Daft Punk's Random Access Memories

it really is nice to listen to, i noticed this a lot more since it hit spotify and i can bring it around with me.

Lose Yourself To Dance is one of the greatest things I've ever heard

i like the song but i think the vocal melody is undernourished and the lyrics are just kind of bad. i don't mean "stupid," i don't care if they are simple, it's just that they don't sing myself except the title phrase. "wipe of all the sweat"? "this often"? i dunno.

haha "don't sing myself" should be simply "don't sing"

Really? 'sweat ... Sweat ... SWEAT', 'c'mon c'mon c'mon c'mon', 'guitar!' and the whole descending falsetto, it's like I've known them forever

it is just seems like a demo vocal is what i'm saying is

What do people think of this? I picked it up for $1 in Brooklyn about 10 years ago. It's from a French group on a French record label. It's about a computer who's sad. The name of the song is "Nobody Loves a Computer Because a Computer Does Not Dance".

https://www.youtube.com/watch?v=jDAQMNTgKzk

French - check
Live instruments - check
Lush arrangement - check
Soft rock boogie vibes - check
Disco pathos - check
Computer voice - check

"My emergency circuits ask me to disconnect.. To disconnect! To disconnect is.... to die!! I. L. O. V. E. LOVE Y. O. U. OH WHY? To DISCONNECT! I DON'T WANNA DIE!"

Written-By -- G. Sals*, J.F. Porry* 14:30

J.F. apparently an Algerian Sephardic Jew who now produces television in France

So this doesn't come up under DP albums under the American Spotify -- but if you search for the songs individually they do come up and the album is there. Weird.

http://open.spotify.com/album/4m2880jivSbbyEGAKfITCa

ignore everything i said about this album (apart from the old man talking bit), it's superb

oh, and i think it works as an album, although it's perhaps a bit long (yes daft punk i know)

Japanese Bonus Track (called Horizon I think) should be hitting the web sometime today.

Snippet here:

http://www.neowing.co.jp/track_for_cdj.html?KEY=SICP-3817

I love that computer 12 inch. I wrote about it somewhere years ago. a big fave of mine in the 90's when all I wanted to hear was stuff like that.

for me the record dips a bit near the end, maybe just in terms of the sequencing becoming a bit more erratic. after "touch" i never want to hear "get lucky" and the flow of the last few tracks kind of loses momentum even if some of those tracks are good. the first seven tunes all go together really well though - i even like the casablancas one now.

yeah, touch -> get lucky is a bit jarring

the lyrics to beyond are amazing. in the last few days it's really hit me how good it is, just brilliant understated pop. it reminds you how amazing "something about us" was as an idea that wasn't really in sync with the rest of discovery.

first time i heard "Beyond" i thought "yeah the man can still write"

love the transition from "Touch" to "Get Lucky" tho

What I don't get is that in some of the interviews they've said that Guy Man is sort of quality control and sits back giving opinions, but I still reckon this record is really like the Sebastian Tellier album that he produced. Did Thomas actually work on that too, and they didn't reveal this so as not to drown it in hype? Or is Guy Man responsible for the quieter side of what they do?

so at the end of Moroder's DJ set at Output tonight after 'I Feel Love', dude stops and just starts talking to the crowd for about five minutes to "recreate" the talky part of the daft punk track and the crowd alternates between confused murmurs, occasional shouts of SHUT UP AND PLAY THE RECORDS and hissing "SHHHHHH"s. Eventually he finally says "So my name is Giorgio... I mean, my name is GIOVANNI Georgio..." and then they played the song. Kind of a weak ending to an otherwise utterly epic time.

― klaus dingeldore's rhinelander monkey keeper father (forksclovetofu), Tuesday, May 21, 2013 2:31 AM (5 hours ago) Bookmark Flag Post Permalink

this is so depressing

So that Sherbs sample is pretty much the entirety of the Contact intro.

http://open.spotify.com/track/7vasLeZP0d9DKqhHCUvjIc

so at the end of Moroder's DJ set at Output tonight after 'I Feel Love', dude stops and just starts talking to the crowd for about five minutes to "recreate" the talky part of the daft punk track and the crowd alternates between confused murmurs, occasional shouts of SHUT UP AND PLAY THE RECORDS and hissing "SHHHHHH"s. Eventually he finally says "So my name is Giorgio... I mean, my name is GIOVANNI Georgio..." and then they played the song. Kind of a weak ending to an otherwise utterly epic time.

Sounds like a terrible crowd!

yeah that sounds awful but seriously who the fuck shouts at giorgio moroder to shut up?

Welcome to 2013. People pay to "hear" a dj and they expect their money's worth, dammit! "Who is this dickhead up there talking?"

see also: Jeff Mills bottle throwing incident.

I like the way in Giorgio he's like "becoming a musician was almost impossible because the dream was so big" but then he became a musician and knew that was the moment he had a real chance of becoming a musician.

"fuck, now that I'm a musician this whole being a musician dream could one day happen for me."

yeah, the narrative it tells is really kind of lame and elliptical when you step back. it'd be hilarious, though, if the track was 25 minutes long and he really got into the nitty-gritty of what synthesizers were used on different key productions, how they programmed the drums, stuff like that. "oh, and on this song, we added a slight pitch shift to donna's vocals on the pre-chorus. i think that was effective. and we did use some live drums, what was that guy's name?" as the click track rolls merrily along...

haha the track could be a 30 minute shaggy dog story

y'all know what he means though. his dreams were so big he couldn't see how to begin, he couldn't see the wood for the trees. but once he'd made the first step the path became clearer.

the path through the wood of course.

Tbf, it was embarrassing for all involved. Moroder's rambling recollection was being taped by red bull for future commodification and the anecdote was just how donna summer was alone with giorgio when she recorded hot stuff. Dude was wearing a button up shirt with lapels and looked and sounded like your italian gpa.
Again though: the set was SUPER EPIC and totally worth it, just a retrospective of the moroderverse with every big hit booming in your chest

Title of the album would make more sense if Moroder was recounting various stories about his early use of MS Access to make shitty databases

you have to love how he pronounces "synthesizer"

although that's one of the weaker tracks i start really getting into it when the drums start to go all apeshit around 6:30

drums + scratching, etc.

which track has scratching on this again?

i like to think that somewhere in the reported 5 hours of interviews bangalter did with moroder, he told the tale of a day a curious fan emailed him....

Production of "I feel love" by Summer/Moroder

"Dear Mr. Tilman
this is the only way i can help you

saluti
Giorgio Moroder"

http://www.thing.de/tilman/i%20feel%20love.jpg

i'm going to write a novel that starts with that letter/graphic

haha that's so awesome, love this from that thread -

Love Saves the Day has a part where they talk with Moroder about this. He gives an anecdote that Donna Summer was dancing to it in a club, probably next to a speaker that was carrying the right channel, and came back to Moroder saying "You know, something is wrong with this recording!" Moroder told her "I know what's wrong." "[the record] did well all the same."
― grady

you have to love how he pronounces "synthesizer"

otm. and the way he says "at that time in germany, they had already discotheques."

Oh man, that is so great xxp

http://youtu.be/fSdHsE-4XUs?t=1m25s

http://www.youtube.com/watch?&v=INPigOE_4BY
um.

I'll take one .gif of :22 - :25 please.

my god, that crowd

I'll take one .gif of :22 - :25 please.

You sick fuck.

the visual power of those three seconds is pretty undeniable

If you make it to the end of that (and bless your soul if you did), you are treated to the accountant looking banjo player doing background vox, with the mandolin "player" (never seems to be playing it much afaict) doing that hand to the ear thing...