Eisenstein is pre-Brechtian or at the very least an early contemporary, and his theory aiui is based more on the affective emotional power of montage, that quick cuts could produce a pseudo-Pavlovian response in audiences. But he studied theater under Mayakovsky and there’s a common lineage between Brecht, Mayakovsky, Eisenstein, Tretiakov and Russian formalism. Brecht is similarly attracted to the fragment but he deploys it in a totally different way and for a totally different purpose than Eisenstein.
― drew in baltimore, Wednesday, 4 September 2024 16:09 (two months ago) link