S/D Peter Brotzmann

https://frinkiac.com/meme/S07E07/1159090.jpg?b64lines=SSBoZWFyZCBKaW1teSBGYWxsb24gbWFkZSAKZnVuIG9mIFBldGVyIEJyw7Z0em1hbm4gYW5kIAphdGUgYWxsIHRoZSBQZXRlciBCcsO2dHptYW5uIAphbmQgdGhleSBoYWQgdG8gY2xvc2UgCnRoZSBQZXRlciBCcsO2dHptYW5uLg==

Fallon was so mean about like, literal children. What a prick. Why would you do that? The whole bit is mean-spirited and shitty.

Schwarzwaldfahrt inspired my neighbors to call the jazz police on one occasion.

was wondering when this fab record was gonna get a mention

^^^ sickest jams

The whole bit is mean-spirited and shitty.

otm, I've never watched the show beyond the occasional viral musical clip, but that is a seriously low-rent segment, just dunking on musicians. wtf. I thought his whole shtick was that he was like an inoffensive nice guy

idk, man, it's a cheap bit but then again most Fallon things kind of revel in cheap emotions (nostalgic recognition, juxtaposition, epic baconness, applause) that aren't exactly "jokes" per se.

Heyba heyba hooba hooba hobba
Heyba heyba hooba hooba hobba
Heyba Heyba heeba hobba hooba hooba hobba
Heyba heyba heyba hooba hooba hobba

Heyba heyba hooba hooba hobba
Heyba heyba hooba hooba hobba
Heyba Heyba heeba hobba hooba hooba hobba
Heyba heyba heyba hooba hooba hobba

whichever boomer hipster on Fallon's staff that got King Kong and Brotzmann played is definitely responsible for getting a Mark Prindle CDR on the segment a few months back

Are boomers aware of Mark Prindle? He's in his 40s.

'The Jazz Police' was the original title for 'The Dream of the Blue Turtles' iirc

Thanks ums

hooba

'The Jazz Police' was the original title for 'The Dream of the Blue Turtles' iirc

Wasn't that a Cheap Trick song?

Colbert really put a lot more effort into the same kind of bit: https://www.cc.com/video/o1qorx/the-colbert-report-who-s-not-honoring-me-now-the-macarthur-foundation

Baby hooba hooba
see my little tartie
we'll be talking later we've got plans for you now

'The Jazz Police' was the original title for 'The Dream of the Blue Turtles' iirc

Wasn't that a Cheap Trick song?

― birdistheword, Friday, September 10, 2021 7:31 PM (one hour ago) bookmarkflaglink

It was a jazzy album Sting made after he left The Police, I was making a crap joke, sorry.

that is the one weak track on Leonard Cohen's "I'm Your Man" --

:-(

Facts: a statement from Peter Brötzmann about his health situation pic.twitter.com/dXYyYm7DE9

— Heather Leigh (@wishimage) March 23, 2023

man, I hope he is on the mend, this is a major dude.

Truly sucks to hear this, and hoping for the best. That one time I caught him with Keiji Haino was a hell of a night.

He played in London last month - sold out in seconds flat so I couldn't go. Hoping he recovers.

The only jazz gig I've ever been to where they were handing out ear plugs before the concert was by Herr Brötzmann (of course)!

RIP to the good man.

:(

https://www.youtube.com/watch?v=dbVpx5-XYng

Great, great artist. RIP

RIP, peter

rip. somehow missed the brotzmann/leigh duo when they played here, but have an enduring memory of the one time i did see him: a hulking form in a long coat wandering around port chalmers puffing away on a cigar before filling an ex-masonic hall with the most glorious sounds.

:-(

Farewell to the legendary free-jazz saxophonist Peter Brötzmann (1941-2023). Though he's known for his fearsomely fierce improvisations, he was also a great visual artist. This publication is just amazing. pic.twitter.com/X67z0WZ04v

— Robin Rimbaud - Scanner (@robinrimbaud) June 23, 2023

truly saddened by this news, just a total GOAT.

Are there any other of his recordings more in the vein of Last Exit's Iron Path?

I would say, the other Last Exit albums?

RIP, this dude was awesome.

Are there any other of his recordings more in the vein of Last Exit's Iron Path?

Anything by the group Full Blast. I interviewed the other two guys in the band a few years ago.

I really like the album he did with Black Bombaim.

Yeah, that's a great one, too. It's on Bandcamp.

I read an interview with him once, probably in The Wire, where he was castigating Laswell and the whole Last Exit project as being completely against the spirit of improvisation, by the time they got to Iron Path anyway. I think Laswell took it over and started trying to move them towards the sound of his over-produced digi-dub projects, which figures.

Yeah, Iron Path is a Laswell album featuring the members of Last Exit. It's really good, but to get the real flavor of their stuff you've gotta listen to the live records. If you can find the one from the 1986 Moers Festival, with Billy Bang and Diamanda Galás guesting, it's well worth your time.

He was still touring this year, as a solo act and with a band. (see YouTube) Amazing to the very end.

I'd also recommend the Hairy Bones album he did with Pupillo, Kondo and Nilssen-Love as being particularly wild. Plus the Die Like A Dog stuff, of course.

Iron Path is a Laswell album featuring the members of Last Exit.

What do you think of his production on the later Pharoah Sanders records?

I am not an expert but feel lucky to have seen him play once with Heather Leigh - and while there was some ferocious playing, it is the tender passages that I remember most, felt like he was articulating distant memories, very beautiful.

Saw him in a duo with Derek Bailey in London, maybe 1996. Way more abstract and less full-on than I was expecting at the time, but all the better for it.
RIP, bonus shout-out too for having sired Caspar.

don't like to chime in on RIP threads usually but this one hurts. my neighbors called the cops once when i played one of his records kinda loud, i wasn't absolutely blasting it or anything. i'll never forget that.

I have mentioned it elsewhere but this record is the one that first opened me up to his work. I was 19 and just bobbing through the freeform CDs and picked it out cuz I usually liked Okka Disk stuff. among my favorite records upon first hearing it and one that has always been close.

https://peterbroetzmann.bandcamp.com/album/the-wels-concert

Yeah, I just wrote a long piece about his work with Gnawa musicians, and even got a short quote from him via email, from last month.

my neighbors called the cops once when i played one of his records kinda loud, i wasn't absolutely blasting it or anything. i'll never forget that.

Ha, I listened to No Nothing (one of his solo records, and a favorite of mine) a lot at home one summer with the windows open, and the neighbors asked my mom if I’d just taken up the saxophone and was struggling with it.

Peter Brötzmann (1941–2023)

As a tribute to the German saxophonist who has died at the age of 82, we have made David Keenan’s epic two-part 2012 interview, and Daniel Spicer’s guide to Brötzmann’s many recordings, free to read in our online library:https://t.co/RoMUBJrgqq

— The Wire Magazine (@thewiremagazine) June 23, 2023

Peter Brötzmann (1941–2023)

As a tribute to the German saxophonist who has died at the age of 82, we have made David Keenan’s epic two-part 2012 interview, and Daniel Spicer’s guide to Brötzmann’s many recordings, free to read in our online library:https://t.co/RoMUBJrgqq

— The Wire Magazine (@thewiremagazine) June 23, 2023

https://www.thewire.co.uk/in-writing/essays/an-exceptional-human-being-tributes-to-peter-brotzmann

Slightly belated obituary in the Guardian in the course of which it's
revealed that Bill Clinton was a fan! Who knew?!?!

https://www.theguardian.com/music/2023/jul/11/peter-brotzmann-obituary

Also I saw Joe McPhee play last night and he talked quite movingly about Brotzmann.