RW Fassbinder: C/D, S/D, Y/DA-Y/DA

I think for me it was the horse and cow in the long cut of Andrei Rublev. I don't remember anything like that from Touki Bouki.

interesting to hear the various reactions to these things--they all come to mind, though one that got me just tonight was rewatching Godard's Weekend, when the pig is sledgehammered on the head. The other one that I close my eyes for is the seals being clubbed in The Devil, Probably. I saw Wake in Fright years ago at a revival and remember nothing of the slaughter, just that it's in there somewhere. Roar is worth seeing for the reverse situation, actors being slightly to mediumly maimed by lions and shit. it's cool. I just watched Touki Bouki last week, they skin and cut a deer or something iirc. the colors are really saturated in that movie

but the slaughterhouse in 13 Moons is his most explicit depiction of the holocaust

Is that what it was meant to depicting?

A chunk of the monologue is about Anton Saitz growing up in Bergen-Belsen

Some more pictures from the making of 13 Moons. I like to think that RWF wore this white suit for the entire 35 day shoot. pic.twitter.com/5Iv6ymgwJb

— Nicky Smith (@nickyotissmith) March 2, 2021

He'd been wearing the white suit since 1970!

haha I know I know, he wears it in back to back films (American Soldier / Beware of a Holy Whore). Amazing he was able to keep it so clean in those 8 years. Then again, according to Kurt Raab, RWF "took more baths than the average German."

With Ingrid Caven, 1974.

https://img.welt.de/img/icon/partnerschaft/mobile174506691/2972503117-ci102l-w1024/Conrad-JENNINGS-Rainer-Werner-FASSBINDER-und-Ingrid-CAVEN-1974.jpg

Anyone have opinions on the new biopic?

Didn't know there was one.

https://en.wikipedia.org/wiki/Enfant_Terrible_(film)?wprov=sfti1

It’s showing in DC soon but on a midweek

I saw this biopic last night. A lot of the anecdotes were familiar from the book Fassbinder Film Maker, by Ronald Hayman, which I read ages ago, and I've seen all the films they depicted. I thought the main actor was very skillful, capturing him at his kindest and cruelest, and the film captured the relationships among his troupe too. The visual style is expressionist, with lots of pools of blue and red light in the darkness, and no exterior scenes, but it nodded to Fassbinder's style without ever being cute or clever about it.
It's certainly better than Le Redoutable, the pointless Godard/Wiazemsky film that came out a few years ago, apparently the only biopic about a film director I've seen.

Finally watched Martha, a rather sour Sirk pastiche with hints of Gaslight.

It’s awesome—Fassbinder called it a sadist and a masochist finding the ideal partner. Is it on DVD?

And of course there’s this dynamo of a shot:

https://www.youtube.com/watch?v=iiS2kJCLhgA

Yes, I saw it on DVD.

It's on Criterion Channel too.

Id put it into the second-tier because the first half faffs around a bit.

Gets more and more hysterical as it goes on.

what kind of freak gets in the front seat of a taxi

It's not top-tier RWF, sure.

I don't know, it's pretty damn good!

Exactly -- good not great!

Good, not Querelle

a milkshake?