Dua Lipa

I literally only know Dua Lipa because my daughters like her, but she is by far the best thing they listen to. I enjoy her music. I am old.

some of the remixes are ok i guess but they're all at least second-tier for the artists in question imo. the fingers remix is nice but it's hard for me to ignore how his chords clash with the key of the vocal. worst in that regard is the paul woolford remix, just like ... wtf was he thinking? that doesn't work for me on any level. it just seems like there was no dialogue at all between dua lipa or her songwriters and the remixers - just all on separate islands and it sounds totally phoned in as a result, less than the sum of the parts. there must have just been too many people involved without anyone making overall creative decisions and like covid and everything, idk.

not a Future Nostalgia track, but try Oklou’s stab at “Fever” for a remix that totally works on its own terms

love it, thanks for the tip!

unexpectedly i found the 2cd edition for £2 today.
read this thread, expected the worse re the Blessed Madonna mixtape version.
instead, like a proper cut-n-paste sample heavy mixtape, i bloody love it.
so much fun.
the label must have had a lot of fun clearing/paying for samples.
cant recall the last time i heard a major release with so many samples.
not heard the album proper yet, but damn, best £2 i have spent in a long time.

rumours abound of a joint disco album with Kylie!

be still my beating heart.

ps. heard the proper album now.
yeah, it's bloody brilliant.
still don't get the hate the re mixtape as it's exactly what i'd expect/want from a dj mixtape.
celeb phone ins, samples, and quick cut-n-paste drops of remixes.
i think it's a brilliant 50 mins of pop/dance perfection.

given the rather boring megamix that girls aloud put out for their Tangled Up album release, then i cant help but throw a lot of love to Dupa for the effort put in by all concerned.

i'm a big fan of this misprint in this week's New York Magazine "Things to Do" section.

http://i.imgur.com/hWWRl8i.png

Lol

Definitely sounds pretty similar

https://www.youtube.com/watch?v=IKfGeCLAsvI

lol yeah that's a rip for sure

she improved on it tho

I can't remember if they said anything in the Song Exploder episode about how they came up with the chorus. I'll have to go back and listen to that later.

i have a hard time believing it's anything but an unfortunate coincidence tbh.

there are only so many sunny pop song chorus progressions you can do.

a real rip would have more of the vocal melody line in common

one of my old interns is now working on her team, i really should've asked for MSG tix (and a case of COVID)

they don't sell it in cases just six packs

https://www.vice.com/en/article/wxdbmq/the-dua-lipa-lawsuits-could-cost-her-millions-according-to-a-lawyer

There are two suits. One concerning the vocal melody in "Live Your Life" (posted above), the other the vocal melodies in these songs written by L. Russell Brown and Sandy Linzer:

https://www.youtube.com/watch?v=EsEXuWK7PZE

https://www.youtube.com/watch?v=XCtlrFwKE_Y

I am very curious to see how this turns out. With acts/songs these small, it's not hard to imagine these could be coincidences; others have noted the Artikal melody sounds like "Rosa Parks," too.

You have to show your work is original, and you have to show some theory of access, meaning that [the defendant] had a reasonable ability to access it. Then you get to substantial similarity, which is a two-step process.

This is such a weak requirement so as to be basically pointless. I suppose it protects a famous artist from being sued by any John Doe but Artikal Sound System isn't far removed. It would be interesting if they had to prove the artists involved had the song in question in their possession. Is some sort of digital forensics ludicrously easy to evade?

This is getting ridiculous unless I am listening to the wrong parts of the songs, in both cases there is only a passing similarity of rhythm and melody, but only in the case of the line using very broad immediate patterns.

That “Blurred Lines” lawyer doesn’t provide much in the way of analysis, he just makes some pretty obvious points (“if she didn’t copy the song, she’ll fight the lawsuit; if she did, she’ll settle,” etc.). They should have talked to a musicologist about how strong the similarities actually are.

(These cases are so common now, thanks to that guy’s big win.)

there's an audible similarity with the artikal sound system track, probably enough to hold up in court with how weak things are after the "blurred lines" lawsuit

but the brown/lizner tracks seem pretty dubious, there's just a tiny bit of the melody that has a similar phrasing & rhythm to it, but i don't think the melody itself is actually that close?

new single is boring, I blame Tame Impala

I like Tame Impala, even their most recent album, but yeah I'm not much into this. Tame Impala + Dua Lipa + Danny Harle should certainly be better. But who knows, I hear this enough times maybe it will grow. I do like the ending synth

that is a bizarre combo of writers/producers

song is underwhelming, not terrible but it's more 'ok album track' than 'comeback single'

so her new album probably won’t be the “British Lemonade” I’m guessing

Great production and the last minute is really cool, but the chorus just isn't strong enough. Hoping it'll grow on me like Dance The Night did.

The stuff 'dis hyped releases' threads were made for

Somehow I was expecting something completely different because she had mentioned that that the new album was going to be 70s psychedelia-inspired. I don't even know what that means but I can't hear any 70s or psychedelia in this track. Sounds more like it has elements from a very specific era circa the early 80s.

I do think it is excellent, though. Much better than Dance The Night.

when the hell is her new album coming out????

Love the vocoder outro, wish it went on for another minute in that vein.

"Houdini" did grow on me a little but the new one is a more successful collaboration between the same artists. Still not wowed but a good song

both of the new tracks aren't awful but they're so.... rote

Don’t mess with the formula

Yeah not feelin this one at all.

plods the same way as tame impala's poor forays into disco, letting him be a pop producer was a mistake

"Radical Optimism" out May 3

1. end of an era
2. houdini
3. training season
4. these walls
5. whatcha doing
6. french exit
7. illusion
8. falling forever
9. anything for love
10. maria
11. happy for you

"A couple years ago, a friend introduced me to the term Radical Optimism. It’s a concept that resonated with me, and I became more curious as I started to play with it and weave it into my life," Lipa says in the announcement. "It struck me – the idea of going through chaos gracefully and feeling like you can weather any storm. At the same time, I found myself looking through the music history of psychedelia, trip hop, and Britpop. It has always felt so confidently optimistic to me, and that honesty and attitude is a feeling I took into my recording sessions."

radical optimism - like the hope Dua Lipa stans have that the album will still be good after the two singles that have come out??? *ba-dum-psssh*

I'm still holding out hope *wipes tears*

Damn, that is such a Dua Lipa Podcast Host album title.