Filmstruck / Criterion Channel

Mommie Dearest, lol

Looks like they just rotate some of these in & out at random.

How am I just now seeing Jennifer's Body for the first time?? This movie is perfect.

even the diablo cody witticisms? chesters?

Yeah I had to suspend my disbelief there, these days we all know the actual prison slang for them is "chomos" but 2009 was a simpler time

JB is indeed a classic

December 2021 titles were announced a few days ago but I missed it until now.

Angela, Rebecca Miller, 1995
The Bandit, Alberto Lattuada, 1946
By Way of Canarsie, Emily Packer and Lesley Steele, 2020
A Christmas Dream, Karel Zeman, 1945
Christmas Eve, Edwin L. Marin, 1947
Downhill Racer, Michael Ritchie, 1969
Family Plot, Alfred Hitchcock, 1976
The Fancy, Elisabeth Subrin, 2000
A Family Submerged, María Alché, 2018
Family Tree, Nicole Amani Magabo Kiggundu, 2020
Film About a Woman Who … , Yvonne Rainer, 1974 *
The French Connection, William Friedkin, 1971
Frenzy, Alfred Hitchcock, 1972
Gaslight, George Cukor, 1944
Gasman, Lynne Ramsay, 1998
Girl in the Window, Luciano Emmer, 1961
The Gold Diggers, Sally Potter, 1983
The Gold of Naples, Vittorio De Sica, 1954
The Hard Stop, George Amponsah, 2015
The Headless Woman, Lucrecia Martel, 2008
High Art, Lisa Cholodenko, 1998 *
Home, Ursula Meier, 2008 *
I Dream You Dream of Me, Jennifer Reeder, 2018
The Incredibly True Adventure of Two Girls in Love, Maria Maggenti, 1995
The Innocents, Anne Fontaine, 2016
Karaoke Girl, Visra Vichit-Vadakan, 2013
Kill the Day, Lynne Ramsay, 2000
The Lawless, Joseph Losey, 1950
Lifeboat, Alfred Hitchcock, 1944
The Lights Are On, No One’s Home, Faye Ruiz, 2021
Like Flying, Peier Tracy Shen, 2020
The Little Princess, Walter Lang, 1939
The London Story, Sally Potter, 1986
Long Way North, Rémi Chayé, 2015
Lydia Lunch: The War Is Never Over, Beth B., 2019
The Magnificent Ambersons, Orson Welles, 1942
The Maids, Christopher Miles, 1975
The Man Who Knew Too Much, Alfred Hitchcock, 1956
Marnie, Alfred Hitchcock, 1964
The Milk of Sorrow, Claudia Llosa, 2009
The Mill on the Po, Alberto Lattuada, 1949
The Miseducation of Cameron Post, Desiree Akhavan, 2018
The Music Lovers, Ken Russell, 1971
Nenette and Boni, Claire Denis, 1996
Not Black Enough, Jermaine Manigault, 2020
Personal Velocity, Rebecca Miller
Polygraph, Samira Saraya, 2020
Ratcatcher, Lynne Ramsay, 1999
Rear Window, Alfred Hitchcock, 1954
The Return of the Soldier, Alan Bridges, 1982
Rope, Alfred Hitchcock, 1948
The Rose of Manila, Alex Westfall, 2020
Saboteur, Alfred Hitchcock, 1942
Scrooge, Ronald Neame, 1970
Second Coming, Debbie Tucker Green, 2014
The Second Mother, Anna Muylaert, 2015
Shadow of a Doubt, Alfred Hitchcock, 1943
Shooting Women, Alexis Krasilovsky, 2008
Sister, Ursula Meier, 2012 *
Slip, Nicole Otero, 2019
Small Deaths, Lynne Ramsay, 1996
Social Butterfly, Lauren Wolkstein, 2013
Something to Remember, Niki Lindroth von Bahr, 2019
Ste. Anne, Rhayne Vermette, 2021
Stevie, Robert Enders, 1978
Stories We Tell, Sarah Polley, 2012 *
Strange Victory, Leo Hurwitz, 1948
Sunday Bloody Sunday, John Schlesinger, 1971
Swallow, Elisabeth Subrin, 1995
Sweet Ruin, Elisabeth Subrin, 2008
The Trouble with Harry, Alfred Hitchcock, 1955
Throw Down, Johnnie To, 2004
Topaz, Alfred Hitchcock, 1969
Torn Curtain, Alfred Hitchcock, 1966
Troublemaker, Olive Nwosu, 2019
Tuesday, After Christmas, Radu Muntean, 2010 *
Vertigo, Alfred Hitchcock, 1958
A Woman, a Part, Elisabeth Subrin, 2016
The Wonders, Alice Rohrwacher, 2014

Bundles and features: https://criterioncast.com/news/december-2021-programming-on-the-criterion-channel-announced

Family Plot, Alfred Hitchcock, 1976
Frenzy, Alfred Hitchcock, 1972
Lifeboat, Alfred Hitchcock, 1944
Marnie, Alfred Hitchcock, 1964
The Trouble with Harry, Alfred Hitchcock, 1955
Topaz, Alfred Hitchcock, 1969
Torn Curtain, Alfred Hitchcock, 1966

If I love Hitchcock but have never seen any of the above, where should I start?

Marnie and Frenzy

Yeah

Marnie is the best graduate-level Hitchcock. Almost want to say save it for last.

If you're not quite as enamored of Hitchcock as others, you might want to read Kael first ("Hitchcock scraping bottom").

I can't think of many reasons beyond Hitchcock completism why Torn Curtain or Family Plot would be worth your time.

The Trouble With Harry is rather daft but still worth watching, Edmund Gwenn is ace in it.

Yeah, I don't know if that one quite works, but it is an interesting failure at least.

don't watch marnie until you've seen spellbound and under capricorn, at the very least. there are some abstract associations in marnie and you can probably figure out what hitch is trying to do by watching those two.

torn curtain is a fine hollywood star vehicle

i have a soft spot for lifeboat as a popcorn movie

I like Family Plot. Sort of cute, sort of pathetic, touching way to go out.

Agreed.

Same here. Also agreed on Lifeboat, even if it is kinda agitprop.

Wondering if it would be useful to post the series teasers here.

I guess they won't be embedded though.

https://www.criterionchannel.com/the-lubitsch-touch/season:1/videos/the-lubitsch-touch-teaser

Also Kino Now is still having their Black Friday sale, and I’m still tempted to buy a thing or two.

i have a soft spot for lifeboat as a popcorn movie

I've heard The Breakfast Club described as Hughes' version of Lifeboat

clever!

Lol

that criterion vid just inspired me to +0rr3n+ most of the non-singing talkie oeuvre

for lubitsch that is

January 2022 titles:

-Ship: A Visual Poem, Terrance Day, 2020
5 Fingers, Joseph L. Mankiewicz, 1952
After Migration: Calabria, Walé Oyéjidé and Jake Saner, 2019
All About Eve, Joseph L. Mankiewicz, 1950
Alphaville, Jean-Luc Godard, 1965
Antarctica: A Year on Ice, Anthony Powell, 2013
Appropriate Behavior, Desiree Akhavan, 2014
The Asphalt Jungle, John Huston, 1950**
Band of Outsiders, Jean-Luc Godard, 1964**
Battered, Lee Grant, 1989
Brother’s Keeper, Joe Berlinger and Bruce Sinofsky, 1992
Chitty Chitty Bang Bang, Ken Hughes, 1968
Cleopatra, Joseph L. Mankiewicz, 1963
Color Adjustment, Marlon Riggs, 1991
Crime of Passion, Gerd Oswald, 1957
Crime Wave, André De Toth, 1953
Danzón, Maria Novaro, 1991
Day for Night, François Truffaut, 1973
Delicatessen, Jean-Pierre Jeunet and Marc Caro, 1991
Denver & Rio Grande, Byron Haskin, 1952
Down and Out in America, Lee Grant, 1986
Down Argentine Way, Irving Cummings, 1940
Dragonwyck, Joseph L. Mankiewicz, 1946
Edward II, Derek Jarman, 1991
The Eternal Sea, John H. Auer, 1955
The Fever, Maya Da-Rin, 2019
Gas Food Lodging, Allison Anders, 1992
Get on the Bus, Spike Lee, 1996
The Ghost and Mrs. Muir, Joseph L. Mankiewicz, 1947
Guys and Dolls, Joseph L. Mankiewicz, 1955**
Harvey, Henry Koster, 1950
Holiday Affair, Don Hartman, 1949
The Hours and Times, Christopher Münch, 1991
House of Strangers, Joseph L. Mankiewicz, 1949
I Am Afraid to Forget Your Face, Sameh Alaa, 2020
In the Soup, Alexandre Rockwell, 1992
Incident at Oglala, Michael Apted, 1992
Intimate Stranger, Alan Berliner, 1991
Johnny Guitar, Nicholas Ray, 1954
Johnny Suede, Tom DiCillo, 1991**
The Killing, Stanley Kubrick, 1956
Lands, Maya Da-Rin, 2009
The Last Command, Frank Lloyd, 1955
The Last Days of Disco, Whit Stillman, 1998
Les Vampires, Louis Feuillade, 1915
Light Sleeper, Paul Schrader, 1992
The Living End, Gregg Araki, 1992
The Load, Ognjen Glavonić, 2018
Man in the Saddle, André De Toth, 1951
The Man from Laramie, Anthony Mann, 1955
Margin, Maya Da-Rin, 2007
Matador, Pedro Almodovar, 1986**
The Nun, Jacques Rivette, 1966
The Quiet American, Joseph L. Mankiewicz, 1958
People Will Talk, Joseph L. Mankiewicz, 1951
Pharos of Chaos, Wolf-Eckart Bühler and Manfred Blank, 1983**
Poison Ivy, Katt Shea, 1992
Radio On, Christopher Petit, 1979
Roger and Me, Michael Moore, 1989
She Runs, Qiu Yang, 2019
Some Divine Wind, Roddy Bogawa, 1992
Stormy Weather, Andrew L. Stone, 1943
Suddenly, Last Summer, Joseph L. Mankiewicz, 1959
Sun Valley Serenade, H. Bruce Humberstone, 1941
Sweet Smell of Success, Alexander Mackendrick, 1957
Terror in a Texas Town, Joseph H. Lewis, 1958
The Tune, Bill Plympton, 1992
The Waterdance, Neal Jimenez and Michael Steinberg, 1992
What About Me, Rachel Amodeo, 1993
What Sex Am I?, Lee Grant, 1985
What We Left Unfinished, Mariam Ghani, 2019
When Women Kill, Lee Grant, 1983
The Willmar 8, Lee Grant, 1981
The Woodmans, Scott Willis, 2010

it's a month for Mank apparently

https://www.theonion.com/nation-unable-to-quell-insatiable-appetite-for-all-thin-1846732044

xp That'll be one of the featured collections, I'm sure. BTW, I'm guessing Kubrick's Killer's Kiss will be on the channel as well, as a supplement for The Killing, since it's included on the physical release.

"the ghost and mrs. muir" is a weird cultural relic. a woman has a love affair with the ghost of a sea captain. not a metaphor for anything.

I remember finding that surprisingly charming and likeable but it's been a while

The Nun, Jacques Rivette, 1966

Never seen this, is it worth a watch?

February 2022 titles:

Alan & Naomi, Sterling Van Wagenen, 1992
All That Heaven Allows, Douglas Sirk, 1955
The Angel Levine, Ján Kadár, 1970
Babylon, Franco Rosso, 1980
Babymother, Julian Henriques, 1998
Bamako, Abderrahmane Sissako, 2006
Beat Street, Stan Lathan, 1984
Blacks Britannica, David Koff, 1978
The Black Panthers: Vanguard of the Revolution, Stanley Nelson, 2015
The Black Press: Soldiers Without Swords, Stanley Nelson, 1999
Bright Road, Gerald Mayer, 1953
Cake Walk, Ulysses Jenkins, 1983
Chez Jolie Coiffure, Rosine Mbakam, 2018
Citizen Ruth, Alexander Payne, 1996 **
Company Line, Kevin Jerome Everson, 2009
Death on the Nile, John Guillermin, 1978
Delphine’s Prayers, Rosine Mbakam, 2021
A Different Image, Alile Sharon Larkin, 1982
The Discreet Charm of the Bourgeoisie, Luis Buñuel, 1972
Don’t Play Us Cheap, Melvin Van Peebles, 1972
Dream City, Ulysses Jenkins, 1983
Ears, Nose and Throat, Kevin Jerome Everson, 2016
Erie, Kevin Jerome Everson, 2010
Far from Heaven, Todd Haynes, 2002
Feathers, A. V. Rockwell, 2018
Floyd Norman: An Animated Life, Michael Fiore and Erik Sharkey, 2016
Freedom Summer, Stanley Nelson, 2014
Glenville, Kevin Jerome Everson and Kahlil Pedizisai, 2020
The Harder They Come, Perry Henzell, 1972
The Heartland, Marquise Mays, 2021
Hive, Blerta Basholli, 2021
How to Eat Your Watermelon in White Company (and Enjoy It), Joe Angio, 2005
IFO, Kevin Jerome Everson, 2017
Imitation of Life, Douglas Sirk, 1959
Inconsequential Doggereal, Ulysses Jenkins, 1981
Kansas City, Robert Altman, 1996 **
The Learning Tree, Gordon Parks, 1969
Les cinq cent balles, Melvin Van Peebles, 1963
Lost Horizon, Frank Capra, 1937
Love Meetings, Pier Paolo Pasolini, 1964
Magnificent Obsession, Douglas Sirk, 1954
Mass of Images, Ulysses Jenkins, 1978
The Metamorphosis of Birds, Catarina Vasconcelos, 2020
Mississippi Mermaid, François Truffaut, 1969
The Movement of Things, Manuela Serra, 1985
Mutual Native Duplex, Ulysses Jenkins, 1990
Native Son, Pierre Chenal, 1951
The Nomadics, Ulysses Jenkins, 1991
No Place Like Home, Perry Henzell, 2006
Notions of Freedom, Ulysses Jenkins, 2007
Odds Against Tomorrow, Robert Wise, 1959
Omega Rising Women of Rastafari, D. Elmina Davis, 1988
Personal Best, Robert Towne, 1982
Pier Kids, Elegance Bratton, 2019
A Place of Our Own, Stanley Nelson, 2004
Planet X, Ulysses Jenkins, 2006
Rambling Rose, Martha Coolidge, 1991
A Reggae Session, Stephanie Bennett and Thomas Adelman, 1988
Remnants of the Watts Festival, Ulysses Jenkins, 1980
Rockers, Theodoros Bafaloukos, 1978
Running on Empty, Sidney Lumet, 1988
Self Divination, Ulysses Jenkins, 1989
Shaft, Gordon Parks, 1971
Sound That, Kevin Jerome Everson, 2014
The Square, Ruben Östlund, 2017 **
The Story of a Three Day Pass, Melvin Van Peebles, 1967
Sun Children, Majid Majidi, 2020
Sunlight, Melvin Van Peebles, 1957
Sweet Sweetback’s Baadasssss Song, Melvin Van Peebles, 1971
Tell Them We Are Rising, Stanley Nelson and Marco Williams, 2017
Three Pickup Men for Herrick, Melvin van Peebles, 1957
The Two Faces of a Bamiléké Woman, Rosine Mbakam, 2018
Two-Zone Transfer, Ulysses Jenkins, 1979
The Upsetter: The Life and Music of Lee Scratch Perry, Ethan Higbee and Adam Bhala Lough, 2008
Uptown Saturday Night, Sidney Poitier, 1974
Watermelon Man, Melvin Van Peebles, 1970
We the Ragamuffin, Julian Henriques, 1992
Without Your Interpretation, Ulysses Jenkins, 1983
The World, the Flesh and the Devil, Ranald MacDougall, 1959
Written on the Wind, Douglas Sirk, 1956
Zebrahead, Anthony Drazan, 1992

Bundles, features, etc: https://criterioncast.com/news/february-2022-programming-on-the-criterion-channel-announced

Love Meetings, Pier Paolo Pasolini, 1964

I don't know this one; worth watching?

I know there's no necessary connection, but a Criterion release of Rockers would be amazing

Have been watching all the French New Wave films and all the French New Wave shorts. Coming to the realization that the main subject of the New Wave was young men trying to bed flighty or indifferent young women.

March 2022 titles:

The Age of Innocence, Martin Scorsese, 1993
Aferim!, Radu Jude, 2015
Amour, Michael Haneke, 2012 *
An American Tragedy, Josef von Sternberg, 1931
Arabian Nights, Pier Paolo Pasolini, 1974
Arrebato, Iván Zulueta, 1979
August at Akiko’s, Christopher Makoto Yogi, 2018
The Balcony, Joseph Strick, 1963
The Band Wagon, Vincente Minnelli, 1953
The Bank Dick, Edward F. Cline, Ralph Ceder, 1940
The Boys in the Band, William Friedkin, 1970
Boys Don’t Cry, Kimberly Peirce, 1999
Bull Durham, Ron Shelton, 1988
The Canterbury Tales, Pier Paolo Pasolini, 1972
The Celebration, Thomas Vinterberg, 1998
The Cheat, George Abbott, 1931
The Children’s Hour, William Wyler, 1961
Cockaboody, Faith Hubley, John Hubley, 1974
The Cocoanuts, Joseph Santley and Robert Florey, 1929
The Cool Lakes of Death, Nouchka van Brakel, 1982
The Counterfeiters, Stefan Ruzowitzky, 2007 *
The Debut, Nouchka van Brakel, 1977
The Decameron, Pier Paolo Pasolini, 1971
A Dedicated Life, Kazuo Hara, 1994
Design for Living, Ernst Lubitsch, 1933 *
The Devil Is Driving, Benjamin Stoloff, 1932
Eggs, Faith Hubley and John Hubley, 1971
The Emperor’s Naked Army Marches On, Kazuo Hara, 1987
Eve’s Bayou, Kasi Lemmons, 1997 *
The Exit of the Trains, Radu Jude, 2020
Extreme Private Eros: Love Song 1974, Kazuo Hara, 1974
Goodbye CP, Kazuo Hara, 1972
The Gospel According to St. Matthew, Pier Paolo Pasolini, 1964
Grandma’s House, Sophy Romvari, 2018
The Hat, Faith Hubley and John Hubley, 1964
Hot Saturday, William A. Seiter, 1932
I Do Not Care If We Go Down in History as Barbarians, Radu Jude, 2018
I Was a Simple Man, Christopher Makoto Yogi, 2021
I’m No Angel, Wesley Ruggles, 1933
Il bell’Antonio, Mauro Bolognini, 1960
In a Better World, Susanne Bier, 2010 *
In Dog Years, Sophy Romvari, 2019
Ingrid Caven: Music and Voice, Bertrand Bonello, 2012
Inna de Yard: The Soul of Jamaica, Peter Webber, 2019
International House, A. Edward Sutherland, 1933
It’s Always Fair Weather, Gene Kelly and Stanley Donen, 1955
It’s Him, Sophy Romvari, 2017
Jazz on a Summer’s Day, Bert Stern and Aram Avakian, 1959
Jinn, Nijla Mu’min, 2018
Jitterbugs, Malcolm St. Clair, 1943
Just Don’t Think I’ll Scream, Frank Beauvais, 2019
Keep Rolling, Lim Chung Man, 2020
Kiss and Make-Up, Harlan Thompson, 1934
Ladies’ Man, Lothar Mendes, 1931
Layover, on the Shore, Christopher Makoto Yogi, 2009
The Lives of Others, Florian Henckel von Donnersmarck, 2006
Makoto: Or, Honesty, Christopher Makoto Yogi, 2013
Mephisto, István Szabó, 1981
Merrily We Go to Hell, Dorothy Arzner, 1932
Million Dollar Legs, Edward F. Cline, 1932
Morocco, Josef von Sternberg, 1930
Murder at the Vanities, Mitchell Leisen, 1934
Murders in the Zoo, A. Edward Sutherland, 1933
Nine Behind, Sophy Romvari, 2016
No Man’s Land, Danis Tanović, 2001
Norman Norman, Sophy Romvari, 2018
Nowhere in Africa, Caroline Link, 2001 *
Obake, Christopher Makoto Yogi, 2011
Occasionally, I Saw Glimpses of Hawai‘i, Christopher Makoto Yogi, 2016
Planet of the Apes, Franklin J. Schaffner, 1968
Porcile, Pier Paolo Pasolini, 1969
Pumpkin Movie, Sophy Romvari, 2017
A Raisin in the Sun, Daniel Petrie, 1961
Remembrance of József Romvári, Sophy Romvari, 2020
Scarred Hearts, Radu Jude, 2016
Seasons, Jacques Perrin and Jacques Cluzaud, 2015
Sennan Asbestos Disaster, Kazuo Hara, 2016
A Separation, Asghar Farhadi, 2011 *
Sign o’ the Times, Prince, 1987
The Slipper and the Rose, Bryan Forbes, 1976
The Song Remains the Same, Peter Clifton and Joe Massot, 1976
Soul Power, Jeff Levy-Hinte, 2008 *
a still place, Christopher Makoto Yogi, 2020
Still Processing, Sophy Romvari, 2020
Stop Making Sense, Jonathan Demme, 1984
Suddenly, Honolulu, Christopher Makoto Yogi, 2015
Suddenly, Honolulu, Christopher Makoto Yogi, 2016
Tall Time Tales, Faith Hubley, 1992
Tea and Sympathy, Vincente Minnelli, 1956
These Three, William Wyler, 1936
This Day and Age, Cecil B. DeMille, 1933
This Is the Night, Frank Tuttle, 1932
Thriller, Sally Potter, 1979
Torch Singer, George Somnes, Alexander Hall, 1933
Trouble in Paradise, Ernst Lubitsch, 1932
Uppercase Print, Radu Jude, 2020
Urbanissimo, Faith Hubley, John Hubley, 1967
The Virtuous Sin, Louis J. Gasnier and George Cukor, 1930
Wattstax, Mel Stuart, 1973
We’re Leaving, Zachary Treitz, 2011
Windy Day, John Hubley, 1968
Witch Madness, Faith Hubley, 2000
The Witches, Mauro Bolognini, Vittorio De Sica, Pier Paolo Pasolini, Franco Rossi, and Luchino Visconti, 1967
Without You I’m Nothing, John Boskovich, 1990
A Woman Like Eve, Nouchka van Brakel, 1979
Yesterday, Today and Tomorrow, Vittorio De Sica, 1963
Zuckerkandl!, John Hubley, 1968

Bundles, features, etc: https://criterioncast.com/column/calendar/criterion-channel/march-2022-programming-on-the-criterion-channel-announced

Cool. All those Radu Jude's to help me with my post-pom Romanian.

Still wondering if I should binge watch a few of the Godards that are about to leave.

Whoa, Extreme Private Eros. That one's wild.

Kind of curious about The Cool Lakes of Death, which is also playing theatrically right now at NYC’s Metrograph.

April 2022 titles:

3 Bad Men, John Ford, 1926
Aar paar, Guru Dutt, 1954
Accident, Joseph Losey, 1967
Across 110th Street, Barry Shear, 1972
Adam, Maryam Touzani, 2019
Baaz, Guru Dutt, 1953
Balikbayan, Larilyn Sanchez and Riza Manalo, 2004
Barrier Device, Grace Lee, 2002
Baxter, Vera Baxter, Marguerite Duras, 1977
Be Pretty and Shut Up!, Delphine Seyrig, 1981
The Betrayal, Ellen Kuras and Thavisouk Phrasavath, 2008
Black Belt Jones, Robert Clouse, 1974
Black Caesar, Larry Cohen, 1973
The Black Watch, John Ford, 1929
Blue Velvet, David Lynch, 1986
Bodies in Dissent, Ufuoma Essi, 2021
Boom for Real: The Late Teenage Years of Jean-Michel Basquiat, Sara Driver, 2017*
Born Reckless, John Ford, 1930
Bring Down the Walls, Phil Collins, 2020
Buffalo Bill and the Indians, or Sitting Bull’s History Lesson, Robert Altman, 1976
Cavite, Ian Gamazon, Neill Dela Llana, 2005
The Chambermaid, Lila Avilés, 2018
Chaudhvin ka chand, M. Sadiq, 1960
Colma: The Musical, Richard Wong, 2006
Daughters of Darkness, Harry Kümel, 1971
Deep Blues, Robert Mugge, 1992
A Demonstration, Sasha Litvintseva and Beny Wagner, 2020
Doctor Bull, John Ford, 1933
A Doll’s House, Joseph Losey, 1973
First Person Plural, Deann Borshay Liem, 2000
Four Sons, John Ford, 1928
France, Bruno Dumont, 2021
Friday Foster, Arthur Marks, 1975
Going Home, Hung Nguyen, 2006
The Hawks and the Sparrows, Pier Paolo Pasolini, 1966
A Hell of a Note, Eagle Pennell, 1977
How Green Was My Valley, John Ford, 1941
I Was Born, But . . . , Roddy Bogawa, 2004
In Between Days, So Yong Kim, 2006
In Search of Guru Dutt, Nasreen Munni Kabir, 1989
In Space, Visra Vichit-Vadakan, 2009
India Song, Marguerite Duras, 1975
J.D.’s Revenge, Arthur Marks, 1976
Jane Eyre, Robert Young, 1997
Journey from the Fall, Ham Tran, 2006
Judge Priest, John Ford, 1934
Paper Flowers, Guru Dutt, 1959
Kentucky Pride, John Ford, 1925
The King of Texas, René Pinnell, Claire Huie, 2008
Last Night at the Alamo, Eagle Pennell, 1983
The Last Picture Show, Peter Bogdanovich, 1971
Last Year at Marienbad, Alain Resnais, 1961
Letter From Your Far-Off Country, Suneil Sanzgiri, 2020
The Life and Times of Judge Roy Bean, John Huston, 1972
Loose Corner, Anita Thacher, 1986
Maat, Fox Maxy, 2020
Mamartuile, Alejandro Saevich, 2017
Man Hunt, Fritz Lang, 1941
Melting Snow, Janah Elise Cox, 2021
Men Without Women, John Ford, 1930
The Milky Way, Luis Buñuel, 1969
Ministry of Fear, Fritz Lang, 1944
Mr. & Mrs. ’55, Guru Dutt, 1955
my favorite software is being here, Alison Nguyen, 2021
My Worst Nightmare, Anne Fontaine, 2011
A New England Document, Che Applewhaite, 2020
Original Gangstas, Fred Williamson and Larry Cohen, 1996
Pilgrimage, John Ford, 1933
Pirated!, Hoang Tan Nguyen, 2000
Punching at the Sun, Tanuj Chopra, 2006
Pyaasa, Guru Dutt, 1957
Quill: The Life of a Guide Dog, Yoichi Sai, 2004
Reckless Eyeballing, Christopher Harris, 2004
Refugee, Spencer Nakasako, 2003
The Robe, Henry Koster, 1953
Sahib bibi aur ghulam, Abrar Alvi, 1962
Sangam, Prashant Bhargava, 2004
Saving Face, Alice Wu, 2004*
Seven Women, Seven Sins, Maxi Cohen, Laurence Gavron, Bette Gordon, Helke Sander, Ulrike Ottinger, Chantal Akerman, and Valie Export, 1986
Shaft’s Big Score!, Gordon Parks, 1972
Steamboat Round the Bend, John Ford, 1935
Sugar Hill, Paul Maslansky, 1974
Summer of the Serpent, Kimi Takesue, 2004
Thomasine and Bushrod, Gordon Parks Jr., 1974
Three the Hard Way, Gordon Parks Jr., 1974
Thriller, Sally Potter, 1980
Through the Night, Loira Limbal, 2020
Tobacco Road, John Ford, 1941
Top of the Heap, Christopher St. John, 1972
Trouble Man, Ivan Dixon, 1972
Truck Turner, Jonathan Kaplan, 1974
Two Sons and a River of Blood, Amber Bemak and Angelo Madsen Minax, 2021
What Price Glory, John Ford, 1952
Wheel of Fortune and Fantasy, Ryusuke Hamaguchi, 2021
The Whole Shootin’ Match, Eagle Pennell, 1978
Windowbreaker, Tze Chun, 2006
The World Moves On, John Ford, 1934
Young Mr. Lincoln, John Ford, 1939
**Available in the U.S. only

Looks like the other 2021 Ryusuke Hamaguchi will reach me first.

Is The Hawks and the Sparrows worth a watch?

Bundles/features/departments/etc for April: https://criterioncast.com/column/calendar/criterion-channel/april-2022-programming-on-the-criterion-channel-announced

Guru Dutt? My prayers have been answered! Maybe too late though.

Delphine Seyrig? Be still my beating heart.

watched Hamaguchi's Asako I & II on the Criterion Channel since it will be discontinued at the end of April. It is a lovely film

"what a filthy river"

"but - it's beautiful"