Wow, thank you, that's fascinating. The first one I clicked on (Feb '59) has a pre-Coltrane article about Elvin Jones, written by a European sax was playing with him in J.J. Johnson's group, that's comes very close to speculatively describing the invention of the Coltrane Quartet. Or rather, it correctly recognizes everything Elvin is already doing (the power, flowing across the bar lines without giving the soloist easy signposts) but that eventually he'll probably have to simplify his style.
"...I have often had the same trouble with Elvin...the tension would build to a point where I had trouble finishing my choruses, and I would begin trembling with internal excitement, but completely unable to tell where we were any longer...that is obviously a situation to be avoided."
...until you find a group other musicians who always know where 1 is and can maintain the tension indefinitely. Now I wanna listen to a bunch of early Elvin.
― Jordan s/t (Jordan), Tuesday, 27 February 2024 17:36 (two months ago) link
oh wow the very first issue has the (in)famous Gunther Schuller article about Sonny Rollins.
― B. Amato (Boring, Maryland), Tuesday, 27 February 2024 17:46 (two months ago) link
The reviews are hilarious too:
Relaxin' (with the Miles Davis Quintet) and Musings neither disappoint nor do they set the world on fire. Both call for no excess wordage on the part of a reviewer; they should be enjoyed and not analytically picked apart. I enjoyed them. —Mimi Clar
― Jordan s/t (Jordan), Tuesday, 27 February 2024 17:47 (two months ago) link
His (Coltrane's) solo on Giant Steps particularly shows a rhythmic stiffness and melodic tameness. He does not construct any real line with the arpeggios.
--H.A. Woodfin
― Jordan s/t (Jordan), Tuesday, 27 February 2024 18:00 (two months ago) link
I didn't know this album -- These Are My Roots: Clifford Jordan Plays Leadbelly. It's sick, Richard Davis is going hard (and really keeping tracks like Goodnight Irene from being too straight), the late Tootie Heath on drums & tambourine, Cedar Walton, and amazing vocals by Sandra Douglas on a couple tracks.
― Jordan s/t (Jordan), Monday, 8 April 2024 22:15 (two weeks ago) link
Damn, this version of Black Girl (aka Where Did You Sleep Last Night)
― Jordan s/t (Jordan), Monday, 8 April 2024 22:20 (two weeks ago) link
Way better than the title suggests, great album
― Brad C., Tuesday, 9 April 2024 23:30 (two weeks ago) link
the title makes it sound awesome in my opinion! lol. checking it out now
― budo jeru, Wednesday, 10 April 2024 18:57 (two weeks ago) link
but then i have a lot of time for Clifford Jordan
― budo jeru, Wednesday, 10 April 2024 19:00 (two weeks ago) link
I can't find anything about Sandra Douglas besides this album, which she steals.
― Jordan s/t (Jordan), Wednesday, 10 April 2024 19:04 (two weeks ago) link
it seems like you're not the first one to wonder
― budo jeru, Wednesday, 10 April 2024 23:36 (two weeks ago) link
i've pulled this album out more than once this year. pepper adams and curtis fuller together is such a beautiful pairing. i love them both.
https://www.youtube.com/watch?v=HyQVtVH-dYQ
― scott seward, Thursday, 11 April 2024 01:30 (two weeks ago) link
Damn indeed so good
― that's not my post, Thursday, 11 April 2024 03:06 (two weeks ago) link
that Clifford Jordan record got me wondering what other jazz albums of the era had folk revival themes ... this one, "Jazz Impressions of Folk Music," is not terrible, but sounds more like "The Harold Land Quintet Plays The Kingston Trio":
https://www.youtube.com/watch?v=UvV73nA1-gg
both albums have versions of "Take This Hammer" and Land's really suffers by comparison ... "Kisses Sweeter than Wine" and lol "On Top of Old Smokey" sound better, but "Hava Nagila" sent me running to Dick Dale
fairly undistinguished and uninspired bop, but like every 1963 jazz album I've ever heard, beautifully played and recorded
― Brad C., Thursday, 11 April 2024 19:17 (two weeks ago) link