Search and Destroy : Julian Cope

Autogeddon is kind of crucial in two different sequences of Copework - it's a self-consciously "minor" album after Peggy and Jehovah, keeping a similar crew of regular players and ambitious songwriting, but with less production and more focused themes to the writing - which paves the way for the similar restricted instrumentation and non-fussy production of 20 Mothers - which broadly takes a more positive approach to themes than the 'hovakill->'geddon sequence, and continues up to the outright "fuck it, pop star!" vibe of Interpreter. (The sonic approach of Autogeddon also suits the lyrical concept, ofc.)

But it's also the culmination of an extremely minimal detour with Rite and Skellington 2 - it works as a final chapter in that trilogy, as a bridge back to fully-arranged songs, or as a grounding/reset after the two major-label double-albums.

This looks interesting -

https://superdeluxeedition.com/news/the-teardrop-explodes-culture-bunker-1978-82/