(xp)But let me listen to Tigermilk again to be sure. (Just listened to Sinister and the first half of Push Barman.)
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Thursday, 3 November 2022 15:39 (one year ago) link
How does it compare to that one Pogues memoir, Here Comes Everybody?
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Thursday, 3 November 2022 15:42 (one year ago) link
Woah, Stuart David has published five novels?
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Thursday, 3 November 2022 15:57 (one year ago) link
The first was when he was in the group. I like his writing style, can understand why it would rub some people up the wrong way though.
― link.exposing.politically (Camaraderie at Arms Length), Thursday, 3 November 2022 16:01 (one year ago) link
I wonder how long it will be before he appears on a certain thread of mine.
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Thursday, 3 November 2022 16:06 (one year ago) link
Okay, I see. Stuart M needed a place to live and fortuitiously the caretaker’s apartment and job became available at his church.
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Thursday, 3 November 2022 17:22 (one year ago) link
Not only did they rehearse in that church, the studio where they recorded, CaVa, had been built in the basement of a converted church. But the rehearsal church seems to be the defining factor.
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Thursday, 3 November 2022 17:30 (one year ago) link
Heh, our old friend Momus and his marital issues makes an appearance.
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Thursday, 3 November 2022 17:31 (one year ago) link
Okay, seems like this book is for me after all.
When it came my own turn to meet Vanessa, I found out she had worked with Momus in the past. Before moving to Jeepster, she’d been working for the publisher of Momus’ songs, and she said she knew him quite well. I tried to keep her on that subject, but Mark was only interested in talking about Belle and Sebastian – and while Vanessa enthused about what an exceptional talent Stuart was, Mark explained to me how everything would be fine when the band were making Stuart’s songs sound more like Radiohead. ‘Make sure this album sounds like The Bends,’ he told me – then one of the bar staff mercifully shouted to us to start moving out of the venue. I tried to shift the conversation back onto Momus, and somehow, before Vanessa disappeared, she had given me a phone number and an address where I could contact Momus if I wanted.
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Thursday, 3 November 2022 17:37 (one year ago) link
One thing I noticed listening through the discography for the poll last year was that all the opaque religious references which I had thought were about sexuality are actually just opaque religious references, Stuart didn't want to be thought of as a Christian rock musician but it's important to him. "The Ghost of Rockschool" on Write About Love is the first time he's non-coy about this. So the Church Hall Caretaker thing isn't just a coincidence.
― link.exposing.politically (Camaraderie at Arms Length), Thursday, 3 November 2022 17:38 (one year ago) link
Interesting. I got off the bus before that, so I never heard it. Right before that, in fact, with The Life Pursuit. Which I liked but somehow felt or knew that I really didn’t want to hear anymore.
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Thursday, 3 November 2022 17:45 (one year ago) link
Hmm, The BBC Sessions seem to be in my sweet spot.
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Thursday, 3 November 2022 18:13 (one year ago) link
BBC Sessions version of “Lazy Line Painter Jane” okay but lacks something without the vocal of Marcy MaysMonica Queen. And hey, it seems like the original version of that was recorded in the church.
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Thursday, 3 November 2022 18:21 (one year ago) link
So Piedie Gimbel otm about everything.
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Thursday, 3 November 2022 18:22 (one year ago) link
BBC Sessions version of I Could Be Dreaming fades out before the best bit.
― link.exposing.politically (Camaraderie at Arms Length), Thursday, 3 November 2022 18:25 (one year ago) link
Now having a dim memory of when Xgau mistyped Stuart M’s last name.
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Thursday, 3 November 2022 18:30 (one year ago) link
Heh, no mention of Stuart MUSGROVE on his page for them but still persists in a few other places.https://www.villagevoice.com/1998/04/21/consumer-guide-4/https://www.robertchristgau.com/get_artist.php?id=897
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Thursday, 3 November 2022 18:34 (one year ago) link
Thin Lizzy cover seems promising.
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Thursday, 3 November 2022 19:36 (one year ago) link
I'm certainly not an expert on the latter stuff, but I'm still struggling to parse the argument that B&S, the band who wrote Lazy Line Painter Jane and Stars of Track and Field and Dirty Dream No.2, and latterly wrote Nobody's Empire and Play for Today, moved from obvious realism to abstraction. Hasn't Murdoch always played with place and character, dream and fantasy?
― Shard-borne Beatles with their drowsy hums (Chinaski), Thursday, 3 November 2022 20:17 (one year ago) link
I've probably caricatured poster pinefox's point there a bit, but I think the point stands?
― Shard-borne Beatles with their drowsy hums (Chinaski), Thursday, 3 November 2022 20:18 (one year ago) link
The early stuff was grounded in reality, in time and place. Even if there was some element of fantasy or invention, you felt like it was someone in that time and place doing the inventing. Whereas with later stuff it just became unmoored.
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Thursday, 3 November 2022 20:41 (one year ago) link
― Vaguely Threatening CAPTCHAs, Thursday, 3 November 2022 20:47 (one year ago) link
Up until about 2010 they evolved and changed a lot. Band members came and went, increased budgets, growing success, access to different studios and producers etc. It's probably not a very popular opinion but mid period is the best - Storytelling, Dear Catastrophe Waitress and The Life Pursuit are three really good albums. After that the line-up remained absolutely static and there's nothing fresh on any of the new albums.
― everything, Thursday, 3 November 2022 21:02 (one year ago) link
I don't understand 'the ghost of rockschool'.
I know they went to a 'school of rock' but the song doesn't seem to be about that.
― the pinefox, Thursday, 3 November 2022 21:06 (one year ago) link
(xp)I can see that, although I never really got into Storytelling myself.
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Thursday, 3 November 2022 21:07 (one year ago) link
Chinaski:
I'm afraid I can't follow your logic here. The first 2-3 songs you mention seem to be very clear, specific, concrete, whereas the last 2 seem to be obscure and more abstract. And as I say, even if they weren't, lots of other later songs do seem to be. So from my POV you rather confirm my original thought.
― the pinefox, Thursday, 3 November 2022 21:08 (one year ago) link
At the risk of being challopsy, those earlier tunes were kind of a refreshing update of 50s/60s Angry Young Man/Kitchen Sink drama filtered through The Smiths and applied to 90s Glasgow in a way that felt both familiar and new whereas the later songs, well I can’t comment on those particular ones since I never heard them but the ones I did hear didn’t sound like anything much at all.
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Thursday, 3 November 2022 21:45 (one year ago) link
The decline came later than people thought at the time. “Fold Your Hands Child” includes some of their best songs.
― treeship., Thursday, 3 November 2022 22:46 (one year ago) link
Genuinely think FYHCYWLAP might be their worst LP, it has 2-3 genuinely great songs, but also some of their worst (know we had this discussion before in the poll of course) - their last 3 LPs are a mixture of a few great songs ("I Didn't See It Coming" / "Play for Today") and the rest is pretty mediocre, which I can live with a bit more.
Dear Catastrophe Waitress / The Life Pursuit still stand up though imo
― link.exposing.politically (Camaraderie at Arms Length), Thursday, 3 November 2022 23:05 (one year ago) link
LP1 of The Life Pursuit is so fucking ace. Those glam stompers! “Another Sunny Day” murdered me every time.
― an incomprehensible borefest full of elves (hardcore dilettante), Thursday, 3 November 2022 23:06 (one year ago) link
You're probably right, pinefox, though I do think the point is overstated. Early Murdoch songs use local detail to make universal points; the latter songs have just removed the scaffolding a bit. I suspect it's because he exhausted his subject matter and outgrew his surroundings with success.
Taking 'Play for Today' as an example of the latter Murdoch, this could be from any album, no?
I read a play written today about a boyWho hides in attics when the sun is upEveryone is at workWhat will I do? Where will I go?Show me the wayThe truth, the anger, show me rules of thumbShow the way to grow old
― Shard-borne Beatles with their drowsy hums (Chinaski), Friday, 4 November 2022 16:27 (one year ago) link
I'm puzzled by the admiration being expressed for 'play for today' - a song that sadly does very little for me.
I think I prefer the much older Cure song of that name.
― the pinefox, Friday, 4 November 2022 16:29 (one year ago) link
I think it's a masterpiece, fwiw.
― Shard-borne Beatles with their drowsy hums (Chinaski), Friday, 4 November 2022 16:33 (one year ago) link
First 4.5 minutes are solid 7/10, last three minutes are absolute masterpiece
― link.exposing.politically (Camaraderie at Arms Length), Friday, 4 November 2022 19:37 (one year ago) link
B&S started out as music specifically about young-people things: the uncertainty of fitting in, being bohemian and somewhat carefree (except for the pain of social awkwardness), etc. My hipster acquaintances in Glasgow say that Stuart Murdoch managed to be deeply connected to and accepted by young people there into his late thirties, which I think was quite a feat, but it obviously couldn’t last forever.
My personal dividing line is God Help the Girl: suddenly these songs were less poignant observations by a peer, and more a now-old man writing about what he merely thinks young people are like. Subsequent songs about his kids (ugh) and marital contentment only widened the breach.
― Melomane, Friday, 4 November 2022 21:01 (one year ago) link
God forbid someone write about what's meaningful to them.
― Shard-borne Beatles with their drowsy hums (Chinaski), Friday, 4 November 2022 21:24 (one year ago) link
Melomane 🎯
― enochroot, Friday, 4 November 2022 21:35 (one year ago) link
Don’t think it’s that per se, it’s just- what is it?- a different subject might require a different approach, and vice versa. Some people are good at one thing but not the other.
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Friday, 4 November 2022 21:36 (one year ago) link
If I want somebody writing about their kids, my go to one man guy is Loudon Wainwright III, and vice versa.
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Friday, 4 November 2022 21:37 (one year ago) link
Is there a thread about how martial bliss / parenthood / sobriety is bad for songwriting, but B&S are far from unique here.
― enochroot, Friday, 4 November 2022 21:38 (one year ago) link
Even though he didn’t actually write the song entitled “Daughter,” but that fact only makes him even more the go-to one man guy.
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Friday, 4 November 2022 21:40 (one year ago) link
“There is no more sombre enemy of good art than the pram in the hall.” Cyril Connolly, 19fucking55.
― Shard-borne Beatles with their drowsy hums (Chinaski), Friday, 4 November 2022 21:48 (one year ago) link
― (We're Not) The Experimental Jet Set (James Redd and the Blecchs), Friday, 4 November 2022 21:49 (one year ago) link
I don't mind the lyrics but I've found their records really ugly-sounding since "Life Pursuit" even when the songs have been alright. It's a shame they never reconnected with Trevon Horn. But I find their late period wall-of-sound approach over-fussy and the musicianship has lost a certain swing to carry it off. A bit pub rock, maybe.
Still some great tunes here and there (I Want The World to Stop, I Didn't See It Coming) and some enjoyable fluff (Party Line) and I really need to check out Peacetime again. Last time I saw live (2010ish) they were still a surprisingly fantastic live band.
― Chuck_Tatum, Friday, 4 November 2022 21:54 (one year ago) link
Relevant new tweet from Stuart:
In January 1996, just as the band was forming, the first lp could have been so different. A double lp.. featuring such forgotten tracks asWhen The Cynics Stare Back From The WallGirls In Peace Time Want To Danceand, The Disenchanted Pony 😄 pic.twitter.com/Lab9YlgZEZ— stuart murdoch (@nee_massey) November 4, 2022
Didn’t realize “Girls In Peacetime Want To Dance” as a title had been bouncing around for so long. Also sign me up for the “‘Play For Today’ is a masterpiece” club—their best song since Life Pursuit era for me, tho “I Want the World To Stop” comes close
― J. Sam, Friday, 4 November 2022 23:06 (one year ago) link
Amazing to see multiple posters call the song 'play for today' a masterpiece when I think most B&S fans or former fans I know (a lot) couldn't even identify it.
― the pinefox, Saturday, 5 November 2022 10:52 (one year ago) link
I do know it, having made myself listen to that LP repeatedly, but don't think I could name a good thing about the track.
― the pinefox, Saturday, 5 November 2022 10:54 (one year ago) link
I do not think that Murdoch has written many songs about his children. Only one, 'I'll be your pilot', strongly comes to mind.
So I think that is a bit of a red herring re: any downturn in the content of his songs.
― the pinefox, Saturday, 5 November 2022 10:57 (one year ago) link
I don't really think he writes much about marital contentment either - maybe as much about marital struggle or doubt. The song 'calculating bimbo', which I quite like, comes to mind as possibly relevant.
― the pinefox, Saturday, 5 November 2022 10:59 (one year ago) link
I still listen to the last LP every day, and I am convinced of poster Gimbel's view that 'working boy in NYC' is the high point. It has a kind of authority that could put it on DCW.
― the pinefox, Saturday, 5 November 2022 11:01 (one year ago) link