so, what exactly was Teo Macero doing?

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sorry, eating a meat sammich & typing w/ 1 hand

jaxon (jaxon), Tuesday, 24 January 2006 23:23 (eighteen years ago) link

also, same thing for the dude in Can (was it Holger?)

someone should interview holger and get him to go into as much detail as that teo interview upthread, I don't think anyone has done in the past. I have always understood it as: band improvise for 12 hours, holger then edits the jams down to more coherent "songs".

holger's tape collage stuff is most obvious on the really outre stuff like "aumgm" and "cutaway" but there's edits all over the shop on "mother sky", damo's vocal running backwards for half of "oh yeah" then forwards again when the beat changes, that synth dropout bit in the middle of "halleluhwah", etc.

also bear in mind that he was editing down to two-track tape (on every can record up to landed), as opposed to teo having whatever multitrack board columbia had at the time at his disposal.

controversial buffalo stance (haitch), Tuesday, 24 January 2006 23:59 (eighteen years ago) link

I like the end of 'future days' when he fades the song back in over itself, with the 2nd tape going at double speed. it's subtle, but it's fucking insane that something like that would sound subtle

milton parker (Jon L), Wednesday, 25 January 2006 00:20 (eighteen years ago) link

My favorite Macero tape-splice job is "Go Ahead John," from Big Fun, where not only does he put five different incomplete takes of the song together into one half-hour monsterpiece, but at one point for several minutes there are two Miles Davises playing around/against each other as though it was planned like that. Plus, of course, the bouncing of the guitar and drums from left to right speaker for the whole thing. Fucking brilliant.

pdf (Phil Freeman), Wednesday, 25 January 2006 00:59 (eighteen years ago) link

was he still around for cellar door era?
cuz the first thing that got me deep into miles is "sivad," opening "live-evil"
just disgusting... makes me sometimes convulse. to this day, about, what 6 years since I first heard it.
anyone know the deal if he cut that shit up or not?
I haven't as of yet gotten my hands on a copy of the cellar door liner notes...

capnkickass (gloriagaynor), Wednesday, 25 January 2006 01:51 (eighteen years ago) link

also bear in mind that he was editing down to two-track tape (on every can record up to landed), as opposed to teo having whatever multitrack board columbia had at the time at his disposal.

reading above interview, it doesn't sound like Teo was using much more than that.

senseiDancer (sexyDancer), Wednesday, 25 January 2006 03:27 (eighteen years ago) link

"Miles was just playing music, he didn't really think of himself as recording. He left the recording to the producer Teo Macero, who was working for Columbia Records, not for Miles. Miles was hot. It was like 'Let's get another one in the stores,' you know? Teo put it all together quickly. And in fact the records were never finished. My idea was to fill out the big picture — more tracks, a much broader image of sound, more detail. I made it more animated, with more punch."

--Bill Laswell

http://www.iht.com/articles/2000/01/12/laswell.t.php


I remember reading this interview and it kind of bugged the shit out of me. It's like Laswell is saying Macero is a hack, right?

Earl Nash (earlnash), Wednesday, 25 January 2006 03:28 (eighteen years ago) link

I don't think I could bring myself to read that Laswell interview. He sure sounds condescending.

That was an amazing interview, Dan. Thanks for posting it.

sleeve (sleeve), Wednesday, 25 January 2006 05:45 (eighteen years ago) link

I like the end of 'future days' when he fades the song back in over itself, with the 2nd tape going at double speed. it's subtle, but it's fucking insane that something like that would sound subtle

i just listened to that. you're right about how subtle it is. it's almost like if they are doing a jungle remix or something and playing the guitar pattern on harmonics.

jaxon (jaxon), Wednesday, 25 January 2006 19:36 (eighteen years ago) link

I think Kraftwerk do a very similar thing at the start of "Ananas Symphonie" (they were very fond of speeding tracks up and down at the time), but, as both albums were recorded in the same year, it's probably a just a neat coincidence

Vicious Cop Kills Gentle Fool (Dada), Wednesday, 25 January 2006 19:41 (eighteen years ago) link

teo was definitely involved in cutting up the cellar door material in live-evil

cancer prone fat guy (dubplatestyle), Wednesday, 25 January 2006 19:42 (eighteen years ago) link

keep in mind live-evil is only one night of the stuff on the cellar door box tho

cancer prone fat guy (dubplatestyle), Wednesday, 25 January 2006 19:43 (eighteen years ago) link

four weeks pass...
Wow. Fuck Bill Laswell (especially since Panthalasa didn't do much for me).

js (honestengine), Wednesday, 22 February 2006 15:47 (eighteen years ago) link

I like Bill laswell. I have a lot of Laswell. But Panthalassa didn't make the cut because Laswell made Miles [em]suck[/em]. Punch it up? He punched it out.

I'll have to remember not to [em]read[/em] laswell.

J Arthur Rank (Quin Tillian), Thursday, 23 February 2006 15:46 (eighteen years ago) link

sixteen years pass...

Some interview clips with Teo Macero came across my Youtube scroll and they are all really entertaining as this guy worked with some serious people. (I knew from liner notes he played with Mingus back in the early days of the 50s.) One story I did not know was that he did some work with the Lounge Lizards. He tells a story about doing some concerts up in Montreal that were really big with them mixing an orchestra and jazz group. The way he described the setup really sounds similar to some of those John Zorn Cobra games as he would have small parts written for the orchestra and bring it in and out of the Lizards improvisations over the piece.

I went looking for that hoping maybe there would be a recording, but did come across this one and I thought it was a really good and interesting listen.

Fusion - Teo Mascero, The Lounge Lizards & London Philharmonic Orchestra.

https://www.youtube.com/watch?v=XVYsq4XzlQU

earlnash, Tuesday, 22 November 2022 22:40 (one year ago) link


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