the killers - are they killer?

Is this what I have to expect for the next seven years of my life?

I am going to use this judging system for every single "[insert new rock band that sounds vaguely like '70s/'80s/'90s Britpop band] sucks" thread from here on in.

FUCKING CLASSIC.

Because if anyone, who had never been outside their own country, presumably, was talking about other countries in a hugely generalised manner and throwing out bilious and random criticisms aimed at people from that country on threads where a great deal of the posters are not in fact British, well then that person would be a fucking insular prejudiced idiot at a time when those idiots are running the world.

I'm sure you're not doing this though are you

More about the video; it's poorly spaced and under casted, badly shot esp. considering it's Moulin Rouged out; to make things worse, what's-his-name the lead singer can't even pretend to mime the words like he gives a flying fuck -- and it's one thing to be young and bored, but you're trying to sell the song...

Sarcasm aside, no I'm not doing that. I'm just sick of the predictable "done before and better feh poo blah" attitude that permeates Every. Single. Thread. about any nu-rock band that commits the unpardonable sin of, you know, using guitars. I'm also sick of the sweeping condemnation of said bands sucking for no discernible reason than these people care to explain other than "they exist" and "it was done better by some band nobody cares about anymore". And I'm sick of the "hipster" strawman being delivered by people more provincial and snobbish than any hipster I've ever met.

If it makes you feel better, Thin Lizzy's Live and Dangerous is my favorite late '70s rock album right now. Feel that voib, whydon't'cha.

Also, who wants to see Scarlett Johanssen dressed as a man?

The lyrics are bizarro.

But, on the other hand, we have the absolutely dreadful track "Glamorous Indie Rock and Roll"...at least it does exactly what it says on the tin - the song is every bit as dire as the title would suggest! It is songs like that where I fear for the bands' future - will they sound exactly like the Stereophonics on the second album? The likes of "Glamorous Indie Rock and Roll" make me tremble at the possibility.

You should have been culturally sensitive and said "Out come the teapots, wot wot!"

AND THE ANSWER IS YES IT DOES, BECAUSE THE TEENAGERS KNOW. EVEN IF YOU DON'T. AND TEENAGERS RULE THE WORLD.

Brandon's vox are so varied on the album - ok, so he sounds just like Le Bon on "Jenny Was a Friend of Mine", but on "Mr Brightside" he starts by sounding just like the person who sings on Underworld's "Born Slippy" only to transmogrify into Midge Ure. Which does beg the question - should we applaud him for his vocal range and ability to adopt different styles of singing, or criticize him for cynically trying to win over ppl who have fond memories of those records of the past?