Dave Matthews Band : Name Your Reasons Why They Are So Bad & Hated.

the narrator from The Stone is singing to his inherited wealth

A Dave-head coworker posted the lyrics of “Don’t Drink the Water” (in honor of Indigenous Peoples’ Day), but the title just made me think of when they dumped poop in a river.

LOL

Weirdly enough, I love "Under the Table and Dreaming" and "Crash". And I shall not be moved.

haha hard not to make that association.

I started listening to Crash the other night after reading that (pretty good, actually) Sunday Review at Pitchfork, and was shocked to know how much of that still lives in my head even though I hadn't listened to it in probably 20 years. That album was inescapable for me, given that I was a sophomore at a Big Ten school when it came out and 95% of the people I hung out with loved DMB. I went to quite a few shows while I was in school, mostly out of obligation to my friends and it being just "the thing we did", but completely quit listening to DMB pretty much the instant I graduated, not even intentionally, I just couldn't be bothered.

I didn't know they did a Sunday review for "Crash". Thank you for alerting me, and good on them.

Link is here for those who are curious https://pitchfork.com/reviews/albums/dave-matthews-band-crash/amp/

"Crash" remains an album that I feel is unfairly overlooked because of the anti-DMB stigma. Terrific album, not one bad song.

My pal around the time of peak Dave Matthews just could not fathom how that dude managed to retain a musician as good as Beauford.

I mean, cynically, $$$$$ but also maybe he genuinely liked what he was playing?

i think crash is kinda uneven, feel like i can name a few songs i dislike on it. the singles are crazy tho

partic "too much"

I EAT TOO MUCH
I DRINK TOO MUCH

i also loved "two step" so much in middle school

"Proudest Monkey" is a go-to road trip song for me.

don't drink the water
Don't drink the water
There's blood in the water
Don't drink the WA-EE-YUH-EE-YUH-EE-YUH-AAAAHH

Did I ever tell the story of a friend of a friend who was on a benefit bill with Dave Matthews? They were hanging out backstage and Dave of course was a nice dude, but, more shocking to this person, talked like a regular low-voiced human being. But then the second he went onstage he suddenly shifted into "Kermit the Frog" mode.

Reminds me of a time I saw Neil Young, and he hilariously mumbled between songs, "I bet you're wondering how this voice speaking right now can be the same one you've been hearing singing those songs."

It embarrasses me to remember I once found this guy cute.

But he was kinda cute until 2001, yes?

no

now even in his older pics he looks like a bellybutton left on a log

I mean, I knew at least a few dozen girls circa 1996 that would say he was.

is Luther College even a real place? is it exclusively for chiropractors?

Yeah, it's a Lutheran liberal arts college in Iowa.

very upset, revisiting crash, to realize i like "#41" as much as i ever did lol

also the beginning and end of "two step" is so cool, i think i unconsciously hoped they would move further into that doomy and atmospheric sound. which they sort of did, until they made an album with glen ballard

ugh listening to the lillywhite sessions now

this is the best album ever

"captain" and "big eyed fish" are among the best songs dude ever wrote

and busted stuff may exist but it doesn't have my favorite song "jtr" on it (and the band apparently hated "jtr" the most of the material????)

very upset, revisiting crash, to realize i like "#41" as much as i ever did lol

― STOCK FIST-PUMPER BRAD (BradNelson), Tuesday, October 12, 2021 11:16 AM (forty-nine minutes ago) bookmarkflaglink

the back half of that song is special

oh yeah i said it already

I love the (3+ minute) coda on #41 through the intro of Say Goodbye.

― IKEA metaballs (Spottie), Tuesday, April 1, 2014 9:24 AM (seven years ago) bookmarkflaglink

i think "bartender" is the only extended dmb studio cut that doesn't make me feel like it's weird that they're a jam band

then again i think a binding feature of jam bands is possibly that, excepting the allman brothers, they're never really bands you would want or expect to be jam bands, it's always like, "these guys? playing this music? ok i guess"

I have been revisiting the work of DMB myself of late, driven by the 60 Songs That Explain the 90s episode on "Crash" and the Bandsplain episode featuring Grayson Haver Currin (who wrote the Sunday Review) - I would highly recommend both, especially the latter. There are many good observations and insights throughout the two. Some of the ones that are most memorable:

- The band's unique diversity, especially for the time
- Matthews' ability to write approachable acoustic guitar driven pop songs that a totally average player could manage to learn--paired with the well-documented musicianship of drummer Carter Beauford, bassist Stefan Lessard, and the many talented guests they've surrounded themselves with over the years (e.g., Tim Reynolds, Bela Fleck, Trey Anastasio, etc.)--make them sui generis; they are not a jam band, so much as a pop band with jam band ambitions, while most jam bands (e.g., Phish) tend to be the opposite
- Matthews' international upbringing and personal/family struggles have occasionally manifested in inspired writing, most notably "Cry Freedom", which Currin writes eloquently about in the Sunday Review: "Though written about apartheid after its end, the song feels prescient for the United States 25 years later, a smoldering lament for a country of Blue Lives Matter banners that flap even as state-sponsored violence rages on. It is a salient reminder to be a witness, even if you’re not a savior."
- Their incredible longevity and popularity - Under the Table & Dreaming hit #11 in 1994, Crash hit #2 in 1996, and all of their studio albums since--7 albums over 20 years--have hit #1

Upon re-listens, Live at Luther College and Before These Crowded Streets hold up and stand out as the best of their pre-Stand Up catalog in my book.

Also agree "#41" is his best song.

that all seems v otm

when I was more into DMB I liked #41 a lot. my friend was into that same one too when he was more of a DMB head.

he is getting divorced and his ex-spouse and step-daughter moved away and went to Illinois, leaving him alone for the first time in like a decade.

he got drunk and recorded himself playing and singing a bunch of songs, and "#41" was one of them. it was a rendition akin to watching someone's soul leave his body while still being alive.

his version >>>>>>>>>>>>>>>>>>>>> DMB's.

sad lol

how high did his voice get on "GOES by"?

WHY won't you run inTO rain and play

In his Sunday Review Currin also discusses the influence of DMB on the next generation of musicians and calls out Justin Vernon. I had never made the connection between the self-titled Bon Iver album and "Lover Lay Down," "Crash," etc., but duh.

Oh I definitely remember hearing DMB elements in Bon Iver's self titled album at the time and thinking to myself that it'll only be a matter of time till we start getting a critical reassessment of the Dave Matthews band.

One thing revisiting dmb has made me realize the last 24 hrs is that in comparison… John Mayer sucks. Also, he should not have been reassessed first. What the hell was that about

i’ve had “say goodbye” stuck in my head for three days bc of this recent thread bump. i don’t even like that song very much (suffers from one of my least favorite dave tics, stuffing the chorus with too many words)

Yeah, I think "Say Goodbye" is the weakest track on "Crash". Not a terrible tune, but I'd much rather listen to the other songs on the album.

"don't drink the water" is such a dope song

also i loaded all the answers for this thread and decided it is the #onethread

who would have thought that in 2021 people would like Dave Matthews more than Dave Chappelle

New borad description

Yeah, I think "Say Goodbye" is the weakest track on "Crash". Not a terrible tune, but I'd much rather listen to the other songs on the album.

― Lone Wanderer Mark II,

"Stay" has Doritos breath it wants to share with you.

think there are a good number of people that saw the DMB scene in Lady Bird and had a reevaluation of a band like DMB they felt ashamed to like at that age.

What’s cool abt them to me at the time was they seemed kind of sophisticated. Also it made a lot of sense of you were into like, classic rock, world music, jazz, jam bands, just an amalgamation of stuff that felt right at the time

"don't drink the water" is such a dope song

― STOCK FIST-PUMPER BRAD (BradNelson), Monday, October 18, 2021 6:20 PM (two days ago) bookmarkflaglink

All of Before These Crowded Streets is legit. I suspect it was at least partially inspired by OK Computer: it's the only one of their pre-Stand albums that feels like it has a cohesive narrative structure; it's full of religious imagery; the growling angry Dave energy on "The Last Stop," "Don't Drink the Water," and "Halloween" is very "You don't remember, you don't remember/ Why don't you remember my name?" Also the album that I think showcases Carter the most.

it's actually pretty dark musically, which is why I loved it as a brooding high schooler, and probably the only one I'd revisit other than Under the Table and Dreaming

does the dark stuff happen because of the oral dave did in 'Rapunzel'? is that the message? was it the oral?