you guys keep coming up, but ive got fuck all info on contant pain or your and roddys other stuff..
― chris andrews (fraew), Friday, 20 August 2004 22:00 (fourteen years ago) Permalink
― The Lady Ms Lurex (lucylurex), Friday, 20 August 2004 22:03 (fourteen years ago) Permalink
did you get a copy of the ep?, i seem to be getting good comments about it so far.. i might do a 2nd run if the foxy digitalis review comes out positive
― chris andrews (fraew), Friday, 20 August 2004 22:08 (fourteen years ago) Permalink
― The Lady Ms Lurex (lucylurex), Friday, 20 August 2004 22:14 (fourteen years ago) Permalink
― goldfoot, Saturday, 21 August 2004 00:12 (fourteen years ago) Permalink
― purple patch (electricsound), Saturday, 21 August 2004 00:44 (fourteen years ago) Permalink
― Andrew Blood Thames (Andrew Thames), Saturday, 21 August 2004 01:18 (fourteen years ago) Permalink
― Brian Turner (btwfmu), Saturday, 21 August 2004 05:29 (fourteen years ago) Permalink
― chris andrews (fraew), Saturday, 21 August 2004 07:01 (fourteen years ago) Permalink
― chris andrews (fraew), Saturday, 21 August 2004 07:48 (fourteen years ago) Permalink
― Brian Turner (btwfmu), Saturday, 21 August 2004 14:50 (fourteen years ago) Permalink
― cameron, Monday, 23 August 2004 10:40 (fourteen years ago) Permalink
― chris andrews (fraew), Monday, 23 August 2004 23:10 (fourteen years ago) Permalink
― fortunate hazel (f. hazel), Monday, 23 August 2004 23:27 (fourteen years ago) Permalink
― Guymauve (Guymauve), Tuesday, 24 August 2004 00:27 (fourteen years ago) Permalink
btw, im the bass player for the idols, and dj as 'self-titled'.. Fleurs' got a great night planned!
― chris andrews (fraew), Tuesday, 24 August 2004 02:04 (fourteen years ago) Permalink
― chris andrews (fraew), Tuesday, 24 August 2004 02:07 (fourteen years ago) Permalink
Hey, sbahnhof, keep forgetting to thank you for boosting the Ria Hall album and Estère EPs - while I'm probably not as up on them as you are, spending more time listening to them has been great. The whole Loop Recordings / Wgtn jazz-school thing had put me off a little (early aughts PTSD), but they're both a lot richer than that. Having an Irish transplant / Erykah Badu fan asking for local recommendations was another good reason to engage, as well. Could have sworn I'd mentioned the tei. mixtape here, but must have been somewhere else.
Quite a strange choice of group name, but this came out of nowhere to pretty great effect:
Babyface - Dirty South Pacifichttps://growroomakl.bandcamp.com/album/dirty-south-pacific
Looking forward to the new Coco Solid mixtape, COKES, on Waitangi Day, eh.
― etc, Saturday, 6 January 2018 00:14 (one year ago) Permalink
Under The Radar's EOY playlist and roundup are pretty catholic:
― etc, Saturday, 6 January 2018 00:15 (one year ago) Permalink
My god, with this kind of voting bloc, something Kiwi might even reach the top 777!
Thanks for your panic-nominning, Etc, it's all here
- ILM's 2017 End of Year Tracks & Albums Poll / NOMINATIONS THREAD
That SoccerPractice album is very good, I'd totally overlooked it:
Other NZ stuff in the EOY includes Lorde, Aldous Harding and SWIDT, and others?
Mermaidens' album Perfect Body
Nadia Reid's Preservation
― sbahnhof, Saturday, 13 January 2018 11:23 (one year ago) Permalink
That Nadia Reid album is so good, feel like a lot of ppl on ilm would like it?
― just sayin, Saturday, 3 February 2018 04:23 (one year ago) Permalink
really great recommendation, thanks! video is cool too
― kolakube (Ross), Saturday, 3 February 2018 04:44 (one year ago) Permalink
Yeah, I have a soft spot for "Richard" - she's great live, too. Some surprisingly Eno/Buckley-ish textures on the album.
Meanwhile, a few days untilhttps://pbs.twimg.com/media/DU1AoHOVoAErWBD.jpg
― etc, Saturday, 3 February 2018 04:49 (one year ago) Permalink
Don't forget Coco Solid's Aroha Bridge is coming back too. It's a cartoon and almost a documentary:
Some great concerts are taking place for Waitangi Day 2018 in some locations...
― sbahnhof, Sunday, 4 February 2018 01:21 (one year ago) Permalink
Finally, a song to sing when someone is carrying a bag which looks heavy:
(story of the song & video on this page)
Oh yeah also
New Zealand has an act called Jeremy Corbyn Sound System
They played this festival, and that's all we know so far
― sbahnhof, Saturday, 3 March 2018 10:07 (one year ago) Permalink
Astro Children's new single is more chill and less lo-fi for them. Surprisingly they've put a donk a synth on it.
And frontwoman Millie Lovelock interviews as entertainingly as ever:
No one in Dunedin is safe! Also, that grafitti thing that she mentions (Chills mural defaced by a new band seeking notoriety), doesn't really make anyone look good...
Dear BBC 6 Music listeners – sorry & you're welcome for The New Radiohead, NZ band Groeni (pronounced...."Groany"?), who may not have realized they were such a tribute act. But hey, it's working for them. Even got played on Radio 3's Late Junkshop, so they're def doing very well. Luv u Groany.
(The R3 host calls them "Groiny", in fact)
― sbahnhof, Sunday, 11 March 2018 07:45 (one year ago) Permalink
IT'S REGGAE O'CLOCKonce an hour :D
Etc's linking of this interview-article about Tomorrow People is a good reminder that reggae is really popular in NZ, so it probably needs a mention itt :-) Or is it just Six60 dominating the NZ-only singles chart?
Imagine five months of that with a 6-track EP - they controlled the NZ-only chart even more with a full album, though their sound is less reggae-ish now. Bands like that might be the Kiwi music with the most long-running appeal in NZ – helped by reggae's prominence in movies like Mt Zion starring Stan Walker, and The Pā Boys. It can't only be people at BBQs listening to it...
Sort've wished the interview had teased out things re, say, their popularity vs Ria Hall's rather than putting all NZ reggae / Aotearoa roots / dub / whatevs stuff in the same basket. (etc)
Well, Rules of Engagement got to number 6, but maybe it's a simple case of being more 'challenging' thematically that it didn't become more popular? Dunno if interludes in Te Reo from the '60s are what the kids are streaming these days. I hope they are, but not at all sure. BTW, don't reggae and roots mean the same something similar? Obv Tomorrow People are playing a very poppy variant of those. Reggae is usually best imo when it's political and extremely pissed-off, like Herbs, or, uh, Sons of Zion? (For bemused ILMers, the music's popularity here goes back to the Māori rights and Pacific anti-nuclear protest movements of the 1980s.)
In pop atm, the solo musician October is on a run of four decent-to-great singles, but might win the Unpopular Populism star prize without some urgent Spotify fixing. New song "1000 Eyes" is her most polished, but maybe least distinctive https://youtu.be/dPtzNAoI1OU ... The previous one "All She Does Is Stare" was more representative of, as one writer cautiously called it, "a zero f***s approach". She don't give a fly*** eff.
― sbahnhof, Sunday, 25 March 2018 06:39 (one year ago) Permalink
nm, "1000 Eyes" is just great
― sbahnhof, Sunday, 25 March 2018 07:40 (one year ago) Permalink
Hamish Kilgour of The Clean Has A New Solo Album Coming Out This Summer
Ba Da Bing will be releasing Finklestein, on July 6th
It’s our second record with Hamish, and we’re happy to brag we’re the only label who has ever released a Hamish Kilgour solo record! Take that Cleano Productions!
The Clean member Hamish Kilgour's second-ever solo album, Finklestein, flips the singer/guitarist/drummer's path taken on All of It and Nothing. Having previously gone for intimate, minimalistic performances, Finklestein displays a chock-full production quality akin to a fairytale. It's a fitting change, seeing as the songs are based around a children's story Kilgour conceived for his son about a kingdom that invents a way of dealing with their depleting gold resources. The songs include organ, saxophone, pedal steel, piano, vibraphone, harmonica, even footsteps (Hamish is renowned for his stepping), most of it performed by Kilgour and his producer/collaborator Gary Olsen at Olsen's studio, Marlborough Farms in Brooklyn. Originally conceived as being a children's book as well as album, Finklestein rides roughshod through this fairytale world with grace.
Finklestein took a year to record, as Hamish's involvement with a large part of the Brooklyn music scene, as well as dates with recent New Zealand Music Hall of Fame inductees The Clean, split his time. His songs benefit from this elongated recording period, as each track creates its own space within the Finklestein world, mixing instruments and melodies in a rainbow of ways. Yet it's Kilgour's songwriting sensibilities that hold the album together, his charismatic and loose arrangements within a congenial environment of musical play.
For more information, please write Ben and Katie at press at badabingrecords.com
― dow, Thursday, 24 May 2018 18:57 (eleven months ago) Permalink
Thought there was a thread all about The Clean and/or their kind of music, but couldn't find one.
― dow, Thursday, 24 May 2018 18:58 (eleven months ago) Permalink
Apparently there are nine threads for them O_O They win ILM! Most recent two you could use are The Clean - Compilation + The Clean Anthlogy and there other material
― sbahnhof, Saturday, 26 May 2018 09:16 (ten months ago) Permalink
NZ Music Month, or is it?
Pop musician October has released her album, Ultra Red. A set of beautiful pop songs disguised as ugly industrial fuzz:
Rei has unveiled his Māori-language hip hop EP, Rangatira:
JessB is a possible new hip hop star – she brought out the EP Bloom in March. Latest video is "Set It Off", with cameos :)
Estère's two-part album is done now, My Design, On Others' Lives:
Also recently, the new album by Unknown Mortal Orchestra - Sex & Food ... Metal band Alien Weaponry's bilingual debut album, Tū, is out tomorrow ... New Zealand's fourth most popular independent music award, the Taite Music Prize, was criticized for an exclusionary voting system, and during the ceremony the ashes of the Headless Chickens' Grant Fell (Ngāpuhi) were scattered onto the stage, a major no-no in Māori culture due to the sanctity of human remains ... Coco Solid was unimpressed with NZ music's response to the gender equality campaign Equalise My Vocals: "Now what? The industry needs to use it's resources and platforms for better & not leave it to 2 tired queer women of colour with a crowdfunded 5k to do all the fucking work".
David Dallas brought out the video to "Probably", the fourth single from the album Hood Country Club cos he's South Auckland AF
NZ Music Month coincides with comedy festival month, and some talented comedians have invented the genre of Centrist Reggae:
- https://twoheartsnz.bandcamp.com/track/legalise-it (warning, extreme content)
And the top Kiwi song of the moment: those angry reggae punks Sons Of Zion, with the furious "Drift Away":
― sbahnhof, Thursday, 31 May 2018 06:54 (ten months ago) Permalink
As RMNZ has introduced a second NZ top 20 for the week's fastest-rising songs, here are some things that are bubbling under the charts under the charts:
Hi-Nes and Krisy Erin join the elite with "Never Get Me Back":
Raiza Biza brings the chill beats in "Marco Polo" ft. Bobandii:
Country-folk artist Emily Fairlight released her heartbreaking album Mother of Gloom. It's a bit sad...
(Recommended if you liked Like Splitting the Head From the Body by Womb, from earlier in 2018)https://f4.bcbits.com/img/a0584207770_7.jpg
On a much sunnier note, pop band Drax Project dropped their Noon EP, but their single "Woke Up Late" has been on the NZ chart forever:
And for maximum tonal whiplash, metal band Alien Weaponry bring the opposite of chill on their debut album Tū, in Māori and English, an LP that hit the top 5:
― sbahnhof, Saturday, 21 July 2018 00:07 (nine months ago) Permalink
TBH, all I really want to do is post episodes of Aroha Bridge and The Māori Side Steps to confuse our non-Kiwi viewers until the thread reaches 100 posts.
― sbahnhof, Saturday, 21 July 2018 00:08 (nine months ago) Permalink
i love the Chelsea Jade record which was released yesterday
― monotony, Saturday, 21 July 2018 00:23 (nine months ago) Permalink
"Laugh It Off" is one of the 20 songs that might win the Silver Scroll, the prestigious "artists' choice" award. All nominees are here:
...Chelsea Jade and 19 indie songs :-) Well, not quite, and there's a lot of really nice music on the list, but it isn't as "diverse" as they claim – it was selected by only nine people, and it shows. In the whole list there's one rap song, lots of downtempo/MOR stuff, no female Māori artists, no songs fully in Māori... (Songs in Māori have the Maioha Award, but that gets much less publicity.) At least they didn't nominate Groany, but it's all very "Music 101 on a Saturday afternoon". I'm not a big SWIDT fan, but "Conquer" leaps out of the speakers against this field.
The voting system has some problems similar to those the Taite Music Prize was criticized for. Artists enter their own songs, and must be APRA members, which shouldn't be necessary imo, if they're truly seeking the best NZ songwriting. This year's awards come after the 2017 Silver Scroll, when APRA voters chose an all-female top 5 for the first time.
Anyway in conclusion, here's Groeni, I mean, Rob Ruha.
― sbahnhof, Thursday, 26 July 2018 08:27 (eight months ago) Permalink
The Beths, also on that Silver Scroll shortlist, have an album out too and it's the most glorious bored squally pop https://open.spotify.com/album/4NK0WVg7ZK0rIrcwFKjTIU
The new Broods single is great too!
― monotony, Tuesday, 14 August 2018 01:14 (eight months ago) Permalink
^ These are they
― sbahnhof, Thursday, 30 August 2018 07:56 (seven months ago) Permalink
The Beths now have a thread, imaginatively titled The Beths
― sbahnhof, Sunday, 9 September 2018 05:24 (seven months ago) Permalink
Some recent-ish stuff:
Haja, an all-star album featuring current NZ artists: Aaradhna, Chelsea Jade, Estère, JessB, Kings and Raiza Biza.
As well as that, it's a fusion of musical styles from Sudan and New Zealand. Surprisingly it was put together by rock frontman Jon Toogood, of Shihad – he first heard the Gisma Group and aghani al-banat, "girls' music", when he got married in Khartoum, Sudan. The band recorded there with him, some of which is on this album years later.
Maybe for Discogs reasons, the label insisted on reviving the bad-but-good name "The Adults", which Toogood's supergroup used in 2011, although the two albums are quite different.
btw, Estère's radio Mixtape is highly ILM-friendly, but don't let that put you off. She even knows the words to "Akanamali" :D
― sbahnhof, Sunday, 30 September 2018 02:08 (six months ago) Permalink
Jazz hip-hop band Avantdale Bowling Club, fronted by Tom Scott of the influential rap group Home Brew, as he reflects on life and fatherhood. The band includes Julien Dyne (drums) and Guy Harrison (piano/trumpet).
― sbahnhof, Sunday, 30 September 2018 02:09 (six months ago) Permalink
And one of the sleeper hits of the year by a New Zealander, Robinson's "Nothing to Regret", it's for the young people
After streaming success in NZ and Australia, the song is one of the nominees at the New Zealand Music Awards 2018.
― sbahnhof, Sunday, 30 September 2018 02:10 (six months ago) Permalink
"Our culture is your culture"
Who won the Silver Scroll, you don't wanna barely know, but Ria Hall won the Maioha Award with her song "Te Ahi Kai Po" from Rules of Engagement.
‘Te Ahi Kai Pō’ is about healing after war, and trying to find hope in times of despair. It draws on Ria’s own family history, telling the story of the Battle of Te Ranga (just south of Tauranga), where, in June 1864 the British Army took retaliation for the earlier battle at Gate Pā. Over a hundred Māori died there, some buried where they fell.At the ceremony, local soul singer Teeks delivered a moving performance of ‘Te Ahi Kai Pō’, supported by Nick Dow and Ngā Tumanako kapa haka group. – (RNZ)
At the ceremony, local soul singer Teeks delivered a moving performance of ‘Te Ahi Kai Pō’, supported by Nick Dow and Ngā Tumanako kapa haka group. – (RNZ)
― sbahnhof, Saturday, 6 October 2018 04:00 (six months ago) Permalink
The Scrolls' main award went to Marlon Williams' ballad with Aldous Harding, "Nobody Gets What They Want Anymore", with its pleasingly literal video:
Williams' ‘Nobody Gets What They Want Anymore’, a duet with fellow Lyttelton musician Aldous Harding, explores the pair’s break-up. Williams said it was an honour to receive the award and paid homage to the other finalists. "To hear my name in your company is something that I treasure," he said.
― sbahnhof, Saturday, 6 October 2018 04:01 (six months ago) Permalink
― triggercut, Saturday, 6 October 2018 04:56 (six months ago) Permalink
And at the NZMAs in November, Williams won best album for Make Way for Love. Other highlights included JessB's medley performance featuring Rubi Du, and Upper Hutt Posse's Te Kupu, who filibustered the broadcast for 15 minutes by listing the names of everyone they'd ever worked with.
― sbahnhof, Friday, 7 December 2018 21:01 (four months ago) Permalink
END OF 2018 is near, so if you want you can post your best of the year... perhaps using the classic "fake awards ceremony" style, such as "Best gangsta indie EP" or "Most improved DJ".
This was Chelsea Jade's debut album Personal Best, 10 tracks of VERY tight pop tunes, and one o_O title track
The new album by Yoko-Zuna and a host of guests, Voyager, continuing their cool electro-hip-hop-jazz thing. Though with the cover artwork, they're positioning themselves as the Daft Punk of New Zealand :-)
― sbahnhof, Friday, 7 December 2018 21:02 (four months ago) Permalink
Coco Solid and Queen Kapussi feature in the 9-piece rap collective Fanau Spa:
We each possess a different lens, voltage and ancestral life that the world rn needs to hear from - and we know this record serves a purpose bigger than what we could do as individuals. Ngā mihi mega ki a mātou katoa.- (UnderTheRadar)
― sbahnhof, Friday, 7 December 2018 21:03 (four months ago) Permalink
There's a whole heap of recent stuff I still need to hear, but in the meantime, from earlier in 2018, some unofficial awards:
Best conscious rap / Most conscious rap: STOP THE VIOLENCE produced by Icepro, who's worked with youth musicians in Palmerston North for years
Best song title you wouldn't think was necessary in this day and age: CHILDREN DON'T BELONG IN JAIL, Luke Buda & Don McGlashan
I have felt very upset and outraged by the reports coming out of Nauru, especially the stories of children as young as five engaging in serious self harm.We wrote this song to raise awareness of what is happening in offshore detention, in the hope that more people will sign up to the campaign to pressure the Australian government to end the horror they have created for these little kids and their families.
We wrote this song to raise awareness of what is happening in offshore detention, in the hope that more people will sign up to the campaign to pressure the Australian government to end the horror they have created for these little kids and their families.
― sbahnhof, Friday, 7 December 2018 21:04 (four months ago) Permalink
Best compilation imo:
Shoegaze emo band from Wellington, Bad Friend, released their Best Of, so far. It is eleven minutes long
― sbahnhof, Friday, 7 December 2018 21:06 (four months ago) Permalink
The bad friend EP is great, yeah - in associated acts, the namesake EP that's just come out is v.dreamy: https://namesake.bandcamp.com/album/4-songs
Some EOY stuff: Under The Radar's best albums/videos/songs moments: https://www.undertheradar.co.nz/news/15341/2018-End-Of-Year-Roundup.utr
The Spinoff's best local albums/singles: https://thespinoff.co.nz/music/21-12-2018/the-definitive-very-best-new-zealand-music-of-2018/
Great to see the Shiraz & LSJ video "Where Tha Pape$ @" in the former - their "Clubsmoking"'s another great no-fi video.
― etc, Friday, 21 December 2018 17:10 (four months ago) Permalink
Namesake are very chill!
Two tracks nominated for the ILM 2018 EOY that weren't already mentioned:
Yumi Zouma's beautiful dreampop song "Powder Blue / Cascine Park", from their EP III:
With EP III, they grab us by the hand and take us out on a gorgeous adventure.“Powder Blue / Cascine Park” is the first destination, and it's spellbinding. Delicate beats, a chiming guitar, and (Christie) Simpson’s stirring vocals recreate the feeling of summertime bliss. – (TheRevue.ca)
“Powder Blue / Cascine Park” is the first destination, and it's spellbinding. Delicate beats, a chiming guitar, and (Christie) Simpson’s stirring vocals recreate the feeling of summertime bliss. – (TheRevue.ca)
Dance track "Arbuz" by Kiwi-Italian-Melburnian producer Chambres, with vocals from Abigail Knudson:
I'm stunned that October got two separate nominations, that's my AOTY! Thank you, nommers. (and sorry for calling you nommers)
― sbahnhof, Monday, 28 January 2019 07:23 (two months ago) Permalink
A few other 2018 things...
The solo debut Shine Your Light by Kaaterama, who's in the successful pop group Maimoa. Her first single "He Iti" is getting the iwi radio plays, but most impressive imo are her soulful tracks "Mr. Man" and "Paiheretia", with the choir of Te Reanga Mōrehu o Rātana:
Maybe even more chill than Namesake(!), the first EP by twin-sister duo Tāl (Shalina and Shantini Sandran), including Indian tabla and sitar:
- https://talduo.bandcamp.com/album/t-l-ep- https://nzmusician.co.nz/music/tal-tal-ep
― sbahnhof, Monday, 28 January 2019 07:24 (two months ago) Permalink
In other Māori-language music in 2018, the collaborative album Te Kākano went to number 1 on iTunes in September, recorded by Pere Wihongi, Mere-Arihi Pipi-Takoko, Makaira Berry and Hamiora Tuari.
On the artier side, Allana Goldsmith brought out The Waka Kura Sessions, and Gisborne's Miss Pou made her debut.
Kiko released a blues-rock EP, Ranginui Blues, including the video to "Patupaiarehe", in which the band get attacked by the fairy-like being of the same name, it's a good watch
Also, taonga pūoro! - Rolling Classical 2018
― sbahnhof, Monday, 28 January 2019 07:26 (two months ago) Permalink
In the singles chart this week, Six60's "Vibes" ended 6 (six!) months as the top NZ song. "Long tail"/"dumb algorithm" doesn't begin to describe it...
The new No.1 is Bene and her laid-back track "Soaked" - https://youtu.be/ubE_ac2wYPQ
― sbahnhof, Monday, 28 January 2019 07:27 (two months ago) Permalink
We posted about the Broods single earlier – their album will be called Don’t Feed the Pop Monster. Hopefully it'll turn out to be the best thing ever and/or a Gaga rip-off, just so we get more funny interview quotes like
Caleb: "I left my phone in LA so I’ve just been off the grid. It’s amazing. I have no idea what’s going on in the world. Or what time it is. I’m just watching the sun."
Georgia: "I don’t like the word lucky. I think we’re fortunate."
― sbahnhof, Monday, 28 January 2019 07:28 (two months ago) Permalink
that Bene song is so good. Looking forward to the Broods album, all of the tracks they’ve released so far have been enjoyable to varying degrees.
― monotony, Monday, 28 January 2019 08:43 (two months ago) Permalink
It's only Bene's second song to be released - the first was "Tough Guy" in 2018. Guess she must've played more songs live this summer.
Apparently "Soaked" first became a radio hit in Australia, on Triple J's 2018 EOY list.
― sbahnhof, Wednesday, 6 February 2019 09:00 (two months ago) Permalink
And Broods' album is out, UNLEASH THE MONSTER
1-listen review: it's good! I like it nearly as much as the Chelsea Jade album, with which it shares quite a lot in common sonically, nice word. Critics seem to agree it's a 5.0 out of 10.0, and skim-reading their equally mediocre numerology, it's because the band haven't changed their sound. Which reads more like a dig at electro-pop than anything. (There's one track that might be a baggy Madchester tribute... if that helps.) But "Peach" is prob the bangin'est song on there.
― sbahnhof, Wednesday, 6 February 2019 09:01 (two months ago) Permalink
Another album from the ILM poll:
By experimental electronic musician OMIT, Clinton Williams – the vast 5-album set Enclosures 2011-2016
- https://endofthealphabetrecords.bandcamp.com/album/enclosures-2011-2016 (also released on Picadisk)
OMIT employs home-built instruments constructed from modified electric motors and salvaged sound sources to create a startlingly original soundworld. It is a world he inhabits alone, isolated in the small town of Blenheim in southern New Zealand, but it involves a deep exploration of the human condition. Over the years OMIT’s music has become less noisy and more sparse and minimal, as open signal patterns and oblique textures pass each other in haunted spaces.
― sbahnhof, Wednesday, 13 February 2019 07:05 (two months ago) Permalink
Nadia Reid's new song, and a radio interview:
"She will release her third album later this year, and previews one of the songs from it, which was written after a New Years Eve in Levin. It's called 'All Of My Love'." – (RNZ)
― sbahnhof, Thursday, 14 February 2019 08:58 (two months ago) Permalink
And as mentioned in the interview above, Teeks has got an orchestra!
Teeks is also performing at WOMAD 2019 (Aotearoa section) along with Nadia Reid, Charlotte Johansen, Finn Andrews, KORA, Niko Ne Zna, Ria Hall and The Black Seeds.
― sbahnhof, Thursday, 14 February 2019 08:59 (two months ago) Permalink
“My concept was simply a commute. A journey through places and people, spreading loving vibes. At the same time, putting a positive light on the middle east. I was doing this in respect to all the underground artists who have to hide away because of their art. Covering up felt empowering and badass.”– UnderTheRadar.co.nz
― sbahnhof, Wednesday, 27 March 2019 08:34 (four weeks ago) Permalink
― sbahnhof, Tuesday, 16 April 2019 06:58 (one week ago) Permalink
A benefit concert is taking place in Christchurch on Wednesday, featuring nearly everyone in NZ music. Absolutely no idea what it'll be like, but please give generously.
The concert will be live on the radio from 07:00 GMT / 19:00 NZT, and locally on TV Three.
Some related links:
In the U.S., there are two benefit concerts: in Jersey City (Wed.) and Los Angeles (Thursday), with music by New Zealand artists who are based there. Like the concerts in New Zealand, they're named You Are Us/Aroha Nui
- http://www.scoop.co.nz/stories/CU1904/S00104/us-iyou-are-usi-concert-announcement.htm (Archived)-
― sbahnhof, Tuesday, 16 April 2019 06:59 (one week ago) Permalink
Worldwide livestream video too, here.
― sbahnhof, Wednesday, 17 April 2019 03:58 (one week ago) Permalink