Frederick Wiseman

worth turning on the subtitles on that just for the “bland music “ cues

Kinda electric to encounter “Planet Claire” and “Pop Music” in Model.

And … there’s Andy Warhol!

We had to pause Crazy Horse midway through because I outbursted with "this is Fredrick Wiseman's verison of the James Bond opening credits!" and then we wondered what a Wiseman James Bond movie would even be like - we made up more and more preposterous and funnier scenes. Frederick Wiseman's UNIVERSAL EXPORTS: Endless meetings with photo-interpreters, do we/do we not burn fuel on the spy satellite to get a better photo? Lots of one sided telephone calls, many pained looks into screens, others repetetively cleaning up audio transcriptions. A janitor empties the paper shredders and burn bags and night, Bond himself is never direcly on camera, we only see him through drone overheads and surveillance video.

Will never forget the critic who dubbed that movie Tittie-butt Follies.

The restaurant movie gets a title: Menus-Plaisirs Les Troisgros and a premiere at TIFF this year. It's 4 hours long too - stoked!

I hope it gets a decent run in the U.S.

sounds really good

going through all of his films in order by year I have still only made it up to High School II from 1994

There are a couple of reviews of Menus-Plaisirs Les Troisgros out - this one maybe the most considered?
https://outskirtsmag.com/Menus-Plaisirs

Tonight: Essene.

oh man, the scene with the flyswatter

watched Ballet, about the American Ballet Theater, from 1995. It is one of my favorite films of his so far. It is, as always for him, about an institution but features an amazing extended interview with Agnes de Mille before she died and many beautiful rehearsal sequences and performances

"Most striking might be the sounds Wiseman captures, not just of the music, hardly at all of the music (there isn't even an orchestra at the Athens performance: Wiseman gives us a close-up of the giant tape recorder filling in for the band), but rather the grunts and thuds and squeaks of the dancers' shoes on the surface of the stage. The sound of gravity in an artform that aspires to weightlessness."

https://theendofcinema.blogspot.com/2014/09/on-frederick-wisemans-ballet.html

this goes about exactly how you'd expect fred wiseman appearing as a talking head in a documentary called "cinema verite: defining the moment" might. pic.twitter.com/hiZR7s4irT

— arlin golden (@cerealburrito) February 3, 2024

(last bit of it) pic.twitter.com/FJE5IHuAOD

— arlin golden (@cerealburrito) February 3, 2024

Man, the judge in “Juvenile Court”… what a job

Apparently you can watch the latest film here

https://www.pbs.org/video/menus-plaisirs-les-troisgros-rbfnou/

we just watched that -- it was very long and medium enjoyable imo. i enjoyed the kitchen scenes and seeing the chefs foraging and clowning around, but it was definitely bougie Wiseman (not my favorite)

i did like that it was an entry into the behind-the-scenes kitchen films/media that did not portray the kitchen as a chaotic/abusive/stressful place. everything was extremely placid.

I’m sure i will eventually get around to it and probably enjoy it, but even as a Wiseman buff i’ve had a hard time working up much enthusiasm for it just based on the subject

After years of having it on my watchlist i finally got around to Near Death a couple weeks ago and it completely rocked my world, i havent been able to stop thinking about it since, might be his masterpiece imho. It wasnt as disturbing or difficult to watch as i’d always feared, but just unbelievably rich & complex.

Such a great film--my second favourite (seems like a weird word to use) after Welfare.

His new film is not as good as "Near Death", however, it is still worth checking out. Wiseman has great rhythm to his films. This latest one is no exception. The 4 hours zoom by really quickly.

Going through his films in order - after Ballet (1995) I had a hard time with La Comédie-Française (1996), I just couldn't relate to it.

Public Housing (1997) is about the Ida B. Wells housing project in Chicago (which was torn down in the 2000s). It is pretty great.

I am watching Belfast, Maine (1999) now and loving it. It is over 4 hours long though, so I'm taking my time