Year-End Critics' Polls '07

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I thought of doing an update of this five year-old thread - make predictions about what will be in/win magazines' end of year critics' polls, but really, that's the most boring part. I don't really care what overrated geezer rock album tops the Uncut and MOJO lists. I'm looking to be reminded of albums I hadn't gotten around to checking out yet.

In early 90s Spin used to be the first to publish their list in early November, but they wait until late December now. Are there any out besides Stylus yet?

Fastnbulbous, Saturday, 17 November 2007 17:42 (sixteen years ago) link

Largehearted Boy is keeping track of the year-end lists in this post:

http://www.largeheartedboy.com/blog/archive/2007/11/2007_online_bes.html

three handclaps, Saturday, 17 November 2007 17:44 (sixteen years ago) link

Also, Idolator just announced the "2007 Idolator Pop Critics Poll."

http://idolator.com/tunes/announcements/lets-do-it-again-announcing-the-2007-idolator-pop-critics-poll-323885.php

Can't wait to see the results.

three handclaps, Saturday, 17 November 2007 17:45 (sixteen years ago) link

Idolator was pretty interesting last year, more so than P&J at least.

stephen, Saturday, 17 November 2007 18:36 (sixteen years ago) link

is anyone able to access last year's ballots? i get a message that says "Authorization required: You don't have permission to do this" when I click on the link (and earlier it just led to a blank page)

aaron d.g., Saturday, 17 November 2007 21:51 (sixteen years ago) link

I just got my Idolator ballot -- a reminder that I need to get off my ass and listen to some stuff in the next few weeks.

Alfred, Lord Sotosyn, Saturday, 17 November 2007 21:54 (sixteen years ago) link

Unfortunately, when Gawker redesigned its comments, it erased the ballots from last year. We've figured out a workaround this year, so it shouldn't happen again.

Matos W.K., Saturday, 17 November 2007 22:12 (sixteen years ago) link

Are those '06 ballots coming back, Michaelangelo? That will totally suck, if they don't. I'm not sure I kept a record anywhere else of what I voted for!

xhuxk, Saturday, 17 November 2007 22:33 (sixteen years ago) link

archive.org
google.com

Tape Store, Saturday, 17 November 2007 22:33 (sixteen years ago) link

Matos, Jess, Maura: Good job avoiding dread acronym "ICP".

The Reverend, Saturday, 17 November 2007 22:45 (sixteen years ago) link

Wait, so you can still find old ballots by googling...what, exactly?

xhuxk, Sunday, 18 November 2007 00:04 (sixteen years ago) link

I'm pretty sure they're completely gone. I tried using Archive.org's Wayback Machine -- no luck, and they're definitely not up on the site.

three handclaps, Sunday, 18 November 2007 00:07 (sixteen years ago) link

I found mine by entering: "first name, last name" jackin' pop

Tape Store, Sunday, 18 November 2007 00:53 (sixteen years ago) link

Then look at the cached text

Tape Store, Sunday, 18 November 2007 00:53 (sixteen years ago) link

Matos, any idea when ballots are going out? I haven't gotten mine yet... (though that may not be an oversight, and my disastrous ballot from last year may have disqualified me...)

Mordechai Shinefield, Sunday, 18 November 2007 02:34 (sixteen years ago) link

OMG my ballot last year was so awesome, I was such a good critic last year

Dimension 5ive, Sunday, 18 November 2007 02:37 (sixteen years ago) link

A few Idolator readers who write about music may have noticed an invitation in their inbox today; still others will be receiving one soon. . . .

Chances are if you write about music regularly we've already got an invite on its way to you, but if you want to be considered, email p✧✧✧@idola✧✧✧.c✧✧ and include your name, your email, links to your blog and/or some pieces you've written during 2007. . . .


from Let's Do It Again: Announcing The 2007 Idolator Pop Critics Poll

three handclaps, Sunday, 18 November 2007 02:38 (sixteen years ago) link

I predict Calle 13 and Dude N' Nem will deservedly take their places in the number one spots for albums and singles, respectively

....on my ballot. : (

The Reverend, Sunday, 18 November 2007 02:56 (sixteen years ago) link

We sent ballots out yesterday. If you didn't get it, write me.

Matos W.K., Sunday, 18 November 2007 02:58 (sixteen years ago) link

or rather, write p✧✧✧@idola✧✧✧.c✧✧ -- of course, since 85% of the responses I've tried sending from that address are fucking BOUNCING, I'll probably reply from somewhere else. but do it anyway.

Matos W.K., Sunday, 18 November 2007 02:58 (sixteen years ago) link

that's poll at idolator dot com

Matos W.K., Sunday, 18 November 2007 02:59 (sixteen years ago) link

I really hate the internet today

Matos W.K., Sunday, 18 November 2007 02:59 (sixteen years ago) link

fwiw, I got mine just fine.

The Reverend, Sunday, 18 November 2007 03:04 (sixteen years ago) link

Matos, I haven't gotten mine yet. I sent you an email yesterday.

Mordechai Shinefield, Sunday, 18 November 2007 22:32 (sixteen years ago) link

I know you did. I can't send out invites until the week. Be patient.

Matos W.K., Sunday, 18 November 2007 23:14 (sixteen years ago) link

kk. Just asking :)

Mordechai Shinefield, Monday, 19 November 2007 02:22 (sixteen years ago) link

Ethan and R|T|C want me to push for a ban on voting for white rockers. Sasha will allow votes for Los Angeles rockers No Age though. None of this wimpy multicultural voting for African, Latin, rap and white guy rock though, like I did last year.

curmudgeon, Monday, 19 November 2007 02:58 (sixteen years ago) link

god if it's gonna be like that I probably won't even bother, wtf

Dimension 5ive, Monday, 19 November 2007 03:57 (sixteen years ago) link

I keed, I keed. But seriously, those dudes think that my advocacy of increasing the presence of non-rock contributors to alt-weeklies and music polls means I cannot ever admit myself to liking any white rockers, or uh, seeing holes in SFJ theories.

curmudgeon, Monday, 19 November 2007 04:05 (sixteen years ago) link

: ( I was planning on voting for 9 white rockers and one token rap act. (also white) I guess I'll have to reconsider.

The Reverend, Monday, 19 November 2007 11:34 (sixteen years ago) link

Yeah, I'm gonna vote for a bunch of white dudes this year as well.

Dom Passantino, Monday, 19 November 2007 11:35 (sixteen years ago) link

Oh, so I'm not the only one who found SFJ's piece totally wrong and even a little disingenuous? THE BIG STATEMENT ABOUT CONTEMPORARY MUSIC AND RACE was neither convincing or big.

Mordechai Shinefield, Monday, 19 November 2007 22:44 (sixteen years ago) link

Uncut's list came out November 1 last year. The 2007 list must be out by now?

Fastnbulbous, Friday, 23 November 2007 19:00 (sixteen years ago) link

Uncut's Jan issue comes out today. Apparently with two books, one of which covers the albums and singles lists. The list should pop up online soon.

Paste Magazine
1. The National - Boxer
2. Arcade Fire - Neon Bible
3. Bruce Springsteen - Magic
4. The White Stripes - Icky Thump
5. Feist - The Reminder
6. M.I.A. - Kala
7. Wilco - Sky Blue Sky
8. Modest Mouse - We Were Dead Before the Ship Even Sank
9. Band of Horses - Cease to Begin
10. Iron & Wine - The Shepherd's Dog
11. Radiohead - In Rainbows
12. Avett Brothers - Emotionalism
13. Amy Winehouse - Back to Black
14. Loney, Dear - Loney, Noir
15. Kanye West - Graduation
16. Ryan Adams - Easy Tiger
17. Josh Ritter - The Historical Conquests of Josh Ritter
18. Miranda Lambert - Crazy Ex-Girlfriend
19. Ted Leo & the Pharmacists - Living with the Living
20. Blonde Redhead - 23
21. Jens Lekman - Night Falls Over Kortedala
22. LCD Soundsystem - Sound of Silver
23. Black Lips - Good Bad Not Evil
24. Patty Griffin - Children Running Through
25. Over The Rhine - The Trumpet Child
26. The Shins - Wincing the Night Away
27. Derek Webb - The Ringing Bell
28. Mary Gauthier - Between Daylight and Dark
29. Spoon - Ga Ga Ga Ga Ga
30. Björk - Volta
31. Of Montreal - Hissing Fauna, Are You The Destroyer?
32. Andrew Bird - Armchair Apocrypha
33. PJ Harvey - White Chalk
34. Bright Eyes - Cassadaga
35. Peter Bjorn & John - Writer's Block
36. Joe Henry - Civilians
37. Eleni Mandell - The Miracle Of Five
38. Olof Arnalds - Vid Og Vid
39. The Perishers - Victorious
40. Damien Dempsey - To Hell Or Barbados
41. Brandi Carlile - The Story
42. Lifesavas - Gutterfly
43. The Everybodyfields - Nothing Is Okay
44. Norah Jones - Not Too Late
45. Sharon Jones & the Dap Kings - 100 Days, 100 Nights
46. Justice - †
47. Linda Thompson - Versatile Heart
48. The Weakerthans - Reunion Tour
49. Carolina Chocolate Drops - Dona Got A Ramblin’ Mind
50. Battles - Mirrored
51. The Frames - The Cost
52. Thurston Moore - Trees Outside the Academy
53. Fionn Regan - The End Of History
54. Broken Social Scene Presents: Kevin Drew - Spirit If...
55. Sunset Rubdown - Random Spirit Lover
56. Kate Nash - Made of Bricks
57. The Clientele - God Save The Clientele
58. Romantica - America
59. Imperial Teen - The Hair The TV The Baby & The Band
60. The Broken West - I Can't Go On I'll Go On
61. Prince - Planet Earth
62. Joseph Arthur - Let's Just Be
63. Explosions In The Sky - All Of A Sudden I Miss Everyone
64. Animal Collective - Strawberry Jam
65. Caribou - Andorra
66. Apples In Stereo - New Magnetic Wonder
67. St. Vincent - Marry Me
68. Office - A Night At The Ritz
69. Bat For Lashes - Fur & Gold
70. Ween - La Cucaracha
71. Josh Rouse - Country Mouse City House
72. Bettye Lavette - Scene Of The Crime
73. Warm In The Wake - American Prehistoric
74. Beirut - The Flying Club Cup
75. Great Lake Swimmers - Ongiara
76. Okkervil River - The Stage Names
77. Jeremy Fisher - Goodbye Blue Monday
78. The New Pornographers - Challengers
79. Deerhoof - Friend Opportunity
80. Akron/Family - Love Is Simple
81. Art Brut - It's A Bit Complicated
82. Dan Deacon - Spiderman of the Rings
83. Deerhunter - Cryptograms
84. Liars - Liars
85. Menomena - Friend and Foe
86. Ruthie Foster - The Phenomenal Ruthie Foster
87. White Rabbits – Fort Nightly
88. Do Make Say Think - You, You're A History In Rust
89. Anat Cohen - Noir
90. Devendra Banhart - Smokey Rolls Down Thunder Canyon
91. The Fratellis - Costello Music
92. Jesse Sykes – Like, Love, Lust & the Open Halls of the Soul
93. Lori McKenna - Unglamorous
94. Suzanne Vega - Beauty & Crime
95. The Good, The Bad & The Queen - The Good, The Bad & The Queen
96. Arctic Monkeys - Favourite Worst Nightmare
97. Marissa Nadler - Song III: Bird on the Water
98. Dinosaur Jr. - Beyond
99. The Fiery Furnaces - Widow City
100. Stars – In Our Bedroom After The War

Fastnbulbous, Thursday, 29 November 2007 18:14 (sixteen years ago) link

Harp Magazine's list (nice to see Okkervil top a list other than my own):

50. Tunng, Good Arrows
49. Sharon Jones & the Dap-Kings, 100 Days, 100 Nights
48. Oakley Hall, I'll Follow You
47. Yeasayer, All Hour Cymbals
46. Manu Chao, La Radiolina
45. Bettye LaVette, The Scene Of The Crime
44. Beirut, The Flying Cub Cup
43. Explosions In The Sky, All Of A Sudden I Miss Everyone
42. Mavis Staples, We'll Never Turn Back
41. Dr. Dog, We All Belong
40. Ian Hunter, Shrunken Heads
39. Patty Griffin, Children Running Through
38. Eleni Mandell, Miracle Of Five
37. Rufus Wainwright, Release The Stars
36. Bright Eyes, Cassadega
35. Animal Collective, Strawberry Jam
34. Ryan Adams, Easy Tiger
33. St. Vincent, Marry Me
32. Broken Social Scene Presents Kevin Drew, Spirit If...
31. Robert Wyatt, Comicopera
30.Grinderman
29. Kings Of Leon, Because Of The Times
28. Grace Potter & The Nocturnals, This Is Somewhere
27. Of Montreal, Hissing Fauna, Are You The Destroyer?
26. Steve Earle, Washington Square Serenade
25. Jesse Sykes And The Sweet Hereafter, Like, Love, Lust, And The Open Halls Of The Soul
24. M.I.A., Kala
23. Bill Callahan, Woke On A Whale Heart
22. Ted Leo & The Pharmacists, Living With The Living
21. The National, Boxer
20. Rilo Kiley, Under The Blacklight
19. Bruce Springsteen, Magic
18. Georgie James, Places
17. The Good, The Bad, And The Queen
16. Wilco, Sky Blue Sky
15. The New Pornographers, Challengers
14. The Shins, Wincing The Night Away
13. Avett Brothers, Emotionalism
12. Devendra Banhart, Smokey Rolls Down Thunder Canyon
11. White Stripes, Icky Thump
10. Jason Isbell, Sirens Of The Ditch
9. Neil Young, Chrome Dreams II
8. Arcade Fire, Neon Bible
7. Radiohead, In Rainbows
6. Spoon, Ga Ga Ga Ga Ga
5. Feist, The Reminder
4. Future Clouds & Radar
3. Iron & Wine, The Shepherd's Dog
2. Band Of Horses, Cease To Begin
1. Okkervil River, The Stage Names

Simon H., Thursday, 29 November 2007 18:40 (sixteen years ago) link

If Rihanna isn't at the top of any given list, they lose. They lose the whole Interwebs. LOSE.

Mordechai Shinefield, Thursday, 29 November 2007 18:48 (sixteen years ago) link

Sharon Jones at only #45 in Paste? Josh Rouse only at #71? Recount!

Joseph McCombs, Thursday, 29 November 2007 19:11 (sixteen years ago) link

Mordechai, aren't you aware that R&B is only good when made by relics and retroists?

The Reverend, Thursday, 29 November 2007 22:24 (sixteen years ago) link

Oh, so I'm not the only one who found SFJ's pieceMordechai Shinefield's post totally wrong and even a little disingenuous? THE BIG STATEMENT ABOUT CONTEMPORARY MUSIC AND RACERIHANNA was neither convincing or big.

Alex in Baltimore, Thursday, 29 November 2007 22:57 (sixteen years ago) link

Mags that pay attention to metal will be giving big props to Wolves in the Throneroom Two Hunters (Southern Lord).

Nate Carson, Friday, 30 November 2007 01:42 (sixteen years ago) link

<sticks out tongue at Alex in Baltimore> Phphhhtt.

Mordechai Shinefield, Friday, 30 November 2007 03:04 (sixteen years ago) link

You poptimist you...

curmudgeon, Tuesday, 4 December 2007 14:28 (sixteen years ago) link

What is going on with these early lists, people? Hissing Fauna showing up in the mid 20s? And New Magnetic Wonder only making it to 66? This is an outrage!

kornrulez6969, Tuesday, 4 December 2007 15:01 (sixteen years ago) link

I know, right.

The Reverend, Tuesday, 4 December 2007 15:22 (sixteen years ago) link

Quick, someone tell SFJ the news!

JN$OT, Tuesday, 4 December 2007 15:37 (sixteen years ago) link

Since its inception, Metacritic has provided a cross-section of reviews from a carefully-screened group of the most respected critics

curmudgeon, Tuesday, 4 December 2007 16:09 (sixteen years ago) link

Decibel: Where nobody gives a flying fuck about In Rainbows
Satan bless Decibel and their metal-lovin' ways.

40 - Grave In The Sky - Cutlery Hits China: English For The Hearing Impaired
39 - Trap Them - Sleepwell Deconstructer
38 - Darkest Hour - Deliver Us
37 - Year of No Light - Nord
36 - Pissed Jeans - Hope For Men
35 - Alcest - Souvenirs d'un Autre Monde
34 - Torche - In Return
33 - Between the Buried and Me - Colors
32 - Evoken - A Caress Of The Void
31 - Destroyer Destroyer - Littered With Arrows
30 - Down - III: Over The Under
29 - Engineer - The Dregs
28 - Rwake - Voice Of Omens
27 - Architect - All Is Not Lost
26 - Obliteration - Perpetual Decay
25 - Dax Riggs - We Sing Of Only Blood Or Love
24 - Big Business - Here Come The Waterworks
23 - Rosetta - Wake/Lift
22 - Magrudergrind - Rehashed
21 - Machine Head - The Blackening
20 - Caina - Mourner
19 - Electric Wizard - Witchcult Today
18 - The End - Elementary
17 - Melt-Banana - Bambi's Dilemma
16 - Graf Orlock - Destination Time Tomorrow
15 - Bergraven - Dodsvisioner
14 - Moonsorrow - Viides Luku/Havitetty
13 - Pelican - City Of Echoes
12 - The Red Chord - Prey For Eyes
11 - Deathspell Omega - Fas-ite Maledicti In Ignem Aeternum
10 - A Life Once Lost - Iron Gag
09 - High on Fire - Death Is This Communion
08 - Portal - Outre
07 - Witchcraft - The Alchemist
06 - Neurosis - Given To The Rising
05 - Baroness - The Red Album
04 - Jesu - Conqueror
03 - The Dillinger Escape Plan - Ire Works
02 - Watain - Sworn To The Dark
01 - Pig Destroyer - Phantom Limb

Uncut
I love LCD Soundsystem to death. They rocked hard when I saw them, when they blew M.I.A. off the stage. But the new one is just a bit too inconsistent. It looks like some of their staff agree with me that the new Arctic Monkeys is far better than their first. Robert Plant and Alison Krauss and Wilco are predictable entries (is Tweedy old enough to be called a geezer yet?), and White Chalk and Comicopera are surprisingly challenging albums that high on an Uncut list. Voice of the Seven Woods is an interesting guitar album I'd never heard of before. They must not let Simon Reynolds vote anymore, otherwise at least Burial and Pinch would be on there, representing dubstep.

1. LCD Soundsystem - Sound of Silver
2. Arctic Monkeys - Favourite Worst Nightmare
3. PJ Harvey - White Chalk
4. Robert Plant and Alison Krauss - Raising Sand
5. Wilco - Sky Blue Sky
6. Robert Wyatt - Comicopera
7. The Hold Steady - Boys and Girls in America
8. The White Stripes - Icky Thump
9. Radiohead - In Rainbows
10. Klaxons - Myths of the Near Future
11. Björk - Volta
12. Battles - Mirrored
13. Neil Young - Chrome Dreams II
14. M.I.A. - Kala
15. Panda Bear - Person Pitch
16. Grinderman - Grinderman
17. Super Furry Animals - Hey Venus!
18. Voice of the Seven Woods - Voice of the Seven Woods
19. Feist - The Reminder
20. Bruce Springsteen - Magic
21. Arcade Fire - Neon Bible
22. Babyshambles - Shotters Nation
23. Rilo Kiley - Under the Brightlight
24. Lessavy Fav - Let's Stay Friends
25. Kings of Leon - Because of the Times
26. Manu Chao - La Radiolina
27. Steve Earle - Washington Square Serenade
28. Rufus Wainwright - Release the Stars
29. The Besnard Lakes - The Besnard Lakes are the Dark Horse
30. The Good, The Bad & The Queen - The Good, The Bad & The Queen
31. Devendra Banhart - Smokey Rolls Down Thunder Canyon
32. Queens of the Stone Age - Era Vulgaris
33. Tinariwen - Aman Iman: Water Is Life
34. The National - Boxer
35. Bill Callahan - Woke on a Whaleheart
36. Bright Eyes - Cassadaga
37. Beirut - The Flying Club Cup
38. The Cribs - Men's Needs, Women's Needs, Whatever
39. Interpol - Our Love to Admire
40. Iron and Wine - The Shepherd's Dog
41. Justice - †
42. Richard Thompson - Sweet Warrior
43. Manic Street Preachers - Send Away the Tigers
44. Maps - We Can Create
45. Richard Hawley - Lady's Bridge
46. Von Sudenfed - Tromatic Reflexxions
47. Nick Lowe - At My Age
48. Thurston Moore - Trees Outside the Academy
49. Ry Cooder - My Name Is Buddy
50. Dinosaur Jr. - Beyond

Q Magazine
It's nice to see Soulsavers and Field Music here, as they aren't on many lists yet. I haven't heard of Cherry Ghost, will have to check them out. They have Klaxons, but no Maximo Park, The Rakes, Good Shoes or The Maccabees. If Q doesn't champion them, who will? Guess it'll have to be NME or lil' ol me.

1. Arcade Fire - Neon Bible
2. The White Stripes - Icky Thump
3. Arctic Monkeys - Favourite Worst Nightmare
4. Radiohead - In Rainbows
5. The Good, The Bad & The Queen - The Good, The Bad & The Queen
6. Bruce Springsteen - Magic
7. Kings of Leon - Because of the Times
8. The Shins - Wincing the Night Away
9. The Hold Steady - Boys and Girls in America
10. Rufus Wainwright - Release the Stars
11. Modest Mouse - We Were Dead Before the Ship Even Sank
12. Foo Fighters - Echoes, Silence, Patience & Grace
13. Kaiser Chiefs - Yours Truly, Angry Mob
14. Cherry Ghost - Thirst for Romance
15. Interpol - Our Love to Admire
16. Manic Street Preachers - Send Away the Tigers
17. Rilo Kiley - Under the Blacklight
18. LCD Soundsystem - Sound of Silver
19. Björk - Volta
20. The Rumble Strips - Girls and Weather
21. Cold War Kids - Robbers & Cowards
22. The Coral - Roots & Echoes
23. Bright Eyes - Cassadaga
24. PJ Harvey - White Chalk
25. Spoon - Ga Ga Ga Ga Ga
26. Beirut - The Flying Club Cup
27. Ryan Adams - Easy Tiger
28. The Decemberists - The Crane Wife
29. Roìsìn Murphy - Overpowered
30. The National - Boxer
31. Soulsavers - It's Not How Far You Fall, It's the Way You Land
32. Klaxons - Myths of the Near Future
33. Neil Young - Chrome Dreams II
34. M.I.A. - Kala
35. Hard-Fi - Once upon a Time in the West
36. Common - Finding Forever
37. Robyn - Robyn
38. Fall Out Boy - Infinity on High
39. Joni Mitchell - Shine
40. Field Music - Tones of Town
41. Keren Ann - Keren Ann
42. The Enemy - We'll Live and Die in These Towns
43. Patrick Watson - Close to Paradise
44. Gogol Bordello - Super Taranta!
45. Lucinda Williams - West
46. Sigur Ròs - Hvarf-Heim
47. Kate Nash - Made of Bricks
48. Justice - †
49. Jamie T - Panic Prevention
50. Stereophonics - Pull the Pin

Fastnbulbous, Tuesday, 4 December 2007 17:22 (sixteen years ago) link

man i really wish i could participate in the idolator pop critics poll but i'm not a critic (as i don't have an outlet for any of my writing), just an ilxor/enthusiastic music listener and fan with opinions that need to be heard :(

stephen, Tuesday, 4 December 2007 17:45 (sixteen years ago) link

"Hail Satan!"

xp

JN$OT, Tuesday, 4 December 2007 17:47 (sixteen years ago) link

ilx will have its own poll this year, won't it?

Fastnbulbous, Tuesday, 4 December 2007 18:14 (sixteen years ago) link

Good luck trying.

jaymc, Tuesday, 4 December 2007 18:16 (sixteen years ago) link

ILX will have ONE MILLION polls this year.

I eat cannibals, Tuesday, 4 December 2007 22:15 (sixteen years ago) link

37. Robyn - Robyn

this should be much higher, but in 2007 it's just really old.

Bee OK, Wednesday, 5 December 2007 04:05 (sixteen years ago) link

ilx will have its own poll this year, won't it?

-- Fastnbulbous, Tuesday, December 4, 2007

yeah, it should. someone always puts something together...

Bee OK, Wednesday, 5 December 2007 04:07 (sixteen years ago) link

i volunteer Bee OK for the job

elan, Wednesday, 5 December 2007 04:19 (sixteen years ago) link

MOJO Best of 2007
I do like Neon Bible more than the first Arcade Fire album, but it's still spotty. Like the last Killers album, its homages to Springsteen are both clumsy and charming. The result is a merely decent album, but happens to appeal to a broad enough spectrum that it's sitting near the top of almost every list. So again the more interesting stories are buried below the top 10s. Actually there's not much of interest there either in MOJO's list, at least until #40. Plant/Krauss, Lowe and Young are the requisite geezer entries after The Boss. I haven't heard the Joni Mitchell, Pissed Jeans, Linda Thompson, Seasick Steve, Willy Mason, Edgar Jones, Amiina or Gravenhurst.

1. Radiohead - In Rainbows
2. Arcade Fire - Neon Bible
3. Bruce Springsteen - Magic
4. Arctic Monkeys - Favourite Worst Nightmare
5. LCD Soundsystem - Sound of Silver
6. The Good, The Bad & The Queen - The Good, The Bad & The Queen
7. The White Stripes - Icky Thump
8. PJ Harvey - White Chalk
9. Robert Wyatt - Comicopera
10. Kings of Leon - Because of the Times
11. Klaxons - Myths of the Near Future
12. The Hold Steady - Boys and Girls in America
13. Rufus Wainwright - Release the Stars
14. The Shins - Wincing the Night Away
15. Andrew Bird - Armchair Apocrypha
16. Bright Eyes - Cassadaga
17. Field Music - Tones of Town
18. Grinderman - Grinderman
19. Robert Plant & Alison Krauss - Raising Sand
20. Nick Lowe - At My Age
21. Neil Young - Chrome Dreams II
22. Wilco - Sky Blue Sky
23. Efterklang - Parades
24. Björk - Volta
25. Joni Mitchell - Shine
26. Pissed Jeans - Hope for Men
27. Linda Thompson - Versatile Heart
28. The Cinematic Orchestra - Ma Fleur
29. Iron & Wine - The Shepherd's Dog
30. Thurston Moore - Trees Outside the Academy
31. Gruff Rhys - Candylion
32. Panda Bear - Person Pitch
33. Seasick Steve - Dog House Music
34. Willy Mason - If the Ocean Gets Rough
35. Bettye LaVette - The Scene of the Crime
36. Tinariwen - Aman Iman: Water Is Life
37. Edgar Jones and The Joneses - Gettin' a Little Help
38. The Besnard Lakes - Are the Dark Horse
39. Battles - Mirrored
40. Yoko Ono - Yes, I'm a Witch
41. Amiina - Kurr
42. Gravenhurst - The Western Lands
43. Interpol - Our Love to Admire
44. Les Savy Fav - Let's Stay Friends
45. Matthew Dear - Asa Breed
46. Kevin Ayers - The Unfairground
47. Edwyn Collins - Home Again
48. Babyshambles - Shotter's Nation
49. Voice of the Seven Woods - Voice of the Seven Woods
50. Alasdair Roberts - The Amber Gatherers

Fastnbulbous, Thursday, 6 December 2007 19:22 (sixteen years ago) link

That list is horrible. Does MOJO realize there's this relatively new thing called HEAVY FUCKING METAL?

Bill Magill, Thursday, 6 December 2007 19:26 (sixteen years ago) link

http://www.thedirks.org/thegirls/erica-yawn-20030521.jpg

stephen, Thursday, 6 December 2007 19:28 (sixteen years ago) link

Afropop.org top 10

Andy Palacio and the Garifuna Collective “Wátina” (Cumbancha) (Belize)
Bassekou Kouyate and Ngoni ba “Segu Blue” (Out There Records) (Mali)
Caetano Veloso “Cê” (Nonesuch) (Brazil)
Dee Dee Bridgewater “Red Earth” (Emarcy) (USA)
Erol Josué “Régléman” (High Times Records/Mi5 Productions) (Haiti)
Puerto Plata “Mujer de Cabaret” (iASO Records) (Dominican Republic)
Ricardo Lemvo “Isabela” (Mobiato Music) (Congo)
Sergio and Odair Assad “Jardim abandonado” (Nonesuch) (Brazil)
Vusi Mahlasela, “Guiding Star” (ATO Records) (South Africa)
Youssou N’Dour, "Rokku Mi Rokka (Give and Take)" (Nonesuch) (Senegal)

curmudgeon, Friday, 7 December 2007 02:25 (sixteen years ago) link

Largehearted Boy is keeping track of the year-end lists in this post:

http://www.largeheartedboy.com/blog/archive/2007/11/2007_online_bes.html

-- three handclaps, Saturday, November 17, 2007 12:44 PM (2 weeks ago) Bookmark Link

three handclaps, Friday, 7 December 2007 05:00 (sixteen years ago) link

So, who will Pitchfork pick for their album of the year?

My guess: In Rainbows.

(If that's wrong it will be Sound of Silver, Person Pitch, or Strawberry Jam.)

three handclaps, Friday, 7 December 2007 05:07 (sixteen years ago) link

25. Joni Mitchell - Shine
26. Pissed Jeans - Hope for Men
27. Linda Thompson - Versatile Heart

a pissed jeans folkie sandwich. i think linda's going on my top 10. that's a good record.

tipsy mothra, Friday, 7 December 2007 05:10 (sixteen years ago) link

these polls are pretty much interchangeable aren't they. why don't these rags just club together and give us one list and be done with it. nice to see alasdair roberts scrape through in the mojo poll though. i liked that album.

sam500, Friday, 7 December 2007 05:25 (sixteen years ago) link

speaking of which…

2007's best albums

As voted by the Guardian's music writers

Friday December 7, 2007
The Guardian

1 LCD Soundsystem: Sound of Silver
2 Radiohead: In Rainbows
3 The Hold Steady: Boys and Girls in America
4 MIA: Kala
5 Klaxons: Myths of the Near Future
6 Kings of Leon: Because of the Times
7 Grinderman: Grinderman
8 Battles: Mirrored
9 PJ Harvey: White Chalk
10 Feist: The Reminder
11 Arctic Monkeys: Favourite Worst Nightmare
12 Robert Plant and Alison Krauss
13 The Felice Brothers: Tonight at the Arizona
14 Arcade Fire: Neon Bible
15 Les Savy Fav: Let's Stay Friends
16 The Good, the Bad & the Queen: The Good, the Bad & the Queen
17 Britney Spears: Blackout
18 Bruce Springsteen: Magic
19 Josh Ritter: The Historical Conquests of Josh Ritter
20 El-P: I'll Sleep When You're Dead

sam500, Friday, 7 December 2007 08:00 (sixteen years ago) link

There's starting to be a disturbing lack of Hissing Fauna appreciation.

kornrulez6969, Friday, 7 December 2007 12:01 (sixteen years ago) link

Just when you couldn't think it could get any worse, it's the Guardian music poll.

Bill Magill, Friday, 7 December 2007 15:21 (sixteen years ago) link

It was a bad year.

zeus, Friday, 7 December 2007 15:32 (sixteen years ago) link

it was a great year. too many lists are ignoring apparat and mary timony, though

kamerad, Friday, 7 December 2007 15:36 (sixteen years ago) link

Yeah, that Mary Timony album is growing on me.

Alex in Baltimore, Friday, 7 December 2007 15:36 (sixteen years ago) link

The Decibel list shows it was a great year, unfortunately other publications see fit to put Yoko Ono and Britney Spears on their lists.

Bill Magill, Friday, 7 December 2007 16:07 (sixteen years ago) link

metal is shit

Free Peace Sweet!, Friday, 7 December 2007 16:08 (sixteen years ago) link

^^^stfu, prejudice is the fucking worst

Just got offed, Friday, 7 December 2007 16:11 (sixteen years ago) link

Great call dumbass.

x post

Bill Magill, Friday, 7 December 2007 16:11 (sixteen years ago) link

So, who will Pitchfork pick for their album of the year?

My guess: In Rainbows.

(If that's wrong it will be Sound of Silver, Person Pitch, or Strawberry Jam.)

i wouldn't be surprised at all if it's Sound of Silver. I could see Kala there, as well. (I haven't even heard either of these records).

For some reason I don't think they'll pick In Rainbows, nor will Strawberry Jam be it... the former seems too obvious, and the latter doesn't seem to have a huge consensus behind it. I don't know though, this is coming from someone who checks out 95% of any given year's albums a year or two after their release dates.

Mark Clemente, Friday, 7 December 2007 16:21 (sixteen years ago) link

The top fifty I submitted to be totted-up for the Stylus poll;

1. Patrick Wolf – The Magic Position
2. Electrelane – No Shouts No Calls
3. Caribou – Andorra
4. Battles – Mirrored
5. Acoustic Ladyland – Skinny Grin
6. 65daysofstatic – The Destruction Of Small Ideas
7. LCD Soundsystem – The Sound Of Silver
8. Stars Of The Lid – And The Refinement Of Their Decline
9. Studio – West Coast
10. Spoon – Ga Ga Ga Ga Ga
11. Beirut – The Flying Club Cup
12. !!! – Myth Takes
13. Six.By Seven – If Symptoms Persist Kill Your Dr
14. Working For A Nuclear Free City – Businessmen And Ghosts
15. Two Lone Swordsmen – Wrong Meeting 2
16. Panda Bear – Person Pitch
17. Bjork – Volta
18. Apparat – Walls
19. The Field – From Here We Go Sublime
20. Menomena – Friend And Foe
21. PJ Harvey – White Chalk
22. The Tuss – Rushup Edge
23. Von Sudenfed – Tromatic Reflexxions
24. Ulrich Schnauss – Goodbye
25. The Clientele – God Save The Clientele
26. Wilco – Sky Blue Sky
27. L’imparfait Des Langues – Louis Sclavis
28. Do Make Say Think – You, You’re A History In Rust
29. Two Lone Swordsmen – Wrong Meeting
30. Ash – Twilight Of The Innocents
31. Strategy – Future Rock
32. The Twilight Sad – Fourteen Autumns And Fifteen Winters
33. Miracle Fortress – Five Roses
34. Super Furry Animals – Hey Venus!
35. Pharoahe Monch – Desire
36. Matthew Dear – Asa Breed
37. Fraud – Fraud
38. Floratone – Floratone
39. Siobhan Donaghy – Ghosts
40. Queens Of The Stone Age – Era Vulgaris
41. Radiohead – In Rainbows
42. Grinderman – Grinderman
43. Arcade Fire – Neon Bible
44. Basquiat Strings – Basquiat Strings
45. Kanye West – Graduation
46. Rufus Wainwright – Release The Stars
47. Bill Callahan – Woke On A Whaleheart
48. The National – Boxer
49. Phosphorescent – Pride
50. The Good The Bad & The Queen – The Good The Bad & The Queen

Scik Mouthy, Friday, 7 December 2007 16:36 (sixteen years ago) link

Is it this Stars Of The Lid record THAT good, Nick?

zeus, Friday, 7 December 2007 16:44 (sixteen years ago) link

The Clash Magazine Rock/Indie
1. Kings Of Leon - Because Of The Times
2. Cold War Kids - Robbers And Cowards
3. Arcade fire - Neon Bible
4. Jamie T - Panic Prevention
5. The White Stripes - Icky Thump
6. Arctic Monkeys - Favourite Worst Nightmare
7. Radiohead - In Rainbows
8. The Enemy - We'll Live And Die In These Towns
9. Bloc Party - A Weekend In The City
10. Babyshambles - Shotter's Nation

Leftfield Albums
1. Benga - Diary Of An Afro Warrior
2. Battles - Mirrors
3. Apparat - Walls
4. New Young Pony Club - Fantastic Playroom
5. Skream - Skreamism III
6. MIA - Kala
7. Mum - Go Smear The Poison Ivy
8. Matthew Dear - As Breed
9. Tunng - Good Arrows - Full Time Hobby
10. Maps - We Can Create

Alternative Albums
1. Feist - The Reminder
2. LCD Soundsystem - Sound Of Silver
3. Radical Face - Ghost
4. Klaxons - Myths Of The Near Future
5. Iron And Wine - The Shepherd's Dog
6. Andrew Bird - Armchair Apochrypha
7. Elvis Perkins - Ash Wednesday
8. Animal Collective - Strawberry Jam
9. Richard Swift - Dressed Up For The Letdown
10. Carbon/Silicon - The Last Post

Their categories are pretty muddled. They should have just done a top 50. I'll be checking out Benga, Apparat and Carbon/Silicon this weekend.

Fastnbulbous, Friday, 7 December 2007 16:57 (sixteen years ago) link

That Rock/Indie one is frightful.

Here's the New York Post Drowned In Sound's:

1: LCD Soundsystem – Sound Of Silver
2: Battles – Mirrored
3: Panda Bear – Person Pitch
4: M.I.A. – Kala
5: Jamie T – Panic Prevention
6: Modest Mouse – We Were Dead Before The Ship Even Sank
7: Liars – Liars
8: No Age – Weirdo Rippers
9: Radiohead – In Rainbows
10: HEALTH – Health
11: Deerhunter – Cryptograms
12: The National – Boxer
13: Les Savy Fav – Let’s Stay Friends
14: Aesop Rock – None Shall Pass
15: Clap Your Hands Say Yeah – Some Loud Thunder
16: The Maccabees – Colour It In
17: Animal Collective – Strawberry Jam
18: Klaxons – Myths Of The Near Future
19: Arcade Fire – Neon Bible
20: The Shins – Wincing The Night Away
21: Grinderman – Grinderman
22: Blonde Redhead – 23
23: PJ Harvey – White Chalk
24: Efterklang – Parades
25: Justice – Cross

26: Black Lips – Good Bad Not Evil
27: Deerhoof – Friend Opportunity
28: Clipse – Hell Hath No Fury
29: Field Music – Tones Of Town
30: Bloc Party – A Weekend In The City
31: The Cribs – Men’s Needs, Women’s Needs, Whatever
32: !!! – Myth Takes
33: Andrew Bird – Armchair Apocrypha
34: Arctic Monkeys – Favourite Worst Nightmare
35: Electrelane – No Shouts, No Calls
36: Thurston Moore – Trees Outside The Academy
37: Beirut – The Flying Club Cup
38: Future of the Left – Curses
39: dälek – Abandoned Language
40: The Sea & Cake – Everybody
41: Mathew Sawyer and the Ghosts – Blue Birds Blood
42: Eugene McGuinness – The Early Learnings Of…
43: Von Südenfed – Tromatic Reflexxions
44: Prefuse 73 – Preparations
45: Pinback – Autumn Of The Seraphs
46: of Montreal – Hissing Fauna, Are You The Destroyer
47: Yeasayer – All Hour Cymbals
48: The Twilight Sad – Fourteen Autumns and Fifteen Winters
49: Jen Lekman – Night Falls Over Kortedala
50: Feist – The Reminder

DJ Mencap, Friday, 7 December 2007 17:37 (sixteen years ago) link

Unsurprisingly, I didn't vote on that.

Dom Passantino, Friday, 7 December 2007 17:39 (sixteen years ago) link

Or else it would have read:

1: LCD Soundsystem – Sound Of Silver
2: Battles – Mirrored
3: Panda Bear – Person Pitch
4: M.I.A. – Kala
5: Jamie T – Panic Prevention
6: Modest Mouse – We Were Dead Before The Ship Even Sank
7: Liars – Liars
8: No Age – Weirdo Rippers
9: Radiohead – In Rainbows
10: HEALTH – Health
11: Deerhunter – Cryptograms
12: The National – Boxer
13: Les Savy Fav – Let’s Stay Friends
14: Aesop Rock – None Shall Pass
15: Clap Your Hands Say Yeah – Some Loud Thunder
16: The Maccabees – Colour It In
17: Animal Collective – Strawberry Jam
18: Klaxons – Myths Of The Near Future
19: Arcade Fire – Neon Bible
20: The Shins – Wincing The Night Away
21: Grinderman – Grinderman
22: Blonde Redhead – 23
23: PJ Harvey – White Chalk
24: Efterklang – Parades
25: Justice – Cross

26: Black Lips – Good Bad Not Evil
27: Deerhoof – Friend Opportunity
28: Clipse – Hell Hath No Fury
29: Field Music – Tones Of Town
30: Bloc Party – A Weekend In The City
31: The Cribs – Men’s Needs, Women’s Needs, Whatever
32: !!! – Myth Takes
33: Andrew Bird – Armchair Apocrypha
34: Arctic Monkeys – Favourite Worst Nightmare
35: Electrelane – No Shouts, No Calls
36: Thurston Moore – Trees Outside The Academy
37: Beirut – The Flying Club Cup
38: Future of the Left – Curses
39: dälek – Abandoned Language
40: The Sea & Cake – Everybody
41: Mathew Sawyer and the Ghosts – Blue Birds Blood
42: Eugene McGuinness – The Early Learnings Of…
43: Von Südenfed – Tromatic Reflexxions
44: Prefuse 73 – Preparations
45: Pinback – Autumn Of The Seraphs
46: of Montreal – Hissing Fauna, Are You The Destroyer
47: Yeasayer – All Hour Cymbals
48: The Twilight Sad – Fourteen Autumns and Fifteen Winters
49: Jen Lekman – Night Falls Over Kortedala
50: Majik Most - You Got Jokes

Dom Passantino, Friday, 7 December 2007 17:40 (sixteen years ago) link

Kinda surprised not to see Map of Africa anywhere. Didn't people like that?

Eppy, Sunday, 9 December 2007 19:13 (sixteen years ago) link

Kinda surprised not to see Map of Africa anywhere.

This disc got panned almost everywhere I read reviews of it (for representative samples, see the Pitchfork and Stylus reviews). I liked some songs on it -- e.g., Map of Africa and Plastic Surgery -- but I totally see why the disc wasn't well-received overall.

Daniel, Esq., Sunday, 9 December 2007 19:36 (sixteen years ago) link

15: Clap Your Hands Say Yeah – Some Loud Thunder

Did anyone talk about this one even a week after it came out? The first track was the only good one, the production was terrible, and it was such a step down from the first record; I have no desire to hear it again (except for the title track, which is brilliant.)

three handclaps, Sunday, 9 December 2007 19:39 (sixteen years ago) link

I'm kind of surprised that White Chalk is doing so well on many of these lists. It didn't do much for me, unfortunately; probably a first for any "real" PJH album.

JN$OT, Sunday, 9 December 2007 19:46 (sixteen years ago) link

Yeah, I have White Chalk and it isn't doing much for me either. "The Mountain" is nice, but after a few listens it just comes off as overblown and I need to wait a while before listening to it again. Decent album, but eh.

three handclaps, Sunday, 9 December 2007 20:34 (sixteen years ago) link

In ten years you will all come to appreciate Some Loud Thunder for the expectation-smashing masterpiece it is.

The Reverend, Monday, 10 December 2007 02:27 (sixteen years ago) link

j/k

The Reverend, Monday, 10 December 2007 02:27 (sixteen years ago) link

Vibe’s Top 44 Songs
44. Yung Bero ft. Junior, “Sexy Lady” (Epic)
43. Mims, “This Is Why I’m Hot” (Capitol)
42. Elliot Yamin, “Wait for You” (Hickory)
41. Plies, “100 Years” (Slip-N-Slide/Atlantic)
40. Collie Buddz, “Come Around” (Columbia)
39. Omarion, “Ice Box” (Epic/Sony Urban)
38. Bone Thugs-N- Harmony ft. Akon, “I Tried” (Full Surface/Interscope)
37. Prodigy, “Mac 10 Handle” (Koch)
36. Chris Brown ft. T-Pain, “Kiss Kiss” (Jive/Zomba)
35. Alicia Keys, “No One” (J)
34. Lil Mama, “Lip Gloss” (Jive)
33. Timbaland ft. Keri Hilson & D.O.E., “The Way I Are” (Mosley Music/Blackground/Interscope)
32. Lil Wayne, “Feel Like Dyin’” (MP3)
31. Musiq Soulchild, “Teachme” (Atlantic)
30. Playaz Circle ft. Lil Wayne, “Duffle Bag Boy” (DTP/Def Jam)
29. Richie Spice, “Youth Dem Cold” (VP)
28. Lloyd ft. Lil Wayne, “You” (The Inc./Universal Motown)
27. M.I.A. ft. Bun B & Rich Boy, “Paper Planes (Remix)” (mixtapes)
26. Cassidy ft. Swizz Beatz, “My Drink N’ My 2 Step” (Full Suface/J)
25. Ciara, “Like a Boy” (LaFace/Zomba)
24. Gorilla Zoe, “Hood Figga” (Block/Bad Boy/Atlantic)
23. Hurricane Chris, “A Bay Bay” (Polo Grounds/J)
22. The Fixxers, “Can U Werk Wit Dat” (Interscope)
21. The-Dream, “Shawty Is a 10” (Def Jam)
20. Foxx ft. Lil Boosie and Webbie, “Wipe Me Down” (Trill/Asylum)
19. Justin Timberlake, “What Goes Around . . . Comes Around” (Jive)
18. Swizz Beatz ft. Lil Wayne, R. Kelly & Jadakiss, “It’s Me Bitches (Remix)” (Universal Motown)
17. Amy Winehouse, “Love Is a Losing Game” (Universal Republic)
16. Common ft. Lily Allen, “Drivin’ Me Wild” (G.O.O.D./Geffen)
15. Ne-Yo, “Because of You” (Def Jam)
14. DJ Unk ft. OutKast & Jim Jones, “Walk It Out (Remix)” (Big Oomp/Koch)
13. UGK ft. OutKast, “Int’l Players Anthem (I Choose You)” (Jive)
12. R. Kelly ft. T.I. & T-Pain, “I’m a Flirt (Remix)” (Jive)
11. Keyshia Cole ft. Missy Elliott & Lil Kim, “Let It Go” (Imani/Geffen)
10. Robin Thicke, “Lost Without U” (Nu America/Star Trak/Interscope)
9. Rich Boy, “Throw Some D’s” (Zone 4/Interscope)
8. DJ Khaled ft. Akon, T.I., Rick Ross, Fat Joe, Birdman & Lil Wayne, “We Takin’ Over” (Koch)
7. J. Holiday, “Bed” (Music Line/Capitol)
6. T-Pain ft. Yung Joc, “Buy U a Drank (Shawty Snappin’)” (Konvict/Jive)
5. Soulja Boy Tell’em, “Crank That (Soulja Boy)” (Collipark/Interscope)
4. Rihanna ft. Jay-Z, “Umbrella” (Def Jam)
3. Kanye West ft. T-Pain, “Good Life” (Roc-a-Fella/Def Jam)
2. 50 Cent, “I Get Money” (Shady/Aftermath/Interscope)
1. Fabolous ft. Ne-Yo, “Make Me Better” (Def Jam)

Matos W.K., Monday, 10 December 2007 03:21 (sixteen years ago) link

i like that fabolous/ne-yo song but thats a weeeeeeeiiiiiiird list

max, Monday, 10 December 2007 03:22 (sixteen years ago) link

haha I don't care for that Fabolous/Ne-Yo song and yes, it is a weeeeird list

Matos W.K., Monday, 10 December 2007 03:22 (sixteen years ago) link

I have no strong opinion either way about the Fabolous/Ne-Yo song and that is a weeeeeeeeird list.

The Reverend, Monday, 10 December 2007 03:29 (sixteen years ago) link

Why 44? Is that numerological?

Rockist Scientist, Monday, 10 December 2007 03:32 (sixteen years ago) link

i'm confused.

J0rdan S., Monday, 10 December 2007 03:33 (sixteen years ago) link

i feel like im looking at the results of a rigged ilm p&j poll here.

J0rdan S., Monday, 10 December 2007 03:34 (sixteen years ago) link

like i like the fabo song but i wouldn't but it anywhere near the top 30 out of the songs on this list. was there any, um, justification given?

J0rdan S., Monday, 10 December 2007 03:35 (sixteen years ago) link

"Best Collabo"

Andy K, Monday, 10 December 2007 03:39 (sixteen years ago) link

oh.

J0rdan S., Monday, 10 December 2007 03:40 (sixteen years ago) link

i like that weeeeeiiiiird list

jhøshea, Monday, 10 December 2007 03:53 (sixteen years ago) link

Jazzwise's Albums of the Year

NEW RELEASES
1. Empirical, Emperical (Destin-e)
2. Maria Schneider, Sky Blue (ArtistShare)
3. EST, Live in Hamburg (ACT)
4. Michael Brecker, Pilgrimage (Emarcy)
5. Robert Wyatt, Comicopera (Domino)
6. Wynton Marsalis, From the Plantation to the Penitentiary (Blue Note)
7. The Core, Blue Sky (Jazzaway)
8. Gwilym Simcock, Perception (Basho)
9. Vijay Iyer/Rudresh Mahanthappa, Raw (Pi)
10. Gilad Atzmon, Refuge (Enja)

REISSUES AND ARCHIVE
1. Miles Davis, The Complete On the Corner Sessions (Columbia)
2. Andrew Hill, Compulsion!!! (Blue Note)
3. Bennie Maupin, The Jewel in the Lotus (ECM)
4. Joe Harriott, Free Form (Gott)
5. v/a, Mike Taylor Remembered (Dusk Fire)
6. Noah Howard, The Black Ark (Bo' Weavil)
7. Charles Mingus Sextet with Eric Dolphy, Cornell 64 (Blue Note)
8. John Handy, Recorded Live at the Monterey Jazz Festival (Jazz Beat)
9. Max Roach, We Insist! Freedom Now Suite (Candid)
TIE Duke Ellington, The Duke Box (Storyville)

Matos W.K., Monday, 10 December 2007 03:53 (sixteen years ago) link

I hate that Fabolous/Ne-Yo song but the Vibe list looks pretty reasonable to me in most other respects. it's funny to me though that they published a "top 77 Lil Wayne songs of 2007" but only had 44 songs for the whole year.

Alex in Baltimore, Monday, 10 December 2007 04:12 (sixteen years ago) link

i'm not exactly sure how a list like that could do wrong. most acclaimed rap/r&b songs of the year + most popular rap/r&b songs of the year + a few "curveballs". anyone who follows rap is gonna like like 70-75% of that list probably. it's the placement that's a little suspect at best.

J0rdan S., Monday, 10 December 2007 04:15 (sixteen years ago) link

yeah Rev, "indifferent" is probably a more accurate representation of my feelings about it as well

Matos W.K., Monday, 10 December 2007 04:16 (sixteen years ago) link

9. Rich Boy, “Throw Some D’s” (Zone 4/Interscope)
7. J. Holiday, “Bed” (Music Line/Capitol)

The Reverend, Monday, 10 December 2007 04:40 (sixteen years ago) link

13. UGK ft. OutKast, “Int’l Players Anthem (I Choose You)” (Jive)
12. R. Kelly ft. T.I. & T-Pain, “I’m a Flirt (Remix)” (Jive)
9. Rich Boy, “Throw Some D’s” (Zone 4/Interscope)
7. J. Holiday, “Bed” (Music Line/Capitol)

The Reverend, Monday, 10 December 2007 04:41 (sixteen years ago) link

there's a lot of '06 hits on that list (Throw Some D's, You, Ice Box, Lost Without U), but they're a print mag and probably had to make those lists in early November so I guess they gotta play catch up.

Alex in Baltimore, Monday, 10 December 2007 04:58 (sixteen years ago) link

I dunno. I didn't hear "Throw Some D's" until it was too late to make my Stylus list and will be including it on my Idolator ballot this year and I'm pretty sure I didn't hear "You" until later. Fwiw, all those songs peaked on the Hot 100 this year.

The Reverend, Monday, 10 December 2007 05:09 (sixteen years ago) link

"You" peaked Feb. 17th. (Seems like it should have been much later than that.) "Icebox" peaked March 10th. "Throw Some D's" and "Lost Without U" peaked March 31st.

The Reverend, Monday, 10 December 2007 05:13 (sixteen years ago) link

revmc.xls

The Reverend, Monday, 10 December 2007 05:13 (sixteen years ago) link

I forgot about "You" and "Throw Some D's"

Some more contenders for the number ten slot on my Idolator ballot (currently occupied by "Way I Are")

Tape Store, Monday, 10 December 2007 05:39 (sixteen years ago) link

eh, songs are typically out for at least 2-3 months before their chart peaks, and all those were on my 06 singles list (except "Ice Box," which I don't like) this time last year.

Alex in Baltimore, Monday, 10 December 2007 05:40 (sixteen years ago) link

Why am I even arguing this? I'm going to vote for a song that came out in 2005 and three or four from last year. I figure as long as I associate them with this year, that's good enough.

The Reverend, Monday, 10 December 2007 05:48 (sixteen years ago) link

were they songs that placed in those years' polls? not to be all "you're throwing your vote away" but that seems kinda pointless to me, unless you really can't think of enough songs from this year that you liked.

Alex in Baltimore, Monday, 10 December 2007 05:53 (sixteen years ago) link

Did people vote for "With Every Heartbeat" last year? I gave it an honorable mention.

Tape Store, Monday, 10 December 2007 05:57 (sixteen years ago) link

No they weren't. And I imagine (except for the one I'll likely be the only one to vote for, a bit obscure) that they'll do better this year than past years they were eligible. All of them reached their peak of popularity this year, in any case.

The Reverend, Monday, 10 December 2007 05:58 (sixteen years ago) link

2 votes last year for "With Every Heartbeat" I imagine it will place quite highly.

The Reverend, Monday, 10 December 2007 06:00 (sixteen years ago) link

ah, yeah, that kind of thing makes sense. I usually don't do that, but sometimes I make an exception if it's a song like "Since U Been Gone" (which was in my top 20 the year barely anyone listed it, and then top 3 the next year when everyone else listed it).

Alex in Baltimore, Monday, 10 December 2007 06:01 (sixteen years ago) link

And I can think of enough songs from this year that I love to agonize over cutting songs I consider perfect from my list. I just consider these songs of 2007 whether they were technically released this year or not.

The Reverend, Monday, 10 December 2007 06:02 (sixteen years ago) link

I didn't hear any of the songs I'll be voting for before mid-December, fwiw.

The Reverend, Monday, 10 December 2007 06:03 (sixteen years ago) link

i'm with alex on this one. i wanna vote for studio's yearbook 1 but since west coast came out this year i figure more people will vote for that so that's what i'm going to go with. likewise i'm voting big doe rehab this year even though i'm a bit tentative about it's slotting since i'll only have had it for about 2 weeks when the idolator deadline comes around.

J0rdan S., Monday, 10 December 2007 06:04 (sixteen years ago) link

I just consider these songs of 2007 whether they were technically released this year or not/

i think this is dumb, but this is a ridiculous argument nonetheless.

J0rdan S., Monday, 10 December 2007 06:05 (sixteen years ago) link

Why is it dumb? As I said, all of them peaked in popularity this year and I only heard one of them like two weeks before the end of the year, too late to make the eoy list I submitted for Stylus and the rest not until this year.

The Reverend, Monday, 10 December 2007 06:08 (sixteen years ago) link

It is a ridiculous argument, but I'm not sure why there has to be some hard and fast deadline. Why nitpick?

The Reverend, Monday, 10 December 2007 06:09 (sixteen years ago) link

i guess if they came out at the end of the year after deadlines were due it makes sense if you can anticipate that everyone who would vote for the song is going to do it in the next year. like are there going to be a lot of ppl voting for "throw some d's" this year? i think f3nn3ss3y was the only person who voted for it in p&j last year.

J0rdan S., Monday, 10 December 2007 06:10 (sixteen years ago) link

The P&J ballots are all messed up, so it's difficult to check. It got 3 votes in JP.

The Reverend, Monday, 10 December 2007 06:13 (sixteen years ago) link

songs that broke this year but aren't from this year are eligible, FWIW. take "Rehab"--got some UK votes last year, will likely get non-UK votes this year. perfectly OK.

Matos W.K., Monday, 10 December 2007 06:13 (sixteen years ago) link

ditto the songs the Rev mentions

Matos W.K., Monday, 10 December 2007 06:14 (sixteen years ago) link

Someone told me that Nelson George had to get a whole crew of bodyguards after he voted for a Kelis album two years straight.

Andy K, Monday, 10 December 2007 10:54 (sixteen years ago) link

vibe list is weird as fuck

deej, Monday, 10 December 2007 10:59 (sixteen years ago) link

I just consider these songs of 2007 whether they were technically released this year or not/

i think this is dumb

No, it's smart. And it's been an explicit Pazz & Jop (and now Idolator poll) rule for years -- singles and albums not technically released in a given year are eligible if they made more impact with voters in the current year. It makes perfect sense, since not all voters hear every song on the exact release date, obviously, and since (for instance) songs hit on different radio formats at different times -- they don't all get released then die the next month. So, if they do well, they carry over votes from the previous year. Being anal about release dates is what's dumb. (I'm voting for "You" this year myself.)

xhuxk, Monday, 10 December 2007 11:30 (sixteen years ago) link

That makes sense xhuxk. It also gets rid of my confusion as to why "Boys and Girls in America" is showing up on some lists this year.

three handclaps, Monday, 10 December 2007 15:56 (sixteen years ago) link

It also probably only saw a UK release this year?

JN$OT, Monday, 10 December 2007 15:58 (sixteen years ago) link

Yeah I think it was mainly British/Euro publications that put it on 07 lists.

Alex in Baltimore, Monday, 10 December 2007 16:00 (sixteen years ago) link

Yeah, I can't find any information on what the UK release date was, but I'm sure you're both right.

three handclaps, Monday, 10 December 2007 16:02 (sixteen years ago) link

Haha I am going to vote for an album that never actually came out in 06 when it was supposed to and will never see the light of day.

Dimension 5ive, Monday, 10 December 2007 16:45 (sixteen years ago) link

revmc.xls

Haha, I have been wondering all year whether I should include "Icebox" on my 2007 list and justifying doing so by the fact that it peaked in March. But I don't think I will, just because it had its biggest impact ON ME in late 2006.

jaymc, Monday, 10 December 2007 17:19 (sixteen years ago) link

take "Rehab"--got some UK votes last year, will likely get non-UK votes this year. perfectly OK.

Similarly, take "Young Folks"--got some indie votes last year, will likely get non-indie votes this year.

jaymc, Monday, 10 December 2007 17:21 (sixteen years ago) link

not a critics poll or even all that interesting but anyway

ITUNES BEST-SELLING ALBUMS OF 2007

1. Maroon 5 It Won't Be Soon Before Long
2. Amy Winehouse Back To Black
3. Kanye West Graduation
4. Daughtry Daughtry
5. Colbie Caillat Coco
6. Linkin Park Minutes to Midnight
7. Various Artists High School Musical 2 (Original Soundtrack)
8. Timbaland Shock Value
9. John Mayer Continuum
10. Various Artists Hairspray (Soundtrack to the Motion Picture)

ITUNES BEST-SELLING SONGS OF 2007

1. Fergie "Big Girls Don't Cry (Personal)"
2. Gwen Stefani "The Sweet Escape"
3. Plain White T's "Hey There Delilah"
4. Avril Lavigne "Girlfriend"
5. Fergie "Glamorous"
6. Kanye West "Stronger"
7. Maroon 5 "Makes Me Wonder"
8. Akon "Don't Matter"
9. Timbaland "The Way I Are (feat. Keri Hilson & D.O.E.)
10. Shop Boyz "Party Like a Rock Star"

tipsy mothra, Tuesday, 11 December 2007 19:36 (sixteen years ago) link

Did people vote for "With Every Heartbeat" last year? I gave it an honorable mention.

Me!

Alfred, Lord Sotosyn, Tuesday, 11 December 2007 20:01 (sixteen years ago) link

Is this the first time ever NME have done a TOP 100 Writer's Poll for a Year?

More choices for the NME = more rubbish to laugh at?

http://upload.imgspot.com/u/07/344/13/NMETop100.php.jpg

Who will publish this list on the web first? probably at Acclaimed Music?

djmartian, Tuesday, 11 December 2007 22:12 (sixteen years ago) link

http://www.nme.com/images/84_aoymagbits_01.jpg

J0rdan S., Tuesday, 11 December 2007 22:17 (sixteen years ago) link

Why "Albums Tracks" instead of "Album Tracks"? The way they wrote it doesn't make sense. (Though England is also the land of "Records Stores," right? They are so wacky over there.)

xhuxk, Tuesday, 11 December 2007 22:17 (sixteen years ago) link

i think it means albums/tracks

J0rdan S., Tuesday, 11 December 2007 22:19 (sixteen years ago) link

I think it's just a sloppy copy editor that forgot & between Albums - Tracks - thinking separate lines was OK with the the NME youth

djmartian, Tuesday, 11 December 2007 22:21 (sixteen years ago) link

REISSUES AND ARCHIVE
1. Miles Davis, The Complete On the Corner Sessions (Columbia)
2. Andrew Hill, Compulsion!!! (Blue Note)
3. Bennie Maupin, The Jewel in the Lotus (ECM)
4. Joe Harriott, Free Form (Gott)
5. v/a, Mike Taylor Remembered (Dusk Fire)
6. Noah Howard, The Black Ark (Bo' Weavil)
7. Charles Mingus Sextet with Eric Dolphy, Cornell 64 (Blue Note)
8. John Handy, Recorded Live at the Monterey Jazz Festival (Jazz Beat)
9. Max Roach, We Insist! Freedom Now Suite (Candid)
TIE Duke Ellington, The Duke Box (Storyville)

jazz lists won't get much outrage but daaaaamn son, no Mingus - Cornell 64 on the reissues? that's cold homie.

M@tt He1ges0n, Tuesday, 11 December 2007 22:52 (sixteen years ago) link

can't read he1ges0n? that's cold homie!

M@tt He1ges0n, Tuesday, 11 December 2007 22:52 (sixteen years ago) link

Or they hope to publish a singles one this week and a albums one the next week to get 2 bumper sellers and the xmas special?
And wrap it in cellophane so no one knows until they get home!
It's the only NME I ever buy so they better not do that!

Herman G. Neuname, Tuesday, 11 December 2007 23:05 (sixteen years ago) link

an 007 metal overview, if anyone wants one, by one of the best music writers right now

http://www.emusic.com/features/spotlight/293_200712-year-in-metal.html

kamerad, Tuesday, 11 December 2007 23:29 (sixteen years ago) link

Remaining lists and their top 5 last year:

NME - Arctic Monkeys, YYYs, Muse, Hot Chip, CSS
Spin - TVOTR, Gnarls Barkley, Arctic Monkeys, Ghostface Killah, My Chemical Romance
Rolling Stone - Dylan, RHCP, Sonic Youth, TVOTR, Ghostface
MusicOMH - Arctic Monkeys, Howling Bells, Muse, Campbell/Lanegan, Hot Chip
Prefix - Clipse, TVOTR, Herbert, Liars, Newsom
Playlouder - Jarvis, Cat Power, CSS, Flaming Lips, Lily Allen
Pop Matters - Gnarls Barkley, Hold Steady, Arctic Monkeys, Ghostface, The Ark
Cokemachineglow - Subtle, Clipse, Califone, Case, Sunset Rubdown
Delusions of Adequacy - Acid Mothers Temple, Sonic Youth, Kayo Dot, Long Winters, Band of Horses
Dusted - Walker, Concretes, Dilla, Newsom, Burial
Onion - Hold Steady, TVOTR, Midlake, Jenny Lewis, Belle & Seb
Mixmag - Hot Chip, Nathan Fake, Allen, Plan B, Burial
Pitchfork - Knife, TVOTR, Newsom, Ghostface, Hold Steady
The Wire - Burial, Walker, Newsom, Carla Bozulich, Wolf Eyes

Fastnbulbous, Wednesday, 12 December 2007 04:35 (sixteen years ago) link

What year is this?

Rockist Scientist, Wednesday, 12 December 2007 12:03 (sixteen years ago) link

2001 and everyone's waiting for the next Roses/Oasis/Mondays to come along.

Dingbod Kesterson, Wednesday, 12 December 2007 12:09 (sixteen years ago) link

Playlouder - Jarvis, Cat Power, CSS, Flaming Lips, Lily Allen

That one guy that hit it and quit it, Wednesday, 12 December 2007 12:11 (sixteen years ago) link

NME Albums

50 Beirut - The Flying Club Cup
49 Interpol - Our Love TO Admire
48 The View - Hats Off To The Buskers
47 Enter Shikari - Take To The Skies
46 Kaiser Chiefs - Yours Truly Angry Mob
45 !!! - Myth Takes
44 Gruff Ryhs - Candylion
43 Foo Fighters - Echoes, Silence Patience and Grace
42 Patrick Wolf - The Magic Position
41 Menomena - Friend and Foe
40 EL-P - I'll Sleep When I'm Dead
39 Jeffery Lewis - 12 Crass Songs
38 Justice - â€
37 Jamie T - Panic Prevention
36 Holy Fuck - s/t
35 Super Furry Animals - Hey Venus!
34 New Young Pony Club - Fantastic Playroom
33 Simian Mobile Disco - Attack Decay Sustain Release
32 Grinderman - s/t
31 The Pigeon Detectives - Wait For Me
30 QOTSA - Era Vulgaris
29 Lethal Bizzle - Back To Bizznizz
28 Bright Eyes - Cassadaga
27 The Horrors - Strange House
26 Kate Nash - Made of Bricks
25 The Hold Steady - Boys and Girls In America
24 The Maccabees - Colour It In
23 Maps - We Can Create
22 Black Lips - Good Bad Not Evil
21 The Enemy - We'll Live and Die In These Towns
20 Bloc Party - A Weekend In The City
19 Richard Hawley - Lady's Bridge
18 ? - The Good, The Bad & The Queen
17 Future of The Left - Curses
16 The Coral - Roots and Echoes
15 The White Stripes - Icky Thump
14 Babyshambles - Shotter's Nation
13 PJ Harvey - White Chalk
12 The Shins - Wincing The Night Away
11 LCD Soundsytem - Sound Of Silver
10 Battles - Mirrored
9 The Cribs - Man's Needs, Women's Needs, Whatever
8 Biffy Clyro - Puzzle
7 MIA - Kala
6 Kings of Leon - Because Of The Times
5 Les Savy Fav - Let's Stay Friends
4 Arcade Fire - Neon Bible
3 Radiohead - In Rainbows
2 Arctic Monkeys - Favourite Worst Nightmare
1 Klaxons - Myths of The Near Future

Tracks

50 Biffy Clyro - Living Is A problem Because Everything Dies
49 Los Campesinos! - You! Me! Dancing!
48 QOTSA - Sick, Sick, Sick
47 Patrick Wolf - The Magic Position
46 Richard Hawley - Tonight The Streets Are Ours
45 Black Lips - Bad Kids
44 CSS - Off The Hook
43 Kate Nash - Foundations
42 The Enemy - It's Not OK
41 MIA - Boyz
40 The Horrors - She Is The New Thing
39 Late of The Pier - Bathroom Gurgle
38 Lightspeed Champion - Galaxy Of The Lost
37 The White Stripes - Icky Thump
36 The Hives - Tick Tick Boom
35 Bloc Party - The Prayer
34 XX Teens - Darlin'
33 Cold War Kids - Hang Me Out To Dry
32 Those Dancing Days - Those Dancing Days
31 Gallows - Abandon Ship
30 Does It Offend You, Yeah? - Let's Make Out
29 Jarvis - Don't Let Him Waste Your Time
28 Björk Earth Intruders
27 Howling Bells - Low Happening
26 Arcade Fire - Keep The Car Running
25 Kings of Leon - Charmer
24 The Gossip - Standing In The Way of Control
23 Justice - D.A.N.C.E.
22 Klaxons - It's Not Over Yet
21 SFA - Run Away
20 Dizzee Rascal - Sirens
19 Santogold - LES Artistes
18 Hadouken! - That Boy That Girl
17 MIA - Jimmy
16 Arctic Monkeys - Fluorescent Adolescent
15 Battles - Atlas
14 Black Lips - O Katrina!
13 Amy Winehouse - Back To Black
12 Foals - Hummer
11 Grinderman - No Pussy Blues
10 LCD Soundsystem - North American Scum
9 Arcade Fire - Intervention
8 Foals - Mathletics
7 Arctic Monkeys - Brianstorm
6 The Ting Tings - That's Not My Name
5 Rihanna - Umbrella
4 The Teenagers - Homecoming
3 The Cribs's - Men's Needs
2 Glasvegas - Daddy's Gone
1 Klaxons - Golden Skans

Mitchell Stirling, Wednesday, 12 December 2007 13:03 (sixteen years ago) link

They really are going to regret Biffy Clyro at number eight in years to come in a Carter/Wonder Stuff type of way.

Dingbod Kesterson, Wednesday, 12 December 2007 13:15 (sixteen years ago) link

won't be an nme in eight years.

That one guy that hit it and quit it, Wednesday, 12 December 2007 13:16 (sixteen years ago) link

They really are going to regret Biffy Clyro at number eight in years to come in a Carter/Wonder Stuff type of way.

-- Dingbod Kesterson, Wednesday, 12 December 2007 13:15 (2 minutes ago) Bookmark Link

As opposed to being really proud of listing The Horrors, Hadouken, and Justice.

Dom Passantino, Wednesday, 12 December 2007 13:19 (sixteen years ago) link

amazed you didn't go for the MIA zing there. too broad?

That one guy that hit it and quit it, Wednesday, 12 December 2007 13:20 (sixteen years ago) link

Who?

Dom Passantino, Wednesday, 12 December 2007 13:20 (sixteen years ago) link

Oh, her. I liked that "Chewing Gum" track she did, I've not heard anything since.

Dom Passantino, Wednesday, 12 December 2007 13:21 (sixteen years ago) link

No, that "Chewing Gum" was - Helen Shapiro or whatever her name was?

The poll certainly proves that Girls Aloud's valiant attempts to sound as much like Biffy Clyro as possible on their new album were in vain.

Dingbod Kesterson, Wednesday, 12 December 2007 13:22 (sixteen years ago) link

scrubs is shit

Free Peace Sweet!, Wednesday, 12 December 2007 13:23 (sixteen years ago) link

dr cox is a zing icon.

That one guy that hit it and quit it, Wednesday, 12 December 2007 13:25 (sixteen years ago) link

Surely the janitor is the US branch of LBZC?

Dom Passantino, Wednesday, 12 December 2007 13:25 (sixteen years ago) link

apatow, more like CRAPATOW

Free Peace Sweet!, Wednesday, 12 December 2007 13:27 (sixteen years ago) link

this guy knows my work.

That one guy that hit it and quit it, Wednesday, 12 December 2007 13:27 (sixteen years ago) link

You seen my work, you know my steez
It's a slim chance that I'ma hesitate to squeeze, please
Money never made me (no) money never played me (NO NO)
.. and Money bet' not make (?) or I break his ass
Subtract his ass when I step through his hood
Fuck droppin you, I'm into stoppin you for good

[Lil' Fame]
Stop him if you could {"You're as cold as ice"}

Dom Passantino, Wednesday, 12 December 2007 13:28 (sixteen years ago) link

Idolator published Time Magazine's list:
Albums
1. Amy Winehouse, Back To Black
2. Radiohead, In Rainbows
3. Feist, The Reminder
4. Miranda Lambert, Crazy Ex-Girlfriend
5. LCD Soundsystem, Sound Of Silver
6. Spoon, Ga Ga Ga Ga Ga
7. Battles, Mirrored
8. Robert Plant And Allison Krauss, Raising Sand
9. M.I.A., Kala
10. Kanye West, Graduation
Songs
1. Amy Winehouse, "Rehab"
2. Feist, "1-2-3-4"
3. Rihanna, "Umbrella"
4. LCD Soundsystem, "All My Friends"
5. Radiohead, "Jigsaw Falling Into Place"
6. 50 Cent, "I Get Money"
7. Plain White T's, "Hey There Delilah"
8. Manu Chao, "Me Llaman Calle"
9. Aly And AJ, "Potential Breakup Song"
10. The Fratellis, "Baby Fratelli"

Meanwhile, on the margins: African, Latin and Caribbean music magazine The Beat does not publish their critics poll list until March! I used to look at Latin Beat magazine's list on the newstand at Tower. Not sure where I can find that publication now (and I did not like it enough to want to subscribe).

curmudgeon, Wednesday, 12 December 2007 13:34 (sixteen years ago) link

‘Robert Plant And Allison Krauss, Raising Sand’ is for 50-something women who listen to NPR.

(I just described my mother. Do you think I have mother issues?)

Mr. Goodman, Wednesday, 12 December 2007 13:51 (sixteen years ago) link

Also, its weird to see The National’s ‘Boxer’ being so middle-of-the-road. Usually my favorite album will be in the top 5 of many critics polls.

Mr. Goodman, Wednesday, 12 December 2007 13:53 (sixteen years ago) link

Why isn't beggin' in the tracks polls anywhere?

Jamie T Smith, Wednesday, 12 December 2007 13:55 (sixteen years ago) link

Time's list isn't anywhere near as bad as I would have expected it to be. I mean, Battles!

jon /via/ chi 2.0, Wednesday, 12 December 2007 13:56 (sixteen years ago) link

Baltimore City Paper's top 10
http://www.citypaper.com/special/story.asp?id=14965
1 M.I.A. Kala (Interscope)
2 Dirty Projectors Rise Above (Dead Oceans)
3 UGK Underground Kingz (Jive/Zomba)
4 Spoon Ga Ga Ga Ga Ga (Merge)
5 Jesu Conqueror (Hydra Head)
6 Battles Mirrored (Warp)
7 LCD Soundsystem Sound of Silver (Capitol)
8 Valet Blood Is Clean (Kranky)
9 Yellow Swans At All Ends (Load)
9 Kanye West Graduation (Roc-A-Fella/Def Jam)
10 Parts and Labor Mapmaker (Jagjaguwar)

two 9's because of a tie, apparently. I only know/like the 3 albums I voted for, but I'm kind of perversely pleased by the fact that I haven't even heard of some of the artists on this list ever.

Alex in Baltimore, Wednesday, 12 December 2007 14:00 (sixteen years ago) link

Rock-a-Rolla's top 30:

1.Oxbow 'The Narcotic Story'
2.Neurosis 'Given To The Rising'
3.Tomahawk 'Anonymous'
4.Dillinger Escape Plan 'Ire Works'
5.Big Business 'Here Come The Waterworks'
6.Dälek 'Abandoned Language'
7.John Zorn 'Six Litanies For Heliogabalus'
8.Om 'Pilgrimage'
9.Jesu 'Conqueror'
10.Sleepytime Gorilla Museum 'In Glorious Times'
11.The Locust 'New Erections'
12.Angels Of Light 'We Are Him'
13.High On Fire 'Death Is This Communion'
14.Unsane 'Visqueen'
15.Acid Mothers Temple and the Melting Paraiso UFO 'Crystal Rainbow Pyramid Under The Stars'
16.KTL '2'
17.Pig Destroyer 'Phantom Limb'
18.Fog 'Ditherer'
19.Qui 'Love's Miracle'
20.Pelican 'City Of Echoes'
21.Orthodox 'Amanecer En Puerta Oscura
22.Thurston Moore 'Trees Outside The Academy'
23.Sunburned Hand Of The Man 'Fire Escape'
24.Shining 'Grindstone'
25.Magik Markers 'Boss'
26.Battles 'Mirrored'
27.Caina 'Mourner'
28.Merzbow 'Coma Berenices'
29.Pissed Jeans 'Hope For Men'
30.Liars 'Liars'

m the g, Wednesday, 12 December 2007 14:18 (sixteen years ago) link

Not got my rock-a-rolla yet despite subscribing again.

Herman G. Neuname, Wednesday, 12 December 2007 15:07 (sixteen years ago) link

That NME list is hilariously awful.

three handclaps, Wednesday, 12 December 2007 15:08 (sixteen years ago) link

But, yeah, Klaxons, album of the year!

RONG.

three handclaps, Wednesday, 12 December 2007 15:08 (sixteen years ago) link

xpost:

nor I. this is from the mailout. it only came out on monday though.

m the g, Wednesday, 12 December 2007 15:09 (sixteen years ago) link

I thought nine of the albums on the NME list were quite good or better, which is about the same as the past five years

DJ Mencap, Wednesday, 12 December 2007 15:10 (sixteen years ago) link

i like that rock a rolla list. first one on this thread to actually represent what i heard and found most interesting this year.

Mark Clemente, Wednesday, 12 December 2007 15:20 (sixteen years ago) link

That NME list is hilariously awful

And awfully hilarious. How could anyone pick 50 records from 2007 without mentioning the mighty Hissing Fauna? It's starting to look like there's a conspiracy against that record.

kornrulez6969, Wednesday, 12 December 2007 15:23 (sixteen years ago) link

man, the new Onion list is totally edgy!

latebloomer, Wednesday, 12 December 2007 15:23 (sixteen years ago) link

waaaittt let me guess - top 10 include LCD, MIA, Spoon, Battles, Radiohead, etc etc etc etc

Mark Clemente, Wednesday, 12 December 2007 15:25 (sixteen years ago) link

Rock a Rolla did a decent job.

Bill Magill, Wednesday, 12 December 2007 15:35 (sixteen years ago) link

pretty much, yeah (except Spoon at #11 and no Battles). SO EDGY!

xpost

Alex in Baltimore, Wednesday, 12 December 2007 15:35 (sixteen years ago) link

How could anyone pick 50 records from 2007 without mentioning the mighty Hissing Fauna?

I totally agree with you. I was listening to some of the tracks from that record last night after not listening to any Of Montreal for awhile and, man, they still blew me away.

three handclaps, Wednesday, 12 December 2007 16:04 (sixteen years ago) link

Especially the last track, "We Were Born . . ."

three handclaps, Wednesday, 12 December 2007 16:05 (sixteen years ago) link

no love for Deerhoof?

poortheatre, Wednesday, 12 December 2007 16:09 (sixteen years ago) link

That came out in January, everyone forgot about it by now. :-p

three handclaps, Wednesday, 12 December 2007 16:14 (sixteen years ago) link

FACT magazine's 20 best albums. At last someone other than ILM mentions Studio. And there's some dance music!

http://www.factmagazine.co.uk/da/66222

Jamie T Smith, Wednesday, 12 December 2007 16:32 (sixteen years ago) link

The Chloe and Pantha Prince albums both sound great TBF

DJ Mencap, Wednesday, 12 December 2007 16:40 (sixteen years ago) link

Have there ever been fewer debut albums represented in the critics lists than in 2007? Looks like the record biz is going for the safe nowadays.....

Geir Hongro, Wednesday, 12 December 2007 22:47 (sixteen years ago) link

w00t @ Jess voting for Charlotte Hatherley

The Reverend, Thursday, 13 December 2007 09:11 (sixteen years ago) link

And the tracks

http://www.factmagazine.co.uk/da/66290

Jamie T Smith, Thursday, 13 December 2007 11:07 (sixteen years ago) link

A pretty big chunk of the NME list is debut albums, Geir

DJ Mencap, Thursday, 13 December 2007 11:14 (sixteen years ago) link

18 of them in fact. 19 if you count 'Mirrored' as being Battles' debut album

DJ Mencap, Thursday, 13 December 2007 11:16 (sixteen years ago) link

I suspect Geir may deem the work of Battles as amelodic and rhythm dominate.

Dingbod Kesterson, Thursday, 13 December 2007 11:16 (sixteen years ago) link

That came out in January, everyone forgot about it by now. :-p

This kills me every year. I make a point of 'remembering' albums that came out between Jan. and Apr...and then those end up dominating my year-end lists.

fukasaku tollbooth, Thursday, 13 December 2007 12:21 (sixteen years ago) link

weirdness of the vibe list has a lot to do with fennessey's mp3-addled m.o i'm supposing, that glazed-over indifference where any song could be anywhere in the chart

not that i can really talk

r|t|c, Thursday, 13 December 2007 13:44 (sixteen years ago) link

yeah, i mean..."Feel Like Dyin'"?

Alex in Baltimore, Thursday, 13 December 2007 13:50 (sixteen years ago) link

but yeah besides that and 'make me better' (just...wtffff, awful song) it is not all that crazy a list really. maybe they shouldve dispensed with the numbering.

also, i was expecting that fabo song where he sings about spaceships. if fabo's album comes out it will be the worst critical rigmarole in years.

r|t|c, Thursday, 13 December 2007 13:59 (sixteen years ago) link

since the clipse, anyway

r|t|c, Thursday, 13 December 2007 14:01 (sixteen years ago) link

Other Music's top 25 (I'm pretty sure these are staff favorites, not top sellers):

1 TINARIWEN Aman Iman
2 PANDA BEAR Person Pitch
3 BURIAL Untrue
4 ANIMAL COLLECTIVE Strawberry Jam
5 PANTHA DU PRINCE This Bliss
6 NO AGE Weirdo Rippers
7 VARIOUS ARTISTS Skull Disco - Soundboy Punishments
8 M.I.A. Kala
9 JAY REATARD Blood Visions
10 MAGIK MARKERS Boss
11 KING KHAN & THE SHRINES What Is?!
12 VARIOUS ARTISTS After Dark
13 THE CAVE SINGERS Invitation Songs
14 ROBERT WYATT Comicopera
15 ERIC COPELAND Hermaphrodite
16 SPOON Ga Ga Ga Ga Ga
17 BAND OF HORSES Cease to Begin
18 BLACK LIPS Good Bad Not Evil
19 VAMPIRE WEEKEND EP
20 EFDEMIN Efdemin
21 STUDIO West Coast
22 THE FIELD From Here We Go Sublime
23 CHROMATICS Night Drive
24 ST. VINCENT Marry Me
25 OH NO Dr. No's Oxperiment

Mark Clemente, Thursday, 13 December 2007 14:46 (sixteen years ago) link

top reissues can also be seen on that link

Mark Clemente, Thursday, 13 December 2007 14:46 (sixteen years ago) link

i like the OM list.

poortheatre, Thursday, 13 December 2007 19:27 (sixteen years ago) link

WTF! WHY DO PEOPLE ACTUALLY LIKE BAND OF HORSES??

stephen, Thursday, 13 December 2007 21:01 (sixteen years ago) link

Every time someone listens to Band of Horses, god kills a kitten.

Mordechai Shinefield, Thursday, 13 December 2007 21:17 (sixteen years ago) link

Or even a small horse.

Rockist Scientist, Thursday, 13 December 2007 21:33 (sixteen years ago) link

Or both.

Ned Raggett, Thursday, 13 December 2007 21:34 (sixteen years ago) link

stephen I kiss you

Matos W.K., Thursday, 13 December 2007 22:04 (sixteen years ago) link

They're sort of a watered-down Built to Spill, so maybe residual love for that band has something to do with it.

jaymc, Thursday, 13 December 2007 22:08 (sixteen years ago) link

The indie rock's been worshipping one watered-down Built To Spill or another (Modest Mouse, Death Cab, etc.) more than BTS themselves for damn near a decade now.

Alex in Baltimore, Thursday, 13 December 2007 22:26 (sixteen years ago) link

haha "the indie rock" was a funny way to phrase that, sorry, subtract "the" or add a "world/community" at the end.

Alex in Baltimore, Thursday, 13 December 2007 22:26 (sixteen years ago) link

teh indie rockz

Mordechai Shinefield, Thursday, 13 December 2007 22:33 (sixteen years ago) link

who is this band the Indie Rocks and where can I buy their music

latebloomer, Thursday, 13 December 2007 22:35 (sixteen years ago) link

Why hasn't Ricardo Villalobos been mentioned in any of those lists? Is it because it was not an 'album' or that no one listened to it or (scary?!) that no one liked it?

Popture, Thursday, 13 December 2007 22:48 (sixteen years ago) link

Was there a new Ricardo Villalobos this year that got a lot of hype? (Last year he was on a bunch of lists...)

Mordechai Shinefield, Thursday, 13 December 2007 23:09 (sixteen years ago) link

Fabric36, I guess?

jaymc, Thursday, 13 December 2007 23:11 (sixteen years ago) link

that or fizheuer

max, Thursday, 13 December 2007 23:22 (sixteen years ago) link

fabric 36 never quite lived up to its pre-release hype. i liked it - but didn't love it like some of his other work.

sam500, Friday, 14 December 2007 00:34 (sixteen years ago) link

Some debut's on NME sure, but NME doesn't count as NME only likes debut albums. It is a well-known fact that NME hates anyone who has released more than 1 album and 2 singles.

Geir Hongro, Friday, 14 December 2007 00:35 (sixteen years ago) link

Panda Bear is the worst music I've ever heard.

The Reverend, Friday, 14 December 2007 00:39 (sixteen years ago) link

Reverend is a god among men.

Mordechai Shinefield, Friday, 14 December 2007 00:41 (sixteen years ago) link

why is glasvegas mentioned on this thread? people are weird

amused to see my #1 of the year isn't on any list at all.. still got it

electricsound, Friday, 14 December 2007 00:45 (sixteen years ago) link

i don't really like person pitch all that much but rev hating an indie album being backed up by the dude who likes mickey avalon and skye sweetnam is shocker non-shocker of the month for sure.

J0rdan S., Friday, 14 December 2007 00:51 (sixteen years ago) link

it doesn't really seem like hateable music to me. it's just... there. resenting its critical love, maybe. but idk. it's kind of like wallpaper or something.

J0rdan S., Friday, 14 December 2007 00:53 (sixteen years ago) link

No it is not wallpaper. It is earsplitting. (And actually I don't hate indie, just the way it gets privileged so much.)

The Reverend, Friday, 14 December 2007 01:02 (sixteen years ago) link

(Well, that's to say I don't hate indie on principle. I certainly hate that particular example thereof.)

The Reverend, Friday, 14 December 2007 01:04 (sixteen years ago) link

idk dude whenever i listen to it i just get kinda bored. way too may stretches where nothing really happens. i like the overall mood, but i most def do not get how anyone could really love person pitch.

J0rdan S., Friday, 14 December 2007 01:11 (sixteen years ago) link

so you chaps who don't get person pitch - how do you feel about animal collective?

sam500, Friday, 14 December 2007 01:18 (sixteen years ago) link

i doubt rev has heard any animal collective, but i think panda's two songs on strawberry jam are better than anything on person pitch besides maybe "i'm not"

J0rdan S., Friday, 14 December 2007 01:19 (sixteen years ago) link

I haven't heard Animal Collective, actually. I only downloaded Person Pitch after reading that if I liked LCDSS I'd like Panda Bear. Suffice to say, that wasn't true. Maybe after the cd I'm listening to is done, I'll pull them up on the U-Toob.

The Reverend, Friday, 14 December 2007 01:20 (sixteen years ago) link

xp haha

The Reverend, Friday, 14 December 2007 01:20 (sixteen years ago) link

idk if you'd like them. i don't have a great handle on what indie rockier music you might like. the new album is way more song-y than panda bear if that means anything.

J0rdan S., Friday, 14 December 2007 01:22 (sixteen years ago) link

Indie rock albums this year I love: LCD Soundsystem, Charlotte Hatherley, Spoon, Gogol Bordello

Indie rock albums this year I like well enough: Battles, New Young Pony Club, the Hives, the White Stripes, Grinderman

The Reverend, Friday, 14 December 2007 01:28 (sixteen years ago) link

Truth is, I like a lot of indie music. The National, Iron + Wine, and (well I don't know if indie has claimed them but) The Noisettes are all on my year end lists. I just don't like Animal Collective, Panda Bear, St. Vincent, or Joanna Newsom. I actually hate them, and I've put the time in listening to their albums (Newsom I listened to about half a dozen times) to try and get what's going on there. And I just don't get it.

Mordechai Shinefield, Friday, 14 December 2007 01:33 (sixteen years ago) link

Jinx. Oh yeah, I like the Hives + the White Stripes album. I liked a bunch of indie albums this year. Sorry for not liking whiny freak-folk.

Mordechai Shinefield, Friday, 14 December 2007 01:34 (sixteen years ago) link

rev you might like this but all those albums kinda groove in an SFJ-type way which doesnt surprise me since your tastes seem to skew more towards rap/r&b/reggaeton (yeah?) and animal collective are kind of like weightless on the bottom end and really compressed. def more indie pop than anything you mentioned.

J0rdan S., Friday, 14 December 2007 01:39 (sixteen years ago) link

newsom blows and new animal collective is def not folk, but i have no handle on what you like mordechai but it seems like you would/do hate the fuck out strawberry jam.

J0rdan S., Friday, 14 December 2007 01:40 (sixteen years ago) link

Thing is, I like a lot of folk. Or rather, I like music that possibly has some folk resonances. I like Iron + Wine. A ton. Woman King EP is on constant replay in my apartment. It's just that the stuff I just mentioned doesn't click for me. I wish it did because a lot of people are really passionate about it, and I wanna get in on that. But there's something really unpleasant about it. (I don't like Andrew Bird either.)

Mordechai Shinefield, Friday, 14 December 2007 01:44 (sixteen years ago) link

Also, vis-a-vis Band of Horses, I saw them open for Iron + Wine once and they were horrific. Like people were actually talking through their set because of how painful the music was. The only time I saw a more negative reaction was when Coco Rosie opened for Sufjan Stevens and half the place walked out.

Mordechai Shinefield, Friday, 14 December 2007 01:45 (sixteen years ago) link

i most def do not get how anyone could really love person pitch.

I do, my roommate doesn't. He loves Strawberry Jam though, and said that the reason I love PP so inordinately is because I also like the Beach Boys a lot more than he does. Which is probably accurate. I can understand why people dislike it though, especially given the all the adulation (I dub this the "Destroyer Effect").

I like those OM and Rockarolla lists more than anything else on the thread so far. A lot of my fave stuff (Edward Ka-Spel, Nurse With WOund, etc.) usually misses out in these polls. Good to see a list for jazz reissues also.

It's also really nice to have all this yearend stuff on one thread.

sleeve, Friday, 14 December 2007 01:48 (sixteen years ago) link

Discovering Tokyo Jihen and Lansing-Dreiden have made me more interested in looking for more current rock bands I might like, but there's such an overwhelming amount of the stuff that I don't like that it's nearly impossible. I just thought I would mention that. I need to try doing a Tokyo Jihen station of Last FM again, but I know what I'm going to get. I'm going to get a lot of j-rock and j-pop that I either don't like, or that is just okay, but that I won't love or care about.

Rockist Scientist, Friday, 14 December 2007 01:49 (sixteen years ago) link

My top ten is changing about every hour on the hour. I heard too much great music this year.

Dimension 5ive, Friday, 14 December 2007 01:51 (sixteen years ago) link

I have to commend you for having such an international scope.

Rockist Scientist, Friday, 14 December 2007 01:53 (sixteen years ago) link

FACT Magazine Top 100 Tracks of the Year!

http://www.factmagazine.co.uk/da/66290

sam500, Friday, 14 December 2007 01:53 (sixteen years ago) link

person pitch is way too distanced to even register half the time with me. the only song i really love on PP is "i'm not" cuz it's really emotional, like all those sampled voices just hanging in the air. it sounds like old choral or like gregorian chant music. it's the one song on the album that actually has some power.

J0rdan S., Friday, 14 December 2007 01:54 (sixteen years ago) link

is FACT like the fader of the uk?

J0rdan S., Friday, 14 December 2007 01:55 (sixteen years ago) link

lol @ "groove in an SFJ-type way"

I'm listening to "Peacebone" right now. (This is from their new album, yes?) The weird intro is cool, but when it gets into the actual tune it completely loses me.

The Reverend, Friday, 14 December 2007 01:55 (sixteen years ago) link

I'll check out "I'm Not," Jordan. I like Gregorian Chant music when I hear it (I hang out at the Cloisters every now and then). I'll seriously give anything a shot. If you can recommend something on Strawberry Jam, I'll try that too.

Mordechai Shinefield, Friday, 14 December 2007 01:56 (sixteen years ago) link

The FACT list is really obnoxiously hip, and I like a lot of the things on it.

The Reverend, Friday, 14 December 2007 01:57 (sixteen years ago) link

It's also really nice to have all this yearend stuff on one thread.

-- sleeve, Thursday, December 13, 2007 5:48 PM (Thursday, December 13, 2007 5:48 PM) Bookmark Link

Three hats.

The Reverend, Friday, 14 December 2007 01:57 (sixteen years ago) link

from straw jam, listen to "fireworks" (it's a single) and um maybe "for reverend green". my otehr favorite songs are the panda ones but if you guys really ahte person pitch i wouldn't bother. "chores" is like that same drunk/stoned underwater beach feel of person pitch but an actual song. way punchier. i love it.

J0rdan S., Friday, 14 December 2007 02:00 (sixteen years ago) link

yeah this FACT list is good.

J0rdan S., Friday, 14 December 2007 02:00 (sixteen years ago) link

They seriously have a song called "For Reverend Green"?!

The Reverend, Friday, 14 December 2007 02:03 (sixteen years ago) link

FOOOOOOOOOR RODN3Y GREEN3
AAAAAAAAND CALLE THIRTEEEEEEN
FOOOOOOOR ROOOOOOOODN3Y GREEN3
AAAAAAAAAAAND CALLE THIIRTEEEEEN

J0rdan S., Friday, 14 December 2007 02:04 (sixteen years ago) link

^this is the chorus

J0rdan S., Friday, 14 December 2007 02:04 (sixteen years ago) link

I'm listening to fireworks. I've got the same problem with this as I have with all their music... The music seems pretentiously weird (weird for the sake of weird?), and the vocals aren't strong enough to really make up for that for me. And it really goes on way too long for me. And seriously, "the frightened babies poo"?

Mordechai Shinefield, Friday, 14 December 2007 02:05 (sixteen years ago) link

No, I'm saying the FACT list is way too "mp3 of the week".

xp haha (Actually Kanye West has overtaken Calle 13 as my album of the year. Shit seriously gets better every listen,)

The Reverend, Friday, 14 December 2007 02:06 (sixteen years ago) link

FACT is a free (half-size) print mag right? But their website has really blossomed this year. Kiran Sande does a very nice monthly round-up of all things electronic in his 'Contemporary Fix' column. He's not afraid to dismiss the hype which is refreshing.

sam500, Friday, 14 December 2007 02:08 (sixteen years ago) link

"Fireworks" is alright except for the horrible singing (so far).

The Reverend, Friday, 14 December 2007 02:09 (sixteen years ago) link

too bad about "fireworks". i had hope. i like graduation less every time i hear it. just seems way less accomplished than his other albums. still very good though. would be in my top 20 if my list expanded that far.

J0rdan S., Friday, 14 December 2007 02:10 (sixteen years ago) link

Actually, the background vocals are fine, it's just the lead vocals that are awful. Otherwise, it sounds a lot like Battles.

The Reverend, Friday, 14 December 2007 02:11 (sixteen years ago) link

I love 'Stronger.' It's on my top 20. Too bad everyone only wants top 10 choices :(

Mordechai Shinefield, Friday, 14 December 2007 02:11 (sixteen years ago) link

funny that you say that it's trying to hard to be weird mord, cuz i think it kinda hits that perfect balance between weird (the percussion being actual fireworks or whatever) and an actual almost-pop song. i like the vocals a lot. the lyrics are whatever, there are little bits that hit really hard to me and others that are kinda shitty.

J0rdan S., Friday, 14 December 2007 02:13 (sixteen years ago) link

This "I'm Not" song is pretty fucking amazing though. Kinda reminds me of (). Good call, Jordan.

Mordechai Shinefield, Friday, 14 December 2007 02:13 (sixteen years ago) link

I don't think Graduation quite hits the peaks of his first two, but there isn't any fat like there is on Dropout (actually, Dropout doesn't peak quite as high as I remembered) and it isn't 75% awful like Registration. I'm pretty sure at this point it's my favorite Kanye album. I've listened to it five times in the past three days.

The Reverend, Friday, 14 December 2007 02:15 (sixteen years ago) link

Okay, fuck this Animal Collective stuff. This guy needs to STFU.

The Reverend, Friday, 14 December 2007 02:18 (sixteen years ago) link

Well, at least you tried, Reverend.

Mordechai Shinefield, Friday, 14 December 2007 02:18 (sixteen years ago) link

i think basically everything on dropout is amazing, half of late reg is amazing and graduation is kinda... more even keel and it's way less exciting in that manner. the songs are still great but it's the first ye album that sounds unimportant to me. i like it though! and "stronger" will be in my top 10. i just get nothing out of like "drunk and hot girls" or "barry bonds" or "big brother" etc.

J0rdan S., Friday, 14 December 2007 02:19 (sixteen years ago) link

but i got nothing out of "roses" or "bring me down" or "addiction" but besides "stronger" the best stuff on graduation isn't as good as "gone" or "drive slow" or "touch the sky" etc.

J0rdan S., Friday, 14 December 2007 02:20 (sixteen years ago) link

I should say, I wasn't particularly impressed with Graduation the first few times I heard it. It just seems so much more nuanced than Kanye's previous albums, or at least he seems less eager to please and less prone to shoving everything that's going on in your face at once.

The Reverend, Friday, 14 December 2007 02:21 (sixteen years ago) link

This guy needs to STFU.

W4LTER, Friday, 14 December 2007 02:22 (sixteen years ago) link

Okay, I think I have completely different taste in Kanye then you, judging by what you think of those particular songs.

The Reverend, Friday, 14 December 2007 02:22 (sixteen years ago) link

(Except for "Addiction" (shut up and stop being such a needy ass) and "Drive Slow" (one of his best songs)

The Reverend, Friday, 14 December 2007 02:24 (sixteen years ago) link

1. stronger
2. good life
3. champion
4. can't tell me nothing
5. glory
6. good morning
7. flashing lights
8. barry bonds
9. everything i am
10. i wonder
11. big brother
12. homecoming

if that gives you any idea where i'm coming from

J0rdan S., Friday, 14 December 2007 02:25 (sixteen years ago) link

Does that mean you don't even rate "Drunk & Hot Girls"?

I'm not going to rank them, but I think every song on the album except maybe "Good Morning" is wonderful.

The Reverend, Friday, 14 December 2007 02:30 (sixteen years ago) link

And "Good Morning" itself is fine, just not particularly exemplary.

The Reverend, Friday, 14 December 2007 02:31 (sixteen years ago) link

haha 13. drunk and hot girls i forgot about it. i like how kanye goes "a-ROUSED" but that's about it.

J0rdan S., Friday, 14 December 2007 02:32 (sixteen years ago) link

"a-ROUSED" is from "I Wonder". "Drunk & Hot Girls" is actually probably one of my three favorite songs on the album. "Barry Bonds", too. Those two and "Can't Tell Me Nothing" form this great, dark, fucked-up mid-section.

The Reverend, Friday, 14 December 2007 02:36 (sixteen years ago) link

there's lots of good uk indie i've only heard of little of/forgot existed on that FACT list: cajun dance party, foals, wild beasts.

J0rdan S., Friday, 14 December 2007 02:59 (sixteen years ago) link

I have massive issues with Stronger. I thought the fun of the Daft Punk song was its structure. How the words get 'faster' and finally dissolve into that beautiful riff towards the end is one of my favorite moments in music. It begs and answers whether the words or the sounds are more important. To make it a rap song misses that. The Kanye version is a bunch of ill conceived couplets -the guy can't rap, he really can't- over a version of a song that, to my mind at least, has had the soul ripped out of it. Which is how I feel about most of his music. It also irks me when people sample from songs that are mostly samples which Kanye does more than once, pretty sure he uses Public Enemy in a couple of places. And the line "You can be my black Kate Moss tonight" also unsettles me for some reason. I don't think it's a race thing, it just, I don't know... very upper middle class and a little stupid, a lot like collaborating with Chris Martin.

So I don't like Kanye West and I don't find his music particularly compelling. I'm all about soul music and his samples are are often a little too obvious. 'Touch The Sky' is Curtis Mayfield's 'Move On Up', Gold Digger is 'I Got A Woman', My Way Home is 'Home Is Where the Hatred Is' by however many people covered that. If you are used to those songs you feel a little put out of place, like the musical equivalent of film's uncanny valley. I have a feeling a compilation of all the sampled songs would far better than any Kanye Album. Steely Dan, Michael Jackson, Aretha Franklin, Bill Withers, Stevie Wonder, Can, Luther Vandross, Chairmen of the Board, etc, etc. They are all fantastic and not particularly obscure masterpieces shoved aside so Kanye can rap something trite, slightly smug, very poorly written and not fighting anything but his own ego.

Popture, Friday, 14 December 2007 03:37 (sixteen years ago) link

Well said. I'd pipe in, but I feel bad about his mother.

I put Panda Bear on my MP3 player and listened to it again on the plane today. It's confirmed, the vocals really bug me. They sound distant and puny, unintelligible and annoying. Garbled vocals can sometimes work, like with Burial. But on Person Pitch the only emotional impact is irritation.

More pleasantly, I enjoyed these:
Modeselektor - Happy Birthday
Chloe - The Waiting Room
Muscles - Guns Babes Lemonade
Apparat - Walls
Matthew Dear - Asa Breed
Dan Deacon - Spiderman of the Rings

I think I might end up preferring them all over the LCD Soundsystem. I picked up a Rolling Stone at the airport for some mindless reading, laugh and cry at their top 50 albums. The Good 'n' Bad, Idolator stylee-

Good - Er...No real pleasant surprises until you get all the way to #16, Les Savy Fav, and #23 1990s. I nearly forgot about that album, good times. Of Montreal #41.

Bad - Let me count the ways. In a transparently insincere bid to remain hip and relevent, M.I.A. is #1. Rilo Kiley, Against Me!, NIN, McCartney, Linkin Park, Maroon 5, Smashing Pumpkins, Fall Out Boy, Dropkick Murphys, etc... Basically a list socially engineered for their demographic. Christgau, Fricke, Hoard and Sheffield list their personal favorites that would never be allowed onto herr Wenner's Masterlist. My favorite forced and contrived entry is Sheffield on The Liars - "These Berlin-based art-twat noise pervs sound like they're actually attempting to write catchy rock & roll songs - and listening to them try is even funnier than watching Manny Ramirez chase pop-ups." Nice Rob, wouldn't want to come off as too sincere. You like it as comedy, gotcha.

Fastnbulbous, Friday, 14 December 2007 07:06 (sixteen years ago) link

"a-ROUSED" is from "I Wonder". "Drunk & Hot Girls" is actually probably one of my three favorite songs on the album. "Barry Bonds", too. Those two and "Can't Tell Me Nothing" form this great, dark, fucked-up mid-section.

-- The Reverend, Friday, 14 December 2007 02:36 (4 hours ago) Link

haha, that's interesting, for me that whole section (really, everything after "Champion" and before "Flashing Lights") is one big no man's land where I'm either bored or annoyed and generally wishing I wasn't listening to the album at all.

Alex in Baltimore, Friday, 14 December 2007 07:16 (sixteen years ago) link

^ i feel this way about everything post "flashing lights" except for "the glory"

J0rdan S., Friday, 14 December 2007 07:17 (sixteen years ago) link

I kinda agree with that too, but "Everything I Am" really grew on me and in general the last stretch is more pleasant at its worse than how much the middle section grates on me.

Alex in Baltimore, Friday, 14 December 2007 07:36 (sixteen years ago) link

basically, wanted to love the album, thought i did, now idk i think it's 3.5/5. definitely a strong third album, but ive def heard at least 10 better records this year.

J0rdan S., Friday, 14 December 2007 07:41 (sixteen years ago) link

same here, except i kinda knew i wouldn't love it based on the advance singles, and only thought I did for like 2 listens.

Alex in Baltimore, Friday, 14 December 2007 07:55 (sixteen years ago) link

I dunno, I've kind of had a really weird reaction to this album. For the first two months after it came out, I had the same kind of middling response that you guys have (hold up - didn't you have this in your CP top ten, Al?), but then it started making sense in ways it hadn't before. Even a month or so ago, when I first started trying to puzzle together a top ten, I had it posited at maybe 9 or 10, if it made the list at all. But then it got to where I want to listen to it twice in a row every day, and I never do that with albums. It's kind of freaking me out, really.

The Reverend, Friday, 14 December 2007 08:05 (sixteen years ago) link

I feel he's found not necessarily found the perfect mid-point between the aw-shucks warmth of Dropout and the international assholism of Registration, but rather mastered their use, learning how and when to perfectly play them against each other or completely drop one for the other. (Note, that last third he pretty much cuts the ego out entirely and thus is the most sympathetic he's been since his debut.) And the production just fucking slays me. The synthesizers are so fucking audacious and in your face, but its always buoyant or sensitive or intense enough that it never feels cold and repellent the way the back half of Registration did.

The Reverend, Friday, 14 December 2007 08:18 (sixteen years ago) link

hm. i disagree re: the beats. i think my ultimate problem is that i feel let down by the fact that this is his least sonically interesting album. like once i got over "oh synths hm?" i just kinda got... bored. and even though i like kanye as an mc, he isn't carrying songs with so-so beats on graduation like he did with, idk, "spaceship"

J0rdan S., Friday, 14 December 2007 08:21 (sixteen years ago) link

you say audacious, i say harsh :/

J0rdan S., Friday, 14 December 2007 08:22 (sixteen years ago) link

you say cocks i say COCKS

stephen, Friday, 14 December 2007 08:23 (sixteen years ago) link

it was at #10 on a list I turned in last month, yes, definitely not in my top 10 anymore.

Alex in Baltimore, Friday, 14 December 2007 08:24 (sixteen years ago) link

"Spaceship" has a great beat. That's kind of interesting about the synth thing, I HATE the way he used them on Registration, but here they are just beautiful.

The Reverend, Friday, 14 December 2007 08:27 (sixteen years ago) link

stephen otm

The Reverend, Friday, 14 December 2007 08:27 (sixteen years ago) link

Also, I think he's learned not to sound so fucking pleased with himself. (He still does, but not to the point where I want to slap him, you know?)

The Reverend, Friday, 14 December 2007 08:29 (sixteen years ago) link

I almost liked the 'Can't Tell Me Nothing' hype mixtape more than the Graduation itself. The last verse of 'Us Placers' is perhaps the most poignant thing he's done (and it helps it isn't him).

Also I can't get behind Muscles probably because he is irritating live and I've seen him a bunch of times now. Battles neither, 'Atlas' reminds me too much of 'Doctorin' The Tardis' and the rest of the album comes off as pointless as the height of that cymbal.

Stuff I liked:
LCD Soundsystem - Sound of Silver
Burial - Untrue
Radiohead - In Rainbows
Ricardo Villalobos - Fabric36
Studio - West Coast
Justice - Cross
Chromatics – Night Drive

Which is far less traditional indie rock/pop than the last couple of years. Fun fact: The highest selling independently released record of 2007 was the Eagles - Long Road Out Of Eden.

Popture, Friday, 14 December 2007 08:38 (sixteen years ago) link

^those are all pretty good albums except radiohead.

rev, i never really was as turned off by his egotism as seemingly everyone else, and idk really why that is.

J0rdan S., Friday, 14 December 2007 08:39 (sixteen years ago) link

The last verse of 'Us Placers' is perhaps the most poignant thing he's done (and it helps it isn't him).

Wait, are you calling Pharrell poignant? Remind me never to take anything you have to say seriously.

The Reverend, Friday, 14 December 2007 08:58 (sixteen years ago) link

haha that really confused me cuz i had didn't remember who had the last verse on that song so i didnt know if he meant kanye was like out of character "not him" or what

J0rdan S., Friday, 14 December 2007 08:59 (sixteen years ago) link

you know who had to die for these ice creams?
these bapes, these gold chains?
clothing production is not nice, but mean

J0rdan S., Friday, 14 December 2007 09:00 (sixteen years ago) link

~~~^^^lol pharell parody verse lol^^^~~~

J0rdan S., Friday, 14 December 2007 09:01 (sixteen years ago) link

Every time someone calls Pharrell "poignant", god sews through a little girl in Nicaragua's hand.

The Reverend, Friday, 14 December 2007 09:11 (sixteen years ago) link

/\ Holy shit, Rev.

Mordechai Shinefield, Friday, 14 December 2007 09:14 (sixteen years ago) link

what's his verse even about? at these stages in their careers, i couldn't even imagine the hilarity that would ensue over the course of a kanye-pharell-lupe super-group super-album.

J0rdan S., Friday, 14 December 2007 09:14 (sixteen years ago) link

(Pharrell)
G.R.I.P P.I.M.P
I, any spelling ***** come on that’s me
I bring a burning sensation to the urban eye
Like an eye-drop of Turpentine
You can listen to the serpent, fine
But the earth got gas once it burps its fine
Someone around me they talk about the grease
Not G.H.G, how to cook a quarter ki
Talking all nasal, he aint over that cold
No glove scrub, Manny just over that stove
Perfect paradigm
Wrong place wrong time
Should have been Phizer, GlaxoSmithKline
Number one chemist
Look at him no blemish
Egg shell off white like a DuPont finish
Young, dumb, high strung, who could handle us
I wonder how Gods gon’ paint today’s canvasses
Cause who knew that day that man would just
Go to VA with a Tec and spray campuses
What a way to see the cover of Time
I know that ***** wish he was standing in line
To see it….As if he didn’t do it.

The Reverend, Friday, 14 December 2007 09:23 (sixteen years ago) link

Lupe's a great rapper who got lost on a venture up his own ass.

The Reverend, Friday, 14 December 2007 09:25 (sixteen years ago) link

yup.

J0rdan S., Friday, 14 December 2007 09:28 (sixteen years ago) link

and wack beats with wacker hooks.

J0rdan S., Friday, 14 December 2007 09:28 (sixteen years ago) link

It's Dormitory Hip-hop.

Mordechai Shinefield, Friday, 14 December 2007 09:30 (sixteen years ago) link

you made that pharrell verse up right? "but the earth got gas once it burps it's fine"????

J0rdan S., Friday, 14 December 2007 09:30 (sixteen years ago) link

is that even the worse line??

J0rdan S., Friday, 14 December 2007 09:30 (sixteen years ago) link

No! That's the actual verse in question.

The Reverend, Friday, 14 December 2007 09:33 (sixteen years ago) link

poignant is really the only word that comes to mind.

J0rdan S., Friday, 14 December 2007 09:34 (sixteen years ago) link

"Egg shell off white like a DuPont finish
Young, dumb, high strung, who could handle us"

Makes me tear up. It's like listening to Time Of Your Life.

(See what I did there? A little thread-mix and matchin.)

Mordechai Shinefield, Friday, 14 December 2007 09:35 (sixteen years ago) link

"Young, dumb, high strung, who could handle us
I wonder how Gods gon’ paint today’s canvasses
Cause who knew that day that man would just
Go to VA with a Tec and spray campuses"

this rhyme structure is actually pretty def, too bed the words are indescribably bad.

J0rdan S., Friday, 14 December 2007 09:37 (sixteen years ago) link

deft*

J0rdan S., Friday, 14 December 2007 09:37 (sixteen years ago) link

Perfect paradigm
Wrong place wrong time
Should have been Phizer, GlaxoSmithKline

Kanye could never elicit this kind of emotion.

The Reverend, Friday, 14 December 2007 09:45 (sixteen years ago) link

Hey Reverend. I was as surprised at the pharell verse as you should be.

Popture, Friday, 14 December 2007 10:28 (sixteen years ago) link

Look, I didn’t say it was the best thing ever. I think it ends well.

Are you really making a case for Kanye as a lyricist here? Come on... the guy can barely make the last syllable match the next last syllable and when it does, it's all cloud/proud, oft/soft and the number of times he rhymes 'me' with 'me'...

Out of interest, does anyone think Kanye has any strength in this?

Popture, Friday, 14 December 2007 11:09 (sixteen years ago) link

battle of the heavyweights over here.

That one guy that hit it and quit it, Friday, 14 December 2007 11:10 (sixteen years ago) link

OK, to get away from the boring crap above, the Resident Advisor polls are starting to go up. So far:

Top 5 producers

Top 10 comps

Raw Patrick, Friday, 14 December 2007 11:53 (sixteen years ago) link

THANK YOU

Matos W.K., Friday, 14 December 2007 12:01 (sixteen years ago) link

Does anyone else find it weird that there is almost no dance music AT ALL in ANY of the generalist lists (bar FACT's)? Justice scrapes in, I suppose.

Jamie T Smith, Friday, 14 December 2007 12:05 (sixteen years ago) link

Par for the course tho, innit? Nice to see that RA have given some love to that Lee Burridge mix, which I didn't notice getting much otherwise

DJ Mencap, Friday, 14 December 2007 12:09 (sixteen years ago) link

LCD isn't dance? (I mean sure it's indie, but it's also dance.)

Matos W.K., Friday, 14 December 2007 12:12 (sixteen years ago) link

(or am I just out of it in terms of how these things are discussed now?)

Matos W.K., Friday, 14 December 2007 12:12 (sixteen years ago) link

(haha "these things" "discussed" "now")

Matos W.K., Friday, 14 December 2007 12:13 (sixteen years ago) link

Aren't there normally a few crossover or token records?

NME list is actually more varied this year - Rhianna!

It just seems that indie (loosely, inc folky stuff) AND hip-hop/r&b are the mainstream this year, whereas dance music (and also the whole disco-edit balearic dub disco side of things) has just vanished, which isn't how it feels out here.

The utter style-less-ness of stuff like Q's list shouldn't surprise me, but does. Someone commented that the FACT list seemed overly hip and mp3-blog influenced, but wouldn't/shouldn't what's fashionable have some bearing on these polls. I feel like a dick for decrying their sobriety, but it just seems so dull.

Jamie T Smith, Friday, 14 December 2007 12:19 (sixteen years ago) link

'Atlas' reminds me too much of 'Doctorin' The Tardis'

NOT ENOUGH

blueski, Friday, 14 December 2007 12:23 (sixteen years ago) link

xpost

LCD is indie music for dance fans, as someone on here once said.

That's a good example, though. Obviously they have several constituencies and cross all sorts of boundaries, and have the profile to make it onto these polls, but if you look at their remixers - Harvey, Windsurf, Carl Craig (and er Franz Ferdinand and John Cale, but that doesn't help my argument) it's clear that they have the same idea of "what's going on" as I do, so it's then odd that people who like their record enough to poll it, have a completely different idea.

Jamie T Smith, Friday, 14 December 2007 12:24 (sixteen years ago) link

I agree. I was shocked by how popular "All My Friends" got with people because when I first paid attention to the lyrics all I could think was that it was so specific to raves that no one else could possibly get it. How wrong I was!

Matos W.K., Friday, 14 December 2007 12:49 (sixteen years ago) link

"That's a good example, though. Obviously they have several constituencies and cross all sorts of boundaries, and have the profile to make it onto these polls, but if you look at their remixers - Harvey, Windsurf, Carl Craig (and er Franz Ferdinand and John Cale, but that doesn't help my argument) it's clear that they have the same idea of "what's going on" as I do, so it's then odd that people who like their record enough to poll it, have a completely different idea."

It's not really that odd. LCD Soundsystem represent the furthest foray into balearic disco etc. for some people in the same way that M.I.A. represents the furthest foray into dancehall etc. for other people (or, indeed, sometimes the same people). To some extent you could argue that both acts process all sorts of stuff so that a good chunk of their fanbase doesn't have to.

Tim F, Friday, 14 December 2007 13:52 (sixteen years ago) link

Tim OTM--LCD are processing indie for its dance fans as much as the other way round.

Matos W.K., Friday, 14 December 2007 14:02 (sixteen years ago) link

The AV Club list is really white-guy indie this year. More so than usual, I mean. Arcade Fire at #1, The National at #2, Band of Horses in the top 5. I was about to say it reads like a Pitchfork list from six years ago, except Pitchfork usually threw in a couple of IDM records and, like, Cannibal Ox.

I know you voted in this, Matos, but still.

jaymc, Friday, 14 December 2007 14:10 (sixteen years ago) link

the 'processing' meme kind of implies that in a well-ordered world, everyone would be a music geek innit.

That one guy that hit it and quit it, Friday, 14 December 2007 14:16 (sixteen years ago) link

Yeah I'm generally not one to tsk tsk about whether people are more indie than they should be or whatever, but I was kind of appalled at that list. (xpost)

Alex in Baltimore, Friday, 14 December 2007 14:16 (sixteen years ago) link

I also voted in <I>City Paper</I>'s poll and the results were as opposite of <I>The Onion</I>'s as could be while existing in the same basic area.

Matos W.K., Friday, 14 December 2007 14:24 (sixteen years ago) link

yeah, can't really hold any one voter responsible for a poll's results, even when the pool of voters is relatively small.

Alex in Baltimore, Friday, 14 December 2007 14:29 (sixteen years ago) link

This isn't a critics poll, but here's Pitchfork's "Guest List: Best of 2007"
http://www.pitchforkmedia.com/article/feature/47091-guest-list-best-of-2007

three handclaps, Friday, 14 December 2007 14:52 (sixteen years ago) link

x-post
I think editors at general interest publications or websites (not pubs or sites devoted to one genre of music) should try to recruit writers to cover a broader spectrum. I think the editors at such locations can be held responsible. Even if their votes only make up a small percentage of the overall poll, I hope writers from dahnce publications and sites, and Living Blues magazine, metal mags, Latin Beat, etc. all contribute and/or are solicited to contribute to the Idolator and P & J polls.

curmudgeon, Friday, 14 December 2007 14:58 (sixteen years ago) link

I'm sure you're preaching to the choir with most of the editors and would-be editors here.

Alex in Baltimore, Friday, 14 December 2007 15:04 (sixteen years ago) link

I dunno. I've had editors who were pretty narrow in their choices and would really marginalize folks who didn't play ball, esp. at an alt-weekly that will remain nameless.

[also: the singles lists make me feel like i never listen to enough songs.]

fukasaku tollbooth, Friday, 14 December 2007 15:26 (sixteen years ago) link

I do not think so actually Al. I think most editors are swamped with work and editing and maybe getting lots of indie-rock copy, and they do not spend the time to seek out marginalized genre specialists. Also, some editors just don't care or feel like they have any obligation to reach out and cover more. Plus it depends on who is sending them promos and press releases, which turns into a Catch 22 situation. Folks associated with non-indie rock music think that the editors don't care about their genres (plus some club owners and labels and musicians don't reach out either). Sharon Jones & the Dapkings get more media attention than Denise Lasalle because they consciously bombard indie-rock and mainstream media while Lasalle's chitlin circuit soul label Ecko does not. If dancehall music acts are only appearing on short notice, late at night at clubs in shady locations in DC and their labels are not sending promos or downloads or whatever to the DC alt-weekly, there's not gonna be much coverage unless the editor reaches out.

I was glad that M. Matos responded to my e-mail with information on The Beat, Living Blues, and Latin Beat magazines, with a pledge to contact those folks. Last year, I forwarded a Jackin' Pop poll e-mail to 'world' music publicists Rock Paper Scissors who send it out to the folks they solicit and most of them apparently didn't bother to respond. With some I am guessing that they do not care to participate in polls dominated by American and Brit pop, rock, and rap. Which is a shame.

I e-mailed Bob Boilen of NPR to encourage them to make the spectrum of concerts they include on their website as wide as the music they review on the air. But while NPR reviews Congolese music, their website concert series is still dominated by indie-rock 930 club shows--even though Youssou N'Dour, Tinariwen, Cafe Tacuba, and numerous neo-soul, chitlin circuit soul, and whatever other genre type acts have played in DC.

curmudgeon, Friday, 14 December 2007 15:37 (sixteen years ago) link

I'm not saying every editor ever is making an effort to diversity their coverage or pool of freelancers, or even ever editor that posts to this board. But I've seen way too P&J threads where people complained to xhuxk about a lack of this kind of writer/voter and he sounded pretty exasperated about how hard he'd tried with little success to include those people to a degree that would actually impact the results. So it does feel a little like beating a dead horse to talk once again about, hey, there sure are a lot of critics who like indie, but I get what you're saying, and it's good that you're actually e-mailing editors and lobbying for that kind of change.

Alex in Baltimore, Friday, 14 December 2007 15:48 (sixteen years ago) link

This isn't a critics poll, but here's Pitchfork's "Guest List: Best of 2007"
http://www.pitchforkmedia.com/article/feature/47091-guest-list-best-of-2007

wow that list is like MIA Kala, MIA Kala, MIA Kala, MIA Kala, MIA Kala, MIA Kala, MIA Kala, MIA Kala

but it was fun to read. i always like seeing what musicians were listening to.

Mark Clemente, Friday, 14 December 2007 15:52 (sixteen years ago) link

x-post

I think XChuck and some others who do reach out are exceptions to the rule. Christgau complained in P & J in the early '80s that he he could not get some hardcore punk fanzine writers to contribute to P & J, so as you noted this is not a new issue. Also, you've been lucky to deal with editors that try to be inclusive (as far as I can tell)at the Baltimore City Paper. Not everyone is so lucky.

curmudgeon, Friday, 14 December 2007 15:58 (sixteen years ago) link

again, my original comment was that you're kinda preaching to the choir re: editors that post on this board, not all music editors everywhere, so i don't think we're actually disagreeing.

wow that list is like MIA Kala, MIA Kala, MIA Kala, MIA Kala, MIA Kala, MIA Kala, MIA Kala, MIA Kala

so no different from most of the boring critics' lists, then.

Alex in Baltimore, Friday, 14 December 2007 16:01 (sixteen years ago) link

Yeah she's got a real shot at #1 in THE ONLY POLL THAT MATTERS.

Dimension 5ive, Friday, 14 December 2007 16:37 (sixteen years ago) link

Pitchfork?

JN$OT, Friday, 14 December 2007 16:40 (sixteen years ago) link

slight lol at Diplo and Bonde Do Role dude NOT picking 'Kala' tho

blueski, Friday, 14 December 2007 16:43 (sixteen years ago) link

JN$OT is a funny mans.

Dimension 5ive, Friday, 14 December 2007 16:45 (sixteen years ago) link

slight lol at Diplo and Bonde Do Role dude NOT picking 'Kala' tho

I assumed in Diplo's case that was a form of modesty - since he produced some of the tracks on it.

o. nate, Friday, 14 December 2007 17:14 (sixteen years ago) link

EL-P
1. NIN: Year Zero
2. Aesop Rock: None Shall Pass
3. Rob Sonic: Sabotage Gigante
4. Queens of the Stone Age: Era Vulgaris
5. Nick Cave and Warren Ellis: The Proposition
6. UGK: Underground Kingz
7. Cam'ron: Public Enemy #1
8. Gang of Four: Entertainment! (Remastered)
9. Deftones: Saturday Night Wrist
10. Jay-Z: American Gangster

how many rap records do yall think el-p actually heard in 2007

and what, Friday, 14 December 2007 17:47 (sixteen years ago) link

i think southern rap pioneer diplo's list would be funnier to ask that question of.

Alex in Baltimore, Friday, 14 December 2007 17:53 (sixteen years ago) link

only one of them actually ever made rap music

and what, Friday, 14 December 2007 17:53 (sixteen years ago) link

also i dont even know what the fuck diplos list is about... whereas nin, nick cave & deftones are all pretty dope

and what, Friday, 14 December 2007 17:54 (sixteen years ago) link

that NIN album kinda sucks, actually. lol @ him being one of the 5 dudes left on the internet still repping hard for cam'ron in '07, though.

Alex in Baltimore, Friday, 14 December 2007 17:55 (sixteen years ago) link

dipset do kinda sound like vital nerve-era co flow

and what, Friday, 14 December 2007 17:56 (sixteen years ago) link

ha maaan i had to look up the original southern rap pioneer quote from the pfork review for lolz

"For a couple years now, Diplo and his partner Low Budget have run Hollertronix as a sort of crunk Underground Railroad, stealing away big-balled, white label southern rap into the sophisticated environs of the Northeast."

and what, Friday, 14 December 2007 17:59 (sixteen years ago) link

Crunkerground Railroad was actually the original name of their DJ night.

Alex in Baltimore, Friday, 14 December 2007 18:05 (sixteen years ago) link

holla-et tubman

and what, Friday, 14 December 2007 18:07 (sixteen years ago) link

this is todays lollertronix thread now

and what, Friday, 14 December 2007 18:08 (sixteen years ago) link

official 12/14/07 'i'm a dairy queen' tribute thread

and what, Friday, 14 December 2007 18:08 (sixteen years ago) link

Global Rhythms (I'm surprised steve didn't post this already.)

GR TOP 10 of 2007
1. Andy Palacio – Watina (Cumbancha)
2. Anoushka Shankar & Karsh Kale – Breathing Under Water (Manhattan)
3. Manu Chao – La Radiolina (Nacional)
4. Vieux Farka Toure – Vieux Farke Toure (Modiba)
5. Antibalas – Security (Anti-)
6. V/A – Roots of Chicha (Barbes)
7. Stephen Marley – Mind Control (Universal)
8. Ticklah – Ticklah Vs. Axelrod (Easy Star)
9. Gogol Bordello – Super Taranta (Side One Dummy)
10. Calle 13 – Residente o Visitante (Norte/Sony)

JILL ETTINGER
1. Stephen Marley – Mind Control (Universal)
2. Vieux Farke Toure – Remixed: UFO’s Over Bamako (Modiba)
3. Radiohead – In Rainbows (Self-Released)
4. Antibalas – Security (Anti-)
5. Nostalgia 77 – Everything Under The Sun (Tru Thoughts)
6. Ben Harper – Lifeline (EMI)
7. Sharon Jones & The Dap Kings – 100 Days, 100 Nights (Dap-Tone)
8. Eccodek – Voices Have Eyes (White Swan)
9. Anoushka Shankar & Karsh Kale – Breathing Under Water (Manhattan)
10. Eddie Vedder – Into The Wild Soundtrack (RCA)

TOM TERRELL
1. ANDY PALACIO & the GARIFUNA COLLECTIVE: Watina (Cumbancha)
2. MANU CHAO: La Radiolina: Y Ahora Que? (Nacional)
3. JULIETTE GRECO: Le temps d’une chanson (Sunnyside)
4. ANOUSHKA SHANKAR & KARSH KALE: Breathing Under Water (Manhattan)
5. WILLIE COLON: Crime Pays (Fania)
6. MESHELL NDEGEOCELLO: The World Has Made Me The Man Of My Dreams (Emarcy)
7. QUARTET SAN FRANCISCO: Whirled Chamber Music (ViolinJazz)
8. KERMIT RUFFINS: Live at Vaughan’s (Basin Street)
9. LITTLE AXE: Stone Cold Ohio (Real World)
10. HUGH MASEKELA: Live at the Market Theatre (Times Square)

TOM PRYOR
1. Ticklah - Ticklah vs. Axelrod (Easy Star)
2. Antibalas - Security (ANTI)
3. Andy Palacio - Watina (Cumbancha)
4. Slavic Soul Party! - Technocek Collision
5. Buika - Mi Nina Lola (Dro Atlantic)
6. Calle 13 - Residente o Visitante (Norte/Sony)
7. Martirio - Primavera en Nueva York (Norte/Sony)
8. Puerto Plata - Mujer de Cabaret (IASO)
9. Tabu Ley Rochereau - The Voice of Lightness (Stern's)
10. Bole 2 Harlem - Bole 2 Harlem (Sounds of the Mushroom)

CHRIS HEIM
1. Andy Palacio - Watina (Cumbancha)
2. Various - Roots of Chicha (Barbes)
3. Various Artists - Si, Para Usted (Waxing Deep)
4. Bob Brozman - Lumiere (Riverboat)
5. Mariza - Concerto em Lisboa (Four Quarters)
6. Mavis Staples - We'll Never Turn Back (Anti-)
7. Papa Noel - Cafe Noir (Tumi)
8. Dee Dee Bridgewater - Red Earth (Decca)
9. Kalman Balogh & the Gypsy Cimbalom Band - Live in Germany (Traditional Crossroads)
10. Various - Rough Guide to the Music of Vietnam (WMI)

MATT SCHEINER
1. Stephen Marley - Mind Control (Universal)
2. Ticklah - Ticklah Vs. Axelrod (Easy Star)
3. Xavier Rudd - White Moth (Anti-)
4. Lefties Soul Connection ‹ Skimming the Skum (Groove Attack)
5. Iron and Wine - The Shepherd's Dog (Sub Pop)
6. Yabby You - Deliver Me From My Enemies (Blood & Fire)
7. Turbulence - Do Good (Minor7Flat5)
8. Wilco - Sky Blue Sky (Nonesuch)
9. Toots and the Maytals - Light Your Light (Concord)
10. Bettye LaVette - The Scene of the Crime (Anti-)

BRUCE SACH
1. Zachary Richard - Lumière Dans Le Noir (Musicor)
2. Pink Martini - Hey Eugene! (Heinz)
3. Céu - Céu (Six Degrees)
4. Magnolia - Magnolia (Les Disques Audiogram)
5. Ariane Moffatt - Le Coeur Dans La Tête (Les Disques Audiogram)
6. Anne Lindsay - News From Up the Street (Violindsay Music)
7. Carla Bruni - No Promises (Les Disques Audiogram)
8. Thomas Hellman - Departure Songs (Justin time)
9. Luciana Souza - The New Bossa Nova (Verve)
10. The National Parks - Timbervision (Les Disques Audiogram)

MICHAEL STONE
1. Andy Palacio & The Garifuna Collective - Wátina (Cumbancha)
2. Omar Sosa / Promise / Otá-Melodia
3. Niño Josele - Paz (Calle 54)
4. Roberto Fonseca - Zamazu (Enja)
5. Chavela Vargas - Cupaima (Tropical Music)
6. Choro Ensemble - Nosso Tempo (Anzic)
7. Habib Koite - Afriki (Cumbancha)
8. Ági Szalóki / Hallgató (Lament) / FolkEurópa
9. Brazilian Folklore Research Mission (VA) / Musica Tradicional do Norte e Nordeste 1938 / Municipal Culture Secretariat of São Paulo-SESC-SP
10. Abyssinians - Satta Massagana (Heartbeat-Rounder)

BRUCE MILLER
1. Various Artists - Lesotho Calling (Sharp Wood)
2. Group Inerane - Guitars From Agadez (Sublime Frequencies)
3. Group Doueh - Guitar Music From The Western Sahara (Sublime Frequencies)
4. Bachata - Roja (iASO)
5. Daouda - Dembele (Yaala Yaala)
6. Bougouni - Yaalali (Yaala Yaala)
7. Pekos - Yoro Diallo (Yaala Yaala)
8. Various Artists - The Roots of Chicha (Barbes)
9. Puerto Plata - Mujer De Cabaret (iASO)
10. Robert Wyatt - Comicopera (Domino)

DOUG HESELGRAVE
1. Andy Palacio - Watina (Cumbancha)
2. Marcel Khalife - Taqasim (Connecting Cultures)
3. Tcheka - Nu Monda (Harmonia Mundi)
4. Dobet Gnahore - Ni Afriki (Cumbancha)
5. Benny Culture and Singe Shante - Conscience (Megawave)
6. Burning Spear - The Burning Spear Experience (Self-Released)
7. Mickey Hart and Zakir Hussain - Global Drum Project (Shout! Factory)
8. Toumani Diabate - Symmetric Orchestra (Nonesuch)
9. Lee Scratch Perry - A Lee Perry Jukebox (Trojan)
10.Nusrat Fateh Ali Khan - Dub Qawwali (Six Degrees)

NILS JACOBSON
1. Habib Koite and Bamada - Afriki (Cumbancha)
2. Oojami - Boom Shinga Ling (CIA)
3. Buika - Mi Niña Lola (Dro Atlantic/Casa Limon)
4. Sones De Mexico Ensemble - Esta Tierra Es Tuya (Sones De Mexico)
5. Nik Bartsch's Ronin - Live (Ronin Rhythm)
6. Ojos De Brujo - Techarí (Six Degrees)
7. Tinariwen - Aman Iman (World Village)
8. Enrico Rava - The Words And The Days (ECM)
9. Andy Palacio and the Garifuna Collective - Wátina (Cumbancha)
10. Various Artists - African Pearls, Vol. 4: The Teranga Spirit (Syliphone)

JOHN SEROFF
1. Alash - Alash (Self-Released)
2. Kenge Kenge - Introducing Kenge Kenge (World Music Network)
3. Lionel Loueke - Vision Forest (Obliquesound)
4. Vieux Farka Toure - Eponymous (Modiba)
5. The Yoshida Brothers - Hishou (Domo)
6. Kodo - Heartbeat (Sony)
7. Dengue Fever - Venus on Earth (M80)
8. Cherryholmes - Cherryholmes II Black and White (Skaggs Family)
9. Lekan Babalola - Songs of Icon (Mr. Bongo)
10. Alex Alvear - Ecuatorial (Self-Released)

JEFF TAMARKIN
1. Vieux Farka Toure - Vieux Farke Toure (World Village)
2. Anoushka Shankar & Karsh Kale - Breathing Under Water (Manhattan)
3. Dee Dee Bridgewater - Red Earth: A Malian Journey (DDB)
4. Corey Harris - Zion Crossroads (Telarc)
5. Pink Martini - Hey Eugene! (Heinz)
6. Andy Palacio & The Garifuna Collective - Wátina (Cumbancha)
7. Bebo Valdés - Featuring The Legendary Vocalists (Malanga)
8. Habib Koite - Afriki (Cumbancha)
9. Pharaoh’s Daughter - Haran (Oy!hoo)
10. Toni Iordache - Sounds From a Bygone Era Vol. 4 (Asphalt Tango)

STACY MEYN
Hybrid - I Choose Noise (Distinctive)
Recoil - subHuman (Mute)
The Darbuki Kings - Doumtekastan (Massive Music)
Various Artists - Backspin: A Six Degrees 10 Year Anniversary Project (Six Degrees)
Eivissa - Defected in the House (Defected)
Steve Bug - Fabric 37 (Fabric)
Omar Akram - Secret Journey (Real Music)
Various Artists-Urban Mantra-Music Mosaic
Sultan - Yoshitoshi Montreal (Rephlektor Ink)
The Original Chinatown Bad Boys: The Notorious MSG-Six Lessons from the Chinatown Underground (Cordless)

MARIO I. OÑA
1. Manu Chao - La Radiolina (Nacional)
2. Devendra Banhart - Smokey Rolls Down Thunder Canyon
3. Born Again Floozies - 7 Deadly Sinners
4. Café Tacvba - Sino (Universal Latino)
5. Beirut - The Flying Club Cup (Badabing)
6. Calle 13 - Residente o Visitante (Sony)
7. Federico Aubele - Panamericana (18th St. Lounge)
8. Mexican Institute of Sound - Piñata (Nacional)
9. Austin TV - Fontana Bella (Self-Released)
10. B*Side Players - Fire in the Youth (Self-Released)

ERNEST BARTELDES
Caetano Veloso - Cê (Nonesuch)
Pacha Massive - All Good Things (Nacional)
Karsh Kale & Anoushka Shankar - Breathing Under Water (Manhattan)
Paul McCartney - Memory Almost Full (Hear Music)
Céu - Céu (Six Degrees)
Bebel Gilberto - Momento (Six Degrees)
Ojos de Brujo - Techarí (Six Degrees)
Manu Chao - La Radiolina (Nacional)
Arturo Sandoval - Rumba Palace (Telarc Jazz)
Francesca Ancarola - Lonquen (Petroglyph)

TOM ORR
Andy Palacio and the Garifuna Collective - Watina (Cumbancha)
Colombiafrica - The Mystic Orchestra- Voodoo Love Inna Champeta Land (Riverboat Records/World Music Network)
Jacques Schwarz-Bart - Sone Ka-La (Emarcy/Universal)
Jose Conde y Ola Fresca - Revolucion (Pipiki/Mr. Bongo)
Malouma - Nour (Marabi)
King Sunny Ade - Gems From the Classic Years 1967-1974 (Shanachie)
Ricardo Lemvo and Makina Loca - Isabela (Mopiato)
Cory Harris - Zion Crossroads (Telarc)
Tinariwen - Aman Iman (World Village)
Benjamin Escoriza - Alevanta! (Riverboat Records)

PHIL FREEMAN
1. Tego Calderón - El Abayarde Contra-Ataca (Universal)
2. Various Artists - New York City Salsa (Fania)
3. Kenge Kenge - Introducing Kenge Kenge (World Music Network)
4. Various Artists - ¡Gozalo! (Vampisoul)
5. Sol Hoopii - King Of The Hawaiian Steel Guitar (Sony)
6. Tony Allen - Afro Disco Beat (Vampisoul)
7. Rebuilding The Rights Of Statues - Cut Off! (Tag Team)
8. Calle 13 - Residente O Visitante (Sony)
9. Tinariwen - Aman Iman (Harmonia Mundi)
10. El Kinto - s/t (Lion)

TAD HENDRICKSON
1. Manu Chao – La Radiolina (Nacional)
2. Gogol Bordello – Super Taranta! (Side One Dummy)
3. Anoushka Shankar & Karsh Kale – Breathing Under Water (Manhattan)
4. Antibalas – Security (ANTI-)
5. V/A – Roots Of Chicha (Barbes)
6. Sharon Jones – 100 Days, 100 Nights (Daptone)
7. Federico Aubele – Panamericana (ESL Music)
8. Luciana Souza – The New Bossa Nova (Verve)
9. Nawal – Aman (s/r)
10. Andy Palacio – Watina (Cumbancha)

BILL MURPHY
1. V/A – Jonny Greenwood Is the Controller (Sanctuary)
2. Björk – Volta (One Little Indian/Universal)
3. King Jammy – King Jammy’s Dub Explosion (Jamaican Recordings)
4. Femi Kuti – The Definitive Collection (Wrasse)
5. V/A – Roots of Chicha (Barbes)
6. Celia Cruz - ¡Azucar!: A Lady and her Music (Fania/Emusica)
7. Grinderman – Grinderman (ANTI-)
8. Antibalas – Security (ANTI-)
9. Calle 13 – Residente O Visitante (Sony)
10. Jose Conde & Ola Fresca – Revolucion (Mr. Bongo)

ADAM MENCELES
1. The Slackers - The Boss Harmony Sessions (Special Potato Records)
2. Gogol Bordello - Super Taranta (Side One Dummy)
3. The Aggrolites - Reggae Hit L.A. (Hellcat Records)
4. Ozomatli - Don't Mess With The Dragon (Concord Records)
5. Tim Armstrong - A Poet's Life (Hellcat Records)
6. Joel Plaskett Emergency - Ashtray Rock (Maple Music Recordings)
7. Psychotropical Orchestra - Invasion Psychotropical (Denso)
8. Bossacucanova - Uma Batida Diferente - (Six Degrees)
9. Nekromantix - Life Is A Grave And I Dig It (Hellcat Records)
10. Xavier Rudd - White Moth (Anti)

Rockist Scientist, Friday, 14 December 2007 20:16 (sixteen years ago) link

I think I'm the biggest Karsh Kale fan around here and I have been disappointed by Breathing Under Water, time to give it another shot maybe. But yeah Palacios in a walk.

Dimension 5ive, Friday, 14 December 2007 20:23 (sixteen years ago) link

Blinded by the Hype!'s 2007 top ten.

Top Albums

1. Battles -- 'Mirrored'
2. Burial -- 'Untrue'
3. Baroness -- 'Red Album'
4. Low -- 'Drums and Guns'
5. UGK -- 'Underground Kingz'
6. Gui Boratto -- 'Chromophobia'
7. Panda Bear -- 'Person Pitch'
8. P.J. Harvey -- 'White Chalk'
9. Radiohead -- 'In Rainbows'
10. Electrelane -- 'No Shouts, No Calls'

Top Singles

1. Rihanna f. Jay-Z -- 'Umbrella'
2. Kanye West -- 'Flashing Lights'
3. Spoon -- 'The Ghost of You Lingers'
4. The Dillinger Escape Plan -- 'Black Bubblegum'
5. Amy Winehouse -- 'Rehab'
6. Justice -- 'D.A.N.C.E.
7. LCD Soundsystem -- 'All My Friends'
8. UGK -- 'International Players Anthem'
9. Battles -- 'Atlas'
10. Kathy Diamond -- 'All Woman'

fukasaku tollbooth, Friday, 14 December 2007 21:03 (sixteen years ago) link

I'm a little surprised that Tinariwen didn't do better on those Global Rhythms lists.

polyphonic, Friday, 14 December 2007 21:09 (sixteen years ago) link

Are there any good hardcore/post-hardcore lists out there? Just curious, what with No Age, Times New Viking, Psychadelic Horseshit, etc. coming out this year, I wanted to see what else a publication focusing on that scene would like.

I eat cannibals, Friday, 14 December 2007 21:26 (sixteen years ago) link

Isn't Blinded by the Hype! just, like, one guy? I mean, I like him and all, but dag, maybe I should just post MINE up here. Oh wait I probably will. Just on another thread.

Dimension 5ive, Friday, 14 December 2007 21:27 (sixteen years ago) link

what happened to lollertronix

and what, Friday, 14 December 2007 21:30 (sixteen years ago) link

Blinded by the Hype, indeed.

elan, Friday, 14 December 2007 22:26 (sixteen years ago) link

I hope Matos has sent ballots to the Global Rhythms writers...and XXL online columnists too

curmudgeon, Saturday, 15 December 2007 01:40 (sixteen years ago) link

Jesus you're a pest, Steve.

Matos W.K., Saturday, 15 December 2007 01:49 (sixteen years ago) link

here's an idea: assume I did.

Matos W.K., Saturday, 15 December 2007 01:52 (sixteen years ago) link

re. Global Rhythms

i'm surprised to see Manu Chao's record in so many of those lists. i thought it had been universally derided....or perhaps i'm thinking of his live show.

sam500, Saturday, 15 December 2007 07:11 (sixteen years ago) link

That Stephen Marley record is hella boring.

The Reverend, Saturday, 15 December 2007 07:35 (sixteen years ago) link

i was on his tour bus once.

J0rdan S., Saturday, 15 December 2007 07:38 (sixteen years ago) link

Groupie.

The Reverend, Saturday, 15 December 2007 07:56 (sixteen years ago) link

yeah cash money buses have been a little heated lately so i decided to move on.

J0rdan S., Saturday, 15 December 2007 08:02 (sixteen years ago) link

no a family friend lives next door to the marley house (dunno which marley actually owns it tbh) in miami and one day a few years ago they were loading shit into the bus when we were out there and they let me and my brother and his friend walk around for a minute or so.

J0rdan S., Saturday, 15 December 2007 08:04 (sixteen years ago) link

This is where list fatigue begins to set in. The more mainstream lists all start blending together as Xmas approaches.

The Onion
I'm on vacation, so I don't know why I'm punishing myself, but I read nearly all 600+ comments on The Onion's list page. Complaints mainly focused on the lack of hip-hop, and the exclusion of Panda Bear, Of Montreal, and a few other albums that really are no less whitebread (Shins, New Porn, Andrew Bird, etc.) than the interchangeable selections they're kvetching about. Two good things came of it. I found a list with three Finnish albums I hadn't heard of (I've been having these reocurring dreams set in the dark forests of Finland and for some reason it makes me want to make a soundtrack for it), and I was reminded to pick up El-P's I'll Sleep When You're Dead. It just might be better than his first album, not sure why I forgot about it.

1. Arcade Fire, Neon Bible (81 points]
2. The National, Boxer (66 points]
3. Radiohead, In Rainbows (63 points]
4. LCD Soundsystem, Sound Of Silver (61 points]
5. Band Of Horses, Cease To Begin (56 points]
6. M.I.A., Kala (54 points]
7. Amy Winehouse, Back To Black (42 points]
8. Tegan And Sara, The Con (37 points]
9. Wilco, Sky Blue Sky (36 points]
10. Bloc Party, A Weekend In The City (36 points]
11. Spoon, Ga Ga Ga Ga Ga (35 points]
12. Jesu, Conqueror (30 points]
13. Modest Mouse, We Were Dead Before The Ship Even Sank (29 points]
14. PJ Harvey, White Chalk (29 points]
15. Les Savy Fav, Let's Stay Friends (28 points]
16. The White Stripes, Icky Thump (27 points]
17. Low, Drums And Guns (26 points]
18. Ted Leo, Living With The Living (25 points]
19. Against Me!, New Wave (25 points]
20. Rilo Kiley, Under The Blacklight (25 points]
21. Grinderman, Grinderman (23 points]
22. Bat For Lashes, Fur And Gold (22 points]
23. Fall Out Boy, Infinity On High (22 points]
24. James Murphy & Pat Mahoney, FabricLive 36 (20 points]
25. Iron And Wine, The Shepherd's Dog (20 points]

SPIN
I guess I should get around to listening to Against Me and Fall Out Boy *sigh*. I'm drawing the line at Bright Eyes, I'd heard enough of him. Do grownups really like that stuff? Are Bonde De Role and Brother Ali worth hearing? I didn't even know Wildhearts and BRMC had new albums.

40. Rilo Kiley, Under The Blacklight
39. Turbonegro, Retox
38. Dizzee Rascal, Maths + English
37. Ted Leo & The Pharmicists, Living With The Living
36. Bonde Do Role, With Lasers
35. Say Anything, In Defense Of The Genre
34. Bat For Lashes, Fur And Gold
33. The Wildhearts, The Wildhearts
32. Black Rebel Motorcycle Club, Baby 81
31. Handsome Furs, Plague Park
30. Brother Ali, Undisputed Truth
29. Panda Bear, Person Pitch
28. Iron And Wine, The Shepherd's Dog
27. Band Of Horses, Cease To Begin
26. Bright Eyes, Cassadaga
25. Queens Of The Stone Age, Era Vulgaris
24. The Shins, Wincing The Night Away
23. Peter Bjorn & John, Writer's Block
22. Elliott Smith, New Moon
21. Modest Mouse, We Were Dead Before The Ship Even Sank
20. of Montreal, Hissing Fauna, Are You The Destroyer?
19. Arctic Monkeys, Favourite Worst Nightmare
18. Feist, The Reminder
17. The National, Boxer
16. Lily Allen, Alright, Still...
15. Justice, †
14. Bruce Springsteen, Magic
13. The Hives, The Black And White Album
12. Prince, Planet Earth
11. Lil Wayne, Da Drought 3
10. The White Stripes, Icky Thump
9. Spoon, Ga Ga Ga Ga Ga
8. Jay-Z, American Gangster
7. Amy Winehouse, Back To Black
6. Radiohead, In Rainbows
5. M.I.A., Kala
4. Kanye West, Graduation
3. LCD Soundsystem, Sound Of Silver
2. Arcade Fire, Neon Bible
1. Against Me!, New Wave

Fastnbulbous, Saturday, 15 December 2007 17:02 (sixteen years ago) link

bonde do role are only worth hearing so you'll know once and for all you never want to hear them again. ok, that's mean. everything is worth hearing once. but i don't see the appeal.

pshrbrn, Saturday, 15 December 2007 18:52 (sixteen years ago) link

The Against Me! album is terrible - awful production and their least engaging batch of songs yet. I have no idea what the appeal is supposed to be.

Simon H., Saturday, 15 December 2007 18:55 (sixteen years ago) link

The Fall Out Boy album is good if you can ignore lyrics.

The Reverend, Saturday, 15 December 2007 21:35 (sixteen years ago) link

i don't think the lyrics are that bad.

J0rdan S., Saturday, 15 December 2007 21:36 (sixteen years ago) link

really good album though you're right.

J0rdan S., Saturday, 15 December 2007 21:36 (sixteen years ago) link

I like the first Against Me record quite a bit but the ones since (is this their 3rd or 4th?) haven't really made any impression on me.

sleeve, Saturday, 15 December 2007 21:43 (sixteen years ago) link

Omg. Spin picked Against Me! as #1 album? I think I'm going back to reading Spin now.

Mordechai Shinefield, Saturday, 15 December 2007 21:58 (sixteen years ago) link

Man, I remember the first year I read Spin. I was a sophomore in highschool and I hadn't heard of any of the bands on the year end list. Now I know all of them - and I wish I didn't. :(

Mordechai Shinefield, Sunday, 16 December 2007 01:45 (sixteen years ago) link

That Palacio album didn't really grab me... I probably need to relisten?
I like the occasional divergence on those globalrhythm lists... Bjork? Sharon Jones? Ah well, I went with the Cherryholmes, so no room for complaint.
Is there already a place where people are posting their personal top 10s and I'm missing it?

forksclovetofu, Sunday, 16 December 2007 02:12 (sixteen years ago) link

Not a huge fan of Palacio's voice...It sounds empty to me.

Tape Store, Sunday, 16 December 2007 06:32 (sixteen years ago) link

After suffering through the mediocre/boring/similar lists from most of the publications above, and their ridiculous NATIONARCADIOHEAD placements, I'm actually looking forward to the Pitchfork list, for once.

Predictions:

- The National in the 10-20 range, Arcade Fire in the 20-30 range, where they both belong. Radiohead I can see making the top 10 on Pitchfork this year. Such a relief.

- The #1 album: who knows? My guesses would be LCD, Panda Bear or MIA in the top 5, with Animal Collective and Radiohead as long shots for #1, but definite top 10 records.

- Looking forward to some surprises in the top 20 or so records. Last year I recall seeing Scott Walker, Boris and Liars in the the top 10, which was refreshing - all of those records are incredible. My #1 of the year was Junior Boys, which was #11 i think.

stephen, Sunday, 16 December 2007 07:08 (sixteen years ago) link

Clarification: My guesses would be LCD, Panda Bear or MIA as the #1 album, all definitely in the top 5...

stephen, Sunday, 16 December 2007 07:09 (sixteen years ago) link

another good 'un last year was Tim Hecker's Harmony in Ultraviolet at, what?, 13, 14 or something? such a great record.

stephen, Sunday, 16 December 2007 07:10 (sixteen years ago) link

I don't think I would like Andy Palacio's sound, either. I wish I had a name for that general style, but there is a sort of very sweet, light-sounding, acoustic roots music that I am really not into. (It's definitely not just about acoustic, or even quiet acoustic, since I'm quite happy to listen to solo oud, for instance.)

Rockist Scientist, Sunday, 16 December 2007 13:46 (sixteen years ago) link

Bachata - Roja

I don't understand what this is. There is a group just called Bachata? Something is wrong.

Rockist Scientist, Sunday, 16 December 2007 13:52 (sixteen years ago) link

More likely, it's this compilation, which looks awesome, actually:

http://www.cduniverse.com/productinfo.asp?pid=7521513

I would like to see more historical compilations of bachata and merengue. (Maybe merengue even more because it's gone through such radical changes in instrumentation over the years.)

Rockist Scientist, Sunday, 16 December 2007 13:53 (sixteen years ago) link

From Jody Rosen's list in Slate:

23. Mickey Avalon, "Jane Fonda"

I no longer feel alone.

Mordechai Shinefield, Monday, 17 December 2007 16:25 (sixteen years ago) link

To expand on that last post: Jody Rosen , Ann Powers and Christgau are discussing the year over at Slate.

http://www.slate.com/id/2179977/entry/2179978/

The guy who just votes in polls, Monday, 17 December 2007 16:49 (sixteen years ago) link

I love the fact that Christgau has an 80GB iPod.

Matos W.K., Monday, 17 December 2007 16:50 (sixteen years ago) link

I love this quote:

Let's get this party started quickly. Journey sucks. They sucked in 1981, they'll suck in 2033, and they suck now. Who gives a fuck what Tony Soprano thinks?

Mordechai Shinefield, Monday, 17 December 2007 16:53 (sixteen years ago) link

Yeah, Jody R0sen must be all like "Oh, my ass. Thanks for handing it to me."

Dimension 5ive, Monday, 17 December 2007 17:08 (sixteen years ago) link

Metacritic cobbling most/all '07 lists together here.

dblcheeksneek, Monday, 17 December 2007 17:19 (sixteen years ago) link

"Most/All," I do not think so. from their site: Since its inception, Metacritic has provided a cross-section of reviews from a carefully-screened group of the most respected critics

curmudgeon, Monday, 17 December 2007 18:34 (sixteen years ago) link

Simon Reynolds' year-end thoughts.

Mark Clemente, Monday, 17 December 2007 18:44 (sixteen years ago) link

here's the more exact link.

Mark Clemente, Monday, 17 December 2007 18:45 (sixteen years ago) link

How did I miss the fact that Kevin Ayers has a new record out?

o. nate, Monday, 17 December 2007 19:16 (sixteen years ago) link

is it just me or is everyone putting the paper planes remix w/ bun b and rich boy on their lists and not the original? and if so why?????

max, Monday, 17 December 2007 19:24 (sixteen years ago) link

its such a boring/lazy verse tho.

max, Monday, 17 December 2007 19:30 (sixteen years ago) link

because crits are still desperate for links between M.I.A. and US rap to help fill out their thesis papers about here.

Alex in Baltimore, Monday, 17 December 2007 19:33 (sixteen years ago) link

here=her

Alex in Baltimore, Monday, 17 December 2007 19:33 (sixteen years ago) link

"Most/All," I do not think so. from their site: Since its inception, Metacritic has provided a cross-section of reviews from a carefully-screened group of the most respected critics

-- curmudgeon, Monday, December 17, 2007 6:34 PM (58 minutes ago) Bookmark Link

from a stars of the lid review they used:
"I think that there are to many strange instruments in each song"
"It’s not like Stars of the Lid’s previous efforts where filled with booming dynamics and a wide variety of sounds"

ciderpress, Monday, 17 December 2007 19:46 (sixteen years ago) link

"Most/All," I do not think so.

When you have a moment, kindly direct your exacting attention to Metacritic's 2006 aggregator and you'll see that the 2007 list, like those before it, will reflect "critic top ten lists...as they appear."

Furthermore, I said cobbling, not cobbled. In other words, ongoing process, not finished product.

eRading is fudnamental.

dblcheeksneek, Monday, 17 December 2007 19:59 (sixteen years ago) link

x-post

Ha. I am sure they very carefully selected that review. The idea of Metacritic has always seemed better to me than the actual thing. They never incorporate a wide enough musical spectrum for me.

Frieze magazine has a Jace Clayton year in review essay and a conversation between Simon Reynolds and Ann Powers

http://www.frieze.com/issue/article/music_3/

http://www.frieze.com/issue/article/music_2/

curmudgeon, Monday, 17 December 2007 20:00 (sixteen years ago) link

ilx will have its own poll this year, won't it?

-- Fastnbulbous, Tuesday, December 4, 2007

yeah, it should. someone always puts something together...

-- Bee OK, Wednesday, 5 December 2007 04:07 (1 week ago) Link

I was thinking about starting one soon, since no one has done it yet...maybe even starting it before 2008 is half over. I might make it top 25 instead of top 50, though.

musically, Monday, 17 December 2007 20:11 (sixteen years ago) link

Metacritic never incorporates a wide enough musical spectrum for me.

Example of what they miss(ed)?

dblcheeksneek, Monday, 17 December 2007 20:26 (sixteen years ago) link

Oh come on, the biases are obvious in the resulting list.

Rockist Scientist, Monday, 17 December 2007 20:36 (sixteen years ago) link

That's not an answer.

dblcheeksneek, Monday, 17 December 2007 20:37 (sixteen years ago) link

There is a ton of international music that doesn't have a chance--because it's not good, obviously.

Rockist Scientist, Monday, 17 December 2007 20:37 (sixteen years ago) link

Do you want genres or artists or what? When I look at that list I mostly see indie rock, metal, some other rock, electronic/"dance" music, hip-hop I guess (though I imagine hip-hop fans would complain about their selection there), and a smattering of jazz. Go read some jazz or world music or better yet, region-specific or "world" music genre specific, end of the year lists. Has all that stuff been considered and found inferior inferior to Feist or Radiohead or whomever? I don't think so.

Rockist Scientist, Monday, 17 December 2007 20:40 (sixteen years ago) link

(Or modern classical. . .)

Rockist Scientist, Monday, 17 December 2007 20:41 (sixteen years ago) link

They only scratch the surface of metal - the Dillinger Escape Plan for instance. Most of the major metal releases of the year aren't in there.

Simon H., Monday, 17 December 2007 20:43 (sixteen years ago) link

A lot of the ratings and rankings on Metacritic are horseshit, but I'm not entirely convinced that that has more to do with Metacritic's selection of publications and critics than the opinions of the publications and critics available for them to select from.

Alex in Baltimore, Monday, 17 December 2007 20:46 (sixteen years ago) link

the opinions of the publications and critics available for them to select from.

I know that some newspapers reviews can be found via Lexis/Nexis and not google and vice/versa. I bet, even in this day and age, you can also find some reviews in printed form that are not online and provided to Metacritic. But it also appears that Metacritic does not reach out and try to include non-indie rock reviews.

curmudgeon, Monday, 17 December 2007 20:52 (sixteen years ago) link

I'd be more ineterested in what Metacritics users top of 2007 are than seeing a list where Rolling Stone voted. Rolling Stone gave a higher score to Blackout than they did Strawberry Jam, haha!

micarl, Monday, 17 December 2007 20:55 (sixteen years ago) link

their scores on moves & games usually seem pretty accurate, books and music seem totally random/arbitrary.

bnw, Monday, 17 December 2007 20:55 (sixteen years ago) link

Rolling Stone gave a higher score to Blackout than they did Strawberry Jam

So?

A lot of the ratings and rankings on Metacritic are horseshit,

Agreed. Not so sure I agree with the rest of Alex's post, though, or even what it means -- so, they're horseshit because the critics have the wrong opinions? I don't get that. (To me, their main limitation has always seemed to be in the kinds of albums they decide to include on their site -- and also, their tendency to subjectively, and often seemingly arbitrarily, translate non-numerical reviews into numerical scores, which doesn't always work.)

Anyway, Billboard Critic Picks (and top ten):

http://www.billboard.com/bbcom/yearend/2007/albums/index.html

xhuxk, Monday, 17 December 2007 20:56 (sixteen years ago) link

x-post

If someone can point us to something from Metacritic that is taken from a Latin Beat magazine review, or a Rio De Janeiro newspaper review, I would like to see it.

curmudgeon, Monday, 17 December 2007 20:57 (sixteen years ago) link

Respectfully, Rockist, your argument is at best specious: what list aggregator gives international music (whatever that means) its due?

As a counterpoint: the Village Voice surveyed approximately 500 critics and its '06 list closely resembles the list of many other publications (as well as the Metacritic Aggregate). But! BUT! If one digs a little deeper and cross-references the data from which the Voice culls its list, won't one find the critics that practice their love of international music. Can't one create their own aggregate list with Ctrl-C, Ctrl-P and a spreadsheet? Too much heavy lifting?

I'm not defending Metacritic as the Alpha and Omega of music criticism (far from it!), but isn't it at least a decent place to start (even if it is, admittedly, demonstrably limited in scope, as Alex in Baltimore aptly points out)?

Are you (and curmudgeon or Simon H) honestly disappointed that something like Fabric 36 (or the modern classical or metal you dug this past year) didn't make the "big list"? If it had, doesn't that selection make the ranked music that much more likely to finds its way into the background of your local Starbucks? I, for (and likely not the only) one, am glad I only hear "my music" at my choosing and not someone else's. That I read about in certain places and not everywhere.

But let's have at it, let's make all music we individually cherish popular (i.e., well-ranked, because that's important at the end of the day) and see if we don't end up somewhere like this:

http://www.dieselsweeties.com/shirts/elitistdiagram740black.gif

dblcheeksneek, Monday, 17 December 2007 21:03 (sixteen years ago) link

PopMatters top 60 albums of the year:
http://www.popmatters.com/pm/features/article/52152/the-best-albums-of-2007

erasingclouds, Monday, 17 December 2007 21:10 (sixteen years ago) link

Village Voice surveyed approximately 500 critics and its '06 list closely resembles... the Metacritic Aggregate).

Is this even true, though? I haven't looked at Metacritic much this year, so maybe it's opened up somewhat, but when I was running the Voice poll, Metacritic's site always skewed way more indie-rock than Pazz & Jop. Which is why I always found it laughable when people based predictions for Pazz & Jop placements on Metacritic placements -- there were way too many records that Metacritic ignored, or charted way too high based on a limited, insular number of reviews, or whatever. If that's changed, though, more power to them.

xhuxk, Monday, 17 December 2007 21:13 (sixteen years ago) link

I don't like the idea that people think Metacritic is a reliable list aggregator when it clearly is not. This also ties in with what Deej was calling the priveleging of indie-rock in a posting on the SFJ thread. While I recognize that some artists may never make the "big list" (whatever that is) it still dissapoints me. I would love to hear a wide variety of sounds at my local Starbucks and on commercial radio stations and on MTV and wherever. As noted upthread, I have pestered M. Matos at Idolator this year and others (the Voice) in prior years to offer a wider spectrum.

curmudgeon, Monday, 17 December 2007 21:14 (sixteen years ago) link

If someone can point us to something from Metacritic that is taken from a Latin Beat magazine review, or a Rio De Janeiro newspaper review, I would like to see it.

If someone can point us something from Metacritic (a US-based publication) that suggests it's reached out to, or has been approached by Latin Beat or a Rio De Janeiro daily (in English, mind you...this isn't, after all, Metacritic.com.br), or where Metacritic promises something (such as an international perspective) that it doesn't deliver, I would like to see it.

xpost - I hope Ali Farka Toure topping Metacritic's '06 list isn't lost on Rockist, or anyone else, for that matter.

dblcheeksneek, Monday, 17 December 2007 21:17 (sixteen years ago) link

The major flaw with Metacritic is that it treats the ratings for, let's say, "Untrue" (91 with 13 reviews) and "In Rainbows" (88 with 40 reviews) without the quantity of reviews as a consideration.

Simon H., Monday, 17 December 2007 21:18 (sixteen years ago) link

major systemic flaw, that is, not taking into account the other stuff

Simon H., Monday, 17 December 2007 21:19 (sixteen years ago) link

I don't like the idea that people think Metacritic is a reliable list aggregator when it clearly is not. This also ties in with what Deej was calling the priveleging of indie-rock in a posting on the SFJ thread. While I recognize that some artists may never make the "big list" (whatever that is) it still dissapoints me. I would love to hear a wide variety of sounds at my local Starbucks and on commercial radio stations and on MTV and wherever. As noted upthread, I have pestered M. Matos at Idolator this year and others (the Voice) in prior years to offer a wider spectrum.

-- curmudgeon, Monday, December 17, 2007 4:14 PM (4 minutes ago) Bookmark Link

I agree. It annoys the shit out of me that Jay-Z's second worst album is the only hip hop album with "universal acclaim" on Metacritic's music page right now. But my beef is first with the many many critics who are wrong, and second with the aggregator that only slightly exaggerates the unanimity of their wrong opinions.

Alex in Baltimore, Monday, 17 December 2007 21:20 (sixteen years ago) link

ilx will have its own poll this year, won't it?

-- Fastnbulbous, Tuesday, December 4, 2007

yeah, it should. someone always puts something together...

-- Bee OK, Wednesday, 5 December 2007 04:07 (1 week ago) Link

I was thinking about starting one soon, since no one has done it yet...maybe even starting it before 2008 is half over. I might make it top 25 instead of top 50, though.

-- musically, Monday, December 17, 2007 8:11 PM (57 minutes ago)

yeah, do it please! we need one on this board and for it not to come out in March 2008.

Bee OK, Monday, 17 December 2007 21:21 (sixteen years ago) link

xpost - I hope Ali Farka Toure topping Metacritic's '06 list isn't lost on Rockist, or anyone else, for that matter.

It's not lost on me, and he's very much an exceptional crossover "world music" release. (See Nusrat Fateh Ali Khan on Spin's best albums of the 90s list, for another example.)

I have to continue this later.

Rockist Scientist, Monday, 17 December 2007 21:23 (sixteen years ago) link

It annoys the shit out of me that Jay-Z's second worst album is the only hip hop album with "universal acclaim" on Metacritic's music page right now. But my beef is first with the many many critics who are wrong, and second with the aggregator that only slightly exaggerates the unanimity of their wrong opinions.

But again, if metacritic included more hip-hop critics and publications with the (cough, cough) "right" opinions, wouldn't that go a ways toward solving the problem? Why let the aggregator off the hook?

xhuxk, Monday, 17 December 2007 21:25 (sixteen years ago) link

Not letting them off the hook, just said that ultimately I care more about the data they're drawing from, not how they're drawing it. And I was being mostly tongue in cheeck about the "wrong" thing (although American Gangster really is not that good).

Alex in Baltimore, Monday, 17 December 2007 21:27 (sixteen years ago) link

Because xhuxk might break a nail...

Metacritic Aggregate '06

02. Orphans: Brawlers, Bawlers & Bastards by Tom Waits
03. Modern Times by Bob Dylan
04. Hell Hath No Fury by Clipse
05. Return To Cookie Mountain by TV On The Radio
07. Fishscale by Ghostface Killah
14. Boys And Girls In America by The Hold Steady
15. Ys by Joanna Newsom
20. Fox Confessor Brings The Flood by Neko Case

The Voice P&J '06

01. Modern Times by Bob Dylan
02. Return To Cookie Mountain by TV On The Radio
03. Fishscale by Ghostface Killah
04. Boys And Girls In America by The Hold Steady
05. St. Elsewhere by Gnarls Barkley
06. Whatever People Say I Am, That's What I'm Not by Arctic Monkeys
07. Hell Hath No Fury by Clipse
08. Fox Confessor Brings The Flood by Neko Case
09. Ys by Joanna Newsom
10. Orphans: Brawlers, Bawlers & Bastards by Tom Waits

dblcheeksneek, Monday, 17 December 2007 21:27 (sixteen years ago) link

In 2006 many folks also boycotted the Voice poll and I believe the poll sample was smaller than in prior years.

I jusr don't understand why dblcheeksneek wants to excuse Metacritic's small aggregate.

curmudgeon, Monday, 17 December 2007 21:32 (sixteen years ago) link

I did?

dblcheeksneek, Monday, 17 December 2007 21:32 (sixteen years ago) link

But my beef is first with the many many critics who are wrong, and second with the aggregator that only slightly exaggerates the unanimity of their wrong opinions.

Agreed. How is it that the vast majority of music releases find positive reviews, yet not so with movies or games? Is it because, in truth, the glut of music critics is a self-perpetuating herd (i.e., justifying their existence and scratching the back of those that supply their free CDs) by constantly pumping out positive reviews?

dblcheeksneek, Monday, 17 December 2007 21:33 (sixteen years ago) link

I think it's mainly just because it's difficult to force yourself to listen to music you don't like that much in order to write a decent review of it.

Can't speak for games, but movies are clearly and obviously different in this regard.

Tim F, Monday, 17 December 2007 21:35 (sixteen years ago) link

xp Those '06 lists basically suggest that the Metacritic and P&J results are not all that similar (though, sure, they draw from some of the same critics and hence overlap somewhat. Shocker.)

xhuxk, Monday, 17 December 2007 21:36 (sixteen years ago) link

¿not all that similar?

Five of Metacritic's Top 10 are in P&J's Top 10 (50%). Eight of Metacritic's Top 20 make populate P&J's Top 10 (80%). I sense there's some deliberate intellectual dishonesty afoot. Or maybe it's that word, "dissimilar." That word, I do not think it means what you think it means.

dblcheeksneek, Monday, 17 December 2007 21:46 (sixteen years ago) link

If someone can point us something from Metacritic (a US-based publication) that suggests it's reached out to, or has been approached by Latin Beat or a Rio De Janeiro daily (in English, mind you...this isn't, after all, Metacritic.com.br), or where Metacritic promises something (such as an international perspective) that it doesn't deliver, I would like to see it.

On the Metacritic homepage it says: "Metacritic® compiles reviews from respected critics and publications for film, video/dvd, books, music, television and games." It does not say ""Metacritic® AN AMERICAN BASED SITE compiles reviews THAT AMERICAN NEWSPAPERS AND MAGAZINES HAVE SENT US from respected critics and publications for film, video/dvd, books, music, television and games." Again, why let Metacritic off the hook? I guess dblcheeksneek answered this for himself earlier when he said he did not want his music to played in Starbucks (oh my) but he keeps defending Metacritics limitations anyway.

And Chuck, Xgau and Matos all have recognized limitations of polls and have tried to increase the number of contributors.

curmudgeon, Monday, 17 December 2007 21:47 (sixteen years ago) link

So that would be a "no" on the Rio/Latin Beat front.

And I guess when I said "I'm not defending Metacritic as the Alpha and Omega of music criticism (far from it!), but isn't it at least a decent place to start (even if it is, admittedly, demonstrably limited in scope, as Alex in Baltimore aptly points out)?" I was, to my surprise, in fact "defending its limitations anyway."

dblcheeksneek, Monday, 17 December 2007 21:52 (sixteen years ago) link

from an indie rap dude on a local blog that i write for sometimes:

1. El-P: I’ll Sleep When You’re Dead

It’s pretty amazing to me how slept-on this album was. I mean, it got recognition, I’m sure it sold well, it may even make it into some critics’ end-of-year lists. But I feel like this should have been a paradigm-shifter, an “oh shit” moment, hip hop’s “OK Computer.” It’s really that good. I’d never been much of a Def Jux or El-P fan before listening to this album, but I definitely am now. From the adventurous production to the creative song structure to the brilliant bar-by-bar poetry to the overall vibe—this is a damn near perfect forward-looking hip hop album, by far the most interesting thing I’ve listened to in years. Then again, I have a soft spot for vitriol, and “I’ll Sleep When You’re Dead” supplies it by the truckload.

2. K-OS: Atlantis—Hymns for Disco

K-OS is a perfect example of a artist who makes up for his technical deficiencies by writing amazing songs. He’s not a powerful singer in the traditional sense, nor is he a great emcee by any stretch of the imagination, but he flat out makes beautiful music. Pop-oriented, funky and organic, the songs on “Atlantis,” particularly “The Rain” and “Sunday Morning,” are tremendously catchy; pop music that isn’t saccharine. Unlike a lot of artists I really respect, I actually ENJOY listening to K-OS. Indie-rappers could learn a lot from K-OS. It’s not all about five syllable rhyme schemes and airtight flows; a little melody and some creativity can go a long way.

3. Nine Inch Nails’ “Year Zero” Marketing Campaign

I liked the album, especially the single “Survivalism,” but what I’ll really remember about NIN’s 2007 exploits will be how Reznor and his team marketed the album. Short films, a bunch of weird and unsettling websites, phone numbers with recorded messages, flash drives left in bathrooms at concerts—it all added up to a multimedia multiplayer mystery that ended up being just as entertaining as the music itself. I think that this is the path music is going to take in the next decade (and movies too, if you look at how the next Batman film is being marketed). In order to really stand out, artists are going to have be creative with their marketing and promotion, building buzz in new ways. “Year Zero” represented an alignment of music, visual art, technology and hype that really pushed it into new territory.

4. Saul Williams: “The Inevitable Rise and Liberation of Niggy Tardust”

Speaking of Trent Reznor, he lent his production skills to the bulk of this album, Williams’ third and most cohesive to date. I may be one of about a dozen people in the world who likes Williams the punk vocalist as much as I like Williams the slam poet, but I think he really killed it here, sonically as well as lyrically. His nasal snarl works really well over Reznor’s production. I even liked the “Sunday Bloody Sunday” cover that everyone hates. Again, this is future music, mixing industrial with hip hop with spoken-word with punk in ways that most people probably aren’t ready for.

5. Amy Winehouse and Mark Ronson

Is she a drug addict? Is she a culture vulture? Does she deserve or can she handle her success? While the media this year focused on Winehouse’s extracurricular activities, “Back to Black” is a pretty monstrously good album on a purely musical level. Some of the credit has to go to Winehouse’s smoky voice and unique songwriting skills, but a lot has to go to Mark Ronson, a still underappreciated producer who’s done incredible work with a wide variety of artists, from Rhymefest to Lily Allen to Mos Def to the guy from Weezer to many others. His best work to date might be on this album, as he recreates the vibe of classic ‘60s soul. Salaam Remi, another talented and underappreciated beatsmith, produced a couple tracks on the album too, but the best moments are undoubtedly Ronson’s.

6. People I Know Part One: Buss One and Child of the Black Madonna

Yeah, we’re signed to the same label; I’m not an objective observer. Call shenanigans all you want, but this rock/funk/punk/rap band is something special. Buss, formerly of award-winning hip hop band Leroy Smokes, is a passionate, charismatic frontman, moving effortlessly between rapping, wailing, singing and just bouncing all around the stage. The band is one of the loudest, hardest hip hop-oriented ensembles ever assembled, though I guess I’d hesitate before calling CotBM a hip hop band. Yes, Buss is best-known as a rapper, but he’s a rapper who can actually pull off covering Nirvana, James Brown and the White Stripes, on top of a whole lot of engaging, hard-hitting original material. And the live show is a mess, in the absolute best, most positive sense of the word.

7. People I Know Part Two: The Figureheads Debut Album

More shenanigans—I actually have a guest verse on this group’s debut, self-titled LP, so again, I’m not objective here. But the Figureheads are out-of-this-world talented. Mixing glitchy, futuristic beats with thought-provoking, precise lyrics, this group really dosen’t sound like anyone else out right now. Both emcees in the group can rap their asses off—meaningful content, mind-blowing flows and intricate rhymes, but they never use that as a crutch; they challenge their listeners. The album is surprisingly melodic, and each song transcends the “rapping about rapping” aesthetic that has infected so much of underground hip hop.

8. Radiohead: In Rainbows

Had to include this, but everything that can be written about this band, this distribution method and this album has already been written. Thom Yorke’s voice is what you’d hear if you recorded both God and the Devil into ProTools and then played them back at the same time.

9. Pass

There have been a million albums this past year that I kind of wanted to hear, but when the time came to put up the money, I just couldn’t. They’re either hyped-up mainstream hip hop epics that promise to disappoint (Kanye, Jay-Z, Common, Ghost etc.) or indie hip hop masterpieces that’ll probably leave me bored (Blu and Exile, Little Brother, Kweli, Sage Francis, etc.). I’m not saying any of these albums were bad—after all, I haven’t heard them yet and they could be amazing. I’m just saying that, on a larger level, it’s getting hard to get excited about stuff these days because the standards are so LOW. As hip hop heads, we get overly excited for any mainstream hip hop album that isn’t absolute ringtone trash, or for any underground hip hop album that makes us feel like it’s 1993 again. I’m sure some of the artists I just mentioned parenthetically put out great albums this year—eventually I’ll get around to hearing them. I just wish I could be more excited about it.

10. Assorted Odds and Ends

“International Players’ Anthem” by UGK and Outkast is ridiculous. Definitely can’t get behind the lyrics (which is what knocked this out of its own point) but Andre’s been killing it all year and the beat is bonkers. “Coffee” by Aesop Rock is also great. The guest spot from John Darni3lle of the Mountain Goats really caps it off perfectly—we’re going to see more indie-rap/indie-rock collabos next year I’m sure (Cat Power was on the El-P album too). MIA is the future of pop music. New MC’s solo album was fresh. I have a weakness for melodrama too, and A Fine Frenzy’s “Almost Lover” is the jam in that regard. “Wow” at Prodigy’s “ABC;” best Mobb Deep beat in a long minute. Finally, let me just say that Gogol Bordello is the greatest thing ever in history.

Jordan, Monday, 17 December 2007 22:01 (sixteen years ago) link

x-post to dblecheeksneek

Perhaps those sources have sent Metacritic their lists but Metacritic does not consider them 'respected.' But even if they have not, you and I have a difference of opinion on whether Metacritic should be excused for not listing a wide variety of "best" lists that are currently out there (on this thread, even) and they could utilize. Also, as I touched on upthread there is the catch 22 syndrome where some publications, websites, etc. will not reach out to Metacritic or whomever themselves, because they think Metacritic does not care about them (rightly or wrongly).

curmudgeon, Monday, 17 December 2007 22:03 (sixteen years ago) link

"Had to include this, but everything that can be written about this band, this distribution method and this album has already been written."

hahaha

scott seward, Monday, 17 December 2007 22:07 (sixteen years ago) link

such a sad lil' sentence for some reason

scott seward, Monday, 17 December 2007 22:08 (sixteen years ago) link

dissimilar." That word, I do not think it means what you think it means.

Right. So...where did Los Lobos, Tom Ze, Howe Gelb, Subtle, Sarena-Maneesh, Bonnie "Prince" Billy, and the Beatles (all in Metacritic's 2006 Top 25) finish in the Idolator and Pazz & Jop polls again?

(On the other hand, I have to say I'm pleasantly surprised that Alan Jackson was at #26 in Metacritic. Pretty neat -- good album, too. But still not in any way indicative of any kind of consensus, I don't think.)

xhuxk, Monday, 17 December 2007 22:09 (sixteen years ago) link

I think a lot of "specialist" music crits just don't feel like they're part of some global conversation about the state of popular music each year, so would not see the purpose of contributing to Metacritic or J&P etc.

It's not necessarily a question of alienation or disenfranchisement, though that can be involved too.

It's a curiosity of rock critics that they routinely forget their own genre-focused context and assume they are speaking for and about music at large.

The "positive" flipside is that rock crit polls are probably more diverse than, say, dance crit polls, even if it only serves to reinforce a certain vein of token-eclecticism as being "the state of music today".

Tim F, Monday, 17 December 2007 22:16 (sixteen years ago) link

xp And if you want "intellectual honestly," I'll be honest -- the '06 Metacritic list is slightly more diverse than I would have expected. (And the consensus Alan Jackson's presence is indicative of is that, yeah, most people writing about his album apparently liked it -- though that doesn't necessarily mean it was among their favorites of the year.) But sorry, the only way Howe Gelb can finish that high is with a really insignificant sampling of critics -- if what you're looking for is a list of what most critics are leaning toward, names like his and Subtle's up there seem totally random, and kind of goofy.

xhuxk, Monday, 17 December 2007 22:21 (sixteen years ago) link

Yep to Tim. Look at this posting on a Metacritic forum from a Metacritic Forum moderator in regards to a question about why Metacritic is so indie-rock:

Forum Moderator"
Jedi
Posted 10 April 2007 08:02 PM Hide Post

On top of that, most of us are here because we like different kind of music that people in the mainstream, or on TV, or even in our everyday lives don't listen to. The reason "why Metacritic is so Indie" goathouse, is that the people on here are people who really love good, genuinely solid music. Sometimes that includes some mainstream stuff but for the most part it doesn't. If we go to our local chain store and ask for the new Eluvium, The Twilight Sad, or Blonde Redhead albums they will look at us like we are crazy. Needless to say, all of those albums are terrific albums.

curmudgeon, Monday, 17 December 2007 22:24 (sixteen years ago) link

All excellent points, Tim F.

Rockist Scientist, Monday, 17 December 2007 22:24 (sixteen years ago) link

Anyway, it may be true that there aren't enough critics writing about the more specialized things I have in mind for their votes to really make a big difference in a pole like this.

Rockist Scientist, Monday, 17 December 2007 22:26 (sixteen years ago) link

There may also be less consensus among, say, world music critics (or metal critics, or new age critics, or Contemporary Christian critics, or whoever) themselves -- seeing how it's a really big world out there and stuff, (Which is to say that, even if they did participate to a greater extent in more generalist polls, they might not make a significant difference in the ultimate results.)

xhuxk, Monday, 17 December 2007 22:30 (sixteen years ago) link

seeing how it's a really big world out there and stuff

Although it might help boost some things that are liked by some specialists but also have a small crossover critical following. But yeah, I do tend to agree.

Rockist Scientist, Monday, 17 December 2007 22:45 (sixteen years ago) link

did you already see the npr guy's world music top ten:

http://www.npr.org/templates/story/story.php?storyId=17249766

scott seward, Monday, 17 December 2007 23:02 (sixteen years ago) link

That list: zzzzzzz. (Maybe I just like complaining?)

Rockist Scientist, Monday, 17 December 2007 23:11 (sixteen years ago) link

I like that it has actual tracks to listen to (not that that's an original concept or anything).

Rockist Scientist, Monday, 17 December 2007 23:13 (sixteen years ago) link

haven't you been on the internet long enough to know where to go for good year-end shingo ringo countdowns and the like? there must be a list for everything these days.

scott seward, Monday, 17 December 2007 23:15 (sixteen years ago) link

Not really and not really. (Anyway, that's just one person, smark alek. I'm keeping that typo.)

Rockist Scientist, Monday, 17 December 2007 23:18 (sixteen years ago) link

FROOTS MAGAZINE POLL

http://www.frootsmag.com/content/critpoll/

scott seward, Monday, 17 December 2007 23:24 (sixteen years ago) link

see i'm already curious about that tinariwen album.

scott seward, Monday, 17 December 2007 23:25 (sixteen years ago) link

Artists' top ten lists from Billboard (including J. Darnielle, G. Dulli, etc.):

http://www.billboard.com/bbcom/yearend/2007/artists/index.html

"Readers' Choice" top ten from Billboard:

http://www.billboard.com/bbcom/yearend/2007/readers/index.html

xhuxk, Monday, 17 December 2007 23:33 (sixteen years ago) link

i like lists like these:

http://rateyourmusic.com/list/babarm87/top_50_post_rock_albums_of_2007

i've heard maybe two of the albums and heard OF, like, five or six of the artists. haven't a clue about any of the rest.

scott seward, Monday, 17 December 2007 23:41 (sixteen years ago) link

Okay, I have to admit to liking some of these NPR tracks more than expected (although not in a must-have-that-album way).

Rockist Scientist, Monday, 17 December 2007 23:53 (sixteen years ago) link

Artists' top ten lists from Billboard (including J. Darnielle, G. Dulli, etc.)

LOL at Tom DeLonge's list

Simon H., Tuesday, 18 December 2007 00:06 (sixteen years ago) link

There's a kid who looks like Urkel who was dressed up as Run-DMC for Halloween. It was really cool and different.

The Reverend, Tuesday, 18 December 2007 00:29 (sixteen years ago) link

I think one interesting thing about "indie" as a self-identifying marker is that, for all that I tend to disapprove of it, it covers a lot of music that doesn't necessarily sound similar - to the extent that M.I.A. and LCD Soundsystem are "indie" anyway. The stuff that does well in these sorts of polls often strikes me as stuff which is being taken to heart in different ways by different audiences with different tastes - as Matos was noting upthread, LCD Soundsystem are effectively halfway down a traderoute where indie aesthetic impulses and dance aesthetic impulses meet and swap ideas, and they're received differently depending on which end of the route the trader calls home (which implies that, say, all dance music fans hear LCD Soundsystem the same way, or that people are always plotted on a continuum between indie and dance, or such a continuum is the only way to approach LCD Soundsystem - but lets leave these problems aside for a moment).

I guess one big reason why more obviously "genre" based music (be it dirty south rap or instrumental dance music or different stripes of "world music") is the tyranny of the genre marker itself. It's much harder for these musics to detach themselves from the genre to which they belong and participate in the kind of indie trade fair that treats James Murphy or M.I.A. so well because recognising the genre to which they belong is part of the point. It's much harder to say "I don't hear Daddy Yankee as reggaeton, I hear him as pop" than it is to say the same of M.I.A. vis a vis... well... the fact that it's not clear what would replace "reggaeton" in that phrase w/r/t M.I.A. is part of the point.

Certainly for all the non-guitar-rock stuff that does well within the collective indie critical mindset, it seems a certain aesthetic and stylistic rootlessness and malleability is quite a plus - precisely because it's hard to place M.I.A. or The Knife or the LCD Soundystem or Panda Bear within a milieux, they're much more easily absorbed into indie's self-proclaimed "international language of good music". But, crucially, it's the very vagueness of what this "international language" is or how it works that works in their favour here: you see different critics praising M.I.A. because she's political, because she has inventive "world" influenced beats, because she collaborates with Bun-B, because she's honest, because she's being ironic... Everyone's picking up on different things (some of them, I would argue from my own position, the wrong things) but the result is a consensus "this album is the best album of 2007" statement which seems much less interesting or incoherent.

Whereas when you do get what I'll call "milieux" music breaking through, the critical consensus around it (with regard to why it is good, why it deserves to be listed) always seems much more unanimous. There is a consensus as to the reasons for its quality as opposed to just as to its quality.

Tim F, Tuesday, 18 December 2007 01:57 (sixteen years ago) link

Pop Matters
This has perhaps the largest number of unique entries of any list, at least until The Wire comes out. It's refreshing to see Kweli, Monch and El-P get attention rather than Lil Wayne and UGK. However most of the unusual choices inspire doubt rather than excitement that I've discovered something new. An exception might be Alcest - Souvenirs D'Un Autre Monde. I'll have to give The Good, the Bad & the Queen a relisten, however, as Reynolds also wrote an interesting take on it. I have to say I've been having much more fun absorbing his top ten than any other list so far (Moon Wiring Club, Focus Group, Sally Shapiro, Black Moth Super Rainbow).

01 Radiohead - In Rainbows
02 Miranda Lambert - Crazy Ex-Girlfriend
03 LCD Soundsystem - Sound of Silver
04 Kanye West - Graduation
05 Arcade Fire - Neon Bible
06 Lyle Lovett and His Large Band - It's Not Big, It's Large
07 The National - Boxer
08 Amy Winehouse - Back to Black
09 The Fratellis - Costello Music
10 M.I.A. - Kala
11 Mavis Staples - We'll Never Turn Back
12 Josh Ritter - The Historical Conquests
13 Mike Farris - Salvation in Lights
14 The Good, the Bad & the Queen
15 Ha Ha Tonka - Buckle in the Bible Belt
16 Talib Kweli - Ear Drum
17 The Avett Brothers - Emotionalism
18 Rahsaan Patterson - Wines and Spirits
19 Spoon - Ga Ga Ga Ga Ga
20 Meshell Ndegeocello - The World Has Made Me the Man of My Dreams
21 Of Montreal - Hissing Fauna, Are You the Destoyer?
22 Pharoahe Monch - Desire
23 Patty Griffin - Children Running Through
24 Dwight Yoakam - Dwight Sings Buck
25 SoCalled - Ghettoblaster
26 Feist - The Reminder
27 Bettye LaVette - The Scene of the Crime
28 Jens Lekman - Night Falls Over Kortedala
29 Patrick Wolf - The Magic Position
30 The Field - From Here We Go Sublime
31 Shantel - Disko Partizani
32 Panda Bear - Person Pitch
33 Wilco - Sky Blue Sky
34 Animal Collective - Strawberry Jam
35 Caribou - Andorra
36 El-P - I'll Sleep When You're Dead
37 Terence Blanchard - A Tale of God’s Will (A Requiem for Katrina)
38 Battles - Mirrored
39 Okkerfil River - The Stage Names
40 Columbiafrica - The Mystic Orchestra - Voodoo Love Inna Champeta Land
41 Lucky Soul - The Great Unwanted
42 Andrew Bird - Armchair Apocrypha
43 Jay-Z - American Gangster
44 The New Pornographers - Challengers
45 The Shins - Wincing the Night Away
46 Modest Mouse - We Were Dead Before the Ship Even Sank
47 PJ Harvey - White Chalk
48 Alcest - Souvenirs D'Un Autre Monde
49 Manic Street Preachers - Send Away the Tigers
50 Blitzen Trapper - Wild Mountain Nation
51 The Pipettes - We Are the Pipettes
52 Liars
53 Ryan Adams - Easy Tiger
54 St. Vincent - Marry Me
55 New Young Pony Club - Fantastic Playroom
56 Blu & Exile - Below the Heavens
57 Iron & Wine - The Shepherd's Dog
58 Beirut - The Flying Club Cup
59 Eluvium - Copia
60 Gui Boratto - Chromophobia

Fastnbulbous, Tuesday, 18 December 2007 02:32 (sixteen years ago) link

Wow. Socalled Ghettoblaster? I'm surprised anyone had actually heard this.

Mordechai Shinefield, Tuesday, 18 December 2007 02:38 (sixteen years ago) link

i've heard maybe two of the albums and heard OF, like, five or six of the artists. haven't a clue about any of the rest.

yeah, who the fuck are all those bands?!

Jordan, Tuesday, 18 December 2007 02:47 (sixteen years ago) link

amazing album covers too.

scott seward, Tuesday, 18 December 2007 02:56 (sixteen years ago) link

i'm gonna look them all up.

scott seward, Tuesday, 18 December 2007 02:57 (sixteen years ago) link

haha awesome.

Jordan, Tuesday, 18 December 2007 03:01 (sixteen years ago) link

I like Omega Massif's slogan: "we would not play faster if we could."

Rockist Scientist, Tuesday, 18 December 2007 03:01 (sixteen years ago) link

i've been looking stuff up on youtube. some really pretty stuff. spacey stuff. the *Slow Six* video is very cool. the live *PG Lost* stuff is cool.

scott seward, Tuesday, 18 December 2007 03:04 (sixteen years ago) link

by the end of the year i am saying "stuff" a lot.

scott seward, Tuesday, 18 December 2007 03:05 (sixteen years ago) link

Artists' top ten lists from Billboard (including J. Darnielle, G. Dulli, etc.):

http://www.billboard.com/bbcom/yearend/2007/artists/index.html

lol at jessica simpson dropping "Hvarf/Heim" on her list

Mark Clemente, Tuesday, 18 December 2007 03:05 (sixteen years ago) link

meanwhile, here is some of the indie rock i would be digging if i were paying attention. on some random rateyourmusic list i found by accident.

scott seward, Tuesday, 18 December 2007 03:06 (sixteen years ago) link

some of the godspeed-ish stuff isn't that hot. i like the sad pretty minimal stuff the best.

scott seward, Tuesday, 18 December 2007 03:17 (sixteen years ago) link

tim f. dropping some pretty interesting points

Mark Clemente, Tuesday, 18 December 2007 03:19 (sixteen years ago) link

he's like that.

scott seward, Tuesday, 18 December 2007 03:21 (sixteen years ago) link

scott, here is my friends' post-rock band: http://www.youtube.com/watch?v=Y54ZJp5pq9Y

Jordan, Tuesday, 18 December 2007 03:29 (sixteen years ago) link

somehow i got led to the shout out louds impossible remix and i am digging it a bunch

http://youtube.com/watch?v=kM69iMNdR60

scott seward, Tuesday, 18 December 2007 03:33 (sixteen years ago) link

and i like the original too:

http://youtube.com/watch?v=NPQco3-7u5I

scott seward, Tuesday, 18 December 2007 03:33 (sixteen years ago) link

(Popmatters) has perhaps the largest number of unique entries of any list

This always seems to be the case. Sometimes, tho, I think they're horribly wrong on their selections. Still, it's nice to see a Year-End list that holds out hope of discovering something new and great.

see i'm already curious about that tinariwen album.

Great disc.

I think one interesting thing about "indie" as a self-identifying marker is that, for all that I tend to disapprove of it, it covers a lot of music that doesn't necessarily sound similar - to the extent that M.I.A. and LCD Soundsystem are "indie" anyway.

Yeah. I think of "indie" as an aesthetic or approach to art, not a genre. If it's a genre, I can't imagine how it all fits into one tent.

Daniel, Esq., Tuesday, 18 December 2007 03:42 (sixteen years ago) link

i like lists like these:
http://rateyourmusic.com/list/babarm87/top_50_post_rock_albums_of_2007
i've heard maybe two of the albums and heard OF, like, five or six of the artists. haven't a clue about any of the rest.

Definitely a humbling list. I think I've heard a lot of music, then this. I'll start from the top:

01 Caspian - The Four Trees
02 Scraps of Tape - This Is a Copy, Is This a Copy?
03 The World on Higher Downs - Land Patterns
04 The Six Parts Seven - Casually Smashed to Pieces
05 Grails - Burning Off Impurities
06 Tulsa Drone - Songs from a Mean Season
07 Efterklang - Under Giant Trees EP
08 65daysofstatic - The Destruction of Small Ideas
09 Immánu El - They'll Come, They Come
10 Johnnytwentythree - JXXIII
11 Ours to Alibi - Beacons
12 Joy Wants Eternity - You Who Pretend to Sleep
13 Stars of the Lid - Stars of the Lid and Their Refinement of the Decline
14 Cue - Wedding Song
15 Holy Fuck - LP
16 Giants - They, The Undeserving
17 Do Make Say Think - You, You're a History in Rust
18 Eluvium - Copia
19 Battles - Mirrored
20 Balmorhea

Nice to see 65daysofstatic come out ahead of Battles for once.

Fastnbulbous, Tuesday, 18 December 2007 04:02 (sixteen years ago) link

"Yeah. I think of "indie" as an aesthetic or approach to art, not a genre. If it's a genre, I can't imagine how it all fits into one tent."

Is it even coherent enough to be an "aesthetic or approach to art" in a singular fashion?

In the sense that "indie" can apply to M.I.A., does it systematically stand for much more now than the claim "it has transcended genre"? (Thinking back momentarily to the M.I.A. wars, the anti-M.I.A. position was based in the (correct) anticipation that she would be embraced as transcending genre)

This is the interesting part about the term, which is its contradictory nature: it is a claim against genre which nonetheless contains a genre as its most pure expression (certain strains of guitar rock) (it is in this sense that indie as an organising principle is rockism par excellence).

Tim F, Tuesday, 18 December 2007 07:07 (sixteen years ago) link

despite its Southall-prompted production I found the 65dos album deadly boring

also, sotl = post-rock? I don't think so.

Simon H., Tuesday, 18 December 2007 07:10 (sixteen years ago) link

I still haven't figured out what the hell "post-rock" means.

The Reverend, Tuesday, 18 December 2007 07:15 (sixteen years ago) link

post-rock is the rock that's happened since older rockers stopped paying attention and don't like it anymore. The line varies. Post-rock probably started in 1968 when Richard Meltzer started getting antsy but usually is meant for post-Sex Pistols / Clash stuff, since they, too , were the only bands that mattered...and then it goes from there...I think.

It's rock that doesn't want to associate with other rock because other rock has been mean to it...or thinks it wiil be mean to it if it meets.

smurfherder, Tuesday, 18 December 2007 07:19 (sixteen years ago) link

Ummm....thanks, I think...

The Reverend, Tuesday, 18 December 2007 07:21 (sixteen years ago) link

In the sense that "indie" can apply to M.I.A., does it systematically stand for much more now than the claim "it has transcended genre"?

i think it references a certain kind of self-awareness in the production and presentation. not that other music isn't self-aware, lots of pop is hugely self-aware, but indie self-awareness is sort of considered and abstracted (if also often callow and naive and not infrequently grating in its belief that it has discovered something new and important about how things work). the difference e.g. between indie hip-hop and mainstream hip-hop is not only in skills, slickness or subject matter, but in its self-conscious appropriation of the form for what it perceives to be some ends different than the ones associated with commercial strains. there's a sort of earnest effort at subversion of form, which often misses the point that earnestness tends to work against subversion.

(i know, is indie rock really subverting any forms? i think it perceives itself to be, starting with the whole business side of the enterprise, the small labels and self-production and so forth. which is all admirable in a lot of ways, i think, but also too often gives off an air of self-satisfaction and treefort insularity -- and, more to the point, tends to mire the music in hackneyed notions of transcendence that fail to appreciate or at least fail to replicate the actual transcendence you get from a good rihanna single. OR they distrust the idea of pop-song transcendence enough, and/or their own abilities to deliver it, that they come up to it only sideways, and knowingly. otoh it is obviously possible to have actually transcendent indie music, the joy of which is that what it is transcending is its own doubts about transcendence. you can put your favorite candidates here, but e.g. i'd say the best of pavement, sleater-kinney and belle & sebastian, for a start.)

tipsy mothra, Tuesday, 18 December 2007 07:53 (sixteen years ago) link

and also i know "earnestness" is maybe a weird word to use about a form stereotyped as "ironic," but i don't think those things are really at odds. i think indie irony is a symptom of its earnestness. or can be.

tipsy mothra, Tuesday, 18 December 2007 07:54 (sixteen years ago) link

and m.i.a. is clearly indie in exactly that self-aware sense of her place as an appropriator of multiple forms, and her abstracted distance from the forms themselves (which i guess is maybe why arbiters of form like reynolds and ethan don't like her, that her use of the forms is symbolic and synthetic, opportunistic).

tipsy mothra, Tuesday, 18 December 2007 08:01 (sixteen years ago) link

The new Wire is out. Their top ten is pretty much the same as every other top ten this year. I can't say what is in it tho' coz I only flicked through it whilst paying for some stuff in Sister Ray yesterday and can't remember exactly.

Raw Patrick, Tuesday, 18 December 2007 09:17 (sixteen years ago) link

siiiiiiigh...

It's Panda Bear.

The Reverend, Tuesday, 18 December 2007 10:25 (sixteen years ago) link

The Wire

01 Robert Wyatt - Comicopera (Domino)
02 Burial - Untrue (Hyperdub)
03 Panda Bear - Person Pitch (Paw Tracks)
04 OM - Pilgrimage (Southern Lord)
05 LCD Soundsystem - Sound Of Silver (DFA/EMI)
06 Von Südenfed - Tromatic Reflexxions (Domino)
07 Pram - The Moving Frontier (Domino)
08 MIA - Kala (XL)
09 Battles - Mirrored (Warp)
10 Ricardo Villalobos - Fabric 36 (Fabric)

krakow, Tuesday, 18 December 2007 10:41 (sixteen years ago) link

They give a whole top 50 along with top 10's for each of their review genres, but I can't be bothered typing those right now...

krakow, Tuesday, 18 December 2007 10:42 (sixteen years ago) link

Just glanced at P4K's. Has metal safely returned to the underground? Pig D didn't make the top 50!

fukasaku tollbooth, Tuesday, 18 December 2007 11:19 (sixteen years ago) link

pitchfork's:

01: Panda Bear - Person Pitch
02: LCD Soundsystem - Sound of Silver
03: M.I.A. - Kala
04: Radiohead - In Rainbows
05: Of Montreal - Hissing Fauna, Are You the Destroyer?
06: Animal Collective - Strawberry Jam
07: Spoon - Ga Ga Ga Ga Ga
08: Battles - Mirrored
09: The Field - From Here We Go Sublime
10: Burial - Untrue
11: Jens Lekman - Night Falls Over Kortedala
12: No Age - Weirdo Rippers
13: Jay-Z - American Gangster
14: Deerhunter - Cryptograms / Fluorescent Grey EP
15: Justice - †
16: Lil Wayne - Da Drought 3
17: The National - Boxer
18: Kanye West - Graduation
19: Feist - The Reminder
20: Liars - Liars
21: Dirty Projectors - Rise Above
22: Okkervil River - The Stage Names
23: Studio - Yearbook 1
24: Dan Deacon - Spiderman of the Rings
25: The Tough Alliance - A New Chance / New Waves EP
26: Various Artists - After Dark
27: Arcade Fire - Neon Bible
28: Dinosaur Jr. - Beyond
29: Bon Iver - For Emma, Forever Ago
30: Caribou - Andorra
31: Deerhoof - Friend Opportunity
32: Sally Shapiro - Disco Romance
33: King Khan & the Shrines - What Is?!
34: James Blackshaw - The Cloud of Unknowing
35: Black Lips - Good Bad Not Evil
36: Iron and Wine - The Shepherd's Dog
37: Grizzly Bear - Friend EP
38: Wu-Tang Clan - 8 Diagrams
39: The White Stripes - Icky Thump
40: Beirut - The Flying Club Cup / Lon Gisland EP
41: Life Without Buildings - Live at the Annandale Hotel
42: Ghostface Killah - The Big Doe Rehab
43: Stars of the Lid - And Their Refinement of the Decline
44: Les Savy Fav - Let's Stay Friends
45: Ricardo Villalobos - Fabric 36
46: Marissa Nadler - Songs III: Bird on the Water
47: Yeasayer - All Hour Cymbals
48: Robert Wyatt - Comicopera
49: Dizzee Rascal - Maths + English
50: Tinariwen - Aman Iman: Water Is Life

Bee OK, Tuesday, 18 December 2007 11:53 (sixteen years ago) link

WOW, no Wilco.

Bee OK, Tuesday, 18 December 2007 11:53 (sixteen years ago) link

Shocking.

The Reverend, Tuesday, 18 December 2007 11:55 (sixteen years ago) link

at least Of Montreal finally gets some love, my album of the year.

Bee OK, Tuesday, 18 December 2007 12:07 (sixteen years ago) link

True dat.

The Reverend, Tuesday, 18 December 2007 12:08 (sixteen years ago) link

WOW, no Wilco.

Sarcasm, I assume. They panned Sky Blue Sky. It got lots of love elsewhere, tho, and is doing well in Year-End polls, I think.

Daniel, Esq., Tuesday, 18 December 2007 12:13 (sixteen years ago) link

Given its frequent referencing of the band, wow no Menomena.

Finally, however, some reader input, Pitchfork Readers Poll.

dblcheeksneek, Tuesday, 18 December 2007 12:31 (sixteen years ago) link

wow, those are seriously the only options for favorite albums on that poll? i mean the options are limited as is but still include albums that barely anybody liked (i.e. Smashing Pumpkins).

Alex in Baltimore, Tuesday, 18 December 2007 13:56 (sixteen years ago) link

"Other: Please Specify" is an option. And one I used to include The National as my favorite live show (until I saw that ___ National was an option). Think of all the "international music" that will fill that blank!

dblcheeksneek, Tuesday, 18 December 2007 14:52 (sixteen years ago) link

at least Of Montreal finally gets some love, my album of the year.

Yes. But they ignored the Apples In Stereo, another one of the year's best.

kornrulez6969, Tuesday, 18 December 2007 15:06 (sixteen years ago) link

Just glanced at P4K's. Has metal safely returned to the underground?

haha. seems to be the case, i guess.

re: the Wire:

01 Robert Wyatt - Comicopera (Domino)
02 Burial - Untrue (Hyperdub)
03 Panda Bear - Person Pitch (Paw Tracks)
04 OM - Pilgrimage (Southern Lord)
05 LCD Soundsystem - Sound Of Silver (DFA/EMI)
06 Von Südenfed - Tromatic Reflexxions (Domino)
07 Pram - The Moving Frontier (Domino)
08 MIA - Kala (XL)
09 Battles - Mirrored (Warp)
10 Ricardo Villalobos - Fabric 36 (Fabric)

I would've liked to see some more variation from every other damn top 10 this year. But it's nice to see OM's Pilgrimage get some attention, it's been virtually absent from just about all year-end lists, metal lists included. Though I guess it was in Rock a Rolla's. Maybe experimental music mags are the only ones who care about it?

Speaking of Rock a Rolla, their list has a lot of stuff that I'll want to look deep into during the next few months. That's the most fun part of these lists -- seeing all the cool stuff that you missed ! So it kind of sucks when you see a top 10 and you're like "man I don't really care to look into any of those." Hopefully the rest of the Wire's list will be more interesting.

Mark Clemente, Tuesday, 18 December 2007 15:12 (sixteen years ago) link

and sometimes the Wire's genre top lists are more interesting than the main 50, despite some overlap obv.

Mark Clemente, Tuesday, 18 December 2007 15:14 (sixteen years ago) link

re: the Wire, I thought for sure they'd put Stockhausen on the cover, even though it's the Rewind issue. Maybe next issue?

Mark Clemente, Tuesday, 18 December 2007 15:15 (sixteen years ago) link

The major flaw with Metacritic is that it treats the ratings for, let's say, "Untrue" (91 with 13 reviews) and "In Rainbows" (88 with 40 reviews) without the quantity of reviews as a consideration.

There are various formulas that can be used to weight the score by the number of reviews - I'm surprised that Metacritic doesn't do that. For example the beer review site, BeerAdvocate.com, uses a more sophisticated formula:

The general formula uses a Bayesian estimate:

weighted rank (WR) = (v ÷ (v+m)) × R + (m ÷ (v+m)) × C

where:
R = review average for the beer
v = number of reviews for the beer
m = minimum reviews required to be listed (currently 10)
C = the mean across the list (currently 3.62)

The formula normalizes scores, that is pulls (R) to the mean (C) if the number of reviews is not well above (m). So if a beer has only a few reviews above (m), its (WR) is decreased a little if it is above the mean (C), or increased a little if it is below the mean (C) in accordance with the normal distribution rule of statistics.

Currently, a beer must have 10 or > reviews to be included in any calculations. And (m) is calculated by averaging the number of reviews for beers that have 10 or > reviews within the list being viewed, while (C) is the mean (average) overall score for all beers that have or > reviews within the list.

Example 1: (a beer with a 4.35 review average and 105 reviews)

(105 ÷ (105+10)) × 4.35 + (10 ÷ (105+10)) × 3.62 = 4.29 = WR

Example 2: (a beer with a 3.1 review average and 11 reviews)

(11 ÷ (11+10)) × 3.1 + (10 ÷ (11+10)) × 3.62 = 3.35 = WR

This would probably improve the quality of Metacritic's rankings somewhat.

o. nate, Tuesday, 18 December 2007 15:58 (sixteen years ago) link

AMG's blog has a lot of genre-specific year-end lists, here.

Mark Clemente, Tuesday, 18 December 2007 16:12 (sixteen years ago) link

beer snobs: smarter than film and music snobs in their aggregating formulas, and in how they spend their free time.

Alex in Baltimore, Tuesday, 18 December 2007 16:14 (sixteen years ago) link

here's a better link, if you just want the year-end stuff and not the other blog stuff.

Mark Clemente, Tuesday, 18 December 2007 16:14 (sixteen years ago) link

This would probably improve the quality of Metacritic's rankings somewhat.

Definitely, and likely cure my number one gripe with Metacritic (i.e., that so many "metascores" show albums with >70/generally favorably reviews). In my mind, and in all the music I've heard this year (much less any year), that just ain't so.

dblcheeksneek, Tuesday, 18 December 2007 16:15 (sixteen years ago) link

Well I'm pretty sure you're not gonna find Pram and Von Südenfed on any other top ten. I used to love Pram, but I found the new one more of the same but less, leaning towards soundscapes than songs. More please.

Pitchfork top 10 was more predictable. I've been enjoying Sally Shapiro, and am unfamiliar with Tough Alliance, Bon Iver, King Khan & the Shrines and James Blackshaw. Suprised at no Apparat, Matthew Dear, Chloe, or Modeselektor. I think they're all more engaging than The Field.

Fastnbulbous, Tuesday, 18 December 2007 17:33 (sixteen years ago) link

beer snobs

I work with environmental scientists, and I have to report that there is heavy overlap between those who do Bayesian statistics and homebrewing.

bendy, Tuesday, 18 December 2007 17:39 (sixteen years ago) link

xpost - Yea I've been surprised in general at the complete critical adoration of the Field this year. It's good, but not that good.

I read in the PF interview with the guy, and I think he mentioned how he doesn't really work on tracks longer than an evening, like he does them all in one take. I wasn't surprised, it shows, in kind of a bad way.

However, I loved his "Kappsta" track off the Kompakt Pop Ambient 2007 disc. I was hoping the full-length would be more like that.

Mark Clemente, Tuesday, 18 December 2007 17:39 (sixteen years ago) link

It does get more engaging though, I think, with repeated plays.

Mark Clemente, Tuesday, 18 December 2007 17:40 (sixteen years ago) link

also, for reviews I've written that got assigned a numeric grade by metacritic, it's always been 10 points below what I intended.

bendy, Tuesday, 18 December 2007 17:40 (sixteen years ago) link

I was listening to the Field album last night and was struck by the monotony of his techniques. Also, his Thom Yorke remix is spectacularly lazy.

Simon H., Tuesday, 18 December 2007 17:48 (sixteen years ago) link

i think its strange that minimal techno has now been added to the list of genres (along with metal, rap, etc) that have a small handful of albums each year that cross over into the sphere of popularity w/ indie rock kidz

ciderpress, Tuesday, 18 December 2007 17:51 (sixteen years ago) link

Here's the Resident Advisor remixes list.

Raw Patrick, Tuesday, 18 December 2007 17:55 (sixteen years ago) link

didn't Boards Of Canada, etc. make that crossover a few years before the current reign of hipster-metal?(xpost)

Alex in Baltimore, Tuesday, 18 December 2007 17:58 (sixteen years ago) link

current reign of hipster-metal

as mentioned above, this kinda seems to be done with already, huh? no metal as far as I saw in PF's top 50

Mark Clemente, Tuesday, 18 December 2007 18:01 (sixteen years ago) link

ok change current to recent, whatever

Alex in Baltimore, Tuesday, 18 December 2007 18:04 (sixteen years ago) link

sorry i wasn't trying to be nitpicky haha

Mark Clemente, Tuesday, 18 December 2007 18:06 (sixteen years ago) link

lol no prob! /Surmounter

Alex in Baltimore, Tuesday, 18 December 2007 18:18 (sixteen years ago) link

so's his remix of battles "tonto"

my year-end reflection are as follows ~
1. person pitchFORK could be panda bear's memoir
2. apparat's album is way better than burial's (and so are strategy's and white magic's)
3. i have yet to see snakes and arrows on any 007 list

kamerad, Tuesday, 18 December 2007 18:26 (sixteen years ago) link

xpost to simon h. re battles

kamerad, Tuesday, 18 December 2007 18:27 (sixteen years ago) link

also, for reviews I've written that got assigned a numeric grade by metacritic, it's always been 10 points below what I intended.

If METACRITIC has to err on one side or the other in translating reviews into scores, I'd rather they err on the side of assigning too low a score.

Daniel, Esq., Tuesday, 18 December 2007 18:37 (sixteen years ago) link

2. apparat's album is way better than burial's (and so are strategy's and white magic's)

totally agree with this. i was a little shocked when i couldn't even find it in the Pitchfork readers poll that someone posted earlier.

micarl, Tuesday, 18 December 2007 18:48 (sixteen years ago) link

Damn, I forgot about the Apparat album.

Ned Raggett, Tuesday, 18 December 2007 18:49 (sixteen years ago) link

You still have until Friday for P& J and Idolator...

curmudgeon, Tuesday, 18 December 2007 19:48 (sixteen years ago) link

Yea I've been surprised in general at the complete critical adoration of the Field this year. It's good, but not that good.

i agree with this and everyone else above who's mentioned something along the same lines. i thought it was boring, and definitely thought there was better stuff this year in that genre. you guys have already mentioned Apparat, yes, and i'd add Gui Boratto's Chromophobia to that list.

stephen, Tuesday, 18 December 2007 20:29 (sixteen years ago) link

and speaking of metal - what happened to Boris and Michio Kurihara's Rainbow on the Pfrk list?? i thought they loved Boris, seeing as Pink had top 10 placement last year, and Rainbow was pretty great as well i thought. Pfrk reviewed it well too, like an 8.something if i recall, right?

stephen, Tuesday, 18 December 2007 20:31 (sixteen years ago) link

re: and speaking of metal - what happened to Boris and Michio Kurihara's Rainbow on the Pfrk list??

A: not enough metal luving dudes at pitchfork

djmartian, Tuesday, 18 December 2007 20:33 (sixteen years ago) link

yea, one of their main metal writers (brandon stosuy) wasn't even on the individual writers' list, so i assume he didn't submit a ballot.

Mark Clemente, Tuesday, 18 December 2007 20:36 (sixteen years ago) link

You still have until Friday for P& J and Idolator...

I know, but I'm happy with my top ten. Still, I might switch one out...

Ned Raggett, Tuesday, 18 December 2007 20:37 (sixteen years ago) link

ned i hope you'll be giving props to om in your top 10...

Mark Clemente, Tuesday, 18 December 2007 20:41 (sixteen years ago) link

I was so happy when Apparat arrived on 180 gram

micarl, Tuesday, 18 December 2007 20:43 (sixteen years ago) link

ned i hope you'll be giving props to om in your top 10...

Hell yeah. That was in the minute I heard it.

Ned Raggett, Tuesday, 18 December 2007 20:47 (sixteen years ago) link

excellent

Mark Clemente, Tuesday, 18 December 2007 20:50 (sixteen years ago) link

re: indie-centric critical perspectives.

Is indie a genre or is it an approach to form or is it a production philosophy or is it... what exactly? We ask because we want to draw connections between the music of M.I.A. and LCD Soundsystem and you know, Band of Horses or whatever. We want to understand what quality is being privileged by our metacritics, pitchforks, etc. But thats backwards. Indie is a term that only describes the listener and what the listener likes; not specific musical qualities or studio recording techniques or the shelf in the record store where it is found or anything else. Perhaps in 1985, indie was a meaningful designator for a specific model of music production and distribution. But, nope, probably not; probably by this point indie is synonymous, in America, with 'college rock'. College rock, what a wonderful term! Completely unsatisfying, but honest; because the only thing that unites what falls under its umbrella is the affluent demographic that collects and sorts and fetishizes it. R.E.M., the pixies, sonic youth, the replacements--these are white, (mostly) male, not distributed via the mainstream (and thus, determined by an oppositional relationship to the mainstream) guitar rock, but not belonging to other anti-mainstream guitar rock styles like punk, metal, or goth. Punk, metal, and goth are genres, in the sense that they each contain certain musical prescriptions; but much more importantly, they are exclusive subcultures, teenage, high school subcultures. The musical exemplars of these subcultures are undesirable (insufficiently sophisticated) icons to the older, college educated white students; but in any case, they are already taken; they already belong to a (not collegiate white male) group, are already attached to that group by ties of mutual self-definition, already serve that group as a signet of authenticity. College rock is whatever doesn't already first belong to the mainstream, or to black people, or to exclusive groups like high school punk, metal, and goth. And whatever isn't tainted by an association with an undesirable group like businessmen or old people or women or gay people. The college rock fan adheres to idols which don't already have other ties and which resemble himself. These idols become 'college rock' because students have the time and money to classify, sort, listen to, worship, rearrange, share, acquire and trade and sell every disparate vinyl release by all sorts of independent (independent here means: not taken, not already the exclusive property of some other subculture) labels. This music is the particular drug, the key exchange commodity and (simultaneously) the intoxicant of choice, for gangs of white college kid types. Thats the mid-eighties.

At some point the perjorative 'college rock' falls out of favor, and 'indie rock' (isn't this a british term?) becomes the descriptor of choice for the whole musical preferences of this demographics. Maybe this reflects a growth out and away from college campuses, expanding into hipster enclaves in NYC for example (maybe not, I'm making that part up). Indie in the 90s is wide enough to encompass elephant 6 and post-rock, but not R&B or hip hop; hip hop always belonged to someone else already; first to a black youth subculture, then co-opted into mainstream pop, and thus was always off limits for the indie audience. At some point this starts to change.

When did american indie become the dominant cool discourse (not just for college ed. music geeks)? And why? I don't know, but this is true: in 2000 Pitchfork is (a website that covers canonical) indie; in 2007, indie is (whatever) Pitchfork (decides to cover). At some point in between, indie became large enough to draw the cool people, hip-hop heads, poptimists, gay britishers into its gravitational field. This, in turn, forces indie (kids) into the confrontation/conversation with pop that they had always avoided. The result is greater self awareness of where indie is situated in the whole culture, and with increased knowledge (facilitated by the internet), grander ambitions. Now its much harder to think you are cool and at the same time maintain a smug, antagonistic distance from pop culture. The derision of ILM types was absorbed and actually made indie stronger (while violently mutating it, to be sure).

Even though this is a terribly reductive picture, its pretty obviously true that there is an antagonism between a practice of identifying with whatever doesn't fit into its genre/doesn't belong to any other subculture (music identified this way always becomes the beneficiary of a cult of the artist); and on the other hand the worship of exotic, powerful, sexual, the most beautiful things, the chart toppers, the middle of the road in other cultures and in our own. The universality of knowledge of everything local means that, since rare knowledge is currency, everything outside indie (jazz/'world music') will be slowly absorbed into indie by either of these two mechanisms.

walter benjamin, Tuesday, 18 December 2007 21:00 (sixteen years ago) link

You are nabisco w/ new s/n, y/n?

The Reverend, Tuesday, 18 December 2007 21:07 (sixteen years ago) link

^ I didn't write this. But W.B. did write this:

"*Fiat ars--pereat mundus*," says Fascism, and, as Marinetti admits, expects war to supply the artistic gratification of a sense perception that has been changed by technology. This is evidently the consummation of "*I'art pour l'art*." Mankind, which in Homer's time was an object of contemplation for the Olympian gods, now is one for itself. Its self-alienation has reached such a degree that it can experience its own destruction as an aesthetic pleasure of the first order. This is the situation of politics which Fascism is rendering aesthetic. Communism responds by politicizing art.

Mordechai Shinefield, Tuesday, 18 December 2007 21:08 (sixteen years ago) link

Indie has reached such a degree that is can experience its own destruction as an aesthetic pleasure of the first order?

Mordechai Shinefield, Tuesday, 18 December 2007 21:08 (sixteen years ago) link

"Oy, MIA, you've got me all bugaboo."

http://www.braungardt.com/Theology/Benjamin/Benjamin.jpg

scott seward, Tuesday, 18 December 2007 21:10 (sixteen years ago) link

At some point the perjorative 'college rock' falls out of favor, and 'indie rock' (isn't this a british term?) becomes the descriptor of choice for the whole musical preferences of this demographics.

this post is funny and also mostly true, but this bit of the trajectory misses the big vigged-up elephant of nirvana and the attendant "alternative nation" era, which complicated the calculus considerably by briefly pitching a sizable chunk of the college-rock-era underground squarely into the mainstream, getting major-label deals for everybody and for a little while making it hard to separate out what was what. when the dust settled "indie" was on one side, veering off toward pavement, tortoise, gybe and lord knows whatall, and various other forms were left lodged in the commercial marketplace, including most obviously grunge but also assorted popped-up takes on '80s forms (the replacements begat the goo-goo dolls and gin blossoms, the pixies begat the breeders, soul asylum begat soul asylum, etc). no surprise then that '90s amerindie, as it became "indie," wrapped itself in lo-fi and post-rock and whatever other kinds of sonic and compositional signifiers it could use to put some distance back between itself and the gaping mass culture maw.

tipsy mothra, Tuesday, 18 December 2007 21:34 (sixteen years ago) link

has there been a link to all these ilxors making 2007 mix-tape yet:

http://www.paperthinwalls.com/feature/mixtape2007

scott seward, Tuesday, 18 December 2007 21:48 (sixteen years ago) link

probably. i'm slow.

scott seward, Tuesday, 18 December 2007 21:48 (sixteen years ago) link

The universality of knowledge of everything local means that, since rare knowledge is currency, everything outside indie (jazz/'world music') will be slowly absorbed into indie

This has a really ominous ring to it.

Rockist Scientist, Wednesday, 19 December 2007 04:09 (sixteen years ago) link

They give a whole top 50 along with top 10's for each of their review genres, but I can't be bothered typing those right now...

-- krakow

more please!

Bee OK, Wednesday, 19 December 2007 05:31 (sixteen years ago) link

or it should read, can you post of the rest of the Wire list.

Bee OK, Wednesday, 19 December 2007 05:32 (sixteen years ago) link

Metacritic with my predicted rankings (not very insightful):
1 Untrue by Burial - Will make top 20 (more critics seem to be listening to metal, but i don't think enough to get it in the top 10)
2 From Here We Go Sublime by the Field - Will make top 20 and maybe sneak in at 9 or 10
3 In Rainbows by Radiohead - Top 10, obv. Probably Top 5
4 And Their Refinement Of The Decline by Stars Of The Lid - Will make top 30 and, maybe, just barely make the top 20
5 Raising Sand by Robert Plant And Alison Krauss - Not that cool with hipster critics, a Top 20 for sure...I think the old people might get this into the top 10
6 Let's Stay Friends by Les Savy Fav - Not that cool with the old people, right? 25-30, probably
7 Neon Bible by The Arcade Fire - One for the whole family! Top 5, probably
8 Children Running Through by Patty Griffin - She's old. Probably in the 20-25 range
9 Kala by M.I.A. - A welcome guest! Top 10 for sure, hopefully top 5
10 Sound Of Silver by LCD Soundsystem - Same as M.I.A.
11 Comicopera by Robert Wyatt - Old. Probably around 40?
12 Person Pitch by Panda Bear - Top 15
13 Mirrored by Battles - For sure top 20, probably in the 8-12 range
14 45:33 by LCD Soundsystem Nowhere (last year, right?)
15 Boxer by The National A favorite for the old people and the hipsters...Top 15 at least
16 New Moon by Elliott Smith Too old. Around 33-37
17 Crazy Ex-Girlfriend by Miranda Lambert Hmm...An interesting one...Hopefully top 10 but probably around 15-20
18 Ire Works by The Dillinger Escape Plan 25-30
19 The World Has Made Me The Man Of My Dreams by Me'Shell NdegéOcello She's on a Batman soundtrack. Uh, 50-60?
20 Ga Ga Ga Ga Ga by Spoon - Top 10. Not sure why it's this low on Metacritic. Actually, I know why it's this low. I don't know why so many magazines are rating it really high. But they are. I think it's because a huge number of people list it in the 8-20 range. That starts to add up.

Tape Store, Wednesday, 19 December 2007 06:07 (sixteen years ago) link

burial isn't metal

J0rdan S., Wednesday, 19 December 2007 06:10 (sixteen years ago) link

m.i.a. will be #1

J0rdan S., Wednesday, 19 December 2007 06:10 (sixteen years ago) link

Hahaha, Burial is most definitely not metal.

The Reverend, Wednesday, 19 December 2007 06:17 (sixteen years ago) link

http://www.youtube.com/watch?v=9hI4bSCy9iE

The Reverend, Wednesday, 19 December 2007 06:19 (sixteen years ago) link

I actually am optimistic that LCD will win.

The Reverend, Wednesday, 19 December 2007 06:22 (sixteen years ago) link

i'm holding out for a panda bear sweep followed by a noah lennox/mordechai shinefield ticket in '08

J0rdan S., Wednesday, 19 December 2007 06:25 (sixteen years ago) link

gotta appeal to all bases

J0rdan S., Wednesday, 19 December 2007 06:25 (sixteen years ago) link

BURIAL NEEDS TO CHANGE ITS NAME

Tape Store, Wednesday, 19 December 2007 06:39 (sixteen years ago) link

PEOPLE ASSUME THINGS, YKNOW

Tape Store, Wednesday, 19 December 2007 06:39 (sixteen years ago) link

burial makes me yawwwwn

sam500, Wednesday, 19 December 2007 06:40 (sixteen years ago) link

I hear Burial's next album is a collaboration with Sammy Hagar.

The Reverend, Wednesday, 19 December 2007 06:43 (sixteen years ago) link

The first Burial album is quite yawnsome. I like the new one, though.

The Reverend, Wednesday, 19 December 2007 06:44 (sixteen years ago) link

Hey, it's like the Postal Service meets a Michael Andrews score!

Tape Store, Wednesday, 19 December 2007 06:44 (sixteen years ago) link

Whatdayaknow?!

Tape Store, Wednesday, 19 December 2007 06:44 (sixteen years ago) link

And they call this 'dubstep'?

Tape Store, Wednesday, 19 December 2007 06:44 (sixteen years ago) link

Yes, they do, although the way I understand it, Burial is peripheral to the scene.

The Reverend, Wednesday, 19 December 2007 06:47 (sixteen years ago) link

My prediction still stands. A lot of critics are listening to dubstep. But not enough to get it in the top 10.

Tape Store, Wednesday, 19 December 2007 06:48 (sixteen years ago) link

Fair 'nuff.

The Reverend, Wednesday, 19 December 2007 06:53 (sixteen years ago) link

it won't even crack the top 20.

J0rdan S., Wednesday, 19 December 2007 06:55 (sixteen years ago) link

jackin pop (or w/e) it might but def not p&j

J0rdan S., Wednesday, 19 December 2007 06:55 (sixteen years ago) link

We should probably take this particular line here: Oh No, Pass the Lord and Praise the Ammunition--It’s Time for the 2007 P&J / Jackin’ Pop Prognostication Thread!

The Reverend, Wednesday, 19 December 2007 07:01 (sixteen years ago) link

The Wire : 2007 Rewind 50 Records Of The Year

01 Robert Wyatt - Comicopera (Domino)
02 Burial - Untrue (Hyperdub)
03 Panda Bear - Person Pitch (Paw Tracks)
04 OM - Pilgrimage (Southern Lord)
05 LCD Soundsystem - Sound Of Silver (DFA/EMI)
06 Von Südenfed - Tromatic Reflexxions (Domino)
07 Pram - The Moving Frontier (Domino)
08 MIA - Kala (XL)
09 Battles - Mirrored (Warp)
10 Ricardo Villalobos - Fabric 36 (Fabric)

11 Grinderman - Grinderman (Mute)
12 Kassin+2 - Futurismo (Luaka Bop)
13 Matthew Dear - Asa Breed (Ghostly)
14 Strategy - Future Rock (Kranky)
15 Laub - Deinetwegen (AGF Producktion)
16 Björk - Volta (One Little Indian)
17 Pole - Steingarten (~scape)
18 Harmonia - Live 1974 (Grönland)
19 John Butcher - The Geometry Of Sentiment (Emanem)
20 Akio Suzuki - K7 Box (ALM)

21 Deerhunter - Cryptograms (Kranky)
22 Lil' Wayne - Da Drought 3 (Mixtape) (No Label)
23 Peter Evans Quartet - Peter Evans Quartet (Firehouse 12)
24 James Blackshaw - The Cloud Of Unknowing (Tompkins Square)
25 Kemialliset Ystävät - Kemialliset Ystävät (Fonal)
26 Pandit Pran Nath - Raga Cycle (SRI Moonshine)
27 Flower-Corsano Duo - The Radiant Mirror (Textile)
28 Electrelane - No Shouts, No Calls (Too Pure)
29 Zeitkratzer & Lou Reed - Metal Machine Music (Asphodel)
30 Gudrun Gut - I Put A Record On (Monika Enterprise)

31 Marnie Stern - In Advance Of The Broken Arm (Kill Rock Stars)
32 Throbbing Gristle - Part Two: The Endless Not (Mute)
33 Rhys Chatham - The Crimson Grail (Table Of The Elements)
34 Radiohead - In Rainbows (www.inrainbows.com/XL)
35 The Focus Group - We Are All Pan's People (Ghost Box)
36 The Terminals - Last Days Of The Sun (Last Visible Dog)
37 Sightings - Through The Panama (Load)
38 Anthony Braxton - 9 Compositions Iridium 2006 (Firehouse 12)
39 Steve Jansen - Slope (Samadhisound)
40 Haswell & Hecker - Blackest Ever Black (Warner Classics)

41 Colleen - Les Ondes Silencieuses (Leaf)
42 Dial - 168K (Cede)
43 Wooden Shjips - Wooden Shjips (Holy Mountain)
44 fORCH - Spin Networks (PSI)
45 PJ Harvey - White Chalk (Island)
46 Hanne Hukkelberg - Rykestrasse 68 (Nettwerk)
47 Susan Howe & David Grubbs - Souls Of The Labadie Tract (Blue Chopsticks)
48 Lichens - Omns (Kranky)
49 Low - Drums And Guns (Sub Pop)
50 Frank Bretschneider - Rhythm (Raster-Norton)

krakow, Wednesday, 19 December 2007 07:54 (sixteen years ago) link

people voting for studio in this years idolator poll, are you voting for west coast or yearbook 1?

max, Wednesday, 19 December 2007 09:01 (sixteen years ago) link

^^i was gonna ask this question in the studio thread but didn't bother. seeing yearbook 1 on the pfork list got me confused though. right now i have west coast even though i like yearbook 1 better. would like an answer to this.

J0rdan S., Wednesday, 19 December 2007 09:15 (sixteen years ago) link

west coast was "technically" 2006 right? not that i really care about being date-anal but this is a great record both ways and id love to see these guys place sorta high.

max, Wednesday, 19 December 2007 09:18 (sixteen years ago) link

I still haven't gotten around to hearing the Studio at all.

The Reverend, Wednesday, 19 December 2007 09:21 (sixteen years ago) link

oy i thought yearbook 1 was technically 06 but studio 07. or at least was released in the US in 07. like max i don't care about the release date as much as bumping the album up on the list.

J0rdan S., Wednesday, 19 December 2007 09:24 (sixteen years ago) link

Walter Benjamin (Sterling Clover?) OTM! (As is tipsy, duh--no surprise there.)

massive catching-up-with-ILM-in-da-morning x-post

JN$OT, Wednesday, 19 December 2007 10:08 (sixteen years ago) link

It's impossible to search for the Studio on youtube, is there any specific song I should be looking for?

The Reverend, Wednesday, 19 December 2007 11:11 (sixteen years ago) link

The first Burial album is quite yawnsome. I like the new one, though.

I never heard the first one, but the new one sounded to me like early Faithless with all the songs taken out, which seemed vaguely pleasant, though I still got bored with it pretty quick. (And I still don't get at all why people consider them so amazing.)

Two albums I'm surprised not to be seeing on any lists (which is okay, since people had totally overrating both of them, but it's still kind of sad):

1. The Stooges
2. Mary Weiss

xhuxk, Wednesday, 19 December 2007 11:29 (sixteen years ago) link

Also, this:

From Here We Go Sublime by the Field - Will make top 20 and maybe sneak in at 9 or 10

is almost as funny as this:

Untrue by Burial - Will make top 20 (more critics seem to be listening to metal, but i don't think enough to get it in the top 10)

But I still can't tell if they're funny on purpose or not.

xhuxk, Wednesday, 19 December 2007 12:10 (sixteen years ago) link

The Reverend, they have a nifty little promotional video on youtube here.

Tim F, Wednesday, 19 December 2007 12:14 (sixteen years ago) link

Also, fwiw, I thought this was (intentionally) funny too:

Let's Stay Friends by Les Savy Fav - Not that cool with the old people, right? 25-30, probably

But, from Robert Christgau's end-of-year-so-far list in Slate:

13. Les Savy Fav: Let's Stay Friends (Frenchkiss)

http://www.slate.com/id/2179977/entry/2180085

xhuxk, Wednesday, 19 December 2007 12:21 (sixteen years ago) link

KERRANG Album Of The Year 2007 (BIFFY CLYRO WTF???)

Herman G. Neuname, Wednesday, 19 December 2007 12:25 (sixteen years ago) link

i like the wire list. i haven't received my copy yet so i don't know the genre top 10s. but it's great that i can see that wire list and know that i'll have a lot of stuff to look into during the next few months. most other lists have virtually no surprises, though that's maybe because i read more reviews this year.

and yea, i totally forgot that bjork came out with an album this year!

i need to hear the robert wyatt album, too.

Mark Clemente, Wednesday, 19 December 2007 14:43 (sixteen years ago) link

okay, time to ask the crowd: including an unreleased album from '06 that I first heard in '07 (and hardly anyone else has heard it and no one else will vote for it) on my top ten list because it is one of the best albums I have ever heard: awesome or stupid?

Dimension 5ive, Wednesday, 19 December 2007 15:45 (sixteen years ago) link

Awesome and stoopid!

Ioannis, Wednesday, 19 December 2007 15:48 (sixteen years ago) link

Regarding Studio -- I'm voting for West Coast.

Ned Raggett, Wednesday, 19 December 2007 15:50 (sixteen years ago) link

xp

Neither awesome nor stupid, though perfectly okay. (Bomshel, who completely fit that definiton, had a {long }shot at my list, though they won't make it. And Ashley Monroe -- who, at one point anyway, I think Frank Kogan said he was considering, at least for his Nashville Scene ballot -- is in that category too, right?)

xhuxk, Wednesday, 19 December 2007 15:50 (sixteen years ago) link

Okay -- I have decided that for all the time and $$ I have spent trying to hear all the best stuff in the universe this year, my list should be the greatest one in history. I think having Fefe Dobson at #1 would pretty much ice that forever.

Dimension 5ive, Wednesday, 19 December 2007 15:57 (sixteen years ago) link

Why?

Ioannis, Wednesday, 19 December 2007 16:02 (sixteen years ago) link

Because in 2006 she made the greatest teenpop album in history and it got deleted at the last second by her record company because the songs were angry and sexual and hilarious and it will never be released now and someone here got hold of a leak this year and emailed it to me and I almost didn't put it on my list because I was trying to be "correct" or something. Haha screw that.

Dimension 5ive, Wednesday, 19 December 2007 16:05 (sixteen years ago) link

Yeah I dunno dude, I'll rep for relatively unknown or barely released records all the time, but at least as far as polls like P&J, I tend to stick with stuff that's widely available, whether or not anyone else is going to vote for it.

Alex in Baltimore, Wednesday, 19 December 2007 16:08 (sixteen years ago) link

I'm going to put Panda Bear as my #1 and then post a big PSYCHE on the Panda Bear forum here.

Mordechai Shinefield, Wednesday, 19 December 2007 16:08 (sixteen years ago) link

Haha, I totally thought Burial was metal, too, until a couple months ago.

jaymc, Wednesday, 19 December 2007 16:09 (sixteen years ago) link

Yeah I dunno dude, I'll rep for relatively unknown or barely released records all the time, but at least as far as polls like P&J, I tend to stick with stuff that's widely available, whether or not anyone else is going to vote for it.

I vote for my favorite records of the year.

jaymc, Wednesday, 19 December 2007 16:12 (sixteen years ago) link

I dunno dude, I'll rep for relatively unknown or barely released records all the time, but at least as far as polls like P&J, I tend to stick with stuff that's widely available, whether or not anyone else is going to vote for it.

Why, though? Prince's The Black Album made the list before, and so did some unreleased Pavement album, I think (that wound out coming out, maybe in slightly different form, a year later.) And those might not be the only ones. Christgau himself put a unreleased, who-knows-how-many-generatiton Pulnoc tape at #1 on his list sometime in the mid/late '80s. And people vote for bootlegs by, say, Lil Wayne or whoever all the time. And the initial mashup albums and singles that placed had never been officially released either, right? I don't see how Matt voting for Fefe Dobson is any different. (The fact that it won't get any other votes should never be a consideration. Or do people disagree about that, too? If so, it makes me sad.)

xhuxk, Wednesday, 19 December 2007 16:15 (sixteen years ago) link

i wanna hear this Dobson thing now

blueski, Wednesday, 19 December 2007 16:16 (sixteen years ago) link

i understand al but I'm rolling with xhuxk and jaymc on this one. of course, my list includes an indian soundtrack, a big band jazz album, reggaeton and houston rap and metal and south african pop and indie illinois rock as well as two pfork faves, so I guess I don't really care much about things being available.

Dimension 5ive, Wednesday, 19 December 2007 16:18 (sixteen years ago) link

although one of the pfork things might get thrown over for an emo double album or an awesome banda record or maybe ethiopian pop. we'll see when I finally submit the ballot.

Dimension 5ive, Wednesday, 19 December 2007 16:19 (sixteen years ago) link

emo double album = thrice alchemy index?

Mordechai Shinefield, Wednesday, 19 December 2007 16:21 (sixteen years ago) link

Why, though? Prince's The Black Album made the list before, and so did some unreleased Pavement album, I think (that wound out coming out, maybe in slightly different form, a year later.) And those might not be the only ones. Christgau himself put a unreleased, who-knows-how-many-generatiton Pulnoc tape at #1 on his list sometime in the mid/late '80s. And people vote for bootlegs by, say, Lil Wayne or whoever all the time. And the initial mashup albums and singles that placed had never been officially released either, right? I don't see how Matt voting for Fefe Dobson is any different. (The fact that it won't get any other votes should never be a consideration. Or do people disagree about that, too? If so, it makes me sad.)

(xpost I'm assuming he means Say Anything)
-- xhuxk, Wednesday, December 19, 2007 11:15 AM (3 minutes ago) Bookmark Link

Um, because that's how I roll? And also, because it's so hard putting together a top 10 with all the possible options and combinations that any decent external reason for disqualification makes it easier to narrow the field, for me. I didn't say everyone else should follow suit, but Matt had a dilemma and I just told him what my method is.

Alex in Baltimore, Wednesday, 19 December 2007 16:22 (sixteen years ago) link

(uh obviously that xpost was meant to be at the bottom of my post, not added to the cut-and-paste of xhuxk's post)

Alex in Baltimore, Wednesday, 19 December 2007 16:23 (sixteen years ago) link

naw -- i liked their last one okay, but they're more christian metal than emo aren't they? i'm talking about say anything's in defense of the genre, which is so brilliant that it might just beat out battles, who probably don't need any help from me this year.

Dimension 5ive, Wednesday, 19 December 2007 16:23 (sixteen years ago) link

Say Anything? (double-emo xxpost)

jon /via/ chi 2.0, Wednesday, 19 December 2007 16:24 (sixteen years ago) link

haha...

jon /via/ chi 2.0, Wednesday, 19 December 2007 16:24 (sixteen years ago) link

haha xpost

xhuxk what did you think about say anything? i love it every time it's on.

Dimension 5ive, Wednesday, 19 December 2007 16:24 (sixteen years ago) link

Say Anything keeps growing on me. Not enough to make my list, but I do like it.

jon /via/ chi 2.0, Wednesday, 19 December 2007 16:26 (sixteen years ago) link

The album looked long and intimidating! And also, um, emo. So I never got around to it (assuming I ever actually saw a copy in the first place.)

t any decent external reason for disqualification makes it easier to narrow the field

Yeah, I kind of agree with this actually. But my own reasons for disqualification are totally inconsistent from year to year. (I.e., some years I'll include collections of never-before-compiled '70s stuff by Cleveland proto-punk bands or Taylor Swift albums technically released in the previous year, and sometimes I won't. Depends how much I like them, I guess, and what their competition is.)

xhuxk, Wednesday, 19 December 2007 16:27 (sixteen years ago) link

I think it's kind of a disappointment compared to Is A Real Boy, personally.

Alex in Baltimore, Wednesday, 19 December 2007 16:28 (sixteen years ago) link

Yeah, I keep listening to stuff on my list so I can hear a boring track and consign that album / song to the "close but no cigar" list. AL I FEEL YR PAIN.

And I can only remember one (1) song from Is a Real Boy, which is kind of a bummer considering how many times I listened to it. I love the epic scope of the new one, but I love lines like "Toss my caustic salad" even more.

Dimension 5ive, Wednesday, 19 December 2007 16:30 (sixteen years ago) link

I'm pretty sure that once again everyone's 11-20 list will be more "interesting" than their top ten.

Dimension 5ive, Wednesday, 19 December 2007 16:31 (sixteen years ago) link

Thrice AFAIK isn't Christian at all... but maybe they're more metal than emo.

Mordechai Shinefield, Wednesday, 19 December 2007 16:32 (sixteen years ago) link

I'm pretty sure that once again everyone's 11-20 list will be more "interesting" than their top ten.

I know that's always the case for me.

Time will tell with In Defense since it's newer, but it's got twice as many songs as Is A Real Boy and at most half as many that hit me upside the head in the same way.

Alex in Baltimore, Wednesday, 19 December 2007 16:33 (sixteen years ago) link

Nothing on it is as good as Alive With the Glory of Love.

Mordechai Shinefield, Wednesday, 19 December 2007 16:34 (sixteen years ago) link

Mordy, Thrice is all about coded language -- might not be as obvious to you (or my kids). Maybe the new one is less Xian than that last record, which was still pretty and hooky.

Dimension 5ive, Wednesday, 19 December 2007 16:34 (sixteen years ago) link

I'm letting my kids fill out my singles ballot by the way. "Werewolf Bar Mitzvah" will therefore be quite high on the list, as it deserves to be.

Dimension 5ive, Wednesday, 19 December 2007 16:35 (sixteen years ago) link

Nothing on it is as good as Alive With the Glory of Love.

-- Mordechai Shinefield, Wednesday, December 19, 2007 11:34 AM (2 minutes ago) Bookmark Link

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

Alex in Baltimore, Wednesday, 19 December 2007 16:37 (sixteen years ago) link

Omg. I forgot about Werewolf Bar Mitzvah. Greatest song since Dick in a Box.

Mordechai Shinefield, Wednesday, 19 December 2007 16:38 (sixteen years ago) link

Oh, I think "Retarded in Love" and "Baby Girl, I'm a Blur" are easily as good. However, I'm pretty sure nothing touches "Hey, I Can Get Sexual Too."

Dimension 5ive, Wednesday, 19 December 2007 16:39 (sixteen years ago) link

Re: Thrice
I don't remember the last one... (Vizchau or something?), but the one that had Stare at the Sun on it? (Two ago maybe) I don't remember ANY Christian references on it... coded or not.

Mordechai Shinefield, Wednesday, 19 December 2007 16:39 (sixteen years ago) link

Well, okay then. I haven't listened to it since.

Dimension 5ive, Wednesday, 19 December 2007 16:40 (sixteen years ago) link

I love this quote:

Let's get this party started quickly. Journey sucks. They sucked in 1981, they'll suck in 2033, and they suck now. Who gives a fuck what Tony Soprano thinks?

-- Mordechai Shinefield, Monday, December 17, 2007 4:53 PM (2 days ago) Bookmark Link

Yeah, Jody R0sen must be all like "Oh, my ass. Thanks for handing it to me."

-- Dimension 5ive, Monday, December 17, 2007 5:08 PM (2 days ago) Bookmark Link

no not really.

That one guy that hit it and quit it, Wednesday, 19 December 2007 16:45 (sixteen years ago) link

"not really" wot?

t**t, Wednesday, 19 December 2007 16:54 (sixteen years ago) link

xgau is a fucking choad, to spell it out.

That one guy that hit it and quit it, Wednesday, 19 December 2007 16:57 (sixteen years ago) link

I think you meant to post that in the RONG thread.

Dimension 5ive, Wednesday, 19 December 2007 17:06 (sixteen years ago) link

Although it really doesn't matter if someone is a choad or not -- some of my nicest friends have crap taste in music.

Dimension 5ive, Wednesday, 19 December 2007 17:08 (sixteen years ago) link

But attempting to zing Xgau for hating Journey...no.

Dimension 5ive, Wednesday, 19 December 2007 17:08 (sixteen years ago) link

About voting for stuff from the previous year: On the one hand, I'm in favour of what people call the "personal impact" vote and damn-the-release-date technicalities. On the other hand, I do sometimes draw the line at stuff that I simply came late to, end of story. Stuff, in other words, that may have impacted ME in 2007, but which already impacted everyone else in 2006. My most-listened-to (and favourite) album of 2007 is the Clipse record from last year. But I simply got on the boat really late, so I don't see the point in voting for it. If it's something that I missed in 2006 and I feel that lots of other people missed it as well--those kinds of things feel more legit in a way. Maybe this is just silly, but that's kind of how I handle these ones. (And then you have cases like "Irreplacable," which I think you can make valid arguments for in both directions--had its strongest impact with critics last year, but radio played the shit out of it for the first few months in '07. For whatever reasons, I've decided to ignore it, in part, as someone else said above, because doing so makes it that much easier to whittle down my final 10.)

sw00ds, Wednesday, 19 December 2007 17:08 (sixteen years ago) link

One of my top ten records is something I kind of dismissed this summer (I had a lot on my mind then) and came back to in the last few days. Got completely bowled over.

Dimension 5ive, Wednesday, 19 December 2007 17:12 (sixteen years ago) link

patting Xgau on the back for hating Journey isn't really any better, is the thing.

Alex in Baltimore, Wednesday, 19 December 2007 17:13 (sixteen years ago) link

BTW, good for you, Matt. Always vote for what you love; who cares what some dorky indie fans may think? And now I'm curious about that Fefe record, too--see, da system works.

xp to Matt, obviously.

Ioannis, Wednesday, 19 December 2007 17:13 (sixteen years ago) link

I'm too OCD to vote/list anything that first came out the previous year (unless it wasn't issued in the U.S. until this year or something like that), which is one reason why I wait until the last possible moment to "finish" my list, especially for the annual 4th quarter rush where the number of notable rap albums just about doubles in the space of a month. A lot of those albums get lost in the critical shuffle, and I try to at least see if they're worth acknowledging right away, since I know they'll be a distant memory a year later.

Alex in Baltimore, Wednesday, 19 December 2007 17:16 (sixteen years ago) link

I AM NOT SALUTING XGAU FOR HATING JOURNEY. I JUST MADE A COMMENT ABOUT HOW HE COMPLETELY SLAMMED J.ROSEN FOR ASSUMING THAT A 25 YEAR OLD SONG IS SOMEHOW SONG OF THE YEAR BECAUSE IT WAS IN THE SOPRANOS. I don't even know if I agree with him -- it was just a good burn. That is all.

Dimension 5ive, Wednesday, 19 December 2007 17:17 (sixteen years ago) link

Always vote for what you love; who cares what some dorky indie fans may think?

Rather. My number one album, head and shoulders above anything else, is VNV Nation's Judgement, which I think *nobody* talked about anywhere outside the band's preexisting fanbase.

Ned Raggett, Wednesday, 19 December 2007 17:19 (sixteen years ago) link

Ned, thanks for the recommendation. I'm listening to Illusion at the moment. AMAZING.

Mordechai Shinefield, Wednesday, 19 December 2007 17:24 (sixteen years ago) link

yeah i never heard of these guys, now i have. THAT is what year-end lists are about, for me.

Dimension 5ive, Wednesday, 19 December 2007 17:27 (sixteen years ago) link

Amen.

Ioannis, Wednesday, 19 December 2007 17:35 (sixteen years ago) link

I am going to have to make room for the new Lupe Fiasco album on my list, could very well be my favorite hip-hop album of the year. "Little Weaon" is absolutely fantastic, and produced by Patrick Stump no less!

jon /via/ chi 2.0, Wednesday, 19 December 2007 17:35 (sixteen years ago) link

yeah i never heard of these guys, now i have. THAT is what year-end lists are about, for me.

yes!

Mark Clemente, Wednesday, 19 December 2007 17:35 (sixteen years ago) link

I'm kind of with Scott on previous-year releases, actually -- i.e., I wasn't kidding, this year I'm voting for Taylor Swift, whose album I believe came out in late Oct '06, but which experienced most of its hit radio action and sales in '07. (Which means I'm far from the only person with whom it had its greatest impact in '07.) I also considered voting for Lily Allen, which came out in the UK (and placed in both P&J and Idolator polls, I believe) in '06 but didn't come out in the U.S. until '07; ultimately decided it sounded a little too thin to belong on my top ten, but I also think the fact that lots of critics had already latched on to it last year, putting me behind the curve, was at least partially a consideration for me not putting it on my ballot. (On the other hand, I won't be surprised if finishes on the big lists again this year -- And Amy Winehouse, whose album also came out in the UK in '06 if I'm not mistaken, will definitely get a lot more votes this year than last.) (I have no use for her myself, but that's besides the point.)

Still, as the deadline for these polls get earlier and earlier (as Xgau said in the same Slate screed where he wrongly if entertainingly dismissed Journey, it's impossible by definition to name your favorite '07 albums when '07 hasn't even ended yet), I really think late-year releases get the shaft if you don't let yourself include them the next year. Plus, I have this weird idea that albums are meant to be lived with, a little; sometimes it takes more than a few months (and maybe a couple hit singles) to figure out how good an album is. (But that idea seems to be stupidly going by the wayside, now that publications are all anal-compulsively committed to running reviews on release dates, and now that albums leak months in advance so often.)

xhuxk, Wednesday, 19 December 2007 17:48 (sixteen years ago) link

Plus, I have this weird idea that albums are meant to be lived with, a little; sometimes it takes more than a few months (and maybe a couple hit singles) to figure out how good an album is.

Yeah, and I even think this applies to singles sometimes. It's not always that obvious how good (or bad) a song is in the first few weeks or even months.

I don't totally get why the Idolator cutoff is Dec. 21. I guess it's because they feel the need to publish not too late in the new year, which is understandable. From a purely practical (and selfish) perspective, it's a thousand times easier to pull comments together in the week between Christmas and New Years (even tho' I'm working pretty much the entire week---just having the impending Christmas day out of the way makes a world of difference). I'm glad eye weekly in Canada kept their due date in early Jan.

sw00ds, Wednesday, 19 December 2007 18:05 (sixteen years ago) link

I don't totally get why the Idolator cutoff is Dec. 21

The "first equals best" fallacy, I assume? In Idolator's first year, it wanted to gain visibility by beating P&J to the web, which is I guess understandable. Only problem is, this year, P&J seems to have moved up its ballot deadline to match Idolator. So what happens next year? Ballots due by Thanksgiving??

xhuxk, Wednesday, 19 December 2007 18:14 (sixteen years ago) link

ballots for iowa voters due by february.

tipsy mothra, Wednesday, 19 December 2007 18:18 (sixteen years ago) link

I'll vote for stuff released in the U.S. in 2007, if it impacted me most in 2007, even if it came out elsewhere in the world in 2006. Like, for instance, Fujiya and Miyagi. Or, in 2005, Feist's Let It Die.

jaymc, Wednesday, 19 December 2007 18:28 (sixteen years ago) link

I AM NOT SALUTING XGAU FOR HATING JOURNEY. I JUST MADE A COMMENT ABOUT HOW HE COMPLETELY SLAMMED J.ROSEN FOR ASSUMING THAT A 25 YEAR OLD SONG IS SOMEHOW SONG OF THE YEAR BECAUSE IT WAS IN THE SOPRANOS. I don't even know if I agree with him -- it was just a good burn. That is all

While it was spectacularly grumpy, I didn't find Xgau's comeback to be all that devastating. Rosen actually offered more reasons why Journey is still relevant in '07 than just the fact it appeared in the Sopranos. I don't think anyone can doubt Rosen's point, which is that the song has survived in the popular consciousness much better than other songs which received more critical laudits that year. The song is still played frequently by DJs and cover bands, and young crowds seem to love it, from what I've seen.

o. nate, Wednesday, 19 December 2007 18:55 (sixteen years ago) link

Staying in the public conciousness can't be the test. Lots of ireally bad songs linger in the public's mind.

Having said that, I love Journey's singles. Not even ashamed of it. The harmonies draw me in, S. Perry has a great voice (which -- in 80s style -- he uses to wail without a hint of irony or self-consiousness) and they knew how to write disposable pop/rock songs with real drama to them.

Daniel, Esq., Wednesday, 19 December 2007 19:04 (sixteen years ago) link

Also, hearing Journey reminds me of being young. Fewer and fewer things do. And I'm only a little ashamed of that being one of the reasons I like Journey.

Daniel, Esq., Wednesday, 19 December 2007 19:06 (sixteen years ago) link

I think that a song that is still widely played, covered, and downloaded some 25 years later must have something going for it. Sure a critic is still entitled to consider it a bad song, but even then, there must be something that differentiates it from all the other bad songs that fade quickly from memory.

o. nate, Wednesday, 19 December 2007 19:10 (sixteen years ago) link

xp

Well, that was part of Xgau's point -- that hearing the drama in Journey songs reminds Tony Soprano of being young too, and that's not enough. (And I say that as somebody who has defended Journey -- including reviews of four reissues in Rolling Stone last year -- as much as anybody. And somebody who still thinks "Don't Stop Believin'" is an even better single than either "O Superman" or "Start Me Up," though Xgau did present good arguments about why both of those '81 songs still matter, too.)

xhuxk, Wednesday, 19 December 2007 19:13 (sixteen years ago) link

Yeah, I get that. I'm just being candid about the (somewhat flimsy) basis for my liking Journey.

Daniel, Esq., Wednesday, 19 December 2007 19:16 (sixteen years ago) link

I loved Journey ("Wheel in the Sky," etc.) when I was in junior high and hated them by high school -- any lingering "awwwww" moments I might have are all negated by watching my friend Amy dissolve into bitter tears every time Journey came on the radio because it reminded her of being dumped by this guy Danny. And Journey came on the radio, like, A LOT.

Not that that adds to the discourse at all. Just saying.

Dimension 5ive, Wednesday, 19 December 2007 19:22 (sixteen years ago) link

Hey, I was in High School when Journey was popular. My name is ''Danny.'' I knew an Amy in school.

I might have been the villian in your story, except for the fact that I couldn't get a date in High School if I waltzed into a women's prison with a fistful of furlows.

Daniel, Esq., Wednesday, 19 December 2007 19:26 (sixteen years ago) link

Well you had about as much chance with Amy as I did then! JOURNEY YOU COCKBLOCKING BASTARDS I HATE YOU, even though it probably wasn't your fault.

Much better memories of "Oh Sherry" though! That shouty opening!

Dimension 5ive, Wednesday, 19 December 2007 19:30 (sixteen years ago) link

"Our love....HOOOOOOOOOOOLDS ON!"

(And thanks for the comments upthread, all -- sorry, kept forgetting to check back in on this thread, it got busy here at work!)

Ned Raggett, Wednesday, 19 December 2007 19:42 (sixteen years ago) link

I played this wedding recently, and these drunk 19 yr old girls bum-rushed the stage and started singing "Don't Stop Believin'"! I was not believin' it. It was fuckin' relevant.

Jordan, Wednesday, 19 December 2007 19:42 (sixteen years ago) link

I just think it's funny how post-Sopranos "Believin'" is being treated as if it wasn't an evergreen radio staple the whole time. it's not like "Tiny Dancer" or something where suddenly pop culture elevates it from minor hit status to one of the artist's most popular songs.

Alex in Baltimore, Wednesday, 19 December 2007 19:45 (sixteen years ago) link

Tiny Dancer was a minor hit?

Daniel, Esq., Wednesday, 19 December 2007 19:46 (sixteen years ago) link

"don't stop believin" has long reached it's ironic saturation point in the 16-24 demo.

J0rdan S., Wednesday, 19 December 2007 19:46 (sixteen years ago) link

I'm not gonna reiterate the "Tiny Dancer" convo I just had in one of the Elton poll threads, but yeah, minor. Missed the top 40 in the US and didn't chart in the UK, right in the middle of EJ's first string of top 10 hits.

Alex in Baltimore, Wednesday, 19 December 2007 19:51 (sixteen years ago) link

Hm. I wasn't defending the song, just culling my memory.

As to Don't Stop Belivin', J0rdan is exactly right. Some Journey songs -- that were, at the time -- loved unironically are now okay for the younger set who soak them in irony.

But that's just a cover: The songs are good (or maybe just very meat-and-potatoes satisfying), so it's easy to feign ironic love when there's real love in your heart.

Daniel, Esq., Wednesday, 19 December 2007 19:52 (sixteen years ago) link

Dudes, Journey were fuckin' GODS when I was in high school! And, like Matt, I loathed and detested them; hell, just the sight of one of their album covers was enough to send me into a righteous fit of indignation back then. Now, like most sane people, I dig "Don't Stop Believin'" as much as, oh..."Bette Davis Eyes," say. Great shit.

Hahah--this thread has gone through some damn strange tangents recently.

Ioannis, Wednesday, 19 December 2007 19:58 (sixteen years ago) link

TS: Journey v. Panda Bear.

Daniel, Esq., Wednesday, 19 December 2007 20:00 (sixteen years ago) link

"Tiny Dancer," as a staple of AOR, is better-known now than many of the songs that placed before it on the pop charts. No one over the age of 35 needed to be reminded of that song...and that movie probably made as many people sick of it as "turned them on" to it whoa.

But yeah ultimately who cares.

Dimension 5ive, Wednesday, 19 December 2007 20:01 (sixteen years ago) link

^^^this = jn$ot right?

J0rdan S., Wednesday, 19 December 2007 20:04 (sixteen years ago) link

yar

Just got offed, Wednesday, 19 December 2007 20:04 (sixteen years ago) link

aye wtf is happening to this thread.

J0rdan S., Wednesday, 19 December 2007 20:05 (sixteen years ago) link

Year-End Critics' Polls '07

J0rdan S., Wednesday, 19 December 2007 20:05 (sixteen years ago) link

Wait, so did the movie with "Tiny Dancer" in it come before or after Tim McGraw's cover version?

(And how do "Candle in the Wind" and "Come Sail Away" fit into this?)

xhuxk, Wednesday, 19 December 2007 20:06 (sixteen years ago) link

x-post

I'm letting my kids fill out my singles ballot by the way. "Werewolf Bar Mitzvah" will therefore be quite high on the list, as it deserves to be.

-- Dimension 5ive, Wednesday, 19 December 2007 16:35 (3 hours ago)

I missed that 30 Rock episode, but just checked out the video. Thanks. Matt, isn't your daughter getting Bat Mitzvahed soon?

curmudgeon, Wednesday, 19 December 2007 20:09 (sixteen years ago) link

"Tiny Dancer," as a staple of AOR, is better-known now than many of the songs that placed before it on the pop charts. No one over the age of 35 needed to be reminded of that song...and that movie probably made as many people sick of it as "turned them on" to it whoa.

But yeah ultimately who cares.

-- Dimension 5ive, Wednesday, December 19, 2007 3:01 PM (1 minute ago) Bookmark Link

maybe so. i'm too young to have been around for EJ's initial hit parade, obv, all i know is growing up I heard about a dozen of his songs constantly, and that wasn't one of 'em.

(xpost -- Tim McGraw covered "Tiny Dancer" 2 years after Almost Famous, I knew "Candle In The Wind" well before the Diana version, and I have no idea what "Come Sail Away" was supposedly revived by -- South Park?)

Alex in Baltimore, Wednesday, 19 December 2007 20:09 (sixteen years ago) link

Back on track, I get Nick's point upthread about Person Pitch sounding flat, i.e., lacking dynamics. Seems like it should be similar to a Talk Talk album, where sounds float in from all points, but Panda Bear's disc sounds to me like everything is on one flat plane.

I'm not sure how to describe it more artfully than that. And (a) I like Person Pitch (not as the No. 1 disc of the year, but a lot) and (b) I often can't hear what Nick is talking about in terms of a disc or song's over-compression (a failing in me, not in his analysis).

Daniel, Esq., Wednesday, 19 December 2007 20:10 (sixteen years ago) link

My prediction still stands. A lot of critics are listening to dubstep. But not enough to get it in the top 10.

I'd take issue with this -- I'd say that in fact very, very few critics are listening to dubstep (or at least writing about it). *Referencing* the genre, eg knowing it exists, when writing about Burial doesn't count.

pshrbrn, Wednesday, 19 December 2007 20:14 (sixteen years ago) link

Why doesn't writing about Burial count?

Daniel, Esq., Wednesday, 19 December 2007 20:17 (sixteen years ago) link

I mean, Burial is dubstep, isn't it?

Daniel, Esq., Wednesday, 19 December 2007 20:18 (sixteen years ago) link

I think he means that mentioning the genre is not the same as knowing anything about it.

xpost to Steve: next fall! The countdown has begun!

Dimension 5ive, Wednesday, 19 December 2007 20:19 (sixteen years ago) link

In other news: JAZZ!

Dimension 5ive, Wednesday, 19 December 2007 20:20 (sixteen years ago) link

Just to add a little more to the Journey discussion, "Don't Stop Believin" was the unofficial theme song for the White Sox during and after their World Series run. So it got a lot of play in Chicago, well before the Sopranos episode.

jon /via/ chi 2.0, Wednesday, 19 December 2007 20:24 (sixteen years ago) link

And Blues! I just discovered Mississippi's Jimmy Duck Holmes-"Done Got Tired of Tryin'" on Geoff Himes' Baltimore City Paper ballot. I wonder if Himes does a different ballot for that Nashville weekly country thing he coordinates?

(Matt, my son was bar mitzvahed this past spring. Everything worked out great--Good luck)

curmudgeon, Wednesday, 19 December 2007 20:27 (sixteen years ago) link

I'd never even heard "Don't Stop Believin'" until it was used in Monster, when Charlize Theron and Christina Ricci dance to it at the roller rink. That movie came out soon after I stopped worrying about guilty pleasures and whether I could like things ironically or whatever, so I heard it as a fantastic song, just as I did with the Darkness's "I Believe in a Thing Called Love," which was released around the same time.

jaymc, Wednesday, 19 December 2007 20:33 (sixteen years ago) link

XP -- I don't know if some of these lists were printed or linked upthread, but I'd really like to read about the best jazz, blues and classical albums of the year. I know James Blood Ulmer released a good blues disc this year, but that's all I know about this year's crop of jazz, blues and classical releases.

And my daughter has 7 long years to go before her Bat Mitzvah!

Daniel, Esq., Wednesday, 19 December 2007 20:34 (sixteen years ago) link

ok jaymc that's pretty weird.

Alex in Baltimore, Wednesday, 19 December 2007 20:35 (sixteen years ago) link

What part?

jaymc, Wednesday, 19 December 2007 20:36 (sixteen years ago) link

the not hearing that song until the movie Monster part.

Alex in Baltimore, Wednesday, 19 December 2007 20:39 (sixteen years ago) link

And liking a song by The Darkness.

Daniel, Esq., Wednesday, 19 December 2007 20:39 (sixteen years ago) link

Oh. I have lots of blind spots, esp. when it comes to classic rock. Like the only reason I know "Carry on My Wayward Son" is because it's on the Girl Talk album.

jaymc, Wednesday, 19 December 2007 20:41 (sixteen years ago) link

^me too

J0rdan S., Wednesday, 19 December 2007 20:44 (sixteen years ago) link

Man. I mean, I would've figured you'd at least heard it through Anchorman.

Ned Raggett, Wednesday, 19 December 2007 20:45 (sixteen years ago) link

Monster came out in 2003. Anchorman was 2004.

About the closest I've come to listening to a classic-rock radio station is WXRT, which is nominally AAA but plays older stuff, too. Except it's usually just canon fodder like the Beatles and Zeppelin and the Eagles and Tom Petty, nothing too prog or metal or dated-sounding arena-rock.

jaymc, Wednesday, 19 December 2007 20:45 (sixteen years ago) link

xpost Oh wait, do you mean Kansas or Journey? I don't remember what was in Anchorman.

jaymc, Wednesday, 19 December 2007 20:48 (sixteen years ago) link

Weird thing about "Tiny Dancer" for me is that I'm totally in the "demographic" for it (grew up loving Elton songs on the radio--AM radoio), but barely knew that song at all until Almost Famous--it did totally reach me through that movie, and continues to sound good.

As for Journey (this may relate to jaymc's experience), I was a highly opinionated Journey-hater in high school, but I never once actually listened to their music, and was not exposed to it much through the radio because by that time I wasn't listening to radio. I think the only way they could possibly reach me now is through some movie or TV show, but I didn't see the Sopranos.

I'll get back to you about dubstep--in, say, 15 years? (Actually, I do kind of like Burial.)

sw00ds, Wednesday, 19 December 2007 20:49 (sixteen years ago) link

I was a highly opinionated Journey-hater in high school

Except I had no reason to hate Journey because very few suburban Chicago high schoolers in the early '90s were actually listening to Journey.

jaymc, Wednesday, 19 December 2007 20:53 (sixteen years ago) link

Burial's undoubtedly connected to dubstep, but it's hardly representative of the sound/scene in general -- in no small part because dubstep is much more club-oriented than Burial, whose music far better suits a home-listening environment. I realize that opposition is well worn and often really specious, but in this case I think it holds up. In any case, you can't really write about dubstep, as a genre and a scene, unless you are familiar with its history, its phases, its divergent tendencies, its dead ends, and I've seen few critics able to engage with it on those terms. Don't get me wrong, I'm not saying you can't or shouldn't write about Burial without a grounding in the history of dubstep -- hardly! But writing about Burial, referencing dubstep, and writing about dubstep are different things.

pshrbrn, Wednesday, 19 December 2007 20:57 (sixteen years ago) link

Artrocker
I mentioned the mag in a piece I wrote last year and they've kindly sent me issue ever since. In November it changed from a bi-weekly ("fortnightly") paper to a monthly glossy. A good 70% of the writing is godawful. I would have thought they'd have improved, since they've been publishing since 2001. Perhaps there's a high turnover of young writers who move on, perhaps to finish school. Their scope is narrow to a fault, but their focus is intentional. It's a sort of evangelical dedication to the UK scene of young emerging pop and rock bands. I agree that The Maccabees and Good Shoes put out great albums, and hopefully they'll get more exposure from this. The Editors album, however, was way better than Interpol's.

01. The Maccabees - Colour It In
02. Good Shoes - Think Before You Speak
03. Art Brut - It's A Bit Complicated
04. The Horrors - Strange House
05. Maximo Park - Our Earthly Pleasures
06. Shitdisco - Kingdom of Fear
07. Tiny Masters of Today - Bang Bang Boom Cake
08. Jakobinarina - The First Crusade
09. The Hives - The Black and White Album
10. Future of the Left - Curses
11. Liars
12. Acoustic Ladyland - Skinny Grin
13. Klaxons - Myths of the Near Future
14. Interpol - Our Love to Admire
15. The Violets - The Lost Pages
16. Mothers and the Addicts - Science Fiction Illustrated
17. Chow Chow - Colours and Lines
18. The Cribs - Men's Needs, Women's Needs, Whatever
19. Untitled Musical Project
20. Bloc Party - A Weekend in the City

Best of the Rest
Kubichek - Not Enoughnight
Die! Die! Die!
The Young Knives - Are Dead...And Some
Poppy and the Jezebels - Follow Me Down
Dirty Projectors - Rise Above
Bearsuit - Oh:IO
The Scare - Chivalry

Fastnbulbous, Wednesday, 19 December 2007 20:58 (sixteen years ago) link

I think we can save the trouble of having this exchange about Burial and dubstep if we put a filter on all archived threads changing "Dizzee Rascal" to "Burial" and "grime" to "dubstep."

Alex in Baltimore, Wednesday, 19 December 2007 20:59 (sixteen years ago) link

I used to listen to my older brother's copy of Madman Across the Water a lot in the 70s, so I knew all about "Tiny Dancer."

Rockist Scientist, Wednesday, 19 December 2007 21:00 (sixteen years ago) link

Burial, whose music far better suits a home-listening environment

Makes sense. I don't go to clubs, but I love Untrue in headphones.

Other dubstep clubbier? I guess I don't know the genre well enough to say. Would you say Skull Disco's Soundboy Punishments, which was also released in 2007, is clubbier than Untrue? I love both discs, BTW.

Daniel, Esq., Wednesday, 19 December 2007 21:07 (sixteen years ago) link

Hey Alex, thanks for the condescension. Please note that I'm not trying to make proscriptive *or* prescriptive arguments about dubstep. And even if Burial were the dubsteppiest of all the dubsteppers, there's still a difference between talking about one artist's work and being able to speak intelligently on a broader scene, trend, or sound.

I haven't been to a dubstep night since i went to FWD>> back in 2004 or so, but my general impression is that most dubstep is indeed clubbier (take that as you will).

pshrbrn, Wednesday, 19 December 2007 21:27 (sixteen years ago) link

...Panda Bear's disc sounds to me like everything is on one flat plane...I often can't hear what Nick is talking about in terms of a disc or song's over-compression...

I'd say you just about nailed it even if you maybe don't think you did. The album doesn't have much space, at all, and does sound flat, like a wall, of noise (albeit, well-intentioned, noise). And I, too, love me some contemporary psychedelia. But this just sounds dynamically opaque.

dblcheeksneek, Wednesday, 19 December 2007 21:39 (sixteen years ago) link

xp How much do you need to know about dubstep to understand what's supposed to make Burial distinctive? I had the thing in my CD changer, playing in the background for a week, and it was totally beyond me. Some parts reminded me of Kate Bush I guess. (Maybe she's sampled?) But mostly, like I said above, the parts I liked okay reminded me of the gothy background music on that first Faithless album. Which is not an insult -- I like the first Faithless album a lot, though I get the idea serious dance critics dismiss it as cheese in retrospect. Anyway, even though I really missed Faithless's *songs,* the Burial thing was pleasant, when the tracks were alternating with other tracks off other albums; when I tried to play the album from start to end, I got bored quick. I got the idea it required some kind of microscope to look at it through that I don't own. But if people who *aren't* dubstep experts get it (and apparently lots of them do), maybe I just have a blind spot.

xhuxk, Wednesday, 19 December 2007 21:39 (sixteen years ago) link

I think you're right about the absence of "songs". If only the sonics were enough to compensate for that lack on their own. For me, they're not.

Ioannis, Wednesday, 19 December 2007 21:44 (sixteen years ago) link

I think you're right about the absence of "songs". If only the sonics were enough to compensate for that lack on their own. For me, they're not.

Is it bad that I feel this applies equally to Untrue and Person Pitch?

dblcheeksneek, Wednesday, 19 December 2007 21:50 (sixteen years ago) link

I guess the question is whether you want to know what distinguishes Burial from *other* dubstep or simply makes him distinctive on his own terms. Most (let's call it) genre-based dubstep is more stark, less lush. Some of it's better, some of it's worse than Burial -- I'm definitely not making any value judgments based on what I see as Burial's deviation from the generic dubstep template. I don't think "getting" Burial requires any sort of microscope; I'd guess that his approach towards sonics simply doesn't resonate with you, Chuck. If I recall correctly you weren't a fan of Radiohead's ambientish forays, right? Not saying Burial = Radiohead, but I can see how someone who wasn't swayed by Kid A wouldn't be swayed by Untrue either. I quite like Burial's music, but for better or for worse I have a real soft spot for mood music.

pshrbrn, Wednesday, 19 December 2007 21:52 (sixteen years ago) link

I actually thought Kid A was marginally less boring than most of the other Radiohead albums from the past few years (more rhythmic and Kraut-rocky, or something.) But yeah, I'm obviously not an atmospheric mood muzik (or Radiohead) fan in general, so maybe I'm just not the right demographic for this stuff. (If anything, to be honest, I kind of hoped Burial were dubbier!)

xhuxk, Wednesday, 19 December 2007 21:56 (sixteen years ago) link

Kid A also had some, er, content. Or, at least the sonics were good/catchy/weird/interesting enough to provide an alternative for the lack of same.

Ioannis, Wednesday, 19 December 2007 22:00 (sixteen years ago) link

If you want dubbier Burial, check its first, s/t disc (which I still prefer to its latest, more UK garage/speed garage leanings).

dblcheeksneek, Wednesday, 19 December 2007 22:04 (sixteen years ago) link

For dubbier, I'd check Soul Jazz's two <I>Box of Dub</i> compilations, which have a much rootsier feel. You also might like the Skull Disco compilation, <I>Soundboy Punishments</i> (which is really 90% Shackleton productions), recently reissued in the U.S. by Rough Trade.

pshrbrn, Wednesday, 19 December 2007 22:10 (sixteen years ago) link

dubsteppier, I mean(t).

dblcheeksneek, Wednesday, 19 December 2007 22:14 (sixteen years ago) link

whoops, sorry for that poor formatting.

pshrbrn, Wednesday, 19 December 2007 22:15 (sixteen years ago) link

Plus, I have this weird idea that albums are meant to be lived with, a little; sometimes it takes more than a few months (and maybe a couple hit singles) to figure out how good an album is.

Yeah, I noticed that of my top ten albums of the year (still subject to change), eight came out in the first the first half, and none came out later than September, and I got the feeling I wasn't quite comfortable including newer albums that I haven't had as much time to digest, even if I might end up valuing them more later on.

The Reverend, Wednesday, 19 December 2007 22:16 (sixteen years ago) link

still always subject to change

The Reverend, Wednesday, 19 December 2007 22:17 (sixteen years ago) link

I love that Soundboy Punishments disc. Is that, in your view, more dubsteppier than Burial?

BTW, while I'm not crazy about Soul Jazz's Box of Dub, Vol. I and II, Vol. I did contain one of Burial's best songs, Unite.

Daniel, Esq., Wednesday, 19 December 2007 22:17 (sixteen years ago) link

possibly both dubbier and dubsteppier.

pshrbrn, Wednesday, 19 December 2007 22:18 (sixteen years ago) link

Yeah, the first Burial album is DUBstep, whereas the second is dubSTEP.

The Reverend, Wednesday, 19 December 2007 22:20 (sixteen years ago) link

If I'm voting for "I'm a Flirt (Shoreline)" how do I credit the artist? R. Kelly vs. Broken Social Scene? The Hood Internet? ABX?

jaymc, Wednesday, 19 December 2007 23:37 (sixteen years ago) link

Precedent created by votes for Freelance Hellraiser in 2002?

jaymc, Wednesday, 19 December 2007 23:42 (sixteen years ago) link

Is The Hood Internet the person who did the mashup? If so, I'd go with that. (I'd never heard of him/her until you mentioned it... I know the track thru youtube, where it's uncredited, at least the version I bookmarked is.)

sw00ds, Wednesday, 19 December 2007 23:42 (sixteen years ago) link

Anyway, it seems like the person who did the mashup would be the logical 'artist,' no?

sw00ds, Wednesday, 19 December 2007 23:43 (sixteen years ago) link

Just the man I was looking to talk to!

The Hood Internet is the mash-up project of two guys, ABX and DJ STV SLV. They're put up on the website www.thehoodinternet.com, but the link that you click to download the song mentions the individual mash-upper. Also the title of the post is ARTIST VS. ARTIST. Confusing.

jaymc, Wednesday, 19 December 2007 23:46 (sixteen years ago) link

ilx rap clique will definitely want to know about the hip-hop list at indie surfer:

15. Timbaland - Presents Shock Value
14. Aesop Rock - None Shall Pass
13. Brother Ali - The Undisputed Truth
12. Freeway - Free At Last
11. Cunninlynguists - Dirty Acres
10. El-P - I'll Sleep When You're Dead
09. Talib Kweli - Eardrum
08. Pharoahe Monch - Desire
07. Common - Finding Forever
06. Wu-Tang Clan - 8 Diagrams
05. Ghostface Killah - The Big Doe Rehab
04. Lil Wayne - Da Drought 3
03. Jay-Z - American Gangster
02. Kanye West - Graduation
01. M.I.A. - Kala

tipsy mothra, Wednesday, 19 December 2007 23:57 (sixteen years ago) link

For what it's worth, I know nothing about dubstep and I really liked the album. I think some of my enjoyment came from listening for the vocals on Archangel (like a lot of the reviews referenced) and while I was appreciating that, the music grew on me. I still can't talk about it in any meaningful way outside of my own personal reflections.

Also, what is up with Mona Lisa and Mad Hatter never being a hit? I LOVED that song.

(My little sister's bat mitzvah is next year!)

I'll post altpress/punknews/amp magazine lists when they come out.

Mordechai Shinefield, Thursday, 20 December 2007 00:04 (sixteen years ago) link

Other than the most obvious thing about putting someone who is questionably rap at number one on a list of best rap albums, there's nothing particularly wonky about that list, which isn't to say all the albums are great. If you took M.I.A. out, there would be nothing that screamed "rap list by indie dudes".

The Reverend, Thursday, 20 December 2007 00:16 (sixteen years ago) link

14. Aesop Rock - None Shall Pass
13. Brother Ali - The Undisputed Truth
11. Cunninlynguists - Dirty Acres
10. El-P - I'll Sleep When You're Dead
09. Talib Kweli - Eardrum

max, Thursday, 20 December 2007 00:17 (sixteen years ago) link

Lots of backpack dudes who don't listen to indie like those people.

The Reverend, Thursday, 20 December 2007 00:19 (sixteen years ago) link

i thot "indie dudes" meant dudes who listened to indie rap

max, Thursday, 20 December 2007 00:20 (sixteen years ago) link

(Actually, I like the El-P album, and have been meaning to hear the Kweli, and liked Brother Ali when I saw him live.)

xp: Oh, that makes sense.

The Reverend, Thursday, 20 December 2007 00:21 (sixteen years ago) link

is there an interesting hip-hop albums list anywhere? (i.e. i'm too lazy to go looking for one.) unless i'm missing it the only hip-hop on this thread is the vibe singles list.

tipsy mothra, Thursday, 20 December 2007 00:27 (sixteen years ago) link

i liked that brother ali album. i listened to it twice!

scott seward, Thursday, 20 December 2007 00:31 (sixteen years ago) link

(and i mostly thought m.i.a. was a funny rap #1. i haven't heard half the things on that list. including kanye, except the singles.)

tipsy mothra, Thursday, 20 December 2007 00:33 (sixteen years ago) link

There is considerably more hip-hop in those polls than ragas, opera, symphonic rock, Bulgarian traditional music, reggae or even rockabilly.

Geir Hongro, Thursday, 20 December 2007 00:48 (sixteen years ago) link

or even.

tipsy mothra, Thursday, 20 December 2007 00:49 (sixteen years ago) link

Fake Rockist Scientist. (xp)

The Reverend, Thursday, 20 December 2007 00:49 (sixteen years ago) link

(i'd like to see a best of '07 rockabilly list too, actually.)

tipsy mothra, Thursday, 20 December 2007 00:50 (sixteen years ago) link

Fake Rockist Scientist. (xp)

Hmph.

Rockist Scientist, Thursday, 20 December 2007 01:01 (sixteen years ago) link

ZANG?

The Reverend, Thursday, 20 December 2007 01:10 (sixteen years ago) link

the last thing on earth I want to see is an '07 rockabilly list. OK, I'm lying--I'd find it fascinating, probably.

Matos W.K., Thursday, 20 December 2007 01:14 (sixteen years ago) link

rockabilly bands have good names.

tipsy mothra, Thursday, 20 December 2007 01:18 (sixteen years ago) link

frantic frank and the flattops.

tipsy mothra, Thursday, 20 December 2007 01:18 (sixteen years ago) link

Crazy Joe & the Mad River Outlaws
The Taildraggers
Sue Moreno with Jussi Huhtakangas
Levi Dexter & The Rockats
Three Bad Jacks
Slim Jim Phantom & Eddie Angel
Buck Stevens
The Seatsniffers
The Vibro Champs
The Lucky Stars with Dave Stuckey
Charlie Thompson with the Lucky Stars

http://www.youtube.com/watch?v=X_fNnFTlNck

"NO wonder YouTube is so successful and risisng when it comes to music and radio is falling; it has what's really out there and what folks want really hear: rock-a-billy, surf...American styles essentially banned from commercial radio.

Let's hope the Internet does no go the same way as radio and televsion. Long Live YouTube!"

scott seward, Thursday, 20 December 2007 01:40 (sixteen years ago) link

i told you they had good names. jussi huhtakangas!

tipsy mothra, Thursday, 20 December 2007 01:42 (sixteen years ago) link

feel free to share some choice year-end interweb blurbs:

Justice - Cross
"I hate hate hate dance music… or, at least, I did. Something about the crop of music to come out this year has given me a second look at music to which one shakes their booty. This was one of the albums to do so. There are points where it totally gets dark and evil, like “Stress,” but “D.A.N.C.E.” is such a boogie down, feel good song that i can’t help but get it on - much to the shagrin of my co-workers."

scott seward, Thursday, 20 December 2007 01:44 (sixteen years ago) link

did anyone post ABC News top 50(!!!):

http://abcnews.go.com/Entertainment/FallConcert/story?id=3999759&page=1

scott seward, Thursday, 20 December 2007 01:46 (sixteen years ago) link

that list's not half bad!

J0rdan S., Thursday, 20 December 2007 01:47 (sixteen years ago) link

THE SHAGRIN!!!

The Reverend, Thursday, 20 December 2007 01:48 (sixteen years ago) link

It's like a cross between Boogie Down Productions, Bjork, and the Slits with an Eastern twist.

The Reverend, Thursday, 20 December 2007 01:49 (sixteen years ago) link

Except their number 1 was actually released in 2006

micarl, Thursday, 20 December 2007 01:50 (sixteen years ago) link

never heard of rough trade's number one:

http://www.roughtrade.com/site/content.lasso?page=top100_2007.html

scott seward, Thursday, 20 December 2007 01:52 (sixteen years ago) link

this page has too many lists:

http://www.largeheartedboy.com/blog/archive/2007/11/2007_online_bes.html

like four zillion lists.

scott seward, Thursday, 20 December 2007 01:54 (sixteen years ago) link

Wow, the blurbs on the ABC list are just chock-full of chestnuts.

The Reverend, Thursday, 20 December 2007 01:56 (sixteen years ago) link

When the Beastie Boys' instrumental album "The Mix Up" came out, it was painfully obvious to distinguish the true hipsters from the poseurs. The poseurs were the ones who pretended they had been Beastie Boys fans all along and then said things like, "Get this. They actually play instruments on this record!" The hipsters knew that the Beasties were not merely rappers. After all, they began as a hardcore punk group in 1982, and then slowly morphed into the rap-trio we met four years later of "Licensed To Ill." (Trivia fact ? Their original drummer was Kate Shellenbach who was later a member of Luscious Jackson.) Anyone who listened to the Beasties' nineties output would know that there were three sides to their sound: The hip-hip side, the hardcore side and the instrumental funk side. "The Mix Up" is all about the instrumental funk. With longtime keyboardist Money Mark by their side, they rip through a groovy 12 song set. Yes, it's not the tightest sounding record, but is that always important. "Suco de Tangerina" sounds like Henry Mancini on a pseudo-Latin side-trip, and "The Gala Event" is both ominous and cool. All the naysayers should keep quiet. It's cool that this record even exists. Name another group who would take such a bold chance and test their range like this. This is a great soundtrack for relaxing on a sunny Sunday afternoon.

The Reverend, Thursday, 20 December 2007 01:58 (sixteen years ago) link

it was painfully obvious to distinguish the true hipsters from the poseurs.

Does not compute.

Mordechai Shinefield, Thursday, 20 December 2007 02:04 (sixteen years ago) link

That Alela Diane record sounds interesting, as long as she doesn't actually "sing" like Joanne Newsom.

Dingbod Kesterson, Thursday, 20 December 2007 08:30 (sixteen years ago) link

ok i watched that green bay rockabilly clip and it's sort of great. the live sound via youtube makes it sound like times new viking, or bad reception late at night. (which i guess is sort of what times new viking sounds like.) like it's but breaking up in the atmosphere.

tipsy mothra, Thursday, 20 December 2007 09:00 (sixteen years ago) link

(i'd correct that last sentence but i'm not sure how.)

tipsy mothra, Thursday, 20 December 2007 09:01 (sixteen years ago) link

Here's the first four genre lists. I felt too tired when I turned the page over to find another seven to do those as well, so Global, Hiphop, Jazz & Improv, Modern Composition, Outer Limits, Reissues and Compilations will have to follow later.

Avant Rock

Sir Richard Bishop - Polytheistic Fragments (Drag City)
Loren Connors - The Hymn Of The North Star (Family Vineyard)
Ghost - In Stormy Nights (Drag City)
High On Fire - Death Is This Communion (Relapse)
Kousokuya - Ray Night (Ray Night Music)
Liars - Liars (Mute)
Mouthus - Saw A Halo (Load)
MV & EE With The Bummer Road - Green Blues (Ecstatic Peace)
Six Organs Of Admittance - Shelter From The Ash (Drag City)
Yellow Swans - At All Ends (Load)

Critical Beats

Benga - Crunked Up (Tempa)
Blackdown & Dusk - The Blitz (Keysound)
The Bug Featuring Flowdan - Skeng (Hyperdub)
Durrty Goodz - Axiom EP (No Label)
Petre Inspirescu - TIPS (Cadenza)
Junior Boys - Like A Child (Carl Craig Remix) (Domino)
Kalabrese - Rumpelzirkus (Stattmusik)
Thomas Melchior - No Disco Future (Perlon)
Shackleton - Blood On My Hands (Ricardo Villalobos Apocalypso Now Mix) (Skull Disco)
Skull Disco - Soundboy's Ashes Get Chopped Up And Snorted (Skull Disco)

Dub

Bullwackies Allstars - Free For All (Wackies)
Disrupt - Foundation Bit (Werk)
D-Roy Band - Mawamba Dub (D-Roy/Badda Music)
Keith Hudson - Nu Skin Up (Pressure Sounds)
Kiddus I - Rockers: Graduation In Zion (Dub Store)
Carlton Patterson Meets King Tubby - Black And White In Dub (Hot Pot)
Lee Perry & The Upsetters - Ape-ology (Trojan)
The Revolutionaries - Drum Sound: More Gems From The Channel One Dub Room 1974-1980 (Pressure Sounds)
King Tubby Meets Aggrovators - At Dub Station (Trojan)
Wailing Souls - Classic Cuts 1978-1984 (Greensleeves)

Electronica

Deepchord Presents Echospace - The Coldest Season (Modern Love)
Thomas Fehlmann - Hönigpumpe (Kompakt)
Fennesz & Sakamoto - Cendre (Touch)
Giuseppe Ielasi - August (12K)
Murcof - Cosmos (Leaf)
September Collective - All The Birds Were Anarchists (Mosz)
Signal - Robot (Raster-Noton)
Andy Stott - Fear Of Heights EP (Modern Love)
Underground Resistance - Electronic Warfare 2.0 (Underground Resistance)
Uusitalo - Karhunainen (Huume)

krakow, Thursday, 20 December 2007 11:17 (sixteen years ago) link

http://community.livejournal.com/leakage_channel/401801.html

gr8080, Thursday, 20 December 2007 11:24 (sixteen years ago) link

Another 5 of The Wire's 2007 genre lists

Global

Tony Allen - Moyege (Mark Ernestus Mix) & Ole (Moritz Von Oswald Mix) (Honest Jons)
Bob Brozman - Lumiere (Riverboat)
Extra Golden - Hera Man Nono (Thrill Jockey)
Group Doueh - Guitar Music From The Western Sahara (Sublime Frequencies)
Group Ineane - Guitars From Agadez (Sublime Frequencies)
Abdel Hadi Halo & The El Gusto Orchestra Of Algiers - Abdel Hadi Halo & The El Gusto Orchestra Of Algiers (Honest Jons)
Getatchew Mekuria & The Ex & Guests - Moa Anbessa (Terp)
Mohammed Jimmy Mohammed - Hulgizey: Always, Forever (Terp)
Omar Souleyman - Highway To Hassake: Folk And Pop Sounds Of Syria (Sublime Frequencies)
Rachid Taha - Diwan 2 (Wrasse)

Hiphop

Black Milk - Popular Demand (Fat Beats)
Coughee Brothaz - Waitin' Our Turn (Coughee Brothaz Entertainment)
Devin The Dude Featuring Snoop & Andre 3000 - What A Job (Rap-A-Lot)
Flying Lotus - Reset EP (Warp)
Jay-Z - American Gangster (Roc-A-Fella)
Lil' Wayne - Da Drought 3 (Mixtape) (No Label)
7L & RaZor - Bladerunners (Five Day Weekend)
Shape Of Broad Minds - Craft Of The Lost Art (Lex)
Trim - Soulfood Vol 2 (No Label)
UGK Featuring OutKast - International Players Anthem (Ear 2 Da Street)

Jazz & Improv

Derek Bailey - Standards (Tzadik)
Anthony Braxton - 9 Compositions (Iridium) 2006 (Firehouse 12)
John Butcher - The Geometry Of Sentiment (Emanem)
Peter Evans Quartet - Peter Evans Quartet (Firehouse 12)
Susie Ibarra's Electric Kulintang - Dialects (PR)
The Necks - Townsville (RER)
William Parker & Hamid Drake - Piercing The Veil (AUM Fidelity)
Cato Salsa Experience/The Thing/Joe McPhee - Two Bands And A Legend (Smalltown Superjazzz)
Matthew Shipp - Piano Vortex (Thirsty Ear)
David S Ware Quartet - Renunciation (AUM Fidelity)

Modern Composition

Earle Brown - Tracer (Mode)
Philip Corner - Extreme Positions (New World)
Morton Feldman - String Quartet No 1 (Hat Art)
Morton Feldman - Three Voices (Col Legno)
Jonathan Harvey - Angels (Soupir Editions)
Jonathan Harvey - Choral Music (Soupir Editions)
Tim Hodgkinson - Sketch Of Now (Mode)
Mauricio Kagel - Quirinus' Liebeeskuss (Winter & Winter)
Karlheinz Stockhausen - Stimmung (Harmonia Mundi)
Charles Wuorinen - Cyclops 2000/A Reliquary For Igor Stravinsky (London Sinfonietta)

Outer Limits

Astral Social Club - Neon Pibroch (Important)
Axolotl - Memory Theatre (Important)
Eyes And Arms Of Smoke - A Religion Of Broken Bones (Cenotaph)
Henry Flynt - Nova'Billy (Locust)
Ben Frost - Theory Of Machines (Bedroom Community)
Moha! - Norwegianism (Rune Grammofon)
Charlotte Moorman - Cello Anthology (Alga Marghen)
Charlemagne Palestine - The Golden Mean (Shiin)
RST - Other Machines (Celebrate Psi Phenomenon)
Stephen Vitiello - Listening To Donald Judd (Sub Rosa)

krakow, Thursday, 20 December 2007 11:55 (sixteen years ago) link

That Derek Bailey album was pretty bitchin. I'm surprised no one has hyped Basya Schechter on any of the Global/World Beat lists. Haran was a great album.

Mordechai Shinefield, Thursday, 20 December 2007 12:02 (sixteen years ago) link

That Rachid Taha disc was very good, but it was definitely an 06 release.

Daniel, Esq., Thursday, 20 December 2007 13:04 (sixteen years ago) link

I think it came out in November though, or anyway, some time late in the year. I liked it initially, but I can't take his singing on the more challenging material. His lack of technique doesn't work for me on songs originally written for classicaly trained singers, but the more street things sound fine. Also, the orchestra/band backing him up is excellent. But you can't just croak out songs like "Gana el Hawa."

Rockist Scientist, Thursday, 20 December 2007 13:08 (sixteen years ago) link

Jesu's "Conqueror" is on way fewer lists than I expected, especially given the midyear kudos it received. And the fact that it was probably grower of the year for me.

Usual Channels, Thursday, 20 December 2007 13:43 (sixteen years ago) link

I can't take his (Taha's) singing on the more challenging material. His lack of technique doesn't work for me on songs originally written for classicaly trained singers

Rani is fire, though.

Daniel, Esq., Thursday, 20 December 2007 13:45 (sixteen years ago) link

The hip-hip side, the hardcore side and the instrumental funk side.

http://www.nndb.com/people/185/000098888/rivers-cuomo-1-sized.jpg

jon /via/ chi 2.0, Thursday, 20 December 2007 13:48 (sixteen years ago) link

Yeah, "Rani" is one of my favorite tracks on the album.

Rockist Scientist, Thursday, 20 December 2007 13:58 (sixteen years ago) link

Man, I just grabbed Burial's album from a friend, and it's amazingly boring. It's totally reminiscent of the illbient stuff from the late '90s, and doesn't seem to have any variation in rhythm or anything. It's all slow, treated vocals and background washes of synth strings—what do so many people like about this? It just feels like safe wallpaper music, and not anything I can imagine putting on an end of year list. I thought that dubstep was supposed to at least have some relation to a dancehall or something that MOVED.

I eat cannibals, Thursday, 20 December 2007 18:30 (sixteen years ago) link

Arguments like that are Tricky to pull off.

Dimension 5ive, Thursday, 20 December 2007 18:31 (sixteen years ago) link

what do so many people like about this?

i've given it some thought and i think what i like about it is the slow, treated vocals and the background washes of synth strings, and that it's reminiscent of the illbient stuff from the late '90s.

blueski, Thursday, 20 December 2007 18:33 (sixteen years ago) link

harharhar...

xp

Ioannis, Thursday, 20 December 2007 18:34 (sixteen years ago) link

where's the rebop?

Ioannis, Thursday, 20 December 2007 18:34 (sixteen years ago) link

good post about 'Untrue': http://freakytrigger.co.uk/ft/2007/11/burial-untrue/

blueski, Thursday, 20 December 2007 18:35 (sixteen years ago) link

It's totally reminiscent of the illbient stuff from the late '90s

Ha, I was listening to Burial the other day, and it made me want to put on this:

http://www.trip-hop.net/images/jacquettes/big/703.jpg

jaymc, Thursday, 20 December 2007 18:35 (sixteen years ago) link

"i've given it some thought and i think what i like about it is the slow, treated vocals and the background washes of synth strings, and that it's reminiscent of the illbient stuff from the late '90s."

Ugh. It makes me feel like I'm in a GAP. And the fucking rain sounds brought in? The whole thing reeks of pretension and bad sex.

I eat cannibals, Thursday, 20 December 2007 18:58 (sixteen years ago) link

Dude what is more rock and roll than pretension and bad sex?

Dimension 5ive, Thursday, 20 December 2007 19:00 (sixteen years ago) link

(I haven't heard Burial, and I don't really care to.)

Dimension 5ive, Thursday, 20 December 2007 19:00 (sixteen years ago) link

how often does it rain in a GAP anyway?

blueski, Thursday, 20 December 2007 19:04 (sixteen years ago) link

It's hard to keep up on everything. Are there any J-pop lists out there, or South African kwaito ones? I need more gatekeepers I admit, and need to find more streaming sources or something. The Wire 'Global' list does not go beyond the standard stuff I would expect from them, and my list similarly contains Malian and Senegalese stuff promoted in the US and Uk. Despite the internet, unless some 'global' releases from certain genres of music get US or UK releases and are marketed in those places, these genres get lost in these end of the year polls.

curmudgeon, Thursday, 20 December 2007 19:23 (sixteen years ago) link

"how often does it rain in a GAP anyway?"

Not nearly as often as fake rain sounds are piped in. Burial is the most boring combination of New Age and dubstep imaginable.

I eat cannibals, Thursday, 20 December 2007 19:33 (sixteen years ago) link

i'm curious what you mean by "safe" in the above. where is it written that music is always supposed to be, like, "dangerous"? i thought obligatory rock'n'roll rebellion was jan wenner's territory?

pshrbrn, Thursday, 20 December 2007 19:36 (sixteen years ago) link

"It's hard impossible to keep up on everything."

Can we all just agree on that and be done with it?

Ned Raggett, Thursday, 20 December 2007 19:45 (sixteen years ago) link

On that note, I've been meaning to ask -- are comments like these ones below meant to be jokes? Because if not, they reallly, really bug me. (I mean, there are hundreds of good albums that aren't on any lists above. Yes, your favorite record is not everybody else's favorite record.) But if they're meant to be funny, never mind.

There's starting to be a disturbing lack of Hissing Fauna appreciation

too many lists are ignoring apparat and mary timony

xhuxk, Thursday, 20 December 2007 19:54 (sixteen years ago) link

hey stever, one of the records that might still be on my list is one that is only available in ethiopia -- good thing i was there this summer to pick it up for 250 birr! but i think there's a better chance that my "token" african record will be vusi mahlasela, which i only learned about through global rhythms' cover story. great freakin' record, folk and boogie and classic rock.

Dimension 5ive, Thursday, 20 December 2007 19:58 (sixteen years ago) link

without hearing tinawaren or youssou n'dour, I could easily make a pretty good african top ten.

Dimension 5ive, Thursday, 20 December 2007 20:02 (sixteen years ago) link

"i'm curious what you mean by "safe" in the above. where is it written that music is always supposed to be, like, "dangerous"? i thought obligatory rock'n'roll rebellion was jan wenner's territory?"

I mean artistically safe, I mean "not taking chances," and "no real risks, no real rewards," safe. But hey, feel free to pretend that everyone who doesn't like something you do is one of those dangerous Rockists we've all heard so much about.

I eat cannibals, Thursday, 20 December 2007 20:07 (sixteen years ago) link

here are three more RA polls

<a href=http://www.residentadvisor.net/feature-read.aspx?id=867>;Top 5 Remixes</a>
<a href=http://www.residentadvisor.net/feature-read.aspx?id=869>;Top 10 labels</a>
<a href=http://www.residentadvisor.net/feature-read.aspx?id=866>;Top 10 albums</a>

good dog, Thursday, 20 December 2007 20:09 (sixteen years ago) link

lol

J0rdan S., Thursday, 20 December 2007 20:11 (sixteen years ago) link

i finally manage to log in after 6 months of this nu-ILX business and it doesn't do HTML

good dog, Thursday, 20 December 2007 20:12 (sixteen years ago) link

On that note, I've been meaning to ask -- are comments like these ones below meant to be jokes? Because if not, they reallly, really bug me.

kornrulez69 did it for the lulz. These others, not so much.

The Reverend, Thursday, 20 December 2007 20:17 (sixteen years ago) link

http://singingfool.com/photos/695/029208_21.jpg

IF THEY ASK YOU WHY WE DID IT, HEY! WE DID IT FOR LULZ

Alex in Baltimore, Thursday, 20 December 2007 20:22 (sixteen years ago) link

haha

The Reverend, Thursday, 20 December 2007 20:28 (sixteen years ago) link

Here is Simon Reynolds, in his Idolator essay last year:

What's striking about all these genres is that they're not just unpop, they're anti-pop. Rejecting the pop principles of accessibility and instantness, they're hard to find and hard to get into. Noise, dubstep, and extreme metal are also hard sounding, mixing varying degrees of aggression and abstraction, physical impact and structural convolution. Ideologically, they are ultra-rockist, cherishing a trinity of interlocking values—difficulty, danger, darkness—and fervently upholding the ideal of underground versus mainstream.

(later):

there's been a return to a default-mode rockism that prizes substance, complexity, edge. If TV on the Radio and Joanna Newsom represent the beguiling, easy-on-the-ear version of those values, those looking for a harder hit are turning to metal, dubstep, noise. There's much to admire about those renegade genres: the seriousness, the earnest aspiration to innovate and overwhelm, the sheer strenuousness and commitment entailed in being a fan.

And Burial's shadowy photo was at the top of the piece. So it was a little weird to finally hear music by the guy, and to find out it was just pleasantly "dark" background mood schlock, not especially difficult or dangerous or substantive or complex or edgy or hard or innnovative in any way I could determine. If people had been telling me that all along (and if the mood music struck me as remotely distinctive, or beautiful), maybe I'd get it. (Maybe people were saying that, though, and I just didn't read them. It's not like I went out of my way to read Burial reviews, and Simon's opinions aren't always everybody else's -- and anyway, I guess he's actually talking about the whole dubstep genre, above, not Burial per se'. But for whatever reasons, I was still expecting, and hoping for, way more than I wound up getting with the music.)

xhuxk, Thursday, 20 December 2007 20:31 (sixteen years ago) link

(Er, actually, that was a Pazz & Jop essay, not an Idolator essay.)

xhuxk, Thursday, 20 December 2007 20:32 (sixteen years ago) link

<I>I mean artistically safe, I mean "not taking chances," and "no real risks, no real rewards," safe.</i>

But these phrases are all so cliched, and I think you could easily apply them to ANY music you felt wasn't taking the chances YOU wanted it to. By your suggestion that Burial is "wallpaper" music I suspect you want it to be more aggressive, perhaps. But I don't think that making melancholic, even "pretty" music necessarily has to be safe.

I don't think Burial's music is perfect, in the slightest, so I don't mean for my reply to be taken as a blanket defense of him. Perhaps more than anything else I appreciate it on a technical level ("how'd he get those hi-hats to do that?") but I am also moved emotionally by it. Anyway, forgive the snarkiness of the Jan Wenner comment; I just would like to see the terms like "safe" unpacked a bit more, because they're thrown around so casually as to be all but meaningless. Your use of it says more to me about your mindset than it does the music in question.

pshrbrn, Thursday, 20 December 2007 20:33 (sixteen years ago) link

Sadly, most dubstep hasn't held up to the rhetoric of danger that was used to prop it up.

pshrbrn, Thursday, 20 December 2007 20:34 (sixteen years ago) link

(Which I suppose makes sense, following in a long tradition of UK breakbeat genres that were supposed to be really scaaaaary -- hello, tech-step -- but quickly calcified into a pretty conventional set of tropes.)

pshrbrn, Thursday, 20 December 2007 20:35 (sixteen years ago) link

I think a far more genuine take on dubstep's "darkness" is supplied by Skull Disco, who appropriate a Pushead-style cartoon gore aesthetic; you can't quite take the gloom seriously. (For my money, they're also just about the most interesting dubstep out there, and getting moreso, though they're also moving away from the genre.)

pshrbrn, Thursday, 20 December 2007 20:39 (sixteen years ago) link

appleblim - vansam for the win!

good dog, Thursday, 20 December 2007 20:42 (sixteen years ago) link

Chuck what phil is implying is correct: don't bother with persevering with dubstep for frights.

The tying in of dubstep with hardness, darkness etc. is very much a latterday thing - dubstep itself was pretty much bass-heavy mood music for a long time. It's only since parts of it have gotten very shrill and cliche-dystopian in the last two years or so that these ideas have started floating around, more as some sort of ideological compensation for the sonic paucity. At least techstep actually was dark and scary and good all at once for about 18 months or so.

The link that Burial has to Simon's overall argument has more, I think, to do with the overacted seriousness of its pleasure - it's the staged refusal of any moments of lightheartedness or even any bouncy intensity that can give Burial that "schlocky" feel. This is why he reminds me so much of the DJ Shadow's The Private Press, an album that I very much like because of its schlockiness, so I'm not trying to criticise Burial in saying this. Perhaps for me Burial only works insofar as it is a schlocky exercise, and I think there's a sense to which his own commentary on his music implies this. This is why there can be such a disconnect between Burial's music and Burial-crit, most of which tries to tie his overt melodrama into some overarching aesthetic of authentic emotions... Burial as the streets' own traumatised memory bank etc. etc. ad nauseum.

Tim F, Thursday, 20 December 2007 20:55 (sixteen years ago) link

Private Press is pretty playful (at times)!

Jordan, Thursday, 20 December 2007 20:58 (sixteen years ago) link

Yeah hence the "much of" - ignore the uptempo tracks and focus on "You Can Never Go Home Again" etc. and the comparison survives.

Tim F, Thursday, 20 December 2007 21:00 (sixteen years ago) link

Just to clarify, Tim, you're saying that the 'streets' trope is a critical one vs. whatever it is Burial thinks about his own music, etc.? At least that's how I'm seeing it.

Ned Raggett, Thursday, 20 December 2007 21:00 (sixteen years ago) link

No Burial himself uses this kind of language as well, but I think he's a bit more self-aware and erm proportionate in how he explains what he's doing vis a vis the music he draws on.

Tim F, Thursday, 20 December 2007 21:01 (sixteen years ago) link

I made a compilation for a friend about a year ago "explaining" Burial - I put on some 2-step and "We Need A Resolution" and then stuff which i thought kind of captured what he then does to this source material - the key stuff being Shadow, Tricky's "Broken Homes" (he even has a track called "Broken Home") and Donnacha Costello's "Dry Retch", which is the closest thing i've found to his cumulus cloud synth work. Oh and the Vladislav Delay remix of Rhythm & Sound.

Tim F, Thursday, 20 December 2007 21:04 (sixteen years ago) link

I always wonder about the use of 'the streets' in these contexts, but to me it's interesting because dubstep in general specifically always suggests a wet-from-rain London street corner waiting-for-the-late-bus feeling. Melancholic but not threatening, and definitely not a sign of its being real as such except by implication, ie, "Damn, it's cold and I'd rather be home."

Ned Raggett, Thursday, 20 December 2007 21:05 (sixteen years ago) link

Hmm that take is quite similar to Tom's piece linked above (which is excellent - check it out if you haven't already) - at least as applied to Burial.

Dubstep doesn't really have much to do with "the streets" as far as I can tell (though as I'm over here in Australia I probably shouldn't presume to judge) - a lot of the crit around it is somewhat caught up in that methodology though. I think this will probably change though as the dubstep audience progressively morphs into a pollywog-style post-breakbeat audience who really don't give two shits about grime (whence all the street-talk came). It's a kind of a bemusing process for me to watch though, if only because my position is even more antiquarian (basically that OG 2-step was not only some kind of aesthetic pinnacle, but also a kind of standard against which critics should hurl their clunky crit concepts as a kind of testing ground).

Tim F, Thursday, 20 December 2007 21:13 (sixteen years ago) link

We can't have you be old, Tim, it's just not on. And yes, been meaning to check out that FT piece...

Ned Raggett, Thursday, 20 December 2007 21:14 (sixteen years ago) link

I def. think you're on the right track in terms of questioning these too-easy critical manoeuvres.

Tim F, Thursday, 20 December 2007 21:18 (sixteen years ago) link

Well, it feels terribly exhausted on a *wide* variety of levels to talk about music's 'realness' in an era of widespread availability that, while arguably limited first and foremost to a certain economically-viable subset of folks worldwide (ie, the time and money and security to be able to randomly download and talk about whatever), is still in more of a flux state in the -- very short! -- history of recorded music than ever. If that makes any sense. The decoupling of artifact and content makes for randomness beyond anyone's imaginings because it wasn't fully understood until we were all well in it, random Wired and Mondo 2000 fever dreams aside.

Ned Raggett, Thursday, 20 December 2007 21:22 (sixteen years ago) link

I think that's a tempting concept from the perspective of an internet music omnivore, but it feels a little, I don't know, co-optive? It may not take long before the world knows about any given little regional scene these days, but that doesn't mean that there aren't aspects that only make sense at ground level.

Jordan, Thursday, 20 December 2007 21:30 (sixteen years ago) link

Entirely true, which is where I think the matter of projection as to what that ground level 'really' is from the omnivorous standpoint (and my quote abuse is noted but I'm trying to foreground the point) comes in even more strongly than ever.

Ned Raggett, Thursday, 20 December 2007 21:36 (sixteen years ago) link

"I think that's a tempting concept from the perspective of an internet music omnivore, but it feels a little, I don't know, co-optive? It may not take long before the world knows about any given little regional scene these days, but that doesn't mean that there aren't aspects that only make sense at ground level."

This is correct, but does it really apply to Burial? Burial's music strikes me as stuff that probably makes more sense to internet music omnivores than anyone else!

Tim F, Thursday, 20 December 2007 21:38 (sixteen years ago) link

Yeah, totally, I wasn't talking about Burial specifically.

Jordan, Thursday, 20 December 2007 21:41 (sixteen years ago) link

The last of The Wire's lists

Compilations

Achilifunk: Gipsy Soul 1969-1979 (Lovemonk)
After Dark (Italians Do It Better/Troubleman)
DJ Dixon: Body Language Vol 4 (Get Physical)
Box Of Dub: Dubstep And Future Dub (Soul Jazz)
Brazil 70: After Tropicalia: New Directions In Brazilian Music In The 1970s (Soul Jazz)
Broken Flag: A Retrospective 1982-1985 (Vinyl On Demand)
Cries From The Midnight Circus: Ladbroke Grove 1967-1978 (Castle)
Doom & Gloom: Early Songs Of Angst And Disaster 1927-1945 (Trikont)
LARM: From Mouth Cavity To Laptop (Kning Disk)
Mute Audio Documents 1978-1984 (Mute)
Psychedelic Phinland: Finnish Hippie And Underground Music 1967-1974 (Love)
Remove Celebrity Centre (Junior Aspirin)
Savage Pencil Presents Lion Vs Dragon In Dub (Trojan)
Silver Monk Time: A Tribute To The Monks (Play Loud!)
Skull Disco: Soundboy Punishments (Skull Disco)

Reissues

Neil Campbell - SOL POWR (Mundane Music)
Miles Davis - The Complete On The Corner Sessions (Sony)
Vladislav Delay - Multila (Huume)
Fairport Convention - Liege And Lief (Island)
Noah Howard - The Black Ark (Bo'weavil)
Keith Hudson - Brand (Pressure Sounds)
Annea Lockwood - Early Works 1967-82 (EM)
Ju Suk Reet Meate - Solo 78/79 (De Stijl)
Nico - The Frozen Borderline: 1968-1970 (Rhino)
Daphne Oram - Oramics (Paradigm)
Pentangle - The Time Has Come (Castle)
Eliane Radigue - Jetsun Mila (Lovely Music)
Terry Riley - Music For The Gift (Elision Fields)
Terry Riley - Poppy Nogood And The Phantom Band All Night Flight (Elision Fields)
Seefeel - Quique Redux Edition (Too Pure)
Sly & The Family Stone - There's A Riot Goin' On (Epic)
Sun Ra - Strange Strings (Atavistic Unheard Music Series)
Sun Ra - The Complete Disco 3000 Concert (Art Yard)
Young Marble Giants - Colossal Youth (Domino)

Phew, that was a good lot of typing practice today.

krakow, Thursday, 20 December 2007 21:55 (sixteen years ago) link

"But these phrases are all so cliched, and I think you could easily apply them to ANY music you felt wasn't taking the chances YOU wanted it to. By your suggestion that Burial is "wallpaper" music I suspect you want it to be more aggressive, perhaps. But I don't think that making melancholic, even "pretty" music necessarily has to be safe."

Yes, of course it could apply to any music that wasn't taking the chances I wanted it to. Just like saying something is boring means that I found it boring. Isn't this "subjective crit" 101?

Two things: First, I don't think that melancholic, pretty music has to be safe, which is why Burial disappointed me—it is melancholic and pretty music that IS safe. Second, by saying "wallpaper music," I meant that it seems best suited to atmospherics, and not to active listening.

There's nothing in it that surprises me, that makes me take more notice, that draws me further in—it seems remarkably flat, sonically, despite the obvious care in layers. Sure, it feels like waiting for a bus in the rain, but waiting for a bus in the rain is boring enough that I don't need a record to take me back to that.

I think I'd be happier with it if it removed all of what sounds, to my ear, like cliched dubstep rhythm tracks, and just left the washes of sound—at least then, I wouldn't have to wade through a tacked-on vestigial pseudo-techno to get to what's pretty (and even then, I'd have a hard time recommending it for repeat listens).

And regarding Burial and omnivores, I kind of feel like that's part of the disappointment for me—there are so many other options that are more in line with what I want out of music (novelty and depth?) that I just don't get why this one has been singled out since it doesn't seem to have any of that.

The age of internet omnivores means that I'm too used to having my mind blown to listen to stuff that doesn't connect.

As an aside, for me, reading the criticism around it feels like when Is This It came out and everyone got a hardon for the Strokes, but at least with the Strokes I could understand that there were decent songs there (just nothing that ever whipped me up into the same frenzy).

I eat cannibals, Thursday, 20 December 2007 22:02 (sixteen years ago) link

"how'd he get those hi-hats to do that?"

this is really all i want to know about burial.

Jordan, Thursday, 20 December 2007 22:04 (sixteen years ago) link

Oh, and thanks for that link to Skull Disco—I'm really enjoying the free mix they had up on their front page. It's pretty much what I hoped Burial would sound like (even though I probably wouldn't put something like this at my #1 slot or anything).

I eat cannibals, Thursday, 20 December 2007 22:27 (sixteen years ago) link

see that makes more sense! i like yr comment about waiting for the bus. didn't mean to come off wrong, i just thought "safe," as shorthand, wasn't saying much.

did you get that skull disco mix to download? i haven't managed to. weird.

pshrbrn, Thursday, 20 December 2007 22:33 (sixteen years ago) link

"didn't mean to come off wrong, i just thought "safe," as shorthand, wasn't saying much."

Oh, yeah, that's totally fair—it wasn't saying very much. And apologies for getting snippy, sometimes everything on ILX feels like sniping, and it gets my back up.

The Skull Disco was working at 1:30 PST, with nary a hiccup. Saved it, imported it, enjoyed it.

I eat cannibals, Thursday, 20 December 2007 22:51 (sixteen years ago) link

Breaking news. . . NPR "All Songs Considered" listeners pick the best albums of 2007 (and yes 15 was missing from the listing I cut and pasted):

25. Artist: Rilo Kiley
Album: Under the Blacklight

24.Artist: Lily Allen
Album: Alright, Still

23.Artist: Tegan and Sara
Album: Con

22.Artist: Beirut
Album: Flying Club Cup

21Artist: Ryan Adams
Album: Easy Tiger

20.Artist: Okkervil River
Album: The Stage Names

19.Artist: Josh Ritter
Album: Historical Conquests of Josh Ritter

18.Artist: Bright Eyes
Album: Cassadaga

17.Artist: Band of Horses
Album: Cease to Begin

16.Artist: Of Montreal
Album: Hissing Fauna, Are You the Destroyer?

14.Artist: The New Pornographers
Album: Challengers

13.Artist: LCD Soundsystem
Album: Sound of Silver

12.Artist: Iron & Wine
Album: Shepherd's Dog

11.Artist: Amy Winehouse
Album: Back to Black

10.Artist: Andrew Bird
Album: Armchair Apocrypha

09.Artist: The National
Album: Boxer

08.Artist: The Shins
Album: Wincing the Night Away

07.Artist: Modest Mouse
Album: We Were Dead Before the Ship Even Sank

06.Artist: Spoon
Album: Ga Ga Ga Ga Ga

05.Artist: The White Stripes
Album: Icky Thump

04.Artist: Wilco
Album: Sky Blue Sky

03.Artist: Feist
Album: Reminder

02.Artist: Arcade Fire
Album: Neon Bible

01.Artist: Radiohead
Album: In Rainbows

Rockist Scientist, Thursday, 20 December 2007 22:59 (sixteen years ago) link

Crunching the number of the individual lists of PFork writers/contributors, here's a baker's dozen of notable snubs (# of votes; ranking average):

Simian Mobile Disco: Attack Decay Sustain Release (7; 17.14)
Band of Horses: Cease to Begin (6; 10.5)
Blonde Redhead: 23 (6; 13)
Nina Nastasia & Jim White: You Follow Me (6; 13.16)
Matthew Dear: Asa Breed (6; 15)
Grinderman: Grinderman (6; 20.66)
Apparat: Walls (5; 12.4)
Klaxons: Myths of the Near Future (5; 12.81)
PJ Harvey: White Chalk (5; 12.97)
Times New Viking: Present the Paisley Reich (5; 14.4)
The Twilight Sad: Fourteen Autumns and Fifteen Winters (5; 15.4)
!!!: Myth Takes (5; 16)
Sir Richard Bishop: Polytheistic Fragments (4; 12)

Fwiw, Apparat, even with its average thinned over five votes, still outperformed listmakers Yeasayer (3; 20) and Beirut (3; 14). I dug into the individual lists' numbers because I figured there were albums/artist popular among the writers but their popularity didn't make the final cut (but nonetheless might be worth giving a shot).

dblcheeksneek, Thursday, 20 December 2007 22:59 (sixteen years ago) link

the apparat album is better than both those albums, objectively speaking

kamerad, Thursday, 20 December 2007 23:11 (sixteen years ago) link

Here's a bit more looking inside the machinations (i.e., exercised editorial discretion) of Pfork, 11 listmakers (# of votes; ranking average; poll position):

Deerhoof: Friend Opportunity (6; 12; 31)
Liars: Liars (6; 12.9; 20)
Bon Iver: For Emma, Forever Ago (6; 15.16; 29)
Dan Deacon: Spiderman of the Rings (6; 15.3; 24)
The Arcade Fire: Neon Bible (6; 17.83; 27)
Black Lips: Good Bad Not Evil (6; 18.33; 35)
Dizzee Rascal: Maths + English (5; 10.6; 49)
Les Savy Fav: Let's Stay Friends (5; 12.81; 44)
Ghostface Killah: The Big Doe Rehab (5; 14.2; 42)
Marissa Nadler: Songs III: Bird on the Water (5; 15.8; 46)
The White Stripes: Icky Thump (5; 15.82; 39)

dblcheeksneek, Thursday, 20 December 2007 23:16 (sixteen years ago) link

Crunching the number of the individual lists of PFork writers/contributors, here's a baker's dozen of notable snubs (# of votes; ranking average):

Simian Mobile Disco: Attack Decay Sustain Release (7; 17.14)
Band of Horses: Cease to Begin (6; 10.5)
Blonde Redhead: 23 (6; 13)
Nina Nastasia & Jim White: You Follow Me (6; 13.16)
Matthew Dear: Asa Breed (6; 15)
Grinderman: Grinderman (6; 20.66)
Apparat: Walls (5; 12.4)
Klaxons: Myths of the Near Future (5; 12.81)
PJ Harvey: White Chalk (5; 12.97)
Times New Viking: Present the Paisley Reich (5; 14.4)
The Twilight Sad: Fourteen Autumns and Fifteen Winters (5; 15.4)
!!!: Myth Takes (5; 16)
Sir Richard Bishop: Polytheistic Fragments (4; 12)

Fwiw, Apparat, even with its average thinned over five votes, still outperformed listmakers Yeasayer (3; 20) and Beirut (3; 14). I dug into the individual lists' numbers because I figured there were albums/artist popular among the writers but their popularity didn't make the final cut (but nonetheless might be worth giving a shot).

-- dblcheeksneek, Thursday, 20 December 2007 22:59 (19 minutes ago) Link

interesting stats. here's one omission you missed with comparable numbers:

UGK: Underground Kingz (5; 13.2)

Alex in Baltimore, Thursday, 20 December 2007 23:38 (sixteen years ago) link

i'm just guessing here, but at the top of the individual lists it says that the top 50 was culled from each writer's top 50, even though only top 25 was posted. so i guess if les savy fav was in everyone's top 50, that would propel it ahead of ugk if ugk was only in like 7 or 8 writers top 50s.

J0rdan S., Thursday, 20 December 2007 23:42 (sixteen years ago) link

My bad, I had UGK at four votes and 14.75, just ahead of Gui Boratto: Chromophobia (4; 15).

dblcheeksneek, Thursday, 20 December 2007 23:49 (sixteen years ago) link

i'm just guessing here, but at the top of the individual lists it says that the top 50 was culled from each writer's top 50, even though only top 25 was posted. so i guess if les savy fav was in everyone's top 50, that would propel it ahead of ugk if ugk was only in like 7 or 8 writers top 50s.

I think you might just be on to something there (and figured out why I majored in English and not Math)! I just sorted the top fifty vote getters (according to the posted Top 25's) and 41 of them earned "poll" positions (whereas the other (9), from my list of "snubs" probably didn't appear much/often in the 26-50 ranks we didn't see)...ahem...as interesting as all this is...anyway...

dblcheeksneek, Thursday, 20 December 2007 23:56 (sixteen years ago) link

"objectively speaking"

Jordan, Friday, 21 December 2007 01:47 (sixteen years ago) link

LQTM, too.

dblcheeksneek, Friday, 21 December 2007 01:50 (sixteen years ago) link

I won't vote as I am only now catching up on 2007 releases. :-( However if I am allowed to pick Robyn's s/t that woiuld top my list.

stevienixed, Friday, 21 December 2007 01:53 (sixteen years ago) link

Surprising (to me) non-listeds:

Mekons
Shellac
The Fall
Qui

Usual Channels, Friday, 21 December 2007 02:10 (sixteen years ago) link

not surprising to me, older bands rarely seem to do well on Pitchfork year end lists, with some exceptions (often reunions/comebacks, like Dinosaur Jr. this year).

Alex in Baltimore, Friday, 21 December 2007 02:18 (sixteen years ago) link

qui was on the rockarolla magazine list. pretty bad record though.

scott seward, Friday, 21 December 2007 02:19 (sixteen years ago) link

yea i thought the shellac record would fare better than it has in these lists. it got quite a lot of positive attention when it came out.

Mark Clemente, Friday, 21 December 2007 02:38 (sixteen years ago) link

no the field?? can anyone explain why?

Durrr Durrr Durrrrrr, Friday, 21 December 2007 08:53 (sixteen years ago) link

OK, it's the one you've all been waiting for... the Nottingham Evening Post!

1 - Radiohead, 2 - Arcade Fire, 3 - White Stripes, 4 - Bruce Springsteen, 5 - Grinderman, 6 - The Good The Bad & The Queen, 7 - Kevin Ayers, 8 - LCD Soundsystem, 9 - Kings of Leon, 10 - Nick Lowe.

mike t-diva, Friday, 21 December 2007 11:39 (sixteen years ago) link

Four of these are in my Top 50, Radiohead isn't because I'm old in my ways and I want to hear it on a Proper CD, which doesn't come out until Hogmanay, Bruce and Nick would have been in my 51-60 section if I'd done one, Stripes and Grinderman I didn't feel and Kings Of Leon I have never felt, and furthermore I now automatically think of the X-Factor.

Dingbod Kesterson, Friday, 21 December 2007 11:43 (sixteen years ago) link

That's quite a sentence.

dblcheeksneek, Friday, 21 December 2007 14:02 (sixteen years ago) link

no the field?? can anyone explain why?

karmic payback for the ridiculously high score on metacritic

blueski, Friday, 21 December 2007 14:06 (sixteen years ago) link

no the field?? can anyone explain why?

not actually that popular beyond dance critics?

Matos W.K., Friday, 21 December 2007 14:11 (sixteen years ago) link

Jordan is correct re the pitchfork albums poll.

Tim F, Friday, 21 December 2007 14:23 (sixteen years ago) link

I just hope my crate-digging intent in crunching the available Pfork numbers isn't lost in translation: I feel like I found some interesting albums in tallying discs that repeatedly made individual Top 25's but didn't make the year-end poll.

However, the list-making album(s) I'm beyond intrigued by by now is the Studio disc(s).

dblcheeksneek, Friday, 21 December 2007 14:30 (sixteen years ago) link

Studio's West Coast EP is fantastic, so I imagine the full-length (which has many of the same tracks) is just as fantastic.

BTW, Tim F.'s opening few posts on the Studio thread paint a vivid picture of how the disc sounds.

Daniel, Esq., Friday, 21 December 2007 15:20 (sixteen years ago) link

man, i've been listening to the tracks from pitchfork's 100 tracks. i can't believe my ears. so many not-so-interesting tracks. groove armada? ellis-bextor? BARR? dirty projectors? bat for lashes? magic markers? no age? old time relijun? times new viking? so this is the sound of indie rock right now? correct me if i'm way off because it's been a long time since i listened to indie stuff.

Durrr Durrr Durrrrrr, Friday, 21 December 2007 15:23 (sixteen years ago) link

dblcheeksneek, when you're done lqtying, you should check out studio, "indo" especially

kamerad, Friday, 21 December 2007 15:36 (sixteen years ago) link

I don't think those represent ''the sound of indie rock right now,'' but complaints about the supposedly tired state of ''the sound of indie rock right now'' are old as dirt (i.e., they've been around forever).

Daniel, Esq., Friday, 21 December 2007 15:37 (sixteen years ago) link

XP, obv.

Daniel, Esq., Friday, 21 December 2007 15:37 (sixteen years ago) link

Those tracks don't really represent "the sound of indie rock" at all. I don't know if you could create a representative sample of indie rock tracks in 2007, but if you could Old Time Fucking Relijun definitely would not be in the conversation.

I dunno, the non-indie rock tracks on the Pitchfork list aren't really very interesting either. There were some good albums in 2007 but it really just wasn't a great year for individual tracks.

call all destroyer, Friday, 21 December 2007 16:09 (sixteen years ago) link

That Groove Armada track is good, duke.

The Reverend, Friday, 21 December 2007 18:12 (sixteen years ago) link

between UGK and dblcheeksneek's list most of 51-60 on the p4k list are mentioned. Clientele and Menomena were also in there. We do have a slightly complicated tallying system for each list.

scottpl, Friday, 21 December 2007 18:42 (sixteen years ago) link

slightly complicated, yet evidently mostly democratic.

dblcheeksneek, Friday, 21 December 2007 19:02 (sixteen years ago) link

Boomkat's charts, inc. charts form Skull Disco, Robt Wyatt and others.

Raw Patrick, Friday, 21 December 2007 19:09 (sixteen years ago) link

actually matos, i'd suspect the field was way more popular with non-dance critics than dance critics.
and that no age is pretty great, durrr, give the album a shot.

pshrbrn, Friday, 21 December 2007 19:10 (sixteen years ago) link

that boomkat list is awesome! kind of seems what the wire's list should've been...

Mark Clemente, Friday, 21 December 2007 19:13 (sixteen years ago) link

i'd suspect the field was way more popular with non-dance critics than dance critics

Seconding Phil here.

Ned Raggett, Friday, 21 December 2007 19:19 (sixteen years ago) link

Not that I mean that as a dis. (Although I don't really see what the fuss was about, at all. That record to me feels like one half-decent idea, never fully baked, repeated over and over and over again. And no, I don't think that's what all techno (or minimal or whatever) does.)

pshrbrn, Friday, 21 December 2007 20:48 (sixteen years ago) link

That record to me feels like one half-decent idea, never fully baked, repeated over and over and over again.

yes! sometimes this half-decent idea works -- there are parts of the album i enjoy -- but most of the time it gets pretty stale quite quickly. the half-bakedness of it all really shows, i think.

Mark Clemente, Friday, 21 December 2007 20:58 (sixteen years ago) link

I actually really like it -- got on my Idolator ballot because I kept listening to it, the basic rule of thumb -- but no question it's simpler in comparison to something like, say, P***a B**r. Yet I also retain a belief than 'simpler' != 'worse.'

Ned Raggett, Friday, 21 December 2007 21:04 (sixteen years ago) link

no question it's simpler in comparison to something like, say, P***a B**r.

Arrgh.

Alfred, Lord Sotosyn, Friday, 21 December 2007 21:09 (sixteen years ago) link

Of all people to have that touch a nerve with!

Ned Raggett, Friday, 21 December 2007 21:11 (sixteen years ago) link

Prada Boar?

The Reverend, Friday, 21 December 2007 21:11 (sixteen years ago) link

They're out there, you know.

Ned Raggett, Friday, 21 December 2007 21:12 (sixteen years ago) link

No, I don't think that simpler != worse either. But I don't think that the Field is quite "simple" (to use a reductive shorthand term) enough. I'd rather listen to purer drone music (Rosy Parlane, say). I don't think the Field's sound design is terribly good, either -- those hi-hats are pure meh. Rhythmically, it's also snoozeville; I'd rather he'd left out the kick and hi-hats altogether, since all they're really doing is keeping metronomic time.

pshrbrn, Friday, 21 December 2007 21:27 (sixteen years ago) link

Rosy Parlane, say

Mmm, Rosy Parlane. I should dig those discs out, thanks for the inadvertant reminder! :-)

Ned Raggett, Friday, 21 December 2007 21:29 (sixteen years ago) link

What's annoying with The Field is that he clearly put a lot of effort into "Over The Ice" and "Things Keep Falling Down" (both of which sound really smartly constructed and effective to boot - esp. the former) but most of the new tracks on the album simply take the underlying formula to those tracks and deploy them without any extra ideas. I suppose you could say he was moving towards some idea of sonic purity, but it's not like a Basic Channel story where the simpler the grooves the more eternal and natural they sound - The Field is far too herky-jerky for that.

Tim F, Friday, 21 December 2007 21:43 (sixteen years ago) link

ned, you heard the new one on touch, right? it's luscious.

pshrbrn, Friday, 21 December 2007 21:52 (sixteen years ago) link

Yup. I think I reviewed it for the AMG, not sure.

Ned Raggett, Friday, 21 December 2007 21:52 (sixteen years ago) link

term out: arpeggiator
term in: herky-jerkiator!

blueski, Friday, 21 December 2007 22:02 (sixteen years ago) link

That Skull Disco free mix linked to above was pleasant enough but it's not making me jump up and down or smile broadly--it's just standard dub meets art disco...

curmudgeon, Saturday, 22 December 2007 00:02 (sixteen years ago) link

I reckon Skull Disco tracks work better in the mix with other stuff rather than as one big conglomerate.

Tim F, Saturday, 22 December 2007 00:04 (sixteen years ago) link

Philip/Tim OTM re: The Field. I was actually just discussing this recently in an email. It's kind of frustrating when he hits a really great initial groove (e.g. "Everyday") and then the lack of development in drum programming/sound design really start to hinder things midway through.

Michael F Gill, Saturday, 22 December 2007 00:15 (sixteen years ago) link

Gosh, I think Everyday really kicks into gear at around the 2:00 mark, just after the chopped up female vocals. I actually thought one of The Field's strengths was how he shift gears so well during a song.

Daniel, Esq., Saturday, 22 December 2007 00:21 (sixteen years ago) link

Of all people to have that touch a nerve with!

Whenever someone mentions P*7*$ B$@&* I get itchy.

Alfred, Lord Sotosyn, Saturday, 22 December 2007 01:33 (sixteen years ago) link

Comin' down to the wire for my ballot OMG, four candidates for one spot. Or maybe two spots. Ugh.

Dimension 5ive, Saturday, 22 December 2007 03:33 (sixteen years ago) link

http://sayhey.files.wordpress.com/2007/03/bwin.jpg

The Reverend, Saturday, 22 December 2007 03:42 (sixteen years ago) link

Haha I caved on Fefe Dobson after all!

Dimension 5ive, Saturday, 22 December 2007 04:42 (sixteen years ago) link

http://pages.prodigy.net/davidson.fam/in.jpg

The Reverend, Saturday, 22 December 2007 04:55 (sixteen years ago) link

hey rev are you ready for THE BIG TAKEOVER?

Dimension 5ive, Saturday, 22 December 2007 05:04 (sixteen years ago) link

i missed the jackin pop deadline. should i still submit

deej, Saturday, 22 December 2007 05:22 (sixteen years ago) link

Yes (if you still can).

The Reverend, Saturday, 22 December 2007 05:22 (sixteen years ago) link

If not, email your ballot in.

The Reverend, Saturday, 22 December 2007 05:23 (sixteen years ago) link

(and comments)

The Reverend, Saturday, 22 December 2007 05:23 (sixteen years ago) link

emailed

deej, Saturday, 22 December 2007 05:53 (sixteen years ago) link

Haha I caved on Fefe Dobson after all!

Dude?!? I just heard it for the first time yesterday--it's great!

Ioannis, Saturday, 22 December 2007 14:24 (sixteen years ago) link

In partial response to chuck's question above, Of Montreal wasn't on my list, but I was also surprised it wasn't making many lists given how much critical love I'd seen for it. Apparently that love was limited! It seemed like a whole bunch of people went "holy shit, Kevin Barnes" this year, but I guess it was all just people I knew.

Eppy, Saturday, 22 December 2007 15:08 (sixteen years ago) link

I talked about Fefe's album plenty in my comments -- not that anyone reads them, but then again I figured it wasn't like anyone else was going to vote for that album, and the five or so poor sad souls who actually care about my list will read the comments anyway so it's all good.

Of Montreal was a last-minute addition to my list; sure it's indie and fey and precious and all that, but it's pretty astounding nonetheless. I was shocked at how much a lot of those songs stuck with me. I've got emotional problems but NOT THAT BAD, DUDE. Made me feel better.

In general this year I went with shiny surfaces over tasteful tuneage. That's just the way I feel right now.

Dimension 5ive, Saturday, 22 December 2007 16:13 (sixteen years ago) link

Acts on zero out of four critics' Top 10 album lists in the NY Times: M.I.A., Miranda Lambert.

Act on four out of four critics' Top 10 album lists in the NY Times: Feist.

I wouldn't have predicted that.

xhuxk, Saturday, 22 December 2007 17:28 (sixteen years ago) link

Whoa, that's pretty freaky. What have they done with Jon Pareles?

Dimension 5ive, Saturday, 22 December 2007 20:16 (sixteen years ago) link

I'm surprised (more disappointed, I guess) that A Place To Bury Strangers self-titled debut disc didn't make anyone's Best-Of lists. I had no idea I was going to like that nu-industrial sound so much, but I was hooked as soon as those undulating guitars roared into To Fix A Gash In Your Head.

Daniel, Esq., Sunday, 23 December 2007 04:14 (sixteen years ago) link

<a href=http://www.musicomh.com/music/features/albums_review-2007_1207.htm>;<b>musicOMH</b></a>

01. LCD Soundsystem - Sound Of Silver
02. M.I.A. - Kala
03. Arctic Monkeys - Favourite Worst Nightmare
04. Radiohead - In Rainbows
05. !!! - Myth Takes
06. Arcade Fire - Neon Bible
07. Asobi Seksu - Citrus
08. The Good The Bad & The Queen - The Good The Bad & The Queen
09. Simian Mobile Disco - Attack Decay Sustain Release
10. The White Stripes - Icky Thump
11. Interpol - Our Love To Admire
12. Björk - Volta
13. Holy Fuck - LP
14. Edwyn Collins - Home Again
15. The National - Boxer
16. Justice - +
17. Rufus Wainwright - Release The Stars
18. Klaxons - Myths Of The Near Future
19. The Cribs - Men's Needs, Women's Needs, Whatever
20. Kings Of Leon - Because Of The Times

Fastnbulbous, Sunday, 23 December 2007 08:24 (sixteen years ago) link

musicOMH

Fastnbulbous, Sunday, 23 December 2007 08:25 (sixteen years ago) link

http://www.nytimes.com/2007/12/23/arts/music/23sann.html?ref=music

As Chuck noted, the NY Times critics lists are available. Here's a link to Kelefa Sanneh's. His album list includes rappers Turk Talk (from Vallejo, California; Whiney praised him over on the Snap Thread), UGK, and Project Pat; country singer Joe Nichols (the only country album listed by NY Times writers), RnR's The-Dream, plus Feist, Panda Bear, Marie Stern, and Jens Lekman.

Ben Ratliff includes Gilberto Gil's nice, mostly all acoustic effort "Gil Luminoso" that was just released in the US this year, but was actually recorded (and available elsewhere?) in 1999. Both he and Nate Chinen list Joshua Redman's "Back East." Ratliff and Pareles both list Robert Plant/Alison Krauss. Ratliff's top 5 song list includes Jesu, Spanish Harlem Orchestra, Von Sudenfed, Cafe Tacuba, and Rihanna.

Over at slate.com Fred Kaplan listed the following on his best jazz list:

Charles Mingus Sextet with Eric Dolphy, Cornell 1964 (Blue Note).
Maria Schneider Orchestra, Sky Blue (ArtistShare).
Erik Friedlander, Block Ice & Propane (SkipStone).
Anat Cohen, Poetica (Anzic).
Carla Bley, The Lost Chords Find Paolo Fresu (ECM).
Paul Bley, Solo in Mondsee (ECM).
Herbie Hancock, River: The Joni Letters (Verve).
Paul Motian, Bill Frisell, Joe Lovano, Time and Time Again (ECM).
Joe Lovano & Hank Jones, Kids: Live at Dizzy’s Coca-Cola (Blue Note).
Kendra Shank, A Spirit Free: Abbey Lincoln Songbook (Challenge

curmudgeon, Sunday, 23 December 2007 18:25 (sixteen years ago) link

That should read "R'n'b's The-Dream"

curmudgeon, Sunday, 23 December 2007 18:26 (sixteen years ago) link

I'm always mystified by the dash in The-Dream's name.

The Reverend, Sunday, 23 December 2007 23:51 (sixteen years ago) link

Me too. So Entertainment Weekly which usually lists 2 music critics top 10s just went with Chris Willman's this year. I think Chris posts some on the Rolling Country thread, although his top 10 just included one country cd--Miranda Lambert. He's got Springsteen at No. 1.

His list is excerpted on EW's website in a not easy to read fashion...
http://www.ew.com/ew/gallery/0,,20166853_9,00.html

curmudgeon, Monday, 24 December 2007 00:44 (sixteen years ago) link

Terius "The-Dash" Nash

The Reverend, Monday, 24 December 2007 00:45 (sixteen years ago) link

Jim DeRogatis’ Best of 2007 list

1. Grinderman, Grinderman
2. Glenn Mercer, Wheels in Motion
3. Tim Fite, Over the Counter Culture
4. Modest Mouse, We Were Dead before the Ship Even Sank
5. Kanye West, Graduation
6. LCD Soundsystem, Sound of Silver
7. Spoon, Ga Ga Ga Ga Ga
8. The Apples in Stereo, New Magnetic Wonder
9. Radiohead, In Rainbows
10. Air, Pocket Symphony

stephen, Monday, 24 December 2007 05:44 (sixteen years ago) link

There was alot of love for the Grinderman thing in that slate.com discussion too. I've only seen the youtube videos. Awesome guitar and Cave still doing his melodramatic vocal schtick. Ah, I still remember seeing the Birthday Party and the Fall on successive nights at the small old 930 Club in DC. Good times.

curmudgeon, Monday, 24 December 2007 16:09 (sixteen years ago) link

National Public Rado station KEXP's best hiphop 2007 list has MIA at number 1 followed by: Wu-Tang Clan; Kanye;Jay-Z; Dyme Def (Seattle trio); Ghostface Killa; Pharoahe Monch; Blue Scholars (Seattle duo); LifeSavas (Portland); and Ratatat. Hmmmmm, 3 Northwest acts...

http://www.npr.org/templates/story/story.php?storyId=17519166

curmudgeon, Monday, 24 December 2007 20:23 (sixteen years ago) link

nothing wrong with local/regional favoritism, especially in radio where it's a dying phenomenon.

Alex in Baltimore, Monday, 24 December 2007 20:24 (sixteen years ago) link

I'm not sure KEXP is an NPR station, per se--maybe it is, but I've never known of any explicit connection. At any rate, it's a Seattle station that plays a lot of local/regional stuff, so a lot of PNW stuff making it onto a list (even a rap list) isn't surprising at all.

Matos W.K., Monday, 24 December 2007 20:32 (sixteen years ago) link

Ok

curmudgeon, Monday, 24 December 2007 20:39 (sixteen years ago) link

http://www.washingtoncitypaper.com/display.php?id=34287

Washington City Paper lists

curmudgeon, Monday, 24 December 2007 20:40 (sixteen years ago) link

SOMB Top 100 Albums of 2007 - Results Thread - Sound Opinions Message Board

1 LCD Soundsystem - Sound Of Silver
2 Radiohead - In Rainbows
3 National, The - Boxer
4 Spoon - Ga Ga Ga Ga Ga
5 Arcade Fire - Neon Bible
6 Panda Bear - Person Pitch
7 Jens Lekman - Night Falls Over Kortedala
8 Kanye West - Graduation
9 Animal Collective - Strawberry Jam
10 Burial - Untrue
11 M.I.A. - Kala
12 Of Montreal - Hissing Fauna, Are You The Destroyer
13 Battles - Mirrored
14 Vampire Weekend - Blue CD-R
15 Feist - The Reminder
16 Caribou - Andorra
17 White Stripes, The - Icky Thump
18 Wilco - Sky Blue Sky
19 Dinosaur Jr. - Beyond
20 Field, The - From Here We Go Sublime
21 New Pornographers, The - Challengers
22 Akron/Family - Love Is Simple
23 Deerhunter - Crptograms
24 Modest Mouse - We Were Dead Before The Ship Even Sank
25 Stars Of The Lid - And Their Refinement Of The Decline
26 Josh Ritter - The Historical Consequences of Josh Ritter
27 Andrew Bird - Armchair Apocrypha
28 King Khan and the Shrines - What Is?!
29 Good, The Bad & The Queen, The - The Good, The Bad & The Queen
30 Iron & Wine - The Shepard's Dog
31 Liars - Liars
32 Les Savy Fav - Let's Stay Friends
33 Sunset Rubdown - Random Spirit Lover
34 Klaxons - Myths of The Near Future
35 Bright Eyes - Cassadaga
36 Besnard Lakes, The - The Besnard Lakes Are The Dark Horses
37 Okkervil River - The Stage Names
38 Alcest - Souvenirs d'un Autre Monde
39 Arctic Monkeys - Favourite Worst Nightmare
40 Shins, The - Wincing The Night Away
41 Kevin Drew - Spirit If…
42 Apples In Stereo - New Magnetic Wonder
43 Yeasayer - All Hour Cymbals
44 Blonde Redhead - 23
45 Menomena - Friend Or Foe
46 Justice - †
47 Deerhoof - Friend Opportunity
48 Super Furry Animals - Hey Venus!
49 Art Brut - It's A Bit Complicated
50 Explosions In The Sky - All Of A Sudden, I Miss Everyone
51 Beirut - The Flying Cup
52 High On Fire - Death Is This Communion
53 Witchcraft - The Alchemist
54 Field Music - Tones Of Town
55 Baroness - The Red Album
56 Wolves In The Throne Room - Two Hunters
57 Ted Leo & The Pharmacists - Living With The Living
58 Ween - La Cucaracha
59 Kings Of Leon - Because Of The Times
60 Jay-Z - American Gangster
61 Earthless - Rhythms From A Cosmic Sky
62 Studio - Yearbook 1
63 Patrick Wolf - The Magic Position
64 Sally Shapiro - Disco Romance
65 Pig Destroyer - Phantom Limb
66 Ryan Adams - Easy Tiger
67 Jesu - Conqueror
68 White Rainbow - Prism of Enternal Now
69 Thurston Moore - Trees Outside The Academy
70 Boxcutter - Glyphic
71 Band Of Horses - Cease To Begin
72 Eluvium - Copia
73 Clientele, The - God Save The Clientele
74 Blitzen Trapper - Wild Mountain
75 Fiery Furnaces, The - Window City
76 PJ Harvey - White Chalk
77 Neurosis - Given To The Rising
78 Twilight Sad, The - 14 Autumns & 15 Winters
79 Pantha Du Prince - This Bliss
80 Black Moth Super Rainbow - Dandelion Gum
81 Om - Pilgrimage
82 Queens Of The Stone Age - Era Vulgaris
83 Bill Callahan - Woke On A Whaleheart
84 Bloc Party - A Weekend In The City
85 Radical Face - Ghost
86 Durrty Goodz - Axiom EP
87 Dillinger Escape Plan - Ire Works
88 !!! - Myth Takes
89 Neil Young - Chrome Dreams II
90 Cloud Cult - The Meaning of 8
91 Stars - In Our Bedroom, After The War
92 Between The Buried And Me - Colors
93 Bruce Springsteen - Magic
94 Grinderman - Grinderman
95 Freeway - Free At Last
96 Mark Sultan - The Sultanic Verses
97 Melt-Banana - Bambi's Dilemma
98 UGK - Underground Kingz
99 Aliens, The - Astronomy For Dogs
100 Dungen - Tio Bitar

djmartian, Monday, 24 December 2007 20:51 (sixteen years ago) link

Ann Powers from that slate.com discussion with Christgau and Jody Rosen:

What Beam is chasing is pleasure—the blood rush that comes when some new wonder unfolds, whether it's a love thing, a previously unexplored backroad, or (this is pop, after all) a new commodity. Pleasure became a problem for indie rock in the 1990s; blame Kurt, blame heroin, blame political correctness, whatever, never mind. But it's totally back, from the silk-purse neo-hippiesms of freak folk (dudes, hippies get laid), to the roving house parties of CSS and Girl Talk (Paris Hilton jumped onstage during their Coachella sets—that's hot!), to the superstoner subcult that produced Pitchfork's 2007 No. 1, Panda Bear's "Person Pitch," an album that literally puts me to sleep.

And what values are expressed by the natty retro-soul scene that championed Amy Winehouse, if not the nightlife creed of boundaries crossed in the name of fun? At Winehouse producer/It Boy Mark Ronson's El Rey show last fall, Christina Aguilera and Nicole Richie hung in the VIP lounge as Ronson's interracial troupe laid down their rock-soul hybrids.

Let me get this straight. Ann wants us to believe that indie-rock in the '90s was never about "pleasure" and that now in 2007 "pleasure" is suddenly back thanks to bearded folk-rocker Iron & Wine, CSS, and Mark Ronson, and that Christina Aguilera and Nicole Richie hanging out at a Ronson gig makes a big political statement. I don't buy that overview.

curmudgeon, Monday, 24 December 2007 20:56 (sixteen years ago) link

I like the Dyme Def album.

The Reverend, Monday, 24 December 2007 21:27 (sixteen years ago) link

It's better than the Wu & Ghost albums and maybe the Jay-Z, too.

The Reverend, Monday, 24 December 2007 21:28 (sixteen years ago) link

DeRogatis and Kot both placed that Tim Fite album, which I downloaded at their behest and HATED. At least it was free!

dr. phil, Monday, 24 December 2007 21:35 (sixteen years ago) link

Geoff Himes listed Skip James style bluesman Jimmy Duck Holmes (whom I had never previously heard of) and I see Holmes also made the top 10 blues list of WXPN along with Bobby Rush, James Blood Ulmer, Marie Knight (a gospel tribute to Rev. Gary Davis), Sugar Blue, Koko Taylor, T. Williams & Wesley Jefferson (from Clarksdale, MS), Harrison Kennedy, Franklin & Baytop, and Mem Shannon. http://www.npr.org/templates/story/story.php?storyId=17095982

curmudgeon, Monday, 24 December 2007 22:17 (sixteen years ago) link

Do people really like Residente o Residente that much? There has to have been a better reggaeton (or "reggaeton") album from this year, although I'm not saying I've heard it. (Maybe Tego's or Voltio's or Casa de Leones' or Nejo & Dalmata's.)

Rockist Scientist, Monday, 24 December 2007 22:38 (sixteen years ago) link

I shouldn't complain because I'm happy that people are noticing something coming from that general direction, but I'm sure not convinced it was one of the best albums of the year.

Rockist Scientist, Monday, 24 December 2007 22:39 (sixteen years ago) link

I still think it's amazing. The Casa de Leones album might well be better, but both are great albums, and it's kind of splitting hairs at that point. (fwiw, I put Calle 13 at #2 on my Idolator ballot and CdL at #9) The Voltio album sounds great, but I only just heard it a couple days ago. The Tego album isn't as good as it seems it is, if that makes sense. Right now, I'm listening to Fusssion Musik's unreleased Transfusssion, which is kind of disappointing me because I already heard all the best songs on Danny Fornaris' myspace. But the songs I was already familiar with are killer. This is kind of a weird thing to say, but Fornaris totally has the best sound design in reggaeton.

The Reverend, Monday, 24 December 2007 22:50 (sixteen years ago) link

If you google "Transfusssion", a link to dl it is the first hit, btw. In spite of my disappointment, it's definitely worth hearing.

The Reverend, Monday, 24 December 2007 22:53 (sixteen years ago) link

Actually, the Calle 13 album was very much a grower, I think a lot of which might have to do with the slow process of picking up on the lyrics, although there were songs which came together for me musically that I didn't like at first ("El Avion Se Cae", "Uiyi Guiye").

The Reverend, Monday, 24 December 2007 22:56 (sixteen years ago) link

The Calle 13 cd has its share of cuts that don't work, but I really like the ones that do work. I continue to think that the ones that do work could appeal to folks who like electronic dance, or who like indie-rock in the LCD Soundsystem vein or even Battles math rockers.

x-post re Chicago reviewer's fave---
I don't hate Tim Fite's songs on his myspace site but they don't wow me. He's got an affected vocal style in his rapping--part alt-country Southern accent, part Springsteen trying to sound like a rapper trying to sound like Woodie Guthrie--that doesn't always work.

curmudgeon, Monday, 24 December 2007 22:59 (sixteen years ago) link

The only song that doesn't work for me at this point is the aggro one toward the end, mostly because Residente tends to ignore the beat on such songs. But your right, you could say it doesn't really work on the level of a reggaeton album per se (only three songs have dembows!), but that doesn't matter because they're pulling most of what they try off so well and it's a bit of a moot point because most reggaeton albums have their diversions, anyway.

The Reverend, Monday, 24 December 2007 23:05 (sixteen years ago) link

I think the problem with Contra-Ataca is that it's the first time that Tego sounds like he's trying. Sure Calle 13 and Fusssion Musik sound like they're trying, but that's part of they're appeal, it's what they do. Tego on the other hand, is at his best when he sounds effortless. He can't reach out, he has to bring everything to him, if that makes sense. When he does that, he shines.

The Reverend, Monday, 24 December 2007 23:10 (sixteen years ago) link

It's a decent/good album, but I don't like it as much as El Abayarde or The Underdog. (I still need to hear El Enemy de los Guasibiri.)

The Reverend, Monday, 24 December 2007 23:16 (sixteen years ago) link

I am really surprised (and amused, as I'm not a fan) that the Modest Mouse album hasn't gotten more love in these year-end lists. It was their big album with "OMG Johnny Marr with Modest Mouse!!!!!!1" which certainly generated a lot of talk, if nothing else. But the album was, well...it was dead before the ship even sank, har har.

stephen, Monday, 24 December 2007 23:20 (sixteen years ago) link

The highest I've seen Modest Mouse place was, like, #6-7-8 or something on the NPR listeners' poll. Which serves them right, they are dreadful on this record, and previously.

stephen, Monday, 24 December 2007 23:21 (sixteen years ago) link

I've only heard No Te Veo on the Casa album. Is it worth checking the rest of the thing out?

Mordechai Shinefield, Monday, 24 December 2007 23:23 (sixteen years ago) link

YES YES YES

The Reverend, Monday, 24 December 2007 23:51 (sixteen years ago) link

The whole album is that bright and sunny and joyous.

The Reverend, Monday, 24 December 2007 23:52 (sixteen years ago) link

, and hooky.

The Reverend, Monday, 24 December 2007 23:52 (sixteen years ago) link

kkk. Guess I'll go hunt it down. The best thing about living in WaHeights? Reggaeton albums sold two blocks down!

Mordechai Shinefield, Monday, 24 December 2007 23:57 (sixteen years ago) link

Bastard. I live in suburban Seattle. I've only been able to find one store with a half-decent latin selection and it recently became an FYE. We'll see how that goes.

The Reverend, Tuesday, 25 December 2007 00:03 (sixteen years ago) link

Actually, my location is more a problem as to seeing any live reggaeton than anything else. The only show I've ever noticed is Don Omar a couple months back, but tickets were $80, and there's no way in hell I'm paying that much to see Don Omar.

The Reverend, Tuesday, 25 December 2007 00:05 (sixteen years ago) link

The FYE in Philadelphia generally had/has a better Latin selection than Tower used to (not that Tower's was particularly good).

Rockist Scientist, Tuesday, 25 December 2007 00:33 (sixteen years ago) link

Sadie Dingfelder

This list is two albums short. Bands known for experimentation (such as Wilco and Radiohead) released predictable, if lovely, albums this year. As far as I know, no other artist filled that void with a startlingly original recording. So I settled for a shorter list of albums heavy on songcraft, if a little short on innovation.

That's gotta be one of the most depressing things I've read in all the year-end wrap-ups. I'm not saying anyone is required to seek out experimentalism in music. But if that's ostensibly one of the things that moves you, and you're finding it missing from your usual sources, it's really not too terribly effing hard to seek out. Christ, Thom Yorke is always going on about the acts he borrows from, and that's just for starters. Read some blogs. Subscribe to eMusic. But to play the ostrich is just... sad.

pshrbrn, Tuesday, 25 December 2007 00:55 (sixteen years ago) link

Yeah I see read those kinds of comments every year. The arts editor of Washington City Paper should fire her lazy ass. If she can't be bothered to find ten measly albums, then she's a pretty worthless music critic. There really is no excuse anymore.

Fastnbulbous, Tuesday, 25 December 2007 05:01 (sixteen years ago) link

I like the Dyme Def album. It's better than the Wu & Ghost albums and maybe the Jay-Z, too.

very much noted, thanks

Matos W.K., Tuesday, 25 December 2007 05:21 (sixteen years ago) link

Me? Liking local rap? Who knew?

Anyway, it's slightly hyphy-leaning middle-ground rap. The songs that are fun are great. The songs that aren't fun do stupid shit like sample "Let It Be".

The Reverend, Tuesday, 25 December 2007 06:05 (sixteen years ago) link

I ended up placing Calle 13 on my top ten album list because it was one of the ten best albums I heard this year.

My list of records that almost made my list: Fefe Dobson, Ike Reilly Assassination, Hiromi's Sonicbloom, Os Mutantes, Aleks Syntek, The Federation, Vusi Mahlasela, Tibebu Workye, Everybody on Dance Floor 4.0, Macy Gray, Kat DeLuna, Kelly Clarkson, Kenna.

Dimension 5ive, Tuesday, 25 December 2007 06:13 (sixteen years ago) link

I thought you loved that Ike Reilly one. Vusi's cds take awhile to grow on me. He first seems like Putumayo's ideal African artist--quiet, folky guitar strummer but then the melodies start to stick, his voice begins to demonstrate character and the rhythms appear.

curmudgeon, Wednesday, 26 December 2007 16:35 (sixteen years ago) link

I did, and do, love Ike Reilly. But I got a wild hair right at the end of the year and decided to go a different way. Consistency is a fuckin' hobgoblin, y'all.

Dimension 5ive, Wednesday, 26 December 2007 16:59 (sixteen years ago) link

And Vusi -- yeah, just suddenly realized that I didn't want anything on my list that bored me, even for a track or two. His beautiful stuff is so beautiful it hurts, and he is surprisingly peppy and uptempo most of the time, but some of those ballads weighed him down, and I wanted the Jenni Rivera and Chingo Bling albums on the list, so presto chango.

Dimension 5ive, Wednesday, 26 December 2007 17:01 (sixteen years ago) link

I'm finally getting around to listening to PTW's year-end mixtape. It's like getting a singing telegram that says, 'Remember how much you loved this song three months ago?'

fukasaku tollbooth, Wednesday, 26 December 2007 20:57 (sixteen years ago) link

afropop.org published this list of Top 10 Latin Dance from Louis Head, Ceiba Productions Southwest/KUNM-FM

AGUA DE LUNA • Mi Tiempo • Agua (original import)
The Venezuelan salsa scene is exploding. Oscar D'León has moved back home, and over ten orchestras released CDs this year on the international market. Agua de Luna’s “Agua” is exemplary and a must have.

THE SPANISH HARLEM ORCHESTRA • United We Swing • Six Degrees
Oscar Hernández took his Spanish Harlem Orchestra to new heights in 2007. My favorites are the cha-cha En El Tiempo del Palladium and “Plena con Sabor.”

HAVANA POWER BAND • Timba Y Corazón • Envidia (original import)
Just because we do not hear much Cuban music these days, don’t think for a second that the scene on the island stopped happening. Havana Power Band is the new thing in timba, and this CD kills.

RICARDO LEMVO & MAKINA LOCA • Isabela • Mopiato Music
Ricardo Lemvo plays very comfortable tempo salsa, with a groove that dancers love. I think that Isabela is his best yet.

PANCHO AMAT • Llegó El Tresero • Egrem (original import)
Another superior CD from Pancho Amat, arguably the greatest tres player in business. This is typical Cuban son at its best.

AZUQUITA • Pura Salsa: Azuquita Y Su Orquesta Melao – Limited Edition • Emusica
2007 will be remembered as the year that hundreds of remastered Fania label CDs were released by Emusica, most with great sound and all with extensive liner notes. “Pura Salsa” is a little heard gem from 1975 by the great Panamanian singer Camilo “Azuquita” Argumedes.

ALFREDO VALDES, JR. • De La Habana A New York • Envidia
Alfredito Valdés brings together a collection of some of the best of New York and Havana for one of the most exciting outings of the year.

LOS MUÑEQUITOS DE MATANZAS • Tambor De Fuego • BIS (original import)
OK, this is not club music, but Los Muñequitos are all about dancing and this is yet another chapter from their prolific, evolving history, produced by our friend Cary Diez.

CALLE 13 • Residente O Visitante • Sony Norte
Don’t call this “reggaeton” but rather, “brilliant.” René “Residente” Pérez Joglar and Eduardo José “Visitante” Cabra Martínez make the rest of the “dem bow” beat fare sound like so much cliché. Some of the smartest music you will ever hear, and THE Latin dance music CD of 2007, period.

NILS FISCHER & TIMBAZO • ¡Gracias Joe Cuba! • Walboomers (original import)
Who says the Dutch don’t play good salsa? This is arguably the best salsa CD of 2007, with inspired performances by Cuban bassist Alain Perez, trumpet great Brian Lynch, Venezuelan percussionist Gerardo Rosales and others. Timba-fied old school that is memorable.

curmudgeon, Thursday, 27 December 2007 02:04 (sixteen years ago) link

Seeing blurbs like that totally makes me understand why RS gets pissed off about Calle 13.

The Reverend, Thursday, 27 December 2007 02:34 (sixteen years ago) link

I don't get pissed off about them, do I? I'm just disappointed with the direction of their second album. The production is many steps up from their debut, but I don't think their musical ideas are such a big deal.

Rockist Scientist, Thursday, 27 December 2007 03:32 (sixteen years ago) link

hey dudes some girls are dragging me 'latin dancing' in ten mins, any advice??

deej, Thursday, 27 December 2007 03:37 (sixteen years ago) link

x/p I'm so glad I never heard the first album, so I didn't have to be disappointed in the direction of the second one! All I do is enjoy it.

Dimension 5ive, Thursday, 27 December 2007 03:39 (sixteen years ago) link

Uh, not really. Be open to try new things. Learn to imitate/ imitate to learn.

The Reverend, Thursday, 27 December 2007 03:40 (sixteen years ago) link

AND MOVE YR F*CKN HIPS

Dimension 5ive, Thursday, 27 December 2007 03:40 (sixteen years ago) link

Do not stroke chin.

The Reverend, Thursday, 27 December 2007 03:41 (sixteen years ago) link

The first Calle 13 album is a total mess. It has, erm, potential. "Atrevete-te-te" and "La Jirafa" are probably still the two best songs they've done, but the rest is very much a mixed bag.

The Reverend, Thursday, 27 December 2007 03:43 (sixteen years ago) link

Resident Advisor Top 30 Tracks

30. Ambivalent - R U OK? (M_nus)
29. Pan-Pot - Charly (Mobilee)
28. T2 - Heartbroken (NMB)
27. Jichael Mackson - The Grass Is Always Greener (Musique Risquee)
26. Supermayer - Two Of Us (Kompakt)
25. False - Fed on Youth (M_nus)
24. Lucio Aquilina - Magic M (Cocoon)
23. Samim - Heater (Get Physical)
22. Kerri Chandler -The Invaders (The Panic) (Deeply Rooted House)
21. Len Faki - Rainbow Delta (Ostgut Ton)
20. Luciano - Fourges et Sabres (Perlon)
19. Martin Buttrich - Hunter (Cocoon)
18. Matthew Dear - Don & Sherri (Ghostly International)
17. Ben Westbeech - Hang Around (Wahoo Main Mix) (Brownswood)
16. Henrik Schwarz - Walk Music (Moodmusic)
15. Justice - D.A.N.C.E. (Ed Banger)
14. Samuel L. Session featuring Paris The Black Fu - Can U Relate? (Klap Klap)
13. Efdemin - Just a Track (Dial)
12. Roland Appel - Dark Soldier (Sonar Kollektiv)
11. Cobblestone Jazz - W (Cocoon)
10. Pigon - Promises (Dial)
9. Anja Schneider - Belize (Mobilee)
8. DJ Koze – All The Time (Philpot)
7. Andy Stott - Massacre (Modern Love)
6. Stefan Goldman - Lunatic Fringe (macro)
5. Tiger Stripes - Hooked (Liebe*Detail)
4. Simon Baker – Plastik (Playhouse]
3. Ricardo Villalobos - Primer Encuentro Latino-Americano (Fabric)
2. Radio Slave - Bell Clap Dance (Rekids]
1. Kabale und Liebe & Daniel Sanchez - Mumbling Yeah (Area remote]

Nice to see 'Bell Clap Dance' at #2. Great record

sam500, Thursday, 27 December 2007 04:05 (sixteen years ago) link

The first Calle 13 isn't so great, but it's good tracks are better than anything on Reisdente o Visitante, which is also a mess. I have trouble listening to more than two tracks in a row on the second album, without hitting skip.

Rockist Scientist, Thursday, 27 December 2007 11:58 (sixteen years ago) link

AND MOVE YR F*CKN HIPS

Probably bad advice, since if you try to move your hips, it usually looks bad. Women tend to be the worse about trying to hard in that department, however.

Rockist Scientist, Thursday, 27 December 2007 12:00 (sixteen years ago) link

If I'm not mistaken, the movement in salsa dancing is supposed to come more from the rib cage than the hips, but RS probably knows more about that than me.

Reisdente o Visitante, which is also a mess. I have trouble listening to more than two tracks in a row on the second album, without hitting skip.

RONG 2

The Reverend, Thursday, 27 December 2007 12:13 (sixteen years ago) link

Philadlphia City Paper, Top 21 Albums of 2007: "The best Rock/Pop/Hip-Hop CDs of 2007 according to the City Paper's annual critics' poll." Good for them for defining their scope, so I can't say: "what about the burgeoning Albanian free improv scene?" and the like. I was going to say "no suprises," but actually there are a couple choices that are surprises to me (or simply new to me):

M.I.A. - Kala
The Shins - Wincing the Night Away
Feist - The Reminder
Tegan and Sara - The Con
Arcade Fire - Neon Bible
LCD Soundsystem - Sound of Silver
Amy Winehouse - Back to Black
Radiohead - In Rainbows
Battles - Mirrored
The Weakerthans - Reunion Tour
Spoon - Ga Ga Ga Ga Ga
Of Montreal - Hissing Fauna, Are You the Destroyer?
Okkervil River - The Stage Names
Deerhoof - Friend Opportunity
Jens Lekman - Night Falls Over Kortedala
Grinderman - Grinderman
Bruce Springsteen - Magic
Wilco - Sky Blue Sky
Sharon Jones & the Dap-Kings - 100 Days, 100 Nights
Glen Hansard and Markéta Irglová - Once Original Soundtrack
Times New Viking - Present the Paisley Reich

The rest (labels included now because it's easier to cut and paste this without a lot of reformating):

Rounding Out the Top 50
Albums 22 through 50 in the City Paper critics' poll.

22. The National Boxer (Beggars Banquet)

23. Band of Horses Cease to Begin (Sub Pop)

24. PJ Harvey White Chalk (Island)

25. Illinois What the Hell Do I Know (Ace Fu)

26. Celebration The Modern Tribe (4AD)

27. The New Pornographers Challengers (Matador)

28. Laura Veirs Saltbreakers (Nonesuch)

29. Refrigerator Bottles of Make Up (Shrimper)

30. Devendra Banhart Smokey Rolls Down Thunder Canyon (Beggars Xl)

31. Panda Bear Person Pitch (FatCat)

32. Thurston Moore Trees Outside the Academy (Ecstatic Peace)

33. Kanye West Graduation (Def Jam)

34. Electrelane No Shouts, No Calls (Too Pure)

35. Meg Baird Dear Companion (Drag City)

36. Ted Leo and the Pharmacists Living With the Living (Touch & Go)

37. Andrew Bird Armchair Apocrypha (Fat Possum)

38. Dan Deacon Spiderman of the Rings (Carpark)

39. Mark Ronson Version (Columbia)

40. Beirut The Flying Club Cup (Ba Da Bing!)

41. Amy Winehouse Frank (Universal/Island)

42. Apollo Heights White Music for Black People (Manimal Vinyl)

43. Iron and Wine The Shepherd's Dog (Sub Pop)

44. The A-Sides Silver Storms (Vagrant)

45. Stars In Our Bedroom After the War (Arts and Crafts)

46. Sean Price Jesus Price Supastar (Duck Down)

47. Bitter, Bitter Weeks Peace is Burning Like a River (High Two)

48. The Swimmers Fighting Trees (self-released)

49. Ryan Adams and the Cardinals Follow the Lights EP (Lost Highway)

50. The Good, the Bad, & the Queen The Good, the Bad, & the Queen (Virgin)

Rockist Scientist, Thursday, 27 December 2007 12:34 (sixteen years ago) link

I have trouble listening to more than two tracks in a row on the second album, without hitting skip.

RONG 2

I don't have trouble listening to more than two tracks in a row on the second album, without hitting skip? (I didn't click on the link, so maybe that will clear things up.)

the movement in salsa dancing is supposed to come more from the rib cage than the hips, but RS probably knows more about that than me.

I wasn't even thinking of that, but people look really awkward when they are learning salsa (or merengue or bachata) and try to move their hips in isolation, so to speak. Most of the teachers I've run into will say that the hip movement comes naturally if you are stepping a certain way (pressing down with the balls of your feet). That may be incomplete as well, but the results look a lot better than the typical newb's attempt to move the hips. A lot of Latino guys don't really dance with much "Cuban motion" (what we are talking about) anyway, but I kind of like the way it feels, and I think most women like it when guys dance with Cuban motion.

Sorry, I kind of forgot this was not the salsa thread.

Rockist Scientist, Thursday, 27 December 2007 12:40 (sixteen years ago) link

maybe that will clear things up

RONG.

Rockist Scientist, Thursday, 27 December 2007 12:41 (sixteen years ago) link

I don't have trouble listening to more than two tracks in a row on the second album, without hitting skip? (I didn't click on the link, so maybe that will clear things up.)

My fault there, that was aimed at the first part I quoted and the second part came incidentally attached. I'm not trying to imply that you don't actually skip around the album.

What is "Cuban motion"? (I only know the bare basics of salsa dancing.)

The Reverend, Thursday, 27 December 2007 12:51 (sixteen years ago) link

n/m, Wikipedia knows.

The Reverend, Thursday, 27 December 2007 12:52 (sixteen years ago) link

I have heard of one of these acts:

Top 21 Local CDs 2007
categories | Music, Philly BandsWednesday, December 26th, 2007 at 12:23 pm
posted by m.j. fine

One critic’s opinion? Definitive list forever?

Devin Greenwood, champion
1. Devin Greenwood Devin Greenwood (Treasure)
2. East Hundred Copper Street Performer (self-released)
3. GANG Guess What You’ll Find … (Hot Dog City)
4. Cynthia G. Mason Quitter’s Claim (High Two)
5. Birdie Busch Penny Arcade (Bar/None)
6. The Bee Team Hot Times USA (Our Neighborhood)
7. Amy Pickard & The Cradlers Cut from the Hopeless (self-released)
8. Gillian Grassie Serpentine (self-released)
9. Pony Pants Fives (Badmaster)
10. The Trolleyvox Your Secret Safe/Luzerne (Transit of Venus)
11. Illuminea Out of Our Mouths (High Two)
12. Zolof the Rock & Roll Destroyer Schematics (Reignition)
13. Fern Knight Music for Witches and Alchemists (VHF)
14. Grey Reverend A Startled Wish (Sugarcut)
15. Bitter Bitter Weeks Peace Is Burning Like a River (High Two)
16. Rarebirds Buried at Sea (self-released)
17. Milton & The Devils Party How Wicked We’ve Become (Transit of Venus)
18. Umlaut Umlaut (Space Hooker)
19. Fursaxa Alone in the Dark Wood (ATP)
20. Cheese on Bread The Search for Colonel Mustard (self-released)
21. Jill Scott The Real Thing: Words and Sounds, Vol. 3 (Hidden Beach)

http://criticalmass.blogs.citypaper.net/blogs/mu/2007/12/26/top-21-local-lps-2007/

Rockist Scientist, Thursday, 27 December 2007 12:53 (sixteen years ago) link

I can't help but notice how the Philly City Paper claims to list the best "Rock/Pop/Hip-hop CDs" and neglects to include any hip-hop until #33.

The Reverend, Thursday, 27 December 2007 12:56 (sixteen years ago) link

Has Jill Scott gotten any less boring in the meantime?

The Reverend, Thursday, 27 December 2007 12:56 (sixteen years ago) link

I can't help but notice how the Philly City Paper claims to list the best "Rock/Pop/Hip-hop CDs" and neglects to include any hip-hop until #33.

Even I was a little surprised by the absence of hip-hop. (Is anything after Kanye West hip-hop? I don't recognize all the names, but it doesn't look like it.

Rockist Scientist, Thursday, 27 December 2007 13:55 (sixteen years ago) link

Sean Price, but that's it.

The Reverend, Thursday, 27 December 2007 13:56 (sixteen years ago) link

Usually ILM rap types complain about there being 1-2 consensus rap albums that show up in every year-end list, but it turns out to be better than the alternative.

The Reverend, Thursday, 27 December 2007 13:58 (sixteen years ago) link

In the battle of psychedelia circa 2007: Caribou's Andorra and of Montreal's Hissing Fauna... are sooooo >>>>>> Animal Collective's Strawberry Jam and/or (especially) P***a B**r's Person Pitch. Or is that the less the latter two sound like music (i.e., their aural opacity), the better they're received critically (cf. the often mind-numbingly consistent/constant sonic signature of The Field's From Here We Go Sublime)?

dblcheeksneek, Thursday, 27 December 2007 15:00 (sixteen years ago) link

I picked up Animal Collective, Panda Bear, and Of Montreal all based on the many year-end list appearances - been meaning to buy OM and PB for most the year but just never did. Turns out the AC album is my favorite of the three, and based on only a couple listens I find that Of Montreal album to be mostly repellent. I want to put it on again to try and figure out why it's being hailed as so wonderful, but the idea of putting it back on makes me groan.

pgwp, Thursday, 27 December 2007 17:20 (sixteen years ago) link

From WFMU

DJ/Rupture Top 10 2007
DJ/Rupture checks in with his Top 10 (all Listen links are real audio):

1. Superstar Ralph & Sandman - Cumbia Caliente (mix cd) Listen

2. Fnaire - Yed El Henna (album) Listen

3. Eyvind Kang & Jessika Kenney (live performance for viola and voice)

4. Swizz Beats (producer) Listen

5. Calle 13 - Residente o Visitante (album) Listen

6. Skepta (production) Listen

7. Transes (music documentary about Moroccan band Nass el Ghiwane) Listen

8. Sweat X (band) Listen via myspace

9. Dirty Projectors - No More (song) Listen | Download MP3 (via Dead Oceans label)

10. Lil Wayne (MC) Listen

Also, Sonido Martines did a mix of cumbias rebajadas for my show, and came into the studio for a bilingual chat about the cumbia rebajada scene (see playlist | listen to archive). You can download Sonido Martines' entire 30 min mix here (MP3). The music is all South American & Mexican, older records (pre-70s mostly), sloooowed down.

http://blog.wfmu.org/freeform/2007/12/djrupture-top-2.html

curmudgeon, Thursday, 27 December 2007 17:28 (sixteen years ago) link

more dj top 10s from WFMU

http://blog.wfmu.org/freeform/wfmus_top_ten_of_2007_lists/index.html

curmudgeon, Thursday, 27 December 2007 17:36 (sixteen years ago) link

why it's being hailed as so wonderful

Few of my friends have warmed to this album, or of Montreal, in general, either. For me it's Hissing Fauna's (and by that I mean, Kevin Barnes') songcraft, its/his embrace and interweaving and juxtaposition of technology and classic (rock) instrumentation, the personality and intimacy of its/his lyrics and themes.

By contrast, those selfsame friends can't get enough Strawberry Jam; needless to say, we're no longer on speaking terms.

dblcheeksneek, Thursday, 27 December 2007 18:06 (sixteen years ago) link

Of course I wouldn't be surprised if the reasons I think Hissing Fauna's the cat's PJs are the selfsame reasons you find it to be mostly repellent.

dblcheeksneek, Thursday, 27 December 2007 18:30 (sixteen years ago) link

Those selfsame friends just never give a fellow a break.

Rockist Scientist, Thursday, 27 December 2007 18:35 (sixteen years ago) link

I don't mean repellent as a casual dis - I mean there are things going on in this album that push me away from it. For instance, that it is so dense with instrumentation as to be muddled, and for a lot of harmonies that grate rather than soothe. It seems like a pop record on the surface - it's got all the pop elements, i.e., the 60s-influenced stuff that marked previous OM albums, but it seems light on actual hooks and is so busy being, well, busy that I can't really get a toehold. I had a similar complaint about In Rainbows, which is that I think there is no air in the record at all.

Of course, that may well be exactly what Barnes intended, so good for him. I don't think the album is trash, but I find it... repellent. It repels me.

pgwp, Thursday, 27 December 2007 21:10 (sixteen years ago) link

But he did that on purpose, because he finds himself repellent as well!

Dimension 5ive, Thursday, 27 December 2007 21:14 (sixteen years ago) link

I would think of In Rainbows as being rather minimalistic.

The Reverend, Thursday, 27 December 2007 22:29 (sixteen years ago) link

I would think of In Rainbows as being rather minimalistic.

It's not exactly dense, but there is little to no silence, and rarely is there just one thing happening (aside from the beginning of the first song). There's a constant wash of instruments or white noise in every corner of every song. Synthesizers, guitar tones, backing vocals. Layers and layers of sound, even if they're not shoving it in your face. I noticed and now I can't stop noticing.

pgwp, Thursday, 27 December 2007 22:49 (sixteen years ago) link

Maybe. I've only listened to it twice, and not recently, but it did strike me as rather roomful.

The Reverend, Thursday, 27 December 2007 23:07 (sixteen years ago) link

Although I'm too tired to dismantle your inconsistent logic completely, what more of an opinion can one form, based on only a couple listens of Hissing Fauna (or In Rainbows) or anything else for that matter, other than a casual dis?

dblcheeksneek, Friday, 28 December 2007 01:05 (sixteen years ago) link

Your = pgwp's.

dblcheeksneek, Friday, 28 December 2007 01:06 (sixteen years ago) link

I picked up Animal Collective, Panda Bear, and Of Montreal all based on the many year-end list appearances - been meaning to buy OM and PB for most the year but just never did. Turns out the AC album is my favorite of the three, and based on only a couple listens I find that Of Montreal album to be mostly repellent. I want to put it on again to try and figure out why it's being hailed as so wonderful, but the idea of putting it back on makes me groan.

Are you familiar with of Montreal's earlier stuff? To me Hissing Fauna was the great leap forward in lyrical terms. It's not showy, but it's still verbose, it's overwrought but sincere. The Animal Collective record is amazing though.

But getting the EOY picks and asking them to impress you is a pretty flawed way to get into any album, surely?

Mister Craig, Friday, 28 December 2007 01:31 (sixteen years ago) link

Although I'm too tired to dismantle your inconsistent logic completely, what more of an opinion can one form, based on only a couple listens of Hissing Fauna (or In Rainbows) or anything else for that matter, other than a casual dis?

Speaking of inconsistent logic. Come on--the number of opinions that can form on only a couple of listens to anything are endless.

Matos W.K., Friday, 28 December 2007 01:43 (sixteen years ago) link

Although I'm too tired to dismantle your inconsistent logic completely, what more of an opinion can one form, based on only a couple listens of Hissing Fauna (or In Rainbows) or anything else for that matter, other than a casual dis?

okay well first of all I'm not the one who said that about Radiohead - I listened to that plenty. second, what matos said. I'm sharing my impression of the record; what I mean by saying it's not meant as "a casual dis" is that I'm simply trying to talk about the record. You're taking it as an insult to the record but I don't exactly mean it that way. "Repel" has more than one meaning; it doesn't have to mean distasteful. Anyway, when you've gotten some rest, please dismantle my logic.

Craig - I'm familiar with some, not all, of Of Montreal's other stuff. I have Cherry Peel and Satanic Panic, the latter of which I think is pretty outstanding. I haven't really sat down with the lyrics on Hissing Fauna.

I wouldn't say I'm "asking them to impress me." It's not as antagonistic as that. I purchase albums hoping to like them.

pgwp, Friday, 28 December 2007 02:43 (sixteen years ago) link

under no circumstances is there anything antagonistic about or wrong with asking a performer to impress you, since the performer's job is to impress their audience enough to keep them coming back.

Matos W.K., Friday, 28 December 2007 03:23 (sixteen years ago) link

if you pay money to someone to perform a task, you are asking them to impress you. that's why they get money for it.

Matos W.K., Friday, 28 December 2007 03:24 (sixteen years ago) link

Although I will readily and happily admit that my sweeping statements vis-à-vis psychedelia circa 2007 were designed, in part, to generate debate, if challenged, I would explain my position to the best of my ability and/or inclination. Your posts, however, strike me as woefully lazy if not wholly disingenuous. So, as I've offered, and you've accepted, here's where disassembling your logic (for want of a more accurately meaningful word) begins:

"Repel" has more than one meaning; it doesn't have to mean distasteful...

You're taking it as an insult to the record but I don't exactly mean it that way.

In the brief context of your first post, what meaning, exactly, (other than arcane references to the adjective's magnetically polaric or entomically aerosolic connotations) did you expect anyone to assign "repellent" in light of the proximity of Hissing Fauna..., mostly repellent and trying to figure out why (Hissing Fauna's) being hailed as so wonderful, but the idea of putting (Hissing Fauna) back on makes me groan.? That is, without two of your next three posts explaining that the meaning readers would most likely assign the term, especially in the context of music criticism, wasn't the one you intended?

dblcheeksneek, Friday, 28 December 2007 18:59 (sixteen years ago) link

Strawberry Jam vs. Hissing Fauna... vs. In Rainbows

(AKA valid criticism vs. invalid criticism).

If Strawberry Jam’s won your heart (or ears), great! I'd love to read why, about what it has or does that Hissing Fauna... or In Rainbows don't. But to suggest, as your posts imply, that either of the latter two are more sonically dense than the effects cornucopia-slash-delay pedal laden Strawberry Jam misrepresents all three.

In other words, if Hissing Fauna... or In Rainbows did not favorably impress you, criticism of either's merits/aesthetics/etc. are valid. But, to me, your "repulsion" to the former and criticisms of the latter are not based on considered listens of either. Accordingly, your comparison to the objectively dense sonic signature of Strawberry Jam fails, and your criticisms notwithstanding the comparison, are invalid. That is, your opinions are not based on subjective impressions or objective measures of either album as they exist, but rather on, at best superficial, listens to both.

For instance, your characterization of Hissing Fauna... as being so dense with instrumentation as to be muddled misses the many pared-down moments of the album, namely:

0:37 to 1:10 and 1:31 to 2:05 of "Cato As A Pun";
0:00 to 1:03 and 2:37 to 2:50 of "Gronlandic Edit";
1:30 to 2:00 and 2:48 to 3:25 of "Bunny Ain't No Kind of Rider"; as well as,
0:28 to 0:55 (or really until 1:50, when the bridge kicks-in) and 2:20 to the outro of "Faberge Falls For Shuggie."

I can't say what you'd hoped for in terms of "silence" or "space" on an album, much less on an Of Montreal album given your alleged familiarity with their earlier, and more importantly, recent work - but certainly, there are many less sonically-occupied moments on the album than your characterization would mislead one to believe. Yet I do find it telling that most of the less dense moments occur in the latter half of the album. To me, that says you've not heard half the album, but are "repulsed" by it in its entirety just the same.

Further, what is a grating harmony? Other than an oxymoron? If harmonies wrought with falsetto aren't your cup of tea, than say so. But, to me, for a harmony to grate, it would require dissonance. By contrast, the expertise with which Barnes & Co. execute some of the most musically awe-inspiring harmonies I've ever heard (mind you, not only on record, but live too), again, in my view, misrepresents what one actually hears on Hissing Fauna....

For a second instance, you ...had a similar complaint about In Rainbows, which is that...there is no air in the record at all..., ...there is little to no silence, and rarely is there just one thing happening (aside from the beginning of the first song). There's a constant wash of instruments or white noise in every corner of every song... Really? You see, such sweeping and demonstrably inaccurate statements immediately call into question the validity of your criticism. Songs like "Nude," "Videotape" and "Faust Arp" (the latter featuring only acoustic guitar, a voice and occasional strings) have plenty of room for additional instrumentation and yet there’s space aplenty unoccupied. Here again, however, you'd have to listen to the album beyond the the beginning of the first song.

Or do you disagree?

Do you find the quieter moments of In Rainbows (some even call them ballads) so filled to the brim with digital effects as to wholly distract your attention from the songs themselves? And if you do hear the effects in songs like "Nude," "Faust Arp" and "Videotape" - the so-called constant wash of instruments - could you please point them out? I have a pair of hi-fi headphones, a whole lot of patience, and can't wait to hear In Rainbows' (many?) moments of white noise for myself.

dblcheeksneek, Friday, 28 December 2007 19:37 (sixteen years ago) link

wow--WHOLE MINUTES of Hissing Fauna were relatively quiet! stop press!

Matos W.K., Friday, 28 December 2007 19:43 (sixteen years ago) link

Speaking of, have you got a release date for Of Montreal's Selected Ambient Works? I hear it'll be even quieter.

dblcheeksneek, Friday, 28 December 2007 19:50 (sixteen years ago) link

dude, chill. you're frothing.

pshrbrn, Friday, 28 December 2007 20:26 (sixteen years ago) link

The credit I feel Of Montreal deserves is due entirely to manipulating new music media to cover every detail of their public appearances from the moment Hissing Fauna was released. But what made it so different from anything they'd done since the last days of E6? Great media stunt, tho.

fukasaku tollbooth, Friday, 28 December 2007 21:09 (sixteen years ago) link

the last couple albums are far better than any of the E6-era stuff, come on

Matos W.K., Friday, 28 December 2007 21:12 (sixteen years ago) link

I guess what I don't get is the general outrage that Hissing Fauna wasn't consensus album of the year. And I stand by the notion that more than anything else Kevin Barnes reinvented himself/band as can't miss this year, whereas I never felt that they were must-see before this glammy incarnation.

fukasaku tollbooth, Friday, 28 December 2007 21:14 (sixteen years ago) link

I seriously doubt there's a "general" "consensus" about this.

Matos W.K., Friday, 28 December 2007 21:23 (sixteen years ago) link

Results 1 - 10 of about 418,000 for grasping at straws. (0.09 seconds)

jon /via/ chi 2.0, Friday, 28 December 2007 21:26 (sixteen years ago) link

Agreed, I'm not sure to what "general outrage" fukasaku tollbooth's referring. I, for one, could care less where Hissing Fauna ranks in terms of album of the year (mine, incidentally, is The National's Boxer).

Although Kevin Barnes as the Svengali of new music media... That's new...

dblcheeksneek, Friday, 28 December 2007 21:28 (sixteen years ago) link

Yeah, you're probably right, but that's not what I said either Matos.

fukasaku tollbooth, Friday, 28 December 2007 21:29 (sixteen years ago) link

it sure read like it!

Matos W.K., Friday, 28 December 2007 21:31 (sixteen years ago) link

dblcheek - I appreciate your long post about Hissing Fauna and I'll respond to it a little later - working right now, so can't spend as much time as such a post would deserve.

But first, seriously, let's discuss the album without being total assholes about it. I'm sorry my "repellent" comment has angered you; I've tried to clarify what I meant. We can talk about this album without being so confrontational about it.

pgwp, Friday, 28 December 2007 21:42 (sixteen years ago) link

I never felt that they were must-see before this glammy incarnation

Heck, I didn't think they were must-hear before Hissing Fauna....

I was very put off by their early work (too sugary and sparkly and nice) and didn't bother with them again until this year. Now, working backwards through their catalog I can definitely see, retrospectively, how they got to where they are today (with or without [pun semi-intended] their silly clothes).

On the other hand, I have no idea what their concerts were like before their most recent tours, but kudos to them for giving fans their money's worth in terms of over-the-top costumes, disco staging, etc.

dblcheeksneek, Friday, 28 December 2007 21:45 (sixteen years ago) link

But first, seriously, let's discuss the album without being total assholes...we can talk about this album without being so confrontational about it.

LQTM.

dblcheeksneek, Friday, 28 December 2007 21:47 (sixteen years ago) link

I don't know what that means.

pgwp, Friday, 28 December 2007 21:57 (sixteen years ago) link

I also have not previously liked much of what I've heard of Of Montreal, and I had to get past the first track on this one before it started to make sense and to sound good to my ears. Honestly, the first time I heard the first track I thought it sounded like a bad production of a high school musical. Now I think it's great! I love the glam/gay sound, the joyful melodies and incredible harmonies, the perversity of the lyrics, the humor, and the quick stops/starts/turns. It's dense, but in a very good way.

Dan S, Friday, 28 December 2007 22:47 (sixteen years ago) link

If Strawberry Jam’s won your heart (or ears), great! I'd love to read why, about what it has or does that Hissing Fauna... or In Rainbows don't. But to suggest, as your posts imply, that either of the latter two are more sonically dense than the effects cornucopia-slash-delay pedal laden Strawberry Jam misrepresents all three.

Certainly being sonically dense is not de facto a bad thing. Nor is it de facto good. These three albums are a good example of the spectrum. I find the cornucopia of sounds on Strawberry Jam to be used in surprising ways. “Peacebone” for instance is full of sounds—effects, instruments, vocals—that drop in and out and are like little unexpected presents. My comment about In Rainbows was mostly an observation, not a damnation—I realize I called it a “complaint,” but I meant of the quibbling variety. (If you’re curious, here’s what I wrote about In Rainbows when it came out, expanding on what I’ve said in this thread.) I like In Rainbows, though that doesn’t stop me from noting its sonic density and questioning whether it’s totally successful.

In other words, if Hissing Fauna... or In Rainbows did not favorably impress you, criticism of either's merits/aesthetics/etc. are valid. But, to me, your "repulsion" to the former and criticisms of the latter are not based on considered listens of either.

To be “repulsed” and to be “repelled” are two different things. I never said I was repulsed. I think there is something about Hissing Fauna that causes resistance. I think it has something to do with the way Of Montreal apply a certain density of sounds across the record. All three of these bands are using this density in different ways. (It is, after all, kind of a vague term, “sonic density”—not to mention kinda pretentions sounding.)

…your opinions are not based on subjective impressions or objective measures of either album as they exist, but rather on, at best superficial, listens to both.

I’ve admitted up front that I’ve only listened to Hissing Fauna a few times, and I’ve explicitly said I’ve listened to the Radiohead quite a lot. You have me confused with another poster in that respect.
Honestly I can’t argue with you too much on Of Montreal. My original post was meant to describe my first impression of the album Unfortunately, my impression is that they made a pop record that is antagonistic and not inviting, and hence I have difficulty wanting to go back to it. (Yes, in the “arcane” sense of the word, as in magnets, the album repels me… is there a more modern way to describe how magnets work?)

I can't say what you'd hoped for in terms of "silence" or "space" on an album, much less on an Of Montreal album given your alleged familiarity with their earlier, and more importantly, recent work

Heh. “Alleged” – yes, I’m inventing my familiarity so as to convince you of my ability to listen to Hissing Fauna correctly! :)

It’s really not so much that I want “silence” on the album, or even “space.” More that I found myself wishing in some places that there’d just be one less instrument or one less sound. It sounded busy and full, more so than it needed to be. That was my impression. Like I said in my original post, that was likely Barnes’s intent. Good for him.

Further, what is a grating harmony? Other than an oxymoron? If harmonies wrought with falsetto aren't your cup of tea, than say so. But, to me, for a harmony to grate, it would require dissonance.
Compare the harmonies on Hissing Fauna to, say, the Byrds—or for that matter “Disconnect the Dots”—and I think you could quite easily describe the former as “more grating.” There is something rather harried in the vocal delivery of many of the songs on Hissing Fauna, for example on “Suffer for Fashion.”

For a second instance, you ...had a similar complaint about In Rainbows, which is that...there is no air in the record at all..., ...there is little to no silence, and rarely is there just one thing happening (aside from the beginning of the first song). There's a constant wash of instruments or white noise in every corner of every song... Really? You see, such sweeping and demonstrably inaccurate statements immediately call into question the validity of your criticism. Songs like "Nude," "Videotape" and "Faust Arp" (the latter featuring only acoustic guitar, a voice and occasional strings) have plenty of room for additional instrumentation and yet there’s space aplenty unoccupied.

I promise to listen again if you do. I feel there is some form of white noise painted across 90% of In Rainbows. To the level of constant distraction? Not for the average listener, no. But like I said, once I noticed it, I couldn’t stop noticing it. It’s like how graphic designers can’t help but notice bad design in the world, or writers/editors can’t help but notice typos or bad grammar. Obviously the band intended it to be textural, but I noticed.

pgwp, Saturday, 29 December 2007 00:06 (sixteen years ago) link

http://img429.imageshack.us/img429/562/41071051mariopa203bf2.jpg

Top 5 Songs of 2007
1. Kanye West – “Flashing Lights”
2. Wyclef Jean – “sweetest girl”
3. Justin Timberlake – “What Goes Around Comes Around”
4. Alicia Keys - “Like You'll Never See Me Again”
5. Rihanna – “Umbrella”

Top 10 Albums of 2007

Alicia Keys - As I Am
Common - Finding Forever
Cassidy - B.A.R.S.
Incubus - Light Grenades
Jay Z - American Gangster
Kanye West - Graduation
Plies - The Real Testament
Robin Thicke - The Evolution of Robin Thicke
T.I. - T.I. vs TIP
J. Holiday - Back Of My Lac

http://creative.myspace.com/cms/Music_Best_Of/archive/mario.html

r|t|c, Saturday, 29 December 2007 00:19 (sixteen years ago) link

I guess what I don't get is the general outrage that Hissing Fauna wasn't consensus album of the year.

You do realize that all those "outraged" kornrulez posts upthread were poking fun at people who complain about there not being enough indie in lists that are 90% indie anyway, right? I think there was some comment complaining about the low placement of Hissing Fauna on Stylus' list that triggered it.

The Reverend, Saturday, 29 December 2007 05:47 (sixteen years ago) link

http://i4.tinypic.com/87b8s92.jpg

AP's Best Album
Article Tools Sponsored By
By THE ASSOCIATED PRESS
Published: December 29, 2007

Filed at 10:01 a.m. ET

With the hundreds of albums released this year, finding ten that rose to the top was surprisingly difficult -- few were special enough to merit repeat listens, let alone remain in your brain long after the CD stops playing.

Here are the rare records with a permanent place on our playlists in 2007:

1. ''Back to Black,'' Amy Winehouse: The tragedy of 2007 is that Amy Winehouse is now simply known as the ''Rehab'' chick with the drug habit, not as the gifted singer-songwriter who created the most compelling album of the year. Winehouse's raspy, soulful voice is dazzling enough on its own; add the retro-soul licks and the alternately hilarious, heartbreaking lyrics, and it's an album that you just cannot shut off. While ''Rehab'' was a clever, gimmicky hit, it can't begin to reflect how amazing ''Back to Black'' truly is.

2. The Bird and the Bee, ''The Bird and the Bee'': Imagine the Carpenters on an acid. That's the best way to describe the surreal pop debut of The Bird and the Bee, comprised of the duo Inara George and Greg Kurstin. George's vocals are dreamy and angelic, but the lyrics are anything but -- one of the album's best tracks is ''(Expletive) Boyfriend.''

3. ''Finding Forever,'' Common: Maybe Common is just too darn clever and crafty for his own good. Once again, he put out an excellent rap disc that didn't get the attention it deserved, but perhaps only a select group can appreciate the intellect, wit, and charm he dispenses with each rhyme: This ain't for the ''Crank Dat (Soulja Boy)'' crowd. Though rap certainly needs some Common Sense these days more than ever.

4. The ''Once'' soundtrack: ''Once,'' starring Marketa Irglova and the lead singer of the Frames, Glen Hansard, was the perfect romantic movie that flew under mainstream radar. The same could be said about its wonderful soundtrack. Irglova's sweet voice is the perfect accompaniment to Hansard's raspy vocals -- they don't need much else, and the simple production of just a piano here or guitar there makes the music even more intimate than the touching lyrics convey.

5. ''Graduation,'' Kanye West: Truth be told, ''Graduation'' is actually West's weakest album -- but when you consider the first two, ''The College Dropout'' and ''Late Registration,'' were nothing short of brilliant, it's OK that this one rates as just very, very good. West's use of techno beats give some tracks a more experimental sounding vibe, but it's his always clever rhymes that make you listen again and again.

6. ''Double Up,'' R. Kelly: Given the nonsense that permeates 1/3 of this disc, ''Double Up'' shouldn't even be on this list. But how can it not be when the rest of the songs are so crazy and so good? When you can make a prison visit a must-listen-to groove (''Best Friend''), you are truly creating the stuff of genius. Plus, he gets extra credit for that whole ''Trapped in the Closet'' saga.

7. ''As I Am,'' Alicia Keys: Though it's not a perfect album, it contains perhaps three of the most perfect songs you can find in pop today -- ''Wreckless Love,'' ''Lesson Learned'' and the slow-jam piece of ecstasy otherwise known as ''Kiss Me Like You'll Never Kiss Me Again.'' And thankfully, unlike her past albums, most of the other songs on ''As I Am'' are strong enough to make you want to listen to the CD in its entirety, instead of cherry-picking the best tracks.

8. ''Alright, Still,'' Lily Allen: Lily Allen doesn't have the greatest voice, and is not much of a stage presence, as her live performances this year bore out. But you'd never guess that by listening to her charming debut, buoyed infectious ska-pop beats and wry lyrics. Like Winehouse's ''Back to Black,'' producer Mark Ronson's handiwork elevates this CD.

9. ''Good Girl Gone Bad,'' Rihanna: Rihanna's hard-driving sophomore CD blended pop-rock, electronica and a dash of R&B for slick and sexy club music. It also separated her from the wanna-be Beyonce pack. Though much of the credit for this disc's allure goes to the producers who came up with the catchy beats, Rihanna delivers a powerful punch despite her somewhat thin voice -- its her emotive vocals that helped to make ''Umbrella'' one of the most requested songs of the year, and what makes the ballad ''I Hate That I Love You'' so passionate.

10. ''Kala,'' M.I.A.: The British born, Sri-Lankan raised rapper got even more eclectic -- if that's even possible -- with ''Kala,'' a mish-mash of Indian beats, African rhythms, electronic synths and fierce rapping. It's not as hypnotic as her debut CD, ''Arular,'' but it's just as fiery.

--------

Honorable mention:

''Because of You,'' Ne-Yo

''American Gangster,'' Jay-Z

''Sound of Silver,'' LCD Soundsystem

''In My Element,'' Robert Glasper

''Blackout,'' Britney Spears (YES, I SAID IT!)

jhøshea, Saturday, 29 December 2007 15:53 (sixteen years ago) link

Parallel worlds: "This year belonged, in part, to Gebhard Ullmann, who turned fifty."

Rockist Scientist, Saturday, 29 December 2007 15:56 (sixteen years ago) link

West's use of techno beats give some tracks a more experimental sounding vibe

The Reverend, Saturday, 29 December 2007 16:08 (sixteen years ago) link

You do realize that all those "outraged" kornrulez posts upthread were poking fun at people who complain about there not being enough indie in lists that are 90% indie anyway, right? I think there was some comment complaining about the low placement of Hissing Fauna on Stylus' list that triggered it.

-- The Reverend, Saturday, 29 December 2007 05:47 (11 hours ago)

I do get that, and that's the so-called consensus I was referring to, since I'm seeing that 'outrage' in comments sections everywhere.

fukasaku tollbooth, Saturday, 29 December 2007 17:11 (sixteen years ago) link

...there is some form of white noise painted across 90% of In Rainbows.

I think the primary point of my "frothing" is that most of your assertions are based on a "feeling" - my query, boiled-down, is: what are some examples that drive your intuition?

Not to be all CSI and fact-based, but perhaps you could start by citing examples of the white noise painted across "Faust Arp" or "Nude" or "Videotape" or "House of Cards" or "All I Need"?

dblcheeksneek, Saturday, 29 December 2007 17:17 (sixteen years ago) link

Corny indie fuxx be corny. (xp)

The Reverend, Saturday, 29 December 2007 17:17 (sixteen years ago) link

Tijana Ilich's top 10 salsa

http://latinmusic.about.com/od/cdtoppicks/tp/TPSALSA2007.htm

click on the link for her blurbs on all 10

1. Issac Delgado - En Primera Plana

Cuba's master of timba released his first album from his new U.S. home. En Primera Plana means "On The Front Page" and that's where this album belongs. I like it for the changes in rhythms, the many breaks and the outstanding command of the genre that is Issac Delgado's.

2. Gilberto Santa Rosa - Contraste

3. La Excelencia - Salsa Con Conciencia

4. NG2 - Al Fin

5. Marc Anthony - El Cantante

6. Jerry Rivera - Caribe Gardel

7. Andy Montanez - The Godfather of Salsa

8. Victor Manuelle - Live At Madison Square Garden

9. Tito Nieves - Live In Colombia

10. Cubanismo - Greetings From Havana

curmudgeon, Saturday, 29 December 2007 17:31 (sixteen years ago) link

Who is this person? I only ever see her name on about.com.

Rockist Scientist, Saturday, 29 December 2007 18:48 (sixteen years ago) link

Two of those are from '06, and they weren't big secrets or anything in '06, so it's hard to justify her listing them so late. I haven't heard all of that, but it looks like a pretty dull list to me--not that it hasn't been a dull year in salsa.

Rockist Scientist, Saturday, 29 December 2007 18:51 (sixteen years ago) link

your opinions are not based on subjective impressions or objective measures of either album as they exist, but rather on, at best superficial, listens to both.

Gawd.

xhuxk, Saturday, 29 December 2007 19:09 (sixteen years ago) link

Not to be all CSI and fact-based, but perhaps you could start by citing examples of the white noise painted across "Faust Arp" or "Nude" or "Videotape" or "House of Cards" or "All I Need"?

I'm not going to go into detail on every minute of the record, but "House of Cards" is the perfect example. For what is essentially a simple acoustic ballad, there is a lot aural wallpaper in that song. For one, Thom Yorke's voice is drenched in echo. Also the backing vocals in this song - those long notes, vague oohing and humming - are prevalent throughout many of the songs on this album. The strings, too. All this adds up to atmosphere surrounding what is otherwise, at its core, the simplest song on the album, which could easily have succeeded as a song with nothing more than acoustic guitar, drums, bass, and effect-less vocals.

Many, if not all, of the the songs on this album have similar atmospherics. There is nothing "crisp" about this album's sound, except in the first minute of the first song. There is a layer of atmosphere over each song on this album; maybe not every second of every track--maybe--but its prevalent enough to give the album an overall tone, hence my "feeling."

pgwp, Sunday, 30 December 2007 19:44 (sixteen years ago) link

...As if musical opinions are somehow tainted or made less valid by being based on "feelings" in the first place.

xhuxk, Sunday, 30 December 2007 19:48 (sixteen years ago) link

Pgswp has now gone from dismissing the Radiohead album by saying There's a constant wash of instruments or white noise in every corner of every song to now saying There is a layer of atmosphere over each song on this album . I think "white noise," "constant wash of instruments," and "atmosphere" are not all the same thing.

Oh and xp to RS, I do not know who Tijana Ilich is either, I just had not seen any (other) top salsa lists so I thought I'd post that one. Latin beat magazine usually publishes lists in their hardcopy but I don't think they put their lists online.

curmudgeon, Sunday, 30 December 2007 22:13 (sixteen years ago) link

As if musical opinions are somehow tainted or made more valid by being based on the music in the first place.

dblcheeksneek, Sunday, 30 December 2007 23:35 (sixteen years ago) link

Imagine the Carpenters on an acid
Imagine the Carpenters on an acid
Imagine the Carpenters on an acid
Imagine the Carpenters on an acid
Imagine the Carpenters on an acid
Imagine the Carpenters on an acid
Imagine the Carpenters on an acid
Imagine the Carpenters on an acid
Imagine the Carpenters on an acid
Imagine the Carpenters on an acid

stephen, Monday, 31 December 2007 00:12 (sixteen years ago) link

Okay here's mine. Have a happy new year, folks. Somebody get me a drink.

http://www.fastnbulbous.com/best_2007_sm.jpg

1. Burial - Untrue (Hyperdub)
2. Radiohead - In Rainbows (ATO)
3. Apparat - Walls (Bpitch Control)
4. Yeasayer - All Hour Cymbals (We Are Free)
5. Patrick Wolf - The Magic Position (Universal/Polydor)
6. Matthew Dear - Asa Breed (Ghostly International)
7. Jesu - Conquerer (Hydra Head)
8. Black Moth Super Rainbow - Dandelion Gum (Graveface)
9. Maxïmo Park - Our Earthly Pleasures (Warp)
10. Tinariwen - Aman Iman (World Village)
11. White Rabbits - Fort Nightly (Say Hey)
12. Dan Deacon - Spiderman of the Rings (Carpark)
13. Moon Wiring Club - An Audience of Art Deco Eyes (Geophonic Audio Systems)
14. Good Shoes - Think Before You Speak (Brille/EMI UK)
15. Mothers and the Addicts - Science Fiction Illustrated (Chemikal Underground)
16. Islaja - Ulual Yyy (Fonal)
17. Field Music - Tones Of Town (Memphis Industries)
18. Parts & Labor - Mapmaker (Jagjaguwar/Brah)
19. Tunng - Good Arrows (Thrill Jockey)
20. Witchcraft - The Alchemist (Rise Above)
21. Spoon - Ga Ga Ga Ga Ga (Anti)
22. Dax Riggs - We Sing Of Only Blood Or Love (Fat Possum)
23. Dälek - Abandoned Language (Ipecac)
24. Studio - West Coast (Information)
25. James Blackshaw - The Cloud of Unknowing (Tompkins Square)
26. Laub - Deinetwegen (Agf Producktion)
27. Sally Shapiro - Disco Romance (Paperbag)
28. A Place To Bury Strangers (Killer Pimp)
29. Kemialliset Ystävät (Fonal)
30. The Rakes - Ten New Messages (V2)
31. The National - Boxer (Beggars Banquet)
32. Modeselektor - Happy Birthday! (Bpitch Control)
33. El-P - I'll Sleep When You're Dead (Definitive Jux)
34. Aesop Rock - None Shall Pass (Definitive Jux)
35. The Tough Alliance - A New Chance (Sincerely Yours)
36. The White Sripes - Icky Thump (V2)
37. Queens of the Stone Age - Era Vulgaris (Interscope)
38. The Maccabees - Colour It In (Polydor)
39. Strategy - Future Rock (Kranky)
40. LCD Soundsystem - Sound Of Silver (DFA)
41. Soulsavers - It's Not How Far You Fall, It's the Way You Land (V2)
42. Gudrun Gut - I Put A Record On (Monika)
43. PJ Harvey - White Chalk (Island)
44. Pinch - Underwater Dancehall (Tectonic)
45. Maps - We Can Create (Mute)
46. Editors - An End Has A Start (Kitchenware UK)
47. Menomena! - Friend And Foe (Barsuk)
48. Caribou - Andorra (Merge)
49. Balkan Beat Box - Nu Med (JDub)
50. The Focus Group - We Are All Pan's People (Ghost Box)
51. White Denim - Let's Talk About It EP (White Denim)
52. Robert Wyatt - Comicopera (Domino)
53. Grinderman (Anti-)
54. Wooden Shjips (Holy Mountain)
55. Muscles - Guns Babes Lemonade (Modular)
56. Pale Young Gentlemen (PYG)
57. HUMANWINE - Fighting Naked (Nervous Relative)
58. !!! - Myth Takes (Warp)
59. Bloc Party - A Weekend In The City (Vice)
60. Shape of Broad Minds - Craft of the Lost Art (Lex)
61. Pharoahe Monch - Desire (SRC/Universal/Motown)
62. The Twilight Sad - Fourteen Autumns & Fifteen Winters (Fat Cat)
63. Chloe - The Waiting Room (Kill the DJ)
64. Holy Fuck - LP (Young Turks)
65. Electrelane - No Shouts No Calls (Too Pure)
66. Arctic Monkeys - Favourite Worst Nightmare (Domino)
67. Dungen - Tio Bitar (Kemado)
68. Alcest - Souvenirs d'un Autre Monde (Profound Lore)
69. Porcupine Tree - Fear Of A Blank Planet (Atlantic)
70. Big Business - Here Come The Waterworks (Hydra Head)
71. Eluvium - Copia (Temporary Residence)
72. Echospace - The Coldest Season (Modern Love)
73. Wilco - Sky Blue Sky (Nonesuch)
74. Pram - The Moving Frontier (Domino)
75. The Fiery Furnaces - Widow City (Thrill Jockey)
76. Gogol Bordello - Super Taranta! (Side One Dummy)
77. Noisettes - What's The Time Mr. Wolf? (Vertigo)
78. New Young Pony Club - Fantastic Playroom (Universal/Island)
79. Oh No - Dr. No's Oxperiment (Stones Throw)
80. Frog Eyes - Tears of the Valedictorian (Absolutely Kosher)
81. Om - Pilgrimage (Southern Lord)
82. Mammatus - The Coast Explodes (Holy Mountain)
83. St. Vincent - Marry Me (Beggars Banquet)
84. The Dirty Projectors - Rise Above (Dead Oceans)
85. Celebration - The Modern Tribe (4AD)
86. Dragons of Zynth - Coronation of Thieves (GTC)
87. Dillinger Escape Plan - Ire Works (Wea/Relapse)
88. Tokyo Jihen - Variety (EMI)
89. Gallon Drunk - The Rotten Mile (Fred)
90. Electric Wizard - Witchcult Today (CND)
91. The Cribs - Men's Needs, Women's Needs, Whatever (V2)
92. Busdriver - RoadKillOvercoat (Epitaph)
93. Cassius - 15 Again (Astralwerks)
94. Deerhunter - Flourescent Grey EP (Kranky)
95. The Good, The Bad And The Queen (Virgin)
96. Shannon Wright - Let In The Light (Quarterstick)
97. Eleni Mandell - Miracle of Five (Zedtone)
98. Café Tacuba - Sino (Universal Latino)
99. Sharon Jones & the Dap Kings - 100 Days 100 Nights (Daptone)
100. M.I.A. - Kala (Interscope)

Fastnbulbous, Monday, 31 December 2007 00:37 (sixteen years ago) link

"Faust Arp"

did they get this from the stereolab song-title generator?

scott seward, Monday, 31 December 2007 01:50 (sixteen years ago) link

haha probably, though it seems as working-title-that-stuck as anything

Matos W.K., Monday, 31 December 2007 02:37 (sixteen years ago) link

interesting list as always F'n'B, look forward to it every year. have a good New Year as well and that goes for everyone on ILM.

Bee OK, Monday, 31 December 2007 04:57 (sixteen years ago) link

28. A Place To Bury Strangers (Killer Pimp)

Bravo! Interesting list overall, btw.

Daniel, Esq., Monday, 31 December 2007 05:20 (sixteen years ago) link

xpost (sort of)

I'm not going to go into detail on every minute of the record, but "House of Cards" is the perfect example.

One does not successfully prove, much less defend, one's fallacious white noise thesis by the simple expedient of very cleverly selecting the lone example that marginally supports it; particularly whilst eschewing (i.e., not going to go into details of) the example(s), including, but not limited to "Faust Arp," "Videotape," and "Nude," that debunk it.

In other words (and again): extrapolating from one song to hastily generalize about an entire album, invalidates your theory - no matter how frequently you repeat it, or how strongly your "gut" fuels your feeling. That is, unless, of course, pgwp is actually zee nom de plume of Michael Chertoff.

For what is essentially a simple acoustic ballad, there is a lot aural wallpaper in that song.

For what is actually and essentially an acoustic electric ballad, Jonny Greenwood's (and, really, Radiohead's) not-so-secret and longstanding use of effects, might explain some of the song's (i.e., the guitars') aural wallpaper (AKA atmospherics).

For me, it's difficult an apparent desire to discuss this album (and Hissing Fauna...) with an even more apparent unwillingness to concede that blanket statement(s) do not apply to every corner of every song of either LP. My concession: "House of Cards" is one example that backs up a very generalized white noise theory. A theory from which you refuse to back down (or concede has cracks) and, simply put, can't back up.

Allow me to reason by analogy: after only a couple of listens to The National's Sad Songs For Dirty Lovers, I said to a friend that I didn't care for it as much as I did Alligator or Boxer because of "all the shouting" I thought I heard from Matt Berninger. However, having revisited Sad Songs..., I've discovered that that "shouting" - that I was so convinced ran throughout - is, in reality, limited to two tracks - rather than every corner of every song. I've come to terms with that. I can live with being initially amiss in my "feeling."

The $64K question is: can you?

dblcheeksneek, Monday, 31 December 2007 15:03 (sixteen years ago) link

For me, it's difficult to reconcile an apparent desire...

dblcheeksneek, Monday, 31 December 2007 15:05 (sixteen years ago) link

dudes, house of cards has some awesome whale-noise sigur-rossery gwan down, that is all.

Just got offed, Monday, 31 December 2007 15:09 (sixteen years ago) link

Uncle.

pgwp, Monday, 31 December 2007 15:57 (sixteen years ago) link

Pgswp has now gone from dismissing the Radiohead album...

Seriously, I didn't dismiss the album. I said multiple times that I LIKE the album. I said I had a complaint, a QUIBBLING complaint, relating to the "aural wallpaper" that runs throughout the album. I pointed to my longer review of the album which expanded on this OBSERVATION--which by the way was a tangential comment in the first place. Now I'm being pressed, five days on, to defend my "thesis," as if I need to break each song down second by second. Ridiculous.

pgwp, Monday, 31 December 2007 16:11 (sixteen years ago) link

This thread became very boring - Chris Brown's timely interjection excepted.

Tim F, Monday, 31 December 2007 16:31 (sixteen years ago) link

it's because i went away. no, wait, it's because you went away.

scott seward, Monday, 31 December 2007 16:31 (sixteen years ago) link

uh you mean Mario's timely interjection?

but yeah I agree with him more than 95% of the critics represented on this thread.

Alex in Baltimore, Monday, 31 December 2007 16:38 (sixteen years ago) link

This thread became very boring

My apologies for my part in knocking it off the rails...it's a tolerance thing...I'd love to read more about Rumpelzirkus if you're up for it.

dblcheeksneek, Monday, 31 December 2007 16:42 (sixteen years ago) link

Shit that's mario! Ha ha at least I'll have a good excuse for all my ILX stuff-ups from now on.

i'm gonna write something about Kalabrese for a very very slowly accumulating year end thing I'm doing.

Tim F, Monday, 31 December 2007 16:48 (sixteen years ago) link

I look forward to it (and, btw, welcome back!)!

And another "amen" is in order for A Place To Bury Strangers (Killer Pimp); wicked (and, agreed, underappreciated [although not exactly widely available/reviewed could 'splain some of its year-end undermentioning]).

dblcheeksneek, Monday, 31 December 2007 16:51 (sixteen years ago) link

Great list Fastnbulbous, love seeing Tinariwen and Yeasayer in your top 10.

skotbot, Monday, 31 December 2007 17:35 (sixteen years ago) link

newsday.com/entertainment/music/ny-2007music-latin,0,6399852.story

Newsday.com
2007 in music: Top 10 Latin music
BY ED MORALES

Special to Newsday

December 30, 2007

This year reggaetón, instead of fading away, merged with the mainstream, and salsa continued to embrace a more urban sound. Pop bachata broke through with younger groups and Latin alternative held on with key releases by old favorites. But Juan Luis Guerra swept the Grammys and won everyone's heart.

1. Juan Luis Guerra "La Llave de Mi Corazón" -- Stellar production, arrangements, and songwriting could make this one of his best albums ever. The five Grammy awards signaled not only commercial success but strong aesthetic accomplishment. Rides the strength of title track hit, but innovative and bracing all the way through.

2. Marc Anthony, "El Cantante" -- This is a case where the soundtrack is more rewarding than the film. Sure, Marc is no Héctor Lavoe and producer Sergio George is no Willie Colón, but that's a small argument. This music is the emotional center of a generation, and though Marc's throaty performance isn't exactly on point, it's a brilliant homage.

3. Calle 13 "Residente o Visitante" -- Strongly Puerto Rican yet globalized at once. The duet with Orishas was one of the highlights of the Grammy awards. The songs, though not as stunning as on their debut, grow on you and the duets with La Mala Rodríguez and Tego Calderón are classic. 4. Isaac Delgado "En Primera Plana" -- Guest stars Cachao, Victor Manuelle and Gonzalo Rubalcaba make this salsa like no other. Delgado brings a Cuban looseness, breaking out of rigidly commercials salsa. Producer Sergio George the key, and songs like "Paquito Va" have the soul of a salsa anthem.

5. Daddy Yankee, "Impacto" -- Daddy singlehandedly wills reggaetón into becoming a universal pop music. He makes shrewd use of producers Scott Storch and Kanye West; guest stars Akon, Fergie, and will.i.am. From the futuristic title track to the "underground" reggaetón nostalgia of "A lo Cláscio," "Impacto" is a relentless joyride.

6. La Mala Rodríguez, "Malarísimo" -- Impressive duets with diverse talents Tego and Julieta Venegas make this album special, as do the talents of several Spanish producers and DJ Rectangle of Las Vegas. She pushes limits while coming off as a generous spirit and playful mistress of ceremonies.

7. Voltio "A Lo Claro" -- Suddenly a major voice in reggaetón, Voltio dabbles in multi-genre-ism, dabbling in cumbia, salsa, bolero, rock, and post-disco. He's the appealing middle ground between the archly suburban Calle 13 and the larger than life pop-gangster Daddy Yankee, and his embrace of the street is neither overbearing nor pretentious.

8. Juanes, "La Vida Es ... Un Ratico" -- The Colombian pop-rock megastar turns his own personal tragedy into material for yet another hit album. While not breaking much new ground musically, there's enough originality and passion in the songs to push his career forward.

9. Café Tacuba, "Sino" -- In some ways a comeback album, "Sino" allows the band to go back to the music of their youth. What results is an interesting flux between classic-rock jamming and '80s synth-pop terseness. Best appreciated if you're into the droning guitars but the songwriting still has plenty to say.

10. Papo Vasquez Pirates Troubadours, "From the Badlands" -- This "Latin jazz" collection of chaotic tunes embracing bomba, guaracha, plena, mambo, and aguinaldo erases genre boundaries. Propelled by Vásquez's insistent trombone, and aided by people like Edsel Gómez, Sherman Irby, Milton Cardona, Richie Flores and Hernán Olivera, this is groundbreaking stuff.

(Was going to copy the lists from the other critics, but they are too inconveniently formatted.

Rockist Scientist, Monday, 31 December 2007 18:13 (sixteen years ago) link

Pop bachata broke through with younger groups

I think this has been going on for a few years now, though I don't have anything to concrete to back that up with. But Aventura has clearly targeted a teenage, maybe pre-teen, audience, and they've been big since 2002.

Rockist Scientist, Monday, 31 December 2007 18:19 (sixteen years ago) link

Thank you year end lists for giving me Dan Deacon. Now I am listening to Snake Mistakes and just in time for it to be one of the best things I've heard all year.

I know, right?, Monday, 31 December 2007 18:23 (sixteen years ago) link

x-post: The title of the album Daddy Yankee put out this year is El Cartel: The Big Boss.

Rockist Scientist, Monday, 31 December 2007 18:23 (sixteen years ago) link

Punknews Bestof Lists
(http://www.punknews.org/article/27110)

20. Tegan and Sara - The Con
19. Streetlight Manifesto - Somewhere in the Between
18. Fake Problems - How Far Our Bodies Go
17. Joel Plaskett Emergency - Ashtray Rock
16. The National - Boxer
15. Filthy Thieving Bastards - I'm a Son of a Gun
14. The Menzingers - A Lesson in the Abuse of Information Technology
13. Minus the Bear - Planet of Ice
12. The Copyrights - Make Sound
11. Against Me! - New Wave
10. American Steel - Destroy Their Future
9. Big D and the Kids Table - Strictly Rude
8. Feist - The Reminder
7. Chuck Ragan - Feast or Famine
6. Crime in Stereo - Is Dead
5. Career Suicide - Attempted Suicide
4. The Gaslight Anthem - Sink or Swim
3. Attack in Black - Marriage
2. Lifetime - Lifetime
1. The Weakerthans - Reunion Tour

Good to see Streetlight Manifesto get some love.

Mordechai Shinefield, Tuesday, 1 January 2008 03:45 (sixteen years ago) link

Jason Tate's (EIC of Absolutepunk.net) List
http://www.absolutepunk.net/showthread.php?t=281275

30) Steel Train - Trampoline
29) Lifetime - Lifetime
28) The Wonder Years - Get Stoked on It!
27) Sherwood - A Different Light
26) A Wilhelm Scream - Career Suicide
25) The Graduate - Anhedonia
24) New Found Glory - From The Screen To Your Stereo Part 2
23) Minus the Bear - Planet of Ice
22) The Spill Canvas - No Really, I'm Fine
21) Logh - North
20) Fall Out Boy - Infinity on High
19) The Starting Line - Direction
18) Straylight Run - The Needles, The Space
17) The Shins - Wincing The Night Away
16) Against Me! - New Wave
15) Arctic Monkeys - Favourite Worst Nightmare
14) Eisley - Combinations
13) Anberlin - Cities
12) Saves the Day - Under the Boards
11) Iron and Wine - The Shepard's Dog
10) Four Year Strong - Rise or Die Trying
09) Yellowcard - Paper Walls
08) Josh Ritter - The Historical Conquests of Josh Ritter
07) Dustin Kensrue - Please Come Home
06) Motion City Soundtrack - Even if It Kills Me
05) Bright Eyes - Cassadaga
04) Foo Fighters - Echoes, Silence, Patience and Grace
03) Jimmy Eat World - Chase This Light
02) Cary Brothers - Who You Are
01b) Thrice - The Alchemy Index
01a) Say Anything - In Defense of the Genre

Mordechai Shinefield, Tuesday, 1 January 2008 03:47 (sixteen years ago) link

haha Say Anything was on my year-end list, I AM ON THE ABSOLUTEPUNK TIP.

Dimension 5ive, Tuesday, 1 January 2008 06:56 (sixteen years ago) link

if you follow the myspace link there's a bunch of other artistes who've done 07 lists, but mario's was the only one that struck me as not having an eye on just dapping collaborators/labelmates etc etc. i should check that incubus out huh?

crit lists that i guess did not bore me senseless: j-shep parts
one and two, and maybe prancehall (who i've really come to like lately! maybe it's since he left vice? if he even did.) enjoyed al's breakdown too, he can link that himself tho if he wants

r|t|c, Tuesday, 1 January 2008 12:29 (sixteen years ago) link

Yeah, I like the Mario list, too.

The Reverend, Tuesday, 1 January 2008 16:33 (sixteen years ago) link

oh I don't want anybody else, and when I think about you I link myself

Alex in Baltimore, Tuesday, 1 January 2008 17:32 (sixteen years ago) link

mario's was the only one that struck me as not having an eye on just dapping collaborators/labelmates

true, although he's also friendly with Cassidy and they've done a bunch of songs together, which is the only reason I didn't give him props for singling out the otherwise underrated Cassidy album

Alex in Baltimore, Tuesday, 1 January 2008 17:34 (sixteen years ago) link

OTM re: Alicia Keyshia

The Reverend, Tuesday, 1 January 2008 17:51 (sixteen years ago) link

the dream is album is really good but dj drama album is zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz (sadly).

J0rdan S., Tuesday, 1 January 2008 18:01 (sixteen years ago) link

Didn't see anyone post this yet - the New Yorker's "records released in the past year that deserve a second listen":

Nicole Atkins, “Neptune City” (Columbia)—Atkins’s début album pays tribute to her New Jersey home town with a sound that can only be described as high chamber pop: overstuffed and sometimes overbearing arrangements that succeed because Atkins’s vocals keep the songs rooted in deeper traditions of girl group, soul, and even country. The record’s highlights include the loping “War Torn” and the ecstatic, anthemic “Brooklyn’s On Fire!”

Devendra Banhart, “Smokey Rolls Down Thunder Canyon” (XL)—Banhart, born in Texas and raised in Venezuela and California, makes music that interprets so many styles that it belongs in a universe of its own. On this sprawling collection, Banhart sings in English, Spanish, and Portuguese and refracts Brazilian dance pop, doo-wop, and folk through a neo-hippie prism.

Bonde do Rolê, “With Lasers” (Domino)—The year’s best funk record is in Portuguese, but that doesn’t mean that it’s hard to understand. This is down-and-dirty, free-your-ass-and-your-pants-will-follow baile funk from Brazil. Executive-produced by Diplo, who is best known for his work with M.I.A., the record leaps from style to style with restless and even relentless energy.

Bill Callahan, “Woke on a Whaleheart” (Drag City)—Under the band name Smog, Bill Callahan has been making brilliantly downbeat folk pop for nearly twenty years, fitting his low voice and keen observations to bewitchingly languid arrangements. “Woke on a Whaleheart” is the first record he has released under his own name, and it’s both a continuation of Smog and a departure from it. The songs here are at once more rhythmic and more experimental, and, while a few meander, most lock into a steady groove; at least one, “Diamond Dancer,” is a high point in Callahan’s career.

Brandi Carlile, “The Story” (Sony)—The second album by Brandi Carlile, a pretty twenty-something singer, doesn’t even have a picture of her on the cover. That’s O.K., since Carlile has a powerful and fascinating voice that is reminiscent of k.d. lang. Her music has been featured on shows like “Grey’s Anatomy,” but Carlile’s real habitat is her records, where she writes and performs mysterious songs like “Turpentine” and “Cannonball.”

Jarvis Cocker, “Jarvis” (Rough Trade)—Cocker, the acerbic and witty front man for the defunct Brit-pop band Pulp, delivers a solo record that captures the bittersweet nature of life itself. Cocker’s melodies are sharp and inventive, and his ballads come off as tender, until you realize that he is often talking about the dark side of life, either explicitly, as on “I Will Kill Again,” or indirectly, as on “Baby’s Coming Back to Me.” She’s not.

Sharon Jones and the Dap-Kings, “100 Days, 100 Nights” (Daptone)—Sharon Jones’s third LP with the Dap-Kings is a stylistic shift rather than a leap: it moves away from the mid-sixties sounds of her earlier records and into a late-sixties mode, with rawer vocals and more spartan charts. Jones’s band is still superb, and although the songwriting remains inconsistent the peaks are as high as ever, including the fiery title track and the sexy, melancholy “Let Them Knock.”

Miranda Lambert, “Crazy Ex-Girlfriend” (Sony)—The twenty-four-year-old country singer wrote half of her defiant and sunny 2005 début, “Kerosene,” by herself. Her second album finds her working with more outside writers and louder guitars. Lambert pulls off the shift in style because she has talent and charisma on a par with Dolly Parton, another blond beauty who was once underestimated.

Prodigy, “Return of the Mac” (Koch)—Intended as an interim mix tape, this collaboration between Mobb Deep’s lead rapper Prodigy and the producer Alchemist has turned out to be their best work in years. Departing from the claustrophobic sound of Mobb Deep albums, Alchemist opted for long samples of relaxed funk. Prodigy loosened his grip, too, and moved away from cold fatalism to a lurid sense of paranoia. It was all depressingly apt—Prodigy is now facing a three-and-a-half-year sentence for a gun-possession charge.

Various artists, “The Roots of Chicha” (Barbès Records)—Starting in the late sixties, Peruvian musicians created chicha, a working-class urban folk music, by layering psychedelic touches like electric guitars, Moog synthesizers, and Farfisa organs on the popular hip-shaking cumbia of Colombia. These vintage songs (handpicked by the Brooklyn club owner Olivier Conan) are melodic, catchy, and groovy in a way that’s unlikely ever to be repeated.

Wu-Tang Clan, “8 Diagrams” (Motown)—Getting the entire Wu-Tang Clan together isn’t quite as hard as forging democracy in the Middle East, but it belongs in the same sentence. The sprawling collective’s first album in six years finds the group’s sonic architect, RZA, in a spacier frame of mind. Luckily, it also finds some of the m.c.s rejuvenated, especially Method Man and Raekwon. The always reliable Ghostface Killah livens the first half of the record; the Beatles-interpolating “The Heart Gently Weeps” is moving, if bizarre; and songs like “Campfire” and “Stick Me for My Riches” demonstrate that the gangsta-rap genre isn’t played out.

o. nate, Tuesday, 1 January 2008 23:55 (sixteen years ago) link

Sixth Annual Shmoo Poll 2007 - Obner's Boarders Top 125 for 2007

Position-weighted score

No. Album Total Score

1 The National - Boxer 687
2 Spoon - Ga Ga Ga Ga Ga 582
3 Radiohead - In Rainbows 463
4 Arcade Fire - Neon Bible 354
5 Wilco - Sky Blue Sky 346
6 Andrew Bird - armchair apocrypha 313
7 LCD Soundsystem - Sound of Silver 288
8 Okkervil River - The Stage Names 270
9 Band Of Horses - Cease To Begin 253
10 Modest Mouse - We Were Dead Before the Ship Even Sank 251
11 Of Montreal - Hissing Fauna, Are You the Destroyer? 243
12 Frank Black - Bluefinger 225
13 The White Stripes - Icky Thump 223
14 M.I.A. - Kala 222
15 Josh Ritter - the historical conquests of josh ritter 202
16 Feist - the reminder 193
17 The Shins - Wincing the Night Away 190
18 Panda Bear - Person Pitch 189
19 Babyshambles - Shotters Nation 186
20 Animal Collective - Strawberry Jam 169
21 Iron & Wine - The Shepherd's Dog 169
22 Amy Winehouse - Back to Black 157
23 Les Savy Fav - Let's Stay Friends 155
24 Future of the Left - Curses 147
25 Kings of Leon - Because of the Times 144
26 Jens Lekman - Night Falls Over Kortedala 143
27 Ike Reilly - We Belong to the Staggering Evening 132
28 Son Volt - The Search 128
29 The Avett Brothers - Emotionalism 124
30 Battles - Mirrored 122
31 Dinosaur Jr. - Beyond 115
32 Burial - Untrue 110
33 Blonde Redhead - 23 104
34 The Broken West - I Can't Go On, I'll Go On 103
35 Liars - s/t 101
36 The Good, the Bad & The Queen - The Good, the Bad & The Queen
37 John Doe - A Year in the Wilderness 98
38 Kanye West - Graduation 90
39 Deerhunter - Cryptograms 89
40 The New Pornographers - Challengers 88
41 St. Vincent - Marry Me 83
42 Ted Leo & the Pharmacists - Living With the Living 82
43 !!! - Myth Takes 77
44 Tim Armstrong - A Poet's Life 76
45 Richard Hawley - Lady's Bridge 75
46 Sharon Jones & The Dap Kings - 100 Days and 100 Nights 74
47 Jason Isbell - Sirens Of The Ditch 73
48 Joe Henry - Civilians 69
49 Soulsavers - It's Not How Far You Fall, It's The Way You Land
50 Bruce Springsteen - Magic 67
51 The Twilight Sad - Fourteen Autumns And Fifteen Winters
52 Beirut - The Flying Cub Cup 66
53 The Weakerthans - Reunion Tour 63
54 The Besnard Lakes - Are the Dark Horse 61
55 Ryan Adams & The Cardinals - Easy Tiger 59
56 Justice - † 59
57 Jim White - Transnormal Skiperoo 58
58 Grinderman - Grinderman 57
59 White Rabbits - Fort Nightly 55
60 Against Me! - New Wave 55
61 King Khan & The Shrines - What Is? 54
62 The Apples in stereo - New Magnetic Wonder 53
63 Sondre Lerche - Phantom Punch 53
64 The Field - From Here We Go To Sublime 53
65 Black Rebel Motorcycle Club - Baby 81 50
66 Queens of the Stone Age - Era Vulgaris 48
67 Jesu - Conquerer 47
68 Dax Riggs - We Sing of Only Blood or Love 47
69 Deadstring Brothers - Silver Mountain 47
70 Nicole Atkins - Neptune City 46
71 Interpol - Our Love to Admire 45
72 Bishop Allen - The Broken String 43
73 Magnolia Electric Co. - Sojourner 43
74 Various Artists - I'm Not There 43
75 A Place To Bury Strangers - A Place To Bury Strangers 42
76 Brother Ali - The Undisputed Truth 42
77 The Blind Shake - Carmel 41
78 Jose Gonzalez - In Our Nature 41
79 Low - Drums and Guns 40
80 Black Lips - Good Bad Not Evil 40
81 Caribou - Andorra 39
82 Call Me Lightning - Soft Skeletons 39
83 Explosions in the Sky - All of a Sudden I Miss Everyone
84 Glen Hansard and Marketa Irglova - Once movie soundtrack
85 Portugal. The Man - Church Mouth 38
86 Thurston Moore - Trees Outside the Academy 37
87 Apparat - Walls 37
88 Ween - Friends (ep) 36
89 Black Moth Super Rainbow - Dandelion Gum 36
90 Robert Plant / Alison Krauss - Raising Sand 35
91 Rilo Kiley - Under the Blacklight 35
92 nina nastasia & jim white - you follow me 34
93 Boris with Michio Kurihara - Rainbow 34
94 The Underground Railroad to Candyland - Bird Roughs 34
95 Brokedowns - New Brains For Everyone 34
96 Shellac - Excellent Italian Greyhound 34
97 Sunset Rubdown - Random Spirit Lover 33
98 Ween - La Cucaracha 33
99 Editors - An End Has A Start 33
100 The Arrivals - Marvels of Industry 33
101 Miranda Lambert - Crazy Ex-Girlfriend 33
102 Klaxons - Myths of the Near Future 32
103 Deerhoof - Friend Opportunity 32
104 Yeasayer - All Hour Cymbals 31
105 Super Furry Animals - Hey Venus! 31
106 Patti Sciafla - Play It As It Lays 31
107 Elliott Smith - New Moon 31
108 Earlimart - Mentor Tormentor 30
109 Kevin Drew - Broken Social Scene Presents...Spirit If 29
110 Buffalo Tom - Three Easy Pieces 29
111 Menomena - Friend and Foe 28
112 Dizzee Rascal - Maths + English 28
113 Patton Oswalt - Werewolves & Lollipops 28
114 Electrelane - No Shouts, No Calls 27
115 Loney, Dear - Loney, Noir 26
116 Pole - Steingarten 26
117 Steve Earle - Washington Street Serenade 26
118 Blockhead - A Page From Uncle Tony’s Coloring Book 26
119 Grant Lee Phillips - Strangelet 26
120 Jason Falkner - I'm OK You're OK 25
121 The Clientele - God Save the Clientele 25
122 The Fiery Furnaces - Widow City 25
123 The Mendoza Line - 30 Year Low 25
124 Parts & Labor - Mapmaker 25
125 PJ Harvey - White Chalk 24

Bee OK, Wednesday, 2 January 2008 00:32 (sixteen years ago) link

This Year's "Emperor's New Clothes": What act had your fellow critics going ape-pooh this year but that you think is a bunch of bullocks with no "there" there?

Jody Rosen: Panda Bear.

Mordechai Shinefield, Wednesday, 2 January 2008 06:01 (sixteen years ago) link

careful w/those stones mr. resident of glass house

m coleman, Wednesday, 2 January 2008 11:51 (sixteen years ago) link

To be taken with a very substantial grain of salt, since they are in the business of selling CDs--pero, still interesting (to me) for the specialized angle:

http://www.descarga.com/cgi-bin/db/best_of_2007

Rockist Scientist, Wednesday, 2 January 2008 12:55 (sixteen years ago) link

Because I just know you wouldn't find it without someone pointing it out, 2007 Pitchfork Readers Poll - digging the additional analysis further down the poll's page...

dblcheeksneek, Wednesday, 2 January 2008 14:11 (sixteen years ago) link

Wow, former NY Times critic Peter Watrous sure does like Cuban singer and now Florida resident Isaac Delgado in that Descarga list:

Delgado, one of the Caribbean's great singers, one of the great singers of the 20th century, the Frank Sinatra of salsa and leader of one of the great bands of his time, has moved to Florida, and the first thing he's done is record a classic salsa album that if all is well in the world, will give him a great career here for the rest of his natural life. Because there's nothing like his singing, his sense of swing, his rhythmic assuredness, his melodic invention; it's all so casual, laden with sensuality.

curmudgeon, Wednesday, 2 January 2008 17:35 (sixteen years ago) link

I own that Brandi Carlile album. It may in fact deserve a second listen. I'm not sure if it deserves a third.

gabbneb, Wednesday, 2 January 2008 17:38 (sixteen years ago) link

What de hey

kiss out the jams, Wednesday, 2 January 2008 19:15 (sixteen years ago) link

Who do people think are going to win the P&J/JP polls?

Dan S, Wednesday, 2 January 2008 19:40 (sixteen years ago) link

kiss out the jams: I don't think we have much musical taste in common, but I admire your thoroughness and spirit.

Dimension 5ive, Wednesday, 2 January 2008 19:49 (sixteen years ago) link

Who do people think are going to win the P&J/JP polls?

-- Dan S, Wednesday, January 2, 2008 2:40 PM (10 minutes ago) Bookmark Link

there's already a thread for that, although I guess we could do it here, too: Oh No, Pass the Lord and Praise the Ammunition--It’s Time for the 2007 P&J / Jackin’ Pop Prognostication Thread!

Alex in Baltimore, Wednesday, 2 January 2008 19:52 (sixteen years ago) link

Wow, the Kiss Out the Jams list is the most Xgau-obsessive year-end list I've ever seen, both tastewise and grading-scale-wise.(I'm not making fun; believe me, I've been there myself.) I am in awe, though I agree with no more of it than I agree with the Consumer Guide itself these days. (My own 150-best list is waiting in the wings, somewhere. The "any list above 20 is baloney" rule is baloney, like always. KOTJ clearly comprehends the importance of quantity in an age of bottomless abundance.)

xhuxk, Wednesday, 2 January 2008 20:09 (sixteen years ago) link

KOTJ's list is the second (I've read) to tout Travis Morrison Hellfighters's All Y'All...can't recall the first. Thank you for reminding me of its release.

dblcheeksneek, Wednesday, 2 January 2008 21:09 (sixteen years ago) link

might've been mine that was linked a little earlier, i had it at #16. still kind of figuring out how much i like some of the songs, but it definitely deserves a little more recognition than it got.

Alex in Baltimore, Wednesday, 2 January 2008 21:12 (sixteen years ago) link

careful w/those stones mr. resident of glass house

what does this even mean?

Matos W.K., Wednesday, 2 January 2008 22:07 (sixteen years ago) link

i had it at #16

'Twas you indeed.

dblcheeksneek, Wednesday, 2 January 2008 22:17 (sixteen years ago) link

careful w/those stones mr. resident of glass house

what does this even mean?

-- Matos W.K., Wednesday, 2 January 2008 22:07 (Yesterday) Link

Is this a reference to Mordechai's suggestion on some other thread that any list that does not include "Umbrella" has no credibility, and/or that anyone who posts on the teenpop only thread, as Mordechai does, is somehow a glass house resident (although Mordechai posts on other threads). Who knows? I'll let M. Coleman explain it himself.

curmudgeon, Thursday, 3 January 2008 06:04 (sixteen years ago) link

Because hip-hop is so intensely self-aware, and self-reflexive, it came to be known as big-money music, a genre obsessed with its own success. If we are now entering an age of diminished commercial expectations, that will inevitably change how hip-hop sounds too.

K. Sanneh followed up his critics poll list with a big feature on his fave non-major label rap cds of '07 by Turf Talk, Prodigy, Project Pat and others, and their place in a world with smaller sales for hiphop, and more rappers on independent labels.

http://www.nytimes.com/2007/12/30/arts/music/30sann.html?_r=1&oref=slogin

curmudgeon, Thursday, 3 January 2008 15:54 (sixteen years ago) link

I hope it wasn't a reference to me, since I was just quoting a different critic. I assume he meant that Jody shouldn't throw stones?

Mordechai Shinefield, Thursday, 3 January 2008 16:05 (sixteen years ago) link

how is the phrase "ape-pooh" not the most controversial thing about that quote/post?

Alex in Baltimore, Thursday, 3 January 2008 16:10 (sixteen years ago) link

I don't think people noticed the pic with album covers was linked to more with comments (and on my page it has a few easter eggs). Subgenre distinctions are of course contentious -- I mainly use them as a chance to talk about albums that you don't find in the overall top 13.

Avant Rock & Out Pop
1. Yeasayer - All Hour Cymbals (We Are Free)
2. Black Moth Super Rainbow - Dandelion Gum (Graveface)
3. Parts & Labor - Mapmaker (Jagjaguwar/Brah)
4. A Place To Bury Strangers (Killer Pimp)
5. Strategy - Future Rock (Kranky)
6. Gudrun Gut - I Put A Record On (Monika)
7. Robert Wyatt - Comicopera (Domino)
8. HUMANWINE - Fighting Naked (Nervous Relative)
9. Holy Fuck - LP (Young Turks)
10. Frog Eyes - Tears of the Valedictorian (Absolutely Kosher)
11. Om - Pilgrimage (Southern Lord)
12. Mammatus - The Coast Explodes (Holy Mountain)
13. Dragons of Zynth - Coronation of Thieves (GTC)

Experimental & Ambient
1. Moon Wiring Club - An Audience of Art Deco Eyes (Geophonic Audio Systems)
2. Kemialliset Ystävät (Fonal)
3. The Focus Group - We Are All Pan's People (Ghost Box)
4. Eluvium - Copia (Temporary Residence)
5. Echospace - The Coldest Season (Modern Love)
6. Morgan Packard - Airships Fill the Sky/Unsimulatable (Anticipate)
7. Porn Sword Tobacco - New Exclusive Olympic Heights (City Centre Offices)
8. Avarus - Rasvaaja (Secret Eye)
9. Pumice - Pebbles (Soft Abuse)
10. Melt-Banana - Bambi's Dilemma (A-Zap)
11. Mouthus - Saw a Halo (Loa)
12. Charalambides - Likeness (Kranky)
13. Pitch Black - Rude Mechanicals (Remote/Rhythmethod)

Heavy Rock
1. Jesu - Conquerer (Hydra Head)
2. Witchcraft - The Alchemist (Rise Above)
3. Queens of the Stone Age - Era Vulgaris (Interscope)
4. White Denim - Let's Talk About It EP (White Denim)
5. Dungen - Tio Bitar (Kemado)
6. Alcest - Souvenirs d'un Autre Monde (Profound Lore)
7. Porcupine Tree - Fear Of A Blank Planet (Atlantic)
8. Electric Wizard - Witchcult Today (CND)
9. 65daysofstatic - The Destruction of Small Ideas (Monotreme)
10. Battles - Mirrored (Warp)
11. Rosetta - Wake/Lift (Translation Lost)
12. Nadja - Radiance of Shadows (Alien8)
13. Oceansize - Frames (SPV)

Metal
1. Big Business - Here Come The Waterworks (Hydra Head)
2. Dillinger Escape Plan - Ire Works (Wea/Relapse)
3. Neurosis - Given to the Rising (Neurot)
4. High On Fire - Death Is This Communion (Relapse)
5. Dethklok - The Dethalbum (Williams Street)
6. Earthless - Rhythms From a Cosmic Sky (Tee Pee)
7. Middian - Age Eternal (Metal Blade)
8. Baroness - Red Album (3D)
9. Wolves in the Throne Room - Two Hunters (Southern Lord)
10. Wolfpack Unleashed - Anthems of Resistance (Napalm)
11. Pharoah Overlord - The Battle of the Axehammer (Riot Season)
12. Pig Destroyer - Phantom Limb (Relapse)
13. 3 Inches of Blood - Fire Up The Blades (Roadrunner)

Electro-Dreamwimp Pop
1. Sally Shapiro - Disco Romance (Paperbag)
2. The Tough Alliance - A New Chance (Sincerely Yours)
3. Maps - We Can Create (Mute)
4. Caribou - Andorra (Merge)
5. Electrelane - No Shouts No Calls (Too Pure)
6. Pram - The Moving Frontier (Domino)
7. St. Vincent - Marry Me (Beggars Banquet)
8. Cassius - 15 Again (Astralwerks)
9. White Williams - Smoke (Tigerbeat6)
10. The Frames - The Cost (Anti)
11. Of Montreal - Hissing Fauna, Are You the Destroyer (Polyvinyl)
12. Shout Out Louds - Our Ill Wills (Merge)
13. Future Clouds & Radar (Star Apple Kingdom)

Electronica, Techno & Dance
1. Burial - Untrue (Hyperdub)
2. Apparat - Walls (Bpitch Control)
3. Matthew Dear - Asa Breed (Ghostly International)
4. Dan Deacon - Spiderman of the Rings (Carpark)
5. Studio - West Coast (Information)
6. Laub - Deinetwegen (Agf Producktion)
7. Modeselektor - Happy Birthday! (Bpitch Control)
8. LCD Soundsystem - Sound Of Silver (DFA)
9. Pinch - Underwater Dancehall (Tectonic)
10. Muscles - Guns Babes Lemonade (Modular)
11. !!! - Myth Takes (Warp)
12. Chloe - The Waiting Room (Kill the DJ)
13. Fennesz & Sakamoto - Cendre (Touch)

Global
1. Tinariwen - Aman Iman (World Village) - Mali
2. Islaja - Ulual Yyy (Fonal) - Finland
3. Kemialliset Ystävät (Fonal) - Finland
4. Balkan Beat Box - Nu Med (JDub) - U.S./Isreal
5. Tokyo Jihen - Variety (EMI) - Japan
6. Café Tacuba - Sino (Universal Latino) - Mexico
7. Korpiklaani - Tervaskanto (Napalm) - Finland
8. Avarus - Rasvaaja (Secret Eye) - Finland
9. Extra Golden - Hera Ma Nono (Thrill Jockey) U.S./Kenya
10. Vieux Farka Toure (World Village) - Mali
11. Fanfare Ciocarlia - Queens and Kings (Asphalt & Tango) - Romania
12. Manu Chao - La Radiolina (Because) - Spain
13. Calle 13 - Residente O Visitante (Sony) - Puerto Rico

New Americana, Country & Folk
1. Tunng - Good Arrows (Thrill Jockey)
2. James Blackshaw - The Cloud of Unknowing (Tompkins Square)
3. PJ Harvey - White Chalk (Island)
4. Wooden Shjips (Holy Mountain)
5. The Fiery Furnaces - Widow City (Thrill Jockey)
6. Eleni Mandell - Miracle of Five (Zedtone)
7. Radical Face - Ghost (Morr)
8. Richard Youngs - Autumn Response (Jagjaguwar)
9. Efterklang - Parade (Leaf)
10. Caïna - Mourner (Profound Lore)
11. Nina Nastasia & Jim White - You Follow Me (Fat Cat)
12. Animal Collective - Strawberry Jam (Domino)
13. Beirut - The Flying Club Cup (Ba Da Bing!)

Hip Hop & Rap
1. Dälek - Abandoned Language (Ipecac)
2. El-P - I'll Sleep When You're Dead (Definitive Jux)
3. Aesop Rock - None Shall Pass (Definitive Jux)
4. Shape of Broad Minds - Craft of the Lost Art (Lex)
5. Pharoahe Monch - Desire (SRC/Universal/Motown)
6. Oh No - Dr. No's Oxperiment (Stones Throw)
7. Busdriver - RoadKillOvercoat (Epitaph)
8. Brother Ali - The Undisputed Truth (Rhymesayers)
9. Black Milk - Popular Demand (Fat Beats)
10. Talib Kweli - Eardrum (WB)
11. Little Brother - Get Back (ABB)
12. Cloud Cult - The Meaning Of 8 (Rebel Group)
13. Saul Williams - The Inevitable Rise and Liberation of Niggy Tardust (Musicane)

Fastnbulbous, Thursday, 3 January 2008 21:22 (sixteen years ago) link

Some of those aren't so much contentious as laughable, but you've heard and analysed such a fuckton of music over the past year that I'm certainly not going to take you up on any of it! ;-) Anyway, most of my favourites are on here somewhere!

Just got offed, Thursday, 3 January 2008 21:26 (sixteen years ago) link

COLOUD CULT IS HIP HOP???

M@tt He1ges0n, Thursday, 3 January 2008 21:39 (sixteen years ago) link

Re: the Xgau thing

His model is the only one I've ever seen that affords the 3 star/"honorable mention" releases a distinction. People tend to talk more about the records they hated than ones they actually liked and I feel it's crucial to remember their existence if they're so much better than bad/overrated records being made infamous. Find a comfy place to sit down, Nada Surf!

Travis Morrison is one of the great nutjobs. One of the only artists working (and this goes double for indie) whose missteps you still root for, because they actually feel courageous. The last era with that kind of admirably blind tinkering counted Bowie, Prince, Neil Young and R.E.M. as practicioners I believe.

kiss out the jams, Thursday, 3 January 2008 21:46 (sixteen years ago) link

COLOUD CULT IS HIP HOP???

-- M@tt He1ges0n, Thursday, January 3, 2008 4:39 PM (7 minutes ago) Bookmark Link

Yeah, is that a list of indie-rap albums that were merely released last year?

kiss out the jams, Thursday, 3 January 2008 21:47 (sixteen years ago) link

Caina under New Americana, Country & Folk ?

Herman G. Neuname, Thursday, 3 January 2008 21:49 (sixteen years ago) link

That hiphop list makes me ;_;

The Reverend, Thursday, 3 January 2008 21:49 (sixteen years ago) link

"real" hip-hop

J0rdan S., Thursday, 3 January 2008 21:50 (sixteen years ago) link

The trend for normally sensible critics to give accolades to crappy mainstream rap albums continues, with Jay-Z, UGK, Ghostface Killah and Kanye West topping lists. You'd think from them that hip-hop has stopped evoloving and is curled up waiting to die. And please stop encouraging Lil' Wayne. Hitting one clever lyrical turn for every ten raps does not equal brilliance. Soon the market will be flooded by amateur tapes of rappers throwing every rhyme that falls off the top of their heads with no self editing whatsoever, because they know those white critics will eat anything up. Kanye West isn't totally horrible, as he always manages a couple decent singles. But if you actually listen to what else is out there, there's really no excuse. Artists like Dälek, El-P, Aesop Rock, Shape of Broad Minds, Oh No, Busdriver and Cloud Cult are actually pushing the art of hip-hop to new horizons, chipping away at the untapped vast potential for sounds. Oh No dug into Lebanese, Italian and Greek psych rock, and it's only the tip of the iceberg. Pharoahe Monch, Brother Ali, Black Milk and Little Brother showed it's still possible to make accessible hip-hop that's still powerful and relevant. Saul Williams, well, he's like that crazy uncle who freestyles at the family picnics. He's a little embarrassing, but still he speaks the truth.

The Reverend, Thursday, 3 January 2008 21:55 (sixteen years ago) link

Soon the market will be flooded by amateur tapes of rappers throwing every rhyme that falls off the top of their heads with no self editing whatsoever

ok this part is RONG in a different way from the rest of it is

Alex in Baltimore, Thursday, 3 January 2008 21:58 (sixteen years ago) link

i mean...uh...SOON?

Alex in Baltimore, Thursday, 3 January 2008 21:58 (sixteen years ago) link

Hip Hop taken to new levels.

The Reverend, Thursday, 3 January 2008 22:00 (sixteen years ago) link

Lil' Wayne really needs to stop trying so hard to appease the white critics, maaan.

polyphonic, Thursday, 3 January 2008 22:14 (sixteen years ago) link

no wfb no credibility

J0rdan S., Thursday, 3 January 2008 22:16 (sixteen years ago) link

cloud cult are a bunch of hippies from northfield.

you should check out some other cool hip hop acts like the flaming lips.

M@tt He1ges0n, Thursday, 3 January 2008 22:17 (sixteen years ago) link

i wish wayne hadn't self-edited so much this year and instead decided to flood the market with every rhyme that fell off the top of his head.

J0rdan S., Thursday, 3 January 2008 22:18 (sixteen years ago) link

i saw the video for "way of life" on mtv jams last night and -- although i can't claim to be any kind of big expert w/r/t to cash money or hot boys or NO stuff in general -- that wayne's getting a lot of critical props for being a WORSE rapper than he used to be.

he was great on that song, phrasing and timing was real crisp, contrasted very much w/the "i'm so hood" video i'd seen earlier that day where he's just a fucking spazz for no reason and pretty much everything abt that verse sucks dick.

M@tt He1ges0n, Thursday, 3 January 2008 22:22 (sixteen years ago) link

OMG, deej is way classic on the thread I linked.

The Reverend, Thursday, 3 January 2008 22:28 (sixteen years ago) link

i saw the video for "way of life" on mtv jams last night and -- although i can't claim to be any kind of big expert w/r/t to cash money or hot boys or NO stuff in general -- that wayne's getting a lot of critical props for being a WORSE rapper than he used to be.

he was great on that song, phrasing and timing was real crisp, contrasted very much w/the "i'm so hood" video i'd seen earlier that day where he's just a fucking spazz for no reason and pretty much everything abt that verse sucks dick.

-- M@tt He1ges0n, Thursday, January 3, 2008 5:22 PM (7 minutes ago) Bookmark Link

I don't particularly like "Way Of Life" but I get what you're saying, there's decent punchlines and great vocal performances all over stuff from his pre-Carter solo albums, I still hear DJs play "Shine" and "The Block Is Hot" alongside his new shit and it fits together more than most people would seem to think. His new stuff is better in many ways but definitely more uneven. I kinda like his "I'm So Hood" verse for a few of the lines, but it's still at most the 4th or 5th best verse on the remix.

Alex in Baltimore, Thursday, 3 January 2008 22:33 (sixteen years ago) link

<i>i mean...uh...SOON?</i>

Yep, I was being generous.

I didn't feel like including Common in the hip hop list so I threw in Cloud Cult. It was funnier at 3 A.M. You folks are cracking me up though, you're like the jackals I was watching on Animal Planet -- one whiff of weakness and the pack all jump in for the kill, ha ha. I guess I should put Public Enemy in there.

I didn't have a category for extreme-experimental-folkmetal, so yeah, Caïna was shoehorned a bit.

Fastnbulbous, Thursday, 3 January 2008 22:38 (sixteen years ago) link

yeah i mean that was just what i happened to see, but even that which isn't like a legendary song by him by any means seemed to be so much more focused and well written...like i dig the sort of kool keith zany punchlines he gets now to a degree but i wish it didn't have to come at the expense of clarity and precision.

M@tt He1ges0n, Thursday, 3 January 2008 22:38 (sixteen years ago) link

Fastnbulbous, I've really enjoyed your year-end lists. Keep on compilin'!

polyphonic, Thursday, 3 January 2008 22:44 (sixteen years ago) link

Best Wayne performance is still on the The Mind of Mannie Fresh album from a couple of years ago. His off-the-wall freestyling is put into context and boosted by Mannie's...well, whatever it is that Mannie does on that thing.

Dang I have to find that CD, it got deleted off my iPod and I didn't back it up.

Dimension 5ive, Thursday, 3 January 2008 22:54 (sixteen years ago) link

I used to love Kool Keith. Anyone heard the Ultramagnetic MCs album this year? I was afraid to hear it, as it would make me miss Dr. Octagon/Dooom.

Fastnbulbous, Thursday, 3 January 2008 22:59 (sixteen years ago) link

It was terrible. He's still capable of sneaking out a good song now and again (like "Drugs" on "Spankmaster"), but his '00s stuff has been really disappointing.

polyphonic, Thursday, 3 January 2008 23:07 (sixteen years ago) link

DeRogatis:
1. Grinderman, 'Grinderman'
2. Glenn Mercer, 'Wheels in Motion'
3. Tim Fite, 'Over the Counter Culture'
4. Modest Mouse, 'We Were Dead Before the Ship Even Sank'
5. Kanye West, 'Graduation'
6. LCD Soundsystem, 'Sound of Silver'
7. Spoon, 'Ga Ga Ga Ga Ga'
8. The Apples in Stereo, 'New Magnetic Wonder'
9. Radiohead, 'In Rainbows'
10. Air, 'Pocket Symphony'
http://www.suntimes.com/entertainment/derogatis/709668,SHO-Sunday-dero23.article

Jazzbo, Friday, 4 January 2008 16:31 (sixteen years ago) link

Tony I'm surprised to not see the new Nacao Zumbi on your list. I haven't heard it myself yet but would have thought anything they did would be an automatic for you. Have you not heard it or is it not any good?

billy g, Saturday, 5 January 2008 18:00 (sixteen years ago) link

Saul Williams, well, he's like that crazy uncle who freestyles at the family picnics.

i do not have this uncle.

tipsy mothra, Saturday, 5 January 2008 18:05 (sixteen years ago) link

I didn't get a chance to hear the latest Nação Zumbí in time for the lists, sadly.

Albums I heard too late to make the lists
1. Momo - A Estetica Do Rebisco (Umvd) - Brazil
2. Nação Zumbí - Fome De Tudo (Deck Disk Brazil)
3. Boris & Michio Kurihara - Rainbow (Drag City) - Japan
4. Vladislav Delay - Whistleblower (Humme) - Finland
5. M83 - Digital Shades Vol. 1 (Mute)
6. Caspian - The Four Trees (Dopamine)
7. Grails - Burning Off Impurities (Temporary Residence)
8. Yakuza - Transmutations (Prosthetic/Red)
9. Giuseppe Ielasi - August (12k) - Italy
10. O'Death - Head Home (Ernest Jenning)
11. Kashiwa Daisuke - Program Music I (Noble) - Japan
12. Opitope - Hau (Spekk) - Japan
13. Signal Hill (Tidemark)

Fastnbulbous, Sunday, 6 January 2008 20:53 (sixteen years ago) link

Can I just point out, the Brainwashed readers' poll that came out on January 1 is a really, really great list - the top 25 (copied and pasted below) is the best I've seen for the year. I really enjoy about 20 out of these 25 albums, and that's a fucking great ratio. Enjoy:

1. Stars of the Lid, "And Their Refinement of the Decline" (Kranky)
2. Jesu, "Conqueror" (Hydra Head)
3. Angels of Light, "We Are Him" (Young God)
4. Throbbing Gristle, "Part Two: The Endless Not" (Mute)
5. A Place To Bury Strangers, "A Place To Bury Strangers" (Killer Pimp)
6. Burial, "Untrue" (Hyperdub)
7. Grinderman, "Grinderman" (Mute)
8. Om, "Pilgrimage" (Southern Lord)
9. Einstürzende Neubauten, "Alles Wieder Offen" (Potomak)
10. Panda Bear, "Person Pitch" (Paw Tracks)
11. M.I.A., "Kala" (XL)
12. Six Organs of Admittance, "Shelter from the Ash" (Drag City)
13. Battles, "Mirrored" (Warp)
14. Earth, "Hibernaculum" (Southern Lord)
15. Boris with Michio Kurihara, "Rainbow" (Drag City)
16. Caribou, "Andorra" (Merge)
17. Deerhunter, "Cryptograms" (Kranky)
18. Liars, "Liars" (Mute)
19. LCD Soundsystem, "Sound Of Silver" (DFA)
20. Animal Collective, "Strawberry Jam" (Paw Tracks)
21. Boris with Merzbow, "Rock Dream" (Southern Lord)
22. Faust and Nurse With Wound, "Disconnected" (Art-Errorist)
23. Threshold HouseBoys Choir, "Form Grows Rampant" (Threshold House)
24. Robert Wyatt, "Comicopera" (Domino)
25. Shellac, "Excellent Italian Greyhound" (Touch & Go)

The full top 100, plus a bunch of awards for EPs, reissues, box sets, music videos, labels, and some other fun stuff, including the 10 worst albums of the year: http://brainwashed.com/index.php?option=com_content&task=view&id=6665&Itemid=1

stephen, Wednesday, 9 January 2008 21:35 (sixteen years ago) link

I guess I should get around to listening to this Stars of the Lid band, now that I see 'em big-upped everywhere. But I didn't like Battles, Grinderman, Burial or Animal Collective, and they seem to show up in the same places.

I eat cannibals, Thursday, 10 January 2008 00:46 (sixteen years ago) link

They don't sound like any of those bands. (But you might dislike them too.)

polyphonic, Thursday, 10 January 2008 00:48 (sixteen years ago) link

Prefix
50 Wu-Tang Clan: 8 Diagrams
49 Digitalism: Idealism
48 Soulsavers (with Mark Lanegan): It’s Not How Far You Fall, It’s How You Land
47 Jesca Hoop: Kismet
46 The Brunettes: Structure & Cosmetics
45 Bill Callahan: Woke on a Whaleheart
44 Boris featuring Michio Kurihara: Rainbow
43 Electrelane: No Shouts, No Calls
42 Little Brother: Getback
41 Nina Nastasia and Jim White: You Follow Me
40 Dan Deacon: Spiderman of the Rings
39 Beirut: The Flying Club Cup
38 Blonde Redhead: 23
37 Blitzen Trapper: Wild Mountain Nation
36 Baroness: The Red Album
35 Amiina: Kurr
34 Cass McCombs: Dropping the Writ
33 Klaxons: Myths of the Near Future
32 Iron & Wine: The Shepherd's Dog
31 Deerhoof: Friendship Opportunity
30 Burial: Untrue
29 Dragons of Zynth: Coronation Thieves
28 Justice: Cross
27 Liars: Liars
26 Fennesz: Cendre
25 Robert Wyatt: Comicopera
24 Sean Price: Jesus Price Superstar
23 Of Montreal: Hissing Fauna, Are You the Destroyer?
22 Stars of the Lid: And Their Refinement of the Decline
21 El-P: I’ll Sleep When You’re Dead
20 Low: Drums and Guns
19 The Field: From Here We Go Sublime
18 PJ Harvey: White Chalk
17 Battles: Mirrored
16 Caribou: Andorra
15 Amy Winehouse: Back to Black
14 Okkervil River: The Stage Names
13 Spoon: Ga Ga Ga Ga Ga
12 Deerhunter: Cryptograms
11 Jens Lekman: Night Falls Over Kortedala
10 Animal Collective: Strawberry Jam
09 Andrew Bird: Armchari Apocrypha
08 Pharoahe Monch: Desire
07 Arcade Fire: Neon Bible
06 Kanye West: Graduation
05 The National: Boxer
04 Panda Bear: Person Pitch
03 LCD Soundsystem: Sound Of Silver
02 Radiohead: In Rainbows
01 M.I.A.: Kala

Fastnbulbous, Thursday, 10 January 2008 02:40 (sixteen years ago) link

yea that brainwashed list is awesome

Mark Clemente, Thursday, 10 January 2008 15:45 (sixteen years ago) link

xpost - why was I under the impression that brainwashed was no more? evidently my memory's reports of its death were greatly exaggerated.

Great list, Brainwashed; thanks Fastnbulbous.

dblcheeksneek, Thursday, 10 January 2008 16:38 (sixteen years ago) link

NPR is running more indie-rock top 10s on their site if you're interested.

curmudgeon, Thursday, 10 January 2008 18:37 (sixteen years ago) link

i hope the nina nastasia/jim white record gets some year-end love. that might be my fav record this year.

M@tt He1ges0n, Thursday, 10 January 2008 18:42 (sixteen years ago) link

one month passes...

BMG Music Club sez:

https://webspace.utexas.edu/sdb55/criticspicks.png

stephen, Sunday, 10 February 2008 02:45 (sixteen years ago) link

You must be new here. WE THE BEST, MAN!

The Reverend, Sunday, 10 February 2008 05:21 (sixteen years ago) link

*jumps off the fucking bridge*

BIG HOOS aka the steendriver, Sunday, 10 February 2008 06:11 (sixteen years ago) link

Reminds me, I gotta use some more of my BMG Music Service $5.99 coupons (last was M.I.A.) I've left most of my lists in their original form, (orig *published* form, that is, like with P&J's glitches).Maybe some Songs Of The Year to be blogged later. But for now, here's my Nash Scene ballot, with links to my reviews added (re those on PTW, of course you can still stream and, in some cases still download songs from ballot entries)Entries not so Nashvegas this year(although somewhut). Also a lot of comments added, starring Charlie Daniels, Billie Holiday, Johnny Bush, Jon Langford & Sally Timms, Paul Newman & Piper Laurie, Pam Tillis, the Staples Singers, Sugarland, Michelle Shocked, Ashley Monroe, Hope Partlow, and a cast of thousands:
http://thefreelancementalists.blogspot.com

dow, Sunday, 10 February 2008 06:21 (sixteen years ago) link

loooooooooool hoos

J0rdan S., Sunday, 10 February 2008 18:47 (sixteen years ago) link

two years pass...

musicnerd | Posted on Nov 1st, 2007

in a year where so few good albums came out, (seriously I find it hard to even think of 15 true contenders for classics) Of Montreal at 27 is just uncalled for.

The Reverend, Sunday, 23 May 2010 19:47 (thirteen years ago) link

oops wrong thread

The Reverend, Sunday, 23 May 2010 19:47 (thirteen years ago) link


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