Not all messages are displayed:
show all messages (113 of them)
I got into this band the way I get into most music these days: a song on a playlist or a Discover Weekly, a tickle that becomes an itch and so on. I knew Julien from her associations with Frightened Rabbit and knew of her confessional style; I had a vague sense of Phoebe Bridgers and no knowledge of Dacus at all. I very rarely look for live stuff or interviews so had no visual sense of the band at all. It wasn't until my daughter got into them and they became this intense lockdown thing, that I filled in the character backstories and what they meant to the fans.
Since then I've developed a vicarious appreciation of the closeness of things, most of which operates outside of the music yet seems utterly inseparable from it: the characters to each other, the 'characters' to the 'real' people involved, the relationship to the fans. Your second paragraph speaks to this: how porous the boundaries seem, how the band seem to blur the line between drama and 'real life'. Seeing them live cemented all of this and I wasn't really prepared for the emotional wallop of it and what it meant for me and the people there. The trio appeared on stage very briefly, at the end of Muna's set and it was like 30,000 people spontaneously burst into tears. It was extraordinary but also contributed to an ongoing feeling that this simply isn't sustainable; that they're playing that is so combustible it's bound to explode at some point. Julien is too damaged. Phoebe is just a chaos engine. Lucy will tire of being the third who walks beside them. Etc etc. I know it's all part of the mythos they've built but there it is.
Now, I am well aware this may be entirely personal and a shit ton of projection because of my relationship with my kid but I can't decide if this is just new to me and it's a 'welcome to true fandom, where the hell have you been?!' or a novel situation worthy of thinking about some more. Your post emboldened the latter reading but I may well be talking complete bollocks so forgive me if so.
It was extraordinary but also contributed to an ongoing feeling that this simply isn't sustainable; that they're playing that is so combustible it's bound to explode at some point. Julien is too damaged. Phoebe is just a chaos engine. Lucy will tire of being the third who walks beside them. Etc etc. I know it's all part of the mythos they've built but there it is.
wow, amazing
― the dreaded dependent claus (Alfred, Lord Sotosyn), Wednesday, 30 August 2023 10:03 (three months ago) link
two months pass...
I enjoyed both songs. Old man me was also won over to them in part awhile back hearing Bridgers talk about music and her family and such on her Sirius XM radio show.
― curmudgeon, Sunday, 12 November 2023 17:33 (two weeks ago) link