i assume they're not since i don't see them being published, though i'm not looking very hard, the internet has made me lazy
i have an extremely weathered copy of the 8th which was basically my bible getting into jazz & i still use it to find a lot of great stuff. now more than then i notice the (too strong imo) bias towards euro improv & against anything too pop, soul, R&B, funk, disco etc which i have had to learn to correct for (though they appreciate electric miles, hardly a sure thing for jazz nerds back then). for ,classic artists' discographies i take issue with their likes & dislikes more now than i did, but they probably helped me gain the confidence to do so at all. i like that they are opinionated, i like that they take for granted that the avant-garde stuff is worthwhile. my perfect version of a book like this (keep the snark & skronk, don't shortchange the more populist stuff, also loads more african & latin music) is probably unworkable (or impossible without additional volumes & writers), then or now
― Left, Monday, 7 June 2021 12:47 (two years ago) link