Reading Ulysses

So Gabler's edition is pants? I should just go back to the Random House edition?

who says that? I found the Gabler edition to be quite good. although some editions are missing a crucial punctuation mark on the last page.

I'd take the Random House over the Gabler, which might've been rooted in good intentions but seems to be mainly fucking with the text for the sake of it.

strangely upset i can no longer remember the publishing history of ulysses :(

i prefer the wikipedia summarisation version.

i say that, i mean i never actually managed to finish it.

dyao, <a href='http://en.wikipedia.org/wiki/Ulysses_%28novel%29#Publication_history'>;Wikipedia sez</a>. (Third paragraph in that section.) Also, <a href=http://www.robotwisdom.com/jaj/#editions>;Robot Wisdom</a> sez Gabler is a pompous German with a tin ear, but seems to have backed off criticism since I last looked.

I'll say this: RH edition is easier to read in bed.

Url, ups. And double ups, guy who writes RW is apparently a wingnut crank.

Just read joseph collins' og 1922 review of ulysses on a whim. He makes a big deal of bloom being vile and depraved and having no moral compass. This was strange to me because one of the main points of the book, for me, is that despite the vagaries and trials of ordinary human existence, in a world that is at all turns hostile to the flowering of individual personality, Bloom manages to be a decent man. I wonder if early reviewers actually couldn't recognize that bloom is a remarkably generous and kind spirit or if they were afraid that noting these qualities would "excuse" his sexual irregularities, which reviewers wanted desperately to distance themselves from. Or is Bloom maybe not that admirable and I am misreading him. Despite his numerous anxieties, the frantic and confused quality of his interior life at times, there is something very open about his orientation toward others that -- to me at least -- seems extremely spiritual. I think he was intended as a model for a way to live without belief, god as a "shout in the street" and all that. I don't think he is in any way an "everyman"

i never noticed anything being wrong with him, except his being an ad salesman

also on a whim, on a few train rides this weekend i re-read the telemachiad. the stuff with mr deasy is wrenching. i love how stephen is already not impressed with his own pseudo-profundity but can't bear to view himself on an equal level with the people around him. also what other author can just make up words and make it seem like the most natural thing? is there a better novel?

Try 2666 sometime, that's better.

oof no

Coincidentally two weeks ago I was telling a friend (who has tried to read this five times now, and has not finished) to start with the last chapter (which is what the 'reading difficult novels' link above tells you to do). I did the 'sequential, only got 10% thing' about 5+ years ago, but looking back the important thing was getting to Molly.

Although I nearly also said that Thomas Bernhard has taken the one para thing on and improved on it and you should read Old Masters instead but actually hearing about her struggles and work (she is reading bits of the Odyssey plus a guide too) I found myself quite interested in re-reading Ulysses. Might do it over the World Cup acually, starting with the last chapter.

Of course Old Masters' content is a whole different thing to Molly. Nastier, misanthropic, more my thing.

Treeship, I am sure you are correct - Mr Bloom is good, unusually for a complex fictional character. Collins was basically wrong. Your thought that reviewers avoided stating the goodness because they were scared of the kinks is a nice one. Though I feel that the truth was, they just couldn't yet see the goodness. And even today, in a way, there is a 'banality of goodness' that can make one swerve away from it.

never had any interest in reading this

kudos

keep us updated

Still don't care

He had no use for ulysses, but posted here anyway.

Hey I just checked--still don't care about this

I read it once front-to-back with very minimal support about 15 years ago and tackled it again last year in conjunction with a (somewhat corny and condescending) guide and honestly I still got a lot more out of the second experience. The guide was useful for keeping track of the mythical and theological elements but even without it I appreciated the human (and comic) dimension so much more the second time round. It's the difference between reading it as an adult and reading it as a gauche and overconfident student I suppose. It's still possible to get a lot out of Ulysses even if you're only following two-thirds of it.

I still dislike the underworld section though.

I like that one but dislike Oxen of the Sun

it's funny that someone isolated the history of english prose he was using for oxen

man ilb is ~controversial~ today

waterface, why don't you care about this

It just seems not my thing. I respect what he did--he tore the novel wide open with this. But it's not my thing. Too wordy. Too complicated?

Matt DC otm

I'm definitely one of those proponents of "read it the first time unaided and drunk and let it flow", but obviously people read in different ways. I refuse to read introductions before I've finished a novel, for instance - it's important for me to have my own thoughts before comparing notes with others.

I like Treeship's comments.

Heh, I read it unaided and didn't even realize out that it was about adultery.

*realize out

Read it twenty-two years ago w/the help of Cliff Notes. Have reread chunks and chapters since. My favorite is still Hades.

Just finished reading this for the first time a few weeks ago. On-and-off project over the past several months. I used The Bloomsday Book as a guide and I'm thankful I did. Kept me well grounded.

I think the hallucinatory brothel visit (Circe?) was my favorite chapter. Was surprised at how much I enjoyed Oxen of the Sun, considering its reputation. My opinions would probably be significantly different if I attacked this unaided though.

Second time through is way easier. You need to know what's happening in advance to really enjoy all of the other stuff, which idk, I could see how someone could think that's a flaw in the writing or just something they don't want to deal with.

Still don't care about this book

16 iBooks pages in and it's weirdly enticing. I'm assuming that people who say this is not that difficult mean it in the same way that Webern is "not that difficult"?

its difficulties don't necessarily stop your progress, i would say. it's not overly disorienting. there's a lot of relatively straightforward prose inbetween the firework sections. at the beginning what might be as difficult as anything is recognizing the very specific period Dublin words/references

The early narrative chapters are pretty seductive, it's the abrupt shifts into e.g. pseudo-Middle-English which aid the reader in much the same way as shifting from 4th gear into reverse aids highway driving.

Ha, well, it already doesn't really seem like an easy ride.

It just manages to be, as you say, seductive despite this.

Read it in high school as part of a report on Joyce for my English class, which first reading was a tough slog. Read it again many years later out loud as part of a book group and needless to say got a lot more out of it.

"Let my country die for me."

History, Stephen said, is a nightmare from which I am trying to awake.

Back in the early days of the Covid-19 lockdown there was a tendency to talk, hopefully, about the many opportunities for self-improvement confinement would provide. One suggestion was that people would start reading James Joyce’s Ulysses, the most brilliant, and brilliantly difficult, novel of the 20th century.

So how did that work out? Anyone get past “fluttering his winglike hands, leaping nimbly, Mercury’s hat quivering in the fresh wind that bore back to them his brief birdsweet cries” before collapsing into the sofa cushions, overcome by the urge to read Tintin in America?

The big thing about Ulysses – other than being more difficult to engage with than, say, Friends – is that it’s about everything. Joyce presents the entire human condition in a stream of consciousness, the streets of Dublin as a microcosm of the universe.

Which is all very well, but after six weeks of brain freeze even glancing at its pages is likely to produce feelings similar to being stabbed through the eye with a knitting needle dipped in industrial glue.

It's from this bit of the brain damage

https://amp.theguardian.com/football/2020/may/25/world-cup-questions-why-did-england-not-beat-argentina-1998

different people's brains work very differently, but never let that stop us writing a quick thinkpiece

Um, who wrote that?

i was gonna say "do we have a thread for people boasting about the limits of their interests?" but lol do we have *one thread* what was i thinking?

My post was xpost, in case you are wondering

I read (or actually mostly listened to) Ulysses during lockdown, and loved it.

wrote a few thoughts about it here - https://centuriesofsound.com/2020/04/13/james-joyce-ulysses/