This was a fucking mess.
Well acted and it looked good, but it seemed like it was written in a day from a bunch of madlibs.
Agree! My heart sinks every time some name director makes an anthology film with overlapping stories etc etc snooze. If these stories couldn't support a full-length script then they're not good enough to make a film out of, end of story.
I did laugh at the Dio bit though.
And the cop's home video.
― edgar frozen (Matt #2), Tuesday, 16 July 2024 23:07 (one month ago) link
My heart sinks every time some name director makes an anthology film with overlapping stories etc etc snooze. If these stories couldn't support a full-length script then they're not good enough to make a film out of,
Or just make & release them separately as shorts? I'd rather see a good short that uses its time wisely, just as long as it needs to be, than an overly-padded feature.
― an icon of a worried-looking, long-haired, bespectacled man (C. Grisso/McCain), Tuesday, 16 July 2024 23:58 (one month ago) link
Jesus...I've only seen one other Lanthimos film (The Killing of a Sacred Deer), and while I remember that as being strange, there's that kind of strange and then there's this. The only thing I can discuss with any ground underneath me is the music. Immediately, he completely flubs "Sweet Dreams" (better in the trailer). Two hours and forty minutes later, in a 164-minute film, there's 45 seconds that are the most thrilling 45 seconds of movie-music I've seen in a while. The rest I watched slack-jawed, except when I turned away from the screen, which I did a few times. Also: I'm Greek!
― clemenza, Sunday, 21 July 2024 01:30 (one month ago) link
I can’t argue with the criticisms but I liked this. After two complicated, effects-heavy, ambitious best picture-nominated films I don’t begrudge him emptying out his idea notebooks and clearing his throat with a minor work. It won’t make my year-end list but it was fun. Jesse Plemons unsuccessfully trying out his “hurt hand” routine got a huge laugh from me.
My heart sinks every time some name director makes an anthology film with overlapping stories etc etc snooze.
I wish more name directors would do this! Blow off steam and throw together weird, cheap, low stakes, not-entirely-thought-out quickie movies in between bigger projects. Take my money.
― waste of compute (One Eye Open), Monday, 22 July 2024 16:28 (one month ago) link
^^More directors need an After Hours.
― an icon of a worried-looking, long-haired, bespectacled man (C. Grisso/McCain), Monday, 22 July 2024 16:31 (one month ago) link
Lol
― Thrapple from the Apple (James Redd and the Blecchs), Monday, 22 July 2024 19:02 (one month ago) link
Also there was that multi-director triptych he was part of
― Thrapple from the Apple (James Redd and the Blecchs), Monday, 22 July 2024 19:03 (one month ago) link
NEW YORK STORIES
― Thrapple from the Apple (James Redd and the Blecchs), Monday, 22 July 2024 19:04 (one month ago) link
It's still lingering in my mind two days later. When I start to describe it to friends, I start by dramatically announcing "I don't even know where to start."
― clemenza, Monday, 22 July 2024 23:59 (one month ago) link
I’ve somehow managed to avoid this guy prior to this film so went in mostly blind and kind of liked it
― Thrapple from the Apple (James Redd and the Blecchs), Tuesday, 23 July 2024 01:11 (one month ago) link
Coming off a film that got so much mainstream attention, this one seems not to have gotten much (though I could well be missing it). Maybe it's length works against it--almost three hours.
― clemenza, Tuesday, 23 July 2024 01:50 (one month ago) link
This one seemed especially indebted to (post) modern literary fiction, rather than cinematic sources - it's not much of a leap to get from Kinds of Kindness to a Coover or Barthelme short story.
― Ward Fowler, Tuesday, 23 July 2024 07:44 (one month ago) link
OTM
― Thrapple from the Apple (James Redd and the Blecchs), Tuesday, 23 July 2024 12:20 (one month ago) link