The film streaming service from TCM & Criterion Collection goes live in 13 days — October 19th. $6.99/month for the basic service, $10.99/month (or $99/year) for Filmstruck + Criterion Channel
Who's in?
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Thursday, 6 October 2016 13:03 (seven years ago) link
looks good that they have the commentaries, extras etc of Criterion discs, or at least some of that kind of content. i hope this won't mean the end of the Criterion blu rays. i'm expecting 'that market' will always want the 36 page books and fancy packaging and such. i know i will.
http://www.filmstruck.com/
― piscesx, Thursday, 6 October 2016 13:27 (seven years ago) link
I'm in.
― EZ Snappin, Thursday, 6 October 2016 13:29 (seven years ago) link
i wonder why the TCM lot and the Criterion gang decided to get into bed together. i mean Criterion doesn't seem like an obvious match for Ted 'Colourization' Turner.
― piscesx, Thursday, 6 October 2016 13:30 (seven years ago) link
Turner hasn't been involved in years...? TCM is a pretty good channel. Have they ever shown a colorized film?
Cons: US only, no Roku support at launch, extreme vagueness (how many films? "HUNDREDS of films!")
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Thursday, 6 October 2016 13:37 (seven years ago) link
But I'll sign up, at least for a few months.
I'll wait to start until Criterion joins up in November. I'll drop the $99 for their catalog alone.
― EZ Snappin, Thursday, 6 October 2016 14:44 (seven years ago) link
Criterion won't be available from day 1? I hadn't heard that part.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Thursday, 6 October 2016 14:49 (seven years ago) link
Yet no one posts on my Fandor thread
― Whiney G. Weingarten, Thursday, 6 October 2016 15:13 (seven years ago) link
November 11th for Criterion. They have to wait for the Hulu deal to expire.
― EZ Snappin, Thursday, 6 October 2016 15:15 (seven years ago) link
Not bad, if you do the $99 once-a-year payment, it's about $20 cheaper than a year of Netflix. Is there any way to browse the TCM catalog at the moment?
― erry red flag (f. hazel), Thursday, 6 October 2016 15:25 (seven years ago) link
On their FB page they said Criterion will be available at launch.
I want to sign up but my two devices (Nvidia Shield TV and XB1) aren't supported.
― Kiarostami bag (milo z), Thursday, 6 October 2016 16:35 (seven years ago) link
I went by this press release that says the 1th of November.
https://thefilmstage.com/news/filmstruck-and-the-criterion-channel-reveal-subscription-pricing-plans/
― EZ Snappin, Thursday, 6 October 2016 18:13 (seven years ago) link
Been reading a lot of information on the website and elsewhere, but haven't seen anything that says the TCM movies will also be part of the package. I have a nagging feeling that they're not. Also wonder if the Criterion movies will be available in 1080, instead of the 720 now on Hulu.
― Jazzbo, Thursday, 6 October 2016 18:17 (seven years ago) link
I don't think everything on nightly at TCM will be on there but a selection of TCM-sequel films.
I'm going to guess it will be like Mubi with a larger rotating library plus Criterion.
― Kiarostami bag (milo z), Thursday, 6 October 2016 18:45 (seven years ago) link
TCM-esque
― Kiarostami bag (milo z), Thursday, 6 October 2016 18:46 (seven years ago) link
yeah, TCM's tweet that filmstruck "will focus on indie, foreign & cult titles, not Old Hollywood. Some limited titles, not many" considerably dampened my enthusiasm.
https://twitter.com/tcm/status/777661149911347200
― intheblanks, Friday, 7 October 2016 04:41 (seven years ago) link
my guess is milo z otm re: criterion plus larger mubi. Which is cool, but not the turner library plus janus library nearly nonstop excellence that i had prematurely imagined
― intheblanks, Friday, 7 October 2016 04:46 (seven years ago) link
I have a Hulu subscription and honestly never watched a single Criterion title. The ones I want, I just buy.
― Don Van Gorp, midwest regional VP, marketing (誤訳侮辱), Friday, 7 October 2016 11:00 (seven years ago) link
I was excited when I thought this was gonna be criterion + old Hollywood tcm stuff. The latter element was critical for me. If it's criterion + buffet of other stuff then no.
― look at the morning people (Jon not Jon), Friday, 7 October 2016 11:18 (seven years ago) link
Yeah, that's a bummer. I figured $99 was a no brainer but if it's Criterion plus some random rotating films I don't know.
― EZ Snappin, Friday, 7 October 2016 13:53 (seven years ago) link
basically i would pay... let's see... $15 a month for some reasonable fascimile of access to TCM's programming without having to have fucking cable tv
― look at the morning people (Jon not Jon), Friday, 7 October 2016 13:55 (seven years ago) link
aw man. I too was pretty stoked for the TCM+Criterion version of this.
― DOCTOR CAISNO, BYCREATIVELABBUS (Doctor Casino), Friday, 7 October 2016 13:59 (seven years ago) link
This weird in-between time where the biggest events still happen on old-fashioned cable TV, the "prestige" TEH DISCOURSE TV shows are on Netflix, film is either exploded across multiple competing streaming services or iTunes rental downloads that disappear after 24 hours or totally unavailable, video stores are rare — is totally excruciating.
― Whiney G. Weingarten, Friday, 7 October 2016 14:04 (seven years ago) link
whiney otm, i feel a deep nostalgia for, like, 2008-2010, when a full decade of DVD production had led to lot of foreign/classic/arthouse stuff to be available, and Netflix was still in the business of providing just about any DVD that got produced.
― intheblanks, Friday, 7 October 2016 16:00 (seven years ago) link
Like, the fact that we let this happen is ridiculous: http://ww2.kqed.org/arts/2014/09/12/netflix_streaming_dvds/
― Whiney G. Weingarten, Friday, 7 October 2016 16:04 (seven years ago) link
maybe i just wasn't reading the early filmstruck announcements carefully, but it seems like everyone i know was expecting it to have a major focus on classic hollywood, given tcm's involvement. My guess is that getting streaming rights to that old hollywood stuff is probably just insanely complicated and, from a business perspective, not worth the investment of time and resources. Still disappointing though.
― intheblanks, Friday, 7 October 2016 16:06 (seven years ago) link
I've never watched any Criterions on Hulu but that's because their interface is such a disaster - you don't know what's streaming in HD, there's no easy way to sort the entire Criterion list, etc. Higher hopes for this, though I'm a lot less inclined toward a burning need to watch Truffaut than when I was 23.
― Kiarostami bag (milo z), Friday, 7 October 2016 16:30 (seven years ago) link
Their interface/searching/tagging/credits is all pretty awful in comparison to Netflix and even Amazon Prime. That said, damn I'm gonna have to rush out some screenings before they leave. Better get Lady Snowblood queued up.
― Nhex, Friday, 7 October 2016 17:17 (seven years ago) link
The FAQ has changed to specify that only 4th-gen Apple TV will support this, so me and my 3rd-gen box are out of luck. I'll have to load a film on my iMac and push it to the tv with Airplay.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Friday, 7 October 2016 20:25 (seven years ago) link
With airplay/casting, does it make a difference if you're casting from a phone vs. a computer?
― Nhex, Friday, 7 October 2016 20:34 (seven years ago) link
(I think my Apple TV is second generation...)
I honestly don't know. That time David Lynch cussed traumatized me so bad I've never tried watching film or video on my phone.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Friday, 7 October 2016 20:39 (seven years ago) link
sad trombone
Hello film fans:
We want to share some news that the launch of FilmStruck is delayed until November as we work to complete a seamless and easy registration process for subscribers.
Just like the final stages of completing a film, this additional time will allow us to put the finishing touches on FilmStruck in order to bring you a premium service with beautifully curated content and the largest streaming library of world-renowned arthouse, indie, cult and foreign films. Rest assured, we're working hard to bring you the high-quality streaming movie service you've been waiting for.
Thank you for both your patience and your enthusiastic interest in FilmStruck.
The FilmStruck Team
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Tuesday, 18 October 2016 18:47 (seven years ago) link
At this point they should wait until the Hulu contract for the Criterions expires.
― EZ Snappin, Tuesday, 18 October 2016 18:51 (seven years ago) link
Yep. I wasn't planning on starting any free trial until everything was available.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Tuesday, 18 October 2016 18:58 (seven years ago) link
Launched.Looks like the Criterions are up with an 11-day overlap with Hulu. Seeing a lot of fussing on the Facebook page about errors while setting up payment.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Tuesday, 1 November 2016 16:34 (seven years ago) link
Anyone start using this yet? Any thoughts (apart from the still unavailable (?) Criterions?
― Federico Boswarlos, Wednesday, 2 November 2016 00:29 (seven years ago) link
I'm in, just getting the apps installed now. I need a tivo app! Apple and Amazon will do for now.
― the notes the loon doesn't play (ulysses), Wednesday, 2 November 2016 01:21 (seven years ago) link
Sound like it's worth waiting a few weeks for them to get all the bugs worked out
― Whiney G. Weingarten, Wednesday, 2 November 2016 01:24 (seven years ago) link
Not available on Roku til Jan so nope for a while. Also copy on their site suggested that virtually all Criterions wd be available but several that I've searched for are not (incl All That Jazz, ugh)
― Fluffy Saint-Bernard (Stevie D(eux)), Wednesday, 2 November 2016 01:27 (seven years ago) link
They have someone responding to comments on Facebook, putting on the shiny happy face but being really vague with specific questions.
Some Guy Named Dave: Your Criterion selection seems to be quite limited. Are you ever going to offer the same number of Criterion titles as Hulu - over 900?
FilmStruck: Hi Dave, on the #CriterionChannel side you will find the largest selection of Criterion releases available to stream
Me: That doesn't really answer the question that was asked...
FilmStruck: #CriterionChannel has the largest Criterion selection available streaming, more than was ever available elsewhere.
Me: Ozu on Hulu: 30 features, 2 shorts and a trailerOzu on Filmstruck: looks like 18 features
Filmstruck: (crickets)
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Wednesday, 2 November 2016 01:41 (seven years ago) link
Huh, why would it have less than Hulu does? That doesn't make any sense to me. I did notice through a cursory search that they had at least two titles not on Hulu (Godard's Every Man for Himself and Yang's A Brighter Summer Day), so I was hopeful that maybe it had more than Hulu.
― intheblanks, Wednesday, 2 November 2016 02:14 (seven years ago) link
It doesn't have all the Oshima titles that are currently on Hulu either
― intheblanks, Wednesday, 2 November 2016 02:15 (seven years ago) link
I'm hoping they're still loading up the buffet table. They have quite a few things that aren't on Hulu -- Blood Simple, that JFK documentary stuff. They got The Killing of a Chinese Bookie back, which disappeared from Hulu a year or more ago.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Wednesday, 2 November 2016 02:19 (seven years ago) link
I'm hopeful too, though the way filmstruck has been marketed and rolled out has dampened my expectations all around
― intheblanks, Wednesday, 2 November 2016 02:22 (seven years ago) link
Even Criterion doesn't have the rights to all the Criterions anymore
― Whiney G. Weingarten, Wednesday, 2 November 2016 03:05 (seven years ago) link
yeah, otm, and i'm sure there are a number of criterions that got dvd release, but where they never had streaming rights. the more i search around on filmstruck the more i think that WilliamC is probably right that they're still adding movies to the service.
― intheblanks, Wednesday, 2 November 2016 03:10 (seven years ago) link
hm. no amazon app even!
― the notes the loon doesn't play (ulysses), Wednesday, 2 November 2016 16:49 (seven years ago) link
TBF, this is the day where they're going nuts with the press.
― the notes the loon doesn't play (ulysses), Wednesday, 2 November 2016 17:38 (seven years ago) link
They managed to go with all the devices that I don't own. Not sure it's worth picking up a new AppleTV just for this.
― Kiarostami bag (milo z), Wednesday, 2 November 2016 17:41 (seven years ago) link
seems lame that it's not on xbone/ps4; that's what a very significant chunk of the population use to stream stuff, no?
― the notes the loon doesn't play (ulysses), Wednesday, 2 November 2016 17:43 (seven years ago) link
Oh wait, I do have an Amazon Fire TV in my office, guess I can watch Kurosawa while filling out payroll forms and stuff.
― Kiarostami bag (milo z), Wednesday, 2 November 2016 17:43 (seven years ago) link
filling empty space with the greatest cinema ever made is kinda why i'm willing to give up a c-note for even the dream of that actually happening.
― the notes the loon doesn't play (ulysses), Wednesday, 2 November 2016 17:45 (seven years ago) link
― Kiarostami bag (milo z), Wednesday, November 2, 2016 1:41 PM (three minutes ago) Bookmark Flag Post Permalink
A Chromecast is $35
― Whiney G. Weingarten, Wednesday, 2 November 2016 17:47 (seven years ago) link
for me, it's about having a tv with limited HD inputs... one for the ps4, one for the tivo and switching stuff out means a painful boot up period and extra hassle so i find i just don't do it
― the notes the loon doesn't play (ulysses), Wednesday, 2 November 2016 17:57 (seven years ago) link
It's not available for the Chromecast, according to them That means I can screen mirror if I got one but have to leave my laptop up and running the entire time.
― Kiarostami bag (milo z), Wednesday, 2 November 2016 18:02 (seven years ago) link
Screen mirroring quality is pretty meh, IME, but it's been a while since I used a Chromecast.
It's available for Chromecast in December, you won't die if you have to wait 30 days before you can see Andrei Rublev
― Whiney G. Weingarten, Wednesday, 2 November 2016 18:11 (seven years ago) link
It will be available for XBox One and Roku in six months, pretty sure I could find plenty to watch on Netflix and Amazon Video until then. We're talking about now, though.
― Kiarostami bag (milo z), Wednesday, 2 November 2016 18:15 (seven years ago) link
It's available for Chromecast in December, you won't die if you have to wait 30 days before you can see Andrei Rublev― Whiney G. Weingarten, Wednesday, November 2, 2016 11:11 AM (fifty minutes ago) Bookmark Flag Post Permalink
― Whiney G. Weingarten, Wednesday, November 2, 2016 11:11 AM (fifty minutes ago) Bookmark Flag Post Permalink
also as a public service announcement the criterion print of andrei rublev is shitty and you can watch a much better transfer on youtube right now
― intheblanks, Wednesday, 2 November 2016 19:02 (seven years ago) link
They said PS4 "first half" of the coming year, so most likely I'd wait a while. No Chromecast/Roku support at launch seems pretty weak, though.
― Nhex, Wednesday, 2 November 2016 19:13 (seven years ago) link
Roku support was slated for January 2017 acc to some infographic I saw on their website but now cannot find (because their website seems to be three completely different websites cobbled together and filled with contradicting info).
― Fluffy Saint-Bernard (Stevie D(eux)), Wednesday, 2 November 2016 20:15 (seven years ago) link
I just want to stream All That Jazz why is this so damn hard
The latest from their Facebook flack to commenters is "early 2017" for Roku.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Wednesday, 2 November 2016 20:23 (seven years ago) link
I didn't do an exact count, but it looks like roughly 900 films on the Criterion side. Since there are a lot that haven't migrated over from Hulu (yet), that means there are a lot of additions. Browsing around just a little bit I saw Blood Simple, the other 2 films in Wim Wenders' Road Trilogy to go with Alice in the Cities, some Harold Lloyd that hadn't been on Hulu, some New Wave.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Thursday, 3 November 2016 01:14 (seven years ago) link
*British New Wave
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Thursday, 3 November 2016 01:16 (seven years ago) link
When is this up for AppleTV?
― Gukbe, Thursday, 3 November 2016 01:36 (seven years ago) link
December, allegedly. (4th-gen only, nothing earlier)
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Thursday, 3 November 2016 01:41 (seven years ago) link
Signed up last night; Hulu account expires tomorrow. Started with No Home Movie and Ornette: Made in America.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Sunday, 6 November 2016 19:26 (seven years ago) link
cool, any glitches? I'll sign up soon but may wait a little bit if they're still working stuff out.
― intheblanks, Sunday, 6 November 2016 21:33 (seven years ago) link
I pushed the film last night to my 3rd-gen Apple TV using AirPlay and my iMac completely froze about 20 minutes into the movie; had to do a hard shutdown and restart. Everything has worked fine today, watching directly on the Mac. I'll try AirPlaying again tonight.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Sunday, 6 November 2016 22:17 (seven years ago) link
D.A. Pennebaker's first film, Daybreak Express, is just the sort of wonderful tidbit that makes this site worth the money to me. I never would have seen it if they hadn't paired it with the feature it ran with in 1958 (Neame's The Horse's Mouth). Filmstruck isn't perfect (all the hosted intros I've seen so far are horrible), but it's got a lot going for it.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Monday, 21 November 2016 04:01 (seven years ago) link
Hosted intros? Don't like the sound of that.
Anyone know if FilmStruck is 1080p, as opposed to Hulu's 720p?
― Jazzbo, Monday, 21 November 2016 17:53 (seven years ago) link
people on the Reddit Criterion/Filmstruck forums have complained about quality but Criterion-people seem borderline audiophilic in their craze for picture quality
― Kiarostami bag (milo z), Monday, 21 November 2016 17:55 (seven years ago) link
If they're concerned about picture quality they shouldn't be streaming
― slathered in cream and covered with stickers (silby), Monday, 21 November 2016 18:54 (seven years ago) link
^^^^^
― Fluffy Saint-Bernard (Stevie D(eux)), Monday, 21 November 2016 19:53 (seven years ago) link
AppleTV app is live
― Kiarostami bag (milo z), Sunday, 4 December 2016 00:48 (seven years ago) link
They are basically the Steve Hoffman folk of the film world. BluRay era has been a golden age for system setup/region coding online dick-size contests.
― a full playlist of presidential apocalypse jams (C. Grisso/McCain), Sunday, 4 December 2016 05:56 (seven years ago) link
A FB friend (who may be an ILXor, though I can't remember his screen name) who knows how to wrangle databases heard my plea last night and extracted the data from Filmstruck's "Browse All" source code that allowed me to make this:
https://docs.google.com/spreadsheets/d/1TWx8-b5fbqenVr6r64hf3GktufPAgc61akPIvKoV2XA/edit?usp=sharing
A spreadsheet with Filmstruck's current offerings, sortable by title, director, year, runtime, country. Note 2 sheets, Basic Filmstruck and Criterion Channel. It may be less useful than the one I made of Criterion on Hulu, because films are being added and dropped much more frequently.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Sunday, 4 December 2016 16:24 (seven years ago) link
Thanks for that!
― A big shout out goes to the lamb chops, thos lamb chops (ulysses), Sunday, 4 December 2016 19:39 (seven years ago) link
some surprising omissions: very little Minelli, only one Lubitsch, no Tod Browning, no Sturges, no Sirk, only a handful of Fellini, only one Cukor... plenty of oddball curation clearly swung by copyright ownership instead of best options too: four Robert Downey Sr. films but no Putney Swope?
― A big shout out goes to the lamb chops, thos lamb chops (ulysses), Sunday, 4 December 2016 19:55 (seven years ago) link
xpost You're welcome! I'm going to try to keep up with arrivals and departures to keep the spreadsheet up to date, but they are being VERY stupid about announcing that sort of stuff (I found out Mulholland Dr. is leaving the site at the end of January, but not from Filmstruck itself) so if anyone wants to mention comings and goings on this thread, that'd be great.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Sunday, 4 December 2016 19:58 (seven years ago) link
Nice list! Wow, that's a strong sales pitch...ugh. I'm really disappointed because the little Roku TV I bought this year for the living room has no option to turn off its (subtle, not always dstractingly present) soap-opera effect and by the time I was sure it wasn't my imagination, it was too late to return the thing. So now I'm sort of hesitant to plunk down for Filmstruck when it goes Roku since it'll be sabotaging the entire ''get myself educated in great film'' thing.
― walk back to the halftime long, billy lynn, billy lynn (Doctor Casino), Sunday, 4 December 2016 22:28 (seven years ago) link
You might want to double check your TV settings re: soap opera effect. A friend had this issue, I had to go in and change her TV's settings on every input.
― Kiarostami bag (milo z), Sunday, 4 December 2016 22:36 (seven years ago) link
Oh believe me I've looked, through every menu and submenu. AFAICT it does not have any kind of off switch. It's definitely more pronounced on certain content but I suspect this may reflect arcane details of what framerate/medium the content provided to Netflix was inteded for. Robotech (the DVD version from the early 2000s) looked fine the entire way through. From Dusk Till Dawn made the actors look like plastic cutouts sliding wildly around the screen somehow moving a little faster than they should, especally any time the camera moved.
I keep praying for a firmware upgrade that fixes this but I doubt many folks are clamoring for it. Just pissed that the online reviews suggesting this was really the best option for this size TV never thought this was worth mentioning. Maybe earlier models didn't do this, or something.
― walk back to the halftime long, billy lynn, billy lynn (Doctor Casino), Monday, 5 December 2016 00:21 (seven years ago) link
It's classic that a thing happens and ILX's first reaction is to make a spreadsheet
― Whiney G. Weingarten, Monday, 5 December 2016 16:41 (seven years ago) link
::shrug:: for me, it's an easier way to browse
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Monday, 5 December 2016 17:18 (seven years ago) link
The in-app browsing system is not good! A spreadsheet is very helpful for this thing!
― A big shout out goes to the lamb chops, thos lamb chops (ulysses), Monday, 5 December 2016 19:14 (seven years ago) link
So the non-Criterion content is pretty meh, right? I was actually more interested in TCM-style films than Criterions.
― Kiarostami bag (milo z), Monday, 5 December 2016 19:34 (seven years ago) link
Downhill Racer is only available this month, I see.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Thursday, 8 December 2016 21:39 (seven years ago) link
There was never going to be a lot of content that people would think of as "TCM-like" on this, and it seemed like they let a lot of people think otherwise.
― Chris L, Thursday, 8 December 2016 21:54 (seven years ago) link
makes you wonder what TCM even has to do with it? Why not just Criterion: the App?
― dan selzer, Thursday, 8 December 2016 21:57 (seven years ago) link
Yeah, they've been unnecessarily vague about everything but the price.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Thursday, 8 December 2016 22:33 (seven years ago) link
A friend recommended the Warner Movie Archive for classic American stuff but the library looks pretty shallow even for a one-studio service and reviews were bad.
― Kiarostami bag (milo z), Friday, 9 December 2016 03:03 (seven years ago) link
FS has legit shit quality streaming and they told me they wont have chromecast support until sometime next year
― kurt schwitterz, Friday, 9 December 2016 03:31 (seven years ago) link
Shit quality like they're actually streaming in SD? Lots of compression artifacts? Stuff like that?
― Fluffy Saint-Bernard (Stevie D(eux)), Tuesday, 13 December 2016 14:17 (seven years ago) link
Lots added in the last few days.
Filmstruck:Cairo StationThe Return of the Prodigal SonThe Sixth DayThe SparrowSaladinAlexandria, Again and ForeverAn Egyptian StoryThe LandCairo As Told By Youssef Chahine
The Tall Blond Man With One Black ShoeLa Moutarde Me Monte au NezParis 36
Criterion:Koko: A Talking GorillaMy Crasy LifeAn Innocent WitchA Story from ChikamatsuEternal Return, TheEndless DesireHeat Wave; Oil-Hell Murder (both Hideo Gosha)Poil de Carotte (Duvivier)Lonely Passion of Judith Hearne, TheAsk Father (Harold Lloyd short)Boudu Saved from DrowningOliver Twist (Lean)Courage for Every DayUncle Yanco (Varda)Fear of FearMother Kusters Goes to HeavenAmerican Soldier, TheJunkopia (Chris Marker)
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Wednesday, 14 December 2016 16:25 (seven years ago) link
Help Center is Helpful -- https://help.filmstruck.com/hc/en-us/
Movies leaving the service in the next 6 months: https://help.filmstruck.com/hc/en-us/articles/115000301047-Movies-Leaving-FIlmStruck
Available audio commentaries: https://help.filmstruck.com/hc/en-us/articles/232060448-List-of-Audio-Commentaries-in-FilmStruck
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Sunday, 25 December 2016 18:04 (seven years ago) link
good stuff!
― A big shout out goes to the lamb chops, thos lamb chops (ulysses), Monday, 26 December 2016 01:55 (seven years ago) link
When they go Roku I think I'm totally in.
― Josh in Chicago, Monday, 26 December 2016 22:11 (seven years ago) link
They said "early December" for the Apple TV and it was available on Dec. 1st. They're saying "early 2017" for Roku so I unrealistically have my hopes up for Jan. 1st.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Monday, 26 December 2016 22:52 (seven years ago) link
Looking at that aforementioned list, it seemed like a million titles were leaving the service. Does that mean the Criterion Collection, assuming you pay for it, is a constant, but everything else comes and goes?
― Josh in Chicago, Tuesday, 27 December 2016 17:07 (seven years ago) link
I think that's mostly true -- Downhill Racer and Mulholland Dr. are on short engagements on Criterion and I think they'll be gone from the site entirely.
I guess I should watch that huge collection of Chaplin Keystone/Essanay/Mutual shorts before they're gone on 4/21, because they're not on the Criterion side.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Tuesday, 27 December 2016 17:35 (seven years ago) link
Even if you’re paying for the Criterion Collection, not all of the titles are available at once. I’m assuming they’re rotating that stuff, too.
― Jazzbo, Thursday, 29 December 2016 15:21 (seven years ago) link
I actually don't mind when streaming selections rotate, it helps me focus a bit better. The choice paralysis of the entire Criterion Collection, which would take how many years to watch their entirety, is overwhelming. Basically as it is with Netflix and Amazon not keep adding stuff to my watch list, and if it happens to be unavailable when I want to actually watch it, that's when I resort to downloading.
― Josh in Chicago, Thursday, 29 December 2016 17:03 (seven years ago) link
Yeah I can't imagine being in a situation on Filmstruck where it feels like there was nothing to watch. Rotate away.
― Whiney G. Weingarten, Thursday, 29 December 2016 17:09 (seven years ago) link
23 films under 4 banners added on the Filmstruck side --
Alain Resnais Errol Morris Cinematography by Rudolph Maté Behind the Iron Curtain
Withnail and I added on Criterion
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Saturday, 31 December 2016 03:52 (seven years ago) link
Todd Haynes' Safe available until the end of this month, plus the supplemental bits (incl. Haynes' 1978 short "The Suicide") and the commentary track from the home release.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Wednesday, 4 January 2017 14:03 (seven years ago) link
Come on, Roku ...
Haven't read the thread, but I skimmed this piece from a while back, which was not hopeful: http://www.thestreamingadvisor.com/2016/04/26/another-film-buff-service-really-turner-is-getting-streaming-wrong/
I dunno. I hope it sticks around. But I've got to admit, from a so-called "cord-cutter" perspective, I'm not a fan of the slow creep of services. Netflix, plus Amazon (which, granted, comes with many other benefits), plus Filmstruck, plus internet, plus phone, plus satellite radio, etc. Something has to give, eventually.
― Josh in Chicago, Wednesday, 4 January 2017 14:36 (seven years ago) link
Putting a lot of energy into being a service for film buffs is like starting an athletic shoe company that specializes in turquoise equestrian gear.
This guy is full of shit. That analogy shows he is way outside Filmstruck's target demo and can't relate to anyone who's in it.
We just cancelled DirecTV on Sunday, freeing up $$$ to get what we actually want minus the home shopping and religious channels. I think that's a pretty common situation for cord- and dish-cutters.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Wednesday, 4 January 2017 14:52 (seven years ago) link
That's how I feel, basically. I'll spend, as least to some extent, just not on the 90% of sports and reality shows and other bullshit I don't want. But I do agree Filmstruck's target demo is somewhat limited. Not a growth model.
― Josh in Chicago, Wednesday, 4 January 2017 14:55 (seven years ago) link
really enjoying this service. agree it's not the biggest target demo, but every time i look for a movie on amazon or netflix it's just wall to wall shit so something like Filmstruck feels like an embarrassment of riches by comparison.
― ryan, Wednesday, 4 January 2017 15:01 (seven years ago) link
I had a brief Roku daydream that maybe Filmstruck's channel would be integrated with the Watch TCM channel, which according to TCM's device-activation page is "coming soon." But that's not really possible so I woke up.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Wednesday, 4 January 2017 15:04 (seven years ago) link
Yeah people who CUT DA CORD to live on Netflix is like throwing out all your records to listen to Pandora
― Whiney G. Weingarten, Wednesday, 4 January 2017 15:06 (seven years ago) link
My wife is always trying to get me to listen to Pandora "if you like x, then ..." channels or whatever, and I keep telling her, I have the music I like and if I want to hear music I like I'm going to put on music I like, not hope that the algorithm driving the Dolly Parton channel or whatever will stick to classic country and not follow "Coat of Many Colors" with, like, something from Florida Georgia Line's Christmas album.
― Josh in Chicago, Wednesday, 4 January 2017 15:39 (seven years ago) link
IDK cable TV seems to me to be at least 90% garbage or stuff totally outside my interests, at least whenever I'm at my relatives' for Christmas and spend any time surfing through it. So if I had that cord, cutting it would be more like getting rid of Pandora than getting rid of my record collection. I'm still interested in Filmstruck when it hits Roku and will almost certainly give it a try for a month or two, I mean it's cheaper than a single movie ticket or a few rentals so I don't have to watch THAT much for it to be worth it.
Might finally punt Netflix tbh - that's kept me looped in mostly because the person I share it with watches a fuckton of old TV shows on it while she's working, and because there's always at least ONE thing floating around in current rotation that I'm into, like my recent ill-advised Robotech binge. But my actual queue has had some of the same stuff in it for YEARS and if I've never felt compelled to finally sit down and watch it that's probably a sign. The overwhelming majority of new arrival stuff is about as interesting to me as what might be found clicking through the cable movie channels, nope, nope, nope, nope, ehhh maybe if I'm in the right mood, nope.....
― mega pegasus for reindeer (Doctor Casino), Wednesday, 4 January 2017 16:15 (seven years ago) link
DiretctTV/ATT app might be the best solution. Cut the cable cord (or just pay for internet), subscribe to DirectTV app for 30 bucks/mo and get all the live TV you want more or less? Just no DVR recording ability.
― dan selzer, Wednesday, 4 January 2017 16:25 (seven years ago) link
At this point I'm basically paying $8 a month for the Internet and $10 a month for Netflix, but I guess I should also count going to the movies in my budget for these things...
― mega pegasus for reindeer (Doctor Casino), Wednesday, 4 January 2017 17:24 (seven years ago) link
$8 for internet? How do you do that?
My wife last night, when we were going through these things, was asking if I was getting enough value out of Netflix, and I was like, what do you mean, like how many things do I have to watch for it to be worth it? And she said, yeah, I don't know, maybe three to make it make more sense than a la carte purchases? And I said whether I watched enough or not was moot, because I've downloaded a shit ton of stuff over the years for nada, and if paying a few streaming services makes me feel better then dammit, I'd say they're a bargain.
And then she asked to watch The Crown, and I restrained myself from saying "see, you need Netflix!"
― Josh in Chicago, Wednesday, 4 January 2017 17:39 (seven years ago) link
Ha, it's an unusual situation - it's a big house, so we're splitting reasonably fast broadband twelve ways. Generally haven't had any speed issues or anything.
― mega pegasus for reindeer (Doctor Casino), Wednesday, 4 January 2017 18:02 (seven years ago) link
I pay for Hulu, Netflix, Filmstruck and Fandor.
Because I like throwing away money.
― dan selzer, Wednesday, 4 January 2017 18:14 (seven years ago) link
i am finally paring down but i had been doing hulu, netflix, filmstruck, amazon prime, hbo/showtime/cinemax/starz, cable, mubi
― A big shout out goes to the lamb chops, thos lamb chops (ulysses), Wednesday, 4 January 2017 18:46 (seven years ago) link
oh yeah I have amazon prime as well. My mom's HBO GO. And trying out seeso right now.
My biggest problem is I have Time Warner Cable which is now owned by Spectrum, and certain TV apps require a spectrium login but I don't have one.
― dan selzer, Wednesday, 4 January 2017 18:53 (seven years ago) link
6 months ago: Amazon Prime, Netflix, Hulu, DirecTV - $125/monthNow: Amazon, Netflix, HBO, Filmstruck, Vue - $78/month
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Wednesday, 4 January 2017 19:35 (seven years ago) link
i pay for hulu and netflix
cancelled prime
if you want to penny pinch you can create new email addresses and sign up for free trials every so often
i opened a free trial acct on filmstruck and just cancelled
― F♯ A♯ (∞), Wednesday, 4 January 2017 19:42 (seven years ago) link
just cancelled this and Nightflight due to the terrible buffering problems on both platforms.
― kurt schwitterz, Wednesday, 4 January 2017 19:51 (seven years ago) link
my issue is i have a kingsize tivo and options like vue that don't allow me to timeshift aren't of much use.
― A big shout out goes to the lamb chops, thos lamb chops (ulysses), Wednesday, 4 January 2017 19:58 (seven years ago) link
Yeah, losing the ability to record from TCM is a big downside for me.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Wednesday, 4 January 2017 20:09 (seven years ago) link
I briefly borrowed a friend's dwindling Hulu subscription, since he didn't use it and was about to cancel, and I was shocked to find not just mandatory commercials, but mandatory shit commercials. It drove us nuts.
― Josh in Chicago, Wednesday, 4 January 2017 20:49 (seven years ago) link
That's only if you're cheap. If you pay the extra few bucks you don't get commercials, or maybe only a few commercials on certain big shows, but I never see commercials.
― dan selzer, Wednesday, 4 January 2017 20:53 (seven years ago) link
ugh just gimme a damn roku or chromecast app ffs
― Fluffy Saint-Bernard (Stevie D(eux)), Wednesday, 4 January 2017 21:23 (seven years ago) link
I wish Criterion was still on Hulu so I could just, you know, watch this stuff on my TV.
― spastic heritage, Wednesday, 4 January 2017 21:26 (seven years ago) link
Why can I not just stream TCM's catalog? Even just their on demand movies
― Heez, Wednesday, 4 January 2017 21:28 (seven years ago) link
If you have Fire TV, you can.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Wednesday, 4 January 2017 21:50 (seven years ago) link
tbh, you can't so much. TCM's on demand program is pretty shitty.
― A big shout out goes to the lamb chops, thos lamb chops (ulysses), Wednesday, 4 January 2017 22:14 (seven years ago) link
yeah it's a shame. missing HD stuff too
― Nhex, Thursday, 5 January 2017 03:05 (seven years ago) link
Well this is a sucky development (from someone else's post at criterionforum.org):
http://i.imgur.com/dK6I3gZ.png
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Thursday, 5 January 2017 03:35 (seven years ago) link
What's the hold up?
― Josh in Chicago, Thursday, 5 January 2017 03:41 (seven years ago) link
welp that's another six months I can spend ignoring this
― Nhex, Thursday, 5 January 2017 03:45 (seven years ago) link
oh fughaghdfhgkajrheruigh
does TCM at least have a Roku app I can use w/ a cable login?
― Fluffy Saint-Bernard (Stevie D(eux)), Thursday, 5 January 2017 19:45 (seven years ago) link
Nope -- it's "coming soon"
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Thursday, 5 January 2017 19:47 (seven years ago) link
we have Vue, Amazon & Netflix, and a hd antenna for local tv. we just did a free trial on hulu to see how it compared to vue but even though hulu has tons of channels, they are very patchworky on what *shows* they offer which is annoying. idk, i'm not sold on it. for my own viewing choices, i think i prefer vue.
― Flamenco Drop (VegemiteGrrl), Thursday, 5 January 2017 19:55 (seven years ago) link
fire tv is like 90 bucks if you really really want filmstruck now.
― A big shout out goes to the lamb chops, thos lamb chops (ulysses), Friday, 6 January 2017 21:00 (seven years ago) link
I mean, Ex0dus + access to a university library will tide me over until it's out, but I STILL WANT IT RN
― Fluffy Saint-Bernard (Stevie D(eux)), Saturday, 7 January 2017 18:15 (seven years ago) link
I just ordered a Fire TV box (not only for FilmStruck, but it was a motivator), so now I'm getting ready to sign up for FS. What's the verdict from people who are on it, in terms of the different plans? I'm inclined to just go ahead and do the year subscription, which comes out to a little more than $8/month, but is there any reason to do a monthly plan in terms of waiting for them to work out technical issues or anything else?
Also, how good is the picture quality of their stream? Comparable to Netflix?
― a man often referred to in the news media as the Duke of Saxony (tipsy mothra), Sunday, 8 January 2017 17:46 (seven years ago) link
i just put on 8 1/2 on mute while listening to music and i was just thinking it looks great.
― ryan, Sunday, 8 January 2017 17:47 (seven years ago) link
(im running ethernet into an apple tv)
― ryan, Sunday, 8 January 2017 17:48 (seven years ago) link
Yeah, though some of the transfers of minor films that don't rate a restoration are horrible. I watched Big Deal on Madonna Street last night and it looked bad, but not because of the stream. I should go ahead and bump my subscription from monthly to the annual price.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Sunday, 8 January 2017 17:53 (seven years ago) link
BTW, 25 films added Friday on the Filmstruck side under 5 banners:— Paris, City of Love (including Billy Wilder's Irma La Douce and Martin Ritt's Paris Blues, for the people who want more TCM-type stuff)— Directed by Terry Gilliam— Directed by Dušan Makavjev— the Qatsi trilogy— The Yugoslav Wars and their Aftermath
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Sunday, 8 January 2017 17:59 (seven years ago) link
Cool, thx. Guess I'll do the annual and see how it goes! I figured there would be variations in picture quality depending on the prints.
― a man often referred to in the news media as the Duke of Saxony (tipsy mothra), Sunday, 8 January 2017 18:06 (seven years ago) link
Logorama, the short added for today's short + feature, is one of the funniest things I've seen in a while.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Tuesday, 10 January 2017 23:13 (seven years ago) link
Very excited that Ingmar Bergman's "The Magic Flute" (1975) was added to the Criterion section this week. Always wanted to see that.
― Jazzbo, Wednesday, 11 January 2017 13:19 (seven years ago) link
Kiarostami's Certified Copy added on the Criterion side. Supplements include his 1977 feature The Report.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Wednesday, 11 January 2017 13:35 (seven years ago) link
All the Kurosawas are leaving the Filmstruck side after this coming Friday, but Ran is the only one not on the Criterion side as well.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Monday, 16 January 2017 03:46 (seven years ago) link
I worry by the time this thing is actually available on Roku or Chromecast it will have completely lost momentum and be on the brink of folding
― Fluffy Saint-Bernard (Stevie D(eux)), Monday, 16 January 2017 15:10 (seven years ago) link
I was going to watch Ran tonight but it's already gone — all the Kurosawas were taken down from the Filmstruck side sometime during the day today.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Friday, 20 January 2017 00:36 (seven years ago) link
Somebody on criterionforum.org figured out that the URL of Filmstruck's bundles/banners ended with steadily increasing numbers, so they counted ahead and found this for the next Tuesday Short + Feature:https://watch.filmstruck.com/#!/bundle/1520000290
So I kept going and found what looks like the next Friday Double Feature, two Dirk Bogarde films:https://watch.filmstruck.com/#!/bundle/1520000292
And the next Observations on Film Art, Kristin Thompson on landscape in Kiarostami:https://watch.filmstruck.com/#!/bundle/1520000293
I tried posting about those last two at the Criterion Forum, but as a noob, my first five posts have to be approved by a moderator, and this one was disapproved because it "does not make a contribution to the ongoing discussion."
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Saturday, 21 January 2017 12:29 (seven years ago) link
The bundle placeholders are there for the next month's worth of Tuesday, Wednesday and Friday specials, but I won't spoil anything unless y'all want me to.
One intriguing thing was something called the "C.R. Barker Collection." The only thing google brought up for that name was co-author of a biography of Erich Maria Remarque.
― aaaaaaaauuuuuuuuu (melting robot) (WilliamC), Friday, 27 January 2017 14:13 (seven years ago) link
oh hey chromecast
― Fluffy Saint-Bernard (Stevie D(eux)), Friday, 3 February 2017 04:02 (seven years ago) link
Contemporary Israeli Cinema, John Ford in the 30s, and Chantal Akerman are leaving the Filmstruck side later this week. Which films in those are must-not-miss?
― scattered, smothered, covered, diced and chunked (WilliamC), Tuesday, 14 February 2017 14:03 (seven years ago) link
Akerman's News From Home is pretty fascinating.
― Chris L, Tuesday, 14 February 2017 14:11 (seven years ago) link
Fortunately that one's staying on the Criterion side.
― scattered, smothered, covered, diced and chunked (WilliamC), Tuesday, 14 February 2017 14:32 (seven years ago) link
Neo-noir, Animation for Adults, Made for the U.N., Seventeen Moments of Spring banners leaving this week. Ace in the Hole leaves early next week. BTW, films leave at midnight GMT of the date listed, which means 7 p.m. EST on the day before. Sneaky fuckers.
― scattered, smothered, covered, diced and chunked (WilliamC), Monday, 20 February 2017 13:34 (seven years ago) link
Roku?
― Josh in Chicago, Monday, 20 February 2017 14:26 (seven years ago) link
"spring"
― scattered, smothered, covered, diced and chunked (WilliamC), Monday, 20 February 2017 14:29 (seven years ago) link
are they still having massive buffering issues?
― Fluffy Saint-Bernard (Stevie D(eux)), Monday, 20 February 2017 15:13 (seven years ago) link
I haven't had any myself, but I've been reading about them. I get a lot of hangups at the login process, but if I open a new tab and retry it, I always get in the 2nd time.
― scattered, smothered, covered, diced and chunked (WilliamC), Monday, 20 February 2017 15:36 (seven years ago) link
I have HBO, PBS, Sundance, etc., and FilmStruck streams better than any of them on Apple TV.
― Jazzbo, Wednesday, 22 February 2017 00:58 (seven years ago) link
added Putney Swope which is a lot of fun
― removed from the rain drops and drop tops of experience (ulysses), Tuesday, 7 March 2017 17:58 (seven years ago) link
Watched it tonight -- great.
Spoiler: tomorrow's Criterion Collection Edition is going to be Guy Maddin's My Winnipeg.
― scattered, smothered, covered, diced and chunked (WilliamC), Wednesday, 8 March 2017 03:31 (seven years ago) link
+ 15 supplements, holy shit
https://watch.filmstruck.com/#!/bundle/1520000315
― scattered, smothered, covered, diced and chunked (WilliamC), Wednesday, 8 March 2017 03:33 (seven years ago) link
Roku pushed back to May.
― scattered, smothered, covered, diced and chunked (WilliamC), Tuesday, 14 March 2017 13:41 (seven years ago) link
Interest in this service pushed back even further. Why the delay?
― Josh in Chicago, Tuesday, 14 March 2017 13:44 (seven years ago) link
Isn't Roku just a delivery vector?
I have no idea why, and good luck prying any info out of them. Fuckers. I bought a Roku instead of Apple TV because I thought "oh a couple of months delay between device rollouts won't be too big a deal."
― scattered, smothered, covered, diced and chunked (WilliamC), Tuesday, 14 March 2017 14:04 (seven years ago) link
you still made the right choice
― Nhex, Tuesday, 14 March 2017 17:10 (seven years ago) link
This is handy.http://criterioncast.com/news/all-of-the-films-joining-filmstrucks-criterion-channel-this-april
― scattered, smothered, covered, diced and chunked (WilliamC), Thursday, 30 March 2017 11:32 (seven years ago) link
Finally watched Come and See. Caring for a newborn it took me about two weeks of watching it in 5 to 20 minute chunks. Not ideal, but wow, what a movie.
― dan selzer, Saturday, 1 April 2017 14:24 (seven years ago) link
Per help desk chat a few minutes ago, Roku availability is now "late May to mid-June."
― 20-lol pileup (WilliamC), Tuesday, 25 April 2017 19:06 (six years ago) link
I was irritated that Happy Together disappeared from Amazon before I had a chance to see it, but Filmstruck is starting a program of LGBTQ films on June 2nd that includes it.
A JIHAD FOR LOVEPARTING GLANCESWORD IS OUTTHE TIMES OF HARVEY MILKBORN IN FLAMESTHE WATERMELON WOMANJEFFREYANOTHER COUNTRYSTEAM: THE TURKISH BATHQUERELLEWILD REEDSVICTIMHAPPY TOGETHER
― 20-lol pileup (WilliamC), Tuesday, 23 May 2017 18:29 (six years ago) link
The Roku channel is live.
― a warm bowl of soap (WilliamC), Monday, 5 June 2017 20:09 (six years ago) link
lmao it's amazing how little I've grown to care about this. I still never even signed up for a free trial. Have the buffering issues improved? I wonder how they're doing business-wise.
― he not like the banana (Stevie D(eux)), Wednesday, 7 June 2017 13:55 (six years ago) link
i signed up a couple weeks ago, and I'm really enjoying it. I haven't had any issues with buffering at all.
― intheblanks, Wednesday, 7 June 2017 14:03 (six years ago) link
No buffering problems for me. Once a week or so it'll hang up on me moving from one part of the service to another, like from Criterion main screen to my watchlist, but overall it's pretty smooth. I wish their color scheme wasn't so black/white/gray – they could use the red from their logo to indicate selection and it would be a lot easier to navigate.
The biggest problem with this service is that there's too damn much to choose from. Between the Filmstruck side and Criterion side, they have about 1700 films, enough choice to be paralyzing. Which is great, but coming up with navigation strategies other than just looking at their featured banners is on the viewer – they don't make things any easier.
― a warm bowl of soap (WilliamC), Wednesday, 7 June 2017 14:13 (six years ago) link
Of all the apps I use on Apple TV, FilmStruck streams the best; rarely have I had any buffering issues. The interface is also gorgeous and well-organized.
― Jazzbo, Wednesday, 7 June 2017 14:25 (six years ago) link
https://en.wikipedia.org/wiki/Trap_music
― Josh in Chicago, Sunday, 25 June 2017 02:17 (six years ago) link
Ha, whoops. So it's finally available for Roku. Is it still hemorrhaging content beyond the Criterion Collection?
I'm not sure what you mean. On the Filmstruck side, every Thursday a 2-3 banners are dropped, and every Friday 2-3 banners are added. They said from the beginning that films would be rotated in and out; they stay steady at ~500 films, and the Criterion channel is up to ~1200.
― Mr. Crackpots (WilliamC), Sunday, 25 June 2017 03:03 (six years ago) link
Gotcha. Just wanted to make sure that was the strategy rather than a struggled to show there's value in Filmstruck beyond the CC. When I looked at the site yesterday (since it just became available for Roku and I'm out of the country I haven't signed up yet) I saw this long list of movies leaving Filmstruck, and I was bummed, because as great as the CC is (and honestly there's little more a film fan needs), there was all sorts of good stuff leaving. So as long as new good stuff comes in and not, say, a bunch of shit, I'm cool with rotation.
― Josh in Chicago, Sunday, 25 June 2017 12:18 (six years ago) link
There is a huge amount leaving in the next month, it's true – Resnais, Sayles and Errol Morris alone in one week.
― Mr. Crackpots (WilliamC), Sunday, 25 June 2017 12:54 (six years ago) link
Guess I should buy a subscription!
― the Rain Man of nationalism. (Alfred, Lord Sotosyn), Sunday, 25 June 2017 12:58 (six years ago) link
Better hurry, those three banners (plus the "Behind the Iron Curtain" banner that includes Petzold's Barbara and the Cinematography by Rudolph Mate banner) are leaving this Thursday evening; 26 films total, 8 of which will stay on the Criterion side. https://help.filmstruck.com/hc/en-us/articles/115000301047-Movies-Leaving-FilmStruck
― Mr. Crackpots (WilliamC), Sunday, 25 June 2017 13:07 (six years ago) link
I'm loving this. Cancelled cable (which I mostly had for TCM). Various bugs exist but they are obvious & will be ironed out. After dealing with the screaming red hell of Netflix it's so nice to have a soothing gray-colored adulty service, a fairly curated list where nearly everything is good.
― The Thnig, Sunday, 25 June 2017 17:44 (six years ago) link
OK, signed up. Confused, though - it's not the complete Criterion Collection? They have pretty much everything from Kieslowski, for example, but not Dekalog, which is a bummer.
― Josh in Chicago, Monday, 26 June 2017 05:25 (six years ago) link
Yeah things cycle in and out. I thought that would bum me out -- how incredible it would be to have all 800 of those. But the curation has worked out really well; I don't go scrolling for choices for 2 hours. The key might be bookmarking this link:
https://www.filmstruck.com/coming-soon
― The Thnig, Monday, 26 June 2017 18:28 (six years ago) link
Pretty good July coming on the Criterion side. http://criterioncast.com/news/all-of-the-films-joining-filmstrucks-criterion-channel-this-july
― Mr. Crackpots (WilliamC), Monday, 26 June 2017 19:19 (six years ago) link
I think we may have answered this before but does anything ever *leave* the Criterion Channel?
― he not like the banana (Stevie D(eux)), Monday, 26 June 2017 20:32 (six years ago) link
Not unless they lose the rights.
― Chris L, Monday, 26 June 2017 20:43 (six years ago) link
Some stuff is added for very short streaming engagements. Sometimes they make note of it on the film's banner (Downhill Racer, Ace in the Hole, Heaven's Gate, Safe, the 1961 Something Wild) and sometimes they don't (Bitter Victory, the 1986 Something Wild). Flight of the Red Balloon and Blow Out came and went but I can't remember if they had a "limited engagement" note.
Tourneur's Cat People is leaving Friday but there's no note on the banner. 12 Angry Men is leaving on 7/31 but there's no note. I think the trick is to look for things that are leaving on the last day of the month no matter what day of the week that is -- those tend to be the few films leaving the Criterion channel.
― Mr. Crackpots (WilliamC), Monday, 26 June 2017 21:22 (six years ago) link
Yeah, the quick cycling in and out has forced me to forgo the whole "100 movies in my queue om nom nom" aspirational viewing habit that streaming has helped create in me, and just enjoy something they have at the moment. It was annoying at first but now ultimately feels a little liberating?
― Sutcliffe Juugin' (Whiney G. Weingarten), Monday, 26 June 2017 21:29 (six years ago) link
And you can always lie about watching it!
― the Rain Man of nationalism. (Alfred, Lord Sotosyn), Monday, 26 June 2017 21:29 (six years ago) link
xpost Though all I've really watched recently is 'Blood Simple' :/
― Sutcliffe Juugin' (Whiney G. Weingarten), Monday, 26 June 2017 21:31 (six years ago) link
i'm into this! last night i watched Peter Weir's THE PLUMBER and it was great
― weird woman in a bar (La Lechera), Monday, 26 June 2017 21:32 (six years ago) link
It was annoying at first but now ultimately feels a little liberating?
Yeah, with 1500+ movies to choose from I'm def glad to have a little push in any direction. I might have half-assed around and never seen A Separation if it hadn't had an expiration date. -- xp
― Mr. Crackpots (WilliamC), Monday, 26 June 2017 21:36 (six years ago) link
Yeah, there must be some sort of psychological explanation for it - choice paralysis? - but I do know that when Netflix started hiding when its movies were leaving I started watching less on Netflix.
― Josh in Chicago, Monday, 26 June 2017 21:50 (six years ago) link
imho all services of this type should default to a view of six movies picked at random from your list, with nothing else to click down to or scroll past unless you enter a special code or beat a minigame or something. really focus on those six, to simulate your friend meeting back up with you after you've both been walking around the video store for half an hour: it's gonna be one of these. pick one!
― ﴿→ ☺ (Doctor Casino), Monday, 26 June 2017 23:39 (six years ago) link
One of Kenji Mizoguchi's only 2 color films, Princess Yang Kwei-Fei, is added on the Criterion side.
― Cannibal Adderley (WilliamC), Friday, 14 July 2017 16:29 (six years ago) link
A "Directed by Terry Zwigoff" banner's going up this evening, including Crumb, my #1 in the documentary poll Clemenza ran.
― I can see by the look on your face, you've got ring worm. (WilliamC), Friday, 4 August 2017 17:40 (six years ago) link
I was about to finally pull the trigger on this the other day before realizing that my laptop is the only device I can use to watch it. Which is pretty effing lame. So no-go, I guess.
― I'm Calling My Loyer! (Old Lunch), Friday, 4 August 2017 17:44 (six years ago) link
i recently have been enjoying the "actuality dramas" of Allan King -- Come On, Children and Warrenville so far -- and the short Asparagus, which was super weird and enjoyable.
― weird woman in a bar (La Lechera), Saturday, 5 August 2017 00:20 (six years ago) link
Was thinking of pulling the trigger until I learned that, as of today, my NYPL card entitles me to ten Criterions per calendar month.
― Barkis Garvey (James Redd and the Blecchs), Saturday, 5 August 2017 00:25 (six years ago) link
We just added this the other day so haven't actually watched a ton on it. I watched In A Lonely Place and On The Bowery earlier this week as well as a Les Blank short I hadn't seen before.
― ian, Saturday, 5 August 2017 00:31 (six years ago) link
I'm interested in the Italian crime TV drama that is on there - has anyone watched it?
― ian, Saturday, 5 August 2017 00:33 (six years ago) link
Alex Lifeson is one of the teens in Come On, Children!Not that this would make you want to watch it but it's pretty good regardless
― weird woman in a bar (La Lechera), Saturday, 5 August 2017 00:34 (six years ago) link
i should say "the teen who become known as Alex Lifeson"he had a different name back thenthere's even a scene with his parents about his lack of prospects as a guitar player
― weird woman in a bar (La Lechera), Saturday, 5 August 2017 00:35 (six years ago) link
Ian, It sounded like Some More Sopranos, so I passed.
LL, I loved Warrendale and A Married Couple -- I'll add Come On Children and Dying at Grace to my queue (which is already too long).
― I can see by the look on your face, you've got ring worm. (WilliamC), Saturday, 5 August 2017 00:37 (six years ago) link
The bad writing and editing on their editorial side drives me nuts -- "Alice Kominsky Crumb," "Christopher Plumber" guuuhhhh
― I can see by the look on your face, you've got ring worm. (WilliamC), Saturday, 5 August 2017 00:40 (six years ago) link
Yeah, some of the copy is pretty dire.
Decided to watch "Sapphire" this evening.
― ian, Saturday, 5 August 2017 00:44 (six years ago) link
i was afraid to watch A Married Couple!
― weird woman in a bar (La Lechera), Saturday, 5 August 2017 00:52 (six years ago) link
I approached it as sort of a...hysterically funny horror movie.
― I can see by the look on your face, you've got ring worm. (WilliamC), Saturday, 5 August 2017 01:00 (six years ago) link
I haven't had too much time to dive in, watched one of the Apu films, but I'm glad I signed up. I wanted to pick a movie to watch with my older daughter, and I was going to give her the choice of Oliver Twist or Grand Illusion or Seven Samurai. I pressured her into the last, and while she seemed to enjoy it the enthusiasm was limited and relative, since I think we only saw 30 minutes of it (ha). But it's a start! Grand Illusion (for subtitles) and Oliver Twist (for craft) might be more her speed.
― Josh in Chicago, Saturday, 5 August 2017 01:07 (six years ago) link
Watched Visions (the movie about Hildegard) and Koko: A Talking Gorilla (1978, pre-kitten) would recommend both.
― weird woman in a bar (La Lechera), Tuesday, 8 August 2017 16:49 (six years ago) link
Vision, seconded. Not a Criterion, I don't think, but would also recommend a somewhat similar film, I, The Worst of All/Yo, la peor de todas, which is about Sor Juana Inés de la Cruz.
― Barkis Garvey (James Redd and the Blecchs), Tuesday, 8 August 2017 16:57 (six years ago) link
ooh that sounds good. i'm kind of nunned out after that one but i'm sure my appetite will come back ;)
― weird woman in a bar (La Lechera), Tuesday, 8 August 2017 16:58 (six years ago) link
Best to steer clear of Black Narcissus for the time being as well then
― Barkis Garvey (James Redd and the Blecchs), Tuesday, 8 August 2017 17:07 (six years ago) link
I should join.
― the Rain Man of nationalism. (Alfred, Lord Sotosyn), Tuesday, 8 August 2017 17:08 (six years ago) link
Black Narcissus is second to nun.
― Josh in Chicago, Tuesday, 8 August 2017 17:08 (six years ago) link
^^^ lol
― the Rain Man of nationalism. (Alfred, Lord Sotosyn), Tuesday, August 8, 2017 12:08 PM
Its only real drawback is a paralyzing surfeit of choices.
― WilliamC, Tuesday, 8 August 2017 17:29 (six years ago) link
for me it is the creeping feeling that i am hiding from reality in an artsy hole, but if i have to hide in a hole it's not a bad one to steal away to
― weird woman in a bar (La Lechera), Tuesday, 8 August 2017 17:31 (six years ago) link
oh also we started watching Bigger Than Life, which I am totally enjoying as well
― weird woman in a bar (La Lechera), Tuesday, 8 August 2017 17:32 (six years ago) link
would buy a "yay for the artsy hole" t-shirt
― Chocolate-covered gummy bears? Not ruling those lil' guys out. (ulysses), Tuesday, 8 August 2017 17:50 (six years ago) link
http://criterioncast.com/news/all-of-the-films-joining-filmstrucks-criterion-channel-this-september
― May contain peanuts, tree nuts, soy, wheat, pits or pit fragments. (WilliamC), Wednesday, 30 August 2017 02:42 (six years ago) link
I may only get to watch a few things on here a month, but I love having the channel and its choices.
― Josh in Chicago, Wednesday, 30 August 2017 03:40 (six years ago) link
started watching ROMANZO CRIMINALE, the Italian crime series I mentioned upthread. I like it a lot. I never watched the Sopranos so I can't say much in that regard, but the vibe is good, there's a lot going on, and it's nice to see all the footage of Italy, where I have never been. Certainly my interest in this show is DEFINITELY in its basis on a Giancarlo di Cataldo novel -- the novel hasn't been published in the US (yet?) but there's a UK edition. I'm reading right now a translation of another di Cataldo novel, Suburra, which I'm loving. So I'm kind of on the hardboiled Italian crime vibe right now. And over the last few years I've read tons of Massimo carlotto.. anyhoo, rambling here, but I'm definitely "on board" with this show for now. I wish I knew more about the history of communism v fascism in italy..
― ian, Thursday, 7 September 2017 03:34 (six years ago) link
I know not many series are on Filmstruck, but it's really atrocious trying to navigate these episodes. They aren't in order no matter how you look at them, when you finish an episode it seems you just have to search for the episodes or browse for them. Sigh.
― ian, Thursday, 7 September 2017 03:35 (six years ago) link
hooked on RC btw.
― ian, Wednesday, 13 September 2017 19:11 (six years ago) link
Excited for all the Godards I've never found streaming before, added today.
― WilliamC, Friday, 15 September 2017 17:37 (six years ago) link
One month engagements of Crit collected editions for October will include On the Waterfront and Harold and Maude.
― WilliamC, Monday, 25 September 2017 23:58 (six years ago) link
All Night Long -- British-made take on Othello, set in London jazz world, real-time during a party -- is quite good, and I'd never heard of it.
― The Thnig, Tuesday, 26 September 2017 16:36 (six years ago) link
i want to get this for the t.v. in the bedroom but i would have to hook my computer up to the t.v. and i hate doing stuff like that.
my t.v. gets netflix (which we subscribe to) and youtube. so i watch netflix. and every film noir movie on youtube.
maybe i will go full roku someday.
― scott seward, Tuesday, 26 September 2017 16:43 (six years ago) link
( i do still miss criterion on hulu...which we have downstairs on the PS4...)
― scott seward, Tuesday, 26 September 2017 16:44 (six years ago) link
can you get a chromecast and stream it to your tv?
― wmlynch, Tuesday, 26 September 2017 17:33 (six years ago) link
I've been enjoying Kanopy with my LA library card. It has most Criterion films streaming, although not as many as Filmstruck. That said, it's free.
― Spencer Chow, Tuesday, 26 September 2017 17:43 (six years ago) link
For a few weeks, the Filmstruck channel on Roku had a massive bug — going from the app to the Roku home screen caused the device to do a hard restart. It was still doing it as late as last Friday but it looks like they've fixed it.
― WilliamC, Tuesday, 26 September 2017 18:33 (six years ago) link
scott - chromecast. get it. no computer necessary.
― kurt schwitterz, Tuesday, 26 September 2017 18:38 (six years ago) link
i find their practice of using b/w photos for color movies really distractingidk why they would do this
we watched Norma Rae recently and it was great
― weird woman in a bar (La Lechera), Tuesday, 26 September 2017 18:38 (six years ago) link
Scott, a roku box is really cheap... like, one wall record cheap.
― ian, Tuesday, 26 September 2017 22:26 (six years ago) link
We got kanopy like a month after we subscribe to filmstruck. There are some hoops to jump through for the former though. I think you can only watch 10 movies a month, and you have to watch them within 3 days.
― Josh in Chicago, Tuesday, 26 September 2017 22:29 (six years ago) link
Yes, it's not straightforward, but again, free.
Sadly, it's been a very long time since a 10 movie/month limit would be a problem for me!
― Spencer Chow, Tuesday, 26 September 2017 22:44 (six years ago) link
i've got kanopy through the university, but it requires a vpn which then makes chromecasting impossible.
― wmlynch, Tuesday, 26 September 2017 22:44 (six years ago) link
Kanopy is great tho how many plays you get depends on the deal struck by your library/institution. However the Roku app, at least on my Roku TV, is complete garbage - buggy as hell, awkward to navigate (tho not as bad as nu-Hulu) and the subtitle tracks are like 15 seconds in advance of the film, rendering all foreign films unwatchable. They've told me by email they're working on it. :-/
― Doctor Casino, Tuesday, 26 September 2017 23:40 (six years ago) link
Romanzo Criminale is leaving on Sept 29, FYI. I check this page periodically: https://www.filmstruck.com/us/coming-soon
― Chris L, Wednesday, 27 September 2017 07:26 (six years ago) link
The Ross McElwee docs are leaving in a week, you don't want to miss those. They are unique.
― The Thnig, Wednesday, 27 September 2017 07:27 (six years ago) link
"(tho not as bad as nu-Hulu)"
OMG, this is one of those cases where i really think a company is doing something to fuck with me personally. like they know it will drive me insane.
― scott seward, Wednesday, 27 September 2017 14:16 (six years ago) link
i will look into chrome/roku. i probably don't need more ways to watch hours of t.v. but i do miss having criterion at my fingertips even if i often ended up watching more episodes of Nikita when i meant to watch some chantal akerman movie i hadn't seen.
― scott seward, Wednesday, 27 September 2017 14:19 (six years ago) link
xpost yeah what in the fuck is wrong with them? i had only recently gotten oldHulu installed cause spotify just declared I had a free subscription (tho with such an obscene quantity of commercials that watching TV shows isn't worth fucking with), had fun loading up my watchlist with MOR blockbuster rental quality stuff, and then like three days later it morphed into this unbrowsable monstrosity
― Doctor Casino, Wednesday, 27 September 2017 14:20 (six years ago) link
was wondering about the TCM content and looking at the website i can't help but notice that there are only five westerns listed. which is kinda sad.
― scott seward, Wednesday, 27 September 2017 14:24 (six years ago) link
i don't know why companies feel the need to do that. hulu wasn't perfect but jesus there wasn't anything really wrong with how it looked and it was easy to use. i'm guessing they made it more phone-friendly in some way that escapes me? i don't watch stuff on phones.
― scott seward, Wednesday, 27 September 2017 14:26 (six years ago) link
i think everyone i know had the same reaction to nu-hulu. i think it's an result of people needing to keep their jobs and ABC (always be creating) -- sometimes a thing just needs maintenance, not innovation. this is the world we live in i guess.
― weird woman in a bar (La Lechera), Wednesday, 27 September 2017 14:39 (six years ago) link
http://criterioncast.com/news/all-of-the-films-joining-filmstrucks-criterion-channel-this-october
― WilliamC, Wednesday, 27 September 2017 19:13 (six years ago) link
I've been having trouble with streaming on my Roku TV recently. Tried to watch "Tabloid" but the sound wouldn't synch and the picture kept breaking up. Everything streams fine on my AppleTV.
― Jazzbo, Thursday, 28 September 2017 13:03 (six years ago) link
crikey...
https://www.britbox.com/
― scott seward, Friday, 29 September 2017 14:06 (six years ago) link
oh.. i guess i should have read this thread a couple days ago. now how do i see the end of romanzo criminale??
hulu SUCKS i want to cancel it honestly.
also anytime i try to go to the homescreen from filmstruck i'm still getting a reset..
― ian, Saturday, 30 September 2017 04:07 (six years ago) link
I had that problem on my Roku but it seems to have been fixed in the last 2-3 days.
― WilliamC, Saturday, 30 September 2017 12:13 (six years ago) link
Also in the "classy" movie-streaming market: has anyone tried Fandor? They're doing some promotion through MoviePass to try and hook me on $2/month... that's pretty cheap so I probably should just say what the heck, but I already feel like with Kanopy I do have a reasonable number of "good movies" on easy tap...
― Doctor Casino, Thursday, 26 October 2017 18:27 (six years ago) link
I have fandor and filmstruck but never watch either because I'm busy.
however, fandor is great, more cult and avant garde type stuff. midnight movies, experimental film etc.
― dan selzer, Thursday, 26 October 2017 18:42 (six years ago) link
Some great stuff on filmstruck right now. I had totally forgotten about A Boy and His Dog, which I have somehow never seen. Boy, George Miller sure borrowed a lot from this. Unless it's all in the novella.
― Josh in Chicago, Thursday, 26 October 2017 19:03 (six years ago) link
couldn't get more than a few minutes into that one when my friend and I tried it a while back :-/ liked the setting and stuff but the sexual violence was very jarring and jarringly handled, for us.
― Doctor Casino, Thursday, 26 October 2017 19:35 (six years ago) link
FilmStruck & Shudder -- I need nothing else to subsist!
― The Thnig, Thursday, 26 October 2017 20:49 (six years ago) link
xpost The sexual violence is one of the things George Miller took.
― Josh in Chicago, Thursday, 26 October 2017 20:52 (six years ago) link
They're adding Twin Peaks: FWWM on Nov. 16th as a CC Edition, and it will include The Missing Pieces.
http://onvideo.org/criterion-channel-announces-nov-programming/
― WilliamC, Friday, 27 October 2017 13:33 (six years ago) link
Imamura's The Pornographers is one I was just checking for the other day; nice to see it will be available soon.
― bernard snowy, Friday, 27 October 2017 20:10 (six years ago) link
I couldn't get my Filmstruck Roku app to load today ...
― Josh in Chicago, Friday, 27 October 2017 20:17 (six years ago) link
Even though the more canonical arthouse films tend to be on Filmstruck, I've watched more things on Fandor more for some reason. Maybe its eclecticism is more inviting. It probably helps that I've never had issues with Fandor on the Roku, where Filmstruck wasn't on it for quite a while; just a few days ago I needed to log in to the Filmstruck app again.
― eatandoph (Neue Jesse Schule), Saturday, 28 October 2017 01:36 (six years ago) link
cool, thanks y'all! I'll mull it. though tbh the moviepass itself keeps me busy enough so maybe this shd just be a year of hitting the theater as much as possible
― Doctor Casino, Saturday, 28 October 2017 01:40 (six years ago) link
filmstruck takes fucking forever to load lol
― Listen to my homeboy Fantano (D-40), Saturday, 28 October 2017 10:07 (six years ago) link
My man
― "the fgti incident?" (Whiney G. Weingarten), Monday, 30 October 2017 13:59 (six years ago) link
FilmStruck and Shudder exist and are totally affordable but the media elite is tweeting about spending their weekends watching 8 hours of "Guys, E.T. Rubiks Cube Toto"
― "the fgti incident?" (Whiney G. Weingarten), Monday, 30 October 2017 14:01 (six years ago) link
shudder is such an incredible deal
― ToddBonzalez (BradNelson), Monday, 30 October 2017 15:39 (six years ago) link
I'm in. Just watched only my second Naruse.
― morning wood truancy (Alfred, Lord Sotosyn), Saturday, 4 November 2017 21:36 (six years ago) link
― Listen to my homeboy Fantano (D-40)
this is a problem yeah
― morning wood truancy (Alfred, Lord Sotosyn), Saturday, 4 November 2017 21:37 (six years ago) link
Sympathies to everyone who's had that problem, but it zips along for me. Even when it crashed my Roku whenever I used the app, it loaded fine and let me finish watching something first.
― WilliamC, Saturday, 4 November 2017 22:14 (six years ago) link
the Henson shorts are super enjoyableDrum West especially, but all the ones I watched were good.
― weird woman in a bar (La Lechera), Saturday, 4 November 2017 22:15 (six years ago) link
I just finished a work production deadline and am looking forward to diving in to a lot of Henson. And Haneke, but probably not at the same time.
Alfred, if you find the idea of browsing 1500 titles to be just too much, here's a thing I maintain: https://docs.google.com/spreadsheets/d/1TWx8-b5fbqenVr6r64hf3GktufPAgc61akPIvKoV2XA/edit#gid=556920267
― WilliamC, Saturday, 4 November 2017 22:17 (six years ago) link
Ian, it looks like Romanzo Criminale is back for about five weeks.https://www.filmstruck.com/us/watch/bundle/1520000202
― WilliamC, Friday, 24 November 2017 14:05 (six years ago) link
18 Bill Morrison films yessss
― WilliamC, Friday, 8 December 2017 17:28 (six years ago) link
thanks for the spreadsheet william ... this is nice!
― reggae mike love (polyphonic), Friday, 8 December 2017 19:03 (six years ago) link
My pleasure! It was a case of "if you want Filmstruck to do something right, you've got to do it yourself." Probably obvious, but red = expired and blue/yellow = I've seen. Light green = started it, hated it, bailed early.
― WilliamC, Friday, 8 December 2017 19:43 (six years ago) link
haha now I want to see what you light greened
― reggae mike love (polyphonic), Friday, 8 December 2017 19:47 (six years ago) link
Not too many. Track 29, Desert Hearts and Rendez-vous were real cases of 'ugh, crap." With Sweet Movie it was a case of "ok, interesting hammer but could you stop hitting me with it?" and I just didn't have the stomach to stay with Benny's Video last week, the USA has my nerves on edge.
― WilliamC, Friday, 8 December 2017 20:23 (six years ago) link
You didn't like Desert Hearts? I enjoyed that one.
― reggae mike love (polyphonic), Friday, 8 December 2017 20:34 (six years ago) link
When I saw Sweet Movie i was in a class called The Films of Dusan Mackavejev being taught by an expert on eastern european cinema, and his giving us a thorough background and understanding of yugoslavian history made Sweet Movie a lot more enjoyable.
― dan selzer, Friday, 8 December 2017 21:08 (six years ago) link
Mainly I thought the acting was terrible -- kind of baffled at the praise for Shaver in the lead. xp
I think I would have enjoyed Sweet Movie with added history/context.
― WilliamC, Friday, 8 December 2017 21:11 (six years ago) link
Have really been enjoying the Bill Morrison collection!! Who By Water especially because 1) Vuh-y score and 2) people basically nonstop staring in the camera https://vimeo.com/48669901
― weird woman in a bar (La Lechera), Monday, 11 December 2017 23:05 (six years ago) link
Yes, I'm loving the Morrison. Were you at Big Ears the year they showed The Great Flood with Bill Frisell and band doing the score live? I don't remember if that was this year or 2015 or earlier.
― WilliamC, Tuesday, 12 December 2017 01:19 (six years ago) link
That's a shame WilliamC, I thought Desert Hearts was really nice. Loved Shaver especially, but both leads were quite brave and sweet IMO
― Nhex, Tuesday, 12 December 2017 02:16 (six years ago) link
WMC - No! I didn't see that!! Dang
We have watched 3-4 of them so far, and Porch is the only one I was unmoved by. It was fine but not essential.
― weird woman in a bar (La Lechera), Tuesday, 12 December 2017 14:08 (six years ago) link
The UK version, Filmstruck Curzon, is up and running. https://www.filmstruck.com/uk/#
― WilliamC, Thursday, 8 February 2018 19:40 (six years ago) link
FilmStruck, Turner’s streaming service for movies, is partnering with Warner Bros. Digital Networks (WBDN) and adding some new features that will expand its film library to some Hollywood classics. As part of the venture, Warner Archive will sunset its service effective immediately, with current subscribers being transitioned to a FilmStruck subscription.
Beginning today, FilmStruck subscribers in the US will get hundreds of new movies and streaming access to films from the Warner Bros. classic film library, including Casablanca, Rebel Without a Cause, Singin’ In the Rain, Citizen Kane, The Music Man, Bringing Up Baby, The Thin Man, Cat People, A Night At The Opera, An American In Paris, and Who’s Afraid Of Virginia Woolf?
http://deadline.com/2018/02/filmstruck-adds-warner-bros-films-as-warner-archive-sunsets-1202301824/
― WilliamC, Monday, 26 February 2018 17:14 (six years ago) link
Awesome, how about Leone?
― Josh in Chicago, Monday, 26 February 2018 18:48 (six years ago) link
no results found
― WilliamC, Monday, 26 February 2018 18:58 (six years ago) link
"Beginning today, FilmStruck subscribers in the US will get hundreds of new movies" is an error in Deadline's story. Filmstruck's Tumblr has this: "We’re also adding hundreds of classic films over the next few months."
Today's additions are a 22-film TCM Select bundle, a 23-film Bette Davis bundle, and the complete Astaire-Rogers (10 films).
― WilliamC, Monday, 26 February 2018 19:04 (six years ago) link
When the TCM Select stuff rolled out this week, I decided it was too much to keep updating my spreadsheet, which I was adding to line by line. Providence (and Reddit) sent along some guy who knows his web-scraping shit and created this a couple of days ago: hxxp://www.disobey.com/wiki/FilmStruck
― WilliamC, Friday, 2 March 2018 22:54 (six years ago) link
bookmarked, thanks!
― reggae mike love (polyphonic), Friday, 2 March 2018 23:11 (six years ago) link
Again and again lately I'm thwarted by Filmstruck. Decalogue's not there, and there's no Spinal Tap; both are ostensibly Criterion, both currently AWOL. Then they get the big WB collection, but no Treasure of the Sierra Madre, no Sergio Leone, no etc. Obviously there are tons of other options there, but still bummed.
― Josh in Chicago, Sunday, 15 April 2018 01:40 (six years ago) link
There are plenty of Criterion movies that aren't there, but they get rotated in and out. Same for WB.
― Jazzbo, Monday, 16 April 2018 17:54 (six years ago) link
Yeah, I know. I just haven't seen them rotated in for a long, long while.
― Josh in Chicago, Monday, 16 April 2018 17:55 (six years ago) link
Spinal Tap Criterion is out of print, which might mean they don't have the rights anymore
― like æ duce says, smell my anvil vapre (Whiney G. Weingarten), Monday, 16 April 2018 17:59 (six years ago) link
Criterion Spinal Tap is literally why I bought a DVD player way back when.
― Josh in Chicago, Monday, 16 April 2018 18:01 (six years ago) link
Why don't you watch your DVD then?
― like æ duce says, smell my anvil vapre (Whiney G. Weingarten), Monday, 16 April 2018 18:09 (six years ago) link
No longer own a DVD player. Well, it's somewhere, but I don't know where it is. I think So: laziness/convenience. And not wanting or needing DVDs is why I subscribe to Filmstruck/Netflix in the first place.
― Josh in Chicago, Monday, 16 April 2018 18:13 (six years ago) link
You can currently rent it from Apple, Microsoft, Vudu or the PlayStation Store
― like æ duce says, smell my anvil vapre (Whiney G. Weingarten), Monday, 16 April 2018 18:21 (six years ago) link
Or you can get some nerds to act out all the scenes for you
― President Keyes, Monday, 16 April 2018 18:25 (six years ago) link
It's really not that complicated. I know it's not gone forever from every place. The reason I pay for Filmstruck and Netflix is to watch movies on Filmstruck and Netflix.
― Josh in Chicago, Monday, 16 April 2018 18:28 (six years ago) link
The reason you pay for Filmstruck and Netflix is that culture started priding convenience over quality
― like æ duce says, smell my anvil vapre (Whiney G. Weingarten), Monday, 16 April 2018 18:32 (six years ago) link
Not your fault, obviously, but we should all temper our expectations to this new reality if we're going to help fund it
― like æ duce says, smell my anvil vapre (Whiney G. Weingarten), Monday, 16 April 2018 18:34 (six years ago) link
Netflix= Stuff you probably wouldn't have paid for back in the video store days but hey there it is
Filmstruck= This is easier than riding a bike to the library all the time
― President Keyes, Monday, 16 April 2018 18:43 (six years ago) link
whiney otm in last 2 posts
― weird woman in a bar (La Lechera), Monday, 16 April 2018 20:22 (six years ago) link
Kanopy -- which is free if you have a library card -- just added most (or maybe all?) of Fred Wiseman's documentaries.
― reggae mike love (polyphonic), Monday, 16 April 2018 21:20 (six years ago) link
Anybody got Filmstruck UK? Been thinking of ditching Mubi for it and wondered what selection was like.
― Dan Worsley, Monday, 16 April 2018 21:33 (six years ago) link
i get kanopy through my employer (public university), but it requires vpn so i can't chromecast it. it's a bummer.
― wmlynch, Monday, 16 April 2018 22:28 (six years ago) link
FWIW I don't use VPN and I do use Chromecast.
Watched "Hospital" last night. Some haunting stuff in there.
― reggae mike love (polyphonic), Tuesday, 17 April 2018 20:51 (six years ago) link
yah my employer requires the vpn to access it, not kanopy.
― wmlynch, Wednesday, 18 April 2018 00:06 (six years ago) link
wait which library did you use to access it? maybe i'm not trying hard enough.
― wmlynch, Wednesday, 18 April 2018 00:07 (six years ago) link
― WilliamC, Saturday, November 4, 2017 5:17 PM (six months ago) Bookmark Flag Post Permalink
this is great but what does the color coding mean?
― na (NA), Friday, 18 May 2018 21:16 (five years ago) link
The yellow and blue fields were for films I've seen. Red was for films that had expired and weren't available anymore. Every now and then there's a bit of green for films that I started, really hated, and quit watching before the end. I haven't updated that spreadsheet in more than 2 months -- when the huge amount of TCM Select stuff went live I gave up. I thought that spreadsheet at disobey.com (linked upthread) would be a good replacement, but it hasn't been updated in over a month. :(
― WilliamC, Friday, 18 May 2018 21:30 (five years ago) link
if You Gotta Move is still on there, i think everyone should watch iti visited the school after seeing the movie -- that's how good it was
― weird woman in a bar (La Lechera), Friday, 18 May 2018 21:36 (five years ago) link
sorry it is GOT TO
https://en.wikipedia.org/wiki/You_Got_to_Move
Filmstruck added The Night of Truth, Kabala, Hyenas, Guelwaar, Dreams of Dust, Sembene, Xala, and Yeelen today— &rew (@hedgetheater) May 18, 2018
― reggae mike love (polyphonic), Friday, 18 May 2018 23:21 (five years ago) link
Launching in France and Spain.https://www.hollywoodreporter.com/news/time-warners-movie-streaming-service-filmstruck-launch-france-spain-1114568
― WilliamC, Friday, 25 May 2018 17:29 (five years ago) link
The Other Side of Hope coming June 29th
― WilliamC, Wednesday, 30 May 2018 21:29 (five years ago) link
Bill Morrison docs are leaving soon I hear -- and I was wondering if anyone else has trouble with them? Like staggering video?
― weird woman in a bar (La Lechera), Wednesday, 30 May 2018 22:19 (five years ago) link
I've been blessedly free of playback problems since the service started. I see loads of frustrations on places like Criterionforum.org and their Facebook page, but I've had pretty smooth sailing. Maybe one or two glitches.
― WilliamC, Wednesday, 30 May 2018 23:31 (five years ago) link
so nothing on the morrison films? someone else i asked said that she did have issues. i wonder what the problem is?
― weird woman in a bar (La Lechera), Wednesday, 30 May 2018 23:41 (five years ago) link
maybe it's like only for roku users or somethinggod i hate companies so much
― weird woman in a bar (La Lechera), Wednesday, 30 May 2018 23:42 (five years ago) link
so to watch in browser you need to enable adobe flash?
― omgneto and ittanium mayne (James Redd and the Blecchs), Sunday, 3 June 2018 02:26 (five years ago) link
fraid so
― WilliamC, Sunday, 3 June 2018 03:28 (five years ago) link
Okay, since Criterions mostly dried up from Kanopy, finally going to have to give this a try.
― omgneto and ittanium mayne (James Redd and the Blecchs), Sunday, 3 June 2018 14:56 (five years ago) link
I had high hopes for the King Kong audio commentary, but there's not much to it really. Harryhausen and Ralston chat while watching the film but don't have much to say beyond "ahh, that's a terrific matte painting there." Merian Cooper and Fay Wray's contributions are cut in from other talks, and almost an hour into it, Wray's only contribution so far is "One nice thing about the picture is that we all remained friends."
― WmC, Saturday, 13 October 2018 19:48 (five years ago) link
I love the long overture or original music that's included at the beginning of "Kong." I wish more prints of vintage movies would include those if available.
― Jazzbo, Monday, 15 October 2018 14:32 (five years ago) link
Filmstruck now launching in the UK. Free 14 day trial, approx. £6 a month depending on whether you pay monthly or annually. Looking at the UK website so far, the Criterion titles are restricted to those that have been issued on blu ray in the UK, and even then it's not every title. They've also got a deal w/ Curzon/Artificial Eye to include some of their titles too. All in all, a much bigger selection than on MUBI, but MUBI often has films that are otherwise unavailable to view in the UK, whereas there don't seem to be anything that out of the ordinary on Filmstruck so far (plus I get a free subscription to MUBI as part of my Glasgow Film Theatre membership).
― Ward Fowler, Friday, 19 October 2018 09:56 (five years ago) link
Was going to dump Mubi for Filmstruck earlier this month when my annual sub ran out, however they offered a year for £22.99 so am sticking with them, at least for another year. Will probably get Filmstruck soon. but hoping their library gets a bit deeper.
― Dan Worsley, Friday, 19 October 2018 11:13 (five years ago) link
RIP: https://variety.com/2018/digital/news/filmstruck-shutdown-warnermedia-turner-1202998364/
shutting down at the end of november
pretty pissed about this
― na (NA), Friday, 26 October 2018 14:55 (five years ago) link
Well, shit.
― wayne trotsky (Simon H.), Friday, 26 October 2018 14:56 (five years ago) link
what the fuck
― maura, Friday, 26 October 2018 14:57 (five years ago) link
Aww. Well, I guess that saves me a few bucks each month. I wish I had more time to watch stuff while it lasted.
― Josh in Chicago, Friday, 26 October 2018 15:00 (five years ago) link
farewell to the films truck
― ciderpress, Friday, 26 October 2018 15:01 (five years ago) link
fuuuuuuuck
― WmC, Friday, 26 October 2018 15:02 (five years ago) link
goddammit
― princess of hell (BradNelson), Friday, 26 October 2018 15:03 (five years ago) link
at least i have shudder the only other good streaming service? this fucking sucks
this makes me very sad
― karl...arlk...rlka...lkar..., Friday, 26 October 2018 15:04 (five years ago) link
it never came to canada AFAIK but I'd have checked it out. feeling better and better about stockpiling physical media tbh
― wayne trotsky (Simon H.), Friday, 26 October 2018 15:06 (five years ago) link
put everyone who talks like this out on ice floes for the sake of humanity pic.twitter.com/44BFCSYSSg— Brandy Jensen (@BrandyLJensen) October 26, 2018
― wayne trotsky (Simon H.), Friday, 26 October 2018 15:08 (five years ago) link
@ brad - depending on your needs, fandor is like $7/month or something, not a filmstruck-level library but if you watch a few things a month you can think of it like having a video rental place w a reasonably fun indie/foreign/cult section. kanopy, if your local library has a contract with them, if free and has great collections (difft lineups for different libraries, kind of confusing) but absolutely garbage software/interface.
― |Restore| |Restart| |Quit| (Doctor Casino), Friday, 26 October 2018 15:11 (five years ago) link
I love Mubi, but that's obviously not an extensive library
― President Keyes, Friday, 26 October 2018 15:16 (five years ago) link
physical media forevah
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 26 October 2018 15:17 (five years ago) link
Ugh. Where will the Criterions play?
― Buckaroo Can't Fail (James Redd and the Blecchs), Friday, 26 October 2018 15:21 (five years ago) link
Nowhere, for the moment.
― WmC, Friday, 26 October 2018 15:22 (five years ago) link
@ brad - depending on your needs, fandor is like $7/month or something, not a filmstruck-level library but if you watch a few things a month you can think of it like having a video rental place w a reasonably fun indie/foreign/cult section.
this is great to know, thank you!
― princess of hell (BradNelson), Friday, 26 October 2018 15:23 (five years ago) link
Don’t dig Fandor that much, sorry
― Buckaroo Can't Fail (James Redd and the Blecchs), Friday, 26 October 2018 15:24 (five years ago) link
I don't see the Hulu deal restarting or Netflix shelling money for this library, and Criterion doesn't have the pockets to do a standalone service. They need a big partner and the big partners are drying up.
― WmC, Friday, 26 October 2018 15:25 (five years ago) link
seems a bad situation-- art film streaming service is not profitable enough for a huge corporation, and a smaller company doesn't have the money to license all these art films
― President Keyes, Friday, 26 October 2018 15:34 (five years ago) link
― flappy bird, Friday, 26 October 2018 15:34 (five years ago) link
piracy forevah
― vision joanna newsom (Stevie D(eux)), Friday, 26 October 2018 15:39 (five years ago) link
This is sad, I was also waiting for it to launch in Canada. Before Filmstruck, Criterion had licensed a big chunk of its library to other streaming services that had a big institutional subscriber bases - libraries, universities - and maybe it'll return to that in the meantime?
Kanopy and AlexanderStreet are two of these which, independently of Criterion/Filmstruck, I'd recommend anyone to check out if they haven't heard of them. If your municipal library is signed up, all you need is an active library card to login and have access on your computer/device.
― Federico Boswarlos, Friday, 26 October 2018 15:41 (five years ago) link
ymmv on fandor obv - i def haven't used it as much as i might cause it came free with moviepass for some reason, and at the time, moviepass was still usable so obviously i instead went and saw fandor-type movies at the theater, like velvet goldmine. and now it's competing with sinemia and kanopy time i guess. but i've watched some of yr bof-standard silent-film canon (caligari, the general) and some fun cult classic type stuff on it like Death Race 2000 and Dark Star and a bunch of jim henson stop motion shorts from the 60s. not sure where else i would have streamed The Point!. etc.. and sooner or later i'll sit down and take in the careers of bava and argento, some of the herzog classics, etc.that's just to sketch it out (you can browse the whole catalog on the web w/o subscribing) and by no means does it occupy the same niche as filmstruck. in terms of lineup, kanopy is way closer. but depending on your tastes it might be nice to have.
― |Restore| |Restart| |Quit| (Doctor Casino), Friday, 26 October 2018 15:43 (five years ago) link
I've been using Kanopy cuz it's free through my university.
― You like queer? I like queer. Still like queer. (Alfred, Lord Sotosyn), Friday, 26 October 2018 15:43 (five years ago) link
hope criterion comes back to hulu
― Greta Van Fleek (upper mississippi sh@kedown), Friday, 26 October 2018 15:43 (five years ago) link
my household is super bummed about thiseven the dogs
― weird woman in a bar (La Lechera), Friday, 26 October 2018 15:45 (five years ago) link
so much streaming garbage out there, i will miss u filmstruckgoddamn companies
― weird woman in a bar (La Lechera), Friday, 26 October 2018 15:46 (five years ago) link
Mmmmmmmaybe they'll make a deal to be a part of the HBO/Warner/Turner streaming service coming next year, but I'm not holding my breath.
― WmC, Friday, 26 October 2018 15:46 (five years ago) link
I haven't seen this much collective mourning on my twitter feed since ... well, ever.
― I Never Promised You A Hose Harden (Eric H.), Friday, 26 October 2018 15:47 (five years ago) link
a bunch of criterion/janus never left kanopy but it can be elusive, and hard to even really take a head count because there are many titles (not criterion specific) that i can watch through my public library membership but NOT my university one. depending which membership you have toggled to "active," the other titles just don't appear when browsing, but DO still sit in your watchlist, BUT can't be actually played if it turns out they're gone from all your memberships. this is only one of a dozen needlessly clunky features, the worst tho are the consistent roku bugs that mean watching with subtitles on my TV has remained a complete crapshoot for more than a year. you get what you pay for i guess but it'd be cool if libraries would demand these people maintain an easier-to-use product. don't get me started on the pagination woes.
― |Restore| |Restart| |Quit| (Doctor Casino), Friday, 26 October 2018 15:48 (five years ago) link
interface on Kanopy has been fine for me on phone, except for clicking to see why a single film was listed as a collection of two, and it starting to play & thus using one of my five-films-a-month (restriction of the Seattle Public Library)
― Eight-Tenths Bigamy (sic), Friday, 26 October 2018 15:56 (five years ago) link
i cringe to imagine clicking page by tedious page through my 17-page watchlist on a phone. also iirc you can't search by terms like "kurosawa" though perhaps that's been fixed
― |Restore| |Restart| |Quit| (Doctor Casino), Friday, 26 October 2018 16:05 (five years ago) link
haven't tried to use Kanopy on my phone, but the search function on it's webpage allows a search by director, which is really nice (that is one of my gripes with Netflix). It doesn't feel to me that the interface there is much different from other streaming services. You can add films to your watchlist so they are available when you go in to the app on your tv screen.
I didn't realize that individual libraries make different content available. SFPL I know has the complete Janus Criterion collection as well as many others
― Dan S, Friday, 26 October 2018 16:25 (five years ago) link
17-page watchlist
with only 5 films per month, I have not been that profligate with my watchlisting, admittedly
― Eight-Tenths Bigamy (sic), Friday, 26 October 2018 16:28 (five years ago) link
oh, it's definitely annoying that a 2-minute cartoon counts as as much as a 5.5-hour documentary toward that limit.
― Eight-Tenths Bigamy (sic), Friday, 26 October 2018 16:29 (five years ago) link
I know we have Criterion excluded on our school's Kanopy service because it costs $150 to activate a film for a year, and we only want to pay for films used in classes etc.
― President Keyes, Friday, 26 October 2018 16:31 (five years ago) link
sic get a job at the UW, exploit some library privileges
― I have measured out my life in coffee shop loyalty cards (silby), Friday, 26 October 2018 16:32 (five years ago) link
yeah i imagine kanopy must offer a few standard packages to customers, university one maybe heavier on canonical classics for the learning youth, city library one heavier on contemporary foreign/indie/docs for the NPR set? just guessing tho.ymmv obv but the pagination killlls the browsing for me. like netflix and co have figured this out more or less, just let me scroll thru everything i've put in my queue and see what i'm in the mood for (and if you really wanna blow my mind, let me sort that list by year/name/genre instead of always being most-recently-added). having to click "next page" a dozen times is wack. it's lots of little stuff like that - removing a movie from your watchlist on page 15 bumps you back up to page one. if you're browsing through a genre and click into a movie to get the full details, clicking back out dumps you at the top of the genre. there's no simple "recently added" page so you have to check individual genres and overlapping ad-hoc categories. etc. etc. sorry to rant, it's just a design bummer cause the catalog's amazing and there is never going to be any organized pressure from their customers to refine any of this.obv the watchlist is longer than whatever i'll get to in a month or a year but i tend to load up lists with whatever on a service looks interesting so that when i sit down to pick something out i can just look at my watchlist.
― |Restore| |Restart| |Quit| (Doctor Casino), Friday, 26 October 2018 16:36 (five years ago) link
if Apple's smart they'll grab this up for their new service next year
― Nhex, Friday, 26 October 2018 16:37 (five years ago) link
wish npr or pbs or somesuch had the resources to step into this space, sigh.
― |Restore| |Restart| |Quit| (Doctor Casino), Friday, 26 October 2018 16:38 (five years ago) link
Well, guess I won't be signing up to Filmstruck after all :-( I like Mubi but really could do with an alternative.
― Dan Worsley, Friday, 26 October 2018 16:43 (five years ago) link
there's a "recently added" strip right at the top of the Kanopy mobile app, that scrolls and scrolls :)
― Eight-Tenths Bigamy (sic), Friday, 26 October 2018 16:43 (five years ago) link
(and a recently added docos underneath The Criterion Collection)
― Eight-Tenths Bigamy (sic), Friday, 26 October 2018 16:44 (five years ago) link
For all but the very obsessive, the whole "this is why you should own a vast and expensive personal library of movies you'll probably only watch once or twice" line is just bonkers to me.
― ryan, Friday, 26 October 2018 16:47 (five years ago) link
For all but the very obsessive,
exactly
― flappy bird, Friday, 26 October 2018 16:48 (five years ago) link
yeah the real thing to lament is the death of physical-media video stores (or even o.g. DVD-by-mail netflix) which were actually the right medium between owning-forever and never-seeing.didn't realize that abt the app, might have to install it just to spare myself the clicking around on the web.
― |Restore| |Restart| |Quit| (Doctor Casino), Friday, 26 October 2018 16:48 (five years ago) link
Kanopy is awesome, but I agree the interface sucks
― Nhex, Friday, 26 October 2018 16:49 (five years ago) link
not sure what the o.g. version of netflix was but the current dvd-by-mail selection is amazing!
― Dan S, Friday, 26 October 2018 16:52 (five years ago) link
ha i didn't even realize it still existed. i remember an article a couple years ago on how limited and unreliable it'd actually become since they weren't replacing lost/destroyed discs so tons of bog-standard stuff had quietly become not-actually-gettable. but i'm probably fogging up the details.
― |Restore| |Restart| |Quit| (Doctor Casino), Friday, 26 October 2018 16:56 (five years ago) link
Netflix DVD-by-mail has more films available than Netflix streaming
think of the question as being "do you want to watch them once"
― Eight-Tenths Bigamy (sic), Friday, 26 October 2018 16:57 (five years ago) link
Criterions have good resell value anyway
― flappy bird, Friday, 26 October 2018 16:58 (five years ago) link
xp yes, if you're into classic cinema or world cinema, there's no comparison between netflix DVD and streaming services
― Dan S, Friday, 26 October 2018 17:00 (five years ago) link
I think it was after they did the “directed by Raoul Walsh” collection I thought how dies this exist? This is too good to be true
― Nerdstrom Poindexter, Friday, 26 October 2018 17:03 (five years ago) link
For the hundred bucks I'll save for not having a year of Filmstruck and its 1000-1200 options, I'll be able to buy 4-5 Criterion home releases (during half-off sales), or half of next month's Bergman box.
― WmC, Friday, 26 October 2018 17:07 (five years ago) link
losing disc-by-mail maybe the worst thing about moving to Canada tbrr
― rob, Friday, 26 October 2018 17:09 (five years ago) link
honestly, cost-proposition wise Netflix and Amazon Prime are still insane for what you get. but they'll never have everything, all the time, hence physical media worth buying and supporting for sure. also, the way history has been, whatever supplants Blu-ray will still publish less titles in the end, the way there were more DVDs than BR, more VHS than DVD..
― Nhex, Friday, 26 October 2018 17:22 (five years ago) link
lame, I was just thinking of signing up for this
― Οὖτις, Friday, 26 October 2018 17:28 (five years ago) link
Stupid:
Streaming is a scam that conditions consumers to forget the importance and necessity of ownership, to instead subscribe to the profit-maximizing whims of a megacorporation. Continued unabated, it will mutilate the history of film and music. Tech isn’t going to save us.— Scary Kaleb Horton (@kalebhorton) October 26, 2018
Streaming has stymied piracy better than any other digital model. The mechanism is in place to finally properly pay artists (even if they aren't doing it now) & more accurately track ears/eyeballs.
― flappy bird, Friday, 26 October 2018 17:40 (five years ago) link
flappy is a BigTech sock
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 26 October 2018 17:42 (five years ago) link
I doubt there will be a successor optical medium to Blu-ray that gets any kind of home market penetration, though considering the sorry state of America's crumbling infrastructure/broadband capacity maybe it'll wind up that we all just start buying movies on flash memory (NB this is way too expensive)
― I have measured out my life in coffee shop loyalty cards (silby), Friday, 26 October 2018 17:44 (five years ago) link
lol I don't even have Netflix! Not into streaming video because the quality is so shit (in my area at least - Comcast is the only option). But I have Apple Music and I love it, and still buy records.
― flappy bird, Friday, 26 October 2018 17:45 (five years ago) link
i've grumbled at flappy before for Big Tech sanguinity but i believe their positions are sincerely-held and non-sock
― |Restore| |Restart| |Quit| (Doctor Casino), Friday, 26 October 2018 17:47 (five years ago) link
fortunately everyone will be drownded before the Blurays degrade
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 26 October 2018 17:47 (five years ago) link
I generally hate streaming services of all music/film/TV because they often can't provide what I actually want to watch/hear.
― Οὖτις, Friday, 26 October 2018 17:47 (five years ago) link
lol wait i think i just got flappy mixed up with flopson again
"the importance and necessity of ownership" pretty sure there's a fugazi song about this
― princess of hell (BradNelson), Friday, 26 October 2018 17:48 (five years ago) link
fortunately we have the NY liberries, Brad
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 26 October 2018 17:48 (five years ago) link
anyway libraries are really important imo xp
― princess of hell (BradNelson), Friday, 26 October 2018 17:49 (five years ago) link
i only buy important shit like Rossellini and Sternberg boxes
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 26 October 2018 17:49 (five years ago) link
the importance and necessity of ownership
such weird icky ethical bullshit surrounding owning/collecting movies, something almost no one did before the 1980s.
― President Keyes, Friday, 26 October 2018 17:49 (five years ago) link
Yeah theres flopson flappy and flopsy
― F# A# (∞), Friday, 26 October 2018 17:50 (five years ago) link
if they could've they would've
xp
― flappy bird, Friday, 26 October 2018 17:51 (five years ago) link
flopson, flappy, and floppentail, surely
― |Restore| |Restart| |Quit| (Doctor Casino), Friday, 26 October 2018 17:51 (five years ago) link
streaming is generally fine (individual companies maybe not of course) as long as you don't think of it as an archive--it's really just the new iteration of broadcast TV
― rob, Friday, 26 October 2018 17:53 (five years ago) link
a key difference though: it's not regulated nearly as much
― rob, Friday, 26 October 2018 17:54 (five years ago) link
so nothing good is ever on when you want it to be? i am not a fan of streaming because you have to purchase access to the service AND have reliable internet in order to use the service. even people in major metropolitan areas don't have access to reliable streaming. AND the catalog is never full of what i want to see so it's just like a crapshoot where all you get is crap...maybe.
― weird woman in a bar (La Lechera), Friday, 26 October 2018 17:55 (five years ago) link
that's another reason I can't get on board (yet) - shit disappearing and cycling in and out = DUD
― flappy bird, Friday, 26 October 2018 17:56 (five years ago) link
so you need three things -- electricity (fine, we all need this), high speed internet service (not everyone has this) and purchased access to the service providing the media. it relies on three levels of access and even then you have to like what they are serving up. which...when it comes to netflix, no.
― weird woman in a bar (La Lechera), Friday, 26 October 2018 17:57 (five years ago) link
i try to avoid owning movies (and books), i have enough
i borrow
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 26 October 2018 17:57 (five years ago) link
xpyes very good points about worse access than broadcast, I was thinking more just in terms of quality and the arbitrariness of what's discoverable
― rob, Friday, 26 October 2018 17:58 (five years ago) link
my students look startled whenever I slip out that I still get Netflix DVDs.
They're doing a project requiring an analysis of M and four other good films made in subsequent decades (most recent: BPM). I sent them to Kanopy because, as I wrote earlier, it's free through the uni library, but I almost listed Filmstruck as an option. With the email volume I get, it was a rare smart move on my part.
― You like queer? I like queer. Still like queer. (Alfred, Lord Sotosyn), Friday, 26 October 2018 17:59 (five years ago) link
the importance and necessity of ownership would make more sense in the context of iTunes purchased movies disappearing when rights change
― louise ck (milo z), Friday, 26 October 2018 18:00 (five years ago) link
everytime the viewing medium changes, we lose more films.
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 26 October 2018 18:02 (five years ago) link
i love explaining to students why we are watching a DVD instead of streaming. in addition to the unreliable internet service at my school, usually their favorite reason for doing it is that no one can see you watching a DVD -- like when we watched The Murder of Fred Hampton. they could see the value of privacy.
― weird woman in a bar (La Lechera), Friday, 26 October 2018 18:03 (five years ago) link
I've heard great things about Kanopy, don't know about their lousy interface but seems like the best option now.
― flappy bird, Friday, 26 October 2018 18:05 (five years ago) link
re:disappearing titles. reminds me a bit of the ebook publishers I deal at work. Even though it's not my money it appalls me that they sell these expensive electronic titles and then drop them from their platform without notice, and you have to figure it out yourself. And then when you complain you just get some tech speak about purging content to upgrade for a better user experience!
― President Keyes, Friday, 26 October 2018 18:06 (five years ago) link
my library's Kanopy catalogue is easily fewer than 100 items, and probably 90% are contemporary documentaries
LL: that's genuinely good to hear that your students care about data privacy
― rob, Friday, 26 October 2018 18:07 (five years ago) link
I really wish people understood this, it drives me crazy how cavalier (or just ignorant) people are about it
― Οὖτις, Friday, 26 October 2018 18:08 (five years ago) link
yeah it's awful. do yall know Rite Aid sells blu rays for like $4 new? not a bad selection tbh
xxp ah didn't know Kanopy's library was regional
― flappy bird, Friday, 26 October 2018 18:08 (five years ago) link
Kanopy is good but definitely limited compared to Filmstruck. You can only watch a certain number of things per month, for example.
― reggae mike love (polyphonic), Friday, 26 October 2018 18:08 (five years ago) link
there's a video store opening up here v soon & the line I've heard the most and the line that KILLS me is "can't you find every movie ever made online?" No!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
― flappy bird, Friday, 26 October 2018 18:09 (five years ago) link
the store is also functioning as a physical media archive, registered as a nonprofit, will have a membership model instead of individual rental charges, etc. wish every city could have this - and lord knows it was hard enough here, they've been "coming soon" for months but they've finally painted the storefront & will open next week I think
― flappy bird, Friday, 26 October 2018 18:11 (five years ago) link
is that an Alamo thing?
Alamo just took over the library of the last major video store in SF and I'm curious what their going to do with it
― Οὖτις, Friday, 26 October 2018 18:12 (five years ago) link
nah, co-owned & run by Eric Hatch, I think most of you have seen him on twitter. but here's the facade:
Our facade design is up at @BeyondVideo_!!! So pumped for them to open soon! pic.twitter.com/hvP5t1AeRb— Post Typography (@posttypography) October 26, 2018
― flappy bird, Friday, 26 October 2018 18:15 (five years ago) link
haha that's dope
― Οὖτις, Friday, 26 October 2018 18:16 (five years ago) link
Alamo recently took over the library of the last major video store in downtown Brooklyn. Haven't gone yet.
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 26 October 2018 18:17 (five years ago) link
there was a small party a couple months ago for people in the film community in town to come check out the store and good lord it's paradise. everyone working there has great taste and are really dedicated to building an archive. whole second floor is directors shelves, so much OOP and hard to find Altman, Godard, Akerman, Denis, Fassbinder, and on and on and on... I haven't even checked out the other rooms yet. so pumped.
― flappy bird, Friday, 26 October 2018 18:19 (five years ago) link
anyway, where is Criterion going to go once Filmstruck shutters?
― flappy bird, Friday, 26 October 2018 18:22 (five years ago) link
a farm
― President Keyes, Friday, 26 October 2018 18:26 (five years ago) link
that Beyond Video building facade looks great!
the selection of films available on Netflix DVD beats any streaming service imo, Kanopy and Filmstruck included
― Dan S, Friday, 26 October 2018 18:30 (five years ago) link
I bailed on Netflix DVD because they skipped too much for me, is this not a problem for you guys?
― 5th Ward Weeaboo (Whiney G. Weingarten), Friday, 26 October 2018 18:38 (five years ago) link
It has gaps, yeah, but it's still my first choice.
― You like queer? I like queer. Still like queer. (Alfred, Lord Sotosyn), Friday, 26 October 2018 18:42 (five years ago) link
xpmy brother said the same thing about bad netflix discs
― rob, Friday, 26 October 2018 18:44 (five years ago) link
Currently they offer 63 total films from 1900-1980, and zero of them offer special features, so, no.
― reggae mike love (polyphonic), Friday, 26 October 2018 18:44 (five years ago) link
on streaming I mean. The discs usually have the features locked.
― reggae mike love (polyphonic), Friday, 26 October 2018 18:45 (five years ago) link
― reggae mike love (polyphonic), Friday, October 26, 2018 11:44 AM
then I'm not sure you and I have the same service. I've been working my way through filmographies by director, using the ilx directors poll list as a starting point, to give myself an education, and the number of films available on netflix dvd is astonishing. There are gaps (e.g. the 80s and 90s works of Godard) but for the most part the supply of classic/world stuff is almost endless. I keep a queue of 500 going, and I haven't worked my way even a fraction of it
― Dan S, Friday, 26 October 2018 18:47 (five years ago) link
as I said above though, the search function isn't great, you have to type the film's title in to find most of them
― Dan S, Friday, 26 October 2018 18:48 (five years ago) link
Sorry, I initially missed that you were talking about the DVD service. It's quite comprehensive but I still never use it.
I think you have to be a pretty disciplined viewer to actually remember to update your disc queue, and avoid skipping issues, AND still want to watch the same films from whenever it was that you queued them up. Especially when I can just load up Kanopy (or YouTube) and choose something that fits my mood.
― reggae mike love (polyphonic), Friday, 26 October 2018 18:55 (five years ago) link
I bailed on Netflix DVD because they skipped too much for me, is this not a problem for you guys?― 5th Ward Weeaboo (Whiney G. Weingarten), Friday, October 26, 2018 2:38 PM (forty-six minutes ago) Bookmark Flag Post PermalinkIt has gaps, yeah, but it's still my first choice.― You like queer? I like queer. Still like queer. (Alfred, Lord Sotosyn), Friday, October 26, 2018 2:42 PM (forty-two minutes ago) Bookmark Flag Post Permalink
― 5th Ward Weeaboo (Whiney G. Weingarten), Friday, October 26, 2018 2:38 PM (forty-six minutes ago) Bookmark Flag Post Permalink
― You like queer? I like queer. Still like queer. (Alfred, Lord Sotosyn), Friday, October 26, 2018 2:42 PM (forty-two minutes ago) Bookmark Flag Post Permalink
I mean the DVDs skip
― 5th Ward Weeaboo (Whiney G. Weingarten), Friday, 26 October 2018 19:24 (five years ago) link
Yup, about once every three rentals for me.
― I Never Promised You A Hose Harden (Eric H.), Friday, 26 October 2018 19:55 (five years ago) link
More frequently than usual.
Also, perhaps they've closed local receiving plants, for it takes longer for them to process a return. Until a couple years it'd be a 24/48-hour turnaround at most (and I return DVDs at a post office).
― You like queer? I like queer. Still like queer. (Alfred, Lord Sotosyn), Friday, 26 October 2018 20:00 (five years ago) link
Agree about the turnaround, it's worth getting a subscription for at least a few at a time. As far as skipping, it must be partly player-dependent. dvds skip frequently on my friend's player, almost never on mine
― Dan S, Friday, 26 October 2018 20:06 (five years ago) link
lol my friend designed that Beyond Video storefont and just posted it on his fb earlier
― vision joanna newsom (Stevie D(eux)), Friday, 26 October 2018 20:18 (five years ago) link
👀 small world!
― flappy bird, Friday, 26 October 2018 20:22 (five years ago) link
Joanna Scutts: The Death of FilmStruck Is a Dark Day in the History of Movies
When the cultural playing field is restricted to behemoths like Disney and AT&T, there’s less and less chance of anything human-scaled surviving. The indiscriminate sprawl of Netflix, Hulu, and Amazon’s vast libraries is part of their allure; you get lost in the figurative stacks, and you can unearth gems and surprises. But for the most part these services are self-reinforcing, telling you what you like based on what you’ve watched before, making inferences about you as a member of a certain demographic. If the only art you see is the kind of art you’ve already heard of, then you’re missing the challenge and the thrill of true discovery.
― flappy bird, Sunday, 28 October 2018 00:41 (five years ago) link
as the NY public library system is a magnet for the mentally ill, a lot of the discs are quite intentionally scratched up. (i've also twice taken out a Criterion to find some enterprising shitbird has replaced it with a previous iteration of the film.)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Sunday, 28 October 2018 14:44 (five years ago) link
While I sense that this meme is meant to make me feel smug about my significant investment in physical media, somehow it is having the opposite effect? pic.twitter.com/jrqhySKJjB— 𝕿𝖗𝖔𝖚𝖇𝖑𝖊 𝕰𝖛𝖊𝖗𝖞 𝕯𝖆𝖞 (@NickPinkerton) October 27, 2018
yup.
Kanopy Criterion Collection looks like it is down to about two dozen titles. Okay, sorry, 50.
― Buckaroo Can't Fail (James Redd and the Blecchs), Sunday, 28 October 2018 18:09 (five years ago) link
Okay, warming up to Fandor.
― Buckaroo Can't Fail (James Redd and the Blecchs), Monday, 29 October 2018 01:08 (five years ago) link
While I sense that this meme is meant to make me feel smug about my significant investment in physical media, somehow it is having the opposite effect? pic.twitter.com/jrqhySKJjB — 𝕿𝖗𝖔𝖚𝖇𝖑𝖊 𝕰𝖛𝖊𝖗𝖞 𝕯𝖆𝖞 (@NickPinkerton) October 27, 2018― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Sunday, October 28, 2018 2:44 PM (yesterday) Bookmark Flag Post Permalink
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Sunday, October 28, 2018 2:44 PM (yesterday) Bookmark Flag Post Permalink
you know the guy in that photo has like twelve different limited editions of "boondock saints" in embossed tin cases.
― affects breves telnet (Gummy Gummy), Monday, 29 October 2018 01:31 (five years ago) link
things to watch before Filmstruck disappears: the short nature films of Jean Painlevé. They're like 6-15 min long, span the 1920s (sea urchins, among others) to 1980s (pigeons iirc), have super sweet titles like Shrimp Stories, and are completely delightful.
― weird woman in a bar (La Lechera), Monday, 5 November 2018 15:24 (five years ago) link
i guess i should buy a copy of sans soleil if it's that important to me, but it was kinda nice having a streaming service where i could put it on whenever
― princess of hell (BradNelson), Monday, 5 November 2018 15:27 (five years ago) link
oh also there is a really cool one about crystals! i am glad to have the chance to watch them before they are absorbed back into the earth or wherever nature films go to rest
― weird woman in a bar (La Lechera), Monday, 5 November 2018 15:28 (five years ago) link
I only recently learned this was going away. I would've loved to have taken advantage while it existed but, as far as I could tell, there was no convenient way for me to watch Filmstruck stuff on my actual TV. Which was a pretty serious demerit.
Things like the death of Filmstruck quell my occasional doubts re: the wisdom/sanity of having a 1000+ physical film collection. Relying on digital services is like doing all of your shopping at TJ Maxx, just kinda shrugging your shoulders and taking whatever happens to be on offer that day. There's only so much unpredictability and ephemerality I can come to terms with in this fragile world, knowhutimsayin.
― Sizzlean Dion (Old Lunch), Monday, 5 November 2018 15:48 (five years ago) link
Unsubstantiated gossip from the Criterion Forum message board --
Also, thought I'd add a bit of info that I found out from a friend who works in thebTurner building in Atlanta (they work for primarily with TCM, but also assisted FilmStruck at times).
I asked them when the employees working there found out about the shutdown, because it seemed to come out of nowhere — no rumors or anything. They told me that everyone was notified at work about one-hour before the customer announcement e-mails got sent out that Friday... Yikes :(
Edit: Sent my friend the Bill Hader clip and we talked more. They said that Scorsese apparently tried calling AT&T executives about it (keyphrase: "tried calling"), and other networks are currently offering to purchase the service. So that's hopeful news.
Also, FS already tried merging with Amazon (I assumed as a Prime Channel), but Amazon only wanted them to put up a bulk batch of films — no curation, weekly themes, or supplements/FS extras — so the deal didn't happen.
― WmC, Monday, 5 November 2018 15:51 (five years ago) link
there was no convenient way for me to watch Filmstruck stuff on my actual TV
the roku app's been around for a while. i guess that requires buying a roku
― princess of hell (BradNelson), Monday, 5 November 2018 15:53 (five years ago) link
I wonder if the ATT/Warner/TCM mega service coming next year might try to do a new Criterion deal -- cancel Filmstruck, make Criterion flail for a while, then re-sign them at better-for-ATT terms.
― WmC, Monday, 5 November 2018 16:04 (five years ago) link
LL, I agree, those Painlevé films are great. A couple of "RIP Filmstruck" articles have mentioned Lubitsch's Cluny Brown and the fact that it's not available in any physical format so I watched it last night and it is terrific.
― WmC, Monday, 5 November 2018 16:12 (five years ago) link
the short nature films of Jean Painlevé.
I just bought the Criterion DVD collection of these this weekend! I admit I am like the streaming skeptic big guy with the wall of discs upthread. Although I have zero copies of Boondock Saints and three different editions of the Wicker Man.
― the girl from spirea x (f. hazel), Monday, 5 November 2018 16:19 (five years ago) link
<3 my friend
maybe i should buy the dvd too. speaking of antiquated nature films, when will criterion discover ken middleham?! i want to see his stuff collected ASAP, before the filmstrips deteriorate!
― weird woman in a bar (La Lechera), Monday, 5 November 2018 16:25 (five years ago) link
Hm. Looking through Kanopy I see a bunch of good stuff that comes via the Cohen Collection as well, which collection I had been unaware of
― Buckaroo Can't Fail (James Redd and the Blecchs), Sunday, 11 November 2018 22:41 (five years ago) link
Here we go
https://www.criterion.com/current/posts/6044-new-independent-criterion-channel-to-launch-spring-2019
https://www.criterion.com/channel
― Ned Raggett, Friday, 16 November 2018 20:10 (five years ago) link
The best news and the scariest news at once.
― I hear you've been having trouble with pigs and ponies. (WmC), Friday, 16 November 2018 20:23 (five years ago) link
Well, trying to sign up as a charter member didn't go well, and doesn't bode well.
― I Never Promised You A Hose Harden (Eric H.), Friday, 16 November 2018 20:25 (five years ago) link
Huh. Went easy for me, then again I might have snuck in before the crush.
― Ned Raggett, Friday, 16 November 2018 20:30 (five years ago) link
Worked for me. It'd be nice to think they got such a deluge of signups it broke the site for a few minutes.
This is a little worrisome, though:
Our library will also be available through WarnerMedia’s new consumer platform when it launches late next year, so once both services are live, Criterion fans will have even more ways to find the films they love.
After the Warner site launches, will people leave the CChannel to maximize their dollar? Presumably the CChannel will be the only place to get supplements and curated programming and the Bordwell/Thompson/Smith stuff, but will that be enough? The exclusive content will have to be very enticing.
― I hear you've been having trouble with pigs and ponies. (WmC), Friday, 16 November 2018 20:32 (five years ago) link
Guess we'll have to see. Unless Warner offers a full streaming TCM at last, can't say I'm immediately interested in what they have to offer.
― Ned Raggett, Friday, 16 November 2018 20:35 (five years ago) link
Yay!
― EZ Snappin, Friday, 16 November 2018 20:36 (five years ago) link
https://trueclassics.files.wordpress.com/2010/11/strangers-on-a-train-bruno.png
― Recnac and my 📛 is Yrral (James Redd and the Blecchs), Friday, 16 November 2018 21:29 (five years ago) link
forgot to addCriss Cross
are they still gonna be on kanopy
― flopson, Friday, 16 November 2018 21:29 (five years ago) link
I wasn't a Filmstruck subscriber but reading about it in the wake of the cancellation announcement made me want to sign up. Glad they're continuing this kind of programming.
― flappy bird, Friday, 16 November 2018 21:31 (five years ago) link
Signed up!
― Josh in Chicago, Friday, 16 November 2018 21:58 (five years ago) link
Me too. This, along with the new video store in town, will keep me very busy in 2019. I do still buy a lot of physical media, but as Morbius said upthread, I've gotta scale it back to the essentials: certain boxes, movies I know I'll watch multiple times, will go thru the supplements and essays. Does Filmstruck provide any of the essays/liner notes for the CC films they put up?
― flappy bird, Friday, 16 November 2018 22:02 (five years ago) link
No, but aren't the essays usually available on the product pages at the Criterion website?
― I hear you've been having trouble with pigs and ponies. (WmC), Friday, 16 November 2018 22:12 (five years ago) link
The liners for Bad Timing are not here: https://www.criterion.com/films/744-bad-timing
Not sure about more recent releases/movies that have been upgraded. I just wanted to read the booklet again because I lent out my copy of Bad Timing and like always have had a very hard time getting it back!
― flappy bird, Friday, 16 November 2018 22:23 (five years ago) link
The Painleve shorts were a big discovery for me as well. “Daphnia“ was my favorite of those, the microscopic views functioned almost as hyonoticslly beautiful abstract imagery.
― Nerdstrom Poindexter, Friday, 23 November 2018 05:32 (five years ago) link
Didn’t dig the Farewell Video that much
― Gottseidank, es ist Blecch Freitag (James Redd and the Blecchs), Thursday, 29 November 2018 21:49 (five years ago) link
yeah they are https://www.criterion.com/current/posts/385-bad-timing-the-men-who-didn-t-know-something
― princess of hell (BradNelson), Thursday, 29 November 2018 21:54 (five years ago) link
it is missing the garfunkel interview though
right
― flappy bird, Thursday, 29 November 2018 23:12 (five years ago) link
It’s still there.
― My Ital Rival (James Redd and the Blecchs), Friday, 30 November 2018 10:41 (five years ago) link
Time of death, 8:12 a.m. I was about 15 minutes into The Awful Truth.
― WmC, Friday, 30 November 2018 14:14 (five years ago) link
:( I watched a few minutes of Still Walking to see if I could just now, must have stopped right before they pulled the plug
― My Ital Rival (James Redd and the Blecchs), Friday, 30 November 2018 14:21 (five years ago) link
Gonna miss this. Went out with an accidental double feature of The Last Seduction and Body Heat (both first time--had no idea it was basically the same movie!) last night.
― ryan, Friday, 30 November 2018 16:14 (five years ago) link
Only signed up very recently, maybe two months ago (I suppose I could look up thread but tl;dr!) and never got fully into the swing of watching things from beginning to end although I did revisit the beginnings of many old favorites. The last thing I watched to completion, on Wednesday, was Naked for some reason.
― My Ital Rival (James Redd and the Blecchs), Friday, 30 November 2018 16:36 (five years ago) link
And today I heard somebody accidentally quote the security guard from that so I guess it was worth it.
― My Ital Rival (James Redd and the Blecchs), Friday, 30 November 2018 16:37 (five years ago) link
https://www.youtube.com/watch?v=3XDmasbARtE
― My Ital Rival (James Redd and the Blecchs), Friday, 30 November 2018 19:21 (five years ago) link
Without the beginning cut offhttps://www.youtube.com/watch?v=LXgpoLhEBa0
― My Ital Rival (James Redd and the Blecchs), Friday, 30 November 2018 19:23 (five years ago) link
Prior version https://www.youtube.com/watch?v=UJfP6G0LSEA
― My Ital Rival (James Redd and the Blecchs), Friday, 30 November 2018 19:26 (five years ago) link
i took at look at this via one of my (MANY) university employers' library websites, maybe the local public library too, and was discouraged, but going in straight through the kanopy site i was delighted to find that it offered to find my university and offered an immediate authentication using my university login. so, that was cool.
can't find anything definite about a watch limit, maybe i don't have one.
― j., Tuesday, 25 December 2018 03:40 (five years ago) link
Watch limits are set by the library, not by Kanopy - so if you don’t see one (eg top right in the phone app), you’re probably unlimited.
― sans lep (sic), Tuesday, 25 December 2018 03:47 (five years ago) link
yeah that's what i figured - there's nothing like a number in any prominent location at all - just hard to believe my cheapass state university system would ever cover such a thing : )
― j., Tuesday, 25 December 2018 03:49 (five years ago) link
Want to say I am jealous. But it is possible if you have multiple libraries attached that you could be in a state of being “between” libraries in which no watch limit is shown
― Spirit of the Voice of the Beehive (James Redd and the Blecchs), Tuesday, 25 December 2018 03:58 (five years ago) link
Feel like we should have a Kanopy watching thread so we can synchronize our three days if we choose or at least exchange suggestions of what we are watching and discuss.
― Spirit of the Voice of the Beehive (James Redd and the Blecchs), Tuesday, 25 December 2018 04:04 (five years ago) link
I might just start one myself
― Spirit of the Voice of the Beehive (James Redd and the Blecchs), Tuesday, 25 December 2018 04:05 (five years ago) link
I have unlimited Criterion and 4/month non-Criterion through my public library, and so far I haven't had a month where I ran out of credits. It's so nice.
― jmm, Tuesday, 25 December 2018 04:16 (five years ago) link
Done. kanopy: thoughtful entertainment. what are you watching now?(Almost jealous of your unlimited subscriptions, but I can’t really watch that much anyway)
― Spirit of the Voice of the Beehive (James Redd and the Blecchs), Tuesday, 25 December 2018 20:35 (five years ago) link
A new year's email:
All of us at the Criterion Collection wanted to start the year off by thanking you for signing up to become a Charter Subscriber of the Criterion Channel.
We’re excited to report that we are still on track for a spring launch in the U.S. and Canada, on the web and Amazon Fire, Roku, Android, and Apple devices. In the next few weeks we’ll be announcing our launch date and sending along instructions for making your subscription official.
Hopefully "Apple devices" means Apple TV as well as iOS.
― Juul Haalmeyer Dancers washout (WmC), Wednesday, 2 January 2019 13:35 (five years ago) link
https://hyperallergic.com/481111/in-march-a-much-needed-streaming-service-for-arthouse-films-will-launch/
Enter OVID, a recently announced partnership between academic documentary service Docuseek and six independent film distribution companies. Together, these partners — Bullfrog Films, Distrib Films US, Grasshopper Film, Icarus Films, KimStim, and First Run Features — control the rights to thousands of different documentary, arthouse, independent, and international titles. OVID will be an on-demand subscription service offering selections from these various catalogues.OVID is planned to launch in March, at which point its slate will consist of hundreds of documentary titles. Fiction titles will be added in the summer, and further curated selections will be made available on a monthly basis. The site stresses that many of these films will be unavailable to see anywhere else. It promises to feature filmmakers Chantal Akerman, Chris Marker, Bill Morrison, Jean Rouch, Wang Bing, Bi Gan, Pedro Costa, Claire Denis, Bruno Dumont, Cheryl Dunye, Eric Rohmer, Raul Ruiz, and Jean-Marie Straub and Danièle Huillet.
― Fuck the NRA (ulysses), Monday, 28 January 2019 13:00 (five years ago) link
Word is out, if you signed up as a charter subscriber:
The Criterion Channel, our new streaming service for movie lovers, will launch April 8 in the U.S. and Canada.As a Charter Subscriber, you can start watching right now with our Movie of the Week series, featuring a new surprise every Wednesday from now until the official site launch.We are so grateful to all of you who have signed up to be Charter Subscribers. Now it’s time to make it official and lock in your benefits, including an extended 30-day free trial (starting April 8) and reduced pricing for as long as your account stays active.
As a Charter Subscriber, you can start watching right now with our Movie of the Week series, featuring a new surprise every Wednesday from now until the official site launch.
We are so grateful to all of you who have signed up to be Charter Subscribers. Now it’s time to make it official and lock in your benefits, including an extended 30-day free trial (starting April 8) and reduced pricing for as long as your account stays active.
― Ned Raggett, Wednesday, 30 January 2019 19:38 (five years ago) link
$90 a year, $10 a month btw
― Fuck the NRA (ulysses), Wednesday, 30 January 2019 19:44 (five years ago) link
The Criterion Channel will launch April 8 in the US and Canada and will be available on desktop, iPhone, iPad, AppleTV, Roku, and Android devices.
― Fuck the NRA (ulysses), Wednesday, 30 January 2019 19:46 (five years ago) link
Charter film appears to be Mikey and Nicky
cool, gonna try this out and see if I can deal with the inevitably shitty streaming quality. does anyone else live in a city with shit internet?
― flappy bird, Wednesday, 30 January 2019 19:48 (five years ago) link
xpost -- that it is.
― Ned Raggett, Wednesday, 30 January 2019 19:49 (five years ago) link
Part of the reason I originally got an Amazon Fire TV was that Filmstruck was on there, now Criterion Channel won't be.
― Chris L, Wednesday, 30 January 2019 19:51 (five years ago) link
^me too
― Fuck the NRA (ulysses), Wednesday, 30 January 2019 20:22 (five years ago) link
okay, seems like they worked it out because Amazon Fire is listed in supported tech now
― Fuck the NRA (ulysses), Monday, 4 February 2019 20:39 (five years ago) link
Happy to learn today from the Bordwell blog that VHX is a temporary platform and that the Channel will have dedicated apps for the streaming devices at the April launch.
― ILX Moderator: It's Like a Pressure Wash for Your Insides (WmC), Monday, 4 February 2019 20:54 (five years ago) link
That does make much more sense. I'm fine with VHX for my own setup but it seemed kinda weird.
― Ned Raggett, Monday, 4 February 2019 21:08 (five years ago) link
Criterion's next preview movie is Chungking Express, oh darn.
― Ned Raggett, Wednesday, 6 February 2019 18:21 (five years ago) link
Stalker is up
― Greta Van Show Feets BB (milo z), Thursday, 21 February 2019 17:15 (five years ago) link
A very good choice, that.
― Ned Raggett, Thursday, 21 February 2019 17:21 (five years ago) link
Is the Roku app active yet? I searched for it but didn't see it.
― Josh in Chicago, Thursday, 21 February 2019 17:32 (five years ago) link
none of the apps are up until the official launch on april 8, per their messaging
― na (NA), Thursday, 21 February 2019 17:34 (five years ago) link
Yeah pretty much you have to use the VHX workaround until then.
― Ned Raggett, Thursday, 21 February 2019 17:36 (five years ago) link
Should this thread title get changed?
― zama roma ding dong (Eric H.), Thursday, 21 February 2019 17:58 (five years ago) link
i'm trying to figure out if this will be basically the same criterion movies that were in filmstruck or if it'll be more complete. their website says "access to Criterion’s entire streaming library of more than 1,000 important classic and contemporary films from around the world" but what is their "streaming library"? presumably excludes some movies they don't hold streaming rights for?
― na (NA), Thursday, 21 February 2019 18:00 (five years ago) link
sparked by me wondering if i'll be able to rewatch Head on this thing
xp yeah they have just under 1,000 titles in the collection but that includes OOP stuff like Citizen Kane, Do the Right Thing, Third Man, etc. I'd be surprised if they have their entire in print collection available to stream tbh.
― flappy bird, Thursday, 21 February 2019 21:49 (five years ago) link
The streaming library includes a fair amount of non-disc stuff like Bulldog Drummond movies and minor films by directors who have better-known films on CC disc. (Basil Dean, Anthony Asquith, Masahiro Shinoda, Keisuke Kinoshita, et al)
― ILX Moderator: It's Like a Pressure Wash for Your Insides (WmC), Thursday, 21 February 2019 22:06 (five years ago) link
> Masahiro Shinoda
Silence and Assassination turned up in the post today. what else is on CC?
― koogs, Thursday, 21 February 2019 22:13 (five years ago) link
The Channel had (and presumably will have) A Flame At the Pier, Assassin, Ballad of Orin, Double Suicide, Gonza the Spearman, Himiko, Killers On Parade, Love Old and New, Moonlight Serenade, One Way Ticket to Love, Our Marriage, Pale Flower, The Petrified Forest, Samurai Spy, The Scandalous Adventures of Buraikan, Silence, Under the Blossoming Cherry Trees, With Beauty and Sorrow, and Youth In Fury. I think they had his Sapporo Winter Olympics segment from the Olympic Films box. Only 4 of those are available on disc iirc.
― ILX Moderator: It's Like a Pressure Wash for Your Insides (WmC), Thursday, 21 February 2019 22:52 (five years ago) link
Woah!
― koogs, Friday, 22 February 2019 04:16 (five years ago) link
very nice
― flappy bird, Friday, 22 February 2019 04:47 (five years ago) link
Charles Burnett's To Sleep With Anger is this week's freebie.
― ILX Moderator: It's Like a Pressure Wash for Your Insides (WmC), Wednesday, 27 February 2019 18:05 (five years ago) link
I'm impressed with their commitment to bringing new disc releases to streaming! This week it's Barbara Loden's Wanda.
― 27 Discounts ILXors Get Only If They Know (WmC), Wednesday, 6 March 2019 18:15 (five years ago) link
They may have had the newer titles' streaming rights all wrapped up, unlike older titles.
― zama roma ding dong (Eric H.), Wednesday, 6 March 2019 18:22 (five years ago) link
Maybe they'll have 4 Months, 3 Weeks and 2 Days up when the channel starts for real. Less than 5 weeks!
― 27 Discounts ILXors Get Only If They Know (WmC), Wednesday, 6 March 2019 18:51 (five years ago) link
wanda is so so good and ahead of its era btw, see it if you haven't
― Fuck the NRA (ulysses), Wednesday, 6 March 2019 19:14 (five years ago) link
yeah it's a hell of a movie. a tough watch too. CW for abusive relationships and sexual assault.
― |Restore| |Restart| |Quit| (Doctor Casino), Wednesday, 6 March 2019 19:44 (five years ago) link
Wanda is phenomenal, saw it at a theater last fall. that final shot makes it
― flappy bird, Wednesday, 6 March 2019 23:32 (five years ago) link
April lineup announced: https://www.criterion.com/current/posts/6253-the-criterion-channel-announces-launch-lineup
― WmC, Friday, 22 March 2019 15:16 (five years ago) link
Damn, if you sign up as a charter subscriber w the annual subscription it's only $7.50 a month. Now that Hulu is free w/ Spotify I might actually jump on this
― vision joanna newsom (Stevie D(eux)), Friday, 22 March 2019 15:49 (five years ago) link
I am seriously tempted. And then if Disney+ programming includes the 20th Century Fox films they just acquired, I am going to die seriously broke but happy.
― Anne Hedonia (j.lu), Friday, 22 March 2019 15:52 (five years ago) link
Fuck Disney.
― zama roma ding dong (Eric H.), Friday, 22 March 2019 15:53 (five years ago) link
I'm just going for the yearly subscription option -- prefer those one-shot setups over a monthly drip in combination with a lower overall price.
― Ned Raggett, Friday, 22 March 2019 16:22 (five years ago) link
xp IF Disney makes available the Fox films from the 1920s and 1930s that have been lingering in the vaults, I will forgive them a great many sins. Unfortunately I fear it's going to be a case of moving those films from the Fox archives into the vault where Song of the South is sequestered.
― Anne Hedonia (j.lu), Friday, 22 March 2019 16:26 (five years ago) link
A few have pointed out that Disney has been notoriously bad about letting stuff out of their vaults for repertory screenings. So there's that to maybe look forward to, as well.
― zama roma ding dong (Eric H.), Friday, 22 March 2019 16:50 (five years ago) link
the more mergers, the fewer films we see: fact
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 22 March 2019 16:51 (five years ago) link
Well, for sure the fewer (new) films I see.
― zama roma ding dong (Eric H.), Friday, 22 March 2019 16:59 (five years ago) link
Goes live today!
(I downloaded the iOS app though it appears to be only partially working so far.)
― zama roma ding dong (Eric H.), Monday, 8 April 2019 12:44 (five years ago) link
Looks like content just showed up, hooray
― Jared Kushner's Blows Against the Empire — C/D (WmC), Monday, 8 April 2019 12:51 (five years ago) link
Hmm, the app and the site don't seem to be communicating well yet. I'm logged in on the app but it wants me to pick a plan and set up billing, something I did weeks ago on the site. Also the full streaming library isn't showing yet.
― Jared Kushner's Blows Against the Empire — C/D (WmC), Monday, 8 April 2019 13:02 (five years ago) link
Yeah, I don't think all the parts are fully connected yet. On the app, I see everything but it doesn't think I have a plan even after logging in. On the desktop, it shows I've signed up for the plan but it's not showing anything other than a dozen "coming attractions."
― zama roma ding dong (Eric H.), Monday, 8 April 2019 13:07 (five years ago) link
Yeah. I’ve got a similar situation.
― Theorbo Goes Wild (James Redd and the Blecchs), Monday, 8 April 2019 13:07 (five years ago) link
Success! The lock icons have all suddenly disappeared and I'm streaming like a Russian racehorse.
― Jared Kushner's Blows Against the Empire — C/D (WmC), Monday, 8 April 2019 13:30 (five years ago) link
Lol, if not The Turin Horse.
― Theorbo Goes Wild (James Redd and the Blecchs), Monday, 8 April 2019 13:38 (five years ago) link
Oh wow, they have Kiarostami's 24 Frames -- I didn't catch that when they announced April titles.
― Jared Kushner's Blows Against the Empire — C/D (WmC), Monday, 8 April 2019 13:40 (five years ago) link
what did you have to do?
― Theorbo Goes Wild (James Redd and the Blecchs), Monday, 8 April 2019 13:40 (five years ago) link
From the Recently Added tab, go to View All and it's in there. Also, it looks like the entire streaming library is available if you know what you're looking for and get there via a search. They just don't have a way to browse it yet.
― Jared Kushner's Blows Against the Empire — C/D (WmC), Monday, 8 April 2019 13:46 (five years ago) link
I mean to get rid of the locks?
― Theorbo Goes Wild (James Redd and the Blecchs), Monday, 8 April 2019 13:48 (five years ago) link
Oh, they just disappeared at some point. I did log out of the app and back in at one point, give that a shot.
― Jared Kushner's Blows Against the Empire — C/D (WmC), Monday, 8 April 2019 13:49 (five years ago) link
Still there. Maybe I never really signed up property. Did you ever get a “Start Watching” email? I didn’t.
― Theorbo Goes Wild (James Redd and the Blecchs), Monday, 8 April 2019 13:51 (five years ago) link
I didn't either.
― ILX Halftime Shows Ranked — Which Was the Best? (WmC), Monday, 8 April 2019 13:53 (five years ago) link
Okay, I did find Thanks for Subscribing To Criterion Charter Channel email.
― Theorbo Goes Wild (James Redd and the Blecchs), Monday, 8 April 2019 13:55 (five years ago) link
Ah, I think it will work if you quit and restart the app, not log out and log in.
― ILX Halftime Shows Ranked — Which Was the Best? (WmC), Monday, 8 April 2019 14:05 (five years ago) link
App's fully functional for me too.
Haven't tried to download anything just yet, but I'm thrilled that's an option for me too, what with a plane trip coming up next week!
― zama roma ding dong (Eric H.), Monday, 8 April 2019 14:26 (five years ago) link
Or maybe not. Not entirely sure how sync works yet, or if it works yet.
― zama roma ding dong (Eric H.), Monday, 8 April 2019 14:31 (five years ago) link
On iPhones?
― Theorbo Goes Wild (James Redd and the Blecchs), Monday, 8 April 2019 14:33 (five years ago) link
So here's a question -- on Roku, looks like you're still supposed to use the VHX app. But I'm getting the same problem I had with a lot of the preview showings -- I can select the film, but I can't actually PLAY one. It just loops me back around to the film's selection screen. Any guesses?
― Ned Raggett, Monday, 8 April 2019 14:54 (five years ago) link
Okay, just kept pushing buttons and then all of a sudden “It is Alive!” Downloading something short to watch a bit during lunch.
― Theorbo Goes Wild (James Redd and the Blecchs), Monday, 8 April 2019 15:00 (five years ago) link
I think there's supposed to be a CC app for Roku coming sometime during the day. I just checked our Roku in the living room and it's not available yet. xp
― ILX Halftime Shows Ranked — Which Was the Best? (WmC), Monday, 8 April 2019 15:01 (five years ago) link
That would follow. (Searching for Roku help on the site shows answers for a flicker of a second, so yeah, must not be live properly yet.)
― Ned Raggett, Monday, 8 April 2019 15:09 (five years ago) link
not working on ios (asking me to resubscribe again) and not available on Amazon just yet... looks like there are bugs to work out.
― Fuck the NRA (ulysses), Monday, 8 April 2019 15:20 (five years ago) link
https://smile.amazon.com/dp/B07PPB3PTV/ref=sr_1_1?qid=1554737248&refinements=p_4%3AThe+Criterion+Collection&s=mobile-apps&sr=1-1
Is this what you're after?
― ILX Halftime Shows Ranked — Which Was the Best? (WmC), Monday, 8 April 2019 15:28 (five years ago) link
yep, thanks!
― Fuck the NRA (ulysses), Monday, 8 April 2019 16:05 (five years ago) link
now live in Canada
― Simon H., Monday, 8 April 2019 17:20 (five years ago) link
Does the downloading actually work? It finally finished and now says Could not play videoSorry we encountered an issue whenplaying this video. Code -11800_______________________ OK
― Theorbo Goes Wild (James Redd and the Blecchs), Monday, 8 April 2019 17:41 (five years ago) link
Yeah, no app via Roku for us yet ...
― Josh in Chicago, Monday, 8 April 2019 17:54 (five years ago) link
Posted on a forum:
"Update at 12:15 EST: I can get to the Roku app through the link on their website, but it says "The channel can not be added due to an unexpected error" when I try to install it. Anyone else getting it to work?https://channelstore.roku.com/details/276871/the-criterion-channel"
― Josh in Chicago, Monday, 8 April 2019 17:57 (five years ago) link
Awesome, successfully added!!!!
― Josh in Chicago, Monday, 8 April 2019 17:59 (five years ago) link
Wait, not successful. Not only that, it says it can't find my email in its system ... despite me receiving emails from them. Hmm.
― Josh in Chicago, Monday, 8 April 2019 18:02 (five years ago) link
And now ... working? Weirdness going on.
― Josh in Chicago, Monday, 8 April 2019 18:04 (five years ago) link
Yeah convoluted but I'm good to go with Roku now, thanks!
― Ned Raggett, Monday, 8 April 2019 18:26 (five years ago) link
Meantime currently syncing up a film on my phone because I've got a flight later today and this'll help it pass brilliantly.
― Ned Raggett, Monday, 8 April 2019 18:27 (five years ago) link
*fingers crossed* that it will work properly for you
― Theorbo Goes Wild (James Redd and the Blecchs), Monday, 8 April 2019 18:30 (five years ago) link
Successfully downloaded Chris Marker's Junktopia to my phone.
― zama roma ding dong (Eric H.), Monday, 8 April 2019 18:39 (five years ago) link
so is phone the only way to use it? I still haven't evolved toward watching moves on it.
― recriminations from the nitpicking woke (Alfred, Lord Sotosyn), Monday, 8 April 2019 18:40 (five years ago) link
No, I've tested it and it currently works on both Roku and my desktop just fine, as well as my phone. It's good to go.
― Ned Raggett, Monday, 8 April 2019 18:45 (five years ago) link
Is there anywhere in the app or desktop version that lists a simple A-Z of all the films on there?
― Position Position, Monday, 8 April 2019 18:54 (five years ago) link
yeah, that was vexing me too
― Fuck the NRA (ulysses), Monday, 8 April 2019 18:55 (five years ago) link
Nope
― EZ Snappin, Monday, 8 April 2019 18:58 (five years ago) link
I was getting an error message "Sorry, this video cannot be played while your device is connected to this external monitor" on Chrome (mac desktop), and a Reddit person has already done the helpdesk work. It's an HDCP issue -- the content plays fine on Safari.
― ILX Halftime Shows Ranked — Which Was the Best? (WmC), Monday, 8 April 2019 19:20 (five years ago) link
Don't think you can search by, say, genre yet, either.
― Josh in Chicago, Monday, 8 April 2019 19:47 (five years ago) link
i'm getting the following error on Aazon Fire: "this device does not support secure video playback"
― Fuck the NRA (ulysses), Monday, 8 April 2019 22:26 (five years ago) link
The channel is up and functional on my TV.
― Anne Hedonia (j.lu), Monday, 8 April 2019 23:11 (five years ago) link
So can one actually watch La Jetée if one has the desire to, or only some videos about La Jetée ?
― Theorbo Goes Wild (James Redd and the Blecchs), Monday, 8 April 2019 23:54 (five years ago) link
La Jetée - It's not under its own name but it is available if you choose the double feature "Chris Marker meets 2 Live Crew". Just a mistake I guess.
Anyone else having this issue - When watching on my desktop, I get about 20-30 seconds of low quality pixelated movie before better quality kicks in. Happens at the start of films or when I move the time slider. Wish it would just spend longer buffering and start up with a good picture.
Roku app is up in Canada, though I haven't signed in yet to see how it works.
― Hans Holbein (Chinchilla Volapük), Tuesday, 9 April 2019 00:07 (five years ago) link
Desktop buffering has been the slowest for me too. iPhone and Apple TV it snaps almost immediately into full HD.
― zama roma ding dong (Eric H.), Tuesday, 9 April 2019 00:30 (five years ago) link
Does the downloading actually work? It finally finished and now says *Could not play video*Sorry we encountered an issue whenplaying this video. Code -11800_______________________ OK
― Theorbo Goes Wild (James Redd and the Blecchs), Tuesday, 9 April 2019 00:55 (five years ago) link
Okay, sorry for posting that twice, just sent my complaint to them. Will see what they say.
― Theorbo Goes Wild (James Redd and the Blecchs), Tuesday, 9 April 2019 01:21 (five years ago) link
Tried their troubleshooting checklist now don’t To the last item and just reinstalled the app. Here goes nothing.
― Theorbo Goes Wild (James Redd and the Blecchs), Tuesday, 9 April 2019 01:56 (five years ago) link
Aargh. Nothing.
― Theorbo Goes Wild (James Redd and the Blecchs), Tuesday, 9 April 2019 02:54 (five years ago) link
It's the first day, folks.
― Simon H., Tuesday, 9 April 2019 03:00 (five years ago) link
Not a great first day
― i believe that (s)he is sincere (forksclovetofu), Tuesday, 9 April 2019 07:23 (five years ago) link
Worked on my Apple TV w/ no buffering, but I only watched Sofia Coppola's short film (which was really good + had Kim Deal on the soundtrack)
― Greta Van Show Feets BB (milo z), Tuesday, 9 April 2019 08:33 (five years ago) link
> It's the first day, folks.
are they doing refunds for people who had gremlins?
― koogs, Tuesday, 9 April 2019 08:53 (five years ago) link
They’re not charging people yet, I believe
― zama roma ding dong (Eric H.), Tuesday, 9 April 2019 12:15 (five years ago) link
Anyone got a recommendation on where (or whether) to start with Aurismaki? I've seen nothing by him
― rob, Tuesday, 9 April 2019 12:39 (five years ago) link
Long filmography, but I would perhaps just start at the end. Le Havre and The Other Side of Hope. Then work backwards trilogy by trilogy.
― Frederik B, Tuesday, 9 April 2019 12:55 (five years ago) link
Shadows in Paradise xp
― Chris L, Tuesday, 9 April 2019 13:23 (five years ago) link
ha, thanks guys. Maybe I'll switch back and forth from start to end
― rob, Tuesday, 9 April 2019 13:35 (five years ago) link
Download playback problem has been reproduced by customer support and bug report has been filed!
― Theorbo Goes Wild (James Redd and the Blecchs), Tuesday, 9 April 2019 13:44 (five years ago) link
I mean, it's not like they've had months to work out any bugs. Glad they're on it now, at least.
― Josh in Chicago, Tuesday, 9 April 2019 14:41 (five years ago) link
i couldn't find it in the roku channel store on my tv but got it installed on my tv via the web. watched part of hollywood shuffle and part of experiment in terror, the picture quality was great. navigation/organization seems similarly wonky to filmstruck. i wonder how frequently they'll add/swap out movies?
― na (NA), Tuesday, 9 April 2019 14:46 (five years ago) link
i had no "bugs" other than it not being in the channel store.
I thought this trailer was excellent
https://www.facebook.com/CriterionCollection/videos/2131081733833606/
― piscesx, Tuesday, 9 April 2019 14:49 (five years ago) link
I found it in the “just added” section of Roku’s streaming channels tab.
― Chris L, Tuesday, 9 April 2019 14:50 (five years ago) link
Sharing in case anyone else is getting "device does not support secure video playback" or similar HDCP errors:
The reason you’re having trouble right now is because Criterion is using DRM (Digital Rights Management) and HDCP (High-Bandwidth Digital Content Protection) in order to comply with the technical requirements, anti-piracy provisions, and territorial restrictions of their agreements with major studios and independent rights holders around the world. These technologies help prevent unauthorized playback and copying, but unfortunately they aren’t compatible with all viewing setups. In order for a protected video to play back on your setup, your Fire TV and the TV it’s linked to need to be compatible with DRM and HDCP. You can check out this article for more information about DRM and HDCP.While Fire TVs are generally supported, some models (especially older units) are not compatible with the way DRM is implemented on the app. I know it never goes over well to recommend upgrading your device, but this is likely the only way to access Criterion’s content on Fire TV (assuming the incompatibility isn’t related your TV).Sorry I don't have better news for you right now :(
In order for a protected video to play back on your setup, your Fire TV and the TV it’s linked to need to be compatible with DRM and HDCP. You can check out this article for more information about DRM and HDCP.
While Fire TVs are generally supported, some models (especially older units) are not compatible with the way DRM is implemented on the app. I know it never goes over well to recommend upgrading your device, but this is likely the only way to access Criterion’s content on Fire TV (assuming the incompatibility isn’t related your TV).
Sorry I don't have better news for you right now :(
I think we have an old apple tv box somewhere around here that i'm gonna try, otherwise there's some likelihood this may work:https://www.amazon.com/dp/B0089DSLMY/
― Fuck the NRA (ulysses), Tuesday, 9 April 2019 15:31 (five years ago) link
Apple TV requires v4 or later.
― ILX Halftime Shows Ranked — Which Was the Best? (WmC), Tuesday, 9 April 2019 15:39 (five years ago) link
having a weird thing where when I try to stream in Chrome it gives me an "external monitor is not supported" error but then it works fine in IE
― Simon H., Tuesday, 9 April 2019 15:42 (five years ago) link
― ILX Halftime Shows Ranked — Which Was the Best? (WmC), Monday, April 8, 2019 3:20 PM (yesterday) Bookmark Flag Post Permalink
― rob, Tuesday, 9 April 2019 16:17 (five years ago) link
ah, durr. anyway it's only a mild irritant,.
― Simon H., Tuesday, 9 April 2019 16:19 (five years ago) link
I know their tech support must be slammed with a thousand versions of "how do I shot web," but I sent them my main request, which I made to Filmstruck constantly -- a page with a flat text-only table of everything available, sortable by title, director, year, country, runtime, genre and expiration date.
― ILX Halftime Shows Ranked — Which Was the Best? (WmC), Tuesday, 9 April 2019 16:25 (five years ago) link
It's the first day, folks.― Simon H., Monday, April 8, 2019 11:00 PM (yesterday) Bookmark Flag Post PermalinkNot a great first day― i believe that (s)he is sincere (forksclovetofu), Tuesday, April 9, 2019 3:23 AM (nine hours ago) Bookmark Flag Post Permalink
― Simon H., Monday, April 8, 2019 11:00 PM (yesterday) Bookmark Flag Post Permalink
― i believe that (s)he is sincere (forksclovetofu), Tuesday, April 9, 2019 3:23 AM (nine hours ago) Bookmark Flag Post Permalink
lmao
― flappy bird, Tuesday, 9 April 2019 16:28 (five years ago) link
doesn't this happen during every first day of a tech launch
― flappy bird, Tuesday, 9 April 2019 16:29 (five years ago) link
literally every single one
― Simon H., Tuesday, 9 April 2019 16:29 (five years ago) link
those aren't great first days eitherall first days are badsecond days aren't much betterwhen do the good days start
― Fuck the NRA (ulysses), Tuesday, 9 April 2019 16:37 (five years ago) link
The technical bugs I can forgive. The only real bummer of the day for me was seeing Taste of Cherry's ruddy transfer hadn't been updated (yet, presumably).
― zama roma ding dong (Eric H.), Tuesday, 9 April 2019 16:43 (five years ago) link
a page with a flat text-only table of everything available, sortable by title, director, year, country, runtime, genre and expiration date.
i think ppl like this probably believe kind of like the streamer-service's analogue of the IT belief that secrecy about your systems is the best security - if they let people just KNOW what they have then they won't be able to lure people in by stimulating the instinct to browse and be fortuitously pleased to find something that wasn't the thing they were looking for which isn't actually there anyway and would cause disappointment if it were positively missed
― j., Tuesday, 9 April 2019 23:34 (five years ago) link
I had a quick look at scraping this from their web pages but they don't make it easy. There's no complete list but if you search for 'a' it lists 3000+ results and then proceeds to show them to you 8 to a page, meaning 400 page requests to get the whole thing (although that's not guaranteed to be complete)
And within the first couple of pages you start to see anomalies - things called "American version - prelude" which is actually a DVD extra for A Canterbury Tale but which doesn't list a director or year or country. No expiry date anywhere either, or running time, not as part of the search results page anyway.
― koogs, Wednesday, 10 April 2019 00:36 (five years ago) link
https://letterboxd.com/natethecyborg/list/every-film-available-on-the-criterion-channel/
This list is a start at compiling all the features and shorts currently available.
― Anne Hedonia (j.lu), Wednesday, 10 April 2019 00:57 (five years ago) link
Looks like a number of clever people on reddit have been busy. Here's one spreadsheet, which includes everything -- films, trailers, supplements, commentaries, etc. -- https://docs.google.com/spreadsheets/d/1-ctl5IGVUqfkCH48DFUbLx0iQai9r6BLG9NStMwxPSw/edit#gid=210791698 (4176 items)
Here's a page with just the films, not the supplements, 1579 items -- https://tcclibrary.com/
― ILX Halftime Shows Ranked — Which Was the Best? (WmC), Wednesday, 10 April 2019 01:54 (five years ago) link
nice
― Simon H., Wednesday, 10 April 2019 02:05 (five years ago) link
i think this might be the push i need to buy a smart tv.any recommendations?
― Fuck the NRA (ulysses), Wednesday, 10 April 2019 04:15 (five years ago) link
The list which is pictures of everything is just as unsearchable as the original, albeit in 9 pages rather than 400.
The spreadsheet has things called "audio commentary" in it. But saved me a job. Criterion is probably wondering why all these people are ddosing their webpages when they could offer their own list in a machine readable format, probably 1mb of data, tops.
― koogs, Wednesday, 10 April 2019 06:24 (five years ago) link
Anyway, they do seem to have Japanese things that aren't for sale anywhere and that I'd like to see again. Ozu's Tenement Gentleman for one. Yotsuya Ghost story as well (don't know if that's the classic version though). Pitfall.
Do they not do search by country?
― koogs, Wednesday, 10 April 2019 06:33 (five years ago) link
Have tried every combination of streaming devices, TVs, browsers, and cables in my house and still haven't been able to watch anything due to HDCP/external monitor errors. Finding it hard to justify buying a new TV(!) or other equipment in order to access one particular streaming service, so guessing I'll end up pulling the plug on this after the free trial, super disappointing, stupid DRM.
― One Eye Open, Wednesday, 10 April 2019 13:00 (five years ago) link
One Eye Open: apparently this fixes the problem? Not yet personally tested: https://www.amazon.com/dp/B0089DSLMY/https://www.lifewire.com/hdcp-error-3276299
― Fuck the NRA (ulysses), Wednesday, 10 April 2019 13:06 (five years ago) link
Thanks, yeah I ordered one up yesterday (not that exact one but a similar deal), got my fingers crossed, we'll see! Even if it works, it's annoying that buying it basically cancels out the cost savings of signing up early. Like I'm glad they're able to protect Jubal and the special features of Tanner '88 from the sinister threat of rapacious digital bootleggers, but still.
― One Eye Open, Wednesday, 10 April 2019 13:17 (five years ago) link
please report back; curious to hear if that does it.
― Fuck the NRA (ulysses), Wednesday, 10 April 2019 14:01 (five years ago) link
Doing a lot of random searching and clicking on that tcclibrary site. Finding that some films are not available in Canada. All the Olympic films and all of the John Ford, for instance. White material by Claire Denis. Presumably many others. Hopefully not too many!
― Hans Holbein (Chinchilla Volapük), Thursday, 11 April 2019 03:55 (five years ago) link
and i guess i finally decided to try a "smart tv"
― Fuck the NRA (ulysses), Thursday, 11 April 2019 04:11 (five years ago) link
The discs most likely to not be on CC are classic Hollywood. Well. And modern Hollywood.Which, totally fine.
― zama roma ding dong (Eric H.), Thursday, 11 April 2019 05:18 (five years ago) link
At the top of the TCC Library site, notice that there's a flag next to the number of films. If it's on the US flag, click it and it'll change to the Canadian flag and the Canada-only films.
― ILX Halftime Shows Ranked — Which Was the Best? (WmC), Thursday, 11 April 2019 11:59 (five years ago) link
oooh, handy. thankfully not a huge discrepancy between the two
― Simon H., Thursday, 11 April 2019 12:22 (five years ago) link
What are known incompatibilities?DRM-protected content will not work on the following:Chromecast devicesChromebooksXBox OneOlder models of Amazon Fire TV that are not Widevine L1 certified. However Fire TV Cube, Fire TV Gen 3, and Fire TV Stick 4K should workAll non-branded VHX appsLinux systems
Chromecast devicesChromebooksXBox OneOlder models of Amazon Fire TV that are not Widevine L1 certified. However Fire TV Cube, Fire TV Gen 3, and Fire TV Stick 4K should workAll non-branded VHX appsLinux systems
holy shit so a bulk of the library just... won't work on Chromecast?
― vision joanna newsom (Stevie D(eux)), Thursday, 11 April 2019 16:00 (five years ago) link
that blows. why do other streaming services not have the DRM compatibility issue?
― karl...arlk...rlka...lkar..., Thursday, 11 April 2019 16:43 (five years ago) link
well...
But why can I watch content on other sites and apps?Many sites and apps have different content protection requirements, and implement DRM solutions in a variety of different ways. Because of this, it’s likely that behaviors will be different across our content and theirs. However, if you’re using a supported browser or a dedicated app, and still having trouble, it might be due to HDCP protection.
― vision joanna newsom (Stevie D(eux)), Thursday, 11 April 2019 17:08 (five years ago) link
another update via Reddit
I sent an email to customer service asking about the Chromecast streaming problems. This is their reply:I’m sorry you’re having trouble playing Criterion’s content on your Chromecast.While we have plans to build Chromecast support in the coming months, right now the technology used for our DRM implementation is not compliant with Chromecast. I’m very sorry for the frustration and disappointment I know this must bring. In case you have other options, Criterion has an app for Apple TV, Amazon Fire, Roku, and Android TV. If you have a Smart TV, you can see if it’s a TV partner with Android apps here: https://www.android.com/tv/
I’m sorry you’re having trouble playing Criterion’s content on your Chromecast.
While we have plans to build Chromecast support in the coming months, right now the technology used for our DRM implementation is not compliant with Chromecast. I’m very sorry for the frustration and disappointment I know this must bring. In case you have other options, Criterion has an app for Apple TV, Amazon Fire, Roku, and Android TV. If you have a Smart TV, you can see if it’s a TV partner with Android apps here: https://www.android.com/tv/
― vision joanna newsom (Stevie D(eux)), Thursday, 11 April 2019 17:10 (five years ago) link
Yeah, this is all why i figured that a smart tv was worth a shot. I've had the same tube for about ten years and it has some weird buggy thing where it overheats occasionally and won't turn off unless you unplug it. Curious to see what this 4k shit is all about and it would be nice to be able to dial up mubi and criterion without any hassles... i might likely watch them more often
― Fuck the NRA (ulysses), Thursday, 11 April 2019 17:39 (five years ago) link
I wouldn't trust a smart TV for apps, get an AppleTV.
― dan selzer, Thursday, 11 April 2019 18:36 (five years ago) link
I actually just got a big "smart TV" yesterday. Runs on Roku, works great so far.
― Josh in Chicago, Thursday, 11 April 2019 18:41 (five years ago) link
Our last TV was 1080p, worked/works great, but the new one is huuuuuge and cost maybe half as much as that one did 7 years ago. I got a discounted floor model of a TV that was already on sale at Costco, and no joke, the person helping me politely asked for a second, walked off, then came back and offered it for another $50 off before I even said anything.
― Josh in Chicago, Thursday, 11 April 2019 18:43 (five years ago) link
yeah, i'm getting a TCL/Roku 43" for under $300. This shit got MUCH cheaper than the last time I bought a set... i think i paid 800 a decade ago for the one i currently have.
― Fuck the NRA (ulysses), Thursday, 11 April 2019 20:15 (five years ago) link
Roku runs Android right? Really looking forward to having some flexibility with apps; my tivo is locked into Plex/YouTube/Hulu/HBO/Netflix/Amazon and that's about it.
― Fuck the NRA (ulysses), Thursday, 11 April 2019 20:16 (five years ago) link
Tried one of the HDMI splitters for removing HDCP and no dice. Might could be I got the "wrong" one since I guess different ones work with different setups? But not interested in pursuing it further, just gonna pull the plug on this. Can't believe it can be so complicated to watch movies on TV in 2019.
After Filmstruck died I rebooted the DVD-thru-mail element of my Netflix subscription and honestly cant believe I ever stopped, they have like 98% of what was in my old queue, still lots of OOP Criterion stuff floating around in the system, think I'm just gonna keep riding that horse till they decide to put it down for good.
― One Eye Open, Thursday, 11 April 2019 21:56 (five years ago) link
xpost I don't think Roku is Android, I think it's its own thing? I only use it for Netflix/Amazon/Plex/Hulu and now Criterion, but they all seem to work.
― Josh in Chicago, Thursday, 11 April 2019 22:03 (five years ago) link
Honestly I fully don’t get the appeal of smart TVs when you can get a Roku for like $50 that will be way speedier, more stable, have way more channels, etc
― vision joanna newsom (Stevie D(eux)), Friday, 12 April 2019 00:43 (five years ago) link
My smart tv is a top of the line Vizio from 2017 and it CRASHES!! Like it will freeze and I have to turn it off and back on and it takes like 30-60 sec!
― vision joanna newsom (Stevie D(eux)), Friday, 12 April 2019 00:44 (five years ago) link
30-60 sec!
Sacre bleu!
Like my dedicated Roku was ever particularly reliable.
I didn't get a smart TV because it was a smart TV, I got a new TV that happened to be a smart TV (see also: 4K, HDR, etc, features that will have next to no bearing on what and how I watch but which are pretty much the default as of late). We'll see how it goes with crashes and stuff, but so far Plex at the least seems to work faster than it did via dedicated Roku.
― Josh in Chicago, Friday, 12 April 2019 01:03 (five years ago) link
AppleTV is great, just fyi.
― dan selzer, Friday, 12 April 2019 02:47 (five years ago) link
I'm gonna plug an ethernet cable directly into this sucker; hope i'm not seeing the issues y'all are describing.will keep apple tv in mind but i tried it years ago and was sorta meh. Then again i'm a devoted tivo guy so don't trust me.
― Fuck the NRA (ulysses), Friday, 12 April 2019 05:17 (five years ago) link
okay, so I got one of these:https://www.tclusa.com/products/home-theater/4-series/tcl-43-class-4-series-4k-uhd-hdr-roku-smart-tv-43s425and on day one, it's great! set up netflix, hulu, prime, plex, mubi, criterion, youtube, pbs, spotify for streaming easily and without a hiccup; tivo/switch/ps4 are more quickly accessible than they've ever been.picture quality seems fine, but i'm going to have to tinker. all in all, fixed the problems with a reasonably cheap entry point... presuming it don't bust shortly.
― Fuck the NRA (ulysses), Friday, 12 April 2019 17:39 (five years ago) link
asked and answered
https://films.criterionchannel.com
― don't mock my smock or i'll clean your clock (silby), Friday, 12 April 2019 21:52 (five years ago) link
Very nice.
― The Carjackers Quickly Dumped ILX Once They Saw What Was Inside (WmC), Friday, 12 April 2019 22:02 (five years ago) link
American TV shows are 19 minutes long: if your TV just decides to turn itself off and takes 60 seconds to turn back on, you've missed over 5% of the programme.
― blokes you can't rust (sic), Friday, 12 April 2019 22:06 (five years ago) link
not missing much
― Josh in Chicago, Friday, 12 April 2019 22:07 (five years ago) link
xp, full film list not yet on the app tho'
― Fuck the NRA (ulysses), Friday, 12 April 2019 22:07 (five years ago) link
Nope. And in the filter function, they created a button for the 1900s (0 results) but forgot the button for the 1910s. You can do that manually in the URL and get yr 13 results.
― The Carjackers Quickly Dumped ILX Once They Saw What Was Inside (WmC), Friday, 12 April 2019 22:14 (five years ago) link
Looks like the full film list won't come to the app or iOS. From the email they sent out this afternoon --
The number one request was for an “all films” list, and just in time for your viewing pleasure here it is! This desktop-only feature will allow you to see all the films on the Criterion Channel and organize them by title, director, year, and country. We hope this helps you navigate the more than 1,500 titles available now on the service!
― The Carjackers Quickly Dumped ILX Once They Saw What Was Inside (WmC), Saturday, 13 April 2019 03:25 (five years ago) link
i imagine the app will improve over the upcoming month. Even so, they've rolled out kinda haphazardly tbh.
― Fuck the NRA (ulysses), Saturday, 13 April 2019 14:47 (five years ago) link
I mean, this is a boutique proposition, and for clearing the rights on this library alone, it’s cool. I was able to send off my Friday with Querelle and I was very happy.
― zama roma ding dong (Eric H.), Saturday, 13 April 2019 15:57 (five years ago) link
Is there a reason why some Criterion titles are apparently not available to stream? I subscribed to Filmstruck from the start and never saw The Harder They Come pop up, and it's not listed on the new channel, either.
― Jazzbo, Saturday, 13 April 2019 17:13 (five years ago) link
Prickly rightsholder one presumes.
― don't mock my smock or i'll clean your clock (silby), Saturday, 13 April 2019 18:21 (five years ago) link
Same reason Netflix or Prime don't have things, they don't own the streaming rights.
― Greta Van Show Feets BB (milo z), Saturday, 13 April 2019 18:38 (five years ago) link
The All Films list is nice, but its usefulness is limited in that there is no way to use it to add films to one's own list, even by clicking through to the film.
― Hans Holbein (Chinchilla Volapük), Saturday, 13 April 2019 21:12 (five years ago) link
I noticed that, very frustrating.
― The Carjackers Quickly Dumped ILX Once They Saw What Was Inside (WmC), Saturday, 13 April 2019 21:58 (five years ago) link
enjoyed the bonus features for Wanda todaythe documentary was kinda boring (all about acting!) but i enjoyed the interviews and hearing a little more from Barbara Loden herself
― weird woman in a bar (La Lechera), Sunday, 14 April 2019 05:50 (five years ago) link
May 2019 lineup: https://www.criterion.com/current/posts/6314-coming-attractions-the-criterion-channel-s-may-lineup
― The Mod Who Banned Liberty Valance (WmC), Wednesday, 24 April 2019 21:47 (four years ago) link
HOLY SHIT THAT CUKOR LINEUP!!!
"Our Betters" is WONDERFUL and iirc never even made it to VHS (let alone DVD or Blu)
― vision joanna newsom (Stevie D(eux)), Tuesday, 30 April 2019 21:10 (four years ago) link
yeah really excited for that--I've only seen Gaslight out of that whole list
― rob, Tuesday, 30 April 2019 21:33 (four years ago) link
B-b-but have you see the original Gaslight?
― Theory of Every Zing (James Redd and the Blecchs), Tuesday, 30 April 2019 21:35 (four years ago) link
I have not! I didn't even know it existed until you posted that, but I do love Walbrook
― rob, Tuesday, 30 April 2019 21:38 (four years ago) link
screening on VHS at my house next week
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Tuesday, 30 April 2019 21:45 (four years ago) link
"Our Betters" was pretty delightful--thanks for repping it Stevie. It's basically a filmed play but Constance Bennett and, especially, Violet Kemble-Cooper are such fun. And I don't know what to say about the last five minutes.
Also, I'm not one to swoon over women's fashion, but Bennett looks phenomenal in every scene:
https://pre-code.com/wp-content/uploads/2017/02/OurBetters26-650x493.jpg
I have to say, having spent the last five years in Canada at a loss for how to see classic/arty/etc cinema, this service has been a godsend. If only they'd put a My List link in the top nav.
― rob, Friday, 17 May 2019 14:20 (four years ago) link
oh, ERNEST
― vision joanna newsom (Stevie D(eux)), Tuesday, 21 May 2019 04:47 (four years ago) link
Had no idea Criterion was currently hosting a ton of Godzilla!
― Josh in Chicago, Tuesday, 28 May 2019 22:49 (four years ago) link
yeah filmstruck was too, seemed like part of their marketing strategy
― j., Tuesday, 28 May 2019 23:07 (four years ago) link
So the Channel will have the full edition of Hedwig and the Angry Inch, supplements and such, three and a half weeks before the disc release, as in tomorrow. That's a pretty nice trick.
― The Bite Game with Jim Lamprey (WmC), Saturday, 1 June 2019 02:26 (four years ago) link
July titles. Sorry it's an image, that's how I found them and I don't want to retype it.
https://i.imgur.com/8FrbOE1.jpg
― I am curious (george) (slight return) (WmC), Friday, 21 June 2019 15:47 (four years ago) link
* = not available in Canada** = limited engagement, leaves end of July
― I am curious (george) (slight return) (WmC), Friday, 21 June 2019 15:50 (four years ago) link
Nice, re: Diary of a Chambermaid
― Pauline Male (Eric H.), Friday, 21 June 2019 15:58 (four years ago) link
CC expirations, July through November, via some Facebook group person who saw it on reddit.
Leaving end of July 2019:
A Woman's Face (George Cukor, 1941)Bob & Carol & Ted & Alice (Paul Mazursky, 1969)Bottle Rocket (Wes Anderson, 1996)Camille (George Cukor, 1936)Dinner at Eight (George Cukor, 1933)Easy Rider (Dennis Hopper, 1969)Gaslight (George Cukor, 1944)Girlfriends (Claudia Weill, 1978)Little Women (George Cukor, 1933)Midnight Cowboy (John Schlesinger, 1969)Moonrise (Frank Borzage, 1948)Mother (Albert Brooks, 1996)Our Betters (George Cukor, 1933)Robin and Marion (Richard Lester, 1976)Sylvia Scarlett (George Cukor, 1935)The Last Emperor (Bernardo Bertolucci, 1987)The Night of the Hunter (Charles Laughton, 1955)The Women (George Cukor, 1939)Two-Faced Woman (George Cukor, 1941)Uptight (Jules Dassin, 1968)What Price Hollywood? (George Cukor, 1932)White Heat (Raoul Walsh, 1949)
Leaving at end of August 2019:
Akira Kurosawa's Dreams (Akira Kurosawa, 1990)Christopher Strong (Dorothy Arzner, 1933)Craig's Wife (Dorothy Arzner, 1936)Damn the Defiant! (Lewis Gilbert, 1962)Dance, Girl, Dance (Dorothy Arzner, 1940)Don't Look Now (Nicholas Roeg, 1973)My Beautiful Laundrette (Stephen Frears, 1985)Our Man in Havana (Carol Reed, 1959)Performance (Donald Cammell & Nicholas Roeg, 1970)Ran (Akira Kurosawa, 1985)Scanners (David Cronenberg, 1981)Something Wild (Jack Garfein, 1961)The Card (Ronald Neame, 1952)The Man Who Fell to Earth (Nicholas Roeg, 1976)The Prisoner (Peter Glenville, 1955)The Scapegoat (Robert Hamer, 1959)
Leaving at end of September 2019:
A Room with a View (James Ivory, 1985)Adua and Her Friends (Antonio Pietrangeli, 1960)After the Wedding (Susanne Bier, 2006)Hoop Dreams (Steve James, 1994)Kaili Blues (Bi Gan, 2015)Nights of Cabiria (Federico Fellini, 1957)Othello (Orson Welles, 1952)Quiet as Kept (Charles Burnett, 2007)Rocco and His Brothers (Luchino Visconti, 1960)Room at the Top (Jack Clayton, 1959)Several Friends (Charles Burnett, 1969)Sightseers (Ben Wheatley, 2012)The Final Insult (Charles Burnett, 1997)The Horse (Charles Burnett, 1973)The Widow Couderc (Pierre Granier-Deferre, 1971)When it Rains (Charles Burnett, 1995)
Leaving at end of October 2019:
Archipelago (Joanna Hogg, 2010)Claire's Camera (Hong Sang-soo, 2017)Daddy Longlegs (Safdie Brothers, 2009)Exhibition (Joanna Hogg, 2013)I Killed My Mother (Xavier Doland, 2009)Kaos (Tavania Brothers, 1984)Meek's Cutoff (Kelly Reichardt, 2010)On the Beach at Night Alone (Hong Sang-soo, 2017)Padre Padrone (Tavania Brothers, 1977)River of Grass (Kelly Reichardt, 1994)The Day He Arrives (Hong Sang-soo, 2011)The Fallen Idol (Carol Reed, 1948)The Night of Shooting Stars (Tavania Brothers, 1982)The Pleasure of Being Robbed (Josh Safdie, 2008)The Shooting (Monte Hellman, 1966)The Third Man (Carol Reed, 1949)Time Bandits (Terry Gilliam, 1981)Unrelated (Joanna Hogg, 2007)Wendy and Lucy (Kelly Reichardt, 2008)
Leaving at end of November 2019:
The Love Witch (Anna Biller, 2016) (LEAVES NOVEMBER 7TH)Viva (Anna Biller, 2007) (LEAVE NOVEMBER 7TH)Battle in Heaven (Carles Reygadas, 2005)Cemetary of Splendor (Apichatpong Weerasethakul, 2015)Kind Hearts and Coronets (Robert Hamer, 1949)Marwencol (Jeff Malmberg, 2010)Silent Light (Carlos Reygadas, 2007)Suburbia (Penelope Spheeris, 1983)Syndromes and a Century (Apichatpong Weerasethakul, 2006)The Captain's Paradise (Anthony Kimmins, 1953)The Decline of Western Civilization (Penelope Spheeris, 1981)The Decline of Western Civilization Part II: The Metal Years (Penelope Spheeris, 1988)The Decline of Western Civilization Part III (Penelope Spheeris, 1998)The Hours and Times (Christopher Munch, 1991)The Lavender Hill Mob (Charles Crichton, 1951)The Life and Adventures of Nicholas Nickleby (Alberto Cavalcanti, 1947)The Maids (Christopher Miles, 1975)The Man in the White Suit (Alexander Mackendrick, 1951)The Plague Dogs (Martin Rosen, 1982)The Tales of Beatrix Potter (Reginald Mills, 1971)The Wicker Man (Robin Hardy, 1973)Tropical Malady (Apichatpong Weerasethakul, 2004)Uncle Boonmee Who Can Recall His Past Lives (Apichatpong Weerasethakul, 2010)Yeelen (Souleymane Cissé, 1987)
― I am curious (george) (slight return) (WmC), Sunday, 23 June 2019 15:16 (four years ago) link
Ugh. Too much pressure.
― If I were a POLL I’d be Zinging (James Redd and the Blecchs), Sunday, 23 June 2019 15:30 (four years ago) link
https://www.youtube.com/watch?v=Rf7v1iWc4tk
― If I were a POLL I’d be Zinging (James Redd and the Blecchs), Sunday, 23 June 2019 15:31 (four years ago) link
watched girlfriends, elevator to the gallows, and the wicker man (rewatch) this weekend, all great
― na (NA), Monday, 24 June 2019 15:52 (four years ago) link
> elevator to the gallows
in england we call this 'Lift To The Scaffold'.
― koogs, Monday, 24 June 2019 15:59 (four years ago) link
i really enjoyed that one (no matter what you call it), a noir subverted by french irony
― na (NA), Monday, 24 June 2019 16:02 (four years ago) link
yes. cool and tense.
― koogs, Monday, 24 June 2019 16:07 (four years ago) link
Most of the July titles added today (Bondarchuk War & Peace to come later) and I'm in hog heaven. Gonna pingpong between Fred & Ginger and Bruno Dumont.
― Manfred Hemming-Hawing (WmC), Monday, 1 July 2019 18:44 (four years ago) link
Correction, War & Peace is up as well. https://www.criterionchannel.com/war-and-peace-1
― Manfred Hemming-Hawing (WmC), Monday, 1 July 2019 20:09 (four years ago) link
Complete list of films premiering on the Criterion Channel in August:
24 Frames Per Century, Athina Rachel Tsangari, 2013Aguirre, the Wrath of God, Werner Herzog, 1972America America, Elia Kazan, 1963American Gigolo, Paul Schrader, 1980And You Act Like One Too, Susan Seidelman, 1976Angst Isst Seele Auf, Shahbaz Noshir, 2002Aria Diva, Agnieszka Smoczyńska, 2007Ars, Jacques Demy, 1959Attenberg, Athina Rachel Tsangari, 2010Baby, D. A. Pennebaker, 1954Baby Face, Alfred E. Green, 1933Ballad of the Little Soldier, Werner Herzog, 1984Beauty and the Devil, René Clair, 1950Best Offer, Lisa Krueger, 1993Bezhin Meadow, Sergei Eisenstein, 1937Black Jack, Ken Loach, 1979Blackmail, Alfred Hitchcock, 1929Blancanieves, Pablo Berger, 2012The Capsule, Athina Rachel Tsangari, 2012Cassis, Jonas Mekas, 1966A Chairy Tale, Claude Jutra and Norman McLaren, 1957Champagne, Alfred Hitchcock, 1928Chevalier, Athina Rachel Tsangari, 2015Chiefs, Richard Leacock and Noel E. Parmentel Jr., 1968Close to Home, Erik Skjoldbjærg, 1994Cobra Verde, Werner Herzog, 1987Creative Nonfiction, Lena Dunham, 2009Crisis, Ingmar Bergman, 1946Diary of a Country Priest, Robert Bresson, 1951Diary of Yunbogi, Nagisa Oshima, 1965Dog, Andrea Arnold, 2001The Emigrants, Jan Troell, 1971The Enigma of Kasper Hauser, Werner Herzog, 1974Entr’acte, René Clair, 1924Europa—The Faecal Location, Thomas Gislason, 2005Even Dwarfs Started Small, Werner Herzog, 1970Ever in My Heart, Archie Mayo, 1933The Face, Piotr Studzinski, 1966A Farewell to Arms, Frank Borzage, 1932The Fat and the Lean, Roman Polanski, 1961Fata Morgana, Werner Herzog, 1971Fatherland, George Sikharulidze, 2017Female Trouble, John Waters, 1974Fit, Athina Rachel Tsangari, 1994Fitzcarraldo, Werner Herzog, 1982For Me and My Gal, Busby Berkely, 1942Forbidden, Frank Capra, 1932The Fountain, Lena Dunham, 2007Gambling Lady, Archie Mayo, 1934Geometria, Guillermo del Toro, 1987A Girl’s Own Story, Jane Campion, 1983 Godard 1980, Jon Jost, Donald Ranvaud, and Peter Wollen, 1980The Hall Runner, Guy Maddin, 2014Hare Krishna, Jonas Mekas, 1966Heart of Glass, Werner Herzog, 1976Hooker on Campus, Lena Dunham, 2007Illicit, Archie Mayo, 1931The Immigrant, Charlie Chaplin, 1917Interlude in the Marshland, Jan Troell, 1965Jamaica Inn, Alfred Hitchcock, 1939Jonas Mekas in Kodachrome Days, Ken Jacobs, 2009L’amour existe, Maurice Pialat, 1960La luxure, Jacques Demy, 1962La villa Santo-Sospir, Jean Cocteau, 1951Ladies of Leisure, Frank Capra, 1930Ladies They Talk About, Howard Bretherton, 1933Land of Silence and Darkness, Werner Herzog, 1971Le coup du berger, Jacques Rivette, 1956Le sabotier du Val de Loire, Jacques Demy, 1956Les escargots, Rene Laloux and Roland Topor, 1966Les horizons morts, Jacques Demy, 1951Les temps morts, Rene Laloux and Roland Topor, 1965Lessons of Darkness, Werner Herzog, 1992Letter to Jane, Jean-Luc Godard, 1972Little Dieter Needs to Fly, Werner Herzog, 1997Lost Lost Lost, Jonas Mekas, 1976Louis Riel for Dinner, Guy Maddin, 2014M le maudit, Claude Chabrol, 1982Mammals, Roman Polanski, 1962The Manchurian Candidate, John Frankenheimer, 1962Man’s Castle, Frank Borzage, 1933Manny & Lo, Lisa Krueger, 1996Marseille, Marcel Pagnol, 1935Max by Marcel, Marcel Ophuls, 2009Milk, Andrea Arnold, 1998The Miracle Woman, Frank Capra, 1931Murder, Roman Polanski, 1957Murder!, Alfred Hitchcock, 1930The Musicians, Kazimierz Karabasz, 1960My Best Fiend, Werner HerzogNear Winter, Erik Skjoldbjærg, 1993The New Land, Jan Troell, 1972Nice and Friendly, Charlie Chaplin, 1922A Night in the Show, Charles Chaplin, 1915Night Nurse, William A. Wellman, 1931No C4 for Daniel-Daniel, Rémy Belvaux, André Bonzel, and Benoit Poelvoorde, 1989No Greater Glory, Frank Borzage, 1934Nosferatu the Vampyre, Werner Herzog, 1979Notes on the Circus, Jonas Mekas 1966On purge bébé, Jean Renoir, 1931Only Dream Things, Guy Maddin, 2012Open the Door, Lena Dunham, 2007Paradise: Faith, Ulrich Seidl, 2012**Paradise: Hope, Ulrich Seidl, 2013**Paradise: Love, Ulrich Seidl, 2012**Physical Pinball, David Gordon Green, 1998Pleasant Grove, David Gordon Green, 1996Police Story 1, Jackie Chan, 1985Police Story 2, Jackie Chan, 1988Pressure, Lena Dunham, 2006The Purchase Price, William Wellman, 1932Report from Millbrook, Jonas Mekas, 1966Rich and Strange, Alfred Hitchcock, 1931The Rink, Charles Chaplin, 1916Sacrilège, Christophe M. SaberSculptures by Sofu—Vita, Hiroshi Teshigahara, 1963Shall We Go to Your or My, Place or Each Go Home Alone?, Lasse Hallström, 1973Sinclair, Guy Maddin, 2010The Skin Game, Alfred Hitchcock, 1931The Slow Business of Going, Athina Rachel Tsangari, 2000So Big!, William A. Wellman, 1932Spanky: To the Pier and Back, Guy Maddin, 2008Stereo, David Cronenberg, 1969Stroszek, Werner Herzog, 1977Teeth Smile, Roman Polanski, 1957Time and Fortune Vietnam Newsreel, Jonas Mekas, 1969Trainspotting, Danny Boyle, 1996Travel Songs, Jonas Mekas, 1981The Triplets of Belleville, Sylvain Chomet, 2003**True Stories, David Byrne, 1986Two Men and a Wardrobe, Roman Polanski, 1958Viva Maria!, Agnieszka Smoczyńska, 2010Waiting Women, Ingmar Bergman, 1952Walden, Jonas Mekas, 1968When Angels Fall, Roman Polanski, 1959Where the Green Ants Dream, Werner Herzog, 1984Wild Reeds, André Téchiné, 1994Williamsburg, Brooklyn, Jonas Mekas, 2003The Witnesses, André Téchiné, 2007**Women of the Resistance, Liliana Cavani, 1965Woyzeck, Werner Herzog, 1979You Can’t Do Everything at Once, But You Can Leave Everything at Once, Marie-Elsa Sgualdo, 2013Yours Truly, Andrea G. Stern, Susan Seidelman, 1979Zorgon: The H-Bomb Beast from Hell, Kevin Feman, 1972
**Not available in Canada
― Manfred Hemming-Hawing (WmC), Monday, 22 July 2019 19:00 (four years ago) link
Well of course they put up all the Herzog AFTER my free trial ended...
― My nephew accidentally swalled five quarters and thee dimes. (Old Lunch), Monday, 22 July 2019 19:07 (four years ago) link
The Herzog movies are on various film streaming sites.
― Chris L, Monday, 22 July 2019 19:32 (four years ago) link
finally the pent-up demand for Lena Dunham's juvenilia will be sated
― president of deluded fruitcakes anonymous (silby), Monday, 22 July 2019 19:48 (four years ago) link
I hate to be that guy, but I was thinking about getting the Jackie Chan set before the end of the B&N sale and now I won't.
― Manfred Hemming-Hawing (WmC), Monday, 22 July 2019 20:24 (four years ago) link
Why just those two Chan films? I demand Supercop!
― Josh in Chicago, Monday, 22 July 2019 20:57 (four years ago) link
It just occurred to me that the boy in The Night of the Hunter, which I am rewatching for the first time in a while since it is about to expire, reminds me a little of Buck Owens.
― U or Astro-U? (James Redd and the Blecchs), Monday, 29 July 2019 01:51 (four years ago) link
Seems like there is a band named after the old uncle who lives on the river.
― U or Astro-U? (James Redd and the Blecchs), Monday, 29 July 2019 02:11 (four years ago) link
Why just those two Chan films? I demand Supercopthe Police Stories had 4K restorations and US theatrical re-releases this year - they ran at at least three different theatres across six months in Seattle
― quelle sprocket damage (sic), Monday, 29 July 2019 02:15 (four years ago) link
Complete list of films premiering on the Criterion Channel in September:
35 Shots of Rum, Claire Denis, 2008**A Dry White Season, Euzhan Palcy, 1989A Kind of Loving, John Schlesinger, 1962All Screwed Up, Lina Wertmüller, 1974Barbara, Christian Petzold, 2012Behind the White Glasses, Valerio Ruiz, 2015Billy Liar, John Schlesinger, 1963Bob le flambeur, Jean-Pierre Melville, 1956The Chicken, Una Gunjak, 2014Darling, John Schlesinger, 1965David Lynch: The Art Life, Jon Nguyen, Rick Barnes, and Olivia Neergaard-Holm, 2016Escape from New York, John Carpenter, 1981The Falcon and the Snowman, John Schlesinger, 1985Ferdinando and Carolina, Lina Wertmüller, 1999Fishing with John, John Lurie, 1992Fire over England, William K. Howard, 1937Grand Illusion, Jean Renoir, 1937Honky Tonk Freeway, John Schlesinger, 1981**Jerichow, Christian Petzold, 2008**Le cercle rouge, Jean-Pierre Melville, 1970Le doulos, Jean-Pierre Melville, 1962Le trou, Jacques Becker, 1960Leon Morin, Priest, Jean-Pierre Melville, 1961Les misérables, Raymond Bernard, 1934Love and Anarchy, Lina Wertmüller, 1973Marathon Man, John Schlesinger, 1976Midnight Cowboy, John Schlesinger, 1969Mobilize, Caroline Monnet, 2015**Of Mice and Men, Lewis Milestone, 1939Oh! What a Lovely War, Richard Attenborough, 1969On the Border, Wei Shujun, 2018Perfect Understanding, Cyril Gardner, 1933Phantom India, Louis Malle, 1969The Seduction of Mimi, Lina Wertmüller, 1972Seven Beauties, Lina Wertmüller, 1975Sparrows Can't Sing, Joan Littlewood, 1963Stalag 17, Billy Wilder, 1953Summer Night, Lina Wertmüller, 1986Sunday Bloody Sunday, John Schlesinger, 1971Swept Away, Lina Wertmüller, 1974Two Men in Manhattan, Jean-Pierre Melville, 1959Un flic, Jean-Pierre Melville, 1972Upstream Color, Shane Carruth, 2013War Requiem, Derek Jarman, 1989When You Read This Letter, Jean-Pierre Melville, 1953**Wuthering Heights, William Wyler, 1939Yella, Christian Petzold, 2007**
― The Chronicles of Ermagerd (WmC), Tuesday, 20 August 2019 23:28 (four years ago) link
hell yeah Upstream Color + Seven Beauties
― Simon H., Wednesday, 21 August 2019 05:25 (four years ago) link
The 'Directed by Ida Lupino' series is great, all the movies are GREAT, some of them have been easily available before, but not really all of these collected. The great shame is that OUTRAGE is not included.
― abcfsk, Wednesday, 21 August 2019 07:52 (four years ago) link
I could have sworn that a bunch of early Kiarostami shorts were coming to the channel, but I can't remember where I read it now. Maybe I was thinking about that IFC retrospective.
― The Chronicles of Ermagerd (WmC), Sunday, 25 August 2019 20:10 (four years ago) link
Complete list of films premiering on the Criterion Channel in October:
24 Frames Per Second, Shirley Clarke, 1977The Adventures of Prince Achmed, Lotte Reiniger, 1926Arsenic and Old Lace, Frank Capra, 1944Bad at Dancing, Joanna Arnow, 2015The Beaning, Sean McCoy, 2017Bedlam, Mark Robson, 1946Blood Feast, Herschell Gordon Lewis, 1963The Body Snatcher, Robert Wise, 1945Bridges-Go-Round 1, Shirley Clarke, 1958Bridges-Go-Round 2, Shirley Clarke, 1958Brussels Film Loops/Gestures/World Kitchen, D. A. Pennebaker and Shirley Clarke, 1957Bullfight, Shirley Clarke, 1955Burn!, Gillo Pontecorvo, 1969Butterfly, Shirley Clarke, 1967Carving Magic, Herschell Gordon Lewis, 1959Cat People, Jacques Tourneur, 1942Christopher and Me, Richard Leacock, 1960Color Me Blood Red, Herschell Gordon Lewis, 1965The Connection, Shirley Clarke, 1961The Curse of the Cat People, Robert Wise, Gunther von Fritsch, 1944Dance in the Sun, Shirley Clarke, 1953The Devils, Ken Russell, 1971The Devil’s Backbone, Guillermo del Toro, 2001**Fast, Cheap & Out of Control, Errol Morris, 1997The Fog of War, Errol Morris, 2003Four Journeys into Mystic Time: Initiation, Shirley Clarke, 1978Four Journeys into Mystic Time: Mysterium, Shirley Clarke, 1978Four Journeys into Mystic Time: One-Two-Three, Shirley Clarke, 1978Four Journeys into Mystic Time: Trans, Shirley Clarke, 1978Freaks, Tod Browning, 1932Frida, Julie Taymor, 2002The Ghost Ship, Mark Robson, 1943A Girl Walks Home Alone at Night, Ana Lily Amirpour, 2014The Gore Gore Girls, Herschell Gordon Lewis, 1972The Gruesome Twosome, Herschell Gordon Lewis, 1967Herschell Gordon Lewis: The Godfather of Gore, Frank Henenlotter and Jimmy Maslon, 2010I Walk Alone, Byron Haskin, 1947I Walked with a Zombie, Jacques Tourneur, 1943In Paris Parks, Shirley Clarke, 1954Invasion of the Body Snatchers, Don Siegel, 1956Isle of the Dead, Mark Robson, 1945A Japanese Tragedy, Keisuke Kinoshita, 1953The Leopard Man, Jacques Tourneur, 1943The Living Idol, Albert Lewin and René Cardona, 1957A Moment in Love, Shirley Clarke, 1956The Old Dark House, James Whale, 1932Ornette: Made in America, Shirley Clarke, 1985Out of the Past, Jacques Tourneur, 1947Persepolis, Marjane Satrapi and Vincent Paronnaud, 2007Portrait of Jason, Shirley Clarke, 1967Robert Frost: A Lover’s Quarrel with the World, Shirley Clarke, 1963Robinson Crusoe on Mars, Byron Haskin, 1964Savage/Love, Shirley Clarke, 1981A Scary Time, Shirley Clarke and Robert Hughes, 1960The Seventh Victim, Mark Robson, 1943Skyscraper, Shirley Clarke and Willard Van Dyke, 1959Stars in My Crown, Jacques Tourneur, 1950Tabloid, Errol Morris, 2010Tongues, Shirley Clarke, 1982Two Thousand Maniacs!, Herschell Gordon Lewis, 1964Val Lewton: The Man in the Shadows, Kent Jones, 2007Vernon, Florida, Errol Morris, 1981The War of the Worlds, Byron Haskin, 1953Weekends, Trevor Jimenez, 2017The Wizard of Gore, Herschell Gordon Lewis, 1970
**Available in the US only
― WmC, Friday, 20 September 2019 17:35 (four years ago) link
Val Lewton AND Herschell Gordon Lewis? Nice.
― Pauline Male (Eric H.), Friday, 20 September 2019 17:46 (four years ago) link
The Devils, Ken Russell, 1971
HIOH!
― a bevy of supermodels, musicians and Lena Dunham (C. Grisso/McCain), Friday, 20 September 2019 17:46 (four years ago) link
The Beaning, Sean McCoy, 2017An experimental documentary exploring a sinister theory surrounding the death of Cleveland baseball player Ray Chapman in 1920 and the subsequent rise of the Yankee dynasty.
Sold. I wonder if a Morbius has seen this.
― WmC, Friday, 20 September 2019 18:11 (four years ago) link
Need to see some Criterion editions of those Herschell Gordon Lewis films!
― Josefa, Friday, 20 September 2019 18:15 (four years ago) link
Wish I could check these out!
Now on the Channel, we're celebrating the films of Lina Wertmüller! Provocative, outrageous, and larger-than-life, the films of the Italian fimmaker thrilled & shocked audiences with their heady blend of sex, politics, and satire. https://t.co/crr5DwfYX8— Criterion Channel (@criterionchannl) September 25, 2019
― flappy bird, Wednesday, 25 September 2019 17:17 (four years ago) link
https://www.criterionchannel.com/the-complete-jean-pierre-melville
― Fuck the NRA (ulysses), Friday, 27 September 2019 19:47 (four years ago) link
i have never heard of The Beaning, WmC.
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 27 September 2019 19:53 (four years ago) link
Watching Naruse on this channel has been my #1 pleasure of 2019. Watch his final film Scattered Clouds, plz.
― TikTok to the (Alfred, Lord Sotosyn), Friday, 27 September 2019 20:14 (four years ago) link
xp -- sub-sub-Guy Maddin, meh. Oh well.
― WmC, Wednesday, 2 October 2019 02:29 (four years ago) link
Complete list of films premiering on the Criterion Channel during November:
12 Angry Men, Sidney Lumet, 1957An American in Paris, Vincente Minnelli, 1951And Life Goes On, Abbas Kiarostami, 1992The Arbor, Clio Barnard, 2010**The Band Wagon, Vincente Minnelli, 1953The Barkleys of Broadway, Charles Walters, 1949Big Night, Campbell Scott and Stanley Tucci, 1996Blow Out, Brian De Palma, 1981Brigadoon, Vincente Minnelli, 1954**Broadway Melody of 1940, Norman Taurog, 1940Cabin in the Sky, Vincente Minnelli, 1943Caché, Michael Haneke, 2005The Conversation, Francis Ford Coppola, 1974The Cook, the Thief, His Wife & Her Lover, Peter Greenaway, 1989Corpo celeste, Alice Rohrwacher, 2011Crocus, Suzan Pitt, 1971Dear Phone, Peter Greenaway, 1976Death of the Soundman, Sorayos Prapapan, 2017Delicatessen, Jean-Pierre Jeunet and Marc Caro, 1991Diva, Jean-Jacques Beineix, 1981El doctor, Suzan Pitt, 2006The Draughtsman’s Contract, Peter Greenaway, 1982Easter Parade, Charles Walters, 1948Eat Drink Man Woman, Ang Lee, 1994An Elephant Sitting Still, Hu Bo, 2018A Face in the Crowd, Elia Kazan, 1957The Falls, Peter Greenaway, 1980Five Easy Pieces, Bob Rafelson, 1970Give a Girl a Break, Stanley Donen, 1953H Is for House, Peter Greenaway, 1976Hacked Circuit, Deborah Stratman, 2014The Harder They Come, Perry Henzell, 1972The Harvey Girls, George Sidney, 1946Homework, Abbas Kiarostami, 1989I Don’t Want to Sleep Alone, Tsai Ming-liang, 2006I Love Melvin, Don Weis, 1953In the Good Old Summertime, Robert Z. Leonard, 1949The Inland Sea, Lucille Carra, 1991Intervals, Peter Greenaway, 1969It’s Always Fair Weather, Stanley Donen and Gene Kelly, 1955Jefferson Circus Songs, Suzan Pitt, 1973Joy Street, Suzan Pitt, 1995Just Another Girl on the I.R.T., Leslie Harris, 1992Kes, Ken Loach, 1969The King of Marvin Gardens, Bob Rafelson, 1972Klute, Alan J. Pakula, 1971The Last Detail, Hal Ashby, 1973Lili, Charles Walters, 1953The Lives of Others, Florian Henckel von Donnersmarck, 2006**Meet Me in St Louis, Vincente Minnelli, 1944Mulholland Dr., David Lynch, 2001Near Dark, Kathryn Bigelow, 1987No Place Like Home, Perry Henzell, 2006On the Town, Stanley Donen and Gene Kelly, 1949Oslo, August 31st, Joachim Trier, 2011**The Pillow Book, Peter Greenaway, 1996**Pinball, Suzan Pitt, 2013The Pirate, Vincente Minnelli, 1948Prospero’s Books, Peter Greenaway, 1991Raging Sun, Raging Sky, Julián Hernández, 2009Reprise, Joachim Trier, 2006Seven Brides for Seven Brothers, Stanley Donen, 1954Stranger by the Lake, Alain Guiraudie, 2013**Summer Stock, Charles Walters, 1950That’s Entertainment!, Jack Haley Jr., 1974They Live By Night, Nicholas Ray, 1948Through the Olive Trees, Abbas Kiarostami, 1994Vertical Features Remake, Peter Greenaway, 1978Visitation, Suzan Pitt, 2011A Walk Through H, Peter Greenaway, 1978Water Wrackets, Peter Greenaway, 1990Windows, Peter Greenaway, 1975The Wonders, Alice Rohrwacher, 2014Yentl, Barbra Streisand, 1983A Zed & Two Noughts, Peter Greenaway, 1985
**Available in the U.S. only
― Galangal Baker (WmC), Monday, 21 October 2019 20:46 (four years ago) link
Near Dark!!!!
― Josh in Chicago, Monday, 21 October 2019 21:06 (four years ago) link
Excited for the Kiarostamis, Greenaways (the ones I haven't seen already), Kes, Near Dark, tons of others.
― Galangal Baker (WmC), Monday, 21 October 2019 21:16 (four years ago) link
Oh, and finally a rewatch or two of Caché.
― Galangal Baker (WmC), Monday, 21 October 2019 21:21 (four years ago) link
Nice to see a Tsai film, hope they'll do more.
― eatandoph (Neue Jesse Schule), Monday, 21 October 2019 21:26 (four years ago) link
It's Greenaway month.
― EZ Snappin, Monday, 21 October 2019 22:00 (four years ago) link
Complete list of films premiering on the Criterion Channel in December:
Alfie, Lewis Gilbert, 1966Aves, Nietzchka Keene, 1994The Best Years of Our Lives, William Wyler, 1946Black Legion, Archie Mayo, 1937The Black Stallion, Carroll Ballard, 1979The Breaking Point, Michael Curtiz, 1950The Cabin in the Cotton, Michael Curtiz, 1932Dark Victory, Edmund Goulding, 1939Dead End, William Wyler, 1937Diamantino, Gabriel Abrantes and Daniel Schmidt, 2019Dodsworth, William Wyler, 1936Elles, Małgorzata Szumowska, 2011Everyone Else, Maren Ade, 2009**The Forest for the Trees, Maren Ade, 2003**The Friends of Eddie Coyle, Peter Yates, 1973Front Page Woman, Michael Curtiz, 1935Get Carter, Mike Hodges, 1971Girlhood, Céline Sciamma, 2014Gold Diggers of 1933, Mervyn LeRoy, 1933He Ran All the Way, John Berry, 1951Hell’s House, Howard Higgin, 1932Hinterland, Nietzchka Keene, 1983In This Our Life, John Huston, 1942The Italian Job, Peter Collinson, 1969Jezebel, William Wyler, 1938The Juniper Tree, Nietzchka Keene, 1990Kid Galahad, Michael Curtiz, 1937Killer’s Kiss, Stanley Kubrick, 1955The Killing, Stanley Kubrick, 1956The Letter, William Wyler, 1940The Little Foxes, William Wyler, 1941The Lovers on the Bridge, Leos Carax, 1991The Man Who Came to Dinner, William Keighley, 1942Marked Woman, Lloyd Bacon, 1937Mauvais sang, Leos Carax, 1986The Miracle of Morgan’s Creek, Preston Sturges, 1944Mr. Skeffington, Vincent Sherman, 1944Murder on the Orient Express, Sidney Lumet, 1974Now, Voyager, Irving Rapper, 1942Of Human Bondage, John Cromwell, 1934The Old Maid, Edmund Goulding, 1939Oliver!, Carol Reed, 1968The Petrified Forest, Archie Mayo, 1936The Private Lives of Elizabeth and Essex, Michael Curtiz, 1939Red Road, Andrea Arnold, 2006Rififi, Jules Dassin, 1955**Scarlet Street, Fritz Lang, 1945Something Wild, Jonathan Demme, 1986The Shop Around the Corner, Ernst Lubitsch, 1940Still, Nietzchka Keene, 1978These Three, William Wyler, 1936Three on a Match, Mervyn LeRoy, 1932Terms of Endearment, James L. Brooks, 1983**Tomboy, Céline Sciamma, 2011The Unbearable Lightness of Being, Philip Kaufman, 1988Water Lilies, Céline Sciamma, 2007The Westerner, William Wyler, 1940The Woman in the Window, Fritz Lang, 1944Wren Boys, Harry Lighton, 2017Wuthering Heights, Andrea Arnold, 2011
― WmC, Monday, 25 November 2019 19:46 (four years ago) link
The Juniper Tree is the one starring a very young Björk and it's pretty great, bleak and silent and witchy.
― the girl from spirea x (f. hazel), Monday, 25 November 2019 20:53 (four years ago) link
Yeah, I recall seeing that on VHS as a youngster. It stays with you, or at least it stayed with me.
― Simon H., Monday, 25 November 2019 20:55 (four years ago) link
Oh wow, they've also got Aves, Keene's short film she made after the Juniper Tree... not sure there's been any way to easily see that until now.
― the girl from spirea x (f. hazel), Monday, 25 November 2019 21:19 (four years ago) link
not VERY young! her first album was recorded when she was 11, and she had another five out as an adult by the time she made the movie (at 25)
― insecurity bear (sic), Monday, 25 November 2019 21:41 (four years ago) link
(it had a minor theatrical re-release in the US this year, definitely haunting)
― insecurity bear (sic), Monday, 25 November 2019 21:42 (four years ago) link
some solid Teresa Wright movies in there (esp. The Best Years of Our Lives)
― flappy bird, Monday, 25 November 2019 23:14 (four years ago) link
I was trying to figure out the bundles from that list -- directed by Wyler, directed by Curtiz, starring Bette Davis -- I guess maybe a Starring Teresa Wright bundle as well?
― WmC, Tuesday, 26 November 2019 00:20 (four years ago) link
Shadow of a Doubt? Pride of the Yankees?
― Irae Louvin (James Redd and the Blecchs), Tuesday, 26 November 2019 00:38 (four years ago) link
not VERY young! her first album was recorded when she was 11, and she had another five out as an adult by the time she made the movie (at 25)It was filmed in 1986 (came out in 1990), so she would have been 20 or 21 at the time.
― Jazzbo, Tuesday, 26 November 2019 15:03 (four years ago) link
I think we can all agree it is the Icelandic equivalent of watching Baby Yoda
― the girl from spirea x (f. hazel), Tuesday, 26 November 2019 15:48 (four years ago) link
3 Faces, Jafar Panahi, 2018Antonyms of Beauty, Khalik Allah, 2013Atlantic City, Louis Malle, 1980Auto Focus, Paul Schrader, 2002**Baxter, Jérôme Boivin, 1989Birdman of Alcatraz, John Frankenheimer, 1962Black Mother, Khalik Allah, 2018A Boy and His Dog, L. Q. Jones, 1975A Clockwork Orange, Stanley Kubrick, 1971Come Back, Little Sheba, Daniel Mann, 1952**Conversation Piece, Luchino Visconti, 1974Cookie, Susan Seidelman, 1989The Court Jester, Melvin Frank and Norman Panama, 1956Dark Star, John Carpenter, 1974Death in the Garden, Luis Buñuel, 1956Death Race 2000, Paul Bartel, 1975Demon Seed, Donald Cammell, 1977Desperately Seeking Susan, Susan Seidelman, 1985The Discreet Charm of the Bourgeoise, Luis Buñuel, 1972Elmer Gantry, Richard Brooks, 1960Field Niggas, Khalik Allah, 2015From Here to Eternity, Fred Zinnemann, 1953God Told Me To, Larry Cohen, 1976Good Intentions, Anna Mantzaris, 2018Good-bye, My Lady, William A. Wellman, 1956Hans Christian Andersen, Charles Vidor, 1952Hardcore, Paul Schrader, 1979Holy Smoke, Jane Campion, 1999I Walk Alone, Byron Haskin, 1947In the Cut, Jane Campion, 2003The Kid from Brooklyn, Norman Z. McLeod, 1946L’age d’or, Luis Buñuel, 1930L’enfant, Jean-Pierre Dardenne and Luc Dardenne, 2005Le Corbeau, Henri-Georges Clouzot, 1943Le quattro volte, Michelangelo Frammartino, 2010Local Hero, Bill Forsyth, 1983Logan’s Run, Michael Anderson, 1976Look at Me, Agnès Jaoui, 2004**Mad Max, George Miller, 1979The Milky Way, Luis Buñuel, 1969No Blade of Grass, Cornel Wilde, 1970The Omega Man, Boris Sagal, 1971Panique, Julien Duvivier, 1946Patty Hearst, Paul Schrader, 1988The Phantom of Liberty, Luis Buñuel, 1974The Piano, Jane Campion, 1993The Portrait of a Lady, Jane Campion, 1996The Professionals, Richard Brooks, 1966The Rainmaker, Joseph Anthony, 1956Resurrecting Adam, Paul Schrader, 2008Rollerball, Norman Jewison, 1975The Rose Tattoo, Daniel Mann, 1955**The Secret Life of Walter Mitty, Norman Z. McLeod, 1947Separate Tables, Delbert Mann, 1958Seven Days in May, John Frankenheimer, 1964She-Devil, Susan Seidelman, 1989Shivers, David Cronenberg, 1975A Song Is Born, Howard Hawks, 1948Songs My Brothers Taught Me, Chloé Zhao, 2015Sorry, Wrong Number, Anatole Litvak, 1948Soylent Green, Richard Fleischer, 1973Sweet Smell of Success, Alexander Mackendrick ,1957The Swimmer, Frank Perry, 1968The Taste of Others, Agnès Jaoui, 2000Taxi Driver, Martin Scorsese, 1976The Terminal Man, Mike Hodges, 1974That Obscure Object of Desire, Luis Buñuel, 1977The Train, John Frankenheimer, 1964THX 1138, George Lucas, 1971Tristana, Luis Buñuel, 1970Two Friends, Jane Campion, 1986The Ultimate Warrior, Robert Clouse, 1975Until the End of the World, Wim Wenders, 1991Up In Arms, Elliott Nugent, 1944Urban Rashomon, Khalik Allah, 2013Westworld, Michael Crichton, 1973Wonder Man, H. Bruce Humberstone, 1945Z.P.G., Michael Campus, 1972**
― Miami weisse (WmC), Wednesday, 25 December 2019 13:17 (four years ago) link
for January obv
Shivers will always be They Came From Within to me.
― dan selzer, Wednesday, 25 December 2019 14:49 (four years ago) link
So weird, I just started watching Death Race 2000, and for the life of me I can't remember ever watching it, and yet I remember every minute of it, so I must have seen it before. Total out of body experience.
― Josh in Chicago, Thursday, 9 January 2020 23:56 (four years ago) link
Coming to the Criterion Channel in February
- Adaptation, Spike Jonze, 2002- Alphaville, Jean-Luc Godard, 1965- Atlantiques, Mati Diop, 2009- The Bad and the Beautiful, Vincente Minnelli, 1952- Band of Outsiders, Jean-Luc Godard, 1964**- The Beast, Samantha Nell and Michael Wahrmann, 2016- Big in Vietnam, Mati Diop, 2012- The Big Knife, Robert Aldrich, 1955- Birthright, Oscar Micheaux, 1939- The Blood of Jesus, Spencer Williams, 1941- Body and Soul, Oscar Micheaux, 1925- Britannia Hospital, Lindsay Anderson, 1982- The Bronze Buckaroo, Richard C. Kahn, 1939- Brother John, James Goldstone, 1971- Buck and the Preacher, Sidney Poitier, 1972- By Right of Birth, Harry A. Gant, 1921- La Chinoise, Jean-Luc Godard, 1967- Closely Watched Trains, Jiří Menzel, 1966- The Comfort of Strangers, Paul Schrader, 1990- Commandment Keeper Church, Beaufort South Carolina, May 1940, Zora Neale Hurston, 1940- Contempt, Jean-Luc Godard, 1963- Cry, the Beloved Country, Zoltán Korda, 1951- The Darktown Revue, Oscar Micheaux, 1931- Daughters of the Dust, Julie Dash, 1991- David Holzman’s Diary, Jim McBride, 1967- Day for Night, François Truffaut, 1973- The Day of the Locust, John Schlesinger, 1975- The Defiant Ones, Stanley Kramer, 1958- Dirty Gertie from Harlem USA, Spencer Williams, 1946- Duel at Diablo, Ralph Nelson, 1966- The Edge of Heaven, Fatih Akin, 2007**- Eleven P.M., Richard Maurice, 1928- The Exile, Oscar Micheau, 1931- Film Socialisme, Jean-Luc Godard, 2010- The Flying Ace, Richard E. Norman, 1926- Footlight Parade, Lloyd Bacon, 1933- For Ever Mozart, Jean-Luc Godard, 1996- Le gai savoir, Jean-Luc Godard, 1969- Gas Food Lodging, Allison Anders, 1992- The Girl from Chicago, Oscar Micheaux, 1932- Goodbye to Language, Jean-Luc Godard, 2014- The Graduate, Mike Nichols, 1967- The Grifters, Stephen Frears, 1990- Guess Who’s Coming to Dinner, Stanley Kramer, 1967- Hail Mary, Jean-Luc Godard, 1985- Heaven-Bound Travelers, James Gist and Eloyce Gist, 1935- Hell-Bound Train, James Gist and Eloyce Gist, 1930- Hollywood Shuffle, Robert Townsend, 1987- Hot Biskits, Spencer Williams, 1931- House of Games, David Mamet, 1987- If …., Lindsay Anderson, 1968- In the Heat of the Night, Norman Jewison, 1967- Invention for Destruction, Karel Zeman, 1958- Jason and the Argonauts, Don Chaffey, 1963- Lamb, Yared Zeleke, 2015- Liberian Boy, Mati Diop, 2015- Light Sleeper, Paul Schrader, 1992- Lilies of the Field, Ralph Nelson, 1963- Long Day’s Journey into Night, Bi Gan, 2018- Made in U.S.A, Jean-Luc Godard, 1966**- A Man for All Seasons, Fred Zinnemann, 1966- A Married Woman, Jean-Luc Godard, 1964- Mercy, the Mummy Mumbled, R.W. Phillips, 1918- Mustang, Deniz Gamze Ergüven, 2015**- The Naked Prey, Cornel Wilde, 1965- The Nun, Jacques Rivette, 1966- O Lucky Man!, Lindsay Anderson, 1973- The Official Story, Luis Puenzo, 1985- Paris Blues, Martin Ritt, 1961- Pierrot le fou, Jean-Luc Godard, 1965- A Place in the Sun, George Stevens, 1951- Pressure Point, Hubert Cornfield, 1962- A Raisin in the Sun, Daniel Petrie, 1961- A Reckless Rover, C.N. David, 1918- Red River, Howard Hawks, 1948- Regeneration, Richard E. Norman, 1923- Rev. S. S. Jones Home Movies, Reverend Solomon Sir Jones, 1924–1926- The Scar of Shame, Frank Peregini, 1929- The Shop on Main Street, Ján Kadár and Elmar Klos, 1965- The Slender Thread, Sydney Pollack, 1965- Some Like It Hot, Billy Wilder, 1959- Snow Canon, Mati Diop, 2011- Sunset Boulevard, Billy Wilder, 1950- The Symbol of the Unconquered: A Story of the KKK, Oscar Micheaux, 1920- Ten Minutes to Live, Oscar Micheaux, 1932- Ten Nights in a Bar Room, William A. O’Connor, 1931- The Image Book, Jean-Luc Godard, 2018- They Call Me Mister Tibbs!, Gordon Douglas, 1970- A Thousand Suns, Mati Diop, 2013- Tuesday, After Christmas, Radu Muntean, 2011- Tungrus, Rishi Chandna, 2017- Two Knights of Vaudeville, director unknown, 1915- Two Weeks in Another Town, Vincente Minnelli, 1962- Uptown Saturday Night, Sidney Poitier, 1974- Vanya on 42nd Street, Louis Malle, 1994- Veiled Aristocrats, Oscar Micheaux, 1932- Verdict Not Guilty, James Gist and Eloyce Gist, 1934- A Warm December, Sidney Poitier, 1973- Within Our Gates, Oscar Micheaux, 1920- A Woman is a Woman, Jean-Luc Godard, 1961- Zora Neale Hurston Fieldwork Footage, Zora Neale Hurtston, 1928
** U.S. only
― Miami weisse (WmC), Friday, 24 January 2020 17:23 (four years ago) link
Alphaville is by far the best 60s Godard movie
― flappy bird, Friday, 24 January 2020 23:42 (four years ago) link
Christ there's a ton of Godard on there, death notice?
― flappy bird, Friday, 24 January 2020 23:43 (four years ago) link
was wondering if they were going to add a bunch of Schrader flicks. Light Sleeper is one of my favorite '90s noirs, he's essentially mining his own previous scripts and turning in a real brooding NYC piece with lots of high-end cocaine atmosphere and terrific performances from everyone involved.
― omar little, Friday, 24 January 2020 23:49 (four years ago) link
*when rather than if, since he seems like a guy Criterion has taken an interest in a bit more lately.
would like to see LS get a nice blu-ray release, it had a DVD release years ago but it's probably not ideal.
― omar little, Friday, 24 January 2020 23:51 (four years ago) link
I'm a Criterion Channel person now! I've been making my way through the '70s Science Fiction list, which had a few entries I've wanted to see but never got around to
― babu frik fan account (mh), Saturday, 25 January 2020 01:03 (four years ago) link
Christ there's a ton of Godard on there, death notice?― flappy bird
― flappy bird
Between this, the Anna Karina retrospective at the Film Forum, and the Anna Karina retrospective on TCM, I feel like I'm drowning in Godard. I don't know where to turn because I've seen them all already. Maybe I'll check out Le petit soldat at the Film Forum, that's a relatively rare one.
― Josefa, Saturday, 25 January 2020 04:32 (four years ago) link
March additions:
$, Richard Brooks, 19713:10 to Yuma, Delmer Daves, 1957The Adventures of Baron Munchausen, Terry Gilliam, 1988The Anderson Tapes, Sidney Lumet, 1971Angels in the Outfield, Clarence Brown, 1951Arabian Nights, Pier Paolo Pasolini, 1974Art School Confidential, Terry Zwigoff, 2006Blackboard Jungle, Richard Brooks, 1955Bob & Carol & Ted & Alice, Paul Mazursky, 1969The Cabinet of Dr. Caligari, Robert Wiene, 1920Cactus Flower, Gene Saks, 1969Caniba, Lucien Castaing-Taylor and Véréna Paravel, 2017The Canterbury Tales, Pier Paolo Pasolini, 1972Counterfeit Kunkoo, Reema Sengupta, 2018Cover Girl, Charles Vidor, 1944Crumb, Terry Zwigoff, 1995The Cruz Brothers and Miss Malloy, Kathleen Collins, 1980A Dandy in Aspic, Anthony Mann, 1968The Daytrippers, Greg Mottola, 1996The Deadly Affair, Sidney Lumet, 1967The Decameron, Pier Paolo Pasolini, 1971Destiny, Fritz Lang, 1921Directed by Andrei Tarkovsky, Michal Leszczylowski, 1988Dr. Mabuse the Gambler, Fritz Lang, 1922Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb, Stanley Kubrick, 1964Edge of the City, Martin Ritt, 1957Fail Safe, Sidney Lumet, 1964Fly Away Home, Carroll Ballard, 1996The French Lieutenant’s Woman, Karel Reisz, 1981The Getaway, Sam Peckinpah, 1972Ghost World, Terry Zwigoff, 2001Gilda, Charles Vidor, 1946The Hands of Orlac, Robert Wiene, 1924The Hunger, Tony Scott, 1983His Girl Friday, Howard Hawks, 1940The Girl on the Train, André Téchiné, 2009**The Golem, Carl Boese and Paul Wegener, 1920In Cold Blood, Richard Brooks, 1967Kill the Umpire, Lloyd Bacon, 1950The Lady from Shanghai, Orson Welles, 1947The Last Picture Show, Peter Bogdanovich, 1971Leviathan, Lucien Castaing-Taylor and Véréna Paravel, 2012**Losing Ground, Kathleen Collins, 1982Mackenna’s Gold, J. Lee Thompson, 1969Metropolis, Fritz Lang, 1927Mississippi Mermaid, François Truffaut, 1969Nosferatu, F. W. Murnau, 1922Nostalghia, Andrei Tarkovsky, 1983Of Time and the City, Terence Davies, 2008**On My Way, Emmanuelle Bercot, 2013**On the Waterfront, Elia Kazan, 1954Only Angels Have Wings, Howard Hawks, 1939Orlando, Sally Potter, 1992The Out-of-Towners, Arthur Hiller, 1970Pal Joey, George Sidney, 1957Paper Moon, Peter Bogdanovich, 1973The Passenger, Michelangelo Antonioni, 1975**A Patch of Blue, Guy Green, 1965Repulsion, Roman Polanski, 1965The Sacrifice, Andrei Tarkovsky, 1986Safe, Todd Haynes, 1995The Skin, Liliana Cavani, 1981Stop Making Sense, Jonathan Demme, 1984Sweetgrass, Lucien Castaing-Taylor and Ilisa Barbash, 2009Take Me Out to the Ball Game, Busby Berkeley, 1949Targets, Peter Bogdanovich, 1968Too Late to Die Young, Dominga Sotomayor, 2018Varieté, Ewald André Dupont, 1925Vice and Virtue, Roger Vadim, 1963Would You Look at Her, Goran Stolevski, 2017You Were Never Lovelier, William A. Seiter, 1942You’ll Never Get Rich, Sidney Lanfield, 1941Young Sherlock Holmes, Barry Levinson, 1985
― Miami weisse (WmC), Saturday, 22 February 2020 14:43 (four years ago) link
I only just now noticed that they curate a selection for younger people every month.
― Josh in Chicago, Saturday, 22 February 2020 16:39 (four years ago) link
one previously mentioned by me upthread -- i rewatched Light Sleeper, since the version i own is a DVD w/a 1.33:1 aspect ratio versus the 1.85:1 it was filmed in. Looks incredible, and one of those films i try to recommend to ppl a lot as a great moody '90s noir and a cut above most if not all others in the genre for its really palpable sense of urban desolation and ennui, and the deglamorized emptiness of certain corners of the high-end lifestyle. it's extremely "1992" in fashion and even w/the brooding Michael Been music, which i know turns off a lot of people but for me you just gotta commit to the experience since i think it's a pretty immersive film and one unafraid of a certain awkwardness and naked emotionality, and that includes the music. The performances are all good to incredible, w/Dafoe and Sarandon falling into the latter camp, as well as some really remarkable supporting work in a couple small key roles from Jane Adams and Victor Garber.
― omar little, Monday, 24 February 2020 17:45 (four years ago) link
Anything expiring after today that I really need to see? (John Schlesinger, Lina Wertmüller, Jean-Pierre Melville, Bette Davis, William Wyler packages and a few other odds and ends)
― Miami weisse (WmC), Saturday, 29 February 2020 16:21 (four years ago) link
Most of the films expiring in a few hours appeared in September, according to post upthread.
― Something Super Stupid Cupid (James Redd and the Blecchs), Saturday, 29 February 2020 22:00 (four years ago) link
Melville's Le Cercle Rouge and le douls are great crime flics. I just watched Schlesinger's Honky Tonk Freeway. Not sure if I'd call it good. It's like Nashville by way Cadyshack.
― jbn, Saturday, 29 February 2020 22:43 (four years ago) link
Yeah, pretty much love every single Melville I’ve seen, might watch Le Circle Rouge before the chimes at midnight take it away.
― Something Super Stupid Cupid (James Redd and the Blecchs), Saturday, 29 February 2020 22:52 (four years ago) link
That and/or Barbara. Just sped-rewatched Jerichow, not sure if I can get to Yella. the films of CHRISTIAN PETZOLD
― Something Super Stupid Cupid (James Redd and the Blecchs), Saturday, 29 February 2020 22:56 (four years ago) link
I didn't care much for Yella, which I watched when the Petzold films first went up. I watched Wyler's The Letter this afternoon, and I think I'll go for Le doulos tonight.
― Miami weisse (WmC), Sunday, 1 March 2020 01:05 (four years ago) link
Surprising number of Melville’s - or Melvilles- survived the purge.
― Something Super Stupid Cupid (James Redd and the Blecchs), Sunday, 1 March 2020 15:41 (four years ago) link
I thought An Elephant Sitting Still was supposed to leave after January but it's still just sitting there.
― Miami weisse (WmC), Sunday, 1 March 2020 16:02 (four years ago) link
Army of Shadows is leaving this month, along with Shirley Clarke, Susan Seidelman and Danny Kaye, among others.
― Something Super Stupid Cupid (James Redd and the Blecchs), Sunday, 1 March 2020 21:12 (four years ago) link
― Miami weisse (WmC),
otm
― TikTok to the (Alfred, Lord Sotosyn), Sunday, 1 March 2020 21:14 (four years ago) link
But you like Barbara, I think, don’t you?
― Something Super Stupid Cupid (James Redd and the Blecchs), Sunday, 1 March 2020 21:16 (four years ago) link
He's uneven for me, but yes.
― TikTok to the (Alfred, Lord Sotosyn), Sunday, 1 March 2020 21:17 (four years ago) link
And Jerichow? Also, what about her, Nina Hoss?
― Something Super Stupid Cupid (James Redd and the Blecchs), Sunday, 1 March 2020 21:20 (four years ago) link
Not challenging you, just curious
― Something Super Stupid Cupid (James Redd and the Blecchs), Sunday, 1 March 2020 21:24 (four years ago) link
Barbara's my favorite, and Transit gripped me after a second viewing. Jerichow's good.
― TikTok to the (Alfred, Lord Sotosyn), Sunday, 1 March 2020 21:25 (four years ago) link
I skipped Jerichow. Of the ones I've seen, I'd rank Phoenix and Transit > Barbara >>>> Yella. I give Phoenix extra points for audacity -- the plot sounds totally ridiculous if I say it out loud, but he pulls it off.
― Miami weisse (WmC), Sunday, 1 March 2020 21:27 (four years ago) link
Mackenna's Gold is one of the worst movies I've seen on a Criterion-affiliated streamer. What a load of crap.
― Miami weisse (WmC), Tuesday, 3 March 2020 04:20 (four years ago) link
Mackenna's Gold was and remains a very successful film in India.[11] In India it remained the top Hollywood grosser in history until blockbusters like Jurassic Park and Titanic came along. Even worldwide hits such as Jaws and Star Wars would not make as much money in India as Mackenna's Gold did. The film went through countless re-runs until well into the 1980s and could be seen in cinema halls across India, including small venues in the medium-size towns of North and South India.[11]
― omar little, Wednesday, 4 March 2020 23:26 (four years ago) link
Complete list of films premiering on the Criterion Channel in April:
5 Against the House, Phil Karlson, 19558th Continent, Yorgos Zois, 2017The Adventures of Marco Polo, John Ford and Archie Mayo, 1938Affair in Trinidad, Vincent Sherman, 1952Alps, Yorgos Lanthimos, 2011**Anatomy of a Murder, Otto Preminger, 1959Angels Over Broadway, Ben Hecht and Lee Garmes, 1940Annie Hall, Woody Allen, 1977Arizona, Wesley Ruggles, 1940Ball of Fire, Howard Hawks, 1941The Big Heat, Fritz Lang, 1953Blind Alley, Charles Vidor, 1939Bonjour tristesse, Otto Preminger, 1958The Brothers Rico, Phil Karlson, 1957Bunny Lake Is Missing, Otto Preminger, 1965The Burglar, Paul Wendkos, 1957Captains Courageous, Victor Fleming, 1937The Cowboy and the Lady, H. C. Potter, 1938The Crimson Kimono, Samuel Fuller, 1959The Crossing Guard, Sean Penn, 1995Dead Reckoning, John Cromwell, 1947The Devil and Miss Jones, Sam Wood, 1941Dogtooth, Yorgos Lanthimos, 2009**Down to Earth, Alexander Hall, 1947Drive a Crooked Road, Richard Quine, 1954Ebirah, Horror of the Deep, Jun Fukuda, 1966Europa Europa, Agnieszka Holland, 1990Experiment in Terror, Blake Edwards, 1962The Ex-Mrs. Bradford, Stephen Roberts, 1936The Eyes of Laura Mars, Irvin Kershner, 1978A Farewell to Arms, Frank Borzage, 1932Fire at Sea, Gianfranco Rosi, 2016The Fits, Anna Rose Holmer, 2015The Fountainhead, King Vidor, 1949Foxy Brown, Jack Hill, 1974Friendly Persuasion, William Wyler, 1956Godzilla vs. Gigan, Jun Fukuda, 1972Godzilla vs. Hedorah, Yoshimitsu Banno, 1971Graduate First, Maurice Pialat, 1978The Hanging Tree, Delmer Daves, 1959The Harder They Fall, Mark Robson, 1956Here Comes Mr. Jordan, Alexander Hall, 1941Human Desire, Fritz Lang, 1954I Am Not a Witch, Rungano Nyoni, 2017**If You Could Only Cook, William A. Seiter, 1935The Impatient Years, Irving Cummings, 1944In a Lonely Place, Nicholas Ray, 1950Irma Vep, Olivier Assayas, 1996Johnny O’Clock, Robert Rossen, 1947Kinetta, Yorgos Lanthimos, 2005Klute, Alan J. Pakula, 1971Lilac Time, George Fitzmaurice, 1928The Lineup, Don Siegel, 1958Listen, Rungano Nyoni, Hamy Ramezan, 2014Little Lord Fauntleroy, John Cromwell, 1936Loulou, Maurice Pialat, 1980Love in the Afternoon, Billy Wilder, 1957Lured, Douglas Sirk, 1947Man of the West, Anthony Mann, 1958The Man Who Fell to Earth, Nicolas Roeg, 1976Mifune: The Last Samurai, Steven Okazaki, 2015The Mob, Robert Parrish, 1951The More the Merrier, George Stevens., 1943The Mouth Agape, Maurice Pialat, 1974Mr. Deeds Goes to Town, Frank Capra, 1936Mr. Smith Goes to Washington, Frank Capra, 1939Murder by Contract, Irving Lerner, 1958My Name Is Julia Ross, Joseph H. Lewis, 1945Nightfall, Jacques Tourneur, 1957Party Wire, Erle C. Kenton, 1935The Pawnbroker, Sidney Lumet, 1964Performance, Donald Cammell and Nicolas Roeg, 1970Pixote, Héctor Babenco, 1981Police, Maurice Pialat, 1985The Pride of the Yankees, Sam Wood, 1942Public Hero Number One, J. Walter Ruben, 1935Pushover, Richard Quine, 1954Raging Bull, Martin Scorsese, 1980The Real Glory, Henry Hathaway, 1939Red Sun, Terence Young, 1971Salome, William Dieterle, 1953A Scandal in Paris, Douglas Sirk, 1946The Scar, Krzysztof Kieslowski, 1976Shaft, Gordon Parks, 1971Shampoo, Warren Beatty, 1975Shockproof, Douglas Sirk, 1949Slightly French, Douglas Sirk, 1949The Small Back Room, Michael Powell, Emeric Pressburger, 1949The Sniper, Edward Dmytryk, 1952So Dark the Night, Joseph H. Lewis, 1946A Star Is Born, Frank Pierson, 1976Staying Vertical, Alain Guiraudie, 2016The Stranger, Orson Welles, 1946The Strawberry Blonde, Raoul Walsh, 1941The Talk of the Town, George Stevens, 1942Task Force, Delmer Daves, 1949Taxi, Jafar Panahi, 2015Thank God It’s Friday, Robert Klane, 1978This Is Not a Film, Jafar Panahi, 2011**Three Days of the Condor, Sydney Pollack, 1975Tight Spot, Phil Karlson, 1955The Two of Us, Claude Berri, 1967Under the Sun of Satan, Maurice Pialat, 1987Van Gogh, Maurice Pialat, 1991Vera Cruz, Robert Aldrich, 1954Wadjda, Haifaa al-Mansour, 2012**We Won’t Grow Old Together, Maurice Pialat, 1972The Wedding Night, King Vidor, 1935Welcome to L.A., Alan Rudolph, 1976The Westerner, William Wyler, 1940What’s Up, Doc?, Peter Bogdanovich, 1972Whirlpool, Roy William Neill, 1934The Whole Town’s Talking, John Ford, 1935The Winning of Barbara Worth, Henry King, 1926You Can’t Take It With You, Frank Capra, 1938**Available in the US only
― Miami weisse (WmC), Friday, 20 March 2020 22:11 (four years ago) link
The Eyes of Laura Mars, Irvin Kershner, 1978
siiiick
― Its big ball chunky time (Jimmy The Mod Awaits The Return Of His Beloved), Friday, 20 March 2020 22:27 (four years ago) link
They really blew it out for their first birthday. Looking forward to seeing Irma Vep, Kinetta, loads more.
― Miami weisse (WmC), Friday, 20 March 2020 22:40 (four years ago) link
Here's a facebook post with the April bundles -- https://www.facebook.com/groups/1089273201186971/permalink/2811169762330631/
Thought about C&Ping it but it's so long.
― Miami weisse (WmC), Friday, 20 March 2020 22:44 (four years ago) link
Pialat rules
― Hans Holbein (Chinchilla Volapük), Saturday, 21 March 2020 05:50 (four years ago) link
"the anderson tapes" is "...and introducing christopher walken" and i started cracking up because literally his first line in the movie is already the most christopher walken line-reading: https://www.youtube.com/watch?v=0xuDmxYJ1AM&feature=youtu.be
also the quincy jones scores are insane
― na (NA), Tuesday, 24 March 2020 19:32 (four years ago) link
This expanded line-up includes Phil Karlson's THE BROTHERS RICO, possibly the best gangster movie of the 1950s, an absolutely devastating performance by Richard Conte. https://t.co/GYXiGPYiJY— Peter Labuza (@labuzamovies) March 26, 2020
― brooklyn suicide cult (Dr Morbius), Friday, 27 March 2020 20:13 (four years ago) link
Cool! I love how a lot of Criterion stuff is just out there or available, but they make the effort to curate programming, which helps bring attention to stuff I might have missed or didn't know I wanted to see again. Like, say, "In a Lonely Place."
― Josh in Chicago, Friday, 27 March 2020 20:15 (four years ago) link
They're "no algorithms" the way Queen was "no synthesizers" in the 70s, and I appreciate that. Morbs, is that a recommendation from you for The Brothers Rico?
― Miami weisse (WmC), Friday, 27 March 2020 20:24 (four years ago) link
ive seen and liked it, yes
― brooklyn suicide cult (Dr Morbius), Friday, 27 March 2020 20:25 (four years ago) link
"an absolutely devastating performance by Richard Conte" is enough for me, if I had CC
― flappy bird, Saturday, 28 March 2020 04:24 (four years ago) link
James Darren, not so much
― brooklyn suicide cult (Dr Morbius), Saturday, 28 March 2020 06:21 (four years ago) link
I have a list of 6 movies I want to watch before they expire in 4 days, can I do it? The suspense.
― Miami weisse (WmC), Saturday, 28 March 2020 13:08 (four years ago) link
cough em up
― brooklyn suicide cult (Dr Morbius), Saturday, 28 March 2020 13:12 (four years ago) link
Day of the Locust, Light Sleeper, The Connection (Shirley Clarke), A Place in the Sun, From Here to Eternity, Patty Hearst -- rank 'em
― Miami weisse (WmC), Saturday, 28 March 2020 13:20 (four years ago) link
I just watched Sorry, Wrong Number as it's about to leave too--good stuff!
― rob, Saturday, 28 March 2020 14:09 (four years ago) link
If you all want to go full film snob experience:
https://www.youtube.com/watch?v=54JuDuxouqg
― Josh in Chicago, Saturday, 28 March 2020 23:49 (four years ago) link
have seen all those; love Day of the Locust (megabummer, of course)
― brooklyn suicide cult (Dr Morbius), Saturday, 28 March 2020 23:54 (four years ago) link
i'm unemployed and broke but this criterion channel thing is starting to look urgent and key
― never have i been a blue calm sea (collardio gelatinous), Sunday, 29 March 2020 04:36 (four years ago) link
$10 GC for the Criterion store:BTX6JD
― Greta Van Show Feets BB (milo z), Tuesday, 7 April 2020 22:06 (four years ago) link
The CC has 10 Pialat films (which is close to all of them I think). I've never seen a single one and don't have even a vague sense of where to start, any suggestions?
― rob, Saturday, 11 April 2020 14:16 (four years ago) link
Is Under the Sun of Satan the most acclaimed?
― Josh in Chicago, Saturday, 11 April 2020 14:18 (four years ago) link
Think so.
― Three Hundred Pounds of Almond Joy (James Redd and the Blecchs), Saturday, 11 April 2020 14:21 (four years ago) link
That one does appeal--I think I've really only ever seen the bad Depardieu
― rob, Saturday, 11 April 2020 14:30 (four years ago) link
I really loved We Won’t Grow Old Together but it was kicking me where i was hurting, and À Nos Amours.
― Fizzles, Saturday, 11 April 2020 14:41 (four years ago) link
Yeah reading more about his work, there's a strong possibility I will wimp out on watching any of these and watch, idk, Shampoo or something instead
― rob, Saturday, 11 April 2020 14:44 (four years ago) link
I signed up for a 2-week Criterion trial. I might keep it, but I really have to boot Amazon next month if so.
Pialat: I most prize A Nos Amour, Police, and Mouth Agape. Under the Sun of Satan was booed at Cannes, which doesn't mean much, but it's second-tier to me. Haven't seen Loulou in forever.
― brooklyn suicide cult (Dr Morbius), Saturday, 11 April 2020 17:11 (four years ago) link
also I remember thinking Graduate First was slept on
― brooklyn suicide cult (Dr Morbius), Saturday, 11 April 2020 17:17 (four years ago) link
signed up for this a week ago. already watched maybe 6 films (ok 7)? probably not a lot for some of you but way more than what i usually watch
l'atalante - 10 / 10. incredible. the old sailor has got to be one of my favorite characters / performances ever. super queer too.gilda. 6 / 10. weird cornball noir w psychosexual daddy issues. a lot of lol lines from rita hayworth.lady from shanghai. 6 / 10. was this heavily fucked with? very disjointed. weirdest courtroom scene / finale ever.elevator to the gallows. 8 / 10. seen it a bunch, always a treat.vanya on 42nd st. 7 / 10. used to love this, now i like it. still some very nice scenes.playtime. 9 / 10. genius, still don't get some of the humor though.foxy brown. 7 / 10. revenge flicks aren't my thing but this was pretty undeniable.
looking for recommendations for lighter fare i guess. interested in the rest of the 70s fashion collection. might watch the man who fell to earth next. have a boyfriend who's allergic to really syrupy romantic scores, we started watching a nicholas ray with humphrey bogart and the score was too much lol.
― i am a horse girl (map), Tuesday, 14 April 2020 00:37 (four years ago) link
i haven't seen any of the varda films and they're definitely on my list.
― i am a horse girl (map), Tuesday, 14 April 2020 00:39 (four years ago) link
That N Ray film is a masterwork, dude.
Playtime makes a lot more sense in a theater (in fact, I only ever watch it there).
Yeah, Welles said the studio cut almost an hour from TLfS. I still love it.
― brooklyn suicide cult (Dr Morbius), Tuesday, 14 April 2020 00:55 (four years ago) link
Michel Simon is the L'Atalante sailor (he was about 38). A standout in many Renoir films too.
― brooklyn suicide cult (Dr Morbius), Tuesday, 14 April 2020 00:58 (four years ago) link
i probably liked it more than 6 / 10 just for the chinatown scenes alone. lots of brilliance. it was just a little heavy handed and overripe for my mood i guess.
i'll watch the nicholas ray film at some point (i might have already seen it?)
xp ah ok, thank you
― i am a horse girl (map), Tuesday, 14 April 2020 01:01 (four years ago) link
thank you milo! (xp a dozen or so)
― never have i been a blue calm sea (collardio gelatinous), Tuesday, 14 April 2020 01:07 (four years ago) link
I just watched Au Hasard Balthazar. My heart hurts.
― never have i been a blue calm sea (collardio gelatinous), Tuesday, 14 April 2020 02:44 (four years ago) link
@map eyes of laura mars
― Its big ball chunky time (Jimmy The Mod Awaits The Return Of His Beloved), Tuesday, 14 April 2020 02:50 (four years ago) link
oh for fashion
cuz it sure is a bad movie
― brooklyn suicide cult (Dr Morbius), Tuesday, 14 April 2020 03:06 (four years ago) link
Yeah but it’s watchable
― Its big ball chunky time (Jimmy The Mod Awaits The Return Of His Beloved), Tuesday, 14 April 2020 03:23 (four years ago) link
Au hazard is too beautiful for this worldWe watched Ozu’s Good Morning tonight - cute!
― i am a horse girl (map), Tuesday, 14 April 2020 05:35 (four years ago) link
Eyes of Laura Mars is on my list
Just watched Man of the West for the first time -- rather more graphic than I expected.
― TikTok to the (Alfred, Lord Sotosyn), Tuesday, 14 April 2020 11:45 (four years ago) link
I watched a few Kieślowski shorts. Wanted to watch a feature but I knew I'd fall asleep in the middle. Ulysses, he was the Frederick Wiseman of Poland for a few years, if that's an enticement to you.
― WmC, Tuesday, 14 April 2020 13:19 (four years ago) link
I like some kieslowski!
― Fuck the NRA (ulysses), Tuesday, 14 April 2020 13:46 (four years ago) link
Morbs would appreciate how jazzed I am for a new Criterion series that includes not only Eyes of Laura Mars but also Thank God It’s Friday.
― Vegemite Is My Grrl (Eric H.), Tuesday, 14 April 2020 19:38 (four years ago) link
I watched A Dandy in Aspic tonight and need to internalize this new mantra: if I haven't ever heard of it before, it's probably shit.
― WmC, Wednesday, 15 April 2020 02:59 (four years ago) link
Or at least if it's full of famous hollywood names and I haven't heard of it, it's probably shit.
― WmC, Wednesday, 15 April 2020 03:01 (four years ago) link
Watched Man of the West. Anthony Mann's most violent film? I'd never Gary Cooper so...manic.
― TikTok to the (Alfred, Lord Sotosyn), Wednesday, 15 April 2020 10:25 (four years ago) link
yes E, I know you like glossy trash w/ bad music
― brooklyn suicide cult (Dr Morbius), Wednesday, 15 April 2020 11:13 (four years ago) link
Thank God It's Not Dylan
― Vegemite Is My Grrl (Eric H.), Wednesday, 15 April 2020 14:32 (four years ago) link
Coming to the channel in May:
The Age of Innocence, Martin Scorsese, 1993**Anamorphosis, Stephen Quay and Timothy Quay, 1991Anna Christie, Clarence Brown, 1930Around the World in 80 Days, Michael Anderson, 1956Audience, Barbara Hammer, 1982La belle noiseuse, Jacques Rivette, 1991Betty Tells Her Story, Liane Brandon, 1972The Big Country, William Wyler, 1958The Big House, George Hill, 1930Black Beauty, James Hill, 1971Bless Their Little Hearts, Billy Woodberry, 1983Blondie of the Follies, Edmund Goulding, 1932The Boy with Green Hair, Joseph Losey, 1948The Cabinet of Jan Švankmajer, Stephen Quay and Timothy Quay, 1984Cane River, Horace B. Jenkins, 1982Céline and Julie Go Boating, Jacques Rivette, 1974The Champ, King Vidor, 1931Children of the Century, Diane Kurys, 1999Chris and Bernie, Bonnie Friedman and Deborah Shaffer, 1976Clotheslines, Roberta Cantow, 1981The Cloud-Capped Star, Ritwik Ghatak, 1960The Comb, Stephen Quay and Timothy Quay, 1990Conversations with Intellectuals About Selena, Lourdes Portillo, 1999Cowboy, Delmer Daves, 1958Cynara, King Vidor, 1932Dinner at Eight, George Cukor, 1933**Down in the Delta, Maya Angelou, 1998Entre nous, Diane Kurys, 1983The Facts of Life, Melvin Frank, 1960The Fearless Hyena, Jackie Chan, 1979Fearless Hyena 2, Chan Chuen, 1983The Field, Sandhya Suri, 2018Forever’s Gonna Start Tonight, Eliza Hittman, 2011Friends with Money, Nicole Holofcener, 2006**Gloria, John Cassavetes, 1980Growing Up Female, Jim Klein, Julia Reichert, 1971Guerillère Talks, Vivienne Dick, 1978Half a Loaf of Kung Fu, Chen Chi-hwa, 1980Hero, Stephen Frears, 1992The Human Factor, Otto Preminger, 1979I Am Wanda, Katja Raganelli, 1980In a Year of 13 Moons, Rainer Werner Fassbinder, 1978In Absentia, Timothy Quay and Stephen Quay, 2000Inside Women Inside, Christine Choy and Cynthia Maurizio, 1978Investigation of a Citizen Above Suspicion, Elio Petri, 1970It Felt Like Love, Eliza Hittman, 2013It Happens to Us, Amalie R. Rothschild, 1972It’s a Mad, Mad, Mad, Mad World, Stanley Kramer, 1963Janie’s Janie, Geri Ashur, 1971Joyce at 34, Joyce Chopra, 1972Land Makar, Margaret Tait, 1981The Limey, Steven Soderbergh, 1999Little Fugitive, Morris Engel, Ruth Orkin, and Raymond Abrashkin, 1953Lovely & Amazing, Nicole Holofcener, 2001Loves of a Blonde, Miloš Forman, 1965The Man with the Golden Arm, Otto Preminger, 1955Martha, Rainer Werner Fassbinder, 1974Mimi, Claire Simon, 2002 Min and Bill, George Hill, 1930The Mirror, Jafar Panahi, 1997Mulholland Dr., David Lynch, 2001My Lucky Stars, Sammo Hung, 1985Home Movie, Chantal Akerman, 2015Ocean’s 11, Lewis Milestone, 1960Peppermint Soda, Diane Kurys, 1977The Phantom Museum, Stephen Quay and Timothy Quay, 2003Phase IV, Saul Bass, 1974Please Give, Nicole Holofcener, 2010**Privilege, Yvonne Rainer, 1990Rebels of the Neon God, Tsai Ming-liang, 1992Rehearsals for Extinct Anatomies, Timothy Quay and Stephen Quay, 1987Riffraff, J. Walter Ruben, 1936The Salt Mines, Susana Aikin and Carlos Aparicio, 1990The Scarlet Letter, Victor Sjöström, 1926Second Cousins Once Removed, Eliza Hittman, 2010Seconds, John Frankenheimer, 1966Secrets, Frank Borzage, 1933Shakedown, Leilah Weinraub, 2018Sidewalk Stories, Charles Lane, 1989Soft Fiction, Chick Strand, 1979Something Wild, Jack Garfein, 1961Spiritual Kung Fu, Lo Wei, 1978Stella Dallas, Henry King, 1925Stella Dallas, King Vidor, 1937Stille Nacht I: Dramolet, Stephen Quay and Timothy Quay, 1988Stille Nacht III: Tales from the Vienna Woods, Stephen Quay and Timothy Quay, 1992Stille Nacht IV: Can’t Go Wrong Without You, Stephen Quay and Timothy Quay, 1993Storm Center, Daniel Taradash, 1956Stray Dogs, Tsai Ming-liang, 2013Street of Crocodiles, Stephen Quay and Timothy Quay, 1986Suzanne, Suzanne, Camille Billops and James Hatch, 1982Their Own Desire, E. Mason Hopper, 1929The Third Generation, Rainer Werner Fassbinder, 1979The Ties That Bind, Su Friedrich, 1985The Transformation, Susana Aikin and Carlos Aparicio, 1995Tremors, Dawid Bodzak, 2018Unknown Pleasures, Jia Zhangke, 2002This Unnameable Little Broom, Stephen Quay, Timothy Quay, and Keith Griffiths, 1985Walk on the Wild Side, Edward Dmytryk, 1962The Wayward Cloud, Tsai Ming-liang, 2005**The Wind, Victor Sjöström, 1928Without Lying Down: Frances Marion and the Power of Women in Hollywood, Bridget Terry, 2000The World, Jia Zhangke, 2004The Young Master, Jackie Chan, 1980Yudie, Mirra Bank, 1974
― herds of unmasked cletuses (WmC), Friday, 24 April 2020 13:37 (three years ago) link
That should be No Home Movie by Akerman.
― herds of unmasked cletuses (WmC), Friday, 24 April 2020 13:38 (three years ago) link
Good timing on No Home Movie!
― Vegemite Is My Grrl (Eric H.), Friday, 24 April 2020 13:51 (three years ago) link
Bros Quay!
― silby, Friday, 24 April 2020 14:16 (three years ago) link
Stephen Quay and Timothy Quay! (as i've never seen them refered to as)
― koogs, Friday, 24 April 2020 14:30 (three years ago) link
Chantal Akerman getting a Criterion Channel spotlight in June, including her hard-to-come-by musical GOLDEN EIGHTIES, which I’ve only seen sans subs pic.twitter.com/3TproQHd6Z— Scott Nye (@railoftomorrow) May 20, 2020
― Vegemite Is My Grrl (Eric H.), Wednesday, 20 May 2020 19:49 (three years ago) link
🚨 ORIGINAL CAST ALBUM: "COMPANY" coming to Criterion Channel in June 🚨 pic.twitter.com/jWGps6rnKU— Marshall Shaffer (@media_marshall) May 20, 2020
― Vegemite Is My Grrl (Eric H.), Wednesday, 20 May 2020 20:07 (three years ago) link
https://thefilmstage.com/the-criterion-channels-june-lineup-features-chantal-akerman-early-scorsese-mike-leigh-more/
Alice, Jan Švankmajer, 1988All or Nothing, Mike Leigh, 2002Almayer’s Folly, Chantal Akerman, 2011American Boy: A Profile of Steven Prince, Martin Scorsese, 1978And When I Die, I Won’t Stay Dead, Billy Woodberry, 2015Another Country, Marek Kanievska, 1984Another Year, Mike Leigh, 2010**Anybody’s Woman, Bette Gordon, 1981Artie Shaw’s Class in Swing, Leslie M. Roush, 1939The Big Shave, Martin Scorsese, 1967Black and Tan, Dudley Murphy, 1929Black Peter, Miloš Forman, 1964Born Free, James Hill, 1966A Bundle of Blues, Fred Waller, 1933But I’m a Cheerleader, Jamie Babbit, 1999Cab Calloway’s Hi-De-Ho, Fred Waller, 1934Call Your Father, Jordan Firstman, 2016La captive, Chantal Akerman, 2000Chantal Akerman by Chantal Akerman, Chantal Akerman, 1997Columbus, Kogonada, 2017**The Count of Monte Cristo, Rowland V. Lee, 1934Death in Venice, Luchino Visconti, 1971Dirt Daughter, Marnie Ellen Hertzler, 2019Down There, Chantal Akerman, 2006Empty Suitcases, Bette Gordon, 1980The Eyes of Orson Welles, Mark Cousins, 2018From the East, Chantal Akerman, 1993From the Other Side, Chantal Akerman, 2002Golden Eighties, Chantal Akerman, 1986Grand Prix, John Frankenheimer, 1966Greetings from Africa, Cheryl Dunye, 1996Happy-Go-Lucky, Mike Leigh, 2008Histoires d’Amérique: Food, Family and Philosophy, Chantal Akerman, 1989Hoagy Carmichael, Leslie M. Roush, 1939 Husbands, John Cassavetes, 1970I Surrender Dear, Mack Sennett, 1931I-94, Bette Gordon and James Benning, 1974Intimate Lighting, Ivan Passer, 1965Into the West, Mike Newell, 1992It’s Not Just You, Murray!, Martin Scorsese, 1964Italianamerican, Martin Scorsese, 1974Janine, Cheryl Dunye, 1990The Living End, Gregg Araki, 1992Loves of a Blonde, Miloš Forman, 1965Luminous Motion, Bette Gordon, 1998Mafioso, Alberto Lattuada, 1962Maurice, James Ivory, 1987Michigan Avenue, Bette Gordon and James Benning, 1973Museum Hours, Jem Cohen, 2012My Beautiful Laundrette, Stephen Frears, 1985My Own Private Idaho, Gus Van Sant, 1991Mysterious Skin, Gregg Araki, 2004Olivia, Jacqueline Audry, 1951One Day Pina Asked . . . , Chantal Akerman, 1983Original Cast Album: “Company,” D. A. Pennebaker, 1970The Owls, Cheryl Dunye, 2010Parting Glances, Bill Sherwood, 1986The Potluck and the Passion, Cheryl Dunye, 1993Red Road, Andrea Arnold, 2006The Red Tree, Paul Rowley, 2018A Rhapsody in Black and Blue, Aubrey Scotto, 1932Rumble: The Indians Who Rocked the World, Catherine Bainbridge and Alfonso Maiorana, 2017Sergeant York, Howard Hawks, 1941She Don’t Fade, Cheryl Dunye, 1991Sing, Bing, Sing, Babe Stafford, 1933South, Chantal Akerman, 1999Spellbound, Jeffrey Blitz, 2002St. Louis Blues, Dudley Murphy, 1929 Symphony in Black: A Rhapsody of Negro Life, Fred Waller, 1935Synonyms, Nadav Lapid, 2019Tarnation, Jonathan Caouette, 2003Totally F***ed Up, Gregg Araki, 1993The United States of America, Bette Gordon and James Benning, 1975An Untitled Portrait, Charyl Dunye, 1993Vanilla Sex, Cheryl Dunye, 1992Variety, Bette Gordon, 1983**Vera Drake, Mike Leigh, 2004The Watermelon Woman, Cheryl Dunye, 1996West Side Story, Robert Wise, Jerome Robbins, 1961What’s a Nice Girl Like You Doing in a Place Like This?, Martin Scorsese, 1963Zombi Child, Bertrand Bonello, 2019
― Vegemite Is My Grrl (Eric H.), Wednesday, 20 May 2020 23:20 (three years ago) link
I'm excited about the Akerman collection. A lot of those were in a collection on Filmstruck and I didn't manage to watch them all. Now I can get caught up and then some.
― herds of unmasked cletuses (WmC), Thursday, 21 May 2020 00:05 (three years ago) link
Looking forward to seeing the Akerman films on the Criterion Channel, I haven't seen any of them
― Dan S, Thursday, 21 May 2020 00:09 (three years ago) link
Just did a Targets rewatch. Quite something.
― Ned Raggett, Thursday, 21 May 2020 00:21 (three years ago) link
(the newly added Akerman films)
noticed that Synonyms is on that list, would recommend it
― Dan S, Thursday, 21 May 2020 00:33 (three years ago) link
looking forward to seeing Zombi Child
I like some of that guy's other stuff.
― Spocks on the Run (James Redd and the Blecchs), Thursday, 21 May 2020 00:37 (three years ago) link
in Synonyms Tom Mercier is both really relatable and strange/unknowable, I think it’s one of the more interesting first-time performances I have seen
― Dan S, Thursday, 21 May 2020 00:55 (three years ago) link
I don't listen to many commentary tracks because I don't make a lot of time to rewatch films, but the commentary for The Limey is interesting and hilarious, with screenwriter Lem Dobbs grousing at Soderbergh's choices of what to cut from his script, and Soderbergh mostly just taking it, occasionally pushing back.
― herds of unmasked cletuses (WmC), Saturday, 23 May 2020 20:37 (three years ago) link
anyone experienced/solved this? watched Anna Christie yesterday, can't see shit today! It sucks. Keep it simple, i'm a moron here.
https://gizmodo.com/the-criterion-channel-should-be-my-favorite-streaming-p-1834150845
― brooklyn suicide cult (Dr Morbius), Wednesday, 27 May 2020 18:42 (three years ago) link
I've had a good experience with the iOS app. I think it has better developer support than some of the other stuff they're doing.
― reggae mike love (polyphonic), Wednesday, 27 May 2020 18:47 (three years ago) link
Limey commentary is a true classic of the form
― turn the jawhatthefuckever on (One Eye Open), Wednesday, 27 May 2020 18:52 (three years ago) link
Morbs, are you watching on a browser window, or on a tv with a streaming device like Roku or Apple TV? Need some more details. Thanks to HDCP Chrome on Mac won't work for playback, but Safari works fine.
― Irritable Baal (WmC), Wednesday, 27 May 2020 18:57 (three years ago) link
I'm also having trouble! Glad I wasn't alone.
I use Chrome on my Dell laptop.
― TikTok to the (Alfred, Lord Sotosyn), Wednesday, 27 May 2020 19:03 (three years ago) link
Just checked the Criterion Channel facebook group and apparently this is cropping up for a number of users. Alfred, do you watch on the laptop screen or push the video to a tv with an HDMI cable? It seems the cable and the tv have to be HDCP-compliant.
― Irritable Baal (WmC), Wednesday, 27 May 2020 19:17 (three years ago) link
I push the video to a TV from a laptop, and it will only work if I set the remote to the applicable option. Even if the connection is plugged in, Criterion won't play the film if I have the remote set to TV or DVD.
― clemenza, Wednesday, 27 May 2020 19:21 (three years ago) link
Normally I plug the laptop into the TV with an HDMI cable, but the streaming ain't working on laptop-only either.
― TikTok to the (Alfred, Lord Sotosyn), Wednesday, 27 May 2020 19:21 (three years ago) link
TV aint an option in the hospital.
― brooklyn suicide cult (Dr Morbius), Wednesday, 27 May 2020 21:37 (three years ago) link
ie keep it simpler
im quitting if this doesn't resolve in 4 days
― brooklyn suicide cult (Dr Morbius), Wednesday, 27 May 2020 21:51 (three years ago) link
If you haven’t already, definitely try using a different browser
― dip to dup (rob), Wednesday, 27 May 2020 22:07 (three years ago) link
^^^
― Irritable Baal (WmC), Wednesday, 27 May 2020 22:46 (three years ago) link
different from...?
― brooklyn suicide cult (Dr Morbius), Wednesday, 27 May 2020 23:04 (three years ago) link
Different from whatever browser you're using.
― Irritable Baal (WmC), Wednesday, 27 May 2020 23:46 (three years ago) link
Morbs, do you know what the program you use to access the web is called? Might be Chrome, Edge, Safari, Internet Explorer, Firefox ...
― lukas, Thursday, 28 May 2020 01:33 (three years ago) link
Chrome - https://www.google.com/chrome/Firefox - https://www.mozilla.org/en-US/firefox/new/Opera - https://www.opera.com/
― Fuck the NRA (ulysses), Thursday, 28 May 2020 02:32 (three years ago) link
All free and fairly easy to get running if you have a few minutes.
I just got it to run on IE.
Anyone caught the first Maren Ade feature?
https://www.criterionchannel.com/leaving-may-31/videos/the-forest-for-the-trees
― brooklyn suicide cult (Dr Morbius), Friday, 29 May 2020 15:26 (three years ago) link
Yes, it's very good! Funny and sad, all about loneliness, I really enjoyed it
― Piven After Midnight (The Yellow Kid), Friday, 29 May 2020 16:03 (three years ago) link
I am stoked as fuuuuck abt this Cheryl Dunye program, everyone should watch The Watermelon Woman
― vision joanna newsom (Stevie D(eux)), Friday, 29 May 2020 17:18 (three years ago) link
I downloaded Firefox and it's fine. I'd wanted to avoid downloading another browser.
― TikTok to the (Alfred, Lord Sotosyn), Friday, 29 May 2020 17:19 (three years ago) link
July titles:
12 O’Clock Boys, Lotfy Nathan, 20135x2, François Ozon, 2004The Adjuster, Atom Egoyan, 1991Adoration, Atom Egoyan, 2008**The Amateurist, Miranda July, 1998Arizona Dream, Emir Kusturica, 1993Attenberg, Athina Rachel Tsangari, 2010Barbarella, Roger Vadim, 1968Between the Lines, Joan Micklin SilverThe Big Combo, Joseph H. Lewis, 1955The Bigamist, Ida Lupino, 1953Blood on the Moon, Robert Wise, 1948Born in Flames, Lizzie Borden, 1983The Bowery, Sara Driver, 1994Bullitt, Peter Yates, 1968Calendar, Atom Egoyan, 1993California Suite, Herbert Ross, 1978California Typewriter, Doug Nichol, 2016Cat on a Hot Tin Roof, Richard Brooks, 1958Certain Women, Kelly Reichardt, 2016Come Back, Little Sheba, Daniel Mann, 1952Contemporary Color, Bill Ross IV and Turner Ross, 2016Day of the Outlaw, André De Toth, 1959Dear Mom, Tammy Rae Carland, 1995A Dry White Season, Euzhan Palcy, 1989Exotica, Atom Egoyan, 1994Family Viewing, Atom Egoyan, 1987**Fit Model, Myna Joseph, 2019Fun with Dick and Jane, Ted Kotcheff, 1977The Future, Miranda July, 2011Gigi (from 9 to 5), Joanne Nucho, 2001Gohatto, Nagisa Oshima, 1999Gun Crazy, Joseph H. Lewis, 1950The Handmaid’s Tale, Volker Schlöndorff, 1990Hawai, Ximena Cuevas, 1999High Heels, Pedro Almodóvar, 1991Hollywood Shuffle, Robert Townsend, 1987Infinite Football, Corneliu Porumboiu, 2018Joanie 4 Jackie: A Quick Overview, Shauna McGarry, 2008Kramer vs. Kramer, Robert Benton, 1979Last House on the Left, Wes Craven, 1972Lenny Cooke, Josh and Benny Safdie, 2013La Llorona, Stephanie Saint Sanchez, 2003Love Is the Devil: Study for a Portrait of Francis Bacon, John Maybury, 1998**Lust for Gold, S. Sylvan Simon, 1949Mad Hot Ballroom, Marilyn Agrelo, 2005Man with the Gun, Richard Wilson, 1955Me and You and Everyone We Know, Miranda July, 2005Miss Annie Rooney, Edwin L. Marin, 1942My Twentieth Century, Ildikó Enyedi, 1989The Naked Spur, Anthony Mann, 1953Nest of Tens, Miranda July, 2000Next of Kin, Atom Egoyan, 1984**No Place Like Home #1 and #2, Karen Yasinsky, 1999Nostalgia for the Light, Patricio Guzmán, 2010Ophelia’s Opera, Abiola Abrams, 2001Pillars, Haley Elizabeth Anderson, 2020Rancho Notorious, Fritz Lang, 1952Ryuichi Sakamoto: Coda, Stephen Nomura Schible, 2017A Separation, Asghar Farhadi, 2011Shadow Animals, Jerry Carlsson, 2017The Sheltering Sky, Bernardo Bertolucci, 1990Sleepwalk, Sara Driver, 1986The Slow Escape, Sativa Peterson, 1998Soleil Ô, Med Hondo, 1967Speaking Parts, Atom Egoyan, 1989**Station West, Sidney Lanfield, 1948The Squid and the Whale, Noah Baumbach, 2005**The Sweet Hereafter, Atom Egoyan, 1997Tchoupitoulas, Bill Ross IV, Turner Ross, 2012Tony Takitani, Jun Ichikawa, 2004Transeltown, Myra Paci, 1992untitled video, Sujin Lee, 2013 (?)The Violent Men, Rudolph Maté, 1955The Walking Hills, John Sturges, 1949When Pigs Fly, Sara Driver, 1993The White Balloon, Jafar Panahi, 1995Who’s Afraid of Virginia Woolf?, Mike Nichols, 1966Women Without Men, Shirin Neshat, 2009You Are Not I, Sara Driver, 1981Young Ahmed, Jean-Pierre Dardenne, Luc Dardenne, 2019**
― Irritable Baal (WmC), Friday, 26 June 2020 15:55 (three years ago) link
Whoever somewhere that one time was saying they'd never seen any Atom Egoyan ... now's your chance!
― Josh in Chicago, Friday, 26 June 2020 15:58 (three years ago) link
The Naked Spur rocks.
Always more interested in what titles are leaving at the end of the month, tbh, as those are more likely to direct my immediate viewing.
― A White, White Gay (cryptosicko), Friday, 26 June 2020 17:27 (three years ago) link
I recently saw "Man of the West" and did not dig it, so wary of wading back into Mann westerns.
― Josh in Chicago, Friday, 26 June 2020 17:48 (three years ago) link
the leaving-June-30 list is nuts! so overwhelming I only managed to watch Foxy Brown lol
― rob, Friday, 26 June 2020 18:13 (three years ago) link
Was just looking at it, trying to get a handle on it. Lots on Luis Buñuel and Jean Arthur.
― Two Spocks Clash (James Redd and the Blecchs), Sunday, 28 June 2020 01:59 (three years ago) link
Douglas Sirk, Fritz Lang, Jane Campion, LQ Jones, Saul Bass,...Tom, delete the Criterion Channel now, please!
― Two Spocks Clash (James Redd and the Blecchs), Sunday, 28 June 2020 02:09 (three years ago) link
Godard going away after this month.
― Lipstick O.G. (James Redd and the Blecchs), Sunday, 5 July 2020 21:01 (three years ago) link
...sort of like he did at the end of Faces/Places?
finally caught up with Between the Lines today, which had a little too much Stephen Collins and Bruno Kirby, but all those early Joan Micklin Silver films are good.
― brooklyn suicide cult (Dr Morbius), Sunday, 5 July 2020 22:48 (three years ago) link
wait a minute, Redd, i only see 3 JLG films listed as leaving out of the 26 they currently host.
― brooklyn suicide cult (Dr Morbius), Sunday, 5 July 2020 22:55 (three years ago) link
I'm glad you have the Channel now, Morbs, I always figured you'd find it a great service if/when you finally got it.
Watched Blood on the Moon last night, Akerman's D'Est today...still trying to decide what to watch tonight.
xp under the Leaving July 31 tab I see 14 JLGs... https://www.criterionchannel.com/leaving-july-31
― Irritable Baal (WmC), Sunday, 5 July 2020 23:02 (three years ago) link
The rubrics for Directed by Jean-Luc Godard says 22 films in the collection but maybe some already went away.
― Lipstick O.G. (James Redd and the Blecchs), Monday, 6 July 2020 00:14 (three years ago) link
Oh looks like all twenty two are there.
― Lipstick O.G. (James Redd and the Blecchs), Monday, 6 July 2020 00:19 (three years ago) link
A Walk on the Wild Side, which was part of a Saul Bass series also going away, with music by Mack David - Happy Birthday!- and Elmer Bernstein.
― Lipstick O.G. (James Redd and the Blecchs), Monday, 6 July 2020 00:25 (three years ago) link
well i've seen all on there cept Le Gai Savoir. xp
― brooklyn suicide cult (Dr Morbius), Monday, 6 July 2020 01:28 (three years ago) link
August titles:
25 Ways to Quit Smoking, Bill Plympton, 1989 The 5,000 Fingers of Dr. T, Roy Rowland, 1953 The Angel Levine, Ján Kadár, 1970 Any Number Can Win, Henri Verneuil, 1963 Bacurau, Kleber Mendonça Filho and Juliano Dornelles, 2019Brazil, Terry Gilliam, 1985 The Chant of Jimmie Blacksmith, Fred Schepisi, 1978 Cheatin’, Bill Plympton, 2013 Comic Book Confidential, Ron Mann, 1988 The Cow Who Wanted to Be a Hamburger, Bill Plympton, 2010 Criss Cross, Robert Siodmak, 1949 Cutaway, Kazik Radwanski, 2014 The Deep, Peter Yates, 1977 Devil’s Doorway, Anthony Mann, 1950 The Devil’s Playground, Fred Schepisi, 1976 Don’s Party, Bruce Beresford, 1976 Exporting Raymond, Phil Rosenthal, 2010 The Fan and the Flower, Bill Plympton, 2005 Father of My Children, Mia Hansen-Løve, 2009 Un flic, Jean-Pierre Melville, 1972 Gallipoli, Peter Weir, 1981 Ganja & Hess, Bill Gunn, 1973 The Getting of Wisdom, Bruce Beresford, 1977 The Girl on a Motorcycle, Jack Cardiff, 1968 Goodbye First Love, Mia Hansen-Løve, 2011 Guard Dog, Bill Plympton, 2004 Guide Dog, Bill Plympton, 2006 Hair High, Bill Plympton, 2004 Henry Gamble’s Birthday Party, Stephen Cone, 2015 Horn Dog, Bill Plympton, 2009 Hot Dog, Bill Plympton, 2008 How to Kiss, Bill Plympton, 1988 How to Make Love to a Woman, Bill Plympton, 1996 I Married a Strange Person!, Bill Plympton, 1997 Idiots and Angels, Bill Plympton, 2008 Imagine the Sound, Ron Mann, 1981 John McEnroe: In the Realm of Perfection, Julien Faraut, 2018 The Killers, Robert Siodmak, 1946 Kings Row, Sam Wood, 1942 Le cercle rouge, Jean-Pierre Melville, 1970 The Little Prince, Stanley Donen, 1974 The Lonedale Operator, Michael Almereyda, 2018 Long Weekend, Colin Eggleston, 1978 Mad Max, George Miller, 1979 The Magnificent Ambersons, Orson Welles, 1942 Money Movers, Bruce Beresford, 1978 Mr. Klein, Joseph Losey, 1976 Mutant Aliens, Bill Plympton, 2001 Mynarski Death Plummet, Matthew Rankin, 2014 Newsfront, Phillip Noyce, 1978 Once a Thief, Ralph Nelson, 1965 One of Those Days, Bill Plympton, 1988 Only Angels Have Wings, Howard Hawks, 1939 Personal Problems, Bill Gunn, 1980 Phantom Lady, Robert Siodmak, 1944 Poetry in Motion, Ron Mann, 1982 Princess Cyd, Stephen Cone, 2017 Puberty Blues, Bruce Beresford, 1981 Push Comes to Shove, Bill Plympton, 1991 Revengeance, Bill Plympton and Jim Lujan, 2016 Rocco and His Brothers, Luchino Visconti, 1960 Santa, the Fascist Years, Bill Plympton, 2008 The Secret Garden, Fred M. Wilcox, 1949 Sex and Violence, Bill Plympton, 1997 Sightseers, Ben Wheatley, 2012** Starstruck, Gillian Armstrong, 1982 Storm Boy, Henri Safran, 1976 Sullivan’s Travels, Preston Sturges, 1941 Sunday Too Far Away, Ken Hannam, 1975 Sun Don’t Shine, Amy Seimetz, 2012 Things to Come, Mia Hansen-Løve, 2016 The Tune, Bill Plympton, 1992 Twist, Ron Mann, 1992 Unrelated, Joanna Hogg, 2007 Voices of Kidnapping, Ryan McKenna, 2017 The Widow Couderc, Pierre Granier-Deferre, 1971 The Wise Kids, Stephen Cone, 2011 The Wiseman, Bill Plympton, 1991 The Year of Living Dangerously, Peter Weir, 1982 Your Face, Bill Plympton, 1987
Excited to see that Plympton package.
― Irritable Baal (WmC), Friday, 24 July 2020 16:36 (three years ago) link
I assume there must be an "Australian New Wave" August category or something similar.
What is the context of "The Deep" on here?
― Josh in Chicago, Friday, 24 July 2020 16:42 (three years ago) link
adding a Peter Yates film every month?
― brooklyn suicide cult (Dr Morbius), Saturday, 25 July 2020 01:08 (three years ago) link
The CC runs only the butchered US cut of Arizona Dream. Why bother?
― brooklyn suicide cult (Dr Morbius), Saturday, 1 August 2020 17:32 (three years ago) link
https://vhx.imgix.net/criterionchannelchartersu/assets/621ecb9d-9034-4be4-9646-5fa345dad6be-c459e9f7.jpg
It came from a land down under . . . From the early seventies through the mideighties, a resurgence of government funding for national film production gave birth to a generation of brave, unconventional new voices who made Australia the home to a brief but bright-burning cinematic renaissance. Among the filmmakers who emerged from this artistic flowering were pivotal figures like Peter Weir, George Miller, Gillian Armstrong, Bruce Beresford, Fred Schepisi, and Phillip Noyce, many of whom went on to successful international careers. Encompassing subversive visions of Australian history (PICNIC AT HANGING ROCK, MY BRILLIANT CAREER), dystopian science-fiction cult classics (MAD MAX, THE CARS THAT ATE PARIS), groundbreaking coming-of-age dramas (THE DEVIL’S PLAYGROUND, PUBERTY BLUES), and beyond, these formally bold, thematically provocative films delved into the intricacies of Australian society and identity with newfound fearlessness. Among their most urgent concerns was for the country’s relationship to and mistreatment of its Indigenous people, as seen in works like THE CHANT OF JIMMIE BLACKSMITH, WALKABOUT, STORM BOY, and THE LAST WAVE, the last three of which all star legendary Aboriginal actor David Gulpilil, who stands as one of the movement’s most enduring faces.
Burn the royal family for warmth, leave their heads on pikes.
― Steppin' RZA (sic), Saturday, 1 August 2020 19:08 (three years ago) link
I can't find Phantom Lady from the list above.... That was one I was hoping to revisit.
― eatandoph (Neue Jesse Schule), Sunday, 2 August 2020 00:39 (three years ago) link
Not every title lands on the 1st
― rob, Sunday, 2 August 2020 00:56 (three years ago) link
I don't have a text list, but here's a Letterboxd list of the September titles, including Sátántangó.
https://letterboxd.com/chrissweet1967/list/filmlist:12274787/detail/by/name/
― Scampos Runamuck (WmC), Tuesday, 25 August 2020 21:35 (three years ago) link
I'm still far more likely to rewatch all the Albert Brooks films than I am to give Sátántangó a go, frankly.
― A White, White Gay (cryptosicko), Tuesday, 25 August 2020 23:47 (three years ago) link
Sátántangó is worth watching though, even if in increments
am looking forward to seeing Miguel Gomes' Tabu
― Dan S, Tuesday, 25 August 2020 23:56 (three years ago) link
finally watched Elmer Gantry tonight, I liked it but mainly for Burt Lancaster's role
― Dan S, Saturday, 29 August 2020 23:38 (three years ago) link
October titles:
100 Boyfriends Mixtape, Brontez Purnell, 2016575 Castro St., Jenni Olson, 2008The 7th Voyage of Sinbad, Nathan Juran, 1958Above Suspicion, Richard Thorpe, 1943Abuse of Weakness, Catherine Breillat, 2013**Affirmations, Marlon Riggs, 1990American Dream, Barbara Kopple, Cathy Caplan, Thomas Haneke, Lawrence Silk, 1990Anthem, Marlon Riggs, 1991Autumn Leaves, Robert Aldrich, 1956Barking Dogs Never Bite, Bong Joon Ho, 2000**The Best Man, Franklin J. Schaffner, 1964Beware! The Blob, Larry Hagman, 1972Black Christmas, Bob Clark, 1974Black Is . . . Black Ain’t, Marlon Riggs, 1994Blue Diary, Jenni Olson, 1998Bluebeard, Catherine Breillat, 2009**Buck Privates, Arthur Lubin, 1941Caché, Michael Haneke, 2005Casa de lava, Pedro Costa, 1994Cat People, Jacques Tourneur, 1942Christine, Antonio Campos, 2016Color Adjustment, Marlon Riggs, 1992Coma, Michael Crichton, 1978The Crazies, George A. Romero, 1973Crying Fist, Ryoo Seung-wan, 2005The Damned Don’t Cry, Vincent Sherman, 1950Dancing Lady, Robert Z. Leonard, 1933Date With Dizzy, John Hubley, 1958Daughters of Darkness, Harry Kümel, 1971Dear Zachary: A Letter to a Son About His Father, Kurt Kuenne, 2008Death Line, Gary Sherman, 1972Deathdream, Bob Clark, 1974The Devil’s Backbone, Guillermo del Toro, 2001**Dirty, Matthew Puccini, 2020Don’t Look Now, Nicolas Roeg, 1973Dracula A.D. 1972, Alan Gibson, 1972The Driller Killer, Abel Ferrara, 1979A Drop of Sun Under the Earth, Shikeith, 2017Election, Alexander Payne, 1999Ethnic Notions, Marlon Riggs, 1986Everybody Rides the Carousel, John Hubley, 1976O Fantasma, João Pedro Rodrigues, 2000The Foul King, Kim Jee-woon, 2000Grand Hotel, Edmund Goulding, 1932Harriet Craig, Vincent Sherman, 1950The Hills Have Eyes, Wes Craven, 1977The Hole, John Hubley, 1962The Host, Bong Joon Ho, 2006**Humanoids from the Deep, Barbara Peeters, Jimmy T. Murakami, 1980Humoresque, Jean Negulesco, 1946I Shall Not Be Removed: The Life of Marlon Riggs, Karen Everett, 1996The Illusionist, Sylvain Chomet, 2010**Images, Robert Altman, 1972In nomine Patris, Jenni Olson, 2019Influenza, Bong Joon Ho, 2004Invasion of the Body Snatchers, Philip Kaufman, 1978It’s Alive, Larry Cohen, 1974The Joy of Life, Jenni Olson, 2005Kirikou and the Sorceress, Michel Ocelot, 1998The Labyrinth 1.0, Tiona Nekkia McClodden, 2017Lady Vengeance, Park Chan-wook, 2005The Last of Mrs. Cheyney, Richard Boleslawski, Dorothy Arzner, George Fitzmaurice, 1937The Last Party, Mark Benjamin, Marc Levin, 1993Let’s Scare Jessica to Death, John D. Hancock, 1971Long Train Running: A History of the Oakland Blues, Marlon Riggs, Peter Webster, 1981Love on the Run, W.S. Van Dyke, 1936Mannequin, Frank Borzage, 1937Mildred Pierce, Michael Curtiz, 1945Moonbird, John Hubley, 1959Mother, Bong Joon Ho, 2009**The Nightcomers, Michael Winner, 1971Non, je ne regrette rien (No Regret), Marlon Riggs, 1993Nosferatu, F.W. Murnau, 1922Nosferatu the Vampyre, Werner Herzog, 1979Nowhere to Hide, Lee Myung-se, 1999Of Stars and Men, John Hubley, 1961The Ornithologist, João Pedro Rodrigues, 2016**Our Dancing Daughters, Harry Beaumont, 1928Our Modern Maidens, Jack Conway, 1929Peeping Tom, Michael Powell, 1960Possessed, Clarence Brown, 1931Possessed, Curtis Bernhardt, 1947The Public Enemy, William A. Wellman, 1931Queen Bee, Ranald MacDougall, 1955Rabid, David Cronenberg, 1977Romance, Catherine Breillat, 1999The Royal Road, Jenni Olson, 2015Sadie McKee, Clarence Brown, 1934Season of the Witch, George A. Romero, 1972Shampoo, Hal Ashby, 1975Shivers, David Cronenberg, 1975Sleeping Beauty, Catherine Breillat, 2010**Slumber Party Massacre, Amy Holden Jones, 1982The Smiling Lieutenant, Ernst Lubitsch, 1931Strait-Jacket, William Castle, 1964Strange Cargo, Frank Borzage, 1940The Student Nurses, Stephanie Rothman, 1970Suburbia, Penelope Spheeris, 1983Sudden Fear, David Miller, 1952Sympathy for Mr. Vengeance, Park Chan-wook, 2002A Tale of Two Sisters, Kim Jee-woon, 2003Tender Game, John Hubley, 1958The Texas Chain Saw Massacre, Tobe Hooper, 1974Theater of Blood, Douglas Hickox, 1973To Die Like a Man, João Pedro Rodrigues, 2009**Tongues Untied, Marlon Riggs, 1989Trog, Freddie Francis, 1970Trouble in Paradise, Ernst Lubitsch, 1932Two Drifters, João Pedro Rodrigues, 2005**The Unknown, Tod Browning, 1927The Vampire Lovers, Roy Ward Baker, 1970The Velvet Vampire, Stephanie Rothman, 1971Videodrome, David Cronenberg, 1983Vitalina Varela, Pedro Costa, 2019Walk For Me, Elegance Bratton, 2016We Need to Talk About Kevin, Lynne Ramsay, 2011**What Ever Happened to Baby Jane?, Robert Aldrich, 1962The Wicker Man, Robin Hardy, 1973The Witch Who Came from the Sea, Matt Cimber, 1976A Woman’s Face, George Cukor, 1941The Women, George Cukor, 1939The Yearling, Clarence Brown, 1946
― (show hidden tics) (WmC), Thursday, 24 September 2020 18:19 (three years ago) link
lol @ Criterion Channel sliding ever closer to my own collection (a fate that I can imagine true cineastes finding lamentable).
― OrificeMax (Old Lunch), Thursday, 24 September 2020 18:25 (three years ago) link
Larry Cohen AND Park Chan Wook in the same month. The world outside is a shitshow, but there some things I can still believe in.
Don't SLEEP on Deathdream.
― Nhex, Thursday, 24 September 2020 18:44 (three years ago) link
Season of the Witch, Strait-Jacket, and The Witch Who Came from the Sea are the sleepers I'll recommend.
― OrificeMax (Old Lunch), Thursday, 24 September 2020 18:53 (three years ago) link
Seconding The Witch Who Came from the Sea which doesn't totally work but commits impressively to being weird
― Josefa, Friday, 25 September 2020 00:39 (three years ago) link
Really love Christine out of that list as well.
― lilcraigyboi (Craigo Boingo), Thursday, 8 October 2020 09:42 (three years ago) link
Watched Death Line aka Raw Meat the other night and had a great time, hysterical film-stealing performance by Donald Pleasance
― turn the jawhatthefuckever on (One Eye Open), Thursday, 8 October 2020 13:29 (three years ago) link
I've seen many of those Joan Crawfords (Harriet Craig and Possessed are tops). Anyone seen The Damned Don’t Cry?
― Patriotic Goiter (Alfred, Lord Sotosyn), Thursday, 8 October 2020 13:51 (three years ago) link
Let’s Scare Jessica to Death is so melancholy, dreamy and great.I’ve seen it before via a hazy VHS rip (which added its own charm) but revisiting it today was well worth it.
― circa1916, Saturday, 10 October 2020 16:41 (three years ago) link
cool, they have the version of Joan of Arc scored by Adrian Utley and Will Gregory
― Donald Trump Also Sucks, Of Course (milo z), Sunday, 11 October 2020 07:09 (three years ago) link
There is still a FilmStruck YouTube channel?
― Here Comes a Slightly Irregular (James Redd and the Blecchs), Sunday, 18 October 2020 03:50 (three years ago) link
November titles:
35 Shots of Rum, Claire Denis, 20084 Quarters, Ashley McKenzie, 2015Accident, Joseph Losey, 1967Acid Rain, Tomek Popakul, 2019Always Shine, Sophia Takal, 2016And Still I Rise, Ngozi Onwurah, 1993Anti-Objects, or Space Without Path or Boundary, Sky Hopinka, 2017The Arbor, Clio Barnard, 2010 *The Bad Seed, Mervyn LeRoy, 1956The Barbershop, Arthur Ripley, 1933Beau travail, Claire Denis, 1999The Big Country, William Wyler, 1958The Black Cat, Edgar G. Ulmer, 1934Blind Alley, Charles Vidor, 1939The Body Beautiful, Ngozi Onwurah, 1991The Broken Butterfly, Maurice Tourneur, 1919Butley, Harold Pinter, 1974The Canterville Ghost, Jules Dassin, 1944The Chase, Arthur Ripley, 1946Chocolat, Claire Denis, 1988The Cobweb, Vincente Minnelli, 1955Coffee Colored Children, Ngozi Onwurah, 1988The Connection, Shirley Clarke, 1961Dadli, Shabier Kirchner, 2018Dark Days, Marc Singer, 2000The Dark Past, Rudolph Maté, 1948David and Lisa, Frank Perry, 1962The Desired Number, Ngozi Onwurah, 1995The Devil-Doll, Tod Browning, 1936Dislocation Blues, Sky Hopinka, 2017A Dream is What You Wake Up From, Larry Bullard and Carolyn Johnson, 1978Dressed to Kill, Brian De Palma, 1980The Elephant Man, David Lynch, 1980The Eloquent Peasant, Shadi Abdel Salam, 1970Exile, Rithy Panh, 2016**Fainting Spells, Sky Hopinka, 2018The Fatal Glass of Beer, Clyde Bruckman, 1933Flores, Jorge Jácome, 2017The French Lieutenant’s Woman, Karel Reisz, 1981The Go-Between, Joseph Losey, 1971The Golf Specialist, Monte Brice, 1930Gregory’s Girl, Bill Forsyth, 1980Guest of Honour, Atom Egoyan, 2019The Haunting, Robert Wise, 1963Hellraiser, Directed by Clive Barker, 1987The Homecoming, Peter Hall, 1973Housekeeping, Directed by Bill Forsyth, 1987I’ll Remember You as You Were, Not as What You’ll Become, Sky Hopinka, 2016It Happened One Night, Frank Capra, 1934Jáaji Approx., Sky Hopinka, 2015Jimi Could Have Fallen from the Sky, Terence Nance, 2017The Kindergarten Teacher, Nadav Lapid, 2014The King and the Mockingbird, Paul Grimault, 1980King of the Hill, Steven Soderbergh, 1993Kunįkága Remembers Red Banks, Kunįkága Remembers the Welcome Song, Sky Hopinka, 2014Local Hero, Bill Forsyth, 1983Lore, Sky Hopinka, 2019Lovers and Lollipops, Morris Engel and Ruth Orkin, 1956Mad Love, Karl Freund, 1935 *Make Way for Tomorrow, Leo McCarey, 1993The Mark, Guy Green, 1961The Masque of the Red Death, Roger Corman, 1964The Mattei Affair, Francesco Rosi, 1972The Missing Picture, Rithy Panh, 2013 *Moulin Rouge, John Huston, 1952Native Sun, Terence Nance, 2011Nenette and Boni, Claire Denis, 1996The Night of Counting the Years, Shadi Abdel Salam, 1969The Ninth Configuration, William Peter Blatty, 1980No Fear, No Die, Claire Denis, 1990No Ward, Terence Nance, 2009Old Boyfriends, Joan Tewkesbury, 1979The Old Dark House, James Whale, 1932Once Upon a Time in the West, Sergio Leone, 1968Ordinary People, Robert Redford, 1980An Oversimplification of Her Beauty, Terence Nance, 2012The Pharmacist, Arthur Ripley, 1933The Picture of Dorian Gray, Albert Lewin, 1945Policeman, Nadav Lapid, 2011Pool Sharks, Edwin Middleton, 1915The President’s Analyst, Ted Flicker, 1967Pressure Point, Hubert Cornfield, 1962The Pumpkin Eater, Jack Clayton, 1964Rita, Sue and Bob Too, Alan Clarke, 1987The Servant, Joseph Losey, 1963The Seventh Victim, Mark Robson, 1943A Spell to Ward Off the Darkness, Ben Rivers and Ben Russell, 2013Stand Up, Joseph Pierce, 2008Stranger by the Lake, Alain Guiraudie, 2013 *Stray, Ashley McKenzie, 2013Sunset Song, Terence Davies, 2015Swallows and Amazons, Arthur Ransome, 1974Swimming in Your Skin Again, Terence Nance, 2014The Tenant, Roman Polanski, 1976Their Fall Our All, Terence Nance, 2014Towards Mathilde, Claire Denis, 2005 *The Uninvited, Lewis Allen, 1944Univitellin, Terence Nance, 2016Venite et Loquamur, Sky Hopinka, 2015Victoria, Sebastian Schipper, 2015Village of the Damned, Wolf Rilla, 1960Visions of an Island, Sky Hopinka, 2016Wawa, Sky Hopinka, 2014Welcome II the Terrordome, Ngozi Onwurah, 1995Werewolf, Ashley McKenzie, 2016When you’re lost in the rain, Sky Hopinka, 2019Xiao Wu, Jia Zhangke, 1997You and I and You, Terence Nance, 2015
― scampo-phenique (WmC), Wednesday, 28 October 2020 14:02 (three years ago) link
When I see stuff like Once Upon a Time in the West that's been streaming on a bunch of other services, I'm always curious if Criterion is streaming a different "print," as such.
― Josh in Chicago, Wednesday, 28 October 2020 14:13 (three years ago) link
Weird how many horror movies they're launching the day after Halloween.
― On average, this critic grades 8.3 points lower than other critics (Eric H.), Wednesday, 28 October 2020 14:26 (three years ago) link
Perhaps they had been licensed to other streaming services through 10/31?
― Infanta Terrible (j.lu), Wednesday, 28 October 2020 14:39 (three years ago) link
On the underrated horror side, I highly recommend Mad Love and The Uninvited.
― OrificeMax (Old Lunch), Wednesday, 28 October 2020 14:50 (three years ago) link
The Seventh Victim is pretty great too, and incredibly bleak.
― JoeStork, Wednesday, 28 October 2020 15:26 (three years ago) link
HIGHLY recommend Dark Days.
― Elvis Telecom, Thursday, 29 October 2020 09:37 (three years ago) link
― OrificeMax (Old Lunch)
and The Servant.
― Patriotic Goiter (Alfred, Lord Sotosyn), Thursday, 29 October 2020 10:09 (three years ago) link
Housekeeping is a rare beautiful adaptation of a great novel.
― Chris L, Thursday, 29 October 2020 10:14 (three years ago) link
v last minute but I'm working my way thru the Quay Bros shorts that are leaving in 2 days and they're SUCH a treat, I've seen them all before but not in like a decade. Def worth a gander.
― Warmed Regards, (Stevie D(eux)), Friday, 30 October 2020 13:04 (three years ago) link
The Uninvited is one of my all time favorite movies, a classic studio product in the best sense.
― Ned Raggett, Friday, 30 October 2020 13:21 (three years ago) link
How come The Virgin Suicides is featured at the top but is also going away tomorrow?
― Spiral "Scratch" Starecase (James Redd and the Blecchs), Friday, 30 October 2020 13:26 (three years ago) link
Cohen Film Collection in. Lots of Chabrol in there iirc from the Kanopy days.
― Meet the Anti-Monks! (James Redd and the Blecchs), Wednesday, 4 November 2020 23:18 (three years ago) link
Damn, Redd that wrong. It’s in Kino Now.
― Meet the Anti-Monks! (James Redd and the Blecchs), Thursday, 5 November 2020 00:38 (three years ago) link
I've seen most of the Joan Blondell collection.
Best: Night Nurse (amazing film), Three on a Match, Blondie Johnson, Dames
Also good: Union Depot, He Was Her Man
Others are meh. None are bad though.
― Josefa, Thursday, 19 November 2020 01:27 (three years ago) link
I just watched Night Nurse a few days ago, it was so great!! Three on a Match and Dames also amazing.
― Warmed Regards, (Stevie D(eux)), Thursday, 19 November 2020 14:41 (three years ago) link
Also I didn't mention Gold Diggers of 1933 cause I'd seen it several times before but that is a classic also
― Josefa, Thursday, 19 November 2020 16:15 (three years ago) link
December titles:
68, Keisha Rae Witherspoon, 201820 Million Miles to Earth, Nathan Juran, 1957Afronauts, Nuotama Bodomo, 2014Alan Vega: Just a Million Dreams, Marie Losier, 2014August at Akiko’s, Christopher Makoto Yogi, 2018The Awful Truth, Leo McCarey, 1937The Bachelor and the Bobby-Soxer, Irving Reis, 1947The Baker’s Wife, Marcel Pagnol, 1938Bad Day at Black Rock, John Sturges, 1955**Badlands, Terrence Malick, 1973The Ballad of Genesis and Lady Jaye, Marie Losier, 2011The Becoming Box, Monique Walton, 2011Bell, Book and Candle, Richard Quine, 1958Belle of the Nineties, Leo McCarey, 1934 Bim, Bam, Boom, las Luchas Morenas, Marie Losier, 2014 Bird, Bath and Beyond, Marie Losier, 2003Black and Blue, Hugh King and Lamar Williams, 1987 The Brother from Another Planet, John Sayles, 1984Byun, objet trouvé, Marie Losier, 2012Cassandro, the Exotico!, Marie Losier, 2018Cet Air La, Marie Losier, 2010The Changing Same, Cauleen Smith, 2001Christmas Inventory, Miguel Gomes, 2000The Comedy, Rick Alverson, 2012Crumbs, Miguel Llansó, 2015Dark Matters, Monique Walton, 2010Dawson City: Frozen Time, Bill Morrison, 2016**Days of Heaven, Terrence Malick, 1978Diary of an African Nun, Julie Dash, 1977Draw Me Now, Marie Losier, 2018 Eat My Makeup!, Marie Losier, 2005Electrocute Your Stars, Marie Losier, 2004 Entertainment, Rick Alverson, 2015 Every Day’s a Holiday, A. Edward Sutherland, 1937The Family Album, Alan Berliner, 1986Father Goose, Ralph Nelson, 1964Finding Christa, Camille Billops and James Hatch, 1991 La flor, Mariano Llinás, 2018**Flying Saucey!, Marie Losier, 2006 Four Women, Julie Dash, 1975 Go West Young Man, Henry Hathaway, 1936 The Golden Chain, Adebukola Bodunrin and Ezra Claytan Daniels, 2014Goin’ to Town, Alexander Hall, 1935 The Grass Is Greener, Stanley Donen, 1960Hannah Arendt, Margarethe von Trotta, 2012**Harold and Maude, Hal Ashby, 1971 Hasaki Ya Suda, Cédric Ido, 2011Holiday, George Cukor, 1938 House of Games, David Mamet, 1987 I Snuck off the Slave Ship, Lonnie Holley and Cyrus Moussavi, 2019 I’m No Angel, Wesley Ruggles, 1933Illusions, Julie Dash, 1982Indiscreet, Stanley Donen, 1958Intimate Stranger, Alan Berliner, 1991 Jonah, Kibwe Tavares, 2013Kapaemahu, Hinaleimoana Wong-Kalu, Joe Wilson, and Dean Hamer, 2020The KKK Boutique Ain’t Just Rednecks, Camille Billops, James Hatch, 1994Klondike Annie, Raoul Walsh, 1936The Last Angel of History, John Akomfrah, 1996Like a Mighty Wave, Mikey Inouye, 2020The Lusty Men, Nicholas Ray, 1952Manuelle Labor, Marie Losier, 2007March of the Wooden Soldiers, 1934Marianne and Juliane, Margarethe von Trotta, 1981Mauna Kea: Temple Under Siege, Joan Lander and Puhipau, 2005The Mirror Has Two Faces, Barbra Streisand, 1996**Mr. Blandings Builds His Dream House, H.C. Potter, 1948Mutts, Halima Ouardiri, 2019My Favorite Wife, Garson Kanin, 1940**My Golden Days, Arnaud Desplechin, 2015My Little Chickadee, Edward F. Cline, 1940My Sex Life . . . or How I Got into an Argument, Arnaud Desplechin, 1996Mystery of the Wax Museum, Michael Curtiz, 1933National Velvet, Clarence Brown, 1944**New Jerusalem, Rick Alverson, 2011The New World, Terrence Malick, 2005**The Night of the Hunter, Charles Laughton, 1955Nobody’s Business, Alan Berliner, 1997Now, Voyager, Irving Rapper, 1942Older Women and Love, Camille Billops and James Hatch, 1987 Once There Was Brasilia, Adirley Queirós, 2017The Ontological Cowboy, Marie Losier, 2005Operation Petticoat, Blake Edwards, 1959Out of State, Ciara Lacy, 2017Papal Broken-Dance, Marie Losier, 2008Paris Is Burning, Jennie Livingston, 1990The Passion of Joan of Arc, Marie Losier, 2002Paths of Glory, Stanley Kubrick, 1957The People United, Alonzo Speight, 1985Praise House, Julie Dash, 1991The Prince of Tides, Barbra Streisand, 1991Quadrophenia, Franc Roddam, 1979The Railway Children, Lionel Jeffries, 1970The Reflecting Skin, Philip Ridley, 1990Robots of Brixton, Kibwe Tavares, 2011Rosa Luxemburg, Margarethe von Trotta, 1986Les saignantes, Jean-Pierre Bekolo, 2005The Sand Island Story, Victoria Keith, 1981 She Done Him Wrong, Lowell Sherman, 1933The Silent Partner, Daryl Duke, 1978Sorry We Missed You, Ken Loach, 2019 Space Is the Place, John Coney, 1974Standing Above the Clouds, Jalena Keane-Lee, 2020Standing at the Scratch Line, Julie Dash, 2016Stones, Ty Sanga, 2009A String of Pearls, Camille Billops and James Hatch, 2002Supa Modo, Likarion Wainaina, 2018The Sweetest Sound, Alan Berliner, 2001T, Keisha Rae Witherspoon, 2019Take Your Bags, Camille Billops, 1998That Touch of Mink, Delbert Mann, 1962Tony Conrad, DreaMinimalist, Marie Losier, 2008Touch, Shola Amoo, 2013The Touch Retouched, Marie Losier, 2002Twaaga, Cédric Ido, 2013Uncovering Naked City, Bruce Goldstein, 2020Vision: From the Life of Hildegard von Bingen, Margarethe von Trotta, 2009**White God, Kornél Mundruczó, 2014White Out, Black In, Adirley Queirós, 2014A Woman Under the Influence, John Cassavetes, 1974Yeelen, Souleymane Cissé, 1987Yentl, Barbra Streisand, 1983Zombies, Baloji, 2019**Available in the U.S. only
― Motoroller Scampotron (WmC), Thursday, 26 November 2020 15:18 (three years ago) link
god PLEASE let Paris Is Burning be a Criterion Edition with all of the bonus features.
― Warmed Regards, (Stevie D(eux)), Friday, 27 November 2020 18:39 (three years ago) link
I would bet real f-olding money that it will be.
― Motoroller Scampotron (WmC), Friday, 27 November 2020 19:03 (three years ago) link
1968 < 2018 > 2068, Keisha Rae Witherspoon, 2018Afronauts, Nuotama Bodomo, 2014The Becoming Box, Monique Walton, 2011The Changing Same, Cauleen Smith, 2001Dark Matters, Monique Walton, 2010The Golden Chain, Adebukola Bodunrin and Ezra Claytan Daniels, 2014Hasaki Ya Suda, Cédric Ido, 2011I Snuck off the Slave Ship, Lonnie Holley and Cyrus Moussavi, 2019Robots of Brixton, Kibwe Tavares, 2011
This is quite the set of Afrofuturist and sci-fi shorts! (I'm sure I've missed some.)
Between this, and the feature-length offerings (Space Is the Place, The Brother From Another Planet, The Last Angel of History, Crumbs, the two Adirley Queiros films) I'm surprised they didn't curate them as an actual collection. Maybe that's coming later?
― handsome boy modelling software (bernard snowy), Wednesday, 2 December 2020 14:10 (three years ago) link
the email announcing the december movies started "As the year draws to an end, we’re turning our gaze toward things to come, with an international, intergalactic program of Afrofuturist visions of Black creativity, resistance, and freedom" so it will be a collection
― na (NA), Wednesday, 2 December 2020 14:24 (three years ago) link
I'm curious as to whether Space is the Place is the original or director's cut version.
― Mr. Cacciatore (Moodles), Wednesday, 2 December 2020 14:43 (three years ago) link
xp Yeah, I went and looked at the email after I posted that (they go to my spam, lol) and from there to the December calendar -- looks like the Afrofuturist collection 'premieres' on the 20th, which I assume means the introduction and any other interview packages will go live then.
― handsome boy modelling software (bernard snowy), Wednesday, 2 December 2020 15:09 (three years ago) link
Wow, Space is the Place! I've never been able to find a copy of that
― flappy bird, Wednesday, 2 December 2020 17:22 (three years ago) link
Is there a predictable timeline as to when a film reissued by Criterion goes onto the Criterion Channel? I didn't realize that An Unmarried Woman was rereleased this past June. I have the channel, so if possible, I'd like to avoid the cost of a DVD
― clemenza, Monday, 7 December 2020 22:00 (three years ago) link
Some films enter the permanent streaming library almost immediately, some get added for 1, 2 or 3 month engagements, some don't get added at all. So, no, no predictable timeline.
― Motoroller Scampotron (WmC), Monday, 7 December 2020 22:16 (three years ago) link
Thanks--I'll give it till the new year, and if it's not up by then I'll buy it.
― clemenza, Monday, 7 December 2020 22:49 (three years ago) link
January 2021 titles:
11’09”01—September 11, Mira Nair, 2002The Age of Swordfish, Vittorio De Seta, 1954All Small Bodies, Jennifer Reeder, 2017And I Will Rise If Only to Hold You Down, Jennifer Reeder, 2012Arsenic and Old Lace, Frank Capra, 1944 *Awaara, Raj Kapoor, 1951Back Street, John M. Stahl, 1932Barbarella, Roger Vadim, 1968Barefoot in the Park, Gene Saks, 1967Betye Saar: Taking Care of Business, Christine Turner, 2020Blackmail, Alfred Hitchcock, 1929Blood Below the Skin, Jennifer Reeder, 2015Bringing Up Baby, Howard Hawks, 1938 *The Cameraman, Edward Sedgwick, 1928The Chase, Arthur Penn, 1966Captain Conan, Bertrand Tavernier, 1996Carancho, Pablo Trapero, 2010 *Cat Ballou, Elliot Silverstein, 1965The China Syndrome, James Bridges, 1979The Clockmaker of St. Paul, Bertrand Tavernier, 1974Compensation, Zeinabu irene Davis, 1999Coup de torchon, Bertrand Tavernier, 1981Crocodile Conspiracy, Zeinabu irene Davis, 1986Crystal Lake, Jennifer Reeder, 2016Cycles, Zeinabu irene Davis, 1989Daddy Nostalgia, Bertrand Tavernier, 1990A Day in Barbagia, Vittorio De Seta, 1959The Day the Mercedes Became a Hat, Mira Nair, 1993Death Watch, Bertrand Tavernier, 1980A Doll’s House, Joseph Losey, 1973Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb, Stanley Kubrick, 1964Easter in Sicily, Vittorio De Seta, 1954Fishing Boats, Vittorio De Seta, 1958The Forgotten, Vittorio De Seta, 1959Frantz Fanon: Black Skin, White Mask, Isaac Julien, 1995The Ghost of Peter Sellers, Peter Medak, 2018Golden Parable, Vittorio De Seta, 1954Habaneros, Julien Temple, 2017Hallelujah, King Vidor, 1929He Who Gets Slapped, Victor Sjöström, 1924Hell’s Heroes, William Wyler, 1929Homegoings, Christine Turner, 2013How Can It Be?, Mira Nair, 2008I’m All Right Jack, John Boulting, 1959Ice, Robert Kramer, 1970Imitation of Life, John M. Stahl, 1934The Incredible Shrinking Man, Jack Arnold, 1957India Cabaret, Mira Nair, 1985Islands of Fire, Vittorio De Seta, 1954The Judge and the Assassin, Bertrand Tavernier, 1976Kevin Beasley’s Raw Materials, Christine Turner, 2019Kill List, Ben Wheatley, 2011Kirikou and the Men and Women, Michel Ocelot, 2012Klute, Alan J. Pakula, 1971The Ladykillers, Alexander Mackendrick, 1955The Laughing Club of India, Mira Nair, 2001Les saignantes, Jean-Pierre Bekolo, 2005Let’s Go Crazy, Alan Cullimore, 1951Life and Nothing But, Bertrand Tavernier, 1989 *Lion’s Den, Pablo Trapero, 2008 *LOLA, 15, Jennifer Reeder, 2017Lolita, Stanley Kubrick, 1962Magnificent Obsession, John M. Stahl, 1935The Man with the Golden Arm, Otto Preminger, 1955The Manchurian Candidate, John Frankenheimer, 1962Migration, Mira Nair, 2008A Million Miles Away, Jennifer Reeder, 2014Ministry of Fear, Fritz Lang, 1944Monsoon Wedding, Mira Nair, 2001The Morning After, Sidney Lumet, 1986Mother of the River, Zeinabu irene Davis, 1995The Mouse That Roared, Jack Arnold, 1959Mr. Topaze, Peter Sellers, 1961Never Let Go, John Guillermin, 1960Oil City Confidential, Julien Temple, 2009The Optimists, Anthony Simmons, 1973Orgosolo’s Shepherds, Vittorio De Seta, 1958Panique, Julien Duvivier, 1946A Powerful Thang, Zeinabu irene Davis, 1991The Pub, Joseph Pierce, 2012Ray & Liz, Richard Billingham, 2018Riot in Cell Block 11, Don Siegel, 1954Sangam, Raj Kapoor, 1964Sea Countrymen, Vittorio De Seta, 1954Seven Songs About Thunder, Jennifer Reeder, 2010Shree 420, Raj Kapoor, 1955Shuvit, Jennifer Reeder, 2017So Far from India, Mira Nair, 1983Solfatara, Vittorio De Seta, 1954A Sunday in the Country, Bertrand Tavernier, 1984The Talk of the Town, George Stevens, 1942Tears Cannot Restore Her: Therefore, I Weep, Jennifer Reeder, 2011Tom Thumb, Olivier Dahan, 2001Walk on the Wild Side, Edward Dmytryk, 1962A Week’s Vacation, Bertrand Tavernier, 1980When Tomorrow Comes, John M. Stahl, 1939White Elephant, Pablo Trapero, 2012**Zoo, Will Niava, 2020
― Motoroller Scampotron (WmC), Wednesday, 23 December 2020 04:03 (three years ago) link
Caught Strait-jacket before it disappears tomorrow. What a hoot!
― Nhex, Thursday, 31 December 2020 02:16 (three years ago) link
February 2021 titles:
Abouna, Mahamat Saleh-Haroun, 2002Accidence, Guy Maddin, Evan Johnson, and Galen Johnson, 2018After the Curfew, Usmar Ismail, 1954Ain’t Them Bodies Saints, David Lowery, 2013Ajube Kete, Akosua Adoma Owusu, 2005Archangel, Guy Maddin, 1990**The Bad and the Beautiful, Vincente Minnelli, 1952The Balcony, Joseph Strick, 1963Bamboozled, Spike Lee, 2000Band of Outsiders, Jean-Luc Godard, 1964Black Bus Stop, Akosua Adoma Owusu, 2019Blonde Venus, Josef von Sternberg, 1932Blood Kin, Ramin Bahrani, 2018The Blue Angel, Josef von Sternberg, 1930Boyant, Akosua Adoma Owusu, 2008Buck and the Preacher, Sidney Poitier, 1972Bus Nut, Akosua Adoma Owusu, 2014Careful, Guy Maddin, 1992**Celebration, Olivier Meyrou, 2007The Conformist, Bernardo Bertolucci, 1970Cotton Comes to Harlem, Ossie Davis, 1970Cowards Bend the Knee, Guy Maddin, 2003**Daratt, Mahamat-Saleh Haroun, 2006The Devil Is a Woman, Josef von Sternberg, 1935Dishonored, Josef von Sternberg, 1931Dissolution, Nina Menkes, 2010Dracula: Pages from a Virgin’s Diary, Guy Maddin, 2002**Drexciya, Akosua Adoma Owusu, 2010A Farewell to Arms, Frank Borzage, 1932Fastest Man in the State, Claudrena N. Harold and Kevin Jerome Everson, 2017The Forbidden Room, Guy Maddin, Evan Johnson, 2015Ghost Dog: The Way of the Samurai, Jim Jarmusch, 1999Glorious, Guy Maddin, 2008The Great Sadness of Zohara, Nina Menkes, 1983The Green Fog, Guy Maddin, Evan Johnson, and Galen Johnson, 2017Grigris, Mahamat Saleh Haroun, 2013How Can I Ever Be Late, Claudrena N. Harold and Kevin Jerome Everson, 2017How to Take a Bath, Guy Maddin, 2009I Am Somebody, Madeline Anderson, 1970Integration Report 1, Madeline Anderson, 1960Intermittent Delight, Akosua Adoma Owusu, 2007The Killing Floor, Bill Duke, 1984Kwaku Ananse, Akosua Adoma Owusu, 2013The Last Unicorn, Arthur Rankin, Jr. and Jules Bass, 1982Leadbelly, Gordon Parks, 1976The Learning Tree, Gordon Parks, 1969A Life of Her Own, George Cukor, 1950Lift You Up, Ramin Bahrani, 2014Lines of the Hand, Guy Maddin, Galen Johnson, and Evan Johnson, 2015The Living End, Gregg Araki, 1992Mahogany Too, Akosua Adoma Owusu, 2018Me broni ba, Akosua Adoma Owusu, 2009Moments Without Proper Names, Gordon Parks, 1986Morocco, Josef von Sternberg, 1930My Dad Is 100 Years Old, Guy Maddin, 2005Nationtime, William Greaves, 1972On Monday of Last Week, Akosua Adoma Owusu, 2017One False Move, Carl Franklin, 1992Park Lanes, Kevin Jerome Everson, 2015Pelourinho: They Don’t Really Care About Us, Akosua Adoma Owusu, 2019Phantom Love, Nina Menkes, 2007Pierrot le fou, Jean-Luc Godard, 1965Plastic Bag, Ramin Bahrani, 2009The Postman Always Rings Twice, Tay Garnett, 1946Pressure, Horace Ové, 1976Putney Swope, Robert Downey Sr., 1969Queen of Diamonds, Nina Menkes, 1991The Rabbit Hunters, Guy Maddin, Evan Johnson, and Galen Johnson,2020Reluctantly Queer, Akosua Adoma Owusu, 2016La ronde, Roger Vadim, 1964The Saddest Music in the World, Guy Maddin, 2003The Scarlet Empress, Josef von Sternberg, 1934A Screaming Man, Mahamat-Saleh Haroun, 2010A Season in France, Mahamat-Saleh Haroun, 2017Shanghai Express, Josef von Sternberg, 1932Solomon Northup’s Odyssey, Gordon Parks, 1984Split Ends, I Feel Wonderful, Akosua Adoma Owusu, 2012St. Louis Blues, Allen Reisner, 1958Stories We Tell, Sarah Polley, 2012A Story of Children and Film, Mark Cousins, 2013Stump the Guesser, Guy Maddin, Evan Johnson and Galen Johnson, 2020Sugarcoated Arsenic, Claudrena N. Harold and Kevin Jerome Everson, 2014Take a Giant Step, Philip Leacock, 1959The Tall Target, Anthony Mann, 1951Tea 4 Two, Akosua Adoma Owusu, 2006They Live by Night, Nicolas Ray, 1948Thomasine and Bushrod, Gordon Parks, Jr., 1974A Tribute to Malcolm X, Madeline Anderson, 1967Tomorrow Is Another Day, Felix E. Feist, 1951Uptight, Jules Dassin, 1968Watermelon Man, Melvin Van Peebles, 1970We Demand, Claudrena N. Harold and Kevin Jerome Everson, 2016Where Danger Lives, John Farrow, 1950You Only Live Once, Fritz Lang, 1937
― Motoroller Scampotron (WmC), Monday, 25 January 2021 23:47 (three years ago) link
EXLCUSIVE STREAMING PREMIERE
Park LanesDirected by Kevin Jerome Everson • 2015 • United States
Kevin Jerome Everson’s monument of durational cinema immerses viewers in the inner workings of a factory that produces bowling-alley equipment—a full eight-hour workday experienced in real time. Entrancing, meditative, and totally enveloping, PARK LANES unfolds according to the rhythms and rituals of the workers whose shifts it patiently documents, their quotidian tasks taking on a profound significance.
Is this a joke?
― nobody like my rap (One Eye Open), Monday, 15 February 2021 18:12 (three years ago) link
Oh hell yes I have been wanting to watch that
― Canon in Deez (silby), Monday, 15 February 2021 18:19 (three years ago) link
I’m going to need some Adderall to screen that.
― Joe Biden Stan Account (milo z), Monday, 15 February 2021 18:22 (three years ago) link
it sounds like a twitter joke about slow cinema that went too far and accidentally got made
― nobody like my rap (One Eye Open), Monday, 15 February 2021 18:25 (three years ago) link
"come be entranced by the enveloping experience of being a Poor for a day. after a while, it really feels like you're really someone who doesn't have the leisure time to watch an 8-hour film!"
― nobody like my rap (One Eye Open), Monday, 15 February 2021 18:27 (three years ago) link
alternately, you could just get a job at a bowling alley for a day and get paid enough for lunch, a cab ride home and part of a criterion membership
― That's not really my scene (I'm 41) (forksclovetofu), Monday, 15 February 2021 18:36 (three years ago) link
(that said, i have watched an hour and a half of this so i may be culpable)https://www.filmlinc.org/films/15-hours/
― That's not really my scene (I'm 41) (forksclovetofu), Monday, 15 February 2021 18:37 (three years ago) link
and nearly 2 1/2 hours of The Clock! Which was riveting stuff tbh.
― That's not really my scene (I'm 41) (forksclovetofu), Monday, 15 February 2021 18:38 (three years ago) link
park lanes sounds rad
― mellon collie and the infinite bradness (BradNelson), Monday, 15 February 2021 18:42 (three years ago) link
yeah i'm pro slow cinema (hate the term "durational" cinema), saw a bread factory in theater, satantango, look forward to every wiseman doc, etc. but idk presenting this as A Film seems like the true nadir of the concept imho
― nobody like my rap (One Eye Open), Monday, 15 February 2021 18:43 (three years ago) link
(tbf i guess im also cranky bc i miss really going bowling)
I believe it’s mostly been exhibited as a gallery piece yeah. it was cited in The Process Genre, which I read last year, so I had noodled around looking for a way to watch it previously.
― Canon in Deez (silby), Monday, 15 February 2021 19:00 (three years ago) link
Anyway rn some dudes are bending big sheet metal parts with a huge press.
https://www.youtube.com/watch?v=rMV-fenGP1g
― That's not really my scene (I'm 41) (forksclovetofu), Monday, 15 February 2021 19:49 (three years ago) link
Got about 3 hours in, it’s wonderful stuff but I need a break, from sitting if nothing else
― Canon in Deez (silby), Monday, 15 February 2021 21:30 (three years ago) link
i guess i'd be curious to hear what the argument is that its not just class tourism.
― nobody like my rap (One Eye Open), Monday, 15 February 2021 21:57 (three years ago) link
Idk it is a less hygienic and abstracted vision of industrial labor than say How It‘s Made
― Canon in Deez (silby), Monday, 15 February 2021 22:00 (three years ago) link
― nobody like my rap (One Eye Open), Monday, February 15, 2021 4:57 PM (one hour ago)
I haven't seen this, but it seems far more incumbent on you to explain why that's the only possible reading of a film you haven't seen and know nothing about.
Anyway here's an essay: https://cinema-scope.com/features/perfect-game-kevin-jerome-eversons-park-lanes/
― rob, Tuesday, 16 February 2021 00:16 (three years ago) link
I was literally soliciting other readings
― nobody like my rap (One Eye Open), Tuesday, 16 February 2021 00:34 (three years ago) link
Hm
The abstraction of each of these workers’ components actually permits us, Everson, and even possibly the workers themselves, to regard these objects from a certain aesthetic distance. The man who is busily fitting lug-nuts at metallic shafts together in uncertain configurations seems to be solving a problem rather than following a lock-step set of orders, and as we watch him put pieces together and take them apart, it looks quite a bit like Jude Law assembling the gristle gun in Cronenberg’s eXistenZ (1999).
― nobody like my rap (One Eye Open), Tuesday, 16 February 2021 00:45 (three years ago) link
listen, lots of things are like Jude Law assembling the gristle gun in Cronenberg’s eXistenZ (1999)
― Daniel_Rf, Tuesday, 16 February 2021 11:32 (three years ago) link
Are any of the Mae West movies worth watching?
― wasdnuos (abanana), Wednesday, 17 February 2021 22:41 (three years ago) link
My Little Chickadee is worth a watch. Great final line.
The only other one I've seen among the Criterion Channel lot is Go West Young Man, which is watchable, but rather tame and not especially funny by Mae standards.
― edited for dog profanity (cryptosicko), Wednesday, 17 February 2021 22:47 (three years ago) link
I'm No Angel is probably the best one; beyond that I would temper my expectations
― Josefa, Wednesday, 17 February 2021 22:59 (three years ago) link
Yeah, I'm slowly working my way through them atm and haven't been bowled over yet. Same with W.C. Fields tbh.
― The Mandolinrainian (Old Lunch), Wednesday, 17 February 2021 23:19 (three years ago) link
Have you watched The Fatal Glass of Beer? Sometimes my pick for the funniest movie ever made (and its only 20 mins long).
― edited for dog profanity (cryptosicko), Thursday, 18 February 2021 00:49 (three years ago) link
don't know about Park Lanes but just watched Jude Law assemble the gristle gun in eXistenZ, that was a strange and unpleasant movie
― Dan S, Thursday, 18 February 2021 01:09 (three years ago) link
fyi everyone this program is wonderful and about the length of a feature, slightly shorter even
https://www.criterionchannel.com/shorts-for-days-women-auteurs-1
― Warmed Regards, (Stevie D(eux)), Monday, 22 February 2021 22:12 (three years ago) link
March titles: https://www.criterion.com/current/posts/7289-the-criterion-channel-s-march-2021-lineup
Usually a flat list of films on FB or Criterioncast beats criterion.com's official post, but not this time.
― Motoroller Scampotron (WmC), Thursday, 25 February 2021 21:34 (three years ago) link
i recommend jules dassin's 'uptight' (1968), streaming as part of the ruby dee collection on CC now. the film transposes the plot of john ford's 'the informer' to a black revolutionary cell in cleveland in 1968, in the days following MLK's assassination (the film opens with dassin's own footage of his funeral in memphis). dee and julian mayfield, who stars as the stool pigeon, co-wrote the screenplay with dassin.
good writeup (with spoilers) here:
https://brightlightsfilm.com/dont-talk-to-us-about-being-killed-uptight-and-the-problem-of-black-cinema-in-hollywood/#.YDgpc5NKiT8
― donna rouge, Thursday, 25 February 2021 23:13 (three years ago) link
cosign on uptight. Score by Booker T and the MGs
― jbn, Friday, 26 February 2021 00:14 (three years ago) link
Full list for March:
The Adventurer, Charles Chaplin, 1917Bandini, Bimal Roy, 1963Behind the Screen, Charles Chaplin, 1916Black Jack, Ken Loach, 1979Black Rodeo, Jeff Kanew, 1972Blood Simple, Joel and Ethan Coen, 1984Boat People, Ann Hui, 1982Boneshaker, Nuotama Frances Bodomo, 2013Brother to Brother, Rodney Evans, 2004Buffalo Soldiers, Charles Haid, 1997 *Cast a Dark Shadow, Lewis Gilbert, 1955Charles and Lucie, Nelly Kaplan, 1979Christmas in July, Preston Sturges, 1940City of Women, Federico Fellini, 1980Cooley High, Michael Schultz, 1975The Count, Charles Chaplin, 1916The Cure, Charles Chaplin, 1917The Damned, Luchino Visconti, 1969Darling, John Schlesinger, 1965Death in Venice, Luchino Visconti, 1971Dementia, John Parker, 1955Despair, Rainer Werner Fassbinder, 1978Devdas, Bimal Roy, 1955The Diabolic Tenant, Georges Méliès, 1909Do bigha zamin, Bimal Roy, 1953Don’t Blink – Robert Frank, Laura Israel, 2015Down on the Sidewalk in Waikīkī, Justyn Ah Chong, 2019Duel at Diablo, Ralph Nelson, 1966Easy Street, Charles Chaplin, 1917Edge of the City, Martin Ritt, 1957Everybody Dies!, Nuotama Bodomo, 2016The Fireman, Charles Chaplin, 1916The Floorwalker, Charles Chaplin, 1916Giuseppe Makes a Movie, Adam Rifkin, 2014Good Bye, Lenin!, Wolfgang Becker, 2003Grace Jones: Bloodlight and Bami, Sophie Fiennes, 2017The Great McGinty, Preston Sturges, 1940Gun Crazy, Joseph H. Lewis, 1950Hail the Conquering Hero, Preston Sturges, 1944Home, Ursula Meier, 2008 *The Immigrant, Charles Chaplin, 1917The Impossible Voyage, Georges Méliès, 1904The In-Laws, Arthur Hiller, 1979The Infernal Cauldron, Georges Méliès, 1903Intervista, Federico Fellini, 1987The Inventor Crazybrains and His Wonderful Airship, Georges Méliès, 1906Joan of Arc, Georges Méliès, 1900Kalewa, Mitchel Viernes, 2018The Killing of a Chinese Bookie, John Cassavetes, 1976The Kingdom of the Fairies, Georges Méliès, 1903The Lady Eve, Preston Sturges, 1941Lāhainā Noon, Christopher Kahunahana, 2014The Last Tree, Shola Amoo, 2019The Legend of Black Charley, Martin Goldman, 1972Let the Sunshine In, Claire Denis, 2017 *Madhumati, Bimal Roy, 1958Mandabi, Ousmane Sembène, 1968Marcello Mastroianni: I Remember, Anna Maria Tatò, 1997Mary Last Seen, Sean Durkin, 2010The Merry Frolics of Satan, Georges Méliès, 1906Miracle of Morgan’s Creek, Preston Sturges, 1943Moloka‘i Bound, Alika Maikau, 2019The Moon and the Night, Erin Lau, 2018Naal, Sudhakar Reddy Yakkanti, 2018A New Leaf, Elaine May, 1971Nights of Cabiria, Federico Fellini, 1957One A.M., Charles Chaplin, 1916Opening Night, John Cassavetes, 1977Other People, Bryson Chun, 2018Pandora and the Flying Dutchman, Albert Lewin, 1951Papa the Little Boats, Nelly Kaplan, 1971The Palm Beach Story, Preston Sturges, 1942The Pawnshop, Charles Chaplin, 1916The Pillar of Fire, Georges Méliès, 1899The Pit Where We Were Born, Alexander Bocchieri, 2018The Pleasure of Love, Nelly Kaplan, 1991Posse, Mario Van Peebles, 1993Relic 0, Larry Achiampong, 2017Relic 1, Larry Achiampong, 2017Relic 2, Larry Achiampong, 2019Relic 3, Larry Achiampong, 2019Rip’s Dream, Georges Méliès, 1905Robinson Crusoe, Georges Méliès, 1903Rock ’n’ Roll High School, Allan Arkush, 1979Rosewood, John Singleton, 1997The Sea Shall Not Have Them, Lewis Gilbert, 1954Sergeant Rutledge, John Ford, 1960Shane, George Stevens, 1953Sister, Ursula Meier, 2012 *Skin Game, Paul Bogart and Gordon Douglas, 1971Song of Freedom, J. Elder Wills, 1936Sujata, Bimal Roy, 1959Sullivan’s Travels, Preston Sturges, 1941A Trip to the Moon, Georges Méliès, 1902The Twentieth Century, Matthew Rankin, 2019 *Unfaithfully Yours, Preston Sturges, 1948The Vagabond, Charles Chaplin, 1916Variety Lights, Federico Fellini, 1950A Very Curious Girl, Nelly Kaplan, 1969Vision Portraits, Rodney Evans, 2019The Visitor, Antonio Pietrangeli, 1965The White Sheik, Federico Fellini, 1952Whimsical Illusions, Georges Méliès, 1910The Witch, Georges Méliès, 1906Women Make Film, Mark Cousins, 2018
― Motoroller Scampotron (WmC), Friday, 26 February 2021 14:57 (three years ago) link
holy shit I am so stoked abt A NEW LEAF and BOAT PEOPLE
― Warmed Regards, (Stevie D(eux)), Friday, 26 February 2021 15:29 (three years ago) link
Sujata, Bimal Roy, 1959
^this is really good iirc
― rob, Friday, 26 February 2021 15:32 (three years ago) link
Be sure to take a few minutes to check out the Méliès stuff. It's magical and helps restore my faith in humanity.
― TO BE A JAZZ SINGER YOU HAVE TO BE ABLE TO SCAT (Jazzbo), Friday, 26 February 2021 16:31 (three years ago) link
does anyone have any specific recommendations from the black westerns collection?
― na (NA), Friday, 26 February 2021 16:50 (three years ago) link
Duel at Diablo is a very good western. It's not really "black" per se... Sidney Poitier is a character in it.
― Josefa, Friday, 26 February 2021 16:55 (three years ago) link
Sergeant Rutledge! A great John Ford "b-side"--one of the smaller movies he made quickly in between the big ones. Woody Strode is great, and it's Billie Burke's last movie (the good witch in Oz)
― flappy bird, Friday, 26 February 2021 18:19 (three years ago) link
― TO BE A JAZZ SINGER YOU HAVE TO BE ABLE TO SCAT (Jazzbo), Friday, February 26, 2021 11:31 AM (three hours ago) bookmarkflaglink
― Warmed Regards, (Stevie D(eux)), Friday, 26 February 2021 19:58 (three years ago) link
April titles:
5 Card Stud, Henry Hathaway, 1968The Adventures of Prince Achmed, Lotte Reiniger, 1926Aladdin and the Magic Lamp, Lotte Reiniger, 1954And Nothing Happened, Naima Ramos Chapman, 2016Animal Crackers, Victor Heerman, 1930Any Number Can Play, Mervyn LeRoy, 1949Apparition, Isabel Sandoval, 2012Arabian Nights, Pier Paolo Pasolini, 1974Araya, Margot Benacerraf, 1959At the Circus, Edward Buzzell, 1939Atlantic City, Louis Malle, 1980 *The Automobile, Alfredo Giannetti, 1971Bad Girls Go to Hell, Doris Wishman, 1965The Big Gundown, Sergio Sollima, 1967The Big Store, Charles Reisner, 1941The Big Trim, John Magary, 2020The Bird with the Crystal Plumage, Dario Argento, 1970Bob le flambeur, Jean-Pierre Melville, 1956Buena Vista Social Club, Wim Wenders, 1999Burn!, Gillo Pontecorvo, 1969California Split, Robert Altman, 1974The Caliph Stork, Lotte Reiniger, 1954Caught, Max Ophüls, 1949 *Chef Flynn, Cameron Yates, 2018 *Chop Shop, Ramin Bahrani, 2007Companeros, Sergio Corbucci, 1970Contempt, Jean-Luc Godard, 1963 *Croupier, Mike Hodges, 1998Dark City, William Dieterle, 1950A Day at the Races, Sam Wood, 1937Days of Heaven, Terrence Malick, 1978Days of Wine and Roses, Blake Edwards, 1962Death Rides a Horse, Giulio Petroni, 1967Did You Wonder Who Fired the Gun?, Travis Wilkerson, 2017Dr. Dolittle: A Trip to Africa, Lotte Reiniger, 1928Dr. Dolittle: Lion’s Den, 1928Duck Soup, Leo McCarey, 1933Duck, You Sucker, Sergio Leone, 1971El Condor, John Guillermin, 1970Experiment in Terror, Blake Edwards, 1962The Flying Coffer, Lotte Reiniger, 1922Force of Evil, Abraham Polonsky, 1948 *The Gambler, Karel Reisz, 1974The Garden, Derek Jarman, 1990Gilda, Charles Vidor, 1946A Girl Missing, Kōji Fukada, 2019Go West, Edward Buzzell, 1940Grand Illusion, Jean Renoir, 1937Hair Wolf, Mariama Diallo, 2018Hard Eight, Paul Thomas Anderson, 1996Harlequin, Lotte Reiniger, 1931Hitch-Hike, Pasquale Festa Campanile, 1977Horse Feathers, Norman Z. McLeod, 1932House of Games, David Mamet, 1987How Green Was My Valley, John Ford, 1941The Human Factor, Edward Dmytryk, 1975The Hustler, Robert Rossen, 1961Investigation of a Citizen Above Suspicion, Elio Petri, 1970The Las Vegas Story, Robert Stevenson, 1952The Leopard, Luchino Visconti, 1963Little Women, Gillian Armstrong, 1994A Loft, Ken Jacobs, 2010The Lost Son, Lotte Reiniger, 1974Machine Gun McCain, Giuliano Montaldo, 1969The Magic Horse, Lotte Reiniger, 1974Man Push Cart, Ramin Bahrani, 2005The Man Who Cheated Himself, Felix E. Feist, 1950Mayor, David Osit, 2020McCabe & Mrs. Miller, Robert Altman, 1971The Mend, John Magary, 2014The Mercenary, Sergio Corbucci, 1968Meshes of the Afternoon, Maya Deren, Alexandr Hackenschmied, 1943The Mission, Roland Joffé, 1986Momma’s Man, Azazel Jacobs, 2008Monkey Business, Norman Z. McLeod, 1931Moonrise, Frank Borzage, 1948New Homeland, Barbara Kopple, 2018A Night at the Opera, Sam Wood, 1935Night Train Murders, Aldo Lado, 1975Oxhide, Liu Jiayin, 2005Oxhide II, Liu Jiayin, 2009Papageno, Lotte Reiniger, 1935Picnic, Joshua Logan, 1955Pink Narcissus, James Bidgood, 1971The Professional, Georges Lautner, 1981A Quiet Place in the Country, Elio Petri, 1968Raining in the Mountain, King Hu, 1979Ripley’s Game, Liliana Cavani, 2002Room Service, William A. Seiter, 1938Rupture, Yassmina Karajah, 2017The Secret of the Marquise, Lotte Reiniger, 1922Señorita, Isabel Sandoval, 2011Shaft, Gordon Parks, 1971Shaft’s Big Score!, Gordon Parks, 1972Smooth Talk, Joyce Chopra, 1985Sons of the Desert, William A. Seiter, 1933 *The Star of Bethlehem, Lotte Reiniger, 1956The Stolen Heart, Lotte Reiniger, 1934Tabula Rasa, Matthew Rankin, 2011That’s Life!, Blake Edwards, 1986To Sleep with Anger, Charles Burnett, 1990The Third Man, Carol Reed, 1949This Is Not a Film, Jafar Panahi, Mojtaba Mirtahmasb, 2011 *Winged Migration, Jacques Cluzaud, Michel Debats, Jacques Perrin, 2001 *A Woman, a Gun and a Noodle Shop, Zhang Yimou, 2009 *Words, Planets, Laida Lertxundi, 2018The World of Gilbert & George, Gilbert & George Passmore, 1981Yellow Fever, Ng’endo Mukii, 2012
― Motoroller Scampotron (WmC), Friday, 26 March 2021 12:44 (three years ago) link
i thought days of heaven was one of the movies that's going away this month? are they taking it away and then adding it back?
― na (NA), Friday, 26 March 2021 13:57 (three years ago) link
i am pumped that mccabe & mrs. miller is coming back, last time i had to turn it off with about a half hour left because i was too tired, forgetting that it was the last day of the month and it would be gone the next day
― na (NA), Friday, 26 March 2021 14:06 (three years ago) link
whoa very excited about all the Lotte Reiniger stuff!
― nobody like my rap (One Eye Open), Friday, 26 March 2021 14:15 (three years ago) link
I really need to carve out more time to use this service. Lots of great stuff. Also maybe I'll finally get around to watching Bob Le Flambeur.
― Nhex, Friday, 26 March 2021 14:23 (three years ago) link
one thing that's great about bob le flambeur is lots of french people saying "bob" in french accents
― na (NA), Friday, 26 March 2021 14:26 (three years ago) link
I wish they'd get Only Angels Have Wings back so I can finish watching it. The prints are so much more beautiful than the other streaming services, I'd always rather just wait. (Also I don't have a Bluray player.)
― Chuck_Tatum, Friday, 26 March 2021 17:10 (three years ago) link
....go get one, bro!
― Nhex, Friday, 26 March 2021 17:44 (three years ago) link
damn the ending is so good too
― nobody like my rap (One Eye Open), Friday, 26 March 2021 17:51 (three years ago) link
I think Days of Heaven was gone for a month...it's not available right now. That happens a fair amount...Blood Simple was coming and going constantly. It's back now but I don't know if it's part of the permanent collection or not.
― Motoroller Scampotron (WmC), Saturday, 27 March 2021 04:00 (three years ago) link
lol I still mix up BOB LE FLAMBEUR and PIERROT LE FOU, I have seen neither and have no idea what either one of them are about but every time I see either of them I'm like "oh yeah that one Godard film"
I saw a screening of BAD GIRLS GO TO HELL a few years ago and it is... rough
― Warmed Regards, (Stevie D(eux)), Saturday, 27 March 2021 21:13 (three years ago) link
Waiting for the WKW sh1t to be ripped and shared
― calstars, Saturday, 27 March 2021 21:44 (three years ago) link
How Green Was My Valley is necessary to show to anyone that dismisses John Ford or doesn't like Westerns--it's probably one of the most visually moving and evocative "memory pieces" I've ever seen. Don't watch it if you don't like Irish people
― flappy bird, Sunday, 28 March 2021 05:28 (three years ago) link
Sergeant Rutledge, fwiw, is a better liberal race 1960s movie than, for example, Guess Who's Coming to Dinner
― flappy bird, Sunday, 28 March 2021 05:29 (three years ago) link
Got a line on 2046, 24 gig rip
― calstars, Sunday, 28 March 2021 17:05 (three years ago) link
Been watching some films with Morricone scores this past week -- Big Gundown, Machine Gun McCain, Bird w/the Crystal Plumage. McCain was the least of the films for sure.
― Motoroller Scampotron (WmC), Tuesday, 6 April 2021 02:20 (three years ago) link
May 2021 titles:
Along for the Ride, Nick Ebeling, 2016Bad Day at Black Rock, John Sturges, 1955**The Backseat, Joe Stankus and Ashley Connor, 2017The Blot, Lois Weber, 1921The Blue Dahlia, George Marshall, 1946The Booksellers, D. W. Young, 2019Butter on the Latch, Josephine Decker, 2013The Cat o’ Nine Tails, Dario Argento, 1971The Chess Players, Satyajit Ray, 1977The Cigarette, Claire Parker and Alexandre Alexeieff, 1933 Cowboy, Delmer Daves, 1958Crossfire, Edward Dmytryk, 1947Dance, Girl, Dance, Dorothy Arzner, 1940Darling, How Could You!, Mitchell Leisen, 1951Day of Freedom, Leni Riefenstahl, 1935Death Takes a Holiday, Mitchell Leisen, 1934Dina, Dan Sickles, Antonio Santini, 2017Discontent, Lois Weber and Allen G. Siegler, 1916The Dumb Girl of Portici, Lois Weber, 1916Easy Living, Mitchell Leisen, 1937The Erl King, Marie-Louise Iribe, 1931Escapes, Michael Almereyda, 2017The Fall, Jonathan Glazer, 2019Falling Leaves, Alice Guy Blaché, 1912The Fate of Lee Khan, King Hu, 1973Fire Will Come, Oliver Laxe, 2019**First Day Out, Josephine Decker, 2016Flames, Zefrey Throwell, Josephine Decker and Zefrey Throwell, 2017Girlfriends, Claudia Weill, 1978The Girl in the Armchair, Alice Guy-Blaché, 1912Gloria, John Cassavetes, 1980The Green-Eyed Blonde, Bernard Girard, 1957He Ran All the Way, John Berry, 1951The Heart of the World, Guy Maddin, 2000Hooligan Sparrow, Nanfu Wang, 2016The Hot Rock, Peter Yates, 1972The House Is Black, Forough Farrokhzad, 1962King Rat, Bryan Forbes, 1965Kitty, Mitchell Leisen, 1945Kitty Foyle, Sam Wood, 1940**The Last Detail, Hal Ashby, 1973The Last Emperor, Bernardo Bertolucci, 1987The Last Movie, Dennis Hopper, 1971The Last Sunset, Robert Aldrich, 1961Lilith, Robert Rossen, 1964Lonely Are the Brave, David Miller, 1962Mabel’s Strange Predicament, Mabel Normand, 1914Making an American Citizen, Alice Guy-Blaché, 1912Mala mala, Dan Sickles, Antonio Santini, 2014The Man in the Gray Flannel Suit, Nunnally Johnson, 1956MASH, Robert Altman, 1970The Mask Task, Josephine Decker, 2018Me the Terrible, Josephine Decker, 2012The Men, Fred Zinnemann, 1950Midnight, Mitchell Leisen, 1939Minnie and Moskowitz, John Cassavetes, 1971Miss Dundee and Her Performing Dogs, Alice Guy-Blaché, 1902Murder at the Vanities, Mitchell Leisen, 1934A Night on Bald Mountain, Claire Parker and Alexandre Alexeieff, 1933 No Man of Her Own, Mitchell Leisen, 1950Odds Against Tomorrow, Robert Wise, 1959On Dangerous Ground, Nicholas Ray, 1951On the Barricade, Alice Guy-Blaché, 1907Our Vines Have Tender Grapes, Roy Rowland, 1945Parabola, Mary Ellen Bute and Ted Nemeth, 1937Patton, Franklin J. Schaffner, 1969The Peasant Women of Ryazan, Olga Preobrazhenskaya and Ivan Pravov, 1927A Pistol for Ringo, Duccio Tessari, 1965Property Is No Longer a Theft, Elio Petri, 1973The Razor’s Edge, Edmund Goulding, 1946Rebecca of Sunnybrook Farm, Allan Dwan, 1938Remember the Night, Mitchell Leisen, 1940The Return of Ringo, Duccio Tessari, 1965Roman Holiday, William Wyler, 1953**The Set-Up, Robert Wise, 1949Shoes, Lois Weber, 1916Skinningrove, Michael Almereyda, 2013The Smiling Madame Beudet, Germaine Dulac, 1923Spartacus, Stanley Kubrick, 1960Spook Sport, Mary Ellen Bute, Norman McLaren, Ted Nemeth, 1940Squeezebox, Josephine Decker, 2010The Star Prince, Madeline Brandeis, 1918A Story Well Spun, Alice Guy-Blaché, 1906Suspense, Lois Weber and Phillips Smalley, 1913Tempest, Paul Mazursky, 1982The Thing, John Carpenter, 1982Thirty Seconds over Tokyo, Mervyn LeRoy, 1944Thou Wast Mild and Lovely, Josephine Decker, 2014To Each His Own, Mitchell Leisen, 1946To the Unknown, Michael Almereyda, 2017Tricheurs, Barbet Schroeder, 1984Welcome Home, Soldier Boys, Richard Compton, 1971What Happened Was . . . , Tom Noonan, 1994What Have You Done to Solange?, Massimo Dallamano, 1972Wild Combination: A Portrait of Arthur Russell, Matt Wolf, 2008The Wild Bunch, Sam Peckinpah, 1969William Eggleston in the Real World, Michael Almereyda, 2005The Woman Condemned, Dorothy Davenport, 1934Wolf, Mike Nichols, 1994
― In my house are many Manchins (WmC), Saturday, 24 April 2021 01:55 (two years ago) link
Girlfriends is GREAT
― flappy bird, Saturday, 24 April 2021 03:55 (two years ago) link
Anyone seen the William eggleston one?
― calstars, Saturday, 24 April 2021 11:40 (two years ago) link
Minnie and Moskowitz is pretty rare on streaming, right? Glad people will have a chance to check it out. Should have a higher profile among his works imo.
― Chris L, Saturday, 24 April 2021 12:22 (two years ago) link
It’s the only major Cassavetes that I’ve never been able to see, so I’m pretty excited about this.
― edited for dog profanity (cryptosicko), Saturday, 24 April 2021 13:14 (two years ago) link
The two "Ringo" westerns by Duccio Tessari are quite good and seldom seen here (both were extremely popular in Italy)
― Josefa, Saturday, 24 April 2021 15:14 (two years ago) link
Something I still remember: an interview with Janet Maslin where she said she thought Nicholson was great for the first half-hour of Wolf.
Interviewer: "What happened then?"Maslin: "He turned into a wolf."
I remember it as being pretty good.
― clemenza, Sunday, 25 April 2021 00:04 (two years ago) link
I remember the scene where he pees on James Spader (iirc) to be pretty great.
― Josh in Chicago, Sunday, 25 April 2021 00:28 (two years ago) link
The only thing I remember about that movie is a gag involving Nicholson's, er, keen sense of smell.
― edited for dog profanity (cryptosicko), Sunday, 25 April 2021 03:25 (two years ago) link
The Hot Rock is so good
― ian, Saturday, 15 May 2021 02:11 (two years ago) link
It's striking that Peter Yates made that movie back to back with The Friends of Eddie Coyle--such different approaches to "the crime movie," both done so well.
― flappy bird, Saturday, 15 May 2021 04:16 (two years ago) link
― Working in the POLL Mine (James Redd and the Blecchs), Saturday, 15 May 2021 04:21 (two years ago) link
I really liked Max Ophuls' Caught the other night. Billed as a noir, it's really somewhere between psychological thriller and a melodramatic "woman's picture."
― Three Rings for the Elven Bishop (Dan Peterson), Saturday, 15 May 2021 13:34 (two years ago) link
The book is fun, but a little *too* light. I didn't know there was a movie - conceivably it might be much better than the book. Robert Redford and George Segal? Definitely sold.
― Chuck_Tatum, Saturday, 15 May 2021 16:31 (two years ago) link
(The book of The Hot Rock.)
I've never synched with Eddie Coyle, found it drab and miserable - which obviously, it is, on purpose! - but Mitchum's such a hopeless shmuck from start to finish, it's hard to feel much for the ending. (I may need to rewatch.)
― Chuck_Tatum, Saturday, 15 May 2021 16:36 (two years ago) link
Yeah you do
― Clara Lemlich stan account (silby), Saturday, 15 May 2021 17:23 (two years ago) link
xp Had a similar feeling, tbh. Though I respect the movie on its merits.
― Nhex, Saturday, 15 May 2021 18:14 (two years ago) link
Some stan for the book of Eddie Coyle but I had similar problems with it.
― Working in the POLL Mine (James Redd and the Blecchs), Saturday, 15 May 2021 18:28 (two years ago) link
Two great flavors of crime film... I do prefer Eddie Coyle's pessimistic/realistic outlook... obviously can see Mitchum coming off like an asshole in *any* movie but I love the old bastard in this one especially--ugh, that hockey game! Played beautifully. Not a bad way to die, either.
― flappy bird, Sunday, 16 May 2021 00:41 (two years ago) link
June 2021 titles:
Blackmendream, Shikeith, 201412 Angry Men, Sidney Lumet, 1957About Tap, George T. Nierenberg, 1985The AIDS Show, Peter Adair and Rob Epstein, 1986The Assignation, Curtis Harrington, 1953Aya of Yop City, Marguerite Abouet and Clément Oubrerie, 2013**Bells Are Ringing, Vincente Minnelli, 1960Beyond the Valley of the Dolls, Russ Meyer, 1970The Blood of a Poet, Jean Cocteau, 1930BPM (Beats Per Minute), Robin Campillo, 2017A Cat in Paris, Alain Gagnol and Jean-Loup Felicioli, 2010**The Celluloid Closet, Rob Epstein and Jeffrey Friedman, 1995Christ Stopped at Eboli, Francesco Rosi, 1979Clash By Night, Fritz Lang, 1952The Class, Laurent Cantet, 2008**Common Threads: Stories from the Quilt, Rob Epstein and Jeffrey Friedman, 1989Cruising, William Friedkin, 1980Daddy and the Muscle Academy, Ilppo Pohjola, 1991Dos monjes, Juan Bustillo Oro, 1934Downpour, Bahram Beyzai, 1972The Fall of the House of Usher, Curtis Harrington, 1942Female Trouble, John Waters, 1974The Four Elements, Curtis Harrington, 1966Fragment of Seeking, Curtis Harrington, 1947Francisca, Manoel de Oliveira, 1981Freak Orlando, Ulrike Ottinger, 1981Full of Life, Richard Quine, 1956Funeral Parade of Roses, Toshio Matsumoto, 1969Greaser’s Palace, Robert Downey Sr., 1972Gypsy 83, Todd Stephens, 2001Hands Across the Table, Mitchell Leisen, 1935Heidi, Allan Dwan, 1937His Kind of Woman, John Farrow, 1951Howl, Rob Epstein, Jeffrey Friedman, 2010In Name Only, John Cromwell, 1939Incoherence, Bong Joon-ho, 1994It Should Happen to You, George Cukor, 1954Macao, Josef von Sternberg, 1952Mädchen in Uniform, Leontine Sagan and Carl Froelich, 1931The Mark of Zorro, Rouben Mamoulian, 1940The Marrying Kind, George Cukor, 1952Men in War, Anthony Mann, 1957The Middleman, Shira Geffen and Etgar Keret, 2020Mr. & Mrs. Smith, Alfred Hitchcock, 1941My Man Godfrey, Gregory La Cava, 1936No Man of Her Own, Mitchell Leisen, 1950No Maps on My Taps, George T. Nierenberg, 1979Nothing Sacred, William A. Wellman, 1937O Fantasma, João Pedro Rodrigues, 2000 Olivia, Jacqueline Audry, 1951 On the Edge, Curtis Harrington, 1949The Ox-Bow Incident, William A. Wellman, 1943Paragraph 175, Rob Epstein and Jeffrey Friedman, 2000Personal Best, Robert Towne, 1982Phffft, Mark Robson, 1954Picnic, Curtis Harrington, 1949Pink Flamingos, John Waters, 1972Poison, Todd Haynes, 1991The Queen, Frank Simon, 1968The Revolt of Mamie Stover, Raoul Walsh, 1956Rosetta, Luc Dardenne and Jean-Pierre Dardenne, 1999Safe, Todd Haynes, 1995 Say Amen, Somebody, George T. Nierenberg, 1982Scanners, David Cronenberg, 1981The Solid Gold Cadillac, Richard Quine, 1956Spoor, Agnieszka Holland, 2017Sylvia Scarlett, George Cukor, 1935Tales of the Night, Michel Ocelot, 2011**Testament of Orpheus, Jean Cocteau, 1959Tom of Finland, Dome Karukoski, 2017Topsy-Turvy, Mike Leigh, 1999True Confession, Wesley Ruggles, 1937Usher, Curtis Harrington, 2000Vigil in the Night, George Stevens, 1940Virtue, Edward Buzzell, 1932Western, Valeska Grisebach, 2017We Will Always Be Here, Monique Walton, 2013Where Are We? Our Trip Through America, Rob Epstein and Jeffrey Friedman, 1992Word Is Out: Stories of Some of Our Lives, Mariposa Film Group, 1977The Wormwood Star, Curtis Harrington, 1956
― In my house are many Manchins (WmC), Monday, 24 May 2021 18:52 (two years ago) link
That is one rainbow flag of a month right there.
― i carry the torch for disco inauthenticity (Eric H.), Monday, 24 May 2021 19:35 (two years ago) link
Very Carole Lombard heavy, very good! Kind of surprised by the inclusion of von Sternberg's Macao-- is that any good? Can anyone attest to post-Dietrich von Sternberg films?
― flappy bird, Tuesday, 25 May 2021 01:25 (two years ago) link
Macao is meh.
― edited for dog profanity (cryptosicko), Tuesday, 25 May 2021 01:36 (two years ago) link
Macao is fun!
― Its big ball chunky time (Jimmy The Mod Awaits The Return Of His Beloved), Tuesday, 25 May 2021 03:34 (two years ago) link
lol how many times can I watch Topsy-Turvy in a row? A lot probably.
― a man often referred to in the news media as the Duke of Saxony (tipsy mothra), Tuesday, 25 May 2021 03:41 (two years ago) link
https://www.youtube.com/watch?v=5ZtbCOpx8Sk
― Blue Yoda No. 9 (James Redd and the Blecchs), Tuesday, 25 May 2021 12:02 (two years ago) link
Challops perhaps: I can watch a few "Von" Sternberg films but as he got more sophisticated the rhythms get too attenuated for what's in essence schlock.
― So who you gonna call? The martini police (Alfred, Lord Sotosyn), Tuesday, 25 May 2021 12:08 (two years ago) link
Macao not even fully Von Sternberg, right? Nicholas Ray finished it off, though it's more Sternberg in sensibility for sure.
I think of it as more of a Mitchum star vehicle than anything tho.
― Daniel_Rf, Tuesday, 25 May 2021 12:20 (two years ago) link
Okay, fine if you want to take away his "von," but then do we still have to call you "Lord"?
― Blue Yoda No. 9 (James Redd and the Blecchs), Tuesday, 25 May 2021 13:39 (two years ago) link
EVERYONE WATCH FUNERAL PARADE OF ROSES THIS VERY MINUTE
― Warmed Regards, (Stevie D(eux)), Tuesday, 1 June 2021 12:00 (two years ago) link
Also on Mubi.
― wasdnuos (abanana), Tuesday, 1 June 2021 12:51 (two years ago) link
I highly recommend The Celluloid Closet.
― TO BE A JAZZ SINGER YOU HAVE TO BE ABLE TO SCAT (Jazzbo), Tuesday, 1 June 2021 13:13 (two years ago) link
Figure this is as good a place to try to drum up a few more cinephile ballots: ILX All-Time Film and Morbsies Poll: Voting And Campaigning Thread (Ballots Due Like I Dunno Maybe March 1, 2021?)
(Accepting ballots for a few more days.)
― i carry the torch for disco inauthenticity (Eric H.), Tuesday, 1 June 2021 13:26 (two years ago) link
Very happy to see a rare Ulrike Ottinger film streaming this month! And the Curtis Harrington stuff too. Peachy.
― lilcraigyboi (Craigo Boingo), Thursday, 10 June 2021 22:00 (two years ago) link
July 2021 titles:
2046, Wong Kar Wai, 2004Across 110th Street, Barry Shear, 1972Alice, Jan Švankmajer, 1988Alois Nebel, Tomáš Luňák, 2011American Movie, Chris Smith, 1999Anatomy of a Murder, Otto Preminger, 1959Andrei Tarkovsky: A Cinema Prayer, Andrei Tarkovsky, 2019As Tears Go By, Wong Kar Wai, 1988Being There, Hal Ashby, 1979Belladonna of Sadness, Eiichi Yamamoto, 1973The Bedroom Window, Curtis Hanson, 1987Beyond the Visible – Hilma af Klint, Halina Dyrschka, 2019The Big Sleep, Michael Winner, 1978A Bigger Splash, Jack Hazan, 1973The Bingo Long Traveling All-Stars & Motor Kings, John Badham, 1976**Black Fury, Michael Curtiz, 1935The Black Power Mixtape 1967–1975, Göran Olsson, 2011Blow Out, Brian De Palma, 1981Body Double, Brian De Palma, 1984Body Heat, Lawrence Kasdan, 1981Bombay, Mani Ratnam, 1995Born Yesterday, George Cukor, 1950Brick, Rian Johnson, 2005**Chico & Rita, Tono Errando, Fernando Trueba, and Javier Mariscal, 2010**Chinatown, Roman Polanski, 1974**Clockwatchers, Jill Sprecher, 1997Commandos Strike at Dawn, John Farrow, 1942Consuming Spirits, Chris Sullivan, 2012Cotton Comes to Harlem, Ossie Davis, 1970Cutter’s Way, Ivan Passer, 1981Days of Being Wild, Wong Kar Wai, 1990A Day on the Grand Canal with the Emperor of China, Philip Haas, 1988Delirious, Tom DiCillo, 2006Drums Along the Mohawk, John Ford, 1939Earth, Nikolaus Geyrhalter, 2019Ernest & Celestine, Stéphane Aubier, Vincent Patar, and Benjamin Renner, 2012**Eyes of Laura Mars, Irvin Kershner, 1978Farewell, My Lovely, Dick Richards, 1975Faust, Jan Švankmajer, 1994**Film, Alan Schneider, 1965The Girl Without Hands, Sébastien Laudenbach, 2016The Grand Bizarre, Jodie Mack, 2018The Hand, Wong Kar Wai, 2004Hedwig and the Angry Inch, John Cameron Mitchell, 2001Homo Sapiens, Nikolaus Geyrhalter, 2016Hoop Dreams, Steve James, Frederick Marx, and Peter Gilbert, 1994I Am a Fugitive from a Chain Gang, Mervyn LeRoy, 1932The Incident, Larry Peerce, 1967It’s Such a Beautiful Day, Don Hertzfeldt, 2012János vitéz, Marcell Jankovics, 1973Kannathil muthamittal (A Peck on the Cheek), Mani Ratnam, 2002The King of Pigs, Yeon Sang-ho, 2011Knock on Any Door, Nicholas Ray, 1949The Last Angry Man, Daniel Mann, 1959The Last Seduction, John Dahl, 1994The Life of Emile Zola, William Dieterle, 1937**Living in Oblivion, Tom DiCillo, 1995The Long Goodbye, Robert Altman, 1973Manhunter, Michael Mann, 1986Mary and Max, Adam Elliot, 2009Millennium Actress, Satoshi Kon, 2001Mind Game, Masaaki Yuasa, 2004Mr. Hobbs Takes a Vacation, Henry Koster, 1962Nayakan, Mani Ratnam, 1987Night Moves, Arthur Penn, 1975No. 7 Cherry Lane, Yonfan, 2019Nocturna, Adrià García, Víctor Maldonado, 2007Notfilm, Ross Lipman, 2015The Onion Field, Harold Becker, 1979Othello, Orson Welles, 1951Paprika, Satoshi Kon, 2006**The Painting, Jean-François Laguionie, 2011**Persepolis, Marjane Satrapi and Vincent Paronnaud, 2007**The Plague Dogs, Martin Rosen, 1982Practice, Iyabo Kwayana, 2017Preparations to Be Together for an Unknown Period of Time, Lili Horvát, 2020The Rabbi’s Cat, Joann Sfar and Antoine Delesvaux, 2011**Rocks in My Pockets, Signe Baumane, 2014**A Room with a View, James Ivory, 1985Scarface, Howard Hawks, 1932Slacker, Richard Linklater, 1990Son of the White Mare, Marcell Jankovics, 1981A Song to Remember, Charles Vidor, 1945The Story of Louis Pasteur, William Dieterle, 1936Suture, Scott McGehee and David Siegel, 1993Swimmer, Lynne Ramsay, 2012Swoon, Tom Kalin, 1992Tatsumi, Eric Khoo, 2011Tess, Roman Polanski, 1979Thelma & Louise, Ridley Scott, 1991This Magnificent Cake!, Emma De Swaef and Marc James Roels, 2018Too Late for Tears, Byron Haskin, 1949Tower, Keith Maitland, 2016A Town Called Panic, Stéphane Aubier and Vincent Patar, 2009**Trouble in Mind, Alan Rudolph, 1985Twentieth Century, Howard Hawks, 1934The Wanted 18, Paul Cowan and Amer Shomali, 2014**The Wolf House, Joaquin Cociña and Cristóbal León, 2018Waltz with Bashir, Ari Folman, 2008**You Will Die at Twenty, Amjad Abu Alala, 2019
― Profiles in Liquid Courage (WmC), Friday, 25 June 2021 02:39 (two years ago) link
Belladonna! Nice.
― Nhex, Sunday, 27 June 2021 04:59 (two years ago) link
August 2021 titles:
Abigail Harm, Lee Isaac Chung, 2012Across the Pacific, John Huston, 1942The African Queen, John Huston, 1951American Hunger, Ephraim Asili, 2013Amores perros, Alejandro G. Iñárritu, 2000Annie, John Huston, 1982The Asphalt Jungle, John Huston, 1950**Bestiaire, Denis Côté, 2012The Big Chill, Lawrence Kasdan, 1983Blessed Land, Pham Ngoc Lan, 2019Bombshell, Victor Fleming, 1933Boris Without Béatrice, Denis Côté, 2016Braguino, Clément Cogitore, 2017Buchanan Rides Alone, Budd Boetticher, 1958. . . But Then, She’s Betty Carter, Michelle Parkerson, 1980China Seas, Tay Garnett, 1935Comanche Station, Budd Boetticher, 1960Conceiving Ada, Lynn Hershman Leeson, 1997The Dead, John Huston, 1987Decision at Sundown, Budd Boetticher, 1957The Devil’s Harmony, Dylan Holmes Williams, 2019Dinner at Eight, George Cukor, 1933**Disintegration 93-96, Miko Revereza, 2017Distancing, Miko Revereza, 2019Dustin, Naïla Guiguet, 2020Duvidha, Mani Kaul, 1973The End of Suffering (A Proposal), Jacqueline Lentzou, 2020Fat City, John Huston, 1972Fluid Frontiers, Ephraim Asili, 2017Forged Ways, Ephraim Asili, 2010Freud, John Huston, 1962**The Girl from Missouri, Jack Conway, 1934Gloria Mundi, Nikos Papatakis, 1976Gotta Make This Journey: Sweet Honey in the Rock, Joseph Camp, 1983Heaven Knows, Mr. Allison, John Huston, 1957Hella Trees, Ayo Akingbade, 2020Hold Your Man, Sam Wood, 1933I Signed the Petition, Mahdi Fleifel, 2018The Inheritance, Ephraim Asili, 2020In This Our Life, John Huston, 1942Key Largo, John Huston, 1948Kindah, Ephraim Asili, 2016Kings of Pastry, Chris Hegedus and D. A. Pennebaker, 2009La piscine, Jacques Deray, 1969La revue des revues, Joe Francis, 1927Landscape Suicide, James Benning, 1987Les abysses, Nikos Papatakis, 1963Let There Be Light, John Huston, 1946Libeled Lady, Jack Conway, 1936Lizard, Akinola Davies, 2020Lore, Cate Shortland, 2012Louder Than Bombs, Joachim Trier, 2015Lucky Life, Lee Isaac Chung, 2010The Man Who Would Be King, John Huston, 1975Many Thousands Gone, Ephraim Asili, 2015The Marvelous Misadventures of the Stone Lady, Gabriel Abrantes, 2019Mizaru, Sudarshan Suresh, 2019Moby Dick, John Huston, 1956Moonstruck, Norman Jewison, 1987Moulin Rouge, John Huston, 1952Moving, Adinah Dancyger, 2019Munyurangabo, Lee Isaac Chung, 2007The Night of the Iguana, John Huston, 1964No Data Plan, Miko Revereza, 2019Odds nd Ends, Michelle Parkerson, 1993One Day Before the Rainy Season, Mani Kaul, 1971Our Daily Bread, Mani Kaul, 1969Personal Property, W.S. Van Dyke, 1937The Phantom of the Monastery, Fernando de Fuentes, 1934The Photograph, Nikos Papatakis, 1986Princesse Tam-Tam, Edmond T. Gréville, 1935Reckless, Victor Fleming, 1935Red Dust, Victor Fleming, 1932Red-Headed Woman, Jack Conway, 1932Reflections in a Golden Eye, John Huston, 1967Ride Lonesome, Budd Boetticher, 1959Riffraff, J. Walter Ruben, 1936Saratoga, Jack Conway, 1937The Secret of NIMH, Don Bluth, 1982Seven Men from Now, Budd Boetticher, 1956The Shooting, Monte Hellman, 1966Siren of the Tropics, Mario Nalpas, 1927The Spy Who Came in from the Cold, Martin Ritt, 1965Sticker, Georgi Unkovski, 2019Storme: The Lady of the Jewel Box, Michelle Parkerson, 1987Strange Culture, Lynn Hershman Leeson, 2007Suzy, George Fitzmaurice, 1936The Tall T, Budd Boetticher, 1957Teknolust, Lynn Hershman-Leeson, 2002The Sepherds of Calamity, Nikos Papatakis, 1967 Thelma, Joachim Trier, 2017Ticket of No Return, Ulrike Ottinger, 1979Time Bandits, Terry Gilliam, 1981To the Ends of the Earth, Kiyoshi Kurosawa, 2019Top Spin, Mina T. Son and Sara Newens, 2014Vic + Flo Saw a Bear, Denis Côté, 2013Walking a Tightrope, Nikos Papatakis, 1991A Walk with Love and Death, John Huston, 1969Wife vs. Secretary, Clarence Brown, 1936Women on the Verge of a Nervous Breakdown, Pedro Almodóvar, 1988**Youssou N’Dour: I Bring What I Love, Elizabeth Chai Vasarhelyi, 2008Zou Zou, Marc Allégret, 1934
― Profiles in Liquid Courage (WmC), Monday, 26 July 2021 19:54 (two years ago) link
i've had "fat city" on my "to-watch" list for a while
― na (NA), Monday, 26 July 2021 19:58 (two years ago) link
I almost went to B&N to buy La Piscine yesterday, glad I held off.
― Profiles in Liquid Courage (WmC), Monday, 26 July 2021 20:05 (two years ago) link
I'd really like to know why The Asphalt Jungle remains unairable in Canada (TCM never shows it here, even when it is on the US schedule). I've still never seen it.
― edited for dog profanity (cryptosicko), Monday, 26 July 2021 20:47 (two years ago) link
Huh, weird.
Is there a repository of knowledge somewhere to find out who owns home video and streaming rights to any particular film?
― Profiles in Liquid Courage (WmC), Monday, 26 July 2021 22:06 (two years ago) link
Secret of Nimh, ha, interesting
― Nhex, Monday, 26 July 2021 22:46 (two years ago) link
It's interesting to see which animated films they go with when that's one of their blind spots as far as their disc releases go. fantastic planet, watership down, some stop motion.
The Asphalt Jungle was the weakest film in that warner noir DVD set. (hard to compete with gun crazy and out of the past.) the huston i'm interested in seeing is The Dead which had a botched dvd release that was missing the first reel.
― wasdnuos (abanana), Tuesday, 27 July 2021 17:06 (two years ago) link
oooh i love the secret of nimh!! that and the rescuers were my favorite dark/extremely sad cartoons as a kid. (i hadn't seen plague dogs yet)
― weird woman in a bar (La Lechera), Tuesday, 27 July 2021 19:45 (two years ago) link
The Secret of Nimh scared me as a kid.
― edited for dog profanity (cryptosicko), Tuesday, 27 July 2021 20:31 (two years ago) link
September 2021 titles:
24 City, Jia Zhangke, 2008Abel’s Island, Michael Sporn, 1988Ace in the Hole, Billy Wilder, 1951After Hours, Martin Scorsese, 1985An Affair to Remember, Leo McCarey, 1957Angel, Ernst Lubitsch, 1937The Angel Levine, Ján Kadár, 1970The Apartment, Billy Wilder, 1960Bluebeard’s Eighth Wife, Ernst Lubitsch, 1938Bonjour tristesse, Otto Preminger, 1958Born to Win, Ivan Passer, 1971Center Stage, Stanley Kwan, 1991Chocolate Babies, Stephen Winter, 1996Ciao! Manhattan, John Palmer, 1972Citizenfour, Laura Poitras, 2014**The Clock, Vincente Minnelli, 1945The Crowd, King Vidor, 1928Cluny Brown, Ernst Lubitsch, 1946Crimson Gold, Jafar Panahi, 2003**Da yie, Anthony Nti, 2019Dark Days, Marc Singer, 2000The Devil and Daniel Johnston, Jeff Feuerzeig, 2005Do the Right Thing, Spike Lee, 1989Downtown 81, Edo Bertoglio, 2000Drifting Clouds, Aki Kaurismäki, 1996Edward, My Son, George Cukor, 1949The End of the Affair, Edward Dmytryk, 1955Eye of the Devil, J. Lee Thompson, 1966Fear of a Black Hat, Rusty Cundieff, 1993Flowers of Shanghai, Hou Hsiao-hsien, 1998Freedom Fields, Naziha Arebi, 2018The Garment Jungle, Vincent Sherman, 1957God Told Me To, Larry Cohen, 1976Grass: A Nation’s Battle for Life, Ernest B. Schoedsack and Merian C. Cooper, 1925Heaven Can Wait, Ernst Lubitsch, 1943The Hottest August, Brett Story, 2019The Hucksters, Jack Conway, 1947In the Cut, Jane Campion, 2003**The Innocents, Jack Clayton, 1961Jason and Shirley, Stephen Winter, 2015Jean-Michel Basquiat: The Radiant Child, Tamra Davis, 2010Jeannette: The Childhood of Joan of Arc, Bruno Dumont, 2017Jia Zhangke, A Guy from Fenyang, Walter Salles, 2014**Joan of Arc,Bruno Dumont, 2019Just Another Girl on the I.R.T., Leslie Harris, 1992King of New York, Abel Ferrara, 1990Koshien: Japan’s Field of Dreams, Ema Ryan Yamazaki, 2019La Cage aux Folles, Edouard Molinaro, 1978Lights in the Dusk, Aki Kaurismäki, 2006**Little Fugitive, Morris Engel, Ruth Orkin, and Raymond Abrashkin, 1953Little Murders, Alan Arkin, 1971Los Sures, Diego Echeverria, 1984maɬni—towards the ocean, towards the shore, Sky Hopinka, 2020The Man Without a Past, Aki Kaurismäki, 2002Margaret, Kenneth Lonergan, 2011Mountains May Depart, Jia Zhangke, 2015**Mr. Jealousy, Noah Baumbach, 1997Mrs. Parker and the Vicious Circle, Alan Rudolph, 1994My Country, My Country, Laura Poitras, 2006Ninotchka, Ernst Lubitsch, 1939O’Say Can You See 1, Laura Poitras, 2011O’Say Can You See 2, Laura Poitras, 2011The Oath, Laura Poitras, 2010Old Enough, Marisa Silver, 1984On the Bowery, Lionel Rogosin, 1956On the Waterfront, Elia Kazan, 1954The Out-of-Towners, Arthur Hiller, 1970The Panic in Needle Park, Jerry Schatzberg, 1971The Perfect Candidate, Haifaa al-Mansour, 2019Platform, Jia Zhangke, 2000Point Blank, John Boorman, 1967The Prisoner of Zenda, Richard Thorpe, 1952Rhythm Thief, Matthew Harrison, 1994The Rocket, Kim Mordaunt, 2013A Royal Scandal, Otto Preminger and Ernst Lubitsch, 1945Sabrina, Billy Wilder, 1954**Smoke, Wayne Wang, 1995Soup to Nuts, Benjamin Stoloff, 1930The Squid and the Whale, Noah Baumbach, 2005**Stalag 17, Billy Wilder, 1953Stations of the Elevated, Manfred Kirchheimer, 1981Still Life, Jia Zhangke, 2006still/here, Christopher Harris, 2019The Story of the Dancing Frog, Michael Sporn, 1989The Story of Lovers Rock, Menelik Shabazz, 2011The Sundowners, Fred Zinnemann, 1960Sunset Boulevard, Billy Wilder, 1950Super Fly, Gordon Parks Jr., 1972The Taking of Pelham One Two Three, Joseph Sargent, 1974Tea and Sympathy, Vincente Minnelli, 1956That Uncertain Feeling, Ernst Lubitsch, 1941Thief, Michael Mann, 1981Time and Judgement, Menelik Shabazz, 1988Titus, Julie Taymor, 1999A Touch of Sin, Jia Zhangke, 2013**Vacation from Marriage, Alexander Korda, 1945Variety, Bette Gordon, 1983West Side Story, Robert Wise and Jerome Robbins, 1961What Is a Woman?, Marin Håskjold, 2020Wish You Were Here, David Leland, 1987Working Girls, Lizzie Borden, 1986
― Profiles in Liquid Courage (WmC), Wednesday, 25 August 2021 20:16 (two years ago) link
Criterion Channel's "63-film salute to New York City" next month includes exactly zero films from Woody Allen. Interesting snapshot of where he's at, reputation-wise.— Ryan Stewart (@crsryan) August 25, 2021
― i carry the torch for disco inauthenticity (Eric H.), Wednesday, 25 August 2021 23:16 (two years ago) link
Excellent month.
― Chris L, Thursday, 26 August 2021 02:55 (two years ago) link
October 2021 titles:
10 Rillington Place, Richard Fleischer, 1971After Life, Hirokazu Kore-eda, 1998Angst, Gerald Kargl, 1983Arsenic and Old Lace, Frank Capra, 1944**The Bad and the Beautiful, Vincente Minnelli, 1952Bad Influence, Curtis Hanson, 1990Beat Girl, Edmond T. Gréville, 1960Beautiful Thing, Hettie MacDonald, 1996**Between You and Milagros, Mariana Saffon, 2020The Big Sky, Howard Hawks, 1952The Black Cat, Edgar G. Ulmer, 1934Black Christmas, Bob Clark, 1974Blind Alley, Charles Vidor, 1939Blood and Black Lace, Mario Bava, 1964Bride of Frankenstein, James Whale, 1935Bright Future, Kiyoshi Kurosawa, 2003The Brotherhood, Martin Ritt, 1968Bustin’ Loose, Oz Scott, 1981The Anderson Tapes, Sidney Lumet, 1971The Autobiography of Miss Jane Pittman, John Korty, 1974Champion, Mark Robson, 1949Chan Is Missing, Wayne Wang, 1982Coffee and Cigarettes, Jim Jarmusch, 2003Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean, Robert Altman, 1982The Comedians, Peter Glenville, 1967Coming Out Under Fire, Arthur Dong, 1994Creature from the Black Lagoon, Jack Arnold, 1954Creepy, Kiyoshi Kurosawa, 2016Cul-de-sac, Roman Polanski, 1966The Day of the Jackal, Fred Zinnemann, 1973Deadly Weapons, Doris Wishman, 1974The Delta, Ira Sachs, 1996Demon Seed, Donald Cammell, 1977The Desperate Hours, William Wyler, 1955Detective Story, William Wyler, 1951Devil in a Blue Dress, Carl Franklin, 1995The Devil’s Disciple, Guy Hamilton, 1959Diary of a Mad Housewife, Frank Perry, 1970Dillinger,John Milius, 1973Dim Sum: A Little Bit of Heart, Wayne Wang, 1985Doctor X, Michael Curtiz, 1932Don’t Look Now, Nicolas Roeg, 1973Double Agent 73, Doris Wishman, 1974Dracula (Spanish-Language Version), George Melford, 1931E•pis•to•lar•y: Letter to Jean Vigo, Lynne Sachs, 2021Eat a Bowl of Tea, Wayne Wang, 1989Escape from New York, John Carpenter, 1981Family Fundamentals, Arthur Dong, 2002A Father . . . A Son . . . Once Upon a Time in Hollywood, Lee Grant, 2005Film About a Father Who, Lynne Sachs, 2020The Fly, Kurt Neumann, 1958Forbidden City, USA, Arthur Dong, 1989From Hell, Albert Hughes and Allen Hughes, 2001From Here to Eternity, Fred Zinnemann, 1953Girl Is Presence, Lynne Sachs and Anne Lesley Selcer, 2020The Heart Is a Lonely Hunter, Robert Ellis Miller, 1968Henry: Portrait of a Serial Killer, John McNaughton, 1986Hollywood Chinese, Arthur Dong, 2007I Walk Alone, Byron Haskin, 1947In Cold Blood, Richard Brooks, 1967Indecent Desires, Doris Wishman, 1968Inside, Julien Maury and Alexandre Bustillo, 2007**The Invisible Man, James Whale, 1933Is Paris Burning?, René Clément, 1966Island of Lost Souls, Erle C. Kenton, 1932Jennifer’s Body, Karyn Kusama, 2009Kagemusha, Akira Kurosawa, 1980The Killing Fields of Dr. Haing S. Ngor, Arthur Dong, 2015Klute, Alan J. Pakula, 1971The Last Happy Day, Lynne Sachs, 2009Last Train from Gun Hill, John Sturges, 1959Let Him Have It, Peter Medak, 1991Let Me Die a Woman, Doris Wishman, 1977A Letter to Three Wives, Joseph L. Mankiewicz, 1949Licensed to Kill, Arthur Dong, 1997Lonely Are the Brave, David Miller, 1962The Love Parade, Ernst Lubitsch, 1929**Lust for Life, Vincente Minnelli, 1956Man on a Swing, Frank Perry, 1974Maya at 24, Lynne Sachs, 2021Miss Minoes, Vincent Bal, 2011Monte Carlo, Ernst Lubitsch, 1930The Mummy, Karl Freund, 1932The Naughty Nineties, Jean Yarbrough, 1945Nude on the Moon, Doris Wishman and Raymond Phelan, 1961Office Killer, Cindy Sherman, 1997**One Hour with You, Ernst Lubitsch, 1932Only Lovers Left Alive, Jim Jarmusch, 2013**Out of the Past, Jacques Tourneur, 1947Park Row, Samuel Fuller, 1952Please Speak Continuously and Describe Your Experiences as They Come to You, Brandon Cronenberg, 2019Polytechnique, Denis Villeneuve, 2009**Porto of My Childhood, Manoel de Oliveira, 2001Posse, Kirk Douglas, 1975Private Property, Leslie Stevens, 1960A Raisin in the Sun, Daniel Petrie, 1961Rat Film, Theo Anthony, 2016The Raven, Louis Friedlander, 1935Reversal of Fortune, Barbet Schroeder, 1990Robinson Crusoe on Mars, Byron Haskin, 1964Sewing Woman, Arthur Dong, 1982Short Eyes, Robert M. Young, 1977The Smiling Lieutenant, Ernst Lubitsch, 1931Smoke, Wayne Wang, 1995**Sparkle, Sam O'Steen, 1976The Strange Love of Martha Ivers, Lewis Milestone, 1946Stuffed, Erin Derham, 2019Them, David Moreau and Xavier Palud, 2006There Was a Crooked Man . . . , Joseph L. Mankiewicz, 1970The Time of Their Lives, Charles Barton, 1946To Die For, Gus Van Sant, 1995To Sleep with Anger, Charles Burnett, 1990The Treasure of the Sierra Madre, John Huston, 1948Try and Get Me!, Cy Endfield, 1950Two Weeks in Another Town, Vincente Minnelli, 1962The Valachi Papers, Terence Young, 1972The Vikings, Richard Fleischer, 1958The Visitors, Elia Kazan, 1972The Washing Society, Lizzie Olesker and Lynne Sachs, 2018The Way West, Andrew V. McLaglen, 1967When We Were Kings, Leon Gast, 1996Which Way Is East, Lynne Sachs, 1994White Echo, Chloë Sevigny, 2019Wind in Our Hair, Lynne Sachs, 2010The Wolf Man, George Waggner, 1941Wombling Free, Lionel Jeffries, 1978Young Man with a Horn, Michael Curtiz, 1950Zodiac, David Fincher, 2007
― Profiles in Liquid Courage (WmC), Friday, 24 September 2021 18:44 (two years ago) link
Looking forward to finally seeing these Doris Wishman films. Hope they’re not disappointing
― Josefa, Friday, 24 September 2021 18:56 (two years ago) link
lol Double Agent 73!
― Nhex, Saturday, 25 September 2021 03:45 (two years ago) link
omfg Cindy Sherman's "Office Killer"!!!! THis has been on my to do list for a while and was up until tomorrow only available via crummy YouTube rip
― Warmed Regards, (Stevie D(eux)), Thursday, 30 September 2021 15:35 (two years ago) link
ive seen most of those wishman films, i cant in good consience say theyre "good" but theyre fun curios if you have the patience for that kind of thing
― nobody like my rap (One Eye Open), Thursday, 30 September 2021 15:51 (two years ago) link
Hyped to binge the Universal monster movies I haven’t seen since the days of VHS and tiny local TV channels.
― papal hotwife (milo z), Thursday, 30 September 2021 15:53 (two years ago) link
Henry: Portrait of a Serial Killer is probably the most hard-to-watch film I have ever attempted. I know others have surpassed its squirm quotient since 1986 but I haven't and don't want to see them.
― Three Rings for the Elven Bishop (Dan Peterson), Thursday, 30 September 2021 16:33 (two years ago) link
OTM
― He POLLS So Much About These Zings (James Redd and the Blecchs), Thursday, 30 September 2021 18:53 (two years ago) link
November 2021 titles:
300 Nassau, Marina Lameiro, 20155 Card Stud, Henry Hathaway, 1968Alone, Garrett Bradley, 2017Álvaro, Daniel Wilson, Elizabeth Warren, Alexandra Lazarowich, and Chloe Zimmerman, 2015America, Garrett Bradley, 2019Angel Face, Otto Preminger, 1953Angels Wear White, Vivian Qu, 2017Asako I & II, Ryusuke Hamaguchi, 2018 *Baby Doll, Elia Kazan, 1956Beemus, It’ll End in Tears, Lauren Wolkstein, 2016Big Fish & Begonia, Liang Xuan and Zhang Chun, 2016The Big Steal, Don Siegel, 1949Black Soil, Green Grass, Daniel Patrick Carbone, 2016Black Widow, Nunnally Johnson, 1954Blessed Event, Roy Del Ruth, 1932Boomerang!, Elia Kazan, 1947Bright Star, Jane Campion, 2009 *Butch Cassidy and the Sundance Kid, George Roy Hill, 1969Cape Fear, J. Lee Thompson, 1962Ceremonial, Caroline Monnet, 2018The Chalk Garden, Ronald Neame, 1964Collective: Unconscious, Daniel Patrick Carbone, Josephine Decker, Lauren Wolkstein, Nuotama Bodomo, and Lily Baldwin, 2016Creatura Dada, Caroline Monnet, 2016Crossfire, Edward Dmytryk, 1947David and Lisa, Frank Perry, 1962Division Avenue, Anne-Katrine Hansen, Janna Kyllästinen, 2015Don’t Go Tellin’ Your Momma, Topaz Jones and Rubberband, 2021The Earth Is Humming, Garrett Bradley, 2018East of Eden, Elia Kazan, 1955Emptying the Tank, Caroline Monnet, 2018The Enemy Below, Dick Powell, 1957The Exiles, Kent Mackenzie, 1961A Face in the Crowd, Elia Kazan, 1957Five Star Final, Mervyn LeRoy, 1931Fourteen, Dan Sallitt, 2019The Friends of Eddie Coyle, Peter Yates, 1973Gentleman’s Agreement, Elia Kazan, 1947Gephyrophobia, Caroline Monnet, 2012Ghost World, Terry Zwigoff, 2001Girlhood, Céline Sciamma, 2014Go Fish, Rose Troche, 1994The Grass Is Greener, Stanley Donen, 1960The Guitar Mongoloid, Ruben Östlund, 2004Hale County This Morning, This Evening, RaMell Ross, 2018Hangover Square, John Brahm, 1945Happy Hour, Ryusuke Hamaguchi, 2015His Girl Friday, Howard Hawks, 1940Home from the Hill, Vincente Minnelli, 1960I Wake Up Screaming, H. Bruce Humberstone, 1941Ikwé, Caroline Monnet, 2009Involuntary, Ruben Östlund, 2008It Happened One Night, Frank Capra, 1934Jazztime Tale, Michael Sporn, 1991The Last Bread, Maria Rosa Badia, 2013The Last Tycoon, Elia Kazan, 1976Laura, Otto Preminger, 1944Like, Garrett Bradley, 2016Little Potato, Nathan M. Miller and Wes Hurley, 2017The Lusty Men, Nicholas Ray, 1952Man with the Gun, Richard Wilson, 1955Margot at the Wedding, Noah Baumbach, 2007The Marzipan Pig, Michael Sporn, 1990Meet John Doe, Frank Capra, 1941 **Mommie Dearest, Frank Perry, 1981Mulholland Dr., David Lynch, 2001The Mystery of Picasso, Henri-Georges Clouzot, 1956Newsfront, Phillip Noyce, 1978Niagara, Henry Hathaway, 1953Night and the City, Jules Dassin, 1950Nightmare Alley, Edmund Goulding, 1947The Night of the Hunter, Charles Laughton, 1955No Way Out, Joseph L. Mankiewicz, 1950Not as a Stranger, Stanley Kramer, 1955Open City Mixtape, A. V. Rockwell, 2012Panic in the Streets, Elia Kazan, 1950Passion Fish, John Sayles, 1992Pickup on South Street, Samuel Fuller, 1953Pinky, Elia Kazan, 1949Platinum Blonde, Frank Capra, 1931Play, Ruben Östlund, 2011Please Vote for Me, Weijun Chen, 2007Privilege, Yvonne Rainer, 1990Rachel and the Stranger, Norman Foster, 1948The Red Pony, Lewis Milestone, 1949Roberta, Caroline Monnet, 2014Ryan’s Daughter, David Lean, 1970Scandal Sheet, Phil Karlson, 1952The Snake Pit, Anatole Litvak, 1948Somewhere in the Night, Joseph L. Mankiewicz, 1946Spartacus, Stanley Kubrick, 1960The Swimmer, Frank Perry, 1968The Three Faces of Eve, Nunnally Johnson, 1957Third Shift, Anthony Banua-Simon, 2014This Is Not a Burial, It’s a Resurrection, Lemohang Jeremiah Mosese, 2019This Property Is Condemned, Sydney Pollack, 1966Thunder Road, Robert Mitchum, 1958Till the End of Time, Edward Dmytryk, 1946Track of the Cat, William A. Wellman, 1954Trapped, Richard Fleischer, 1949Truman & Tennessee: An Intimate Conversation, Lisa Immordino Vreeland, 2020Tshiuetin, Caroline Monnet, 2016Two Friends, Jane Campion, 1996The Virgin Suicides, Sofia Coppola, 1999Viva Zapata!, Elia Kazan, 1952Warchild, Caroline Monnet, 2010Where Danger Lives, John Farrow, 1950Where the Sidewalk Ends, Otto Preminger, 1950Wild River, Elia Kazan, 1960Woman of the Year, George Stevens, 1942The Year of Living Dangerously, Peter Weir, 1982
― Profiles in Liquid Courage (WmC), Wednesday, 27 October 2021 16:48 (two years ago) link
Mommie Dearest, lol
Looks like they just rotate some of these in & out at random.
― adam t. (abanana), Wednesday, 27 October 2021 21:23 (two years ago) link
How am I just now seeing Jennifer's Body for the first time?? This movie is perfect.
― Nature's promise vs. Simple truth (bernard snowy), Wednesday, 27 October 2021 23:21 (two years ago) link
even the diablo cody witticisms? chesters?
― adam t. (abanana), Thursday, 28 October 2021 12:16 (two years ago) link
Yeah I had to suspend my disbelief there, these days we all know the actual prison slang for them is "chomos" but 2009 was a simpler time
― Nature's promise vs. Simple truth (bernard snowy), Thursday, 28 October 2021 12:27 (two years ago) link
JB is indeed a classic
― Nhex, Thursday, 28 October 2021 14:03 (two years ago) link
December 2021 titles were announced a few days ago but I missed it until now.
Angela, Rebecca Miller, 1995The Bandit, Alberto Lattuada, 1946By Way of Canarsie, Emily Packer and Lesley Steele, 2020A Christmas Dream, Karel Zeman, 1945Christmas Eve, Edwin L. Marin, 1947Downhill Racer, Michael Ritchie, 1969Family Plot, Alfred Hitchcock, 1976The Fancy, Elisabeth Subrin, 2000A Family Submerged, María Alché, 2018Family Tree, Nicole Amani Magabo Kiggundu, 2020Film About a Woman Who … , Yvonne Rainer, 1974 *The French Connection, William Friedkin, 1971Frenzy, Alfred Hitchcock, 1972Gaslight, George Cukor, 1944Gasman, Lynne Ramsay, 1998Girl in the Window, Luciano Emmer, 1961The Gold Diggers, Sally Potter, 1983The Gold of Naples, Vittorio De Sica, 1954The Hard Stop, George Amponsah, 2015The Headless Woman, Lucrecia Martel, 2008High Art, Lisa Cholodenko, 1998 *Home, Ursula Meier, 2008 *I Dream You Dream of Me, Jennifer Reeder, 2018The Incredibly True Adventure of Two Girls in Love, Maria Maggenti, 1995The Innocents, Anne Fontaine, 2016Karaoke Girl, Visra Vichit-Vadakan, 2013Kill the Day, Lynne Ramsay, 2000The Lawless, Joseph Losey, 1950Lifeboat, Alfred Hitchcock, 1944The Lights Are On, No One’s Home, Faye Ruiz, 2021Like Flying, Peier Tracy Shen, 2020The Little Princess, Walter Lang, 1939The London Story, Sally Potter, 1986Long Way North, Rémi Chayé, 2015Lydia Lunch: The War Is Never Over, Beth B., 2019The Magnificent Ambersons, Orson Welles, 1942The Maids, Christopher Miles, 1975The Man Who Knew Too Much, Alfred Hitchcock, 1956Marnie, Alfred Hitchcock, 1964The Milk of Sorrow, Claudia Llosa, 2009The Mill on the Po, Alberto Lattuada, 1949The Miseducation of Cameron Post, Desiree Akhavan, 2018The Music Lovers, Ken Russell, 1971Nenette and Boni, Claire Denis, 1996Not Black Enough, Jermaine Manigault, 2020Personal Velocity, Rebecca MillerPolygraph, Samira Saraya, 2020Ratcatcher, Lynne Ramsay, 1999Rear Window, Alfred Hitchcock, 1954The Return of the Soldier, Alan Bridges, 1982Rope, Alfred Hitchcock, 1948The Rose of Manila, Alex Westfall, 2020Saboteur, Alfred Hitchcock, 1942Scrooge, Ronald Neame, 1970Second Coming, Debbie Tucker Green, 2014The Second Mother, Anna Muylaert, 2015Shadow of a Doubt, Alfred Hitchcock, 1943Shooting Women, Alexis Krasilovsky, 2008Sister, Ursula Meier, 2012 *Slip, Nicole Otero, 2019Small Deaths, Lynne Ramsay, 1996Social Butterfly, Lauren Wolkstein, 2013Something to Remember, Niki Lindroth von Bahr, 2019Ste. Anne, Rhayne Vermette, 2021Stevie, Robert Enders, 1978Stories We Tell, Sarah Polley, 2012 *Strange Victory, Leo Hurwitz, 1948Sunday Bloody Sunday, John Schlesinger, 1971Swallow, Elisabeth Subrin, 1995Sweet Ruin, Elisabeth Subrin, 2008The Trouble with Harry, Alfred Hitchcock, 1955Throw Down, Johnnie To, 2004Topaz, Alfred Hitchcock, 1969Torn Curtain, Alfred Hitchcock, 1966Troublemaker, Olive Nwosu, 2019Tuesday, After Christmas, Radu Muntean, 2010 *Vertigo, Alfred Hitchcock, 1958A Woman, a Part, Elisabeth Subrin, 2016The Wonders, Alice Rohrwacher, 2014
Bundles and features: https://criterioncast.com/news/december-2021-programming-on-the-criterion-channel-announced
― Everybody Loves Ramen (WmC), Thursday, 25 November 2021 04:26 (two years ago) link
Family Plot, Alfred Hitchcock, 1976Frenzy, Alfred Hitchcock, 1972Lifeboat, Alfred Hitchcock, 1944Marnie, Alfred Hitchcock, 1964The Trouble with Harry, Alfred Hitchcock, 1955Topaz, Alfred Hitchcock, 1969Torn Curtain, Alfred Hitchcock, 1966
If I love Hitchcock but have never seen any of the above, where should I start?
― Jimmy Iovine Eat World (bernard snowy), Thursday, 25 November 2021 12:49 (two years ago) link
Marnie and Frenzy
― Josefa, Thursday, 25 November 2021 14:08 (two years ago) link
Yeah
― Sporting with the Fbclid (James Redd and the Blecchs), Thursday, 25 November 2021 14:26 (two years ago) link
Marnie is the best graduate-level Hitchcock. Almost want to say save it for last.
― Milm & Foovies (Eric H.), Thursday, 25 November 2021 16:26 (two years ago) link
If you're not quite as enamored of Hitchcock as others, you might want to read Kael first ("Hitchcock scraping bottom").
― clemenza, Thursday, 25 November 2021 18:44 (two years ago) link
I can't think of many reasons beyond Hitchcock completism why Torn Curtain or Family Plot would be worth your time.
― Les hommes de bonbons (cryptosicko), Thursday, 25 November 2021 18:57 (two years ago) link
The Trouble With Harry is rather daft but still worth watching, Edmund Gwenn is ace in it.
― calzino, Thursday, 25 November 2021 19:08 (two years ago) link
Yeah, I don't know if that one quite works, but it is an interesting failure at least.
― Les hommes de bonbons (cryptosicko), Thursday, 25 November 2021 19:11 (two years ago) link
don't watch marnie until you've seen spellbound and under capricorn, at the very least. there are some abstract associations in marnie and you can probably figure out what hitch is trying to do by watching those two.
torn curtain is a fine hollywood star vehicle
― adam t. (abanana), Thursday, 25 November 2021 20:19 (two years ago) link
i have a soft spot for lifeboat as a popcorn movie
― When Young Sheldon began to rap (forksclovetofu), Thursday, 25 November 2021 21:20 (two years ago) link
I like Family Plot. Sort of cute, sort of pathetic, touching way to go out.
― Milm & Foovies (Eric H.), Thursday, 25 November 2021 23:37 (two years ago) link
Agreed.
― Duck and Sally Can't Dance (James Redd and the Blecchs), Thursday, 25 November 2021 23:40 (two years ago) link
Same here. Also agreed on Lifeboat, even if it is kinda agitprop.
― Nhex, Saturday, 27 November 2021 04:20 (two years ago) link
Wondering if it would be useful to post the series teasers here.
― Goofy the Grifter (James Redd and the Blecchs), Friday, 3 December 2021 00:31 (two years ago) link
I guess they won't be embedded though.
https://www.criterionchannel.com/the-lubitsch-touch/season:1/videos/the-lubitsch-touch-teaser
― Goofy the Grifter (James Redd and the Blecchs), Friday, 3 December 2021 00:32 (two years ago) link
Also Kino Now is still having their Black Friday sale, and I’m still tempted to buy a thing or two.
― Goofy the Grifter (James Redd and the Blecchs), Friday, 3 December 2021 01:05 (two years ago) link
I've heard The Breakfast Club described as Hughes' version of Lifeboat
― Andy the Grasshopper, Friday, 3 December 2021 01:08 (two years ago) link
clever!
― When Young Sheldon began to rap (forksclovetofu), Friday, 3 December 2021 12:57 (two years ago) link
Lol
― Goofy the Grifter (James Redd and the Blecchs), Friday, 3 December 2021 12:59 (two years ago) link
that criterion vid just inspired me to +0rr3n+ most of the non-singing talkie oeuvre
― When Young Sheldon began to rap (forksclovetofu), Friday, 3 December 2021 18:25 (two years ago) link
for lubitsch that is
January 2022 titles:
-Ship: A Visual Poem, Terrance Day, 20205 Fingers, Joseph L. Mankiewicz, 1952After Migration: Calabria, Walé Oyéjidé and Jake Saner, 2019All About Eve, Joseph L. Mankiewicz, 1950Alphaville, Jean-Luc Godard, 1965Antarctica: A Year on Ice, Anthony Powell, 2013Appropriate Behavior, Desiree Akhavan, 2014The Asphalt Jungle, John Huston, 1950**Band of Outsiders, Jean-Luc Godard, 1964**Battered, Lee Grant, 1989Brother’s Keeper, Joe Berlinger and Bruce Sinofsky, 1992Chitty Chitty Bang Bang, Ken Hughes, 1968Cleopatra, Joseph L. Mankiewicz, 1963Color Adjustment, Marlon Riggs, 1991Crime of Passion, Gerd Oswald, 1957Crime Wave, André De Toth, 1953Danzón, Maria Novaro, 1991Day for Night, François Truffaut, 1973Delicatessen, Jean-Pierre Jeunet and Marc Caro, 1991Denver & Rio Grande, Byron Haskin, 1952Down and Out in America, Lee Grant, 1986Down Argentine Way, Irving Cummings, 1940Dragonwyck, Joseph L. Mankiewicz, 1946Edward II, Derek Jarman, 1991The Eternal Sea, John H. Auer, 1955The Fever, Maya Da-Rin, 2019Gas Food Lodging, Allison Anders, 1992Get on the Bus, Spike Lee, 1996The Ghost and Mrs. Muir, Joseph L. Mankiewicz, 1947Guys and Dolls, Joseph L. Mankiewicz, 1955**Harvey, Henry Koster, 1950Holiday Affair, Don Hartman, 1949The Hours and Times, Christopher Münch, 1991House of Strangers, Joseph L. Mankiewicz, 1949I Am Afraid to Forget Your Face, Sameh Alaa, 2020In the Soup, Alexandre Rockwell, 1992Incident at Oglala, Michael Apted, 1992Intimate Stranger, Alan Berliner, 1991Johnny Guitar, Nicholas Ray, 1954Johnny Suede, Tom DiCillo, 1991**The Killing, Stanley Kubrick, 1956Lands, Maya Da-Rin, 2009The Last Command, Frank Lloyd, 1955The Last Days of Disco, Whit Stillman, 1998Les Vampires, Louis Feuillade, 1915Light Sleeper, Paul Schrader, 1992The Living End, Gregg Araki, 1992The Load, Ognjen Glavonić, 2018Man in the Saddle, André De Toth, 1951The Man from Laramie, Anthony Mann, 1955Margin, Maya Da-Rin, 2007Matador, Pedro Almodovar, 1986**The Nun, Jacques Rivette, 1966The Quiet American, Joseph L. Mankiewicz, 1958People Will Talk, Joseph L. Mankiewicz, 1951Pharos of Chaos, Wolf-Eckart Bühler and Manfred Blank, 1983**Poison Ivy, Katt Shea, 1992Radio On, Christopher Petit, 1979Roger and Me, Michael Moore, 1989She Runs, Qiu Yang, 2019Some Divine Wind, Roddy Bogawa, 1992Stormy Weather, Andrew L. Stone, 1943Suddenly, Last Summer, Joseph L. Mankiewicz, 1959Sun Valley Serenade, H. Bruce Humberstone, 1941Sweet Smell of Success, Alexander Mackendrick, 1957Terror in a Texas Town, Joseph H. Lewis, 1958The Tune, Bill Plympton, 1992The Waterdance, Neal Jimenez and Michael Steinberg, 1992What About Me, Rachel Amodeo, 1993What Sex Am I?, Lee Grant, 1985What We Left Unfinished, Mariam Ghani, 2019When Women Kill, Lee Grant, 1983The Willmar 8, Lee Grant, 1981The Woodmans, Scott Willis, 2010
― Everybody Loves Ramen (WmC), Monday, 20 December 2021 18:54 (two years ago) link
it's a month for Mank apparently
― Andy the Grasshopper, Monday, 20 December 2021 19:05 (two years ago) link
https://www.theonion.com/nation-unable-to-quell-insatiable-appetite-for-all-thin-1846732044
― rob, Monday, 20 December 2021 19:09 (two years ago) link
xp That'll be one of the featured collections, I'm sure. BTW, I'm guessing Kubrick's Killer's Kiss will be on the channel as well, as a supplement for The Killing, since it's included on the physical release.
― Everybody Loves Ramen (WmC), Monday, 20 December 2021 19:10 (two years ago) link
"the ghost and mrs. muir" is a weird cultural relic. a woman has a love affair with the ghost of a sea captain. not a metaphor for anything.
― adam t. (abanana), Monday, 20 December 2021 19:23 (two years ago) link
I remember finding that surprisingly charming and likeable but it's been a while
― rob, Monday, 20 December 2021 20:42 (two years ago) link
The Nun, Jacques Rivette, 1966
Never seen this, is it worth a watch?
― Jimmy Iovine Eat World (bernard snowy), Monday, 20 December 2021 20:46 (two years ago) link
February 2022 titles:
Alan & Naomi, Sterling Van Wagenen, 1992All That Heaven Allows, Douglas Sirk, 1955The Angel Levine, Ján Kadár, 1970Babylon, Franco Rosso, 1980Babymother, Julian Henriques, 1998Bamako, Abderrahmane Sissako, 2006Beat Street, Stan Lathan, 1984Blacks Britannica, David Koff, 1978The Black Panthers: Vanguard of the Revolution, Stanley Nelson, 2015The Black Press: Soldiers Without Swords, Stanley Nelson, 1999Bright Road, Gerald Mayer, 1953Cake Walk, Ulysses Jenkins, 1983Chez Jolie Coiffure, Rosine Mbakam, 2018Citizen Ruth, Alexander Payne, 1996 **Company Line, Kevin Jerome Everson, 2009Death on the Nile, John Guillermin, 1978Delphine’s Prayers, Rosine Mbakam, 2021A Different Image, Alile Sharon Larkin, 1982The Discreet Charm of the Bourgeoisie, Luis Buñuel, 1972Don’t Play Us Cheap, Melvin Van Peebles, 1972Dream City, Ulysses Jenkins, 1983Ears, Nose and Throat, Kevin Jerome Everson, 2016Erie, Kevin Jerome Everson, 2010Far from Heaven, Todd Haynes, 2002Feathers, A. V. Rockwell, 2018Floyd Norman: An Animated Life, Michael Fiore and Erik Sharkey, 2016Freedom Summer, Stanley Nelson, 2014Glenville, Kevin Jerome Everson and Kahlil Pedizisai, 2020The Harder They Come, Perry Henzell, 1972The Heartland, Marquise Mays, 2021Hive, Blerta Basholli, 2021How to Eat Your Watermelon in White Company (and Enjoy It), Joe Angio, 2005IFO, Kevin Jerome Everson, 2017Imitation of Life, Douglas Sirk, 1959Inconsequential Doggereal, Ulysses Jenkins, 1981Kansas City, Robert Altman, 1996 **The Learning Tree, Gordon Parks, 1969Les cinq cent balles, Melvin Van Peebles, 1963Lost Horizon, Frank Capra, 1937Love Meetings, Pier Paolo Pasolini, 1964Magnificent Obsession, Douglas Sirk, 1954Mass of Images, Ulysses Jenkins, 1978The Metamorphosis of Birds, Catarina Vasconcelos, 2020Mississippi Mermaid, François Truffaut, 1969The Movement of Things, Manuela Serra, 1985Mutual Native Duplex, Ulysses Jenkins, 1990Native Son, Pierre Chenal, 1951The Nomadics, Ulysses Jenkins, 1991No Place Like Home, Perry Henzell, 2006Notions of Freedom, Ulysses Jenkins, 2007Odds Against Tomorrow, Robert Wise, 1959Omega Rising Women of Rastafari, D. Elmina Davis, 1988Personal Best, Robert Towne, 1982Pier Kids, Elegance Bratton, 2019A Place of Our Own, Stanley Nelson, 2004Planet X, Ulysses Jenkins, 2006Rambling Rose, Martha Coolidge, 1991A Reggae Session, Stephanie Bennett and Thomas Adelman, 1988Remnants of the Watts Festival, Ulysses Jenkins, 1980Rockers, Theodoros Bafaloukos, 1978Running on Empty, Sidney Lumet, 1988Self Divination, Ulysses Jenkins, 1989Shaft, Gordon Parks, 1971Sound That, Kevin Jerome Everson, 2014The Square, Ruben Östlund, 2017 **The Story of a Three Day Pass, Melvin Van Peebles, 1967Sun Children, Majid Majidi, 2020Sunlight, Melvin Van Peebles, 1957Sweet Sweetback’s Baadasssss Song, Melvin Van Peebles, 1971Tell Them We Are Rising, Stanley Nelson and Marco Williams, 2017Three Pickup Men for Herrick, Melvin van Peebles, 1957The Two Faces of a Bamiléké Woman, Rosine Mbakam, 2018Two-Zone Transfer, Ulysses Jenkins, 1979The Upsetter: The Life and Music of Lee Scratch Perry, Ethan Higbee and Adam Bhala Lough, 2008Uptown Saturday Night, Sidney Poitier, 1974Watermelon Man, Melvin Van Peebles, 1970We the Ragamuffin, Julian Henriques, 1992Without Your Interpretation, Ulysses Jenkins, 1983The World, the Flesh and the Devil, Ranald MacDougall, 1959Written on the Wind, Douglas Sirk, 1956Zebrahead, Anthony Drazan, 1992
Bundles, features, etc: https://criterioncast.com/news/february-2022-programming-on-the-criterion-channel-announced
― Everybody Loves Ramen (WmC), Tuesday, 25 January 2022 18:13 (two years ago) link
Love Meetings, Pier Paolo Pasolini, 1964
I don't know this one; worth watching?
― Les hommes de bonbons (cryptosicko), Tuesday, 25 January 2022 18:19 (two years ago) link
I know there's no necessary connection, but a Criterion release of Rockers would be amazing
― rob, Tuesday, 25 January 2022 18:36 (two years ago) link
Have been watching all the French New Wave films and all the French New Wave shorts. Coming to the realization that the main subject of the New Wave was young men trying to bed flighty or indifferent young women.
― Josefa, Friday, 4 February 2022 20:55 (two years ago) link
March 2022 titles:
The Age of Innocence, Martin Scorsese, 1993Aferim!, Radu Jude, 2015Amour, Michael Haneke, 2012 *An American Tragedy, Josef von Sternberg, 1931Arabian Nights, Pier Paolo Pasolini, 1974Arrebato, Iván Zulueta, 1979August at Akiko’s, Christopher Makoto Yogi, 2018The Balcony, Joseph Strick, 1963The Band Wagon, Vincente Minnelli, 1953The Bank Dick, Edward F. Cline, Ralph Ceder, 1940The Boys in the Band, William Friedkin, 1970Boys Don’t Cry, Kimberly Peirce, 1999Bull Durham, Ron Shelton, 1988The Canterbury Tales, Pier Paolo Pasolini, 1972The Celebration, Thomas Vinterberg, 1998The Cheat, George Abbott, 1931The Children’s Hour, William Wyler, 1961Cockaboody, Faith Hubley, John Hubley, 1974The Cocoanuts, Joseph Santley and Robert Florey, 1929The Cool Lakes of Death, Nouchka van Brakel, 1982The Counterfeiters, Stefan Ruzowitzky, 2007 *The Debut, Nouchka van Brakel, 1977The Decameron, Pier Paolo Pasolini, 1971A Dedicated Life, Kazuo Hara, 1994Design for Living, Ernst Lubitsch, 1933 *The Devil Is Driving, Benjamin Stoloff, 1932Eggs, Faith Hubley and John Hubley, 1971The Emperor’s Naked Army Marches On, Kazuo Hara, 1987Eve’s Bayou, Kasi Lemmons, 1997 *The Exit of the Trains, Radu Jude, 2020Extreme Private Eros: Love Song 1974, Kazuo Hara, 1974Goodbye CP, Kazuo Hara, 1972The Gospel According to St. Matthew, Pier Paolo Pasolini, 1964Grandma’s House, Sophy Romvari, 2018The Hat, Faith Hubley and John Hubley, 1964Hot Saturday, William A. Seiter, 1932I Do Not Care If We Go Down in History as Barbarians, Radu Jude, 2018I Was a Simple Man, Christopher Makoto Yogi, 2021I’m No Angel, Wesley Ruggles, 1933Il bell’Antonio, Mauro Bolognini, 1960In a Better World, Susanne Bier, 2010 *In Dog Years, Sophy Romvari, 2019Ingrid Caven: Music and Voice, Bertrand Bonello, 2012Inna de Yard: The Soul of Jamaica, Peter Webber, 2019International House, A. Edward Sutherland, 1933It’s Always Fair Weather, Gene Kelly and Stanley Donen, 1955It’s Him, Sophy Romvari, 2017Jazz on a Summer’s Day, Bert Stern and Aram Avakian, 1959Jinn, Nijla Mu’min, 2018Jitterbugs, Malcolm St. Clair, 1943Just Don’t Think I’ll Scream, Frank Beauvais, 2019Keep Rolling, Lim Chung Man, 2020Kiss and Make-Up, Harlan Thompson, 1934Ladies’ Man, Lothar Mendes, 1931Layover, on the Shore, Christopher Makoto Yogi, 2009The Lives of Others, Florian Henckel von Donnersmarck, 2006Makoto: Or, Honesty, Christopher Makoto Yogi, 2013Mephisto, István Szabó, 1981Merrily We Go to Hell, Dorothy Arzner, 1932Million Dollar Legs, Edward F. Cline, 1932Morocco, Josef von Sternberg, 1930Murder at the Vanities, Mitchell Leisen, 1934Murders in the Zoo, A. Edward Sutherland, 1933Nine Behind, Sophy Romvari, 2016No Man’s Land, Danis Tanović, 2001Norman Norman, Sophy Romvari, 2018Nowhere in Africa, Caroline Link, 2001 *Obake, Christopher Makoto Yogi, 2011Occasionally, I Saw Glimpses of Hawai‘i, Christopher Makoto Yogi, 2016Planet of the Apes, Franklin J. Schaffner, 1968Porcile, Pier Paolo Pasolini, 1969Pumpkin Movie, Sophy Romvari, 2017A Raisin in the Sun, Daniel Petrie, 1961Remembrance of József Romvári, Sophy Romvari, 2020Scarred Hearts, Radu Jude, 2016Seasons, Jacques Perrin and Jacques Cluzaud, 2015Sennan Asbestos Disaster, Kazuo Hara, 2016A Separation, Asghar Farhadi, 2011 *Sign o’ the Times, Prince, 1987The Slipper and the Rose, Bryan Forbes, 1976The Song Remains the Same, Peter Clifton and Joe Massot, 1976Soul Power, Jeff Levy-Hinte, 2008 *a still place, Christopher Makoto Yogi, 2020Still Processing, Sophy Romvari, 2020Stop Making Sense, Jonathan Demme, 1984Suddenly, Honolulu, Christopher Makoto Yogi, 2015Suddenly, Honolulu, Christopher Makoto Yogi, 2016Tall Time Tales, Faith Hubley, 1992Tea and Sympathy, Vincente Minnelli, 1956These Three, William Wyler, 1936This Day and Age, Cecil B. DeMille, 1933This Is the Night, Frank Tuttle, 1932Thriller, Sally Potter, 1979Torch Singer, George Somnes, Alexander Hall, 1933Trouble in Paradise, Ernst Lubitsch, 1932Uppercase Print, Radu Jude, 2020Urbanissimo, Faith Hubley, John Hubley, 1967The Virtuous Sin, Louis J. Gasnier and George Cukor, 1930Wattstax, Mel Stuart, 1973We’re Leaving, Zachary Treitz, 2011Windy Day, John Hubley, 1968Witch Madness, Faith Hubley, 2000The Witches, Mauro Bolognini, Vittorio De Sica, Pier Paolo Pasolini, Franco Rossi, and Luchino Visconti, 1967Without You I’m Nothing, John Boskovich, 1990A Woman Like Eve, Nouchka van Brakel, 1979Yesterday, Today and Tomorrow, Vittorio De Sica, 1963Zuckerkandl!, John Hubley, 1968
Bundles, features, etc: https://criterioncast.com/column/calendar/criterion-channel/march-2022-programming-on-the-criterion-channel-announced
― Everybody Loves Ramen (WmC), Tuesday, 22 February 2022 18:25 (two years ago) link
Cool. All those Radu Jude's to help me with my post-pom Romanian.
― Solaris Ocean Blue (James Redd and the Blecchs), Tuesday, 22 February 2022 18:28 (two years ago) link
Still wondering if I should binge watch a few of the Godards that are about to leave.
― Solaris Ocean Blue (James Redd and the Blecchs), Tuesday, 22 February 2022 18:29 (two years ago) link
Whoa, Extreme Private Eros. That one's wild.
― Chris L, Tuesday, 22 February 2022 19:16 (two years ago) link
Kind of curious about The Cool Lakes of Death, which is also playing theatrically right now at NYC’s Metrograph.
― Josefa, Tuesday, 22 February 2022 19:24 (two years ago) link
April 2022 titles:
3 Bad Men, John Ford, 1926Aar paar, Guru Dutt, 1954Accident, Joseph Losey, 1967Across 110th Street, Barry Shear, 1972Adam, Maryam Touzani, 2019Baaz, Guru Dutt, 1953Balikbayan, Larilyn Sanchez and Riza Manalo, 2004Barrier Device, Grace Lee, 2002Baxter, Vera Baxter, Marguerite Duras, 1977Be Pretty and Shut Up!, Delphine Seyrig, 1981The Betrayal, Ellen Kuras and Thavisouk Phrasavath, 2008Black Belt Jones, Robert Clouse, 1974Black Caesar, Larry Cohen, 1973The Black Watch, John Ford, 1929Blue Velvet, David Lynch, 1986Bodies in Dissent, Ufuoma Essi, 2021Boom for Real: The Late Teenage Years of Jean-Michel Basquiat, Sara Driver, 2017*Born Reckless, John Ford, 1930Bring Down the Walls, Phil Collins, 2020Buffalo Bill and the Indians, or Sitting Bull’s History Lesson, Robert Altman, 1976Cavite, Ian Gamazon, Neill Dela Llana, 2005The Chambermaid, Lila Avilés, 2018Chaudhvin ka chand, M. Sadiq, 1960Colma: The Musical, Richard Wong, 2006Daughters of Darkness, Harry Kümel, 1971Deep Blues, Robert Mugge, 1992A Demonstration, Sasha Litvintseva and Beny Wagner, 2020Doctor Bull, John Ford, 1933A Doll’s House, Joseph Losey, 1973First Person Plural, Deann Borshay Liem, 2000Four Sons, John Ford, 1928France, Bruno Dumont, 2021Friday Foster, Arthur Marks, 1975Going Home, Hung Nguyen, 2006The Hawks and the Sparrows, Pier Paolo Pasolini, 1966A Hell of a Note, Eagle Pennell, 1977How Green Was My Valley, John Ford, 1941I Was Born, But . . . , Roddy Bogawa, 2004In Between Days, So Yong Kim, 2006In Search of Guru Dutt, Nasreen Munni Kabir, 1989In Space, Visra Vichit-Vadakan, 2009India Song, Marguerite Duras, 1975J.D.’s Revenge, Arthur Marks, 1976Jane Eyre, Robert Young, 1997Journey from the Fall, Ham Tran, 2006Judge Priest, John Ford, 1934Paper Flowers, Guru Dutt, 1959Kentucky Pride, John Ford, 1925The King of Texas, René Pinnell, Claire Huie, 2008Last Night at the Alamo, Eagle Pennell, 1983The Last Picture Show, Peter Bogdanovich, 1971Last Year at Marienbad, Alain Resnais, 1961Letter From Your Far-Off Country, Suneil Sanzgiri, 2020The Life and Times of Judge Roy Bean, John Huston, 1972Loose Corner, Anita Thacher, 1986Maat, Fox Maxy, 2020Mamartuile, Alejandro Saevich, 2017Man Hunt, Fritz Lang, 1941Melting Snow, Janah Elise Cox, 2021Men Without Women, John Ford, 1930The Milky Way, Luis Buñuel, 1969Ministry of Fear, Fritz Lang, 1944Mr. & Mrs. ’55, Guru Dutt, 1955my favorite software is being here, Alison Nguyen, 2021My Worst Nightmare, Anne Fontaine, 2011A New England Document, Che Applewhaite, 2020Original Gangstas, Fred Williamson and Larry Cohen, 1996Pilgrimage, John Ford, 1933Pirated!, Hoang Tan Nguyen, 2000Punching at the Sun, Tanuj Chopra, 2006Pyaasa, Guru Dutt, 1957Quill: The Life of a Guide Dog, Yoichi Sai, 2004Reckless Eyeballing, Christopher Harris, 2004Refugee, Spencer Nakasako, 2003The Robe, Henry Koster, 1953Sahib bibi aur ghulam, Abrar Alvi, 1962Sangam, Prashant Bhargava, 2004Saving Face, Alice Wu, 2004*Seven Women, Seven Sins, Maxi Cohen, Laurence Gavron, Bette Gordon, Helke Sander, Ulrike Ottinger, Chantal Akerman, and Valie Export, 1986Shaft’s Big Score!, Gordon Parks, 1972Steamboat Round the Bend, John Ford, 1935Sugar Hill, Paul Maslansky, 1974Summer of the Serpent, Kimi Takesue, 2004Thomasine and Bushrod, Gordon Parks Jr., 1974Three the Hard Way, Gordon Parks Jr., 1974Thriller, Sally Potter, 1980Through the Night, Loira Limbal, 2020Tobacco Road, John Ford, 1941Top of the Heap, Christopher St. John, 1972Trouble Man, Ivan Dixon, 1972Truck Turner, Jonathan Kaplan, 1974Two Sons and a River of Blood, Amber Bemak and Angelo Madsen Minax, 2021What Price Glory, John Ford, 1952Wheel of Fortune and Fantasy, Ryusuke Hamaguchi, 2021The Whole Shootin’ Match, Eagle Pennell, 1978Windowbreaker, Tze Chun, 2006The World Moves On, John Ford, 1934Young Mr. Lincoln, John Ford, 1939**Available in the U.S. only
― Everybody Loves Ramen (WmC), Friday, 25 March 2022 19:42 (two years ago) link
Looks like the other 2021 Ryusuke Hamaguchi will reach me first.
Is The Hawks and the Sparrows worth a watch?
― Les hommes de bonbons (cryptosicko), Friday, 25 March 2022 20:53 (two years ago) link
Bundles/features/departments/etc for April: https://criterioncast.com/column/calendar/criterion-channel/april-2022-programming-on-the-criterion-channel-announced
― Everybody Loves Ramen (WmC), Monday, 28 March 2022 20:47 (two years ago) link
Guru Dutt? My prayers have been answered! Maybe too late though.
― The Central Rockaliser (James Redd and the Blecchs), Monday, 28 March 2022 20:51 (two years ago) link
Delphine Seyrig? Be still my beating heart.
― The Central Rockaliser (James Redd and the Blecchs), Monday, 28 March 2022 20:53 (two years ago) link
watched Hamaguchi's Asako I & II on the Criterion Channel since it will be discontinued at the end of April. It is a lovely film
"what a filthy river"
"but - it's beautiful"
― Dan S, Thursday, 21 April 2022 00:35 (one year ago) link
need to do that as well. That and Happy Hour too I think. Also the Iranian film The Separation.
― Wile E. Kinbote (James Redd and the Blecchs), Thursday, 21 April 2022 01:10 (one year ago) link
Most if not all the Sirk they have.
― Wile E. Kinbote (James Redd and the Blecchs), Thursday, 21 April 2022 01:23 (one year ago) link
Happy Hour is 5 1/2 hours long, I have it on 2 dvds, watched it in segments, really loved it
A Separation is fantastic and also worth watching
― Dan S, Thursday, 21 April 2022 01:24 (one year ago) link
Thanks. Asako I & II is also on MUBI with no hint of it going away (although maybe the alert will happen in a few days who knows) so maybe I should finally sit down and watch Happy Hour first.
― Wile E. Kinbote (James Redd and the Blecchs), Thursday, 21 April 2022 01:29 (one year ago) link
Just looked at the MUBI expiry list *sigh*
― Wile E. Kinbote (James Redd and the Blecchs), Thursday, 21 April 2022 02:04 (one year ago) link
The Separation was great, I rememberHmm I should jump on Asako before it goes, i don't have Mubi
― Nhex, Thursday, 21 April 2022 03:12 (one year ago) link
May 2022 titles:
night, Mother, Tom Moore, 1986*A Scanner Darkly, Richard Linklater, 2006Abar, the First Black Superman, Frank Packard, 1977Action in the North Atlantic, Lloyd Bacon, 1943The Alchemist Cookbook, Joel Potrykus, 2016Another Day at the Office, Richard Linklater, 2019Ape, Joel Potrykus, 2012Banana Split, Kip Fulbeck, 1991Bernie, Richard Linklater, 2011*The Big Knife, Robert Aldrich, 1955Bittersweet Survival, J. T. Takagi and Christine Choy, 1982Bontoc Eulogy, Marlon Fuentes, 1995Buzzard, Joel Potrykus, 2014Charade, Stanley Donen, 1963Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean, Robert Altman, 1982Coonskin, Ralph Bakshi, 1975A Cry in the Dark, Fred Schepisi, 1988The Dead, John Huston, 1987Dolemite, D’Urville Martin, 1975Double Play: James Benning and Richard Linklater, Gabe Klinger, 2013Down a Dark Stairwell, Ursula Liang, 2020Eyimofe (This Is My Desire), Arie Esiri and Chuko Esiri, 2020Falling in Love, Ulu Grosbard, 1984A Family Portrait, Joseph Pierce, 2009A Few Miles South, Ben Pearce, 2021Fire Ted Cruz, Richard Linklater, 2018Five Broken Cameras, Emad Burnat and Guy Davidi, 2011Frances, Graeme Clifford, 1982Fresh Kill, Shu Lea Cheang, 1994From Spikes to Spindles, Christine Choy, 1976The Hard Way, Vincent Sherman, 1943Heads I Win/Tails You Lose, Richard Linklater, 1991High Sierra, Raoul Walsh, 1941*History and Memory: For Akiko and Takashige, Rea Tajiri, 1991Hold Back the Dawn, Mitchell Leisen, 1941Homes Apart: Korea, J.T. Takagi & Christine Choy, 1991Inning by Inning: A Portrait of a Coach, Richard Linklater, 2008The Jackie Robinson Story, Alfred E. Green, 1950*Kelly Loves Tony, Spencer Nakasako, 1998The Last Waltz, Martin Scorsese, 1978Le navire Night, Marguerite Duras, 1979Live from Shiva’s Dance Floor, Richard Linklater, 2003Lord Shango, Ray Marsh, 1975Lust for Gold, S. Sylvan Simon, 1949The Man I Love, Raoul Walsh, 1947Marguerite as She Was, Dominique Auvray, 2003Me and Orson Welles, Richard Linklater, 2008*Melons (At a Loss), Patty Chang, 1998Mississippi Triangle, Christine Choy, Worth Long, and Allan Siegel, 1983A Monkey in Winter, Henri Verneuil, 1962Moontide, Archie Mayo, 1942Murphy’s Romance, Martin Ritt, 1985The Newton Boys, Richard Linklater, 1998Out of the Fog, Anatole Litvak, 1941The Parallax View, Alan J. Pakula, 1974Peter and the Farm, Tony Stone, 2016Peter Ibbetson, Henry Hathaway, 1935Petey Wheatstraw, Cliff Roquemore, 1977Picture Bride, Kayo Hatta, 1994*The Point, Fred Wolf, 1971Radiance, Naomi Kawase, 2017*Raggedy Man, Jack Fisk, 1981*Relaxer, Joel Potrykus, 2018Resurrection, Daniel Petrie, 1980*Richard Linklater: Dream Is Destiny, Louis Black and Karen Bernstein, 2016Sally’s Beauty Spot, Helen Lee, 1990Sea in the Blood, Richard Fung, 2000The Sea Wolf, Michael Curtiz, 1941Shopping for Fangs, Quentin Lee and Justin Lin, 1997Something Wild, Jonathan Demme, 1986Still the Water, Naomi Kawase, 2014Strawberry Fields, Rea Tajiri, 1997SubUrbia, Richard Linklater, 1996Surname Viet Given Name Nam, Trinh T. Minh-Ha, 1989Sweet Bean, Naomi Kawase, 2015Tape, Richard Linklater, 2001Terminal USA, Jon Moritsugu, 1993The Trained Chinese Tongue, Laurie Wen, 1994The Trouble With Angels, Ida Lupino, 1966They Drive by Night, Raoul Walsh, 1940Thing from the Factory by the Field, Joel Potrykus, 2022Trick Baby, Larry Yust, 1972*True Mothers, Naomi Kawase, 2020Violets Are Blue . . . , Jack Fisk, 1986Voices of the Morning, Meena Nanji, 1992Wait Until Dark, Terence Young, 1967While the City Sleeps, Fritz Lang, 1956Willie Dynamite, Gilbert Moses, 1973*Woman in Hiding, Michael Gordon, 1950*Women’s Prison, Lewis Seiler, 1955Yentl, Barbra Streisand, 1983
― Everybody Loves Ramen (WmC), Friday, 22 April 2022 02:54 (one year ago) link
Yay for Le Navire Night (Duras). I skipped seeing it in the theatre because of Covid.
― Hans Holbein (Chinchilla Volapük), Friday, 22 April 2022 05:10 (one year ago) link
Finally got a foothold into Happy Hour.
― H.R. MacGufnstuf (James Redd and the Blecchs), Saturday, 23 April 2022 23:25 (one year ago) link
Wheel of Fortune and Fantasy was a great film, that dude's had an annus mirabilis last year for sure.
― Ned Raggett, Saturday, 23 April 2022 23:34 (one year ago) link
Yeah, it is a lovely film.
― Les hommes de bonbons (cryptosicko), Sunday, 24 April 2022 00:26 (one year ago) link
Gotta say the app doesn’t do a good job of remembering my place.
― H.R. MacGufnstuf (James Redd and the Blecchs), Sunday, 24 April 2022 14:53 (one year ago) link
In the Happy Hour home stretch. One thing I gotta say is there are so many great reaction shots of the ladies, especially during and after the reading.
― Eric B. Mash Up the Resident (James Redd and the Blecchs), Saturday, 30 April 2022 01:44 (one year ago) link
And just now I watched A Separation.
― Eric B. Mash Up the Resident (James Redd and the Blecchs), Sunday, 1 May 2022 01:35 (one year ago) link
Maybe some Guru Dutt next
― Eric B. Mash Up the Resident (James Redd and the Blecchs), Sunday, 1 May 2022 02:14 (one year ago) link
June 2022 titles:
Anything Goes, Lewis Milestone, 1936Atlantis, Valentyn Vasyanovych, 2019Babes in Arms, Busby Berkeley, 1939Beauty and the Beast, Christophe Gans, 2014Body Heat, Lawrence Kasdan, 1981Chameleon Street, Wendell B. Harris Jr., 1989Chamisso’s Shadow, Ulrike Ottinger, 2016Charlatan, Agnieszka Holland, 2020Children, Terence Davies, 1976A Chorus Line, Richard Attenborough, 1985Cinema Paradiso, Giuseppe Tornatore, 1988Circumstance, Maryam Keshavarz, 2011Cleopatra Jones, Jack Starrett, 1973The Clock, Vincente Minnelli, 1945The Darkside, Warwick Thornton, 2013Death and Transfiguration, Terence Davies, 1983The Deep Blue Sea, Terence Davies, 2011 *Distant Voices, Still Lives, Terence Davies, 1988 *Dorian Gray in the Mirror of the Yellow Press, Ulrike Ottinger, 1984Double Indemnity, Billy Wilder, 1944Easter Parade, Charles Walters, 1948Fannie’s Film, Fronza Woods, 1982Fire Music, Tom Surgal, 2018Five Graves to Cairo, Billy Wilder, 1943For Me and My Gal, Busby Berkeley, 1942A Foreign Affair, Billy Wilder, 1948Forbidden Planet, Fred M. Wilcox, 1956Foxy Brown, Jack Hill, 1974Gentlemen Prefer Blondes, Howard Hawks, 1953Girl Crazy, Norman Taurog, Busby Berkeley, 1943The Gospel of Eureka, Michael Palmieri and Donal Mosher, 2018Green Bush, Warwick Thornton, 2005Hansel and Gretel, Len Talan, 1987The Harvey Girls, George Sidney, 1946Head On, Ana Kokkinos, 1998The Hole, Tsai Ming-liang, 1998*In the Good Old Summertime, Buster Keaton and Robert Z. Leonard, 1949Joan of Arc of Mongolia, Ulrike Ottinger, 1989Karen Dalton: In My Own Time, Robert Yapkowitz and Richard Peete, 2020*Keyboard Fantasies, Posy Dixon, 2019 *Killing Time, Fronza Woods, 1979Laocoon & Sons, Tabea Blumenschein and Ulrike Ottinger, 1975Lilting, Hong Khaou, 2014The Longest Day, Directed by Ken Annakin, Andrew Marton, and Bernhard Wicki, 1962The Lost Weekend, Billy Wilder, 1945Madame X: An Absolute Ruler, Ulrike Ottinger, 1977Madonna and Child, Terence Davies, 1980Marlina the Murderer in Four Acts, Mouly Surya, 2017Meet Me in St. Louis, Vincente Minnelli, 1944Mimi, Warwick Thornton, 2002Nana, Warwick Thornton, 2007The Neon Bible, Terence Davies, 1995Of Time and the City, Terence Davies, 2008 *Owd Bob, Rodney Gibbons, 1998Paris Calligrammes, Ulrike Ottinger, 2020The Pirate, Vincente Minnelli, 1948The Poseidon Adventure, Ronald Neame, 1972Prater, Ulrike Ottinger, 2007Presenting Lily Mars, Norman Taurog, 1943A Quiet Passion, Terence Davies, 2016 *’Round Midnight, Bertrand Tavernier, 1986Samson & Delilah, Warwick Thornton, 2009Seconds, John Frankenheimer, 1966Stud Life, Campbell Ex, 2012Summer Stock, Charles Walters, 1950Sweet Country, Warwick Thornton, 2017Taiga, Ulrike Ottinger, 1992Victor and Victoria, Reinhold Schünzel, 1933Zero Patience, John Greyson, 1993 *Ziegfeld Girl, Robert Z. Leonard, 1941
Features, bundles, departments -- https://criterioncast.com/column/calendar/criterion-channel/june-2022-programming-on-the-criterion-channel-announced
― If you were really hard core, you'd have thrown a full bottle (WmC), Friday, 20 May 2022 12:41 (one year ago) link
Terence Davies, nice. Definitely also want to check out Chameleon Street, the Karen Dalton and free jazz docs, and 'Round Midnight.
― Chris L, Friday, 20 May 2022 13:52 (one year ago) link
That is a pride month and a half
― Eggs Benedick (Eric H.), Friday, 20 May 2022 15:03 (one year ago) link
I was astonished for a split second when I read “The Clock”…
― Hans Holbein (Chinchilla Volapük), Friday, 20 May 2022 15:07 (one year ago) link
I like that they seem to be continuously adding things to the Beyond Blaxploitation collection
seeing Body Heat I briefly wondered if they were actually doing my You Must Remember This tie-in idea in time to coincide with possibly the least likely series for them to do that with
― rob, Friday, 20 May 2022 15:10 (one year ago) link
Pre-code Paramount is a treat
― adam t. (abanana), Thursday, 26 May 2022 04:12 (one year ago) link
Never seen any Davies, looking forward to that. And happily watch Foreign Affair, my favourite Wilder movie, yet again
― Chuck_Tatum, Thursday, 26 May 2022 08:17 (one year ago) link
It's a good one, even though the lead is kind of weird, as discussed in the Cameron Crowe book.
― 20 Preflyte Rock (James Redd and the Blecchs), Thursday, 26 May 2022 14:39 (one year ago) link
But really came to post that I just watched Synonyms before it left, by the always interesting Nadav Lapid.
― 20 Preflyte Rock (James Redd and the Blecchs), Thursday, 26 May 2022 14:41 (one year ago) link
I have not seen A Foreign Affair! Inexplicably hard to find on video, DVD, YouTube...
― Malevolent Arugula (Alfred, Lord Sotosyn), Thursday, 26 May 2022 14:51 (one year ago) link
Some great musical numbers - with Friedrich Hollaender! Jean Arthur is a little problematic, maybe, one of her nervous latter day performances, although some might disagree.
― 20 Preflyte Rock (James Redd and the Blecchs), Thursday, 26 May 2022 15:21 (one year ago) link
She's never persuaded me: an unexciting mix of the coy and the cute.
― Malevolent Arugula (Alfred, Lord Sotosyn), Thursday, 26 May 2022 15:22 (one year ago) link
Not even in stuff like The More the Merrier?
― 20 Preflyte Rock (James Redd and the Blecchs), Thursday, 26 May 2022 15:31 (one year ago) link
I tolerate her. She's the least interesting performer in Only Angels Have Wings.
― Malevolent Arugula (Alfred, Lord Sotosyn), Thursday, 26 May 2022 15:32 (one year ago) link
It's fine. Many people (like Orson Welles) can't stand Irene Dunne.
Agree she's not A-list but I love her in History is Made at Night
― Chuck_Tatum, Thursday, 26 May 2022 15:44 (one year ago) link
Not A-list!?
― 20 Preflyte Rock (James Redd and the Blecchs), Thursday, 26 May 2022 15:47 (one year ago) link
Is this a place where we can solicit recommendations for the criteria streaming platform? Or is that elsewhere
― calstars, Thursday, 26 May 2022 20:21 (one year ago) link
Believe this is exactly the place for that.
― 20 Preflyte Rock (James Redd and the Blecchs), Thursday, 26 May 2022 20:22 (one year ago) link
One of my favorite discoveries has been Tom Noonan's What Happened Was... one of the most effective movies I've seen about possibly being too idiosyncratic to form a connection with anybody. Obviously a big influence on Charlie Kaufman but not as overbearing as he can be.
― Chris L, Thursday, 26 May 2022 20:36 (one year ago) link
Gonna have to resub to Criterion
Today's the day: Wendell B. Harris Jr.’s (@WendellBHarris2) audacious dark comedy CHAMELEON STREET (1989)—a rediscovered masterpiece of American independent filmmaking—is now playing exclusively on @criterionchannl! You're not going to want to miss this. https://t.co/7zBiAkunsa pic.twitter.com/iO5dWJWzd6— Criterion Collection (@Criterion) June 14, 2022
― papal hotwife (milo z), Wednesday, 15 June 2022 02:26 (one year ago) link
July 2022 titles:
a.k.a. Cassius Clay, Jim Jacobs, 1970Accused of Murder, Joseph Kane, 1956Adoption, Márta Mészáros, 1975Africa on the Seine, Paulin Soumanou Vieyra and Mamadou Sarr, 1955Ahed’s Knee, Nadav Lapid, 2021Air Doll, Hirokazu Kore-eda, 2009All Dogs Go to Heaven, Don Bluth, 1989And Now Miguel, Joseph Krumgold, 1953Bad Day at Black Rock, John Sturges, 1955*The Badlanders, Delmer Daves, 1958*Before Midnight, Richard Linklater, 2013*Before Sunrise, Richard Linklater, 1995Before Sunset, Richard Linklater, 2004Birago Diop, conteur, Paulin Soumanou Vieyra, 1981Black Widow, Nunnally Johnson, 1954Blow-Ball, Márta Mészáros, 1964The Bravados, Henry King, 1958By the Time It Gets Dark, Anocha Suwichakornpong, 2016The Champ, King Vidor, 1931Champion, Mark Robson, 1949Days of Wine and Roses, Blake Edwards, 1962Desert Fury, Lewis Allen, 1947Destry Rides Again, George Marshall, 1939Dziga and His Brothers, Evgeny Tsymbal, 2002Experiment in Terror, Blake Edwards, 1962Fat City, John Huston, 1972Foreign Intrigue, Sheldon Reynolds, 1956Gentleman Jim, Raoul Walsh, 1942The Great Race, Blake Edwards, 1965The Gunfighter, Henry King, 1950Hammer, Bruce D. Clark, 1972The Harder They Fall, Mark Robson, 1956He Laughed Last, Blake Edwards, 1956Hedwig and the Angry Inch, John Cameron Mitchell, 2001Here Comes Mr. Jordan, Alexander Hall, 1941House of Bamboo, Samuel Fuller, 1955I Died a Thousand Times, Stuart Heisler, 1955*Iba N’Diaye, Paulin Soumanou Vieyra, 1982The Image You Missed, Dónal Foreman, 2018In Old Chicago, Henry King, 1938Inferno, Roy Ward Baker, 1953A Kiss Before Dying, Gerd Oswald, 1956Lamb, Paulin Soumanou Vieyra, 1964Leave Her to Heaven, John M. Stahl, 1945Lemon, Janicza Bravo, 2017*Lure of the Wilderness, Jean Negulesco, 1952Man of the West, Anthony Mann, 1958Matilda, Daniel Mann, 1978Mississippi Masala, Mira Nair, 1991Môl, Paulin Soumanou Vieyra, 1966Museum Hours, Jem Cohen, 2012A Nation Is Born, Paulin Soumanou Vieyra, 1961Niagara, Henry Hathaway, 1953Party Girl, Nicholas Ray, 1958Peter & the Wolf, Suzie Templeton, 2006Petition, Zhao Liang, 2009Pink Flamingos, John Waters, 1972Raging Bull, Martin Scorsese, 1980Requiem for a Heavyweight, Ralph Nelson, 1962The Ring, Alfred Hitchcock, 1927Ring of Fire: The Emile Griffith Story, Dan Klores and Ron Berger, 2005The River’s Edge, Allan Dwan, 1957Scaffold, Kazik Radwanski, 2017The Set-Up, Robert Wise, 1949Shaft, Gordon Parks, 1971Somebody Up There Likes Me, Robert Wise, 1956The Snows of Kilimanjaro, Henry King, 1952The Song of Bernadette, Henry King, 1943State Fair, Henry King, 1933Sunset Song, Terence Davies, 2015Swamp Water, Jean Renoir, 1941That’s Life!, Blake Edwards, 1986Tigrero: A Film That Was Never Made, Mika Kaurismäki, 1994Twelve O’Clock High, Henry King, 1949Victor/Victoria, Blake Edwards, 1982Walker, Alex Cox, 1987Western, Valeska Grisebach, 2017The Winning of Barbara Worth, Henry King, 1926*Available in the U.S. only
― WmC, Tuesday, 21 June 2022 17:02 (one year ago) link
Ahed’s Knee? Wow, that was quick!
― Ride into the Sunship (James Redd and the Blecchs), Tuesday, 21 June 2022 17:05 (one year ago) link
August 2022 titles:
7 Faces of Dr. Lao, George Pal, 1964Aatsinki: The Story of Arctic Cowboys, Jessica Oreck, 2013Acting Our Age, Gurinder Chadha, 1992After the Thin Man, W. S. Van Dyke, 1936*All These Sleepless Nights, Michał Marczak, 2016Another Country, Molly Reynolds, 2015Arabesque, Stanley Donen, 1966The Asphalt Jungle, John Huston, 1950*August Sky, Jasmin Tenucci, 2020Battle for the Planet of the Apes, J. Lee Thompson, 1973Baxter, Vera Baxter, Marguerite Duras, 1977Beetle Queen Conquers Tokyo, Jessica Oreck, 2009Better Luck Tomorrow, Justin Lim, 2002Blue Collar, Paul Schrader, 1978Bone, Larry Cohen, 1972Brigadoon, Vincente Minnelli, 1954*Broken Blossoms, D. W. Griffith, 1919Charlie Chan in Honolulu, H. Bruce Humberstone, 1939Charlie’s Country, Rolf de Heer, 2013China Doll, Frank Borzage, 1958China Sky, Ray Enright, 1945The Curse of Quon Gwon, Marion E. Wong, 2005Damnation, Béla Tarr, 1988Daughter of the Dragon, Lloyd Corrigan, 1931Donbass, Sergei Loznitsa, 2018Double Wedding, Richard Thorpe, 1937The Earth Is Blue as an Orange, Iryna Tsilyk, 2020Flatbush! Flatbush!, Alex Ramírez-Mallis, 2021Flower Drum Song, Henry Koster, 1961Fran, Glenda Hambly, 1985The Good Earth, Sidney Franklin, 1937Gulpilil—One Red Blood, Darlene Johnson, 2002The Heathen Chinese and the Sunday School Teachers, 1904A Hero Ain’t Nothin’ But a Sandwich, Ralph Nelson, 1978A House Divided: Denmark Vesey’s Rebellion, Stan Lathan, 1982Husbands, John Cassavetes, 1970I Love You Again, W. S. Van Dyke, 1940I’ve Heard the Mermaids Singing, Patricia Rozema, 1987King of Chinatown, Nick Grinde, 1939Legal Smuggling with Christine Choy, Lewie Kloster, 2016The Letter, Jean de Limur, 1929Libeled Lady, Jack Conway, 1936Life Without Dreams, Jessica Bardsley, 2022Little Miss Marker, Walter Bernstein, 1980Lost Horizon, Frank Capra, 1937Love Crazy, Jack Conway, 1941Love Me Tonight, Rouben Mamoulian, 1932M. Butterfly, David Cronenberg, 1993Mad Dog Morgan, Philippe Mora, 1976Manhattan Melodrama, W. S. Van Dyke, 1934Massacre of the Christians by the Chinese, 1900Midnight Run, Martin Brest, 1988Misty, James B. Clark, 1961Mizuko, Kira Dane, Katelyn Rebelo, 2019Mr. Blandings Builds His Dream House, H. C. Potter, 1948Mr. Hobbs Takes a Vacation, Henry Koster, 1962My Name Is Gulpilil, Molly Reynolds, 2021A Nice Arrangement, Gurinder Chadha, 1994Nonstop, Zac Manuel, Marta Rodriguez Maleck, 2021Once Is Not Enough, Guy Green, 1975Past Perfect, Jorge Jácome, 2019Penthouse, W. S. Van Dyke, 1933Piccadilly, E. A. Dupont, 1929Portrait of Kaye, Ben Reed, 2021The Proposition, John Hillcoat, 2005*Queenie, Cai Thomas, 2020Rabbit-Proof Fence, Phillip Noyce, 2002The Red Pony, Lewis Milestone, 1949Rider on a Dead Horse, Herbert L. Strock, 1962Rouge, Stanley Kwan, 1988The Sand Pebbles, Robert Wise, 1966Silver Streak, Arthur Hiller, 1976Stamboul Quest, Sam Wood, 1934Stay Close, Luther Clement and Shuhan Fan, 2019Storm Boy, Colin Thiele, 1976Sunflower, Vittorio De Sica, 1970Sweet Smell of Success, Alexander Mackendrick, 1957Ten Canoes, Rolf de Heer, Peter Djigirr, 2006Test Pilot, Victor Fleming, 1938The Thin Man, W. S. Van Dyke, 1934Touch of Evil, Orson Welles, 1958The Tracker, Rolf de Heer, 2002Two for the Road, Stanley Donen, 1967Valley Girl, Martha Coolidge, 1983The Vanquishing of the Witch Baba Yaga, Jessica Oreck, 2014The Wedding Banquet, Ang Lee, 1993We Are the Best!, Lukas Moodysson, 2013What Do You Call an Indian Woman Who’s Funny?, Gurinder Chadha, 1994Whipsaw, Sam Wood, 1935The Wolfpack, Crystal Moselle, 2015The World of Suzie Wong, Richard Quine, 1960Wood and Water, Jonas Bak, 2021Xiu Xiu: The Sent Down Girl, Joan Chen, 1998Year of the Dragon, Michael Cimino, 1985
*Available in the U.S. only
― WmC, Tuesday, 26 July 2022 00:27 (one year ago) link
Xiu Xiu is one of those movies I heard about on rec.arts.movies that I could never hunt down.
― adam t. (abanana), Tuesday, 26 July 2022 02:22 (one year ago) link
Lotta yellowface this month or am i imagining that
― Its big ball chunky time (Jimmy The Mod Awaits The Return Of His Beloved), Tuesday, 26 July 2022 03:57 (one year ago) link
And that scene in Silver Streak
― Chuck_Tatum, Tuesday, 26 July 2022 07:39 (one year ago) link
i had just put blue collar on hold at the library to finally watch it, so now i get to cancel that hold
does anyone understand the streaming rights of criterion enough to know if they'll ever put nashville on criterion channel? seems like they would have done it by now if it was going to happen
― na (NA), Tuesday, 26 July 2022 13:24 (one year ago) link
I keep thinking there must be a big database out there somewhere, where you can enter a film and find out who "owns" it, who owns the physical media rights and the separate streaming rights, what the current disposition of those rights are and maybe even the history. I see a fair number of know-it-alls on the CC Club facebook group who can rattle off that data at will, and I want to know where they get their intel.
― WmC, Tuesday, 26 July 2022 13:31 (one year ago) link
huh, sounds intense
i just noticed We Are the Best! on the list, that movie rules
― na (NA), Tuesday, 26 July 2022 13:34 (one year ago) link
Getting through a few films slated to leave Criterion at the end of the month I watched The Big Knife (1955) last night. Based on a Clifford Odets play, the situations and dialogue are so overwrought it's fascinating, especially Rod Steiger's scenery-chewing film studio head. (I had somehow seen a bit of this movie years ago and remembered his over-the-top performance.) Anyone else seen this/a fan?
― Three Rings for the Elven Bishop (Dan Peterson), Wednesday, 27 July 2022 15:42 (one year ago) link
I tried Big Knife when I was a teenager after falling in love with Sweet Smell of Success, but found it Much Too Much. I wonder if SSoS is more Lehman than Odets? You can definitely trace Waiting for Lefty to Big Knife. Sweet Smell, not so much.
― Chuck_Tatum, Wednesday, 27 July 2022 15:52 (one year ago) link
The Wolfpack, Crystal Moselle, 2015
Wasnt this documentary outed as a hoax?
― Saxophone Of Futility (Michael B), Wednesday, 27 July 2022 15:56 (one year ago) link
August features, bundles, departments: https://criterioncast.com/news/august-2022-programming-on-the-criterion-channel-announced
― WmC, Wednesday, 27 July 2022 17:33 (one year ago) link
September 2022 titles:
Across 110th Street, Barry Shear, 1972Air Force, Howard Hawks, 1943Ana and the Wolves, Carlos Saura, 1973Another Prayer, Sofia Bohdanowicz, 2013Bell, Book and Candle, Richard Quine, 1958Billy Liar, John Schlesinger, 1963Boccaccio ’70, Mario Monicelli, Vittorio De Sica, Federico Fellini, and Luchino Visconti, 1962Bronco Bullfrog, Barney Platts-Mills, 1969Car Wash, Michael Schultz, 1976César and Rosalie, Claude Sautet, 1972Come Back, Little Sheba, Daniel Mann, 1952Cousin Angelica, Carlos Saura, 1974Darling, John Schlesinger, 1965Death in Venice, Luchino Visconti, 1971Discontinuity, Lori Felker, 2015A Drownful Brilliance of Wings, Sofia Bohdanowicz, 2016Elisa, vida mía, Carlos Saura, 1977An Evening, Sofia Bohdanowicz, 2013Elvira Madigan, Bo Widerberg, 1967Funny Girl, William Wyler, 1968*Funny Lady, Herbert Ross, 1975The Garden of Delights, Carlos Saura, 1970Good Neighbor Sam, David Swift, 1964The Hard Way, Vincent Sherman, 1943The Heart Is a Lonely Hunter, Robert Ellis Miller, 1968He Ran All the Way, John Berry, 1951Henri-Georges Clouzot’s “Inferno,” Serge Bromberg and Ruxandra Medrea, 2009*Honeycomb, Carlos Saura, 1969Hud, Martin Ritt, 1963The Hunt, Carlos Saura, 1966If…., Lindsay Anderson, 1968Jabberwocky, Terry Gilliam, 1977Kes, Ken Loach, 1969A Kind of Loving, John Schlesinger, 1962Kings Row, Sam Wood, 1942The Knack . . . and How to Get It, Richard Lester, 1965Late August, Early September, Olivier Assayas, 1998Les choses de la vie, Claude Sautet, 1970The L-Shaped Room, Bryan Forbes, 1962*Ludwig, Luchino Visconti, 1973Maison du bonheur, Sofia Bohdanowicz, 2017The Man Who Fell to Earth, Nicolas Roeg, 1976Max and the Junkmen, Claude Sautet, 1971Monkey Business: The Adventures of Curious George’s Creators, Ema Ryan Yamazaki, 2017The Most Beautiful Boy in the World, Kristina Lindström and Kristian Petri, 2021MS Slavic 7, Sofia Bohdanowicz, Deragh Campbell, 2019Neptune Frost, Saul Williams and Anisia Uzeyman, 2021Never Eat Alone, Sofia Bohdanowicz, 2016The Old Man and the Sea, John Sturges, 1958Patang, Prashant Bhargava, 2011Picnic, Joshua Logan, 1955Point and Line to Plane, Sofia Bohdanowicz, 2020A Prayer, Sofia Bohdanowicz, 2013The Prisoner of Zenda, John Cromwell, 1937Pumping Iron, George Butler and Robert Fiore, 1977Pushing Hands, Ang Lee, 1991Room at the Top, Jack Clayton, 1959The Rose Tattoo, Daniel Mann, 1955*Sambizanga, Sarah Maldoror, 1972Searching for Mr. Rugoff, Ira Deutchman, 2019The Secret of Roan Inish, John Sayles, 1994The Servant, Joseph Losey, 1963The September Issue, R. J. Cutler, 2009*Seven Beauties, Lina Wertmüller, 1975Shining Victory, Irving Rapper, 1941Sissi, Ernst Marischka, 1955The Soft Space, Sofia Bohdanowicz and Melanie J. Scheiner, 2018Sound of the Night, Chanrado Sok and Kongkea Vann, 2021Spontaneous, Lori Felker, 2020The Strawberry Blonde, Raoul Walsh, 1941Stress Is Three, Carlos Saura, 1968Sweet Hours, Carlos Saura, 1982Swept Away, Lina Wertmüller, 1974That Most Important Thing: Love, Andrzej Żuławski, 1975The Wonderland, Keiichi Hara, 2019This Is Not a Movie, Yung Chang, 2019*This Property Is Condemned, Sydney Pollack, 1966Veslemøy’s Song, Sofia Bohdanowicz, 2018Yankee Doodle Dandy, Michael Curtiz, 1942*Available in the U.S. only
― WmC, Monday, 22 August 2022 19:51 (one year ago) link
The Bronco Bullfrog trailer I saw at Film Forum was really intriguing, still haven’t seen the movie.
― My Little Red Buchla (James Redd and the Blecchs), Monday, 22 August 2022 19:53 (one year ago) link
I watched The Set-Up last night (1949, dir. Robert Wise) and for a 72 minute RKO cheapie with no shortage of boxing movie cliches, it's beautifully shot, the characters are colorful, and it captures its grubby dressing room, hotel, bar and sidewalk scenes extremely well. Recommend seeing it before it leaves at the end of the month.
― Three Rings for the Elven Bishop (Dan Peterson), Monday, 22 August 2022 20:49 (one year ago) link
> Bronco Bullfrog
it was one of the BFI Flipside films. and one of the extras had a clip that i swear was filmed at the old borstal about 100 yards from here
― koogs, Tuesday, 23 August 2022 17:17 (one year ago) link
The full list for October hasn't been announced yet, but they've dropped a teaser and film list for an 80s Horror package:
Inferno, Dario Argento, 1980The Strange Case of Dr. Jekyll and Miss Osbourne, Walerian Borowczyk, 1981Dead & Buried, Gary Sherman, 1981The House by the Cemetery, Lucio Fulci, 1981The Funhouse, Tobe Hooper, 1981Strange Behavior, Michael Laughlin, 1981Wolfen, Michael Wadleigh, 1981Scanners, David Cronenberg, 1981Road Games, Richard Franklin, 1981The Fan, Ed Bianchi, 1981Basket Case, Frank Henenlotter, 1982Next of Kin, Tony Williams, 1982Cat People, Paul Schrader, 1982Q: The Winged Serpent, Larry Cohen, 1982The Slumber Party Massacre, Amy Holden Jones, 1982The Keep, Michael Mann, 1983The Hunger, Tony Scott, 1983*Henry: Portrait of a Serial Killer, John McNaughton, 1986The Hidden, Jack Sholder, 1987Prince of Darkness, John Carpenter, 1987White of the Eye, Donald Cammell, 1987Near Dark, Kathryn Bigelow, 1987The Vanishing, George Sluizer, 1988Brain Damage, Frank Henenlotter, 1988Dream Demon, Harley Cokeliss, 1988The Blob, Chuck Russell, 1988Lair of the White Worm, Ken Russell, 1988Vampire’s Kiss, Robert Bierman, 1989Society, Brian Yuzna, 1989Tetsuo: The Iron Man, Shinya Tsukamoto, 1989
― DPRK in Cincinnati (WmC), Thursday, 22 September 2022 19:41 (one year ago) link
I love their annual horror series. But The Keep? Any idea which cut? Just the theatrical cut that Mann has more or less disowned?
― Josh in Chicago, Thursday, 22 September 2022 19:48 (one year ago) link
Full list of new arrivals for October 2022:
Atragon, Ishiro Honda, 1963August 32nd on Earth, Denis Villeneuve, 1998Basket Case, Frank Henenlotter, 1982Black Book, Paul Verhoeven, 2006The Black Cat, Edgar G. Ulmer, 1934Blackenstein, William A. Levey, 1973Blacula, William Crain, 1972The Blob, Chuck Russell, 1988Blood & Donuts, Holly Dale, 1995*Blood and Sand, Rouben Mamoulian, 1941Brain Damage, Frank Henenlotter, 1988Bride of Frankenstein, James Whale, 1935Cat People, Paul Schrader, 1982Caught, Max Ophuls, 1949*Celia, Ann Turner, 1989Cosmos, Marie-Julie Dallaire, Manon Briand, Jennifer Alleyn, Arto Paragamian, André Turpin, and Denis Villeneuve, 1996Creature from the Black Lagoon, Jack Arnold, 1954The Criminals, Serhat Karaaslan, 2020Dead & Buried, Gary Sherman, 1981Deep Cover, Bill Duke, 1992Dogora, Ishiro Honda, 1964Dracula, Tod Browning, 1931Dracula: Pages from a Virgin’s Diary, Guy Maddin, 2002Dracula (Spanish-language version), George Melford, 1931Dream Demon, Harley Cokeliss, 1988Dries, Reiner Holzemer, 2017Estonia Dreams of Eurovision!, Marina Zenovich, 2002The Fan, Edward Bianchi, 1981Fascination, Jean Rollin, 1979Forty Guns, Samuel Fuller, 1957Frankenstein, James Whale, 1931Frankenstein vs. Baragon, Ishiro Honda, 1965The Funhouse, Tobe Hooper, 1981A Girl Walks Home Alone at Night, Ana Lily Amirpour, 2014The Headless Woman, Lucrecia Martel, 2008Heroin, Jessica Beshir, 2017He Who Dances on Wood, Jessica Beshir, 2016The Hidden, Jack Sholder, 1987Hot Mother, Lucy Knox, 2020The House by the Cemetery, Lucio Fulci, 1981The House of the Devil, Ti West, 2009Hush . . . Hush, Sweet Charlotte, Robert Aldrich, 1964I Am Another You, Nanfu Wang, 2017Independent’s Day, Marina Zenovich, 1997Inferno, Dario Argento, 1980Invisible Essence: The Little Prince, Charles Officer, 2018*The Invisible Man, James Whale, 1933Island of Lost Souls, Erle C. Kenton, 1932Isle of the Dead, Mark Robson, 1945The Keep, Michael Mann, 1983Lady in a Cage, Walter Grauman, 1964The Lair of the White Worm, Ken Russell, 1988Let the Right One In, Tomas Alfredson, 2008*Life, Animated, Roger Ross Williams, 2016The Living Dead Girl, Jean Rollin, 1982Maelström, Denis Villeneuve, 2000Matango, Ishiro Honda, 1963The Mummy, Karl Freund, 1932The Mysterians, Ishiro Honda, 1957My Own Private Idaho, Gus Van Sant, 1991Near Dark, Kathryn Bigelow, 1987Next of Kin, Tony Williams, 1982Nosferatu the Vampyre, Werner Herzog, 1979Panic in the Streets, Elia Kazan, 1950Performance, Donald Cammell and Nicolas Roeg, 1970Prince of Darkness, John Carpenter, 1987Q: The Winged Serpent, Larry Cohen, 1982The Raven, Lew Landers, 1935Road Games, Richard Franklin, 1981Sierra, Sander Joon, 2022Slumber Party Massacre, Amy Holden Jones, 1982Society, Brian Yuzna, 1989Songs for Drella, Ed Lachman, 1990Sounder, Martin Ritt, 1972Space Amoeba, Ishiro Honda, 1970still/here, Vlad Feier, 2020Strange Behavior, Michael Laughlin, 1981The Strange Case of Dr. Jekyll and Miss Osbourne, Walerian Borowczyk, 1981Supergirl, Jessie Auritt, 1984Superior, Erin Vassilopoulos, 2021Superior, Erin Vassilopoulos, 2015Tetsuo: The Iron Man, Shinya Tsukamoto, 1989Thirst, Park Chan-wook, 2009Vampire’s Kiss, Robert Bierman, 1989Varan the Unbelievable, Ishiro Honda, 1958The Velvet Vampire, Stephanie Rothman, 1971Vive L’Amour, Tsai Ming-liang, 1994Warsha, Dania Bdeir, 2022White of the Eye, Donald Cammell, 1987Who Is Bernard Tapie?, Marina Zenovich, 2001Wolfen, Michael Wadleigh, 1981The Wolf Man, George Waggner*Available in the U.S. only
― DPRK in Cincinnati (WmC), Monday, 26 September 2022 18:19 (one year ago) link
Supergirl year is wrong, looks like it will be the 2016 documentary.
― DPRK in Cincinnati (WmC), Monday, 26 September 2022 18:21 (one year ago) link
I hate to complain in the face of such a long list, but Caught being US only is greatly displeasing
― rob, Monday, 26 September 2022 18:35 (one year ago) link
Sampling Criterion's 80s horror offerings, Roadgames is NOT a horror movie, and it's barely a murder mystery, with Stacy Keach driving his trailer truck through the Australian outback, talking to himself and his pet dingo and eventually picking up hitchhiker Jamie Lee Curtis. Filled with quirky touches, some which work, some which don't imo, but I liked it a lot. Supposedly one of Tarantino's favorite films.
― Three Rings for the Elven Bishop (Dan Peterson), Monday, 10 October 2022 17:09 (one year ago) link
I turned off Roadgames after about 10 minutes when Keach's character would not stop telling dumb jokes to himself.
I watched The Hidden, starring Kyle MacLachlan, from the 80s horror collection. The body-snatching alien villain has bizarrely underachieving goals for most of the movie; it's mainly interested in stealing Ferraris and blasting the kind of late 80s music that no one is nostalgic for. Then it decides it wants to possess the body of a Presidential candidate.
― Chris L, Monday, 10 October 2022 17:45 (one year ago) link
sounds sort of prescient when you put it like that
― rob, Monday, 10 October 2022 17:51 (one year ago) link
Yeah I have about that same recollection of The Hidden from seeing it years ago, don't really feel like revisiting.
RE: Roadgames it's Keach's rambling to himself and his dingo, the dumb jokes and also his quoting poetry, that I think may have inspired Tarantino's approach to dialogue. It's a long shaggy dog story (at 100 minutes it feels way longer) with a not great conclusion, but I found it interesting enough to finish.
― Three Rings for the Elven Bishop (Dan Peterson), Monday, 10 October 2022 17:59 (one year ago) link
I watched Dream Demon also out of the '80s horror collection — not great, but fairly entertaining and something of a novel story in that it mostly revolves around two women basically helping each other deal with assorted traumas. Some low-budget atmospheric visuals that felt very '80s music-video to me.
― a man often referred to in the news media as the Duke of Saxony (tipsy mothra), Monday, 10 October 2022 18:01 (one year ago) link
November 2022 additions finally announced:
499, Rodrigo Reyes, 2020. . . After He Left, Athi Patra Ruga, 2008Africa, the Jungle, Drums and Revolution, Suliman Mohamed Ibrahim Elnour, 1979African Booty Scratcher, Nikyatu Jusu, 2007Another Decade, Morgan Quaintance, 2018Becket, Peter Glenville, 1964Bestia, Hugo Covarrubias, 2021Black Journal, “Alice Coltrane,” St. Clair Bourne, 1970The Blue Dahlia, George Marshall, 1946*Brazil, Terry Gilliam, 1985The Breaking Point, Michael Curtiz, 1950Call Northside 777, Henry Hathaway, 1948A Camel, Ibrahim Shaddad, 1981Censor of Dreams, Léo Berne and Raphaël Rodriguez, 2021Cry of the City, Robert Siodmak, 1948The Cry of Jazz, Edward Bland, 1959CzechMate: In Search of Jiří Menzel, Shivendra Singh Dungarpur, 2018The Dark Corner, Henry Hathaway, 1946The Daughter of Dawn, Norbert A. Myles, 1920Dazed Flesh, Grace Passô and Ricardo Alves Jr, 2019Dust Be My Destiny, Lewis Seiler, 1939Fallen Angel, Wong Kar Wai, 1995The Fallen Sparrow, Richard Wallace, 1943Felicia’s Journey, Atom Egoyan, 1999*The Flaming Lips Space Bubble Film, Blake Studdard and Wayne Coyne, 2022Flowers, Nikyatu Jusu, 2016Force of Evil, Abraham Polonsky, 1948*Frantz Fanon: Black Skin, White Mask, Isaac Julien, 1995Ghosts, André Novais Oliveira, 2010The Glass Key, Stuart Heisler, 1942Goodbye Jerome!, Chloé Farr, Gabrielle Selnet, and Adam Sillard, 2022Gramercy Stories, Joyce Chopra, 2008Happy Mother’s Day, Richard Leacock and Joyce Chopra, 1963The House on Telegraph Hill, Robert Wise, 1951Humoresque, Jean Negulesco, 1946The Hunger, Tony Scott, 1983Hunt for the Wilderpeople, Taika Waititi, 2016Imagine the Sound, Ron Mann, 1981Kiss of Death, Henry Hathaway, 1947Les stances à Sophie, Moshé Mizrahi, 1971Long Way Home, André Novais Oliveira, 2018Martha Clarke Light & Dark: A Dancer’s Journal, Joyce Chopra, 1980Milford Graves Full Mantis, Jake Meginsky, with Neil Young, 2018Missing Time, Morgan Quaintance, 2019Nũhũ yãgmũ yõg hãm: This Land Is Ours!, Isael Maxakali, Sueli Maxakali, Carolina Canguçu, and Roberto Romero, 2020The Pied Piper, Jacques Demy, 1972The Postman Always Rings Twice, Tay Garnett, 1946Promises: Through Congress, Trevor Tweeten, 2021Public Service Announcement, Athi Patra Ruga, 2014Republic, Grace Passô, 2020Rising Tones Cross, Ebba Jahn, 1985Saturday’s Children, Vincent Sherman, 1940Say Grace Before Drowning, Nikyatu Jusu, 2010Seahorse: The Dad Who Gave Birth, Jeanie Finlay, 2019*Suicide by Sunlight, Nikyatu Jusu, 2019Sullivan’s Travels, Preston Sturges, 1941Sun Ra: A Joyful Noise, Robert Mugge, 1980Take Out, Sean Baker and Shih-Ching Tsou, 2004Thieves’ Highway, Jules Dassin, 1949This Gun for Hire, Frank Tuttle, 1942Yãmĩyhex, the Women-Spirit, Sueli Maxakali, Isael Maxakali, 2019
Premiering November 15American Movie, Chris Smith, 1999An Education, Lone Scherfig, 2009Animal Kingdom, David Michôd, 2010*Another Year, Mike Leigh, 2010The City of Lost Children, Marc Caro and Jean-Pierre Jeunet, 1995*The Fog of War, Errol Morris, 2003Footnote, Joseph Cedar, 2011Grateful Dawg, Gillian Grisman, 2000House of Flying Daggers, Zhang Yimou, 2004The Illusionist, Sylvain Chomet, 2010Incendies, Denis Villeneuve, 2010*Junebug, Phil Morrison, 2005L’enfant, Luc Dardenne and Jean-Pierre Dardenne, 2005Last Orders, Fred Schepisi, 2001The Lives of Others, Florian Henckel von Donnersmarck, 2006Nine Queens, Fabián Bielinsky, 2000Offside, Jafar Panahi, 2006Orlando, Sally Potter, 1992Paprika, Satoshi Kon, 2006Persepolis, Marjane Satrapi and Vincent Paronnaud, 2007Pollock, Ed Harris, 2000A Prophet, Jacques Audiard, 2009Run Lola Run, Tom Tykwer, 1998Searching for Sugar Man, Malik Bendjelloul, 2012A Separation, Asghar Farhadi, 2011Thumbsucker, Mike Mills, 2005Volver, Pedro Almodóvar, 2006The White Ribbon, Michael Haneke, 2009Waltz with Bashir, Ari Folman, 2008*Winged Migration, Jacques Perrin, Jacques Cluzaud, and Michel Debats, 2001
Premiering November 16A Night of Knowing Nothing, Payal Kapadia, 2021
Premiering November 21My Architect, Nathaniel Kahn, 2003
― DPRK in Cincinnati (WmC), Wednesday, 26 October 2022 17:46 (one year ago) link
must-watch in the 'free jazz' mini collection after "milford graves full mantis"?
― ꙮ (map), Sunday, 6 November 2022 20:48 (one year ago) link
ornette: made in america is goodspace is the place is goofy but worth watchingfire music is skippable, too much talking and not enough music
― na (NA), Monday, 7 November 2022 01:13 (one year ago) link
CzechMate: In Search of Jiří Menzel, Shivendra Singh Dungarpur, 2018
this caught my eye on the app last night, nearly 8 hours long? anybody have experience with it?
― nobody like my rap (One Eye Open), Wednesday, 9 November 2022 13:20 (one year ago) link
December 2022 additions:
All the Crows in the World, Tang Yi, 2021American Movie, Chris Smith, 1999April and the Extraordinary World, Christian Desmares and Franck Ekinci, 2015*Artaud Double Bill, Atom Egoyan, 2007*The Awful Truth, Leo McCarey, 1937Bad Night for the Blues, Chris Shepherd, 2010Ball of Fire, Howard Hawks, 1941The Big Bad Fox and Other Tales, Benjamin Renner and Patrick Imbert, 2017Bluebeard’s Eighth Wife, Ernst Lubitsch, 1938The Broker, Azadi Moghadam, 2018Celluloid Man, Shivendra Singh Dungarpur, 2012Christine, John Carpenter, 1983Day of the Outlaw, André de Toth, 1959Diamantino, Gabriel Abrantes and Daniel Schmidt, 2018*Easy Living, Mitchell Leisen, 1937En passant, Atom Egoyan, 1991*The Far Country, Anthony Mann, 1954Freedom Fields, Naziha Arebi, 2018The Girls, Mai Zetterling, 1968The Goalie’s Anxiety at the Penalty Kick, Wim Wenders, 1972The Great Silence, Sergio Corbucci, 1968Gregory’s Girl, Bill Forsyth, 1980Hail the Conquering Hero, Preston Sturges, 1944The Headhunter’s Daughter, Don Josephus Raphael Eblahan, 2022Here the Seats Are Vacant, Shiva Sanjari, 2016His Girl Friday, Howard Hawks, 1940Holiday, George Cukor, 1938Infinite Football, Corneliu Porumboiu, 2018It Happened One Night, Frank Capra, 1934It Happens Every Spring, Lloyd Bacon, 1949The Lady Eve, Preston Sturges, 1941Little Big Man, Arthur Penn, 1970Love Is News, Tay Garnett, 1937Loving Couples, Mai Zetterling, 1964McCabe & Mrs. Miller, Robert Altman, 1971Me and My Gal, Raoul Walsh, 1932Midnight, Mitchell Leisen, 1939Miracle of Morgan’s Creek, Preston Sturges, 1944Mirage, Szabolcs Hajdu, 2014The More the Merrier, George Stevens, 1943Murder, He Says, George Marshall, 1945My Man Godfrey, Gregory La Cava, 1936Night Games, Mai Zetterling, 1966The Palm Beach Story, Preston Sturges, 1942Peep Show, Atom Egoyan, 1981*Platform, Sahar Mosayebi, 2021Poetry, Lee Chang-dong, 2010Radiograph of a Family, Firouzeh Khosravani, 2020Ravenous, Antonia Bird, 1999Rhubarb, Arthur Lubin, 1951Ride the High Country, Sam Peckinpah, 1962The Second Game, Corneliu Porumboiu, 2014The Secret of Convict Lake, Michael Gordon, 1951Shaolin Soccer, Stephen Chow, 2001Spettacolo, Jeff Malmberg and Chris Shellen, 2017Tattoo, Farhad Delaram, 2019Theodora Goes Wild, Richard Boleslawski, 1936Three Wishes for Cinderella, Václav Vorlíček, 1973Tootsie, Sydney Pollack, 1982Track of the Cat, William A. Wellman, 1954Trouble in Paradise, Ernst Lubitsch, 1932Twentieth Century, Howard Hawks, 1934The White Wall, Stig Björkman, 1975The Wild North, Andrew Marton, 1952You Never Can Tell, Lou Breslow, 1951Premiering December 5Marx Can Wait, Marco Bellocchio, 2021Premiering December 12Cane Fire, Anthony Banua-Simon, 2020Premiering December 14Clara sola, Nathalie Álvarez Mesén, 2021*Available in the U.S. only
Features, bundles, departments, etc: https://criterioncast.com/news/december-2022-programming-on-the-criterion-channel-announced
― DPRK in Cincinnati (WmC), Wednesday, 23 November 2022 14:17 (one year ago) link
Stoked for the Mai Zetterling stuff!
― lilcraigyboi (Craigo Boingo), Monday, 5 December 2022 14:08 (one year ago) link
Finally caught Night Games in a theatrical screening this year and it is quite remarkable; did not disappoint.
― Josefa, Monday, 5 December 2022 14:18 (one year ago) link
Re Mitchell Leisen: Easy Living has a Sturges script, I believe, don’t remember if I ever saw. Midnight I remembering enjoying, was it a Wilder script?
― Soda Stereo Total (James Redd and the Blecchs), Monday, 5 December 2022 15:12 (one year ago) link
January 2023 additions:
3 Women, Robert Altman, 1977ABC Africa, Abbas Kiarostami, 2001Abigail’s Party, Mike Leigh, 1977American Dream, Barbara Kopple, Cathy Caplan, Thomas Haneke, and Lawrence Silk, 1990The American Sector, Courtney Stephens and Pacho Velez, 2020Attica, Cinda Firestone, 1974Beauty and the Dogs, Kaouther Ben Hania, 2017Belizaire the Cajun, Glen Pitre, 1986Big Brown Eyes, Raoul Walsh, 1936*The Birds, Alfred Hitchcock, 1963*The Boss, Fernando Di Leo, 1973The Bread and Alley, Abbas Kiarostami, 1970Breaktime, Abbas Kiarostami, 1972Caliber 9, Fernando Di Leo, 1972The Clay Bird, Tareque Masud, 2002The Colors, Abbas Kiarostami, 1976The Day After Trinity, Jon Else, 1981Deep End, Jerzy Skolimowski, 1970Diary for My Children, Márta Mészáros, 1984Diary for My Lovers, Márta Mészáros, 1987Diary for My Mother and Father, Márta Mészáros, 1990Election, Johnnie To, 2005Election 2, Johnnie To, 2006Experience, Abbas Kiarostami, 1973First Case, Second Case, Abbas Kiarostami, 1979First Graders, Abbas Kiarostami, 1984Four Days in July, Mike Leigh, 1984Grown-Ups, Mike Leigh, 1980Hard Labour, Mike Leigh, 1973Home Sweet Home, Mike Leigh, 1982INAAT/SE/, Adam Khalil and Zack Khalil, 2016The Italian Connection, Fernando Di Leo, 1972Kidnap Syndicate, Fernando Di Leo, 1975The Kiss of Death, Mike Leigh, 1977Le quattro volte, Michelangelo Frammartino, 2010Little Women, George Cukor, 1933Man Hunt, Fritz Lang, 1941Marnie, Alfred Hitchcock, 1964*Masquerade, Olive Nwosu, 2021Moonlighting, Jerzy Skolimowski, 1982Nationtime, William Greaves, 1972A New Year, George Sikharulidze, 2018Nina, Hristo Simeonov, 2019Nuts in May, Mike Leigh, 1976Oklahoma!, Fred Zinnemann, 1955Orderly or Disorderly, Abbas Kiarostami, 1981Party Girl, Daisy von Scherler Mayer, 1995Phantom Boy, Alain Gagnol and Jean-Loup Felicioli, 2015Psycho, Alfred Hitchcock, 1960*The Reagan Show, Pacho Velez and Sierra Pettengill, 2017Scarlet Street, Fritz Lang, 1945Shoot First, Die Later, Fernando Di Leo, 1974The Shout, Jerzy Skolimowski, 1978So Can I, Abbas Kiarostami, 1975Successful Thawing of Mr. Moro, Jerry Carlsson, 2021The Task, Leigh Ledare, 2017There’s Always Tomorrow, Douglas Sirk, 1956*Toothache, Abbas Kiarostami, 1980Tribute to Teachers, Abbas Kiarostami, 1977Two Solutions for One Problem, Abbas Kiarostami, 1975The Village Detective: A Song Cycle, Bill Morrison, 2021A Wedding Suit, Abbas Kiarostami, 1976We’re No Angels, Michael Curtiz, 1955*Who’s Who, Mike Leigh, 1979Wild Girl, Raoul Walsh, 1932The Woman in the Window, Fritz Lang, 1944The Woman on the Beach, Jean Renoir, 1947Woodstock, Michael Wadleigh, 1970
Premiering January 5Il buco, Michelangelo Frammartino, 2021*
Premiering January 11Kamikaze Hearts, Juliet Bashore, 1986
Premiering January 14Cyrano de Bergerac, Jean-Paul Rappeneau, 1990
Premiering January 19Keane, Lodge Kerrigan, 2004
― DPRK in Cincinnati (WmC), Tuesday, 20 December 2022 19:35 (one year ago) link
Daaaam, hoping this portends a Bergman-like Kiarostami box in the works.
― عباس کیارستمی (Eric H.), Tuesday, 20 December 2022 20:37 (one year ago) link
Ha, was wondering about that too.
― A Kestrel for a Neve (James Redd and the Blecchs), Tuesday, 20 December 2022 20:40 (one year ago) link
Being unaware that Mike Leigh had made a film called Grown-Ups, I was for a split second very confused.
https://upload.wikimedia.org/wikipedia/en/f/fe/Grownupsmovie.jpg
― Hans Holbein (Chinchilla Volapük), Wednesday, 21 December 2022 04:53 (one year ago) link
Really intrigued by the Fernando Di Leo titles. The poster for Shoot First Die Later is really something else.
https://thumbs.worthpoint.com/zoom/images1/375/0812/21/shoot-first-die-later-italian-1p-74_375_9f9a1d3623f3212e603041b82a2087ac.jpg
― omar little, Wednesday, 28 December 2022 23:32 (one year ago) link
I just realized The Archers' The Small Back Room (spine #441) is still on the channel, though it doesn't show up in https://www.criterionchannel.com/criterion-editions. It does show up if you search for it directly, though. It was added March 2020, I thought for a limited engagement, and...never removed? Hard to know if it's part of the permanent streaming library now or not.
― DPRK in Cincinnati (WmC), Saturday, 31 December 2022 23:46 (one year ago) link
Criterion is really bad for searching imho. Never totally sure what's on there.
― A Kestrel for a Neve (James Redd and the Blecchs), Saturday, 31 December 2022 23:48 (one year ago) link
I've asked several times for a flat text-only sortable table of everything currently available but nooooooooo.
― DPRK in Cincinnati (WmC), Saturday, 31 December 2022 23:50 (one year ago) link
The Small Back Room seems to be on there, with commentary track and other bonus videos to boot.https://www.criterionchannel.com/the-small-back-room
― A Kestrel for a Neve (James Redd and the Blecchs), Saturday, 31 December 2022 23:50 (one year ago) link
Doesn't Criterion Editions mean there is a physical non-streaming version? Maybe that was discontinued which is why you don't see it. Or that is where the information gap manifested itself, on that page.
― A Kestrel for a Neve (James Redd and the Blecchs), Saturday, 31 December 2022 23:53 (one year ago) link
https://www.criterion.com/films/747-the-small-back-roomDVD OUT OF PRINT
― A Kestrel for a Neve (James Redd and the Blecchs), Saturday, 31 December 2022 23:55 (one year ago) link
Ah yeah, that'll be the reason.
― DPRK in Cincinnati (WmC), Saturday, 31 December 2022 23:57 (one year ago) link
One of the things that is kind of a source of pain for me is all the "ghosts" in there, emptied out directorial series, bonus videos but not the actual film etc.
― A Kestrel for a Neve (James Redd and the Blecchs), Sunday, 1 January 2023 00:13 (one year ago) link
There is a spectre haunting Criterion.
My god, a Starring Joan Bennett special. Hard-to-find obscurities by Jean Renoir and Douglas Sirk among them. Watch her two Fritz Lang films Scarlet Street and especially The Woman in the Window.
― Malevolent Arugula (Alfred, Lord Sotosyn), Tuesday, 3 January 2023 16:28 (one year ago) link
I saw those two as a double feature years ago and saw one of them again at some point and can't say I remember which is which.
― dan selzer, Tuesday, 3 January 2023 16:33 (one year ago) link
They're both similar; the latter has a frankly unbelievable twist.
― Malevolent Arugula (Alfred, Lord Sotosyn), Tuesday, 3 January 2023 16:35 (one year ago) link
I forgot what the twist is so will have to watch again. Can't remember if I've seen Scarlet Street.
― A Kestrel for a Neve (James Redd and the Blecchs), Tuesday, 3 January 2023 16:37 (one year ago) link
Your favorite actress is also in that Sirk obscurity.
― A Kestrel for a Neve (James Redd and the Blecchs), Tuesday, 3 January 2023 16:44 (one year ago) link
Yep!
― Malevolent Arugula (Alfred, Lord Sotosyn), Tuesday, 3 January 2023 16:46 (one year ago) link
Meant to watch it this weekend but didn’t get to it.
― A Kestrel for a Neve (James Redd and the Blecchs), Tuesday, 3 January 2023 16:51 (one year ago) link
It absolutely blows my mind that someone would forget seeing Scarlet Street ... maybe the bleakest noir ending of any noir ever made
― عباس کیارستمی (Eric H.), Tuesday, 3 January 2023 16:55 (one year ago) link
Also, it goes without saying that AK's Childhood Films series is at the top of my list for January
― عباس کیارستمی (Eric H.), Tuesday, 3 January 2023 16:57 (one year ago) link
Can you talk about those on Iranian Cinema thread?
― A Kestrel for a Neve (James Redd and the Blecchs), Tuesday, 3 January 2023 17:08 (one year ago) link
Or maybe on one of the four Kiarostami threads.
― A Kestrel for a Neve (James Redd and the Blecchs), Tuesday, 3 January 2023 20:31 (one year ago) link
― Farewell to Evening in Paradise (James Redd and the Blecchs), Friday, 6 January 2023 22:43 (one year ago) link
People seem to like the Milieu Trilogy: Caliber 9 (Milano Calibro 9, 1972), The Italian Connection (La Mala Ordina, 1972), The Boss (Il Boxx, 1973).
― Farewell to Evening in Paradise (James Redd and the Blecchs), Friday, 6 January 2023 22:58 (one year ago) link
Lots of good noirs leaving this month.
― The Gate of Angels Laundromat (James Redd and the Blecchs), Tuesday, 17 January 2023 21:51 (one year ago) link
The Sony Pictures Classics bundle left midmonth, without warning. It arrived mid-November and had a 2 month streaming license apparently. :(
― The Terroir of Tiny Town (WmC), Tuesday, 17 January 2023 22:20 (one year ago) link
I hate it when that happens :(
― The Gate of Angels Laundromat (James Redd and the Blecchs), Tuesday, 17 January 2023 22:23 (one year ago) link
I'm really hoping that the Dekalog returns at some point.
― Josh in Chicago, Tuesday, 17 January 2023 22:23 (one year ago) link
Done got to be a drag, a man can't stream nothin' no more. We got to let the services know what they got to do for us, heh heh heh
― The Gate of Angels Laundromat (James Redd and the Blecchs), Tuesday, 17 January 2023 22:24 (one year ago) link
That Joan Bennett series on Criterion continues to impress me. I watched the delightful Big Brown Eyes (1936), co-starring Cary the Grant. Only 75 minutes!
― Malevolent Arugula (Alfred, Lord Sotosyn), Tuesday, 17 January 2023 22:24 (one year ago) link
DId you watch the Sirk yet/
― The Gate of Angels Laundromat (James Redd and the Blecchs), Tuesday, 17 January 2023 22:38 (one year ago) link
I had never seen Force of Evil. Recommended if you haven't seen it. There was a good piece linked in the noir thread ten years ago.
https://newrepublic.com/article/105544/david-thomson-force-of-evil
― Three Rings for the Elven Bishop (Dan Peterson), Tuesday, 17 January 2023 23:41 (one year ago) link
It's a pretty famous film! Can't remember if I have seen it once or zero times.
― The Gate of Angels Laundromat (James Redd and the Blecchs), Tuesday, 17 January 2023 23:49 (one year ago) link
Recommending THE GLASS KEY, FALLEN ANGEL and THE BLUE DAHLIA.
― The Gate of Angels Laundromat (James Redd and the Blecchs), Tuesday, 17 January 2023 23:50 (one year ago) link
Have we discussed the idea of all Film Noirs being components of one master narrative, one master story or is that a challops at this point?
― The Gate of Angels Laundromat (James Redd and the Blecchs), Tuesday, 17 January 2023 23:53 (one year ago) link
I don't think Dekalog was ever on the Channel or on Filmstruck! The two features expanded from Dekalog chapters are still there.
― The Terroir of Tiny Town (WmC), Wednesday, 18 January 2023 00:34 (one year ago) link
Huh. Why would Dekalog have not made an appearance yet? I wonder if Criterion still has the rights?
― Josh in Chicago, Wednesday, 18 January 2023 00:51 (one year ago) link
Physical release rights and streaming rights are different things. The physical release is still in print, as are dozens/hundreds of other things that are on CC disc but not streaming.
― The Terroir of Tiny Town (WmC), Wednesday, 18 January 2023 01:07 (one year ago) link
i am screaming ILPLEX at you people but nobody wanna hear me
― POLIZISTEN VERSINKEN IM SCHLAMM (forksclovetofu), Wednesday, 18 January 2023 04:33 (one year ago) link
Is that a sub board?
― The Gate of Angels Laundromat (James Redd and the Blecchs), Wednesday, 18 January 2023 04:50 (one year ago) link
thread on 77
― POLIZISTEN VERSINKEN IM SCHLAMM (forksclovetofu), Wednesday, 18 January 2023 06:10 (one year ago) link
we watched Scarlet Street (which rips) from the Joan Bennett collection so i was reading about her. her husband Walter Wanger, who was a big producer, shot her agent bc he thought he was having an affair with her. the agent lived and the husband/producer went to jail for a few months
― na (NA), Wednesday, 18 January 2023 20:40 (one year ago) link
Thanks. Just noticed MAN HUNT is in that series, have never seen that one.
― The Gate of Angels Laundromat (James Redd and the Blecchs), Wednesday, 18 January 2023 22:02 (one year ago) link
TICKET OF NO RETURN looking good to me from the expiring list.
― The Gate of Angels Laundromat (James Redd and the Blecchs), Sunday, 22 January 2023 14:06 (one year ago) link
February 2023 additions:
All I Desire, Douglas Sirk, 1953Alma’s Rainbow, Ayoka Chenzira, 1994The Angelic Conversation, Derek Jarman, 1985Blue, Derek Jarman, 1993Boy Meets Girl, Leos Carax, 1984Cane River, Horace Jenkins, 1982Caravaggio, Derek Jarman, 1986Criss Cross, Robert Siodmak, 1949Edward II, Derek Jarman, 1991Eleanor’s Secret, Dominique Monfery, 2009*Eleanor’s Secret: French Version, Dominique Monfery, 2009*Flaming Ears, A. Hans Scheirl, Dietmar Schipek, and Ursula Pürrer, 1992The Garden, Derek Jarman, 1990Glitterbug, Derek Jarman, 1994Go Tell It on the Mountain, Stan Lathan, 1985I Am Not Your Negro, Raoul Peck, 2016*James Baldwin: The Price of the Ticket, Karen Thorsen, 1989The Killers, Robert Siodmak, 1946The Last of England, Derek Jarman, 1987Lata, Alisha Tejpal, 2020Lover Come Back, Delbert Mann, 1961Murder in Harlem, Oscar Micheaux, 1935On-Gaku: Our Sound, Kenji Iwaisawa, 2019Phantom Lady, Robert Siodmak, 1944Pillow Talk, Michael Gordon, 1959Safe, Ian Barling, 2021Sebastiane, Derek Jarman, 1976Send Me No Flowers, Norman Jewison, 1964The Sounds of Science, Jean Painlevé, 2002The Suspect, Robert Siodmak, 1944The Tall Men, Raoul Walsh, 1955The Tarnished Angels, Douglas Sirk, 1957The Tempest, Derek Jarman, 1979Thunder on the Hill, Douglas Sirk, 1951The Velvet Queen, Vincent Munier and Marie Amiguet, 2021*War Requiem, Derek Jarman, 1989Wittgenstein, Derek Jarman, 1993
PREMIERING FEBRUARY 13Baldwin’s Nigger, Horace Ové, 1968James Baldwin: From Another Place, Sedat Pakay, 1973Meeting the Man: James Baldwin in Paris, Terence Dixon, 1970*Available in the U.S. only
Bundles, features, etc: https://criterioncast.com/news/february-2023-programming-on-the-criterion-channel-announced
― The Terroir of Tiny Town (WmC), Thursday, 26 January 2023 14:41 (one year ago) link
Jarman, Sirk, and Siodmak the winners here.
― Malevolent Arugula (Alfred, Lord Sotosyn), Thursday, 26 January 2023 14:41 (one year ago) link
I’m definitely gonna watch those Sirks.
― Les hommes de bonbons (cryptosicko), Thursday, 26 January 2023 14:47 (one year ago) link
Never even heard of Thunder on the Hill.
― Cry for a Shadowgraph (James Redd and the Blecchs), Thursday, 26 January 2023 15:21 (one year ago) link
The Baldwin and Micheaux features are at the top of my list.
JAMES BALDWIN ON-SCREENTowering literary lion, fierce social critic, and inimitable cultural icon James Baldwin opened up a new space for the frank discussion of race, sexuality, and identity in American society. He also left behind a dynamic cinematic legacy, as seen in these portraits that capture his electrifying presence, passionate eloquence, and incisive commentary on everything from art to religion to love to liberation to his most personal experiences as a gay Black man who lived much of his life abroad but who never stopped examining his own complex relationship to the United States. This collection also includes Go Tell It on the Mountain, a star-studded television film based on Baldwin’s first novel, one of the few screen adaptations of his fiction.Go Tell It on the Mountain, Stan Lathan, 1985James Baldwin: The Price of the Ticket, Karen Thorsen, 1989I Am Not Your Negro, Raoul Peck, 2016Baldwin’s Nigger, Horace Ové, 1968Meeting the Man: James Baldwin in Paris, Terence Dixon, 1970James Baldwin: From Another Place, Sedat Pakay, 1973OSCAR MICHEAUX: TRAILBLAZERA pioneering American writer, director, and producer whose films are among the boldest of the silent and early sound eras, independent auteur Oscar Micheaux gave Black audiences a reflection of their own experiences crafted with a complexity and seriousness that stood in stark contrast to the racist stereotypes propagated by his contemporary D. W. Griffith and the nascent Hollywood studio system. Tackling issues of race relations, systemic injustice, and the struggles of Black Americans striving for better lives with both stirring power and a showman’s sense of spectacle, these films—including the bold exposé of racist violence Within Our Gates; Body and Soul, a potent critique of religious hypocrisy starring the great Paul Robeson; and the subversive detective mystery Murder in Harlem, presented here in a major new restoration—offer a vital counter-history of American cinema, one with the Black experience at its fore.Within Our Gates, 1920The Symbol of the Unconquered: A Story of the Ku Klux Klan, 1920Body and Soul, 1925The Darktown Revue, 1931The Exile, 1931The Girl from Chicago, 1932Ten Minutes to Live, 1932Veiled Aristocrats, 1932Murder in Harlem, 1935Birthright, 1938
Go Tell It on the Mountain, Stan Lathan, 1985James Baldwin: The Price of the Ticket, Karen Thorsen, 1989I Am Not Your Negro, Raoul Peck, 2016Baldwin’s Nigger, Horace Ové, 1968Meeting the Man: James Baldwin in Paris, Terence Dixon, 1970James Baldwin: From Another Place, Sedat Pakay, 1973
OSCAR MICHEAUX: TRAILBLAZERA pioneering American writer, director, and producer whose films are among the boldest of the silent and early sound eras, independent auteur Oscar Micheaux gave Black audiences a reflection of their own experiences crafted with a complexity and seriousness that stood in stark contrast to the racist stereotypes propagated by his contemporary D. W. Griffith and the nascent Hollywood studio system. Tackling issues of race relations, systemic injustice, and the struggles of Black Americans striving for better lives with both stirring power and a showman’s sense of spectacle, these films—including the bold exposé of racist violence Within Our Gates; Body and Soul, a potent critique of religious hypocrisy starring the great Paul Robeson; and the subversive detective mystery Murder in Harlem, presented here in a major new restoration—offer a vital counter-history of American cinema, one with the Black experience at its fore.
Within Our Gates, 1920The Symbol of the Unconquered: A Story of the Ku Klux Klan, 1920Body and Soul, 1925The Darktown Revue, 1931The Exile, 1931The Girl from Chicago, 1932Ten Minutes to Live, 1932Veiled Aristocrats, 1932Murder in Harlem, 1935Birthright, 1938
― عباس کیارستمی (Eric H.), Thursday, 26 January 2023 15:40 (one year ago) link
that Ové is a blast
― POLIZISTEN VERSINKEN IM SCHLAMM (forksclovetofu), Thursday, 26 January 2023 16:15 (one year ago) link
Looking forward to some Painlévé films with YLT music, finally.
― The Terroir of Tiny Town (WmC), Thursday, 26 January 2023 18:56 (one year ago) link
I notice that a bunch of stuff that is about to leave first appeared on August 2022, so I am assuming that is a thing, a six month arrangement.
― The Big O RLY (James Redd and the Blecchs), Monday, 30 January 2023 01:20 (one year ago) link
Guess I should finally see a Jarman film.
― Chris L, Monday, 30 January 2023 18:10 (one year ago) link
Is THE TARNISHED ANGELS really considered a rarity?
― And Your Borad Can Zing (James Redd and the Blecchs), Wednesday, 1 February 2023 16:16 (one year ago) link
Jerzy Skolimowski's EO to be added this coming Tuesday.
― The Terroir of Tiny Town (WmC), Thursday, 16 February 2023 22:16 (one year ago) link
I'm looking forward to seeing it
― Dan S, Friday, 17 February 2023 01:51 (one year ago) link
Wow. Saw it in the theater but missed a minute or two at the beginning.
― after the pinefox (James Redd and the Blecchs), Friday, 17 February 2023 02:19 (one year ago) link
Abuse of Weakness, Catherine Breillat, 2013*Ala Kachuu – Take and Run, Maria Brendle, 2020Amateur, Hal Hartley, 1994Back Stage, Roscoe “Fatty” Arbuckle, 1919The Balloonatic, Buster Keaton and Edward F. Cline, 1923The Bedroom Window, Curtis Hanson, 1987The Bell Boy, Roscoe “Fatty” Arbuckle, 1918Behemoth: or the Game of God, Lemohang Jeremiah Mosese, 2016The Blacksmith, Buster Keaton and Malcolm St. Clair, 1922Bleue, Ornella Pacchioni, 2021The Boat, Buster Keaton and Edward F. Cline, 1921Boy and the World, Alê Abreu, 2013Broken Lullaby, Ernst Lubitsch, 1932The Butcher Boy, Roscoe “Fatty” Arbuckle, 1917Cleopatra, Cecil B. DeMille, 1934Coach to Vienna, Karel Kachyňa, 1966College, Buster Keaton and James W. Horne, 1927Coney Island, Roscoe “Fatty” Arbuckle, 1917Convict 13, Buster Keaton and Edward F. Cline, 1920The Cook, Roscoe “Fatty” Arbuckle, 1918Cops, Buster Keaton and Edward F. Cline, 1922Crouching Tiger, Hidden Dragon, Ang Lee, 2000The Couple Next Door, Abbesi Akhamie, 2020Day Dreams, Buster Keaton and Edward F. Cline, 1922Design for Living, Ernst Lubitsch, 1933*Dr. Jekyll and Mr. Hyde, John S. Robertson, 1920Entre nous, Diane Kurys, 1983The Electric House, Buster Keaton and Edward F. Cline, 1922Epidemic, Lars von Trier, 1987Executioners, Johnnie To and Ching Siu-tung, 1993Forty Guns, Samuel Fuller, 1957The Frozen North, Buster Keaton and Edward F. Cline, 1922The Garage, Roscoe “Fatty” Arbuckle, 1920 The Goat, Buster Keaton and Malcolm St. Clair, 1921Good Night, Nurse!, Roscoe “Fatty” Arbuckle, 1918Hard Luck, Buster Keaton and Edward F. Cline, 1921The Haunted House, Buster Keaton and Edward F. Cline, 1921The Hayseed, Roscoe “Fatty” Arbuckle, 1919Heaven’s Gate, Michael Cimino, 1980The Heroic Trio, Johnnie To, 1993The High Sign, Buster Keaton and Edward F. Cline, 1921His Wedding Night, Roscoe “Fatty”Arbuckle, 1917Home, Ursula Meier, 2008*Honor Among Lovers, Dorothy Arzner, 1931If I Had a Million, Ernst Lubitsch, Norman Taurog, Norman Z. McLeod, H. Bruce Humberstone, James Cruze, Stephen Roberts, and William A. Seiter, 1932Images of Liberation, Lars von Trier, 1982In Another Country, Hong Sang-soo, 2012*The Intruder, Claire Denis, 2005Invoking Justice, Deepa Dhanraj, 2011Is This Just a Story?, Yugantar, 1983Lady of the Night, Marin Håskjold, 2017 The Last Days of Chez Nous, Gillian Armstrong, 1992Life Is Cheap . . . But Toilet Paper Is Expensive, Wayne Wang, 1989Loulou, Maurice Pialat, 1980Love in the Time of AIDS, Deepa Dhanraj, 2006 Love Me Tonight, Rouben Mamoulian, 1932The Love Nest, Buster Keaton and Edward F. Cline, 1923Loving Highsmith, Eva Vitija, 2022Made in Hong Kong, Fruit Chan, 1997Magnificent Warriors, David Chung, 1987Maid Servant, Yugantar, 1981Merrily We Go to Hell, Dorothy Arzner, 1932Moonshine, Roscoe “Fatty” Arbuckle, 1918Mosonngoa, Lemohang Jeremiah Mosese, 2014Mother, I Am Suffocating. This Is My Last Film About You., Lemohang Jeremiah Mosese, 2019The Murder of Mr. Devil, Ester Krumbachová, 1970My Wife’s Relations, Buster Keaton and Edward F. Cline, 1922Neighbors, Buster Keaton and Edward F. Cline, 1920Night After Night, Archie Mayo, 1932Nocturne, Lars von Trier, 1980Oh Doctor!, Roscoe “Fatty” Arbuckle, 1917One Hour with You, Ernst Lubitsch, 1932One Week, Buster Keaton and Edward F. Cline, 1920Orthodontics, Mohammadreza Mayghani, 2021Our Hospitality, Buster Keaton and John G. Blystone, 1923Out West, Roscoe “Fatty” Arbuckle, 1918The Playhouse, Buster Keaton and Edward F. Cline, 1921Police Story 3: Supercop, Stanley Tong, 1992The Rough House, Roscoe “Fatty” Arbuckle and Buster Keaton, 1917Royal Warriors, David Chung, 1986The Scarecrow, Buster Keaton and Edward F. Cline, 1920Shanghai Express, Josef von Sternberg, 1932She Done Him Wrong, Lowell Sherman, 1933The Smiling Lieutenant, Ernst Lubitsch, 1931So Late So Soon, Daniel Hymanson, 2020Something Like a War, Deepa Dhanraj, 1991Spring Blossom, Suzanne Lindon, 2021*Steamboat Bill, Jr., Buster Keaton and Charles Reisner, 1928The Stunt Woman, Ann Hui, 1996*Sudesha, Yugantar, 1983Things to Come, Mia Hansen-Løve, 2016Three Ages, Buster Keaton and Edward F. Cline, 1923Tobacco Embers, Yugantar, 1982Touch of Evil, Orson Welles, 1958*The Wayward Bus, Victor Vicas, 1957What Happened to This City?, Deepa Dhanraj, 1986Who I Am and What I Want, Chris Shepherd and David Shrigley, 2005Will Success Spoil Rock Hunter?, Frank Tashlin, 1957Witchhammer, Otakar Vávra, 1970 Written on the Wind, Douglas Sirk, 1956*Yes, Madam!, Corey Yuen, 1985*
― عباس کیارستمی (Eric H.), Wednesday, 22 February 2023 19:33 (one year ago) link
Yes to Executioners and The Heroic Trio. Epidemic too.
― Huey “Piano” Smithers-Jones (James Redd and the Blecchs), Wednesday, 22 February 2023 19:39 (one year ago) link
Best month in a while IMO.
― Chris L, Wednesday, 22 February 2023 19:41 (one year ago) link
The High Sign, Buster Keaton and Edward F. Cline, 1921
My fave Keaton!
― Les hommes de bonbons (cryptosicko), Wednesday, 22 February 2023 20:05 (one year ago) link
Was the answer to a recent trivia question
― Huey “Piano” Smithers-Jones (James Redd and the Blecchs), Wednesday, 22 February 2023 21:02 (one year ago) link
Michelle Yeoh retrospective really needs Wing Chun, but don't miss Magnificent Warriors. Really want to see Abuse of Weakness and the other dozen or so Huppert movies I haven't gotten around to.
― Elvis Telecom, Thursday, 23 February 2023 12:23 (one year ago) link
Oh, Wing Chun is great, yeah.
― Huey “Piano” Smithers-Jones (James Redd and the Blecchs), Thursday, 23 February 2023 12:36 (one year ago) link
Anyone have any non-Lubitsch recommendations from this month's "Pre-Code Paramount" program?
― niall horanburger (cryptosicko), Saturday, 4 March 2023 16:53 (one year ago) link
The arzners are prob more historically interesting than actually interesting imo. If you havent seen all the lubitsch’s def start w those
― Its big ball chunky time (Jimmy The Mod Awaits The Return Of His Beloved), Saturday, 4 March 2023 17:38 (one year ago) link
I watched the delightful Big Brown Eyes (1936)
I just watched this, what a crazy screwball gangster comedy drama. Featuring a dead baby!
― Three Rings for the Elven Bishop (Dan Peterson), Tuesday, 21 March 2023 18:40 (one year ago) link
Anyone have any non-Lubitsch recommendations from this month's "Pre-Code Paramount" program?― niall horanburger (cryptosicko), Saturday, March 4, 2023 11:53 AM (two weeks ago) bookmarkflaglink
― niall horanburger (cryptosicko), Saturday, March 4, 2023 11:53 AM (two weeks ago) bookmarkflaglink
If anyone here has not seen Shanghai Express, If I Had a Million, or Night After Night, do so ASAP. Also watch Wild Girl (part of the Joan Bennett package and expiring at the end of March)--it's not perfect but I'm intrigued that Disney is allowing Criterion to screen at least some of the old Fox films.
Criterion is not obliged to report viewership stats. But I am curious how many views the silent and precode programming gets, as compared to the contemporary world film programming.
― Infanta Terrible (j.lu), Wednesday, 22 March 2023 00:07 (one year ago) link
Y’all should post more on Morb’s thread: Raoul Walsh, "craftsmanlike picturemaker": S/D
― Bringing Up Initials B.B. (James Redd and the Blecchs), Wednesday, 22 March 2023 00:49 (one year ago) link
Morbs’s
Joan Bennett’s wearing some very contemporary looking jorts in Wild Girl. Or at least 1990s-looking.
― Josefa, Thursday, 23 March 2023 00:40 (one year ago) link
a manic pixie mountain girl
― Josefa, Thursday, 23 March 2023 00:52 (one year ago) link
Heh
― Bringing Up Initials B.B. (James Redd and the Blecchs), Thursday, 23 March 2023 01:00 (one year ago) link
That’s pre-code, isn’t it?
The Girls (1968) by Mai Zetterling was so much better than I’d been led to believe. The MCM decor alone would recommend it, but it also makes some good points. Zetterling’s Night Games is an absolute next-level must-see.
― Josefa, Thursday, 23 March 2023 01:01 (one year ago) link
xp yes, Joan’s kind of discreetly topless in a couple of shots
― Josefa, Thursday, 23 March 2023 01:02 (one year ago) link
Plus there are several children skinnydipping around her. No closeups, but....
Also, Salomy Jane is supposed to be a perfectly natural beauty, yet somehow she has master-class finger waves and perfectly applied lipstick.
― Infanta Terrible (j.lu), Thursday, 23 March 2023 01:12 (one year ago) link
Also I was wondering… Almost everyone in Mai Zetterling’s The Girls was also a regular in Ingmar Bergman films. Were there not that many actors in Sweden at that time, or were Bergman and Zetterling especially close?
― Josefa, Thursday, 23 March 2023 01:18 (one year ago) link
Feel like this kind of thing is typical of a lot of foreign cinemas back then tbh.
― Bringing Up Initials B.B. (James Redd and the Blecchs), Thursday, 23 March 2023 01:20 (one year ago) link
Like you might watch some random German movie and see a bunch of Fassbinder regulars. But this a hazy anecdotal memory.
― Bringing Up Initials B.B. (James Redd and the Blecchs), Thursday, 23 March 2023 01:21 (one year ago) link
Or at some point two out of three German films seemed to have Moritz Bleibtreu, at least of the ones that were available for me to see.
― Bringing Up Initials B.B. (James Redd and the Blecchs), Thursday, 23 March 2023 01:22 (one year ago) link
Could very well be. But, in The Girls (sorry to bang on about this) the three main “girls” were all actresses who starred in Bergman films. And the main male actor had also starred in Bergman films.
― Josefa, Thursday, 23 March 2023 01:30 (one year ago) link
Way late, been out of pocket, but here's April 2023. None of the usual sources posted a flat list of titles that I could find.
https://www.criterion.com/current/posts/8101-the-criterion-channels-april-2023-lineup
― The Terroir of Tiny Town (WmC), Saturday, 1 April 2023 16:14 (one year ago) link
amazing lineup!
― k3vin k., Saturday, 1 April 2023 16:52 (one year ago) link
Jafar Panahi's NO BEARS to be added this coming Tuesday.
― The Terroir of Tiny Town (WmC), Thursday, 13 April 2023 21:04 (one year ago) link
Saw that. And saw that one in a theater. Really good, believe the hype.
― Beatles in My Passway (James Redd and the Blecchs), Friday, 14 April 2023 04:41 (one year ago) link
Watched Crimes of Passion a few nights ago, holy shit that was a riot. I hadn't seen it before or even read much about it. Definitely recommended.
Anything else I should, um, dive into in the Erotic Thrillers selection? I watched Dream Lover, but it was pretty terrible.
― Position Position, Friday, 14 April 2023 13:37 (one year ago) link
Body Heat may be the sweatiest movie ever made.
Jade ... the dumbest?
― Josh in Chicago, Friday, 14 April 2023 13:39 (one year ago) link
we've been watching a ton of the erotic thriller series selections that we hadn't already seen. color of night was my favorite so far, it's so lurid and ridiculous and the supporting cast is stacked. call me was pretty good too, workmanlike plot but lots of great grimy '80s new york scenery and baby buscemi and strathairn. sister, sister and dream lover were not great but still fairly entertaining. we watched half of the comfort of strangers last night and that one is just bizarre, i'm curious to see where it goes.
― na (NA), Friday, 14 April 2023 13:54 (one year ago) link
enjoyed turner and perkins, but felt like i was constantly rolling my eyes at john laughlin as bobby. then i read that jeff bridges, patrick swayze, and alec baldwin were all in contention for the role.
― mizzell, Friday, 14 April 2023 15:01 (one year ago) link
May 2023 additions: https://www.criterion.com/current/posts/8121-the-criterion-channels-may-2023-lineup
no flat list of titles yet but an exciting batch
― The Terroir of Tiny Town (WmC), Thursday, 20 April 2023 17:19 (one year ago) link
Weird how some of this stuff is only available for three months like the rare Sirks and the key Siodmak noirs.
― The Lubitsch Touchscreen (James Redd and the Blecchs), Saturday, 22 April 2023 22:51 (eleven months ago) link
If the rightsholders want to license these films for only X number of months, CC has to like it or lump it. Although they do make a point of these titles being available for only a limited time.
― Infanta Terrible (j.lu), Monday, 24 April 2023 01:19 (eleven months ago) link
I haven't kept close notes but I think three months is the most common license.
― The Terroir of Tiny Town (WmC), Monday, 24 April 2023 01:44 (eleven months ago) link
Could well be. I had been hoping it was six months.
― The Lubitsch Touchscreen (James Redd and the Blecchs), Monday, 24 April 2023 02:02 (eleven months ago) link
May 2023 additions: https://www.criterion.com/current/posts/8121-the-criterion-channels-may-2023-lineupno flat list of titles yet but an exciting batch― The Terroir of Tiny Town (WmC), Thursday, April 20, 2023 1:19 PM (four days ago) bookmarkflaglink
― The Terroir of Tiny Town (WmC), Thursday, April 20, 2023 1:19 PM (four days ago) bookmarkflaglink
"Returning by Popular Demand" and "Premiering": https://thefilmstage.com/the-criterion-channel-reveals-may-lineup-jennifer-jason-leigh-seijun-suzuki-demonlover-infernal-affairs-more/
― Infanta Terrible (j.lu), Monday, 24 April 2023 15:58 (eleven months ago) link
Cool. Anyway came back to say that the Siodmak Four Key Noirs are all well worth your time, I may even rewatch a few, but I still need to watch the vary rare Sirk with Claudette Colbert as a nun first.
― The Lubitsch Touchscreen (James Redd and the Blecchs), Monday, 24 April 2023 16:14 (eleven months ago) link
I've seen all the shorter Suzukis. Is the Taisho trilogy worth a dip?
― the dreaded dependent claus (Alfred, Lord Sotosyn), Monday, 1 May 2023 18:27 (eleven months ago) link
From the erotic thriller selection, "Call Me" has a incredible phone sex scene about squeezing an orange into places you wouldn't normally want to squeeze a citrus. The movie either side of that scene is quite pedestrian, although there are lots of fun shots of mid-80s NYC looking unkempt, Steve Buscemi plays a heavy with a switchblade called "Switch", and it's only 90 mins. Patricia Charbonneau from Desert Hearts is the lead, she should've had a bigger career. Unusual (and fun) to see a noir where the female lead is the everyperson.
― Chuck_Tatum, Friday, 5 May 2023 12:31 (eleven months ago) link
Louis Garrel's The Innocent to be added this coming Tuesday.
― The Terroir of Tiny Town (WmC), Thursday, 18 May 2023 16:01 (eleven months ago) link
Louis Garrel is my least favorite Garrel.
― I & I, Claudius (James Redd and the Blecchs), Thursday, 18 May 2023 23:20 (eleven months ago) link
His first feature as director really bugged me.
― I & I, Claudius (James Redd and the Blecchs), Thursday, 18 May 2023 23:23 (eleven months ago) link
June 2023 additions:https://www.criterion.com/current/posts/8149-the-criterion-channels-june-2023-lineup
― The Terroir of Tiny Town (WmC), Monday, 22 May 2023 20:57 (ten months ago) link
Sing and Like It (1934) is screwball? You coulda fooled me.
― Infanta Terrible (j.lu), Tuesday, 23 May 2023 01:21 (ten months ago) link
I guess a midmonth addition is a regular thing now -- GODLAND (Pálmason 2022) to be added Tuesday 20 June.
― The Terroir of Tiny Town (WmC), Tuesday, 13 June 2023 18:27 (ten months ago) link
July 2023 additions: https://www.criterion.com/current/posts/8181-the-criterion-channels-july-2023-lineup
Finally going to see Showgirls!
― The Terroir of Tiny Town (WmC), Thursday, 22 June 2023 18:35 (nine months ago) link
looking forward to Godland, the images from it are beautiful
― Dan S, Saturday, 24 June 2023 00:20 (nine months ago) link
Haven’t watched Rossellini’s Journey to Italy or Stromboli yet, but Rome, Open City, The Flowers of St. Francis, and Germany, Year Zero were great.
Pedro Rodrigues’ Will-o’-the-Wisp also sounds interesting, as do the films of Stanley Kwan
― Dan S, Saturday, 24 June 2023 00:52 (nine months ago) link
Journey to Italy and Stromboli are both amazing.
― adam t. (abanana), Monday, 26 June 2023 08:32 (nine months ago) link
British noir series looks interesting, I think I've only seen one of those. Showgirls is, uh, well it's a movie.
― Three Rings for the Elven Bishop (Dan Peterson), Monday, 26 June 2023 14:26 (nine months ago) link
Back by Popular DemandDon’t miss these viewer favorites, returning to the Channel in July!FEATURING: The Last Picture Show (1971), California Split (1974), Cutter’s Way (1981), Thief (1981), Something Wild (1986), Ghost World (2001)
FEATURING: The Last Picture Show (1971), California Split (1974), Cutter’s Way (1981), Thief (1981), Something Wild (1986), Ghost World (2001)
― fair but so uncool beliefs here (Eric H.), Monday, 26 June 2023 14:40 (nine months ago) link
Green for Danger isn't that great -- half noir and half golden age mystery, and doesn't have enough of either. Night and the City is all time, 10/10.
― adam t. (abanana), Monday, 26 June 2023 22:01 (nine months ago) link
July midmonth addition: Tori and Lokita (Dardenne Bros. 2022) coming this Tuesday.
― The Terroir of Tiny Town (WmC), Thursday, 13 July 2023 20:50 (nine months ago) link
August 2023 additions: https://www.criterion.com/current/posts/8194-the-criterion-channels-august-2023-lineup
― The Terroir of Tiny Town (WmC), Wednesday, 19 July 2023 18:00 (nine months ago) link
Belly on Criterion, you love to see it
― rob, Wednesday, 19 July 2023 18:20 (nine months ago) link
Finishing up films leaving today I watched "Heart of Midnight" over the weekend. Thoroughly bizarre, like David Lynch remaking Repulsion. The plot doesn't make much sense, but worth a watch if you like weird.
https://www.youtube.com/watch?v=MGNf5RK9VOQ
― Three Rings for the Elven Bishop (Dan Peterson), Monday, 31 July 2023 18:12 (eight months ago) link
I continue to waste money on this--my fault--but will definitely watch Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb, a theatrical screening of which I had to miss a few months ago.
― clemenza, Tuesday, 1 August 2023 18:53 (eight months ago) link
I enjoyed an obscure Stanwyck movie the other night before it left, Breakfast for Two.
― Poor Little Fool Killer (James Redd and the Blecchs), Tuesday, 1 August 2023 21:56 (eight months ago) link
Can anyone recommend any of the Kay Francis movies?
― Josefa, Thursday, 3 August 2023 13:53 (eight months ago) link
just watched the Caro-Gottlieb doc last night, it was great. obviosuly a little more poignant with Gottlieb's recent passing. i just finished Master of the Senate last week so it was perfect timing.
― waste of compute (One Eye Open), Thursday, 3 August 2023 14:08 (eight months ago) link
Trouble in Paradise and Jewel Robbery, if you haven't seen them, are essential. The Cocoanuts and One Way Passage are worth seeing. The others...IMHO Criterion is scraping the barrel, though I'm glad to see these titles in legitimate copies.
Also, don't miss Quick Millions (part of the Rowland Brown package). It doesn't approach the Big Three gangster films, but I'm pleased to see that the channel and the MoMA film department have been able to work with Disney to make available some of the surviving early Fox films.
― Infanta Terrible (j.lu), Thursday, 3 August 2023 22:36 (eight months ago) link
Thanks! Have seen Trouble in Paradise (amazing ofc) and The Cocoanuts which makes me laugh a lot and is one of my favorite Marxes. Have not seen the other two Francis films you mentioned,
― Josefa, Friday, 4 August 2023 02:13 (eight months ago) link
Jewel Robbery is dynamite pre-code - a must watch!
― Elvis Telecom, Friday, 11 August 2023 10:14 (eight months ago) link
Check out the 9-minute short, Family Nightmare. Holy shit.https://www.criterionchannel.com/family-nightmare
― TO BE A JAZZ SINGER YOU HAVE TO BE ABLE TO SCAT (Jazzbo), Friday, 11 August 2023 12:04 (eight months ago) link
I thought “turn every page” was really good, was worried it would be a little over-sentimental, but it’s just really sweet
― k3vin k., Wednesday, 16 August 2023 04:42 (eight months ago) link
Good god, 93 movies are leaving at the end of Aug. 31?! (I never bothered to look at previous months' "watch soon" lists; no idea if that's a lot or not.)
― fair but so uncool beliefs here (Eric H.), Wednesday, 16 August 2023 18:50 (eight months ago) link
In the future all movies will only stream for fifteen minutes.
― Blecch on Blecch (James Redd and the Blecchs), Wednesday, 16 August 2023 19:15 (eight months ago) link
i pick a lot of my watching from the "leaving this month list" and ive never counted but that doesnt seem like much more than usual - they seem to churn through stuff at a pretty good clip
― waste of compute (One Eye Open), Wednesday, 16 August 2023 19:59 (eight months ago) link
Half of it seems to be Buster and Fatty. Still, may be time to rewatch AI.
― Blecch on Blecch (James Redd and the Blecchs), Wednesday, 16 August 2023 21:42 (eight months ago) link
Jewel Robbery was fabulous, thanks for the recs
Finally saw the Oppenheimer doc from 1981. Extremely interesting, though still leaving some questions open for perhaps a deeper dive.
― Josefa, Wednesday, 16 August 2023 22:21 (eight months ago) link
✨MARK YOUR CALENDARS✨ Starting in September, HIGH SCHOOL HORROR is coming to @criterionchannl—featuring VHS-era exploitation shockers, '90s teen-movie touchstones, & cult favorites.DONNIE DARKOSLUMBER PARTY MASSACRETHE CRAFTSUSPIRIA I KNOW WHAT YOU DID LAST SUMMER& more! pic.twitter.com/X1F95lcwdn— Criterion Collection (@Criterion) August 11, 2023
― jbn, Monday, 21 August 2023 18:06 (seven months ago) link
Full list of September 2023 additions: https://www.criterion.com/current/posts/8230-the-criterion-channels-september-2023-lineup
― The Terroir of Tiny Town (WmC), Monday, 21 August 2023 18:18 (seven months ago) link
I watched QUICK MILLIONS and that's a really good one. Spencer Tracy as a truck driver who basically manifests his way into becoming a crime boss with a steel grip on the unnamed city's construction industry, with an ending Johnnie To might have skillfully borrowed for Election 2, and one of the great final dialogue exchanges to nail the lid shut.
― omar little, Monday, 21 August 2023 18:27 (seven months ago) link
Hangover Square is p good
― Its big ball chunky time (Jimmy The Mod Awaits The Return Of His Beloved), Monday, 21 August 2023 20:36 (seven months ago) link
There’s a film of it?
― Ansible Dave’s Killer Breadboard (James Redd and the Blecchs), Monday, 21 August 2023 20:48 (seven months ago) link
Oh, with Linda Darnell and George Sanders, just like Forever Amber.
― Ansible Dave’s Killer Breadboard (James Redd and the Blecchs), Monday, 21 August 2023 21:00 (seven months ago) link
The talented star of that one, Laird Cregar, died shortly before the film came out from a dangerous crash diet he undertook for the role.
― Chris L, Monday, 21 August 2023 22:56 (seven months ago) link
Dangerous crash diet?
― Ansible Dave’s Killer Breadboard (James Redd and the Blecchs), Monday, 21 August 2023 22:57 (seven months ago) link
Yeah, including amphetamines.
― Chris L, Monday, 21 August 2023 22:59 (seven months ago) link
Ah.
― Ansible Dave’s Killer Breadboard (James Redd and the Blecchs), Monday, 21 August 2023 23:01 (seven months ago) link
Hal Hartley!!! oh man i have been wanting to see trust and the unbelievable truth again for ages. can never find them streaming or on dvd. they are showing all his movies! throwing a bone to us gen x grumps.
― scott seward, Friday, 1 September 2023 18:05 (seven months ago) link
Hangover Square is a good one. i always like a good "during my blackouts i'm a murderer" story, and this one is elevated by the setting and the fiery conclusion (and the fiery disposal of one victim.) SPOILER as soon as i realized he was going to dispose of Netta by disguising her body as a Guy Fawkes effigy and sticking her atop the pyre i was impressed the film was going to go there. That ending is quite something, a real cataclysm. I don't know how well-regarded the film is overall, the wiki seems to suggest it was regarded dismissively, but i think it's very good.
― omar little, Tuesday, 5 September 2023 18:50 (seven months ago) link
I'm going to watch Massacre at Central High for the first time.
― the dreaded dependent claus (Alfred, Lord Sotosyn), Tuesday, 5 September 2023 18:53 (seven months ago) link
FINALLY watches Sorcerer. It was good. A nice relaxing movie. Didn't have that infuriating ending that Wages of Fear did. Had a different one, but I was glad.
― dan selzer, Wednesday, 6 September 2023 04:33 (seven months ago) link
October 2023 additions: https://www.criterion.com/current/posts/8262-the-criterion-channels-october-2023-lineup
― I Wanna Find an ILXor That'll Flag My Last Post Till I Have To Go (WmC), Monday, 25 September 2023 21:38 (six months ago) link
Love that they're slipping The Devil, Probably into horror month.
― Chris L, Monday, 25 September 2023 22:09 (six months ago) link
I've been curious about Paul Morrissey's Frank/Drac films for years, glad I'll finally get a chance to see them.
― I Wanna Find an ILXor That'll Flag My Last Post Till I Have To Go (WmC), Monday, 25 September 2023 23:55 (six months ago) link
Unfriended is a terrible movie.
― formerly abanana (dat), Tuesday, 26 September 2023 12:01 (six months ago) link
gonna start in on some Linda Darnell films this week. She was mesmerizing in Hangover Square, just such a vicious and alive performance.
― omar little, Wednesday, 11 October 2023 18:40 (six months ago) link
Fallen angel is p good
― Its big ball chunky time (Jimmy The Mod Awaits The Return Of His Beloved), Wednesday, 11 October 2023 18:52 (six months ago) link
3 wives of course
She’s usually very good, despite her alleged and not totally surprising insecurity. At one point it seemed like maybe she was only remembered for My Darling Clementine and her horrible death.
― Dose of Thunderwords (James Redd and the Blecchs), Wednesday, 11 October 2023 18:55 (six months ago) link
Forever Amber worth watching also for George Sanders as the king with his entourage of dogs following him around and telling them “Come children!”
― Dose of Thunderwords (James Redd and the Blecchs), Wednesday, 11 October 2023 19:05 (six months ago) link
Wow that was Sanders? It's been so long since I've seen that I'd forgotten that!
― Ned Raggett, Wednesday, 11 October 2023 19:07 (six months ago) link
She's great in Summer Storm
― Elvis Telecom, Wednesday, 11 October 2023 22:22 (six months ago) link
She’s great on What’s My Line?https://www.youtube.com/watch?v=2KVk5fthbTU
― Smike and Pmith (James Redd and the Blecchs), Thursday, 12 October 2023 01:07 (six months ago) link
Also I just found a recent audiobook of BBC radio productions of Patrick Hamilton plays that looks really intriguing.
― Smike and Pmith (James Redd and the Blecchs), Thursday, 12 October 2023 01:09 (six months ago) link
Still kind of enjoying my teenage favorite "Dark City"
― ian, Thursday, 12 October 2023 01:24 (six months ago) link
That’s a good one. I believe Roger Ebert once did a shot-by-shot analysis.
― Smike and Pmith (James Redd and the Blecchs), Thursday, 12 October 2023 02:36 (six months ago) link
Linda Darnelll's birthday today, according to Criterion.
― Smike and Pmith (James Redd and the Blecchs), Tuesday, 17 October 2023 00:12 (six months ago) link
Linda Darnell even
Catching up on Kay Francis before those films leave. I was totally charmed by everything about One Way Passage.
― Large, Complex, Detailed but Irrefutable POST (Dan Peterson), Saturday, 21 October 2023 15:12 (five months ago) link
November 2023 additions: https://www.criterion.com/current/posts/8291-the-criterion-channels-november-2023-lineup
― that's when I reach for my copy of Revolver (WmC), Friday, 27 October 2023 18:31 (five months ago) link
December 2023 additions, arriving a few days earlier than usual: https://www.criterion.com/current/posts/8309-the-criterion-channels-december-2023-lineup
― that's when I reach for my copy of Revolver (WmC), Tuesday, 14 November 2023 04:05 (five months ago) link
Wow...I apparently missed the news that 140 minutes (!!) had been restored to Abel Gance's "La Roue" since the 2008 restoration, now making it almost 7 hours long.
― ernestp, Tuesday, 14 November 2023 04:19 (five months ago) link
I can’t even.
― Shifty Henry’s Swing Club (James Redd and the Blecchs), Thursday, 16 November 2023 06:54 (five months ago) link
(xpost) Oh god--it's a key work of poetic realism, but when I watched the 2008 restoration I had to fast-forward to not give up halfway through.
― Infanta Terrible (j.lu), Thursday, 16 November 2023 14:59 (five months ago) link
Hahaha I honestly appreciate the feedback - I loved loved loved Gance's "Napoleon" (although it was the 4-hour edit, with the Coppola soundtrack...this was like 15 years ago) but come to think of it, I did nod off at least once. I haven't actually seen "La Roue" yet but started watching "La Fin du monde" ("The End of the World") recently, which is REALLY REALLY SLOW so far (put me to sleep after 30 min.)
Relatedly, I had a hunch that Guy Maddin took a bit of inspiration from that for his short film "The Heart of the World" - this interview (translated from French) from 2015 confirms it (and also discusses "La Roue" ("The Wheel"):https://www-debordements-fr.translate.goog/Guy-Maddin?_x_tr_sl=auto&_x_tr_tl=en&_x_tr_hl=en-US&_x_tr_pto=wapp
GM: That's why I made my own adaptations of Gance, based on The Wheel and The End of the World- -(Odilon Redon- -The Heart of the World) I thought they were lost...
AND: They are: The End of the World was butchered, Gance did not edit it and completely disowned it. It's more of a document of what the project was supposed to be, and it had to be all the more than just a film - as always with him. The Wheel is not lost but there are so many versions that we no longer know what the original cut looks like.
GM: I have a 4-hour version of it. What else was it supposed to be, The End of the World?
AND: A global mystical cinema company.
― ernestp, Saturday, 18 November 2023 18:18 (five months ago) link
Had to notice that Riki-Oh: The Story of Ricky is streaming on the channel. Could we possibly be blessed with a future Criterion disc release, following the same pattern as Last Hurray for Chivalry and Heroic Trio/Executioners???
― Nhex, Tuesday, 28 November 2023 14:10 (four months ago) link
been trying to sneak in some "gaslit noir" films before they leave:
DragonwyckMoss RoseLadies in Retirement
The above is in descending order of preference.
Dragonwyck is pretty great imo, a wildly goth melodrama w/the sinisterly suave Vincent Price as the latest in a long family line of mildly tyrannical upstate NY patroons who owns the title estate, and the luminously misguided Gene Tierney (the character is misguided) as a country girl from a religious family who is invited to live at the estate, falls for him, and seems to miss multiple red flags along the way, including the first act fate of his gluttonous wife. It's got a dash of the supernatural a la The Uninvited, though whether it's madness or an actual haunting is left unresolved. Joseph Mankiewicz directed it, and does a pretty solid job of things. Some excellent support from Walter Huston, Jessica Tandy, Glenn Langan, Anne Revere, and Spring Byington (as one of Dragonwyck's servants, whose early extremely on-point warnings to Tierney go thoroughly unexamined.)
Moss Rose is a bit less great but still very good. It bears some superficial resemblance to Dragonwyck, with Peggy Cummins playing an Irish girl in London of slightly ill repute whose friend is murdered, and she blackmails the man she thinks murdered her (Victor Mature) into letting her live the high life at his family estate somewhere in the English country. Like Dragonwyck, things get sinister there, and she falls for the guy. It looks good, but the big problem is Victor Mature's character is just a big lunkhead, very miscast, and it's hard to believe him in the role, let alone as someone Peggy Cummins would fall for. He tries, but no. But Cummins is quite legitimately incredible, just a real force of nature performance, the smallest person onscreen at any given moment but believably fearless to the point that you don't question why she's putting herself in a seemingly vulnerable situation. This one also has Vincent Price in it, playing a police detective investigating the murder, and he's put to good use here as a more heroic figure. Ethel Barrymore is Mature's increasingly scary and possessive mother.
Ladies in Retirement is good enough, another "remote country home" noir, mostly worth watching for the college-age Ida Lupino playing a matronly housekeeper supposedly in her forties, whose sketchy nephew in the film is played by her real-life husband at the time (Louis Hayward). Lupino's Ellen Creed has two very annoying but harmlessly insane sisters whom, in order to save from being committed, she invites to stay at the home. The home is owned by a retired former entertainer, Leonora (played by Isobel Elsom.) Leonora comes to regret allowing the sisters to stay for a couple days (because it eventually stretches out to a couple months), and orders the sisters *and* Ellen to leave, which she also eventually regrets. Lupino is excellent, and there are some beautiful visuals of the foggy moors (i presume they're the moors), some bonus nosey nuns, and the fine use of a bread oven as a tomb.
the first two are based on novels, the last based on a play.
― omar little, Wednesday, 29 November 2023 19:16 (four months ago) link
Are they leaving? I can’t always keep track and drive myself a little crazy at the end of every month trying to figure out which films get into the lifeboat.
― Shifty Henry’s Swing Club (James Redd and the Blecchs), Wednesday, 29 November 2023 20:26 (four months ago) link
Wait AFIRE already arrived?
― Shifty Henry’s Swing Club (James Redd and the Blecchs), Wednesday, 29 November 2023 20:29 (four months ago) link
Here’s the tricky part. HANGOVER SQUARE is also part of the Linda Darnell series so I thought I would have more time to watch. Guess I was misinformed.
― Shifty Henry’s Swing Club (James Redd and the Blecchs), Wednesday, 29 November 2023 20:37 (four months ago) link
Screen Play by Barré Lyndon?
― Shifty Henry’s Swing Club (James Redd and the Blecchs), Wednesday, 29 November 2023 20:46 (four months ago) link
hangover square starts out a little slow but has a couple of incredible sequences in the back half
― na (NA), Wednesday, 29 November 2023 20:55 (four months ago) link
Opening sequence is pretty good at least.
― Shifty Henry’s Swing Club (James Redd and the Blecchs), Wednesday, 29 November 2023 20:58 (four months ago) link
all three of those are going tomorrow i think and yeah Hangover Square too.
Laird Cregar is great in the latter, really sad backstory to his role in the film.
The crash diet that Cregar followed for his roles in The Lodger and Hangover Square (which included prescribed amphetamines) placed a strain on his system, resulting in severe abdominal problems. He underwent surgery at the beginning of December 1944.[51]A few days after surgery, Cregar had a heart attack and was rushed to the hospital.[54] He rallied briefly when put in an oxygen tent, but died on December 9, aged 31 years.[55]
A few days after surgery, Cregar had a heart attack and was rushed to the hospital.[54] He rallied briefly when put in an oxygen tent, but died on December 9, aged 31 years.[55]
When you see Linda Darnell in that film you can see why she was briefly a superstar.
― omar little, Wednesday, 29 November 2023 21:02 (four months ago) link
Linda Darnell already in my pantheon for some of her other films.
― Shifty Henry’s Swing Club (James Redd and the Blecchs), Wednesday, 29 November 2023 22:19 (four months ago) link
Who is the Ella Raines-looking actress who plays Barbara?
― Shifty Henry’s Swing Club (James Redd and the Blecchs), Thursday, 30 November 2023 01:25 (four months ago) link
Faye Marlowe, it seems. This was apparently her breakout role, as far as it goes.
― Shifty Henry’s Swing Club (James Redd and the Blecchs), Thursday, 30 November 2023 01:35 (four months ago) link
Keep waiting for George Sanders to break out in his Man Hunt German.
― Shifty Henry’s Swing Club (James Redd and the Blecchs), Thursday, 30 November 2023 01:37 (four months ago) link
She passed away only last year, and had an interesting late life:
Marlowe later worked as a writer under the name Faye Hueston. Her 2010 book "Silent Enemy" describes the effects of pesticide toxins on humans and other mammals; her 2016 book "Invisible Enemy," chronicles the effects of environmental illness caused by chemical pollution. Her autobiography, "Fanchon's Daughter," was published on July 14, 2014; in addition to recounting her life in show business, she also describes her interest in psychic phenomena.[2]
― omar little, Thursday, 30 November 2023 01:39 (four months ago) link
Noticed that Doctor X is going too.
― Shifty Henry’s Swing Club (James Redd and the Blecchs), Thursday, 30 November 2023 03:05 (four months ago) link
I managed to sneak in Experiment Perilous at the end there as well. Definitely a minor Jacques Tourneur joint, primarily memorable for its atmospherics during a tense train ride in the opening scene, and in the fiery climax. Definitely worth seeing though it's not going to make anyone forget Out of the Past, Cat People, etc.
― omar little, Sunday, 3 December 2023 02:21 (four months ago) link
I was disappointed in that one. Felt like reading a book.
― formerly abanana (dat), Sunday, 3 December 2023 05:24 (four months ago) link
It is pretty clinical, maybe befitting the story. The three lead actors are a very mixed bag, Lukas and Brant are going through the motions,though they're not bad as much as they never catch fire and just aren't inspired. I think w/Lamarr's role her flatness is part of the character and kind of touchingly done when compared to the sunniness she shows in the flashbacks, but the best performances are by Albert Dekker and Olive Blakeney. The story doesn't get goth enough. I still think it's worth checking out but I wish I'd burned my last couple hours of gaslit noir on Ivy or one of the others.
― omar little, Monday, 4 December 2023 03:28 (four months ago) link
January 2024 additions: https://www.criterion.com/current/posts/8335-the-criterion-channels-january-2024-lineup
― that's when I reach for my copy of Revolver (WmC), Tuesday, 12 December 2023 20:18 (four months ago) link
The cat in a A Cat From Outer Space was incredibly talented!
― the absence of bikes (f. hazel), Tuesday, 12 December 2023 21:55 (four months ago) link
There's a Channel FB group with a stathead named M!ch@el Hµtch!ns, who puts together an annual roundup. Credit to him for this.
2023 State of the Channel Report
Featured films: 2833 (2777 in 2022, 2% increase)Janus Streaming Library: 1716 (1631 in 2022, 5% increase)Criterion Channel Streaming Library: 659 (810 in 2022*)Limited Engagements: 458 (336 in 2022*)* Films in the CC Streaming Library have streamed for 12 months or more. Limited Engagements have streamed for less than 12 months. Many of the LE films will move to the CCSL after streaming for 12 months. Adding these two figures results in a slight decrease from the 2022 totals.
Analysis of the total number of 2833 featured films:1148 Feature-length films released physically by Criterion446 Feature-length films in the streaming-only Janus Films library (319 from Hulu & FilmStruck)260 Feature-length non-Criterion films streaming in limited engagements107 Feature-length non-Criterion films streaming in long-term engagements (12 months or more)Totals*1961 Feature-length films featured on the Channel
276 Short films released physically by Criterion52 Short films in the streaming-only Janus Films library151 Short non-Criterion films streaming in limited engagements393 Short non-Criterion films streaming in long-term engagementsTotals*872 Short films featured on the Channel*2833 Featured films on the Channelplus459 Non-Criterion films which are supplements to a featured film (241 features + 218 shorts)Totals3292 All films streaming on the Channel
Length of current engagements as of December 202388 Streaming for one month71 Streaming for two months56 Streaming for three months58 Streaming for four months37 Streaming for five months47 Streaming for six months20 Streaming for seven months29 Streaming for eight months118 Streaming for 9 - 12 months276 Streaming for 13 - 23 months2033 Streaming for 24 months or more2833 Total
NEW FILMS STREAMING IN 2023Films added: 922, average per month: 77, lowest: 62 (May and October), highest: 104 (September)Films removed: 880, average per month: 73, lowest: 35 (April), highest: 127 (January)
Regions:630 from North America (598 from USA) (68.3%)168 from Europe (64 from UK) (18.2%)91 from Asia (31 from Hong Kong) (9.9%)16 from Africa (1.7%)11 from South America (1.2%)6 from Australia (0.7%)Films made by women: 161 (17.5%) (101 different women directors)Streaming Premieres: 35 (39 in 2022)Returning films: 255 or 27.7% with an average of 21/month (219 in 2022 or 20.7% with an average of 12/month)
Directors with 10+ films (only for new films added)30: Hal Hartley22: Buster Keaton19: Alfred Hitchcock13: Abbas Kiarostami13: Georges Méliès13: Roscoe Arbuckle11: Derek Jarman
Sources (only of new films added):126: MGM/Warner97: Janus Films93: Universal70: Kino Lorber/Zeitgeist62: 20thCentury Fox49: Columbia/Sony27: Possible Films (Hal Hartley)14: Strand Releasing14: Oscilloscope14: Flicker Alley13: StudioCanal343: Others
ORIGINAL PROGRAMMING49: Collection teasers (47 in 2022)13: Meet the Filmmakers (6 in 2022)9: Introductions to collections (film critics and scholars) (19 in 2022)3: Spotlights (10 in 2022)2: Adventures in Moviegoing (4 in 2022)1: Observations on Film Art (4 in 2022)1: Queersighted (2 in 2022)1: Art House America (0 in 2022)0: Visual essays (5 in 2022)
Collections:48: Director (46 in 2022)36: Theme (45 in 2022)17: Star (21 in 2022)Criterion Collection Editions: 30 (55 in 2022)
― that's when I reach for my copy of Revolver (WmC), Saturday, 30 December 2023 15:15 (three months ago) link
If you like con artist capers Nine Queens is good, twisty fun and worth catching before it leaves. Nice location filming on the streets of Argentina.
― Large, Complex, Detailed but Irrefutable POST (Dan Peterson), Tuesday, 23 January 2024 17:51 (two months ago) link
The Jan. additions were announced on 12/12, and here it is the 23rd with nothing yet. I wish they'd be a bit more consistent.
― that's when I reach for my copy of Revolver (WmC), Tuesday, 23 January 2024 19:10 (two months ago) link
avoid the Disney cat movies. they're exactly what you'd expect.
― adam t. (abanana), Wednesday, 24 January 2024 03:24 (two months ago) link
I like That Darn Cat though!
Odd they didn't include The Incredible Journey which has some of the best cat acting I've ever seen.
― Josefa, Wednesday, 24 January 2024 15:28 (two months ago) link
xxp they announced the February line-up around the same time earlier this month.
― Chris L, Thursday, 25 January 2024 16:31 (two months ago) link
Link please? I'm not seeing it at https://www.criterion.com/current/category/19-on-the-channel
― that's when I reach for my copy of Revolver (WmC), Thursday, 25 January 2024 17:39 (two months ago) link
OK, weird that criterion.com doesn't have anything about 02/24 on their own website, but I guess they sent out a press release early this month that other sites picked up on. Feb 2024 additions: https://cinephilecorner.com/blogposts/criterion-channel-february-2024/
― that's when I reach for my copy of Revolver (WmC), Thursday, 25 January 2024 19:38 (two months ago) link
They also posted on their social media accounts, e.g.:
✨ Announcing our FEBRUARY 2024 Criterion Channel lineup! ✨💗Interdimensional Romance 💗GRETA GERWIG'S ADVENTURES IN MOVIEGOING💗 Gothic Noir💗 Celebrate Black History💗 Hong Kong Hitsand more! pic.twitter.com/EwqG900k2s— Criterion Channel (@criterionchannl) January 11, 2024
― jaymc, Thursday, 25 January 2024 21:16 (two months ago) link
I assume it's just negotiated rights, but I'm still confused why Criterion can have the rights to release and distribute and keep in print a title on DVD, but not stream it on the channel. For example, as far as I can tell the channel is streaming more or less everything by Kieslowski, from his shorts to "Red," but not The Dekalog, even though The Dekalog is available on blu-ray (and even though the channel is streaming the expanded Short Film about Love and Short Film about Killing). What's up with that?
― Josh in Chicago, Monday, 29 January 2024 13:57 (two months ago) link
Yeah. Assume it’s vaguely parallel to MUBI having streaming rights abroad but not in the US
― Pictish in the Woods (James Redd and the Blecchs), Monday, 29 January 2024 15:07 (two months ago) link
On a film by film basis I mean.
― Pictish in the Woods (James Redd and the Blecchs), Monday, 29 January 2024 15:08 (two months ago) link
Yes, physical media rights (many of which were negotiated pre-Criterion Channel) and streaming rights are different things.
― Chris L, Monday, 29 January 2024 15:28 (two months ago) link
Has Dekalog ever made a streaming appearance there? Maybe it was on Filmstruck, briefly?
― Josh in Chicago, Monday, 29 January 2024 16:24 (two months ago) link
No, it never did.
― that's when I reach for my copy of Revolver (WmC), Monday, 29 January 2024 16:38 (two months ago) link
Okay, maybe I'm late to the party, but I watched The Swimmer(1968) on Criterion on Saturday, starring Burt Lancast... mind blown. I was not even aware of this film, but I found it really moving, was thinking about it all the next day
Which is more than I can say about Poor Things which I promptly forgot as the credits were rolling
― Andy the Grasshopper, Wednesday, 31 January 2024 17:49 (two months ago) link
Just a heads-up that That Darn Cat is leaving at the end of the month.
― clemenza, Monday, 12 February 2024 19:33 (two months ago) link
B-b-but what about THE CASSANDRA CAT?
― The Ginger Bakersfield Sound (James Redd and the Blecchs), Tuesday, 13 February 2024 21:21 (two months ago) link
March 2024 additions: https://www.criterion.com/current/posts/8388-the-criterion-channels-march-2024-lineup
I guess this means I'll finally have to watch Cocktail, though it seems like a bad idea.
― that's when I reach for my copy of Revolver (WmC), Thursday, 15 February 2024 03:50 (two months ago) link
There is some kind of perfection in Cocktail being the asymptotic limit of all 80s movies and Tom Cruise vehicles.
― The Ginger Bakersfield Sound (James Redd and the Blecchs), Thursday, 15 February 2024 03:58 (two months ago) link
Lead somewhat buried there. This is an awesome collection:
And the Razzie Goes to . . .Every year, the Golden Raspberry Awards (a.k.a. the Razzies) honor the “worst” in contemporary cinema. Yet in doing so, they have often inadvertently shed light on films so out-there, so uncompromising, so beyond the bounds of accepted “good” taste that they demand attention. While some infamous Razzie winners like Xanadu, Barb Wire, and Gigli live on as classics of camp and cult, others, like Michael Cimino’s Heaven’s Gate, Elaine May’s Ishtar, and Paul Verhoeven’s Showgirls have been reclaimed as fearlessly ambitious expressions of personal vision. In a topsy-turvy way, this program pays tribute to those divisive films that continue to fascinate and provoke debate, while calling into question the very line that separates high and low culture.FEATURING: Cruising (1980), Heaven’s Gate (1980), Xanadu (1980)*, Querelle (1982), Under the Cherry Moon (1986), Ishtar (1987), Cocktail (1988), Showgirls (1995), Barb Wire (1996)*, The Blair Witch Project (1999), Freddy Got Fingered (2001), Swept Away (2002), Gigli (2003), The Wicker Man (2006)
FEATURING: Cruising (1980), Heaven’s Gate (1980), Xanadu (1980)*, Querelle (1982), Under the Cherry Moon (1986), Ishtar (1987), Cocktail (1988), Showgirls (1995), Barb Wire (1996)*, The Blair Witch Project (1999), Freddy Got Fingered (2001), Swept Away (2002), Gigli (2003), The Wicker Man (2006)
― Rich E. (Eric H.), Thursday, 15 February 2024 14:06 (two months ago) link
(alongside early Hou Hsiao-hsien)
― Rich E. (Eric H.), Thursday, 15 February 2024 14:07 (two months ago) link
Cocktail is p good; 80's NY as featured is pretty great to look at (TGI Fridays)
― Its big ball chunky time (Jimmy The Mod Awaits The Return Of His Beloved), Thursday, 15 February 2024 14:09 (two months ago) link
Barb Wire is close to unwatchable. Gigli is NOT good also Gigli (spoiler) is Affleck's character and not JLo, which is shocking. Wicker Man 06 is unapologetically great. Showgirls is a fine movie I never need to watch again.
― Its big ball chunky time (Jimmy The Mod Awaits The Return Of His Beloved), Thursday, 15 February 2024 14:12 (two months ago) link
Fully the first six of those movies listed -- Cruising (1980), Heaven’s Gate (1980), Xanadu (1980)*, Querelle (1982), Under the Cherry Moon (1986), Ishtar (1987) -- are not just good but in many cases great.
― Rich E. (Eric H.), Thursday, 15 February 2024 15:09 (two months ago) link
― The Ginger Bakersfield Sound (James Redd and the Blecchs), Thursday, 15 February 2024 15:16 (two months ago) link
Cruise is hot as fuck in Cocktail, about the only time he ever was. I wish he'd made more trash.
― poppers fueled buttsex crescendo (Alfred, Lord Sotosyn), Thursday, 15 February 2024 15:21 (two months ago) link
Cocktail is not a good movie but it is a fun time capsule.
― jaymc, Thursday, 15 February 2024 15:22 (two months ago) link
Yeah I'm going to be watching it more as a historical anthropology exercise.
― that's when I reach for my copy of Revolver (WmC), Thursday, 15 February 2024 15:40 (two months ago) link
This was the period when young me confused Bryan Brown and Michael Caine.
― poppers fueled buttsex crescendo (Alfred, Lord Sotosyn), Thursday, 15 February 2024 15:41 (two months ago) link
Bryan Brown's FX, now that's a great movie. Or at least I remember it as one when I was in middle school and really wanted to do special effects and horror movie makeup.
― dan selzer, Thursday, 15 February 2024 16:38 (two months ago) link
I’ve tried Showgirls twice, never managed to get through it.
― Requiem for a Dream: The Musical! (Dan Peterson), Thursday, 15 February 2024 17:37 (two months ago) link
guess I finally have to watch heavens gate
― truly humbled underdog (k3vin k.), Thursday, 15 February 2024 17:43 (two months ago) link
blair witch project got a razzie????
― ivy., Thursday, 15 February 2024 17:46 (two months ago) link
the razzies are dumb, kinda wish this was just a "so bad it's good" or "underrated at the time" category rather than being tied to the razzies
― na (NA), Thursday, 15 February 2024 17:50 (two months ago) link
I managed to block that Blair Witch was in the mix for the '99 Razzies. Nominated for worst picture (lost to Wild Wild West) but, gallingly, Heather Donohue "won" worst actress.
https://en.wikipedia.org/wiki/20th_Golden_Raspberry_Awards
― Rich E. (Eric H.), Thursday, 15 February 2024 17:54 (two months ago) link
Razzies are also incredibly sexist
― Its big ball chunky time (Jimmy The Mod Awaits The Return Of His Beloved), Thursday, 15 February 2024 18:38 (two months ago) link
And lazy and reactionary ... they're all the bad things
― Rich E. (Eric H.), Thursday, 15 February 2024 18:41 (two months ago) link
John Mellencamp recorded a Buddy Holly cover I really liked for Cocktail - I don't think I've really seen the movie though, maybe just a chunk of it many years ago when it was screening on local TV over a weekend.
Ishtar is really uneven but what's best about it - mercilessly satirizing U.S. policy in the Middle East - is really great. I want to say the intentionally horrible musical numbers are done too well because it was really hard to sit through that climactic show.
― birdistheword, Thursday, 15 February 2024 22:53 (two months ago) link
Cocktail I only know from Walmart DVD bargain bins. They loved minor movies with big stars. The Seventh Sign with Demi Moore was another common one.
― adam t. (abanana), Friday, 16 February 2024 19:47 (two months ago) link
― The Ginger Bakersfield Sound (James Redd and the Blecchs), Friday, 16 February 2024 19:54 (two months ago) link
Arrebato (1979) is leaving today. The opening logos are worth a look....
― adam t. (abanana), Friday, 1 March 2024 01:14 (one month ago) link
April 2024 additions: https://www.criterion.com/current/posts/8418-the-criterion-channel-s-april-2024-lineup
― UKXEPCTED TWITS (WmC), Monday, 18 March 2024 19:58 (one month ago) link
Co-sign on The Swimmer, see it if you haven’t before it leaves at the end of the month. Very thought provoking.
I was also really moved by Testament, a nuclear war film that starts like a Hallmark Channel movie, but gets deeper and darker as it progresses.
― Requiem for a Dream: The Musical! (Dan Peterson), Tuesday, 26 March 2024 16:58 (three weeks ago) link
Jean Eustache?
― Make Me Smile (Come Around and See Me) (James Redd and the Blecchs), Tuesday, 2 April 2024 19:16 (two weeks ago) link
That will make for an interesting streaming challenge
After Hours, which I watched last night, is better than I remembered but not much better.
― poppers fueled buttsex crescendo (Alfred, Lord Sotosyn), Tuesday, 2 April 2024 19:18 (two weeks ago) link
Really? I remember liking it when it came out but maybe you had to be there
― Make Me Smile (Come Around and See Me) (James Redd and the Blecchs), Tuesday, 2 April 2024 19:19 (two weeks ago) link
I love After Hours, but it's a love that began as an adolescent so ...
Highly recommend Mambar Pierette.
― a man often referred to in the news media as the Duke of Saxony (tipsy mothra), Tuesday, 2 April 2024 19:23 (two weeks ago) link
After Hours gets better the more you watch it.
― omar little, Tuesday, 2 April 2024 19:25 (two weeks ago) link
I felt like it accuratedly captured something of the vibe of the time- the sights, the sounds, the smells, if you will. Plus a lot of it very funny-funny and menacing and scary at the same time! Just like life itself!
― Make Me Smile (Come Around and See Me) (James Redd and the Blecchs), Tuesday, 2 April 2024 19:40 (two weeks ago) link
I only know that era of SoHo from articles, photos, firsthand accounts, and songs, and YES, it captures a mood -- the lighting reminds me of period Alan Rudolph.
idk the movie's amiable. I appreciate how Scorsese didn't dehumanize the leather guys -- they kiss onscreen! -- and a couple of the performers make their mark (John Heard is as real as he always is; Linda Fiorentino too), while others (Teri Garr) do unfunny variants on previous performances. Dunne's slow burn is better paced than I remember. But this is the point at which Rosanna Arquette started to annoy me as an actress; like in Desperately Seeking Susan she's tentative, unfocused, a drip. And the setup for the coincidences didn't have much payoff.
― poppers fueled buttsex crescendo (Alfred, Lord Sotosyn), Tuesday, 2 April 2024 19:45 (two weeks ago) link
I guess NYC was a different animal in that era, but it's hard to watch After Hours today and wonder why he didn't just hoof it from Soho to Midtown.
― henry s, Tuesday, 2 April 2024 19:59 (two weeks ago) link
Fair enough. Always felt her best performance was early on, in Baby, It’s You, but I haven’t seen The Executioner’s Song, which is course even earlier.
― Make Me Smile (Come Around and See Me) (James Redd and the Blecchs), Tuesday, 2 April 2024 20:03 (two weeks ago) link
xp obv.Which feature doesn’t seem to be working correctly in latest Zing Touch.
― Make Me Smile (Come Around and See Me) (James Redd and the Blecchs), Tuesday, 2 April 2024 20:04 (two weeks ago) link
Had to leave thread and come back
Hey, just noticed two Bonello films are available. I really liked the one I've seen and KJB told me that new one was his favorite of last year.
― Make Me Smile (Come Around and See Me) (James Redd and the Blecchs), Tuesday, 2 April 2024 20:17 (two weeks ago) link
https://www.criterionchannel.com/videos/criterion24-7
Their new thing, a 24/7 stream. Seems to be taken mostly from the core of the core of the permanent collection. I've seen bits of Daisies, Black Narcissus, The Umbrellas of Cherbourg (on now), Seven Samurai in the last 2 days. But also Cane Toads: An Unnatural History.
― Ippei's on a bummer now (WmC), Saturday, 13 April 2024 18:51 (one week ago) link
May 2024 additions: https://www.criterion.com/current/posts/8444-the-criterion-channel-s-may-2024-lineup
― Ippei's on a bummer now (WmC), Wednesday, 17 April 2024 16:19 (three days ago) link
Madame Sousatzka ! I haven't seen it since the Poppy Bush era.
― the talented mr pimply (Alfred, Lord Sotosyn), Wednesday, 17 April 2024 16:24 (three days ago) link