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as you may have inferred, I saw the man live last week. like Burna earlier this year, he sold out the biggest indoor (17,000-capacity) venue in Amsterdam.
it was a good-to-great show, quite different from what I expected. not some kind of MiL/MLLE suite at all, but a rough and tumble rollercoaster ride through his oeuvre, with pyrotechnics and stuff.
he covered most bases, there were unexpected inclusions: “In My Bed”, “Daddy Yo”, “Azonto” (yes!), and some surprising omissions (“Manya” for one). highlight was a blistering rendition of “Show You The Money”.
off the new album he only did “Money & Love”, “Bad To Me”, “2 Sugar”, and (surprisingly) “Flower Pads”, off Made in Lagos it was just “Ginger”, “Mood” and “Essence” (no “True Love” unfortunately). those he played with his band, the old hits were soundtracked by DJ Tunez. “Slow Down” (the R2bees slow jam) and “The Matter” (with Maleek Berry) are possibly his favourite oldies, he did both twice - and all through this he was in very fine voice.
all in all tho, I have to say I found him less… generous than the first time I saw him, in 2016. not just because the set was only slightly over an hour this time, also because he was less outgoing, just generic interaction with the crowd and no interaction with his band at all.
Thanks for that report, bc! He's playing in Montreal this spring at a big venue but tickets are surprisingly cheap (or at least the cheapest tier isn't bad), so I was considering it even though I haven't been to a show like this...ever really.
― rob, Tuesday, 29 November 2022 21:36 (one year ago) link
just do it, rob, it will be fun! the vibe will be great, no matter what, and you’ll get to catch Wizzy live. it just might be the best show he’ll ever give!
I’m really loving the album btw. after a slight lull I’m fully on board with it again now. the initial rush was very much sound palette-centered, but now it’s more about individual songs that are making cases for themselves. my new favourites are “Deep” (the only track I hadn’t saved after the first pass lol), “Flower Pads” and especially “Frames (Who’s Gonna Now)”, which is the real gem here imo. if we’re talking about songwriting, I feel that’s a song people will be wanting to cover (or interpolate or whatever). it has a pretty unique structure too, with the way the main elements meander through the song.
yeah last time I listened I was struck by how well it ends, opening up a bit on the way out
― rob, Thursday, 1 December 2022 14:42 (one year ago) link