DRAMA by Yes: Lost Classic or Justified Dud?

Atlantic Records wasn't going to let such a valuable trademark go unused.

they have several spots in their history when it would have been wise to stop: here; after 90125; after Big Generator; after Magnification; after Fly from Here. The only thing you can count on is that they will not stop and will continue to put out albums that half their fanbase detests

I still love this record.

"Also wonder whether Horn’s wife passing had an impact on him deciding to “rejoin the band.” Tempus Fugit indeed."

haha, my read on this was "horn's wife hated Yes so much that as soon as she died he was like, "cool, now I can be in Yes again!"

they have several spots in their history when it would have been wise to stop: here; after 90125; after Big Generator; after Magnification; after Fly from Here. The only thing you can count on is that they will not stop and will continue to put out albums that half their fanbase detests

after Talk might've been a good one too. I think they made some pretty decent albums in their nostalgia phase but I'm struggling to think of a single tune other than "The Ladder" (which fucking rocks) that would fit on a "best of" compilation

I'm not an expert in their later era but I do like "Mind Drive".

I think there are a few pretty good songs on Magnification, dunno if I'd slot them as 'best of all time' though. Into the Storm belongs on a best of though.

both the long tracks on the KTA albums remind me of Tales, where the cool bits are almost but not quite good enough to justify the length

the thing is with Talk they were at least trying to do something different and evolve their sound somehow, which made the proggier bits actually pretty cool. since then they've become a zombie band where the new records are basically irrelevant - even if they are fairly decent they are all kinda forgettable and the songs from them get dropped from the setlist the moment the album release cycle is over. none of it adds a thing to the band's legacy. obviously there have been a lot of bands in that position but Yes have been in this mode for so long it's become a major side story for them, particularly in some of the ridiculous lineups they've been trotting out this last decade. at this point you wonder what has to happen...does Yes die with Howe or do they just keep on truckin' somehow?

Steve Howe will never die so the point is moot

If howe kicks it soon and it's before Anderson I think Anderson would get the Yes naming rights (he already got the end of that ARW tour to be booked as Yes) and I could see him trying to squeeze another tour out of it with Rabin and whoever else they can get to join them. If Howe kicks it after Anderson I can totally see Sherwood helming this zombie band for another 25 years.

Looking at the Wikipedia entry for this album and holy shit if this isn't the most pathetic, passive-aggressive band dynamic:

In June 1979, the Yes line-up of Jon Anderson, Chris Squire, Steve Howe, Rick Wakeman, and Alan White completed their 1978–1979 tour in support of Tormato. The five reconvened in November 1979 to start work on a new album. After the various problems they faced while recording Tormato, Yes decided to work in Paris with Roy Thomas Baker to oversee its production.[3] Anderson and Wakeman entered the sessions with enthusiasm and wrote more material together than they had before, but the rest of the band felt the songs were too light and folk-oriented and started writing more aggressive and direct arrangements.[3] The growing internal differences, described by Anderson as a "loss of respect for each other", led to Squire, Howe, White and Baker coming to sessions late, which discouraged Anderson and Wakeman, the latter at times refusing to leave his hotel room to rehearse.[4] Conversely, Howe recalls Wakeman frequently throwing peanuts at White's drum kit during takes of a song he was getting tired of, which in addition to being very noisy and distracting through the other members' headphones took considerable effort to clean up.[5]

Anderson and Wakeman left the studio to drink Calvados in a bar; in Wakeman's words: "Jon and I got really quite depressed and started crying on each other's shoulders and Jon said 'This is not the band that I love, this is not the band that I wanted to keep on going', [and I replied] 'I'm with you, Jon'".[4] The sessions were ultimately called off after White cracked a bone in his right ankle while roller skating with Richard Branson in a nightclub, rendering him unable to perform for about six weeks.[6][7] Following a break over Christmas, the band reconvened in London for rehearsals in an attempt to salvage the situation. They failed, and Anderson and Wakeman left in March 1980.[8]

Had to have been hell, imagine wrapping up on Close to the Edge and saying "hm pretty cool guys but Imma go hang out with Robert Fripp now, he seems fun peace out"

I'm imagining this Wikipedia entry was negotiated by the most vicious lawyers each member could afford.

that Benoit David interview from the all yessed out thread was pretty eye opening, live touring musician sounds like an awful way to make a living

no need to update my wakeman spreadsheet lol: "self-centred infant, fat-fingered oaf"

I love "which in addition to being very noisy and distracting... took considerable effort to clean up"

Right? It speaks volumes about how petty they all are.

Alan White seems like he was a remarkably nice and affable guy given everything he went through

White cracked a bone in his right ankle while roller skating with Richard Branson in a nightclub

I need more detail on this incident before I can form a proper opinion