When the Duke dies, Paul is forced to take on the burden of becoming the new leader. In terms of drama, a moment like that is a rich opportunity for a hero to tackle the unsettling mix of emotions anyone would face. It is both a tragedy that the father is dead, but also the culmination point of the heir who has been groomed to rise to replace him. There's no sense of anything changing in Paul's attitude. I can't help but think of Orson Welles' Chimes at Midnight, when the boy becomes king and the sense of loss felt by Falstaff. There needed to be some sense that Paul had other interests which he has to sacrifice because the moment arrives too soon for him. There was none of that.
He is drawn to Chani because he saw her in his dreams. That's it. How about giving us some sense of her being an interesting person in her own right?
― Peter Chung, Friday, 3 December 2021 05:36 (eleven months ago) link
When telling a story like this, if the viewer can't imagine things happening in a way other than what we see happening, everything feels preordained.
Here's a tip: to write a good story, the way the events unfold should be one of many imaginable paths, and ideally not the best one. In this movie, it's hard to think of how things could have unfolded in a way other than they did. The sudden attack doesn't feel like a tragedy or a crime because there really was no agenda the viewer was hoping to see carried out that the attack prevented.
― Peter Chung, Friday, 3 December 2021 05:50 (eleven months ago) link
Thanks for posting the review. I was amused by the the writer's citing her love of Lord of the Rings as a way of understanding her attraction to the novel Dune. As it relates to the topic of this thread, the love of lore is alien to me. I can't understand the idea of reading the sequel to a novel to find out what happened in the lives of fictional characters.
― Peter Chung, Friday, 3 December 2021 06:29 (eleven months ago) link
I went into it expecting to dislike it (as I disliked BR2049 on two viewings, and thought Arrival was fun at first but dropped quickly as I had time away from it) but I loved it. I have read the book but also disliked that - it was 12 years ago, I remember nothing, and don't think I got any of the intended meaning about it being a deconstruction of white savior narratives or whatever.
Because of reading recently about Herbert's supposed intentions, I had a far more interesting perception of the events of the film. The Atreides are scumbag imperialists just like the Harkonnen. Paul I read as beginning to embrace the messiah thing because of the ego high this would naturally give to anyone. There are subtleties in Chalomet's performance that I believe indicate this, as well as little hints such as him supposedly "knowing their ways" - he knows their ways because he's been studying film strips in his room a lot, not because of an innate destiny. The people on Arrakis have been primed over centuries to expect a messiah, so they're ready to believe.
So to me it's more Lawrence of Arabia, which is about an egomaniac who acts like a god (with some skills and strategic/tactical knowledge to back it up), rather than a straightforward fantasy story. If it was the latter I'd lean towards agreeing with you on a lot of things.
The aesthetic also did work for me very well and I was sorry I didn't see it in IMAX.
― J.P. McDevitt, Friday, 3 December 2021 08:08 (eleven months ago) link
A superb thread, with a lot of interesting discussion. It almost feels like we got the USC class for free.
Peter, when you say "art's function is to exercise the mind's capacity to find meaning" what's meant by "meaning"? A traffic light gives meaning but we don't call it art. Is there a specific sense of the word?
(My view is that art must be created with the intent to be art. Maybe that's tautological, but I don't believe that art can be "found", or is something that naturally exists. A person can drop LSD and gain deep cosmic realizations by staring at a plate of mashed potato. So what? It's not enough for something to have meaning - there has to be an active creative process for it to qualify as art.)
― Coagulopath, Tuesday, 29 March 2022 21:22 (eight months ago) link
The books actually share some ideas with AF. "Okay, you're free. Now what?" It's about a person who becomes the chosen one, completes his Hero Quest(tm) and then has all the walls collapse in on him anyway. Paul's rise and fall in Dune Messiah has the air of a Shakespearian tragedy.
I haven't read them since I was 15. They're quite old and some of what they do (like lengthy expository monologues from inside the hero's head) certainly isn't in vogue these days. I think Dune was published within a couple years of Lord of the Rings.
The movie was good. Some great shots etc. Just relieved to see a SF movie that tries for a tone and doesn't ruin it with SNL comedian improv and "dialog" consisting of quips and one-liners.
― Coagulopath, Tuesday, 29 March 2022 21:51 (eight months ago) link
"when you say "art's function is to exercise the mind's capacity to find meaning" what's meant by "meaning"? A traffic light gives meaning but we don't call it art. Is there a specific sense of the word?"
This is a good question. When someone asks "what is the meaning of life?", they are in fact asking "what is the meaning of meaning?"The word can mean different things at different times. A data point that signifies a scientific fact can be said to carry meaning, but I'm not talking about that kind of correlative property.
I don't believe in the existence of God. Neither absolute nor objective morality exist. In the same sense that moral goodness can only exist because there are conscious beings, meaning can only exist if there are minds capable of appreciating it. Humans invent meaning. Humans can also be said to "find" meaning as an instinctive impulse to detect patterns. It's what makes us human.
― Peter Chung, Monday, 27 June 2022 23:32 (five months ago) link