Novelists No One Reads Anymore

I still need to try Murdoch, thanks for reminder.

The defense that Bukowski is an “everyman’s poet” is more an indictment of Bukowski and “everyman” than some of you seem to think it is, but I digress.

Yeah I am kinda with table here: "poetry for people who don't like poetry" seems tempting at first. But it can easily slide into a kind of artphobic and possibly reactionary stance.

First, beware of liking Bukowski just for shock value (that's a sugar high; it isn't nutritious in the long term).

But also, be careful about liking Bukowski for something like "accessibility" or "immediacy." That path is also tempting, but it leads to elevating Shel Silverstein (or whatever) over stuff that probably has more lasting merit.

Poetimism

Yes, such tags can be rong, or not---will approach the B. with caution, if at all.

For someone whose finest poem is “The Genius of the Crowd,” it’s kind of hilarious that he’s held up as this populist poet lmfao.

I’ve never thought of Iris Murdoch as fitting into this category. She seems to have maintained a decent rep.

Backtracking, someone described Stoner to me and it just made me want to read Elmore Leonard.

One further Iris Murdoch-related thought: my wife and I had a long-running injoke about Kate Winslet nudity. If she is in a movie there will be some skin sooner rather than later. Of course we, as literature dorks, obligingly went to see "Iris" in 2001.

In this film, Ms. Winslet is portraying a widely respected scholar, philosopher, author, and professor. A Booker prizewinner, a doctor of literature, a Dame. And (in a first) she gets conspicuously naked before the opening credits.

https://mjpbooks.com/blog/the-senseless-tragic-rape-of-charles-bukowskis-ghost-by-john-martins-black-sparrow-press/

This is a p gross article, but does make some kind of a case that lots of the posthumously published Bukowski poetry has been heavily tampered with by the publisher (I dunno myself, only ever read the prose). Just remembered I also read his much later (and far more slapdash) 'novel', Hollywood - the only detail that has stayed with me is that at he one point he meets a famous French film director called 'Jean-Luc Godard'.

Jean-Luc Modard, that should be - he only bothers to change one letter.

Teve Torbes

Has Zen and the Art of Motorcycle Maintenance been mentioned? Can't even remember who wrote it but it was ubiquitous in the 70s

https://www.newyorker.com/news/our-columnists/returning-again-to-robert-m-pirsig

News to me too that it was a novel. Always thought it was one of those I'm OK, You're OK type self-help books.

I actually read it when I was 14 or 15! Can't remember anything much about it now, but I doubt it has aged well.

A precocious child with an alleged IQ of 170 at the age of nine

A 'precocious' child's accomplishments are generally negligible, because they are a child, but they are constantly told they are significant when they most certainly are not. Often this is the kiss of death for anyone's intellectual maturation. Seems to me like the only child prodigies who consistently progress in their adult accomplishments are musical prodigies.

at one point he meets a famous French film director called 'Jean-Luc Godard'.

Godard used some of Bukowski's stories for Sauve Qui Peut, and paid him several thousand dollars in cash at the racetrack for the rights.

Good to know re Iris Murdoch!

News to me too that it was a novel. Always thought it was one of those I'm OK, You're OK type self-help books.

It's at least as much the latter as the former.

absolutely fascinating article about a guy I'd never heard of but which touches on a lot of things we are going to need to start caring about quite urgently https://t.co/cMSjV3n8Av

— Crowsa Luxemburg (@quendergeer) October 27, 2022

Rod McKuen is now "a guy I've never heard of"?

I mean, sure -- names that register with 50-year-olds (or 75-year-olds) as "extremely famous, everybody knows who this is" and 25-year-olds as "I have never heard that name before" are perfect for this!

50 year olds probably mostly know McKuen as a guy who used to take up a lot of shelf space in the poetry sections of used bookstores

Also know him as the translator/lyricist for Terry Jacks’s “Seasons in the Sun.”

It says something about the 70s culture that I have this memory of him recording a reading of Jonathan Livingston Seagull, even though a Google search produces no result.

He had a line of beachy casual clothes, don't know how well that did.

He perfectly embodied some kind of variety show sitcom idea of what a poet was back in the day, just like Billy Collins does now.

Also know him as the translator/lyricist for Terry Jacks’s “Seasons in the Sun.”

He was also the translator/lyricist for Scott Walker's "If You Go Away".

Interesting. Which was also a Jacques Brel song. Wonder if there are more. Maybe Mort Shuman did some too.

Yeah, there are reasons no one has heard of him

He did all of those initial Brel translations that walker sang, that’s a lasting contribution to culture if nothing else (tho there’s also the Beat Generation song, which Richard Hell nicked)

I’ve heard some of his records, they’re all that sort of dippy mor-beatnik stuff - surprised they didn’t put him in a mad men ep, has that time capsule quality. The poetry is affable drivel

he was always the go-to pop poet for midbrows to hate on (runner-up: leonard cohen)

Trying to remember that Canadian writer who was Leonard Cohen’s mentor and some kind of snappy dresser. When he passed there some great quotes about him.

Irving Layton.

Somehow I remembered it but if I didn’t I could have looked it up here: https://www.mentors.ca/mentorpairsdatabase.html

Leonard Cohen on Irving Layton: “I taught him how to dress, he taught me how to live forever.” https://t.co/EpgKvmGNjz pic.twitter.com/49uo6yo9q1

— New Directions (@NewDirections) October 17, 2016

Back to the novelists dammit. Edna FERBER

Novels
Dawn O'Hara, The Girl Who Laughed (1911)
Fanny Herself (1917)
The Girls (1921)
*So Big (1924) (won Pulitzer Prize)
*Show Boat (1926, Grosset & Dunlap)
*Cimarron (1930)
American Beauty (1931)
*Come and Get It (1935)
*Saratoga Trunk (1941)
Great Son (1945)
*Giant (1952)
*Ice Palace (1958)

*Dinner at Eight (1932) (play, with G. S. Kaufman)
*Stage Door (1936) (play, with G.S. Kaufman)

Dunno about adaptations of shorter fiction, but lots of collections, so maybe.

Also:

Screenplays
Saratoga Trunk (1945) (film, with Casey Robinson)
Musical adaptations
Show Boat (1927) – music by Jerome Kern, lyrics and book by Oscar Hammerstein II, produced by Florenz Ziegfeld
Saratoga (1959) – music by Harold Arlen, lyrics by Johnny Mercer, dramatized by Morton DaCosta
Giant (2009) – music and lyrics by Michael John LaChiusa, book by Sybille Pearson

So Big had a long, productive life as crosswordese, SOBIG.

I've seen all those movies---Giant several times---but never read a word---think local library still has So Big.

Wow. Watch out for dust mites and silverfish!

Michael moorcock?

i still read Moorcock sometimes

His intros to other people's books or his own stuff?

I read him for the first time this summer, the Elric Saga Vol. 1 collection, i.e. the first four Elric books in terms of internal chronology.

They're pretty fun, but I don't think I'm a huge fan yet.

He's a writer with excellent ideas who has a lot of trouble using words well. I read the Elric books as a kid and really had to force my eyes through his prose on a re-read a few years ago.

Fantasy strikes me as a genre where there are lots of readers willing to dig deep, and where writers can have a long shelf-life compared to literary writers of similar relative status.

i feel MM kept his excellent ideas well out of the elric series

(xpost!)
Sinkah has had some choice words to say about Moorcock's way with words but hard to locate them in the archives.

yeah, fantasy, horror and science fiction readers are quite willing to read older, out-of-fashion writers

he was always the go-to pop poet for midbrows to hate on (runner-up: leonard cohen)

― mark s, Friday, 28 October 2022 bookmarkflaglink

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