Search/Destroy Every Nobel Prize Winner For Literature

Kristin Lavransdatter is one of the most impressively convincing historical novels I’ve ever read, just a marvellous book to lose yourself in. The Tiina Nunnally translation is great.

1967 Miguel Ángel Asturias

https://www.nybooks.com/articles/2023/05/25/the-inventor-of-magical-realism-mr-president-asturias/

Among those not mentioned upthread, "The Fall of the King" by Johannes Vilhelm Jensen is really good.

the one asturias i've read is the president which i liked well enough, didn't realise per what i could read of the article that he started on it in the early twenties which was when he was hanging out with the paris surrealists but makes sense

1960 Saint-John Perse

have a big fat volume of his correspondence, but have never succeeded in tracking down any of his poetry (he gets a footnote in the waste land i seem to recall)

T.S. Eliot also translated his work Anabase.

Not to be weird, but I’d never read Anabase when a blurber for my last book compared my writing to it in a favorable manner. I liked it upon my own reading, tho like said blurber noted, Anabase the similarities end at some shared formal strategies.

It’s a pretty easy book to find used, worth it if at all interested.

I read Ivo Andric's Nobel-winner this year, The Bridge on the Drain, it's great.

boy have I given these three a number of chances. Am I reading the right White? What's a good start?

btw Alfred I tried Patrick White too and had the same results. Will probably try again at some point.

That's a relief.

I got The Bridge Over the Drina out of the library now.

Finished Jenny by Sigrid Undset. It's very good, doesn't deserve its reputation - seemingly forgotten in English, though there was a new translation in 1998. It doesn't start too auspiciously - lots of description of clothes as well as landscapes, the characters use first names and surnames more or less at random so it's hard to tell who's who. But it soon develops into a rich psychological work. It feels very transitional - for an early 20th century novel, there are young women living independent lives, they stay out all night drinking, they sleep around (or their male friends do - it's still quite coy about this). Of course people have been doing this since the dawn of time, but in 19th/early 20th century novels, not so much. But they speak like characters in a 19th century novel, very romantically, with that almost artificial sounding articulateness. Jenny in particular is trapped by her idea of a romantic life - this is the driving force of the novel, really. It's ambiguous in many ways - modern and old fashioned, moving and melodramatic, clear at times and at other times quite opaque, the characters sometimes eliciting sympathy, sometimes being quite bewildering. But it's beautifully written and ultimately very moving, even heartbreaking.

I recently read Egyptian novelist Naguib Mahfouz's Palace Walk from 1956, the first novel in his Cairo trilogy, about a family in Cairo during the British occupation in WWI in 1917, with the patriarch of the family imposing restrictions on his family during the war, and his children finding different ways of rebelling

Annie Ernaux doc making the rounds in London - The Super 8 Years. Basically her husband bought a camera in the early 70's and this is all footage of their lives from then to their break up in the early 80'. Ernaux narrates over it and if you dig her writing you'll dig this. They went on holiday a lot, often choosing their destinations with gauchiste awareness - so very cool footage from Chile, Albania, Soviet Union. Also a bit of London and even a little Portugal, but clearly by the time they went there they were in such a marital crisis that no one felt much like filming, alas.

Excellent piece on Cela's The Hive

https://www.lrb.co.uk/the-paper/v45/n14/tim-parks/buttockitis

I alas found it a grind after about fifty pages.

Will try it again in a few weeks.

Probably the first essay that talks about what Ernaux is doing in her fiction in pretty good length.

For me a French author: working class or not, diaristic, a woman, using life, writing flatly...is a thing I have seen before but Haslett talks about how she is able to replace the 'I' with 'We', and she really is very interested in showing how the lived is transformed by the diaries she has issued.

https://harpers.org/archive/2023/10/all-the-images-will-disappear/