commendation for outstanding service to human race: resident advisor

outdoor events in the sun are their own thing, but the club experience is typically dark rooms with people in movement and it's not something that lends well to visual representation. festivals in interesting spaces lend well to crowd shots, but again, not a club

the instagram-ready shots of a dj dancing around behind the decks or the boiler room-style cramped videos feel like an attempt to make the experience more social media-aware but they're still not the pov of the audience! I've attended many such events but something always feels off when everyone's in lockstep facing a dj on a stage. the music creates the space, the dj shouldn't be the focal point

but really, this is what it has always been all along. it's just more glaringly apparent now.

― stirmonster, Thursday, May 4, 2023 9:21 AM (twenty minutes ago) bookmarkflaglink

Yes, but I am still living in 2007 :(

where is the thread where the late great talks about how dance music should be people in a dark room banging their body to the beat of the box instead of being smiley happy sunshine festival attendees?

my platonic ideal of a place to listen to dance music involves me in my car driving along an overcast coastline, cityscape in the distance, fog clinging to the nearby green hills, not a club in sight. i've been doing it wrong my whole life tbh.

The Bay Area is waiting for you omar

xp that’s pretty much the origin story of second and third wave detroit techno, at least according to carl craig and others. they weren’t glam enough to get into house parties and not hard enough to go to hip hop shows, so they drove around detroit freeways at night listening to juan atkins and derrick may and electrifying mojo, and eventually made music to fit that vibe.

one of my all time most transcendent experiences was driving through tilden on a clear moonlit night in 96 after a storm, super clear views of everything from santa clara to tamalpais, the city glittering across the bay like computer graphics, while an anonymous radio dj spun through io “claire” and stasis and ken ishii and mark broom and so on

i believe the track titles on model 500’s deep space are an homage to that possibly apocryphal car craig tale

my platonic ideal of a place to listen to dance music involves me in my car driving along an overcast coastline, cityscape in the distance, fog clinging to the nearby green hills, not a club in sight. i've been doing it wrong my whole life tbh.

― omar little

just makes me want to play "outrun"

"outrun" one of the better thomas bangalter tracks, though i prefer "ventura" (another classic driving locale) from the same EP

One of my similarly transcendent experiences was coming home from college driving past the steel mills of Gary, Indiana heading towards Chicago on a foggy winter night listening to my then brand new copy of second toughest in the infants by underworld. Think I may have bought accelerator by FSOL on the same trip back.

I've got a little personal ritual of always listening to a dj mix on the way home from work on Fridays...something about the combination of my brain being too fried from the week to process a podcast + the rush of weekend freedom. And of course late night freeway drives.

Anyway RA have succeeded deemphasizing their editorial content. I wonder how many people even look at reviews or go there to find new music anymore.

Most of the music I love sounds better at night. Or on a cloudy day.

techno does sound great in the car. one of the best was carl craig's landcruising on a langorous drive after the beach as the light shifted from a warm gold sunset to the synthetic light of the city

Highly recommend listening to cfcf's the colours of life while cruising PCH late in the day.

idk which Moodymann thread to post that this week’s RA mix is all Moodymann so I’ll just post it here