Maybe it's as if the Blues narrator has to have a certain toughness, to survive, that precludes him saying things like "I loved her so much, my heart is broken and I can't go on without her".
Come on:https://www.youtube.com/watch?v=-BkPm8JIJJQ
― The sensual shock (Sund4r), Saturday, 5 February 2022 14:29 (two years ago) link
https://www.youtube.com/watch?v=3rd9IaA_uJI
― The sensual shock (Sund4r), Saturday, 5 February 2022 14:30 (two years ago) link
Sure, Sund4r -- happy to be corrected -- I was just creating tentative hypotheses on the basis of what I happen to know.
Would you say, then, that the emotion of romantic love IS prevalent in the blues, compared to other genres?
― the pinefox, Saturday, 5 February 2022 15:50 (two years ago) link
From that first song:
When the train come in the stationI looked her in the eyeWell, the train come in the stationAnd I looked her in the eyeWhoa, I felt so sad so lonesomeThat I could not help but cryWhen the train left the stationIt had two lights on behindYeah, when the train left the stationIt had two lights on behindWhoa, the blue light was my babyAnd the red light was my mind
When the train left the stationIt had two lights on behindYeah, when the train left the stationIt had two lights on behindWhoa, the blue light was my babyAnd the red light was my mind
Those last lines are good!
Is this the song that the Stones recorded in about 1969?
― the pinefox, Saturday, 5 February 2022 15:52 (two years ago) link
Yes, the same, and, yes, songs about romantic loss, heartbreak, and betrayal are so common in the blues as to be a cliché!
― The sensual shock (Sund4r), Saturday, 5 February 2022 16:08 (two years ago) link
This is a fantastic proto-rock-n-roll electric rhythm and blues from the mid-40s:https://www.youtube.com/watch?v=kzCEOINEjng
― The sensual shock (Sund4r), Saturday, 5 February 2022 16:15 (two years ago) link
I agree with pinefox that when Dylan wants to convey romantic loss or longing in his recent work, he tends to pastiche Tin Pan Alley songs; his blues songs tend to be picaresque or apocalyptic scenarios.
Probably someone will come up with a bunch of counter-examples, but with a lot of the blues artists I've been listening to recently, it seems like "consistency of artistic persona" is not the priority it would become in modern music. Like the same singer will do a sad, resigned song about a breakup, and then a song about loading up his shotgun to get revenge on a scornful lover. There are a lot of modern artists who do one or the other, but fewer who would do both.
― Halfway there but for you, Sunday, 6 February 2022 00:15 (two years ago) link