Great songs with a terrible section

Try this version on for size:

https://www.youtube.com/watch?v=bg5yi18x424

Sparklehorse - Happy Pig

Maybe I’m alone on this one but “Donna Lewis - I love you always forever” is a great song with a great groove until the “say you love love me forever” with the piano that ruins the mood for me. Sounds like it turns into an ad for feminine towels.

Also every Sugarcubes are ruined by Einar.

LOL

You don't think his trumpet squonks and bizarre rants added to the band's sound?

Ugh, thank you, I meant to post about Einar earlier. I SAID OUCH, THIS REALLY HURTS! You mean your presence in this song? Because yes it does!

I’ve always wanted the moody Vangelis/Blade Runner-ish parts of “Eyes Without a Face” to go on forever, but the rock-out section, while not all bad, ruins that vibe.

Isn’t ‘terrible song with a great section’ basically going to be every song on WhoSampled.com

thinking bout Charli’s “Femmebot” which glides along so beautifully then goes to clown town with Mykki Blanco’s godawful verse and neutron bum-bum

peter hammill is the king of this! Time Heals from Over is all deep until the ragtime part. That one song on World Record with the reggae!

Miss Broadway by Belle Epoque is one of my favourite disco songs of all time. But I really dislike the part where it breaks down and it's just the backing dudes singing "Uh-huh / I like it" for just a bit too long

"My Wandering Days Are Over" by Belle and Sebastian - one of the best and most affecting verses they've written. I've no love for the "disenchanted pony" part though. Shit lyrics and just nothingy for a chorus

"Always on Time" has a stellar chorus by Ashanti but virtually everything Ja Rule says in the verses is offensively dumb

'Feel Too Good' by the Move is an amazing song that I have to shut off before they start doing whatever ill-advised goof-ass doo wop thing they start doing at the end.

Similarly, “Cherry Blossom Clinic Revisited” on Shazam starts out heavy and stomping, but then goes into an utterly pointless and profoundly irritating series of renditions of Bach and Tchaikovsky pieces.

Mr Blue Sky is (overplayed but it's) such a brilliant pop song... until the drawn-out ending, with the choirs and everything. At the very end you hear the title through a vocoder to remind you, tantalisingly, of the thumping joy of the first 'main' section.

“Under My Spell” by Desire. The spell is broken by that dialogue portion.

"Kashmir" is awesome right up until we come to the "Lord yeah mama, there ain't no denyin', I've been flying" bit, which is risibly inane. A real "will this do?" moment.

'You' by REM, good until the end when Stipe unaccountably adopts a Corgan-esque porcine whine when belting out those last few YEEEWWWWs

oh no that rules

anyway first thing that came to mind was taylor swift "lover" bridge

Mr Blue Sky is (overplayed but it's) such a brilliant pop song... until the drawn-out ending, with the choirs and everything

Whatever, that's the best part.

{Forever) Live and Die by OMD is pretty sweet until that terrible middle eight. Though now I've forced myself to listen it, it seems inevitable. The same family of synth tones, really. It's not like we were going to drop into 40sec of Ellesmere Port field recordings. Those days are over.

Any number of great r&b sons nearly ruined by someone shouting "Hey hey"

songs too

yeah the YEEEWWS are great + the contrast between those and the birdies afterwards

Louisa Marks' Meet Me at Sixth Street sounds great and then the toaster throws up some vile homophobia in the middle. If it wasn't for that (and the poor dead fox) Breakout would be up there with Hopelessly in Love.

Mark's

Mr Blue Sky is (overplayed but it's) such a brilliant pop song... until the drawn-out ending, with the choirs and everything

As Eric said, that's clearly the best bit!

The pointless noise section at the end of "Bitter Wind" by Moby Grape. Apparently the rest of the band retired for the evening thinking they'd just recorded a classic and were horrified the next day when they discovered what Bob Mosley had been up to in their absence.

I don't think it's a great song, but I've always thought the cool moody vibes of the second half of Mick Smiley's Magic are absolutely ruined by the first 2:19 (arguably the actual song part).

At the very end you hear the title through a vocoder to remind you, tantalisingly, of the thumping joy of the first 'main' section

That's not the title you hear, it's the words "please turn me over". The song was the final track on side 3 of the album.

Hahaha sorry, giraffe. Here’s another vote to that section being the best one.

{Forever) Live and Die by OMD is pretty sweet until that terrible middle eight

omg I love that section!

The pointless noise section at the end of "Bitter Wind" by Moby Grape. Apparently the rest of the band retired for the evening thinking they'd just recorded a classic and were horrified the next day when they discovered what Bob Mosley had been up to in their absence.

― Buckfast At Tiffany's (Tom D.), Friday, September 2, 2022 10:37 AM (forty minutes ago) bookmarkflaglink

Haha I love that part. I'd still like the song without it, but that musique concrète bit makes the acid hangover and/or bad trip vibe of the song/album/band that much more pronounced.

The ill-advised rap break in Capsule's 'Love Or Lies' (comes in at around 2.55), all the more egregious for seemingly being lifted from a sample bank.

https://www.youtube.com/watch?v=yWQRLbMCKeU

(Forever) Live and Die by OMD is pretty sweet until that terrible middle eight

omg I love that section!

Me too. In general, interjections from brass sections are good, not bad.

Ha ha! Pretty soon every example in this thread will have its champion!

(But it's awful thin synth brass! And it was floating along so serenely...)

Madness' lovely version of The Sweetest Girl has a total Fairlight percussion meltdown in the middle that kinda ruins the vibe.

Well earlier I was gonna put the "Gorgon's heard gossip" line in House of Fun. Clunky as hell.

But it's awful thin synth brass!

Well, at the time, according to this article, OMD had expanded to include a real brass section! It sounds good to me.

I don't like early (or much) Arctic Monkeys but I'd probably be able to enjoy the first two hits a lot more if:
- the last 15 seconds of Dancefloor where it gets all shouty weren't there
- the horrid strummy beginning and end of Sun Goes Down sabotaging the nice riff they flank also weren't there

but it turns out the lunkhead was Esthero's primary collaborator Doc McKinney.

Where are you seeing that btw? Shug is credited as the lunkhead on discogs, with Meesah as Esthero's stunt double. Certainly rings a bell and a quick glance at the tracklist of Shug's 1996 album seems to square with that.

xxxxxp - Thanks for that Sparklehorse track!

Ha ha! Pretty soon every example in this thread will have its champion!

― Michael Jones

Only the fools and the damned would defend Einar.

The ill-advised rap break in Capsule's 'Love Or Lies' (comes in at around 2.55), all the more egregious for seemingly being lifted from a sample bank.

https://www.youtube.com/watch?v=yWQRLbMCKeU

― ol' flint-eyes is back (Matt #2), Friday, September 2, 2022 10:23 AM (one hour ago) bookmarkflaglink

yeah I always hated that part too. it's a pretty unreal track otherwise though.

The composed part of Brubeck's "Blue Rondo a la Turk" is great, but I edited out all of the jamming on blues changes in the middle.
My edit of "Bitches Brew" took out the free time staccato sections at the start, middle and end, keeping only the "groove" part.
"100,000 Years" on Kiss Alive is a favourite, especially now that I edited the drum solo/call-and-response part down to 5 seconds.

I love the Close to the Edge intro. I don't think any prog bands had tried anything quite like that as far back as '72.

Closest predecessors might be King Crimson's "Battle of Glass Tears" or parts of Pawn Hearts? Not quite the same thing, but it's funny how Soft Machine open up the first side of their double album with five minutes of multiple fuzzy organs noodling and a droning horn section.

that bit in "Sleepwalkers" is worth it just because it comes back at the climax of the song

Right, "you thought this riff was just a bit of fun but look out!!"

Time Heals from Over is all deep until the ragtime part.

It is awkward, but I'd call it "bad Elton John" instead of ragtime.

Only the fools and the damned would defend Einar.

He's good on "Motorcrash".

WE ALL WANT TO HOLD IN THE EVERLASTING GAZE
ENCHANTED IN THE RAPTURE OF HIS SENTIMENTAL SWAY
BUT UNDERNEATH THE WHEELS LIE THE SKULLS OF EVERY COG
THE FICKLE FASCINATION OF AN EVERLASTING GOD

Was this really sixteen years ago?

You know that part of Led Zeppelin's "Fool in the Rain" where they come out of the silly Latin section back into the main piano riff and there's like a steadily rising drum roll and
...and then there are two absolutely great drum fills--one loping and carefree and the other one very tight and focused? And then that hard shuffle starts up again as if the song had never departed from it in the first place?
Ain't that cool?

― The Mad Puffin (The Mad Puffin), Wednesday, August 2, 2006 7:38 PM (sixteen years ago) bookmarkflaglink

I could do without the whistle, though.
― The Mad Puffin (The Mad Puffin), Wednesday, August 2, 2006 7:39 PM (sixteen years ago) bookmarkflaglink

I love the whistle. I love everything about this song except that it ends.
― Mark (MarkR), Wednesday, August 2, 2006 7:40 PM (sixteen years ago) bookmarkflaglink

Upon reflection, MarkR otm.

I was wrong and I am sorry

I made an edit of The Doors' Touch Me with all the crap bits cut out

https://www.youtube.com/watch?v=UyZH0ev0oMk

Miss Broadway by Belle Epoque is one of my favourite disco songs of all time. But I really dislike the part where it breaks down and it's just the backing dudes singing "Uh-huh / I like it" for just a bit too long

i don't know how many would rank it a "great" song, but "Good" by Better Than Ezra undergoes a huuuuge quality drop for the duration of its short, oft-forgotten and totally shapeless guitar solo. yuck!

maybe not a great song, but it's at least a good song

It may not be Better Than "Good", though

I don’t hate it as much as some do but Jay Z’s spot in Kanye’s Monster almost brings the track to a screeching halt, it doesn’t help that the track itself is very long, editing his verse would probably make it better.

But then we’d lose this meme masterpiece of him just listing monsters:

this was incredible btw, exactly what I needed this AM

Also every Sugarcubes are ruined by Einar.

― ✖✖✖ (Moka), Thursday, September 1, 2022 7:29 PM (seven months ago)

While I'm not necessarily an Einar hater, I gotta say that the chorus of "Hit" is so transcendent ("I lie in my bed / Totally still..."), and the Einar section so banal/irritating, that the song def. qualifies for this thread for me.

Heart of the Sunrise, at 6:52

Maybe, but it's sort of effective the way it plays off the main riff.
I first heard the song on the Classic Yes compilation, where they cut off the recapitulation of "We Have Heaven" at the end, and it's never sounded right to me the way it is on Fragile.

Yeah not really sure what part you’re referring to, that game show like keyboard bit?

Yeah not really sure what part you’re referring to, that game show like keyboard bit?

oh, you know, you wind up in all kinds of places when you're lost in the city.

second post OTM, that j cole verse has one of the worst lines in rap history

sort of an inversion of the OP and a jump off of the second post but jeremih - i think of you is a song with only one great section, the first minute is amazing until the guests totally ruin in

I like that part in Heart of the Sunrise but yeah its kinda corny and weird