Elton John's Goodbye Yellow Brick Road - the POLL

"Island Girl" is easily his second worst #1 of the period

What's the worst?

"Lucy..."

Surprised/not surprised to learn that was a #1. It barely registers for me.

I'm not fond of "Crocodile Rock" either, but, yeesh, at the other two.

Caribou opens with my favorite Elton John track - it was so much fun to finally see him perform it live on the farewell tour. IIRC after it was over, he repeatedly slammed his piano lid over and over again.

Xgau was the reason I gave Rock of the Westies another chance - I never thought there were any real standouts on it and still don't, but played through in its entirety, it sounds pretty consistent and enjoyable to me. Also lightweight and much less ambitious, but it hangs together for me as a set of tuneful modest numbers. I think Elton might've said it was mostly an exercise in breaking in his new band. They're not as good as his old band, but they sound fine to me here.

The nonsense is less tuneful than usual, forcing me to listen to an unusually prolix and incoherent set of Bernie lyrics ("Yell Help," "Feed Me," etc.).

I think I really must be the only person on Earth, apart from the hordes who bought it at the time, that really digs Elton's Lucy. Can't argue with Island Girl as the worst of the #1s, though if we were just talking "worst single from his classic period," it'd be in competition with the obnoxious Pinball Wizard or the relentless and ever-unwelcome Step Into Christmas.

Dan Dare, Street Kids, and Robert Ford are all good to great. Grow Some Funk is such a great performance, but the lyric is a real cringe, and Island Girl doesn't even pass the first test. No matter how many times I listen to the album, the bulk of Side B refuses to stick in my brain. And yet I keep wanting to give it another try.

xxp aw, "Yell Help" is so bizarre it's funny - like what the hell is he going on about?

lol I've never actually paid attention to the lyrics before. what a train-wteck - the Taupin down-home affectation machine, missing its poetic imagery module, and crashing into a bunch of miscellaneous overheard-in-the-studio inanity. "i wish tonight wasn't Wednesday night" is the kind of thing Paul McCartney could MAYBE get away with, if it was an ad-lib in a silly voice during the fadeout...

"Grow Some Funk," "Robert Ford," and "Hard Luck Stories" are good to great.

The weird thing about "Hard Luck Story" is that it seems to be written for a female singer complaining about a man unloading his problems on her (it's credited to the pseudonyms that John and Taupin used for their "outside" writing); but Elton's singing it as a man, and instead of switching the genders, it seems like they reversed all the pronouns and he sings it as the man "explaining" to the woman that she is fed up with him. Surely it would make more sense to sing "All I hear is hard luck stories" rather than "All you hear are hard luck stories".

Anyway, the Westies/Blue Moves band really was great and served those songs well.

I think I really must be the only person on Earth, apart from the hordes who bought it at the time, that really digs Elton's Lucy.

For me the easy expansiveness of Elton's version makes it much better than the tweeness of the Beatles' original.