I really WANT to like Trout Mask Replica...

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"whether this was all DVV, all John French, both, who knows?"

As far as I'm aware John French has always been pretty clear that "all" that he contributed to the process was basically to recognise the validity and significance of what Don was trying to achieve and to give himself over pretty much entirely to making it happen in whatever way he could. That's not to say that I believe that it would or could have happened without him - and I'm certain that it wouldn't / couldn't have happened in quite the same way without him.

All the guys involved in making that album went through some pretty severe privations during the 8-or-so months that they were basically locked up in that house in Laurel Canyon on starvation rations rehearsing that album over and over and over again and generally having their heads fucked.

Antennae Jimmy Semens actually tried to escape a couple of times and the rest of the band had to go after him and bring him back!

In his autoboiography, Zoot Horn Rollo otoh does seem to want to claim some credit for his part in the creative process - and whilst I wouldn't want to deny him that, it must be said his 2001 solo album doesn't seem to have much in common with The Magic Band.

Stewart Osborne (Stewart Osborne), Saturday, 15 April 2006 18:03 (eighteen years ago) link

the thing about Don Van Vliet that people never seem to grasp is how fucking stiff a human being he really is, despite his apparent charm and his hipness. it's really fucking stiff and dry music, which is what he intended, I guess. I always figured he was juicing up some stuff he wanted to act like he didn't believe in , just like Zappa.

I really think "TMR" and that music is as much French as anyone--he's what makes it all happen. he saw how stiff Don was, really, and being a good Christian he decided to give him his head...

edd s hurt (ddduncan), Saturday, 15 April 2006 20:50 (eighteen years ago) link

Hmmm, Don doesn't sound still to me on the early singles and Safe as Milk.

Tim Ellison (Tim Ellison), Saturday, 15 April 2006 21:06 (eighteen years ago) link

or "stiff," rather

Tim Ellison (Tim Ellison), Saturday, 15 April 2006 21:08 (eighteen years ago) link

In fact, I'm not sure when he does sound stiff. Maybe when he was yelling. Then, his body got rigid? Or that staccato singing on "When Big Joan Sets Up" ("Uh turquoise scarf 'n uh sleeve Rolled up over uh Merc Montclair") - that's kind of herky jerky.

Tim Ellison (Tim Ellison), Saturday, 15 April 2006 21:11 (eighteen years ago) link

There was certainly a sort of rigidity of purpose about the way Don drilled the TMR band, although he never seems to have applied that level of discipline to himself (and it's certainly not evident in his painting!). To me one of the most extraordinary things about the music is the way it still manages to swing despite the extreme precision involved in the structure - and a great deal of the credit for that must go to Drumbo. Compare Drumbo's style with later Magic Band drummer Robert Williams, who's a great drummer but plays like a robot compared with Drumbo.

Stewart Osborne (Stewart Osborne), Sunday, 16 April 2006 08:48 (eighteen years ago) link

eleven years pass...

Meh

Anne Git Yorgun (James Redd and the Blecchs), Sunday, 10 December 2017 20:29 (six years ago) link

nobody "really wants to like" metal machine music

bob lefse (rushomancy), Monday, 11 December 2017 02:01 (six years ago) link


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