British Folk (and Revival)

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This is a folk compilation I've recently enjoyed, and that doesn't seem to have been mentioned much...

Raw Patrick (Raw Patrick), Tuesday, 28 February 2006 12:59 (eighteen years ago) link

"Your best best is to go back to the field recordings, the proper singers"

Can you recommend some titles on CD? ie pre-1960s revival?

bham, Tuesday, 28 February 2006 13:06 (eighteen years ago) link

OK, I am a casual listener of folk at best, however, I spent a lot of my teens bouncing around the folk scene because of my father. A couple of things to say about this "go back to the original source material" direction of thinking.

First, it really comes down to a question of taste, and for me, music is all about the arrangement. Ed (of this parish) recently copied me a bunch of Nu Folk - mainly Bellowhead and John & John. Predictably, I enjoyed the Bellowhead a great deal more, even though it covered a lot of the same material, (same songs in a couple of incidences) because I just enjoyed listened to an 11 piece band with multiple harmonies more than I enjoyed listening to just two blokes, with more limited arrangements.

But that brings back to the notion of "authenticity" and which is more "authentic" - listening to some "turn of the century crackly voiced bloke on an old record" and field recordings or listening to more modern people reinterpreting or "romanticising" it.

Well, folk has *always* been a participatory artform. It's not just about one bloke with a guitar, it's about everyone down the pub, or on the village green, or wherever, getting together to sing songs they all know. The second point I wanted to make is that folk has always been about co-opting traditional songs, changing them to suit your conditions or your needs - every person who performs a song adds something of their own to it. That's what the folk tradition is. Not slavishly recreating whatever someone else used to do.

Anyway, that's just my 2p. I should get my dad in here to comment further because he knows what he's talking about more than I do.

Cuair Crithlonracha (kate), Tuesday, 28 February 2006 13:15 (eighteen years ago) link

For field recordings of unaccompanied singers and such like, check out Topic Records 'Voice of the People' series. Also Veteran Records.

is, Tuesday, 28 February 2006 13:17 (eighteen years ago) link

My 2p is that, just because something is "old" and closer to "the source", whatever that may be, then it doesn't automatically mean it's good. In English folk music, in particular, a lot of those older singers weren't actually "amazing" singers, they just happened to be the only ones left who remembered and sang the songs.

Rotatey Diskers With Dadaismus (Dada), Tuesday, 28 February 2006 13:23 (eighteen years ago) link

In a more "living" tradition like Scots and Irish folk music, you often found more accomplished singers and musicians - probably not professional musicians but far from being amateurs

Rotatey Diskers With Dadaismus (Dada), Tuesday, 28 February 2006 13:25 (eighteen years ago) link

Of course, when I say that it's worth checking the old stuff out, I'm not at all suggesting that people nowadays should 'slavishly recreate' it- just that some might find it helpful to be aware of it and to use it to inform their own listening and/or production of modern music!

With regard to the vocal qualities of some of the old singers - the important thing was the songs they sang, not the singers... and anyway, I'd rather listen to an unpolished singer than some Radio Two-friendly 'folk' singer like... won't name any names.

Also, the only way to avoid refashioning the past (in the mistaken belief that you're doing something 'new' - i.e. Espers, Tunng, etc) -is to be aware of the past.

is, Tuesday, 28 February 2006 13:26 (eighteen years ago) link

the important thing was the songs they sang, not the singers...

Exactly. So is it really necessary to listen to unaccompanied field-recordings?

Rotatey Diskers With Dadaismus (Dada), Tuesday, 28 February 2006 13:29 (eighteen years ago) link

... listen to them if you want of course! I just don't think you have to

Rotatey Diskers With Dadaismus (Dada), Tuesday, 28 February 2006 13:30 (eighteen years ago) link

Those singers were aware that it was the song that was important, not themselves. Could be argued that a lot of singers nowadays have that the other way round - they use songs as mere forums for their displays of vocal prowess.

Of course you don't HAVE TO listen to anything.

is, Tuesday, 28 February 2006 13:33 (eighteen years ago) link

Those singers were aware that it was the song that was important, not themselves.

Were they really "aware" of that? Or were they just people who weren't very good singers?

Rotatey Diskers With Dadaismus (Dada), Tuesday, 28 February 2006 13:35 (eighteen years ago) link

Depends how you define a "good" singer. F'rinstance, I think that David Berman or Ian Curtis or Daniel Johnston or The Shaggs are better singers than Celine Dion or Whitney Houston or etc... agree?

is, Tuesday, 28 February 2006 13:38 (eighteen years ago) link

I doubt this was thier "point", but Espers' Rosemary Lane - and music in general - is what turned me on to British folk music. I was so taken by thier version of that song that I searched it out, bought albums suggested to me, etc. If passing on a music to new ears has "no point", espescially stuff being called folk music of some sort, that would suck.

I'm not a folk expert, but to my ears thier version of that song sounds very much like thier own. They claim to have lifted it right off of Jansch who lifted it right off of Clive Palmer. When you read interviews with those guys, they seem pretty deep into the traditions and roots off all sorts of music, espescially British folk. I'm going to listen to it now!

peter x (bucksbreeze), Tuesday, 28 February 2006 13:40 (eighteen years ago) link

To me, those singers I named above, in common with a lot of old field-recorded folk singers I love, sound like they sing because they enjoy it, because they have conviction in what they're singing and why they're singing, rather than just to prove their vocal chops.

is, Tuesday, 28 February 2006 13:42 (eighteen years ago) link

Yeah, Espers' version sounds like their 'own', but I just don't think it's very interesting, and there were probably hundreds of bands playing extremely similar versions of the song in folk clubs in the sixties and seventies. It's just retro music.

is, Tuesday, 28 February 2006 13:44 (eighteen years ago) link

Fair enough. Still a wonderful band.

peter x (bucksbreeze), Tuesday, 28 February 2006 13:45 (eighteen years ago) link

I just think the song is overdone, that's all - soon people are going to be doing old chestnuts like 'She Moved Through the Fair' and thinking they're being dead original because they've added, like, a synth to it or something.

is, Tuesday, 28 February 2006 13:47 (eighteen years ago) link

It must be really amazing, being a mind-reader, and knowing exactly what musicians are *thinking* as they record songs!

Cuair Crithlonracha (kate), Tuesday, 28 February 2006 13:49 (eighteen years ago) link

I understand where you are coming from. I guess it's just a matter of tastes. I have seen that band live three times now and was actually suprised at how unlike thier records they sound. Friends said they used to be more acoustic and "folky", but they were just really dark, cosmic and really mesmerizing. So maybe thier new stuff will do it for you.

peter x (bucksbreeze), Tuesday, 28 February 2006 13:51 (eighteen years ago) link

To me, those singers I named above, in common with a lot of old field-recorded folk singers I love, sound like they sing because they enjoy it, because they have conviction in what they're singing and why they're singing, rather than just to prove their vocal chops

The problem I have is that this is like the Lomax blues recordings, where Lomax seemed to purposefully seek out amateurs and field-hands and whatever thru some notion that they were more "authentic" - adn in doing so produced a distorted picture of what was actually going on. Actually expression or "chops" play a pretty big part in living folk traditions

Rotatey Diskers With Dadaismus (Dada), Tuesday, 28 February 2006 13:51 (eighteen years ago) link

Believe it or not, being technically "good singer" (or a good fiddle player etc) has always been pretty highly regarded in most traditions!

Rotatey Diskers With Dadaismus (Dada), Tuesday, 28 February 2006 13:53 (eighteen years ago) link

"Actually expression or "chops" play a pretty big part in living folk traditions"

Definitely... take, for example, Roscoe Holcomb. Technically dazzling banjo playing. And Jeannie Robertson could have been an opera singer! I love them both - but not necessarily for their technical abilities - but for their abilities to make me feel things.

The best singers/musicians make it sound effortless, as the above-mentioned do. They're technically accomplished but not show-offy.

is, Tuesday, 28 February 2006 13:56 (eighteen years ago) link

And I strongly disagree that either Lomax sought out ineptitude.

is, Tuesday, 28 February 2006 13:58 (eighteen years ago) link

There's a lot of "show-offiness" in folk music!

Rotatey Diskers With Dadaismus (Dada), Tuesday, 28 February 2006 14:00 (eighteen years ago) link

... try being in a room with a half a dozen fiddle players!

Rotatey Diskers With Dadaismus (Dada), Tuesday, 28 February 2006 14:01 (eighteen years ago) link

I don't deny it. But it seems like you're just arguing for argument's sake now.

I've never really liked show-offs in any sphere.

is, Tuesday, 28 February 2006 14:03 (eighteen years ago) link

all i know is that my grandfather goes to folk clubs twice a week and anytime we go anywhere near brigg, which is 10 minutes away, he belts out 'brigg fair.' he really needs a livein musicologist

emma cleveland (emma cleveland), Tuesday, 28 February 2006 23:11 (eighteen years ago) link

i'm not down with the tunng dis upthread

electric sound of jim (and why not) (electricsound), Tuesday, 28 February 2006 23:14 (eighteen years ago) link

is reminds me of my friend who, every time a hip-hop song comes on the radio slates it, then says something like "people go round listening to this song but they don't know that the producer ripped off an old clash/rick james/chic sample. this isn't real music, it's all recycled!" etc.

dog latin (dog latin), Tuesday, 28 February 2006 23:24 (eighteen years ago) link

Espers are great!!!

And if they're doing a lot to make people source out their influences, than kudos to them.

Brooker Buckingham (Brooker B), Wednesday, 1 March 2006 02:01 (eighteen years ago) link

Part of the problem, as usual, is the inadequacy of the press-imposed descriptive label. How can Tunng be "folk" if "folk" already means Duncan Williamson? How then can John Martyn's 'Inside Out' be folk, etc. Tunng owe far more to the Beta Band or Badly Drawn Boy than they do to the Watersons.

You could maybe argue they belong to some sort of British pastoral tradition that includes poeple like Robert Wyatt, but I guess that's not as snappy as "nu-folk", "wyrd folk" or worse, "folktronica".

Or you could just dismiss them as an indie band with a Wicker Man fetish.

bham, Wednesday, 1 March 2006 10:23 (eighteen years ago) link

That's right - a lot of these people are working in a indie/psych/folk-rock tradition rather than trying to extend any sort of authentic folk lineage. Comparing them with Bob Copper or whoever seems to be missing the point.

NickB (NickB), Wednesday, 1 March 2006 10:40 (eighteen years ago) link

three months pass...
I just heard "Hide & Seek" by The Eighteenth Day of May. I have to say it's quite lovely. It's looks like they just dropped an album.

nicky lo-fi (nicky lo-fi), Wednesday, 7 June 2006 08:37 (seventeen years ago) link

devendra found another british folk artist to piggy back on

http://www.pitchforkmedia.com/news/06-06/07.shtml

kevin barking (arghargh), Wednesday, 7 June 2006 20:34 (seventeen years ago) link

six months pass...
Heard the oldham tinkers while watching the colin welland play kisses at fifty (with a strong role from bill maynard!) yesterday

http://www.oldhamtinkers.com/index.html

-- (688), Friday, 5 January 2007 14:03 (seventeen years ago) link

two months pass...
News from the Delerium mailing list - Trees' On The Shore is being reissued and "has been remastered and updated by the original band members and includes a bonus disc of previously unreleased material including a demo & a BBC session track". Neat stuff.

NickB, Wednesday, 28 March 2007 08:24 (seventeen years ago) link

three years pass...

This second Sweeney's Men record really is fucking fanTASTIC.

ian, Sunday, 11 April 2010 05:17 (fourteen years ago) link

yeah, tracks of sweeney is some haunting stuff

velko, Sunday, 11 April 2010 06:35 (fourteen years ago) link

nine months pass...

anyone read this Electric Eden book (guess it is not out in the states yet)? Deals with "visionary British musicians" including a lot of british folk rockers. sounds like a good read anyway.

tylerw, Wednesday, 12 January 2011 22:06 (thirteen years ago) link

I raved about it in this thread:

Good books about music

ban this sick stunt (anagram), Wednesday, 12 January 2011 22:12 (thirteen years ago) link

oh cool -- looks like it is being published in the states this May ...

tylerw, Wednesday, 12 January 2011 22:14 (thirteen years ago) link

Reading it (v. slowly) at the moment. Makes me want to give Vashti Bunyan another chance.

seminal fuiud (NickB), Wednesday, 12 January 2011 22:20 (thirteen years ago) link

https://www.youtube.com/watch?v=Qs9PMky7Fj0

^ Fantastic clip of the Watersons singing 'Hal-An-Toe' in a pub in Hull in the mid-60's. Becoming slowly obsessed with this tune, gets me right in the guts every time.

seminal fuiud (NickB), Friday, 14 January 2011 17:15 (thirteen years ago) link

https://www.youtube.com/watch?v=pEwl_nvtt8A

^ And here's the Shirley Collins version with of course that great jews harp solo in it. It's the dulcimer that really gets me though.

seminal fuiud (NickB), Friday, 14 January 2011 17:18 (thirteen years ago) link

ah that's great, thanks for posting (the watersons clip)

tylerw, Friday, 14 January 2011 17:21 (thirteen years ago) link

I've got this folky musician friend who's been struggling with really bad depression for the last couple of years. Couldn't work, couldn't play, was just virtually housebound for that whole time. Finally about six months ago he started gigging again and I went a long and he played that. And that whole theme of the summer finally coming after the winter... It's been on my mind a lot since then.

seminal fuiud (NickB), Friday, 14 January 2011 17:22 (thirteen years ago) link

the recent album by jo bartlett (of yellow moon band/it's jo and danny) is wonderful folky stuff, v highly recommended

‰(.*?)‰ (electricsound), Saturday, 15 January 2011 03:29 (thirteen years ago) link

electric eden won't be released here til May :(

not everything is a campfire (ian), Saturday, 15 January 2011 03:38 (thirteen years ago) link

But you can get this now...

http://www.amazon.com/Seasons-They-Change-Story-Psychedelic/dp/1906002320

Looks great and there's definite crossover. Got my copy the other day.

Ned Raggett, Saturday, 15 January 2011 03:49 (thirteen years ago) link

I'm a couple of chapters into Electric Eden, need to hurry up if I'm ever to finish the thing.

Dans la Bot (seandalai), Saturday, 15 January 2011 04:03 (thirteen years ago) link


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