Beck: Classic Or Dud

diff btw Mutations and Sea Change is too much Nigel Godrich all over the latter

Having immersed myself in early Beck as a teen-obsessive, owning Loser and Beercan CD singles, the effect of listening to Mutations at the moment of its release was a unique exercise. I recall feeling a strain to enjoy what I was listening to, a series of mid-tempo great-sounding songs that triggered no delight, no mystification. "Tropicalia" was the outlier on the album-- its tempo exceeded 100 bpm unlike the rest-- but even then it felt too pastel pastiche, no difficulty, no risk. It was only the bonus track ("Diamond Bollocks") that hinted at a possible exciting future, and I found myself looking forward to Midnite Vultures for that reason alone

Then Midnite Vultures came out and I was non-plussed. It's interesting to hear tracks from it pop up in playlists in present day, because it always sounds fun and great to my ears now, but at the time, idk. I'd heard Miss Kitten "Frank Sinatra" that year and was on the cusp of full-tilt electroclash enthusiasm. Midnite Vultures was so tidy-sounding in comparison, maybe that was it. It felt too safe, or something.

I think I bought Sea Change when it came out, but it seemed to me to be more of a "David Campbell showcase" than anything else. David's arrangements on it are career-high inventiveness, he went full Jean-Claude Vannier and hit all the targets. I don't think it's fair to saddle Nigel Godrich with the responsibility for how well those albums turned out. I said upthread that these three albums have "normal qualities" instead of "abnormal qualities" and that's kind of what they are. They're "good albums", they just don't touch the same synapses that earlier Beck albums touched

Modern Guilt might actually be my favourite Beck record: it's a compact ten songs, and sits directly in the middle of his depressive-acoustic to whimsical-rhythmic spectrum.

― Halfway there but for you

i actually love modern guilt a lot myself, i was big into my indie landfill phase in '08-'09 listening to shit like rubik, i still love that stuff but it's a million miles away from where i am now

he does have a shit-ton of weird shit, most of the albums focus on, like, songs and stuff, but he'll do these weird one-offs, like he had that record club project where he's doing a full cover of yanni's "life at the acropolis" with some sonic youth folks... i've never heard the original, i should probably listen to it sometimes. because beck's cover is this weird prog-noise thing. or, like... he made a 10 minute tribute to harry partch in response to an obscure twitter beef fiery furnaces had with radiohead. or "nyc 73-78", this 20 minute philip glass remix that's fucking excellent. or whatever the fuck "gimme (extended version)" is.

Yeah the harry partch thing is the one off that I like the most

YESS I was trying to remember if I imagined that Harry Partch thing, it was so good

I owned five guayaberas because of Beck.

― braaam.flac (flamboyant goon tie included), Monday, March 11, 2024 12:14 PM (three days ago) bookmarkflaglink

How come there isn't a thread where ilxors disclose the most embarrassing shit their fandom of an artist or band has compelled them to purchase?

i purchased one foot in the grave (a great album!) on vinyl

Don’t go carvin’ no happy face on my tombstone

I looked good in those guayaberas. I lived in a small town it was the 90s all my friends were wearing Gap

because they loved the Swing Kings?

owning guayaberas because of Beck = not particularly embarrassing, of course. rather i was thinking i have done 100x worse

I mean, those swing commercials delighted us all at the time, khakis for every teen

nothing wrong with a guayaberas IMO

please mentally remove the plural that was a copypaste mistake

re: beck, I also liked his cover of Skip Spence's Oar.