Last (x) movies you saw (II)

The Drop Kick (Webb, 1927)
The Silver Streak (Atkins, 1934)
Mr. Klein (Losey, 1976)
The Silent Command (Edwards, 1923)
The Lost Record (Svenonius & Cabral, 2021)
The Killer Shrews (Kellogg, 1959)

Red Nation roundtable review of Prey. So an Indian take on the film set in a pre colonial Comanche territory. Interesting.
Does point out that the film being written and directed by a white film maker does direct gaze even if there was a lot of input from people from various Indian Tribes
https://open.spotify.com/episode/6jyASI54Vdq0ECc0tT05Gb?si=c8f97f84ddaa4bf3

August viewing

*The Living Daylights (Glen, 1987)8/10
Real Life (Brooks, 1979)8/10
Resurrection (Semans, 2022) 6/10
Aloners (Hong Sung-eun, 2021) 8/10
*Room 237 (Ascher, 2012) 6/10
*Naked Lunch (Cronenberg, 1991) 8/10
Nope (Peele, 2022) 6/10
Police Story (Chan, 1985) 9/10
A Summer's Tale (Rohmer, 1996) 8/10
Brute Force (Dassin, 1947) 7/10
Between Two Dawns (Nacar, 2021) 8/10
Prayers For The Stolen (Huezo, 2021) 7/10
Shellshock Rock (Davis, 1979) 6/10
The Night Comes For Us(Tjahjanto, 2018) 6/10
The Palm Beach Story (Sturges, 1942) 6/10
The Pervert's Guide to Ideology (Fiennes, 2012) 8/10
Bergman Island (Love, 2021) 6/10
Anantaram (Gopalakrishnan, 1987) 9/10
Prey (Trachtenberg, 2022) 5/10
Pather Panchali (Ray, 1955) 8/10

August

*Clifford (1994) 7/10
The Addams Family 2 (2021) 4/10 can't hate a movie that references both pee-wee herman and elvira

*Room 237 (Ascher, 2012) 6/10

I found this pretty fascinating (and weirdly credible, even though common sense kept telling me otherwise) at the time.

My patience is wearing thin about ridiculous theories these days. I definitely enjoyed it more the first time.

I thought it was a hoot a decade (!) ago, but I don't really see myself wanting to watch it again.

Mr Malcolm's List
multi ethnic Regency RomCom. I was thinking that couldn't be Vod as the jealous protagonist cos she wouldn't be taht young but no it was her.
A little flat and cosy possibly but the clothing's pretty cool.

Strong recommendation for the dark sociocomedy "The Good Boss". There's lots to like but first and foremost, Bardem is incredible in it. One of the best endings I've seen in a while.

Shadow of the Law (Gasnier, 1930)
Secret Service (Ruben, 1931)
She Loves Me Not (Nugent, 1934)
Many Happy Returns (McLeod, 1934)
Au Bonheur des Dames (Duvivier, 1930)
*Jaws (Spielberg, 1975)
Wake Up and Dream (Neumann, 1934)

Elvis (2022) 3/5. Baz simply overwhelms you with Oliver Stone-style nuttiness about 20-25 minutes in... and then you still have about 2 hours and 10 minutes left to go.
Bergman Island (2021) 4/5. Starts off as a very subtly funny movie about cineastes and then turns into something that resembles The Worst Person in the World (with which it shares an actor).
The Heroic Trio (1993) 3/5
* Mifune: The Last Samurai 3/5
Fred Lyon: Living Through the Lens (2013) 3.5/5. San Francisco photographer Fred Lyon just passed a couple of weeks ago and it led me to discover this documentary. It's less than an hour long and worth your time if you want to see a guy being very creative and engaged with the world into his 90s.
Righting Wrongs (1986) 4/5
Samurai Assassin (1965) 3.5/5.
Filmworker (2017) 2.5/5 - I can't say this left me with a great feeling about Kubrick and his virtual slave/master relationship with Leon Vitali, and the doc is not nearly as critical of it as it could be.

Short:
Le 15 Mai (1969) 3/5. Claire Denis' thesis film from 1969 or thereabouts. Has a very similar premise to Groundhog Day -- intriguing enough that it could have been expanded into a feature under the right circumstances.

Secrets of a Secretary (Abbott, 1931)
Children of Pleasure (Beaumont, 1930)
The Flaming Signal (Jeske & Roberts, 1933)
The Deadline (Hillyer, 1931)
Soup and Fish (Meins, 1934)
Trifles (Foy, 1930)
The College Hero (Lang, 1927)
Dead Ringers (Cronenberg, 1988)
Partners (Allen, 1932)
Defying Destiny (Chaudet, 1923)

Moonfall (Emmerich, 2022): fucking hilarious. Totally insane, dumb as shit, highest possible recommendation.

Tombstone Canyon (James, 1932)
Hooks and Jabs (Gillstrom, 1933)
The Audition (Mack, 1933)
Week-End (Godard, 1967)
La Chinoise (Godard, 1967)
*Dirigible (Capra, 1931)
Westworld (Crichton, 1973)
House of Dracula (Kenton, 1945)
Three Thousand Years of Longing (Miller, 2022)
See How They Run (George, 2022)

saw a few movies at TIFF

The Fabelmans - 4/5
All the Beauty and the Bloodshed - 4.5/5
Women Talking - 3.5/5
Knives Out 2: Knives In - 3/5
How to Blow Up a Pipeline - 4.5/5

How was TIFF attended this year? Between leaving the city and COVID, it feels a million miles away.

this was the second TIFF i've attended, with the first being last year and it was one screening (the Soderbergh screening) so idk if i have any worthy standard of comparison

the screenings this yr were mostly full, decently attended without being overwhelming i guess? surprisingly, the least attended screening i went to was Knives Out 2, which was free (well you had to show your Presto card lol)

Summer 2022

Navalny (Daniel Roher, 2022)
Chameleon Street (Wendell B. Harris Jr., 1989)
Limbo (Ben Sharrock, 2020)
Mad Dog Time (Larry Bishop, 1996)
A Life in Waves (Brett Whitcomb, 2017)
Propaganda (Slavko Martinov, 2021)
Domestic Violence (Frederick Wiseman, 2001)
No Time to Die (Cary Joji Fukunaga, 2021)
Billy Liar (John Schlesinger, 1963)
Johnny O'Clock (Robert Rossen, 1947)
Last Night In Soho (Edgar Wright, 2021)
Daisies (Vera Chytilová, 1966)
Paula Rego, Secrets & Stories (Nick Willing, 2017)
Karen Dalton: In My Own Time (Richard Peete, Robert Yapkowitz, 2020)
Adrienne (Andy Ostroy, 2021)
Domestic Violence 2 (Frederick Wiseman, 2002)
Darkened Room (David Lynch, 2002)
Still Processing (Sophy Romvari, 2020)
Mountains May Depart (Zhangke Jia, 2015)
Mr. Turner (Mike Leigh, 2014)
Exhibition (Joanna Hogg, 2013)
The Quiet Man (John Ford, 1952)
Benedetta (Paul Verhoeven, 2021)
Evening in Byzantium (Jerry London, 1978)
Hail, Caesar! (Ethan Coen, Joel Coen, 2016)
The Card Counter (Paul Schrader, 2021)
The Asphalt Jungle (John Huston, 1950)
Moonwalk One (Theo Kamecke, 1972)
The Matrix Resurrections (Lana Wachowski, 2021)
Belfast, Maine (Frederick Wiseman, 1999)
The Hard Ride (Burt Topper, 1971)
*Dirty Harry (Don Siegel, 1971)
Giants and Toys (Yasuzô Masumura, 1958)

What the heck took me to long to see Asphalt Jungle? Sheesh...

Such a great film and one I always like to use to counter the Huston haters. Superior to « Rififi » imo.

*A Straight Crook (1921)
The Wrong Mr. Fox (Jackson, 1917)
Sweetie (Tuttle, 1929)
Gun Smoke (Sloman, 1931)
Young Man of Manhattan (Bell, 1930)
Maman Colbri (Duvivier, 1929)
Captain Fracasse (Cavalcanti, 1929)
The Shadow (Cooper, 1933)

september:

That Batman (Matt Reeves, 2022) 6/10
Trainwreck: the netflix woodstock 99 one (2022) 7/10 -- gave up on the hbo one
X (Ti West, 2022) 7/10
Elvis (The Baz, 2022) 8/10
Good Burger (1997) 5/10

Last Night at the Alamo (1983) 4/5
Deja Vu (2006) 4/5. Funny that Denzel's son later starred in his own time travel action movie (Tenet), but Tony Scott gets the edge over Nolan.
Diary of a Hitman (1991) 2/5. I put this on because it looked like it might be 90s comfort crap. Only film directed by acting teacher Roy London. Sherilyn Fenn and Sharon Stone play sisters.
Truck Turner (1974) 4/5. WILD movie. Nichelle Nichols is phenomenal as an evil madam.
* Contempt (1963) 4/5
Travelin’ Band: Creedence Clearwater Revival at the Royal Albert Hall (2022) 3/5
The Wrong Guy - 4/5 (1997) Under-seen Dave Foley vehicle. Thought this started out shaky but it soon had the feel of one of his Kids in the Hall sketches, with a touch of one of John Swartzwelder's comic novels. A treat.
Every Man for Himself (1980) 3/5. Memorably perverted, I'll say that.
Top of the Heap (1972) 4/5
Undine (2020) 3.5/5

Showgirl's Luck (Dawn, 1931)
Pierrot le Fou (Godard, 1965)
Her Mad Night (Hopper, 1932)
Hell-Bound Train (Gist & Gist, 1930)
Mush and Milk (McGowan, 1933)
Shrimps for a Day (Meins, 1934)
*Manhatta (Strand & Sheeler, 1921)
The Song of Life (Stahl, 1922)
Trilogy of Terror (Curtis, 1975)
*Dogs of War! (McGowan, 1923)
The Big Show (McGowan, 1923)

Nope (5.5)
Better Call Saul (S6 – 6.0)
Friday Night Lights (S1-S5 – 8.5)
Wild Palms (7.5)
The Americans (S1-S6 – 8.0)
Facing Nolan (5.5)
Blonde (4.0)
Kill Bill (6.0 – I’ll treat the two as one film)
Travelin' Band: Creedence Clearwater Revival at the Royal Albert Hall (7.0)
Monster: The Jeffrey Dahmer Story (6.0)

What the heck took me to long to see Asphalt Jungle? Sheesh...
― Elvis Telecom, Saturday, September 24, 2022 7:21 PM (one week ago)

Such a great film and one I always like to use to counter the Huston haters. Superior to « Rififi » imo.
― SQUIRREL MEAT!! (Capitaine Jay Vee), Sunday, September 25, 2022 7:05 AM (one week ago)

Had the same reaction when I belatedly caught up to it after years and years. I still haven't seen Rififi (which figures into The Americans when Elizabeth tries to work a senator's aide who spends his time at rep houses), but I thought The Asphalt Jungle was almost on par with The Killing.

September

*Malcolm X (Lee, 1992) 8/10
Haxan (Christensen, 1922) 9/10 (its crazy that this 100 years old!)
*Licorice Pizza (Anderson, 2021) 7/10
Scenes From A Marriage (Bergman, 1974) 8/10
Flame (Loncraine, 1975) 8/10
The Boat That Rocked (Curtis, 2009) 4/10
The Great Silence (Corbucci, 1968) 8/10
Vivre Sa Vie (Godard, 1962) 8/10
The Fifth Seal (Fabri, 1976) 9/10
Confess, Fletch (Mottola, 2022) 6/10
Fallen Angels (Kar-Wai, 1995) 8/10
Opening Night (Cassavetes, 1977) 7/10
Noah (Aronofsky, 2014) 5/10
*Nixon (Stone, 1995) 7/10
Windy City Heat (Goldthwait, 2003) 7/10

Asphalt jungle and rififi are both lesser noirs imho

Dante's Inferno (Otto, 1924)
The Mascot (Starewicz, 1933)
Verdict: Not Guilty (Gist & Gist, 1933)
Heaven-Bound Travelers (Gist & Gist, 1935)
Terror Island (Cruze, 1920)
Secrets of a Soul (Pabst, 1926)
It! The Terror from Beyond Space (Cahn, 1958)

Yesterday: Out of the Past, a 1947 noir with Robert Mitchum and Kirk Douglas with dialogue that made me laugh out loud several times, in a good way. My favorite line comes when Mitchum opens a door and sees Douglas, whom he was not expecting; Douglas says, "I hate surprises myself. You wanna just shut the door and forget it?"

Today: The Conjuring 2. I loved The Conjuring, total old-school horror done right (without winking). This sequel suuuuucked. Based on this, I'll be skipping #3 and all the various spinoffs about the haunted doll, the evil nun, etc., etc.

love The Mascot, so weird

one of my favorite things about Out of the Past is how hilariously cheerful Douglas is right up until he's not.

Amsterdam (Russell, 2022)
The Daughter of Dawn (Myles, 1920)
Terror Aboard (Sloane, 1933)
The Secret of the Loch (Rosmer, 1934)
Queen of Atlantis (Pabst, 1932)
Deep South (1930)
Quit Yer Kickin' (Robinson, 1931)
Out of the Past (Tourneur, 1947)
The Lady From Shanghai (Welles, 1947)
The Dark Corner (Hathaway, 1946)
A Place in the Sun (Stevens, 1951)

My favorite line comes when Mitchum opens a door and sees Douglas, whom he was not expecting; Douglas says, "I hate surprises myself. You wanna just shut the door and forget it?"

Jeff: That's not the way to win.
Kathie: Is there a way to win?
Jeff: There's a way to lose more slowly.

boom

Candyman (2021) was very good; I mentioned it in the horror movies thread. I like that it picks up 30 years after the original and ignores all the sequels, but also draws a direct line from the first movie to itself. I also like that it looks fantastic; director Nia DaCosta has a real eye.

I needed to just experience pure low-stakes pleasure tonight so I re-watched Ocean's 11 (the Soderbergh, not the original). A ridiculously good script, a fantastic-looking movie, not a single scene goes on too long, every joke lands...I don't really like either of the sequels but this thing is about as good a comic caper movie as anyone's ever made.

Decision to Leave (Park, 2022) 8/10
Blonde (Dominik, 2022) 3/10
School Daze (Lee, 1988) 7/10
Nosferatu (Herzog, 1979) 7/10
Panique (Duvivier, 1946) 8/10

Happy Together (Wong Kar-wai)
The Night (Tsai, 2021)
Decision to Leave (Park, 2022)
Rabid (Cronenberg, 1977)
Starman (Carpenter, 1984)

Saw Decision to Leave yesterday. I don't see much TV or film so I don't know if this is captured anywhere but it was striking how so much of the plot revolved around phones: texts, pictures, recordings, apps, calls last of all.

Starman is a favourite of mine. Just been re-watching bits, striking what a love letter to the US mid-west this is.

Tangled Destinies (Strayer, 1932)
The Devil's Envoys (Carne, 1942)
Gold (Hartl, 1934)
The New Half Back (Sennett, 1929)
They Won't Believe Me (Pichel, 1947)
Odds Against Tomorrow (Wise, 1959)
*Picture Palace (Mack, 1934)
The Red House (Daves, 1947)
Possessed (Bernhardt, 1947)
The Unfaithful (Sherman, 1947)

Halloween III: Season of the Witch (1982) 3/5
Next of Kin (1982) 4/5. Best horror discovery of the month thus far. Bonkers ending.
Wolfen (1981) 3/5
Public Housing (1997) 4.5/5
Drive My Car (2021) 5/5
The Funhouse (1981) 3/5
Songs for Drella (1990) 4.5/5
Crimes of Passion (1984) 3.5/5
Variety (1983) 3.5/5
The Hidden (1987) 3/5
The Mysterians (1957) 2.5/5
Made in USA (1968) 3/5
2 or 3 Things I Know About Her (1967) 3.5/5
Inferno (1980) 2.5/5

started doing hooptober but it doesn't look like i'll finish it. requiring a stephen king remake was an evil requirement that i don't want to do.

A Bucket of Blood (1959, Corman) 5/10
Dracula: Prince of Darkness (1966) 5/10
The Bird with the Crystal Plumage (1970, Argento) 7/10
The Legend of Boggy Creek (1972, Pierce) 2/10
Rabid (1977, Cronenberg) 5/10
Salem's Lot (1979, Hooper) 6/10
Inferno (1980, Argento) 7/10
The Hidden (1987) 7/10 twin peaks fans should definitely watch this
The Blob (1988) 5/10
The Lair of the White Worm (1988, Russell) 7/10
Sorority Babes in the Slimeball Bowl-O-Rama (1988, DeCoteau) 4/10
Jason Goes to Hell (1993) 4/10
Cronos (1993, del Toro) 6/10
The House of the Devil (2009, Ti West) 7/10
Pennywise: The Story of IT (2022) 5/10

also

John Wick Chapter 2 (2017) 5/10

The Hidden is a total classic that sadly runs out of momentum a little bit but still

Saw The Hidden in '87 on my 15th birthday, me and my friends found it amazing

It's funny how much of the soundtrack is given over to late 80s IRS Records.

*Circus Clowns (Hibbard, 1922)
Buster's Bust-Up (Meins, 1926)
Flying Down to Zero (Holmes, 1934)
Scratch-As-Catch-Can (Sandrich, 1931)
Triangle of Sadness (Östlund, 2022)
Waxworks (Leni und Birinski, 1924)
The Tingler (Castle, 1959)
Ex-Sweeties (Neilan, 1931)
Second Hand Husband (Christie, 1934)
*Nosferatu (Murnau, 1922)
*Faust (Murnau, 1926)
*The Hands of Orlac (Wiene, 1924)
Count Yorga, Vampire (Kelljan, 1970)
*The Fall of the House of Usher (Epstein, 1928)
*Haxan (Christensen, 1922)

Mothra (Honda, 1961) 7/10
Crimes of the Future (Cronenberg, 1970) 5/10
The Crazies (Romero, 1973) 9/10
Prince of Darkness (Carpenter, 1987) 9/10

good solid ending to the spooky month

October:

Vladimir and Rosa (Godard, Gorin, 1971) BLU-RAY 7/10
*The Return of the Pink Panther (Edwards, 1975) DVD 6/10
Veronika Voss (Fassbinder, 1982) DVD 9/10
And God Said to Cain (Margheriti, 1970) BLU-RAY 7/10
Only Two Can Play (Gilliat, 1962) TPTV 6/10
*Star Wars (Lucas, 1977) DVD 7/10
Sullivan's Travels (Sturges, 1941) DVD 8/10
Arabian Nights (Pasolini, 1974) DVD 6/10
Vagabond (Varda, 1985) DVD 9/10
Troika (Hobbes, Mueller, 1969) CCA Theatre/Weird Weekend 8/10
The Other Side of the Underneath (Arden, 1972) CCA Theatre/Weird Weekend 6/10
I Like Bats (Warhol, 1986) CCA Theatre/Weird Weekend 4/10
Trompe l'oeil (D'anna, 1975) CCA Theatre/Weird Weekend 5/10
Gwaed ar y Sêr/Blood on the Stars (Aaron, 1975) CCA Theatre/Weird Weekend 7/10
O'r Ddaear Hen/From the Old Earth (Aaron, 1981) CCA Theatre/Weird Weekend 7/10

Broker (Kore-eda, 2022) 7/10
* Nope (Peele, 2022) 8/10
Decision to Leave (Park, 2022), 8/10
Songs for Drella (Lachman, 1999) 7/10
* High and Low (Kurosawa, 1963) 8/10

October

The Ides of March (Clooney, 2011) 7/10
Hustle (Zagar, 2022) 6/10
Blonde (Domick, 2022) 7/10
The Beyond (Fulci, 1981) 6/10
*Solaris (Tarkovsky, 1972) 8/10
Fright Night (Holland, 1985) 7/10
*The Devils Rejects (Zombie, 2005) 6/10
The Banshees of Inisherin (McDonagh, 2022) 6/10
*The Lovers on The Bridge (Carax, 1991)
High and Low (Kurosawa, 1963) 9/10
Decision to Leave (Park Chan-wook, 2022) 8/10
Barbarian (Cregger, 2022) 8/10
Benediction (Davies, 2021) 8/10
All Quiet on The Western Front (Berger, 2022) 7/10
Athena (Gavras, 2022) 8/10

The Black Vampire (Viñoly Barreto, 1953)
Decision to Leave (Park, 2022)
Beau Bandit (Hillyer, 1930)
Beverly of Graustark (Franklin, 1926)
*Man With a Movie Camera (Vertov, 1929)
The Banshees of Inisherin (McDonagh, 2022)
*The Phantom of the Opera (Julian, 1925)
*Blackmail (Hitchcock, 1929)
The History of the Civil War (Vertov, 1921)
*See How They Run (George, 2022)

Inferno (Baker 1953)
The Gray Man (Russo, Russo 2022)
Nope (Peele 2022)
Deep Blues (Mugge 1992)
Petite Maman (Sciamma 2021)
*Hard Eight (PT Anderson 1996)
Crimes of the Future (Cronenberg 2022)
The Badlanders (Daves 1958)
Everything Everywhere All At Once (Daniels 2022)
Midnight Run (Brest 1988)
Making Waves (Costia 2019)
Licorice Pizza (PT Anderson 2021)
Thor: Love & Thunder (Waititi 2022)
Pigs and Battleships (Imamura 1961)
Leave Her to Heaven (Stahl 1945)
Blue Collar (Schrader 1978)
*The Living Daylights (Glen 1987)
Prey (Trachtenberg 2022)
Lou (Foerster 2022)
RRR (Rajamouli 2022)
*Dracula (Browning 1931)
The Hidden (Sholder 1987)
Deep Cover (Duke 1992)

Decided to opt out of election coverage in favor of hyperviolent action trash, so I watched Peter Berg's attempt at an Indonesian slaughterfest, MILE 22. Mark Wahlberg might be the most unlikable he's ever been, which is saying something. Iko Uwais is great, though. It has the flaws of every Peter Berg movie, of course: knuckle-walking politics (a Tr*mp bobblehead gets a close-up) and incoherent editing. The gunfights are better than the hand-to-hand fights, which subject Uwais to cartoonish wire-work and CGI-looking angles.