frank kogan needs to know the diff between a pub and a bar

English pubs tend to be more loungey than Irish ones in my experience.

Pete this thread is a wake-up call to those of us who have neglected the publog. (ie everyone but you Tim and Starry)

Man, I love that pub and I ain't been there in two years nearly. I need to go back.

BTW, pub = The Charles Bradlaugh in Northampton.

Booths are fantastic for small groups - you can sit and scheme cosily surrounded by the mighty oak (or facsimile thereof). Useless for more than about 5 people though.

The Shakespeare at Victoria Station used to have a CAVE underneath with booths (I think it was the shakespeare).

If only that were still the case.

ie, there is no difference

End of debate.

*this threshold may go up in central London.
**unless it's happy hour or student night or some bollocks.

oh i dunno.

i think what suzy calls "feminised pubs" are the cursed middle here viz ALL BAR ONE (which is fine for eg office xmas lunch)

The other think they all have in common is the light wood - so they could be called pined & wined pubs.

Ricky T has an important point here. One important difference between pubs and bars which is fast disappearing is that bars are all one room whereas pubs, traditionally, were separated into the Saloon and Public Bar. Even though the divides have been knocked down in lots of pubs, many still have separate rooms for playing pool ect ect. Bars may have alcoves, but are rarely if ever have separate rooms.

"On tap" isn't the important thing, it's what comes out of the taps. And whether it is refrigerated or not.

If the person in charge is referred to as the landlady or landlord, it's a pub. If they have a dog, it's a pub. If the sign comes out of the wall at right-angles and it's suspended from a wrought iron structure or it is on a separate post outside, it's a pub.

What about taverns?

My sister is a bartender and waitress at a bar/short order grill three blocks from her house which some ilXors have even been to drink/eat at (see Minnesota thread). It has regular, local customers (inc. one pro US football coach) who are in there a few times each week, know the names of bar staff, and don't go anywhere else in the area for a quick drink.

My dad, for years, was manager of 'sports bar' full of regular, known-to-staff-by-name guys who participated in the bar's softball team, which went to play other teams from other area bars also comprised of locals (sports bar locals are alwayus the guys who were jocks in school, long since retired to armchair sports, like my dad the 300-lb former Junior Olympics athlete).

A local bar in the US will have a few different beers on tap and burgerish food is served with fries in those plastic baskets lined with wax paper. In fact, 'local' rule of thumb for the US is whether or not the bar exhibits some kind of Burger Pride.

Frank: a 'tavern' is a local bar in Wisconsin.

JtN, the function is *exactly* the same as the function of local pubs here (such as the nice one under our flat). Americans go to their local bar to watch the game on Sunday and eat either brunch or burgers or even Sunday roast, you *do* have affiliated sports teams, a dart board and billiards, and usually you can bring the family in with you to eat the food.

Headfuck of the Day: you can only buy Tavern Snacks crisps...in pubs.

*invalid if australian

But Jer (if I can call you that), this now is the middle. Back in the '50s, when Fiedler wrote his essay (about comic books!), the process by which the art freaks allied with the juvenile delinquents to create successive bohemias and those bohemias were then absorbed into the middle and so new JD-art-freak bohemias had to break off, this played out over years, whereas now it takes about two weeks. And I think Leslie underestimated how much art-darkness already was a part of the "middle's" values: when the freaks separate out, they don't at first come up with values counter to the culture but rather take those values to extremes, act out contradictions.

But I'm being glib here, and don't really remember the essay. I think what underlay it (though I don't remember his addressing this directly) was official America's refusal to acknowledge limits on equality, and so the rejection of literacy embodied by comic books was also a rejection of standard class mobility but still further a rejection of conventional "working-class" immobility - so it's sort of like how Elvis was a movement up into flash and style rather than a movement up the ladder. And the well-spoken Leslie-Jew-boys moving into lumpen flash and style is not at all like hanging out in proper boozers. He's seeking the hero boys doing the battle of good and evil in the City of Night.

I remember sometime in the '70s reading about a New York bar called "The Saloon" that ran into trouble when someone unearthed an old, unrepealed prohibition-era ordinance that forbade an establishment's advertising itself as a "saloon." So the bureaucrats said, sorry guys, you're going to have to rename. So the bar reopened as "The Balloon."

-- gareth (gareth@norfolkwindmills.com) (webmail), February 3rd, 2003 1:14 PM. (gareth) (link)

I prefer to call them Places of Hell and Rugby Shirts.

Just because I'm a girl doesn't mean I want handbag clips and big windows. Just fuck off with your marketing. Fuck off. < / bete noir>

Jerry, I think the whole point about locals is that generally only locals go there, so you not beiong local tended to prohibit you feeling a sense of belongng and finding out about the bars baseball team ect ect.

Anna's spot on with the Rugby Shirts.

This sounds like the ultimate test of an ILX FAP -- how many of us would gather specifically to go to this place?