Not sure if I ever shared this.
https://www.youtube.com/watch?v=UDgCM-V41_A
― flappy bird, Wednesday, 24 March 2021 00:45 (three years ago) link
So great...
https://lareviewofbooks.org/article/california-split-40-years-later-interview-elliott-gould-george-segal-joseph-walsh-three-parts/
― "what are you DOING to fleetwood mac??" (C. Grisso/McCain), Wednesday, 24 March 2021 00:54 (three years ago) link
Joseph Walsh shared a California Split sequel script on his website: http://josephrwalsh.com/jrw/
― blue whales on ambient (C. Grisso/McCain), Thursday, 20 May 2021 23:48 (two years ago) link
Very important update: In the course of doing my all-time movie ballot, I reversed my Altman 1-2 from McCabe/Goodbye to Goodbye/McCabe. Since I'm on record upthread as a McCabe voter in this poll, I would like to change my vote and finally break this tie.
― a man often referred to in the news media as the Duke of Saxony (tipsy mothra), Friday, 21 May 2021 01:07 (two years ago) link
Still impressed ILX picked the right four as the top four, whatever order they came in.
― i carry the torch for disco inauthenticity (Eric H.), Friday, 21 May 2021 02:06 (two years ago) link
I've still not seen 3 Women. Surprised A Wedding only got one vote, that's great.
― burnt hombre (stevie), Friday, 21 May 2021 08:02 (two years ago) link
A Wedding is the first of his '70s run that I remember basically nothing about (although Buffalo Bill is a little fuzzy).
― Slime Goobody (Old Lunch), Friday, 21 May 2021 10:53 (two years ago) link
I'm generally the one arguing that later films don't equal earlier ones, but with Nashville to one side, I'd now include Player and Short Cuts in the mix with the best (and maybe Tanner, although I liked it a little less on second viewing).
― clemenza, Friday, 21 May 2021 11:35 (two years ago) link
The Player...
― clemenza, Friday, 21 May 2021 11:36 (two years ago) link
Buffalo Bill is if Reg Dunlop from slapshot started a medicine show.
― Its big ball chunky time (Jimmy The Mod Awaits The Return Of His Beloved), Friday, 21 May 2021 12:18 (two years ago) link
On the plus side, no hockey.
― i carry the torch for disco inauthenticity (Eric H.), Friday, 21 May 2021 14:46 (two years ago) link
A Wedding is the first of his '70s run that I remember basically nothing about (although Buffalo Bill is a little fuzzy).― Slime Goobody (Old Lunch), Friday, May 21, 2021 6:53 AM (seven hours ago) bookmarkflaglink
― Slime Goobody (Old Lunch), Friday, May 21, 2021 6:53 AM (seven hours ago) bookmarkflaglink
"You can get cancer from smoking pot?"
― flappy bird, Friday, 21 May 2021 18:05 (two years ago) link
It's a very sloppy movie, 48 actors each with a single tic to individualize them. I remember Carol Burnett and Lillian Gish best.
― Halfway there but for you, Friday, 21 May 2021 18:13 (two years ago) link
I feel like I need to rewatch Nashville. On first viewing something about the satire fell really flat for me.
― longtime caller, first time listener (man alive), Friday, 21 May 2021 18:23 (two years ago) link
Honestly, a lot of the humour in Nashville is pretty ham-handed.
― Halfway there but for you, Friday, 21 May 2021 18:24 (two years ago) link
Example(s)? I may or may not agree.
― clemenza, Friday, 21 May 2021 18:32 (two years ago) link
This is going off memory since it's been a while, but my feeling at the time was that it didn't have much of a soul, that it was just one long, cold, cynical snicker.
― longtime caller, first time listener (man alive), Friday, 21 May 2021 18:37 (two years ago) link
You'll probably find me arguing this above: I don't experience the film that way at all. Yes, there's some condescension here and there, but from my vantage point, Altman loves the characters, and that's why it's a great film. I'd call something like Bob Roberts a better example of the reputation that has attached to Nashville (from people who don't like it).
― clemenza, Friday, 21 May 2021 18:42 (two years ago) link
I wouldn't actually say there's a lot of humour in Nashville, but any scene involving Geraldine Chaplin falls flat. A lot of the jokes in the dialogue are corny people saying corny things. That may be real but not necessarily funny, but as I say, I don't judge it primarily as a comedy (or a musical).
― Halfway there but for you, Friday, 21 May 2021 19:17 (two years ago) link
I have warmed up to the Chaplin stuff in Nashville in that I think it's totally fair to say that much of the rest of the world depicts that area with more than just a little condescension.
― i carry the torch for disco inauthenticity (Eric H.), Friday, 21 May 2021 19:36 (two years ago) link
Which is fine. It's obv he doesn't understand country.
― So who you gonna call? The martini police (Alfred, Lord Sotosyn), Friday, 21 May 2021 20:01 (two years ago) link
If you think that, no problem. What I've never understood is thinking that while saying you love the film. How could anyone love a condescending film?
― clemenza, Friday, 21 May 2021 20:06 (two years ago) link
Disagree about Chaplin. Besides getting maybe the film's single funniest line (I'm listening to you, but look what's over there...), I find much of her gibberish priceless.
― clemenza, Friday, 21 May 2021 20:09 (two years ago) link
And disagree about the soundtrack to the degree that I wouldn't assume Altman claims that these country songs have anything to do with Hank Williams or the Carter Family or lots of country music, any more than the people who made Spinal Tap would claim that their movie is a comment on Bob Dylan or the Beatles or all rock music. Does Spinal Tap have anything to say about some rock music? Yes, it does.
― clemenza, Friday, 21 May 2021 20:13 (two years ago) link
How could anyone love a condescending film?
The same way I can love didactic films; it's getting used to their ethos and tone of voice.
― So who you gonna call? The martini police (Alfred, Lord Sotosyn), Friday, 21 May 2021 20:14 (two years ago) link
I'd have to think about it, but I think we part ways there; I put condescension right next to sarcasm in the toxic department.
― clemenza, Friday, 21 May 2021 20:15 (two years ago) link
For clarification, what's an example of a didactic film? Makes me think of Kael on Siegfried Kracauer. Something like Godard's Letter to Jane?
― clemenza, Friday, 21 May 2021 20:17 (two years ago) link
To be clear, I think that Chaplin's character's condescension is absolutely a fair characterization of that role in the film. I don't think it's condescension on Altman's part. Nashville is basically unimpeachable AFAIC.
― i carry the torch for disco inauthenticity (Eric H.), Friday, 21 May 2021 20:26 (two years ago) link
― clemenza, Friday, May 21, 2021 3:13 PM (fourteen minutes ago) bookmarkflaglink
Spinal Tap is absolutely condescending to hair metal dudes though, it's just also affectionate and funny and come on it's hair metal we're talking about, and I don't really feel like Spinal Tap is trying to make a POINT about anything other than maybe ego and lack of self-awareness. Whereas Nashville felt like it might as well have been titled Nashville is Fake, because that's about all I felt like the film had to say. And that's just not that interesting a point to make.
― longtime caller, first time listener (man alive), Friday, 21 May 2021 20:29 (two years ago) link
It's utterly insane to me that someone would think Spinal Tap is more affectionate toward its characters than Nashville but shrug.gif
― i carry the torch for disco inauthenticity (Eric H.), Friday, 21 May 2021 20:33 (two years ago) link
it's just also affectionate and funny
I agree with that--courtesy of the performers; not Rob Reiner, I don't think--and that's what makes Spinal Tap great; if were it were flat-out ridicule, it'd be a bad TV sketch.
I just don't see the line that you do where Spinal Tap is this but Nashville is that.
― clemenza, Friday, 21 May 2021 20:36 (two years ago) link
I don't remember much from Prairie Home Companion, beyond that I liked it and thought it was a nice way to sign off. Isn't there fake country music in that? Is the hostility and condescension people attribute to Nashville still there? I don't remember anything like that.
― clemenza, Friday, 21 May 2021 20:39 (two years ago) link
Personally, I thought of one thing that undermines my claim that I could never love anything condescending: Tina Fey's Sarah Palin. Pretty sure that emerged from a place of deep contempt, but I can never watch that creation and not be filled with joy. So maybe I'm wrong, or maybe my contempt lines up perfectly with Fey's in that instance, or maybe Fey was able to connect with something about Palin at some deeper level that allowed her to mask the contempt.
― clemenza, Friday, 21 May 2021 21:36 (two years ago) link
IIRC, the Country songs in PHC were provided by Keillor himself, and they were meant to be funny.
― blue whales on ambient (C. Grisso/McCain), Friday, 21 May 2021 21:44 (two years ago) link
One of the key things to remember about the Nashville songs that many of them predate the movie: Ronee Blakley recycled stuff from her debut album; Karen Black had been recording demos in private for years; Carradine wrote "I'm Easy" for Shelley Plimpton when they were both in HAIR; and Henry Gibson had been doing "Keep-A-Goin'" as a poem going back to the mid-'60s at least.
So it wasn't like 'let's get some jokey songs because Country sucks'.
― blue whales on ambient (C. Grisso/McCain), Friday, 21 May 2021 22:06 (two years ago) link
On that last point, though, was how the Nashville establishment took the songs and the film.
― blue whales on ambient (C. Grisso/McCain), Friday, 21 May 2021 22:10 (two years ago) link
Good point. Blakley and Gibson I knew about, didn't know about Black and Carradine.
Also remembered--I think I have this right--Robert Duvall was originally supposed to play Haven Hamilton.
― clemenza, Friday, 21 May 2021 22:26 (two years ago) link
Duvall was indeed the original choice.
Clem, you really need to check Jan Stuart's The Nashville Chronicles. It's a fantastic deep-dive book from the early '00s written with cooperation from Altman and most of then still-surviving cast members.
― blue whales on ambient (C. Grisso/McCain), Friday, 21 May 2021 22:45 (two years ago) link
Posted this over on the Karen Black thread, but an album of her music is coming: https://shop.mexicansummer.com/product/karen-black-dreaming-of-you
― blue whales on ambient (C. Grisso/McCain), Friday, 21 May 2021 23:07 (two years ago) link
Had to make a quick trip downstairs to confirm, but I've read the Stuart book--that and Harlan Lebo's Godfather book were the first making-of books I read.
I think I gleaned the Duvall casting from a Playboy interview Altman did just before Buffalo Bill came out; he said they broke over money.
― clemenza, Friday, 21 May 2021 23:48 (two years ago) link
team clemenza/eric: afaict nashville isn't contemptuous of anyone except geraldine chaplin (idiot) and michael murphy (liar). first runners-up are shelley duvall (selfish), who has flown in from california; and, admittedly, ned beatty (doesn't appreciate kids or being married to 70s lily tomlin).
what i get from it isn't "nashville is fake" but (cornily enough) "where do we go from here". now that the answer is known it has become a grimmer movie, but not a cruel one.
― difficult listening hour, Saturday, 22 May 2021 00:05 (two years ago) link
Duvall is, for me, the least successful, most dated character in the film: she isn't given a single moment that shades her vacuity.
Murphy is a political flunky right out of The Candidate, but I find his dumbstruck attraction to Christina Raines sweet. I don't feel Altman has contempt for Beatty at all. Chaplin, I guess you either hate her or find her amusingly spacey and pretentious.
"team clemenza/eric"--someone just died several thousand deaths.
― clemenza, Saturday, 22 May 2021 00:14 (two years ago) link
Same top 4, albeit in different order: https://www.theguardian.com/film/2021/jun/17/robert-altmans-20-best-films-ranked
― i carry the torch for disco inauthenticity (Eric H.), Thursday, 17 June 2021 13:35 (two years ago) link
That list is borderline insane. The top four is clearly inarguable but...Popeye at seven?! The Company near the bottom!? And The Player not much higher than that?!? GTFO
― Jerome Percival Jesus (Old Lunch), Thursday, 17 June 2021 13:41 (two years ago) link
Yeah but Popeye is great.
― i carry the torch for disco inauthenticity (Eric H.), Thursday, 17 June 2021 13:44 (two years ago) link
Def need to see Kansas City now
― Its big ball chunky time (Jimmy The Mod Awaits The Return Of His Beloved), Thursday, 17 June 2021 15:54 (two years ago) link
yeah popeye wld be top 10 for me
― nobody like my rap (One Eye Open), Thursday, 17 June 2021 19:14 (two years ago) link
(tbf i am borderline insane)
― nobody like my rap (One Eye Open), Thursday, 17 June 2021 19:16 (two years ago) link
extremely weird to do a top 20 list for a guy who directed 35-ish movies. Why not just rank them all as in the clickbait trend these days?
Anyway, this is my confession that I spent the whole time getting increasingly mad that they had ranked Dr. T and the Women so high before realizing it wasn't even on the list at all. Also, Popeye rules.
― Judi Dench's Human Hand (methanietanner), Thursday, 17 June 2021 19:57 (two years ago) link
there are several great Altman films, and a lot of good ones, but I thought Popeye was mediocre.
― Dan S, Friday, 18 June 2021 02:43 (two years ago) link