THE WORST NME COVER OF ALL TIME

BUT it was also a horrible cover aesthetically - pink and black and a nasty-looking man in leathers.

Actual worst NME cover: a 'global pop' issue circa 1990 where they interviewed Midnight Oil and on the cover had a map of the world poorly drawn on top of a bald head, clearly meant to be that of Midnight Oil bloke but he wouldn't do it so they got some staffer instead. It looked horrible whatever.

Bill

Bill

Old Fart!!!!!

robin - care to submit a letter to my hotmail address? slim pickings, m'friends...

Bill

Thousand Yard Stare naked on the front - in preference to Polly Harvey, big interview in same issue.

Daisy fucking Chainsaw - in preference to Hole, major first interview same issue.

Both covers the responsibility of future NME editor Steve Sutherland (and over my dead body too.)

Bob Mould: big offender. Daisy Chainsaw: with candle. Belly: over- exposed.

Amazing how eg. the Cure were MOST IMPORTANT BAND IN THE WORLD in MM poll 1992. And 'Suede play some dates...' *every week*, with Brett A in same shirt about to get torn off him.

Shyiiiiit! I remember that one. Wasn't it just one 'Stare' that was nekkid with the others standing behind his milk-sop body holding their thumbs n forefingers an inch apart? Desperate fkn' tossers.

"Daisy fucking Chainsaw - in preference to Hole,"
I prefer Daisy fucking Chainsaw actually.

"Both covers the responsibility of future NME editor Steve Sutherland"
On the advert for the new Ministry of Sound Ibiza album on the telly, it says it's been remixed by one 'Steve 'Smooth' Sutherland'. They can't be one and the same can they? Can they?

Which paper was it that had the Hothouse Flowers standing looking bored like gimps? Dullllllllllest cover ever.
And the MM cover of Throwing Muses with Kirsten holding her x-eyed baby still gives me the collywobbles.

I can't recall a music magazine ever fawning of such blatant hyped mediocrity and the magnitude of misguided praise is now getting laughable - The Strokes an epidemic of bullshit started by NME.

I just wish they go away because they are not needed in 2001.

£ 1.50 the highest price and worst NME ever, look at the rubbish this week Eminem, Papa Roach, American Hi-fi, Travis, Staind, OPM, Ash etc - total tosh and an NME bib - total crap cut out ! Who is the rubbish aimed at !

Ladies & Gentlemen the worst and highest price NME ever ! ...but wait till AOL Time Warner turns it into a fortnightly Rolling Stone with lots of glossy ads, and AOL CD sellotaped on the front cover! and free Warners showcase of bullshit bands! its coming to ya soon!

I have said it before - but there must be a publisher out there with the guts to take on a weak and sickly NME ! ...and launch a new music magazine.. the time is right NOW.

NME.com they can't do a decent job with 20 people, now reduced to 5 they will just rehash PR news releases of big name artists for masinstream audiences - they don't have any authority/mandate or passion for supporting or discovering new music. NME.com Utter crap.

NME - I expect a switch to a fortnightly publication within the next 6 months, when is their 50th? anniversary ! I think they will try a relaunched fortnightly title as Uncut is a monthly already.

Hurrah - I remember them! that Sweet Sanity track - their image though black leathers was a bit sub Psychedelic Furs to say the least!

Suppose I'll have to send our next album to horseandhound.co.uk after all.

NME: this week
http://microsites.nme.com/thisweek/
Kings of Leon

I agree with Norman Records
http://www.normanrecords.com/reviews.php

Kings of Leon. 'Youth & Young Manhood' LP/CD (Hand me down/BMG)
NME review: - "the best debut album of the last 10 years' 9/10.
Our review:- " the worst debut album of the last 50 years" 0/10

Go to any bar, anywhere and hear this kind of stale rubbish. If anyone's seen the film Ghost World then the word 'Blueshammer' sums this album up rather accurately. Incredibly, incredibly bad beyond belief. Not one glimmer of any kind of idea, melody or anything....just.....nothing......blues rock of the dullest sort, out of tune singing(!) completely hopeless. What is the world coming to? (Fuckin' bad pub rock. Unbelievable!! x Brian)

http://microsites.nme.com/thisweek/

[the return of] The Strokes

Jet

useless retro rock band from OZ - digusting hippies !

Why is the NME so backwards ?

i've seen a copy left on a bus now and then

i've seen some in fopp on byres rd i think, and i've seen them in glasgow uni and some shops in town too. mind you i'm always surprised whenever i do happen across a pile of copies

saw some in an eastbourne record shop last year, never on a campus though.

xpost
There are always huge piles of them in the Glasgow Fopps, and in dump bins outside River Island too.

piles and dump being les mots just

i've been writing all day abt the UK music papers of 35 years ago -- i made my peace with the changes like 25 years ago i'm not weeping for what's lost or anything, plus (a) changes unavoidable over such timespans and given the internet (b) i p much stopped reading ALL dead-treework 15 years ago unless i was actually subbing it or on-staff

but all the same it is odd to feel associated with what it now is (i think i still know one person who works there who was there when i was, not in editorial per se and in no way to blame for any of the bad stuff -- must be far stranger for her)

not that long ago i saw a bundle of hundreds of copies sitting in the rain outside king's cross station, which seemed a little on-the-nose as far as metaphors go

https://i.ytimg.com/vi/Dh-9NNyBipk/maxresdefault.jpg

Does print-NME spend much time extolling vinyl? All creaky old formats together.

Stormzy is currently tucked away towards the bottom of the NME homepage which generally has a bland monochromatic anyweb approach design-wise (interesting disconnect with the printed mag). Several advantages to ditching print and concentrating on the site, brand etc. online - cover star controversies included.

Does print-NME spend much time extolling vinyl? All creaky old formats together.

point of order: people still care about vinyl

they even pay actual money to own it, which is another crucial difference between vinyl and the nme

NME has actually been a lot better at putting black artists on the cover since the switch to freesheet. But they're going for a different market now - and even their core demographic is going to me more interested in Stormzy or Wiley than Blossoms or whoever these days. What's inside the cover is woefully thin even by NME standards obviously.

Derived from the English pagan (a non-believer) and panga, a type of machete favoured by back-stabbers.

idk how plausible that is

point of order: people still care about vinyl

I wouldn't have brought it up otherwise! My obscurer point is on how much the print and site content and even agenda may differ.

given that their demographic also all own phones and probably tablets, the freesheet is presumably a kind of cross-subsidised physical reminder to access the site once a week, with a kind of legacy tangibility that gives it heft or brand aura (or something) that sites which never published a paper version don't have? (kind of like a 10-page flyer for a website)

(also have to say this cover, while clearly stupidly thoughtless in ten different directions, is by no means as bad as the anti-craig david cover of 2000, or whenever it was) (i don;t think depression is a topic they are wrong to consider covering, given their readership -- tho clearly this is a v bad start and i have not yet turned to the actual words involved)

that was MM though

MM asks: "Should UK Garage be outlawed?"

lol was it? you young people, wot next eh

did we ever work out whether uk garage should be banned btw

2000-era NME was reasonably pro-UKG fwiw. I mean not to the extent of covering more than Terris or whoever but they did put Craig David on the cover properly and at least some of their writers appreciated what was happening.

https://sites.create-cdn.net/siteimages/5/5/8/55872/66/5/3/6653512/248x318.jpg

GOMEZ AND ROBBIE - intrigued by this elusive 2 Step duo one can find no trace of today.

P sure NME did a cover feature on UKG that sent Louis Pattison to Aiya Napa too. Terris just got the one cover feature, during that week in January they always put long shits on the cover.

Long shits.

I liked that debut EP by Terris. Saw 'em live once and they were good. Better than Coldplay who they were co-headlining with.

Yeah, I liked the debut EP too, and enjoyed 'em when I did their first live review at Bedford Esquires. LP was p bad, though, and the singer guy was just a 24 carat dickhole.

Also he sounded like Cartman which should have been a huge signal that they were going to do absolutely nothing.

tbf Cartman is massive

also a lack of talent no barrier to success in the realms of indie rock

[I remember thinking they reminded me of Bad Brains the first time I saw them, which I totally cannot understand now]

lol waht

I mean not early Bad Brains, more I Against I-era Brains, but... That certainly never made it to the record.

that's my favourite bad brains era but yeah i never heard any of that in terris' output! maybe they'd have stuck around longer if it had

I honestly can't explain it. It was a dry old time, musically, and I think I was willing stuff to be better than it was, if only to deliver us from Feeder et al

https://noisey.vice.com/en_uk/article/9kqpx3/nme-2002-oral-history-indie-strokes-libertines-scene

In 2002, we owned the scene completely. If you look at the sales of NME, there’s a long slow curve of downward sales from 1964. But there are two blips where they increased – ‘77 to ’78, when NME had finally jumped on the punk bandwagon, and ‘02 to ’05.

Kerrang! was outselling NME 2:1 during 02-05 iirc.

owned a scene

Who was on the final cover? Was it as good as Melody Maker's?
https://www.rarerecords.com.au/store/magazines/melody-maker-20th-december-2000-fred-durst-on-cover/

According to wiki it's shame, as in the emotion not the name of a band. Kind of apt I suppose.

https://en.wikipedia.org/wiki/List_of_NME_covers

lmao

(@ wikipedia hyperlink)

https://pbs.twimg.com/media/DXhdBSNUMAIxSH8.jpg

5 wite dorks tryin 2 look tough and edgy, a fitting end

Temporarily locking this one as the conversation is also going on here: Has The NME Got Good?