Why does black people never want to rock?

But a lot of rock listeners -- indie listeners, in particular -- actively fret about about black people in particular not being as involved in the indie scene. My question was: why do they fret about that, and not, say, the fact that just as few (or fewer) black people are interested in Christian country?

Dances around the dynamic that I think is at work.

Indie fans look around at an indie show and see only white faces and they do fret, yes. But I will submit that their fretting is exactly NOT because of nabisco's conjectures (that the indie fretter "thinks of punk-lineage indie rock as 'better' or 'smarter' than everything else" or that "non-white races in particular are 'lesser' or 'dumber'").

I think the problem is precisely the opposite: white indie fans view the monochrome audiences at their favorite band's show as an indictment of their taste. Conversely, a mixed audience would be an endorsement of their taste. Partly because everyone secretly believes that if black people like it, then it must be funky, and funky is good.

The issue is twofold: on the one hand, these corny indie fuxorz have a nagging insecurity and a sense of inferiority in this one narrow area: the authenticity of how they experience musical enjoyment. Cf. the widespread generalization that the white folks have no soul, no rhythm, cannot dance, etc. Soul, rhythm, and dancing (associated with black musical enjoyment) are signs that you are enjoying the music on a more visceral and possibly more "real" level, vs. a more cerebral form of enjoyment that is associated with whiteness and lameness and general lack of "rock" virtues, which are supposed to center on the hips more than the head.

The second part of the equation has to do with indie fans being of an age and class and temperament where diversity is presented as an undisputed value. Geir just recently mentioned the

kind of people are considerably more likely to have a tolerant attitude towards black people and black culture than the stereotype redneck does

...translation: indie fans like to think of themselves as multiculturally inclined antiracists. Progressive values, socially liberal politics, a bohemian embrace of "alternative" culture. Let us leave aside for the moment whether they're right about themselves or not; what we're talking about is self-image. If an experience is as lily-white as your average Bright Eyes concert (say) then they worry that they're implicated in the segregation somehow, which runs counter to their self-image.

Hence the anxiety: it is driven more by insecurity than by arrogance.

How if there is no segregation other than the one chosen by the opressed ones themselves?

Sure, but why doesn't the same apply to indie, powerpop or prog?

The flaw here is, indie fans tend not to like disco or mainstream R&B, not because it is "black", but because it is "corporate" and "manufactured", that is, it is a production of capitalism rather than the real thing.

When he or she looks around him or herself at a Decemberists / Long Winters / Death Cab for Cutie concert and sees a lily-white audience, the suspicion is that they've attached themselves to an unfunky and un"real" phenomenon.

The feeling doesn't necessarily extend to the liking of all music that black folks are said to like. Black folks liking indie music would reflect well on indie music--but it isn't a sufficient condition for coolness.

OFRA HAZA!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Next up: Why is ILM predominantly right-handed?

It is a straight up Ali G send-up, or no?

I blame it on their repressive Catholic upbringing.

http://www.guardian.co.uk/arts/features/story/0,,1695373,00.html

the UK's black music is back with a vengeance - does this mean the death of Indie boys and their guitars scene?

Man those indie boys and guitars are becoming a rare breed eh? Where did they all go? Talk about oppression!!

/heavy sarcasm

lol UrbanDictionary

The best music on earth.

Pinkerton rocks!
by phrubee Nov 20, 2003 email it

Black Punk Time: Blacks in Punk, New Wave and Hardcore 1976-1983 (Part 4)
By James Porter and Jake Austen
(From Roctober #32, 2002)

http://blogs.chicagoreader.com/post-no-bills/2007/01/29/move-over-buppies-blipsters-are-coming/

Pinkerton:

The best music on earth.

Pinkerton rocks!

http://pinkerton.urbanup.com/360224

--
http://www.urbandictionary.com/

We have to take our clothes off
We have to party all night
And we have to take our clothes off
To have a good time
Oh no

Excuse me miss
I couldn't help but to notice how alone you are
I dig the attitude and how you're acting like you own the bar
Got me flashing keys and I don't even own a car
Like you ain't feeling my charm, because I know you are
I'm trying to see how your lips feel
Oh I'm sorry, my name is Travie and I'm pretty much a big deal
Oh, you've never heard of me
That sounds absurd to me
The way you stole my attention was flat out burglary
What do you say let's exit stage left so me and you can
Possibly reconvene and play some naked peekaboo
Cause after all the blouse you're wearing is kinda see through
And it's obvious I'm heading wherever you're leading me too
Such an angel with a devilish angle
And quite the certified sweet talker
And you're buying every line of it girl
And I don't really blame you
If I was in your shoes I'd probably do the same too

We have to take our clothes off
We have to party all night
And we have to take our clothes off
To have a good time
Oh no

Now here's another barn burner for the slow learners
Put your helmets on and take a seat on the short bus
Next stop, right around the corner from your momma live
No turning back so you better buckle up
Shit, don't be concerned with mine
I feel like a Speak and Spell way I got you learning my lines
Fine, pull the string, replay that shit
I change my name to "did he really just say that shit?"
Yep
I'll take a mile if you let me
Six-five, two hundred plus and so sexy
My legs going numb for keeping my phone on vibrate
To hide the fact your girlfriend keeps textin' me
And I've been trying to never mind it man
But every time I get a new number, she finds it damn
And you thought you had it sewn up
Until right around amazing o'clock when I showed up

We have to take our clothes off
We have to party all night
And we have to take our clothes off
To have a good time
Oh no

Got chicks, all hot chicks
Indie-rock chicks, and hip-hop chicks
Slim chicks, round chicks
Black, white, yellow, and brown chicks
Got chicks, all hot chicks
Indie-rock chicks, and hip-hop chicks
Slim chicks, round chicks
Black, white, yellow, and brown chicks

Good grief girl, you're giving me goosebumps
Standing there in your underwear and new pumps
It's like the more time we waste and less time I get to taste you
Honestly I could easily replace you
It's not a scam girl
That's how I am girl
Peter Pan, I'm a sucker for smacker's jam girl
It's clear I'm only here for good clean fun
Shut up and kiss me like the antidotes under my tongue
Whoa

We have to take our clothes off
And we have to party all night
And we have to take our clothes off
To have a good time
Oh no
We have to take our clothes off
And we have to party all night
And we have to take our clothes off
To have a good time
Oh no

Got chicks, all hot chicks
Indie-rock chicks, and hip-hop chicks
Slim chicks, round chicks
Black, white, yellow, and brown chicks
Got chicks, all hot chicks
Indie-rock chicks, and hip-hop chicks
Slim chicks, round chicks
Black, white, yellow, and brown chicks

Oh my god, why do you exist.

Their guitarist is black!

I can never tell how many layers of irony Dom is operating on when he posts about Decaydance bands.

I _think_ three

your cut & paste skills are next level

Gosh, Ned!!

Mick Collins has never, in my knowledge ‘rocked’.

Yes he has

Gosh, Ned!!

No, not gosh ned.

No, I was just surprised!