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-Leonard Cohen's "A Thousand Kisses Deep" in The Good Thief
-The classroom lessons & the kids' band in School of Rock
-LOTR: Howard Shore's entire score, esp. the Tolkien poems set to music (sung by Boyd and Mortensen) and "Into the West" sung by Annie Lennox
-The musical numbers performed by the Triplets of Bellville
-The use of "Night and Day" by Fred Astaire in Reconstruction
-"Spiegel Im Spiegel" by Arvo Part in Gerry (even though other films have used it)
-Nina Simone's "Who Knows Where the Time Goes" (live) in The Dancer Upstairs
-"Ben" sung by Crispin Glover over the closing credits of Willard
-the entire Kill Bill Soundtrack, esp. the chilling opening ("Bang Bang")
-Karaoke scene of Lost in Translation (Brass in Pocket by The Pretenders, More Than This by Roxy Music) as well as the shoegazer soundtrack
(I had just posted this on my music blog.)
― Robomonkey (patronus), Tuesday, 6 January 2004 19:13 (twenty years ago) link
The Triplets of Bellville numbers are great, especially since they are about the only sound in that film.
― Mark B (Mark B), Tuesday, 6 January 2004 20:45 (twenty years ago) link
the obligatory rave/club scene from _____ really serves to liven up the pacing and leaves me excited and primed when ______ does ______ at the _____.
otherwise unmentioned, All the Real Girls opening with Will Oldham; and the new Charlie's Angels actually has a lot of great moments ft/ fabo musical juxtaposition, starting w/ the mechanical bull.
― andrew s, Wednesday, 7 January 2004 16:27 (twenty years ago) link
Oh, I should also have mentioned A Mighty Wind. I'll never look at
Clark Kent's Mom again without thinking of the potatoes in the paddy wagon.
― Robomonkey (patronus), Wednesday, 7 January 2004 18:42 (twenty years ago) link
sixteen years pass...