Disco Elysium

It's a bummer, because I was super excited, so excited I was going to buy it on PS4 rather than wait for the Switch. But now I have the feeling the PS4 version won't be totally fixed until closer to when the Switch version is scheduled (is it even scheduled? "summer"?), and that the Switch version will be delayed or released but buggy and needing lots of patches as well.

Btw, I know this stuff is hard but I don't know enough about how buggy releases happen. Whether Cyberpunk or this or lots of other stuff, it takes just a few days, if not a few hours, for players to assemble long lists of everything wrong. Do developers not see these bugs or glitches, or do developers see those thing but choose to release the buggy games anyway, quietly getting to work on patches before people even start complaining? Or is it a forest for the trees sort of thing, where the developers are so drawn into the details - the coding, tiny aesthetic aspects of the game, etc. - that the big picture becomes almost invisible? Like, so focused on a character's eyebrows that they don't notice its feet don't touch the ground, that sort of thing. It's all kind of mysterious to me.

if i had a Switch, I'd get it on Switch (assuming no bugs and it's legible). Game is similar to reading a book and I'd feel a lot happier playing it in bed or a comfy chair than on my sofa squinting at the TV

i'm waiting for switch bc the amount of time i can use the family tv to play grown-up games without kids trying to watch is negligible

The 1.2 patch was released a few days ago for PS4 and, more or less, gets you to a point at which you can finish the game, albeit without doing all of the side quests.

It's worth waiting for the fully patched version to be released before starting, imo.

Still not crossed the canal yet, but still encountered a few weird glitches, like the game suddenly failing halfway through a conversation. Always seems to happen at a point I didn't save the game, which is mildly frustrating.

I got to Day 2 without having enough Real to pay for my hostel room. The clock stopped at 2am and I couldn't progress the game and it wouldn't let me sleep on the bench (as a few online fora suggested), so I had to sell a bunch of postcards and my shot-put ball to progress the game. Not sure if that was meant to happen or not, but it was a bit puzzling.

Patch 1.3 is now live on PlayStation! This fixes a myriad of bugs, soft locks, and interaction errors. We’re hard at work on 1.4. Thank you everyone. pic.twitter.com/wxBpEgBYKY

— Disco Elysium (@studioZAUM) April 12, 2021

That was quick.

I've still not experienced anything more than those initial couple of minor bugs but glad it's got the patches going now anyway.

I can tell you it's a vastly escapist version of political science which has little-to-no resemblance to the real world beyond a bit of satire...

So far it's been a lot less about politics than a surreal Twin Peaks-ish murder-mystery

Man, I completely disagree with this assessment, dl. It's... very very political. In the most depressing way. In the nihilist "all political ideals are bad because humans are inherently bad" way. It's such a good game but so grim.

the strain of capitalism has been felt by dog latin, I see

I agree with you Emil.y, it's definitely political. I meant that it wasn't rooted in real-world politics and that the politics in DE are a very incisive satire on political factionism. I've only just started the third day, so maybe I haven't quite encountered the grim realities yet, but I've found these caricatures of left/right/centre more funny than grim so far:

The far-right elitists, so convinced of their intellectual and physical superiority that they become engines of unfalsifiabie dogma during any argument.
The radical leftists, so narrow-minded in their doctrinism that they're constantly having to swerve away from all-out genocidal thinking.
But by far the most interesting caricature/parody is of the centrists, who've become so high on the smell of their own farts that they exhibit an almost cult-like belief in the financial structures and institutions they've built up for themselves, often turning a blind-eye to the very idea that these might be their own type of totalitarian brutality.

Yes, it's grim, but it's darkly comic in every way. No one gets out alive, and I have to concede that the parts where my own beliefs are challenged and taken apart are the funniest bits.

I've finished my first playthrough as a Communist and will start a Radical Centrist 'what would Wes Streeting do' one when everything's patched.

It definitely feels like it gets heavier and darker as the game progresses. The balance between humour and bleak horror isn't always an easy one but it's an incredible achievement overall.

had to sell a bunch of postcards and my shot-put ball to progress the game.

Bought this on xmas sale and haven't tried yet. Can't wait.

So, I finished the game last night. What a ride. I laughed; I cried; I became Dance, the destroyer of worlds. I still think the politics are more grim than funny, for me they're really not that far removed from the real world and the real world is Not Fun. Which is maybe why I alternated between Sorry Cop and Apocalypse Cop so much (with a tiny sprinkle of Art Cop thrown in for good measure).

There were definitely some bugs in the PS4 version that I played but only one that caused me to almost rage-quit (one character refused to show up at the appointed time no matter how many buildings I went in and out of, no idea how it fixed itself but it did eventually).

Somehow, in the middle of playthrough number three, my character became... inadvertently racist? I swear I didn’t internalize the terrible racism thoughts, but at some point — I suspect due to lacking skill points in some of the thoughts that would have warned me — I ended up only having dialogue options that would alienate poor Kim!

Everything ended up OK, though. It was probably payback for choosing to be an ultra-liberal who loves money.

I'm not enjoying this. The pungent voice isn't by itself appealing to me, but where it really feels like a slog is the sheer amount of dialogue I struggle to maintain interest in. Maybe I should try to suppress my min/maxing urge and only pursue dialogue options that interest in me?

absolutely not a min/maxing game, imo. especially not on the first run

you’re meant to fail, mortifyingly and hilariously, at times

Well I'm stuck in this game after several hours and I'm a bit cheesed off about it. Can't seem to progress at all

What bit, dl? The bug I mentioned was with The Pigs not showing up, had to do a bunch of going in and out of locations and reloading the game before it fixed itself. And if it's not a bug but you getting stuck I could maybe give you a hint?

Leee, it's a ridiculously text-heavy game, which is good for me as I love text adventures, but maybe not good for a min/max type. And yeah, you do have to learn to not choose every single dialogue option - definitely go for the ones that interest/entertain you, or the ones that suit the playstyle of the run you're doing.

i def think this looks like the sort of thing where if you like that sort of thing it's gonna be the best thing of that sort of thing but if you don't like licorice it ain't happening

So without wanting to spoil anything, there's a day when Kim goes away to do something and during that time there's a check that fails to appear and you can't progress the game until he comes back. Had to do a lot of digging around Reddit to work that one out

This game is yes, very text heavy. I often find myself playing it till the wee hours and falling asleep. In a way that's cool though cos you can play it at your own pace

Not sure if I'll play it through twice though. can't imagine it being especially different the second time round. Maybe?

I'm playing it through as a Physique/Psyche apocalyptic cop: my failures are the most entertaining part of the game. Next time, high intellect pedant, so I can lecture the characters of Revachol on correct thought. But perhaps I'll wait a year before returning.

Okay so I completed this tonight and uh... well that was... tonally abrupt. It just kind of ended with a grouchy argument and a "well I guess that about wraps it up, let's go home". But disappointed as I felt that, despite having done a he'll of a lot, there were still things I'd wanted to do, things to explore, checks to be tried. But no, you meet the perp, chat to him for ages then meet your colleagues and then go home..
I figures I'd try again immediately with different skills, but there wasn't anything strikingly different about my encounters or conversations beyond a few things. I found myself barrelling through dialogue trees and skipping lots of cues because I can't really be bothered to listen to everyone say the same thing again... I dunno, should I keep going in this way, or is it a waste of time? Maybe give it a while and play again?

I'm enjoying this a lot more now, now that I've figured out some of the mechanics and how to progress through the checks. Also, I've found some tasks where the wiring really does move me. I will say that it's hard to fully commit to role play, and the minmax urge can be hard to resist (thankfully I have the thought that gives you extra XP for Commie responses).

Finished!

As to dog latin's point: I agree that the narrative pace slams into a wall at the end, and as far as murder mysteries go, having the two most damning suspects not even in the picture until lateish in the game is unconventional -- and I had quite a few additional skill points left over that I hadn't spent yet.

BUT, I was still transfixed by the exchange with the Deserter, for reasons aesthetic (that voice) and for the cautionary tale that (I think?) the game was trying to tell? Like, I was trying to be a pinko, but then comes this comrade with revolutionary bona fides, washing away all the ultraleftist posturing that I'd been engaged in prior... but he's basically a fascist, an example of this idealized past, a symbol of Communism done right that's incredibly seductive and evil.

The UI sux though.

lol ah hell the spoilers.

this game is pretty clunky on the switch - it lags, you can see graphics loading, it has full-on crashed a couple of times (which i don't think i've ever seen happen on a switch game at all before) - and there's so much loading! there's a part where you have to go back and forth between two characters to compare their stories, and they're in the same building, but there are three load points in between them, and it takes so long just to travel from one character to the other!

that being said, i love this game to point that i don't even care about all of that. it's so good and fun and weird. it looks really nice when you zoom in all the way, but i have to keep it mostly zoomed out most of the time so i can see where i'm going and what's around me.

Yeah, that's partly why I caved and got it for the PS4, though god knows when I will actually play it.

The load times even on the PS4 were quite infuriating.

finally got a bug that kept me from advancing (nothing was interactable, including doors, so i got stuck in a space i couldn't leave) and the worse part it was in a section of the game where you can't save, so now i have to do that whole chunk over

i think i'm near the end though? really enjoyed the part of the game with the church and the electronic musicians

Yeah loved that bit. Shame about the bugs. I really wonder if I'll replay it and if I do whether it'll be a very different experience or not

YEKOKATAA THE PLACE TO BEEE!

Dialogue heavy RPG’s not typically my thing, so this being almost entirely dialogue was a tough sell, but I was looking for something low stress last Sunday afternoon and took the plunge. Totally grabbed me, found myself playing way too late into the night this week. Just finished it up. Easily the best writing in a game I’ve played. Kind of a Pynchon thing going. A+, glad I picked it up.

I played the “definitive” version. On PS5. Load times were super snappy (could see that being obnoxious otherwise) but still hit a few, thankfully not game-breaking, bugs along the way.

A TV series of Disco is in production on Amazon Prime

Well that is entirely unexpected, but I’m curious.

honestly i would take a whole season that is all about converting the beat down building into a ghostly EDM venue

somehow i never finished disco, but i'm close. i had a computer change just as i was near the end and don't really feel like starting over again.

Easily the best writing in a game I’ve played

same. i have never so consistently smiled or laughed or just paid attention to writing in a video game before. It's hard to pull off for 20 hours! the breadth and depth of it is very impressive.

The church/club section was definitely my favorite bit. Once that peaked I honestly would’ve been totally satisfied if the game ended right there. But there were some great things to come. Loved the phasmid stuff.

I picked the brainy path, seemed like the obvious choice for a dialogue driven game, but I am super curious about how this plays out as a physical character. Probably run through it again down the line.

yeah, it would be nice to just run over the big racist dude who blocks the bridge pretty early on.

that reminds me, though, that the only way the writing/story occasionally lets me down is the caricatures of the different paths you can go down, communism, fascism, the union, etc, are sometimes just a little too exaggerated and oversimplified. i think it works for the most part, though, because in general, the game does a great job of making you feel a little bad about every decision you make, like everything you do is both kind of a good decision but also clearly not what you should be doing, all the time. it's so fucking good

Measurehead (lol) is just very committed to his race realist ideology

did anyone else play the shameful way i did? if there was some kind of important skill check and i had a reasonably good chance of passing but instead failed, i'd re-load and do it again until it worked

:(

Oh totally. I was rarely onboard with any of the didactic political paths and the game makes a point of calling out the dangers of centrism and/or not choosing sides all the same. Like there aren’t really “good” options most of the time, it’s a big mess, everything’s challenged. It kinda rules.

I still ended up as a maybe half assed communist, apocalyptic art cop.

That was an xp to Karl’s previous post, but yes, I scummed and reloaded constantly to pass a check.

Why I mentioned how great it was that load times were zippy on PS5 lol.

I wouldn’t be able to stomach it, but seriously interested in how the game plays out as a full on fascist, racist meathead. Surely all points lead to some same-ish kinda endpoint, but I wonder what kinds of divergence are built into this thing.

What’s great is I can perfectly imagine Kim hating your guts in that scenario and constantly talking shit in the most moderate way

Kim is one of the best sidekicks in game history, although it is difficult to directly compare them to like, Luigi