the simpsons' peak period - can we have some consensus please ?

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I've been rewatching some episodes lately and I've gotten that same impression, the S2-3 ones are better than I remembered while the S7-8 ones are maybe a bit too overexposed and absurd. obviously still very funny though. last one I watched was the one where he eats the psychedelic chili pepper, the first 2/3rds of which is maybe one of the finest episodes of any animated show ever (and clearly seemed to be the inspiration for a bunch of Futurama episodes), but man I'd forgotten how cobbled together and dull the final third is. like, it ends with Marge randomly forgiving him and then they prevent a shipwreck together? its like they couldn't figure out how to end it.

frogbs, Monday, 3 May 2021 19:56 (two years ago) link

I also say nu-Simpsons starts in 2002

Seasons 10, 11 & 12 are def a "clearly not-peak-era-but-also-not-offensively-terrible" zone

re-read the beginning of the thread

bobo honkin' slobo babe (sic), Monday, 3 May 2021 20:07 (two years ago) link

I feel like there was a shift between season 3 and 4 where they sacrificed some degree of character based humour for joke density and surrealism. I think a lot of the writing staff changed between those two seasons?

All the staff Simon hired stayed as long as he did, and several left with him after S4. Oakley/Weinstein and Conan are the only two that joined between 3 and 4.

bobo honkin' slobo babe (sic), Monday, 3 May 2021 20:14 (two years ago) link

This thread was started during S14.

blue whales on ambient (C. Grisso/McCain), Monday, 3 May 2021 20:15 (two years ago) link

I don't remember it exactly but I think there's a quote about jazz thats something like 'jazz is about seeing how far out you can go and still get back', like when a musician improvises around a tune how far can they go while still retaining some connection to that original tune - and the I think the surrealism in the Simpsons is kind of like that. For the first 10 years of the show's life a lot of the humour comes from how there is some base level of realism, the laws of physics apply, people act like real humans to some degree, but because it's a cartoon they can stretch the realism and flirt with outright surrealism, and when they stretch it to the point of breaking and there are no rules left that's when the show stopped being any good.

like the bit with Homer jumping the gorge on a skateboard is funny because it's treading this fine line between loony tunes cartoon surrealism and realism, it's Wile E Coyote type joke but he actually ends up bruised and bloodied. It wouldn't be funny if the Simpsons was set in a world with no rules where cartoon physics applied, but it also wouldn't be funny if the Simpsons was set in a world that was strictly realistic.

soref, Monday, 3 May 2021 20:18 (two years ago) link

Definitely George & Ringo!

― blue whales on ambient (C. Grisso/McCain), Monday, May 3, 2021 2:48 PM (nine minutes ago) bookmarkflaglink

george was nearly as memorable as his co-star, a giant plate of brownies

the mai tai quinn (voodoo chili), Monday, 3 May 2021 20:28 (two years ago) link

I don't remember it exactly but I think there's a quote about jazz thats something like 'jazz is about seeing how far out you can go and still get back', like when a musician improvises around a tune how far can they go while still retaining some connection to that original tune - and the I think the surrealism in the Simpsons is kind of like that. For the first 10 years of the show's life a lot of the humour comes from how there is some base level of realism, the laws of physics apply, people act like real humans to some degree, but because it's a cartoon they can stretch the realism and flirt with outright surrealism, and when they stretch it to the point of breaking and there are no rules left that's when the show stopped being any good.


Groening and others on the DVD commentaries mention this often — they call it “flexible reality” or “rubber-band reality.” There were a couple of jokes in Deep Space Homer that Groening and David Mirkin fought bitterly about, specifically, Homer briefly turning into Popeye, and later briefly turning into Nixon. Groening hated those jokes because he felt they stretched the show’s flexible reality too far. I love those two bits, but I do agree that stretching it past the breaking point in later seasons contributed to the show’s crapulence, coupled with just plain laziness on the part of the writers. They make me madder than a...yak in heat.

Montgomery Burns' Jazz (Tarfumes The Escape Goat), Monday, 3 May 2021 20:39 (two years ago) link

i was trying to think of a post-season 12 joke that i really loved and i remembered this one: "aww, i have three kids and no money. why can't i have no kids and three money?"

from episode 397 (season 18)

the mai tai quinn (voodoo chili), Monday, 3 May 2021 20:44 (two years ago) link

I've been listening to the commentaries too and the first few times Groening noted he had a problem with a joke in that regard I thought he was being overly fussy but a few seasons later I find myself agreeing with his stance more. Made me wonder if he's still doing commentaries on like season 21 or whatever?

A True White Kid that can Jump (Granny Dainger), Monday, 3 May 2021 20:46 (two years ago) link

The big writing staff shake-up occurred between seasons four and five (with “Homer’s Barbershop Quartet” and “Cape Feare” being leftovers). Homer calling a college dean a “stupid head” or bumblebee man falling over his chair after taking over for Kent Brockman was such a different kind of humor.

The Poochie episode was the beginning of the end. Yes it was funny, but the humor was just so smug and self-referential.

Mr. Snrub, Monday, 3 May 2021 20:50 (two years ago) link

Made me wonder if he's still doing commentaries on like season 21 or whatever?


I doubt it, because then he’d have to explain why the Critic crossover was unacceptable (he took his name off the credits) but had no issue with the later Family Guy crossover.

Montgomery Burns' Jazz (Tarfumes The Escape Goat), Monday, 3 May 2021 20:58 (two years ago) link

https://www.youtube.com/watch?v=qAOLTsTtZis

Left, Monday, 3 May 2021 21:10 (two years ago) link

i was trying to think of a post-season 12 joke that i really loved and i remembered this one: "aww, i have three kids and no money. why can't i have no kids and three money?"

from episode 397 (season 18)

― the mai tai quinn (voodoo chili), Monday, May 3, 2021 3:44 PM (twenty-five minutes ago) bookmarkflaglink

lol this one stuck with me too.

longtime caller, first time listener (man alive), Monday, 3 May 2021 21:11 (two years ago) link

I doubt it, because then he’d have to explain why the Critic crossover was unacceptable (he took his name off the credits) but had no issue with the later Family Guy crossover.

older, insanely richer, did not think the current show had enough integrity to bother defending

bobo honkin' slobo babe (sic), Monday, 3 May 2021 22:34 (two years ago) link

i could have sworn i saw an interview within the last five years with groening where he said the show was still good, he may have even said it was still on par with the 'classic' era

global tetrahedron, Tuesday, 4 May 2021 12:58 (two years ago) link

i could have sworn i saw an interview within the last five years with groening where he said the show was still good, he may have even said it was still on par with the 'classic' era


Doubt he wants to stop the checks coming.

Van Halen dot Senate dot flashlight (Boring, Maryland), Tuesday, 4 May 2021 13:35 (two years ago) link


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