Rolling Classical 2021

As a final addendum to 2020, two albums I missed out on last year:

David Chaillou’s Légendes as played by Laura Mikkola, a beautiful piano cycle that melds post-minimalism (that word again!) with the post-Debussyan French tradition, so you’ll hear echoes of Dutilleux and, to a lesser extent, Grisey. Lovely and accessible yet never simplistic.

Four recordings from the Donaueschinger Musiktage 2019 that only just popped up on streaming services despite their official (physical) release last October: works by Mark Andre, Johannes Boris Borowski, Eva Reiter and Alberto Posadas. Andre – a French (ex-French?) student of Lachenmann’s who makes residually ‘religious’ music inspired by his Lutheran faith and his fascination with etymological word-fragments – and Posadas – a Spanish post-spectralist with a gift for poetically imaginative writing – are among my favourite living composers, so this one was a no-brainer for me, but all contributions here are very much worthwhile if you care for the continental European scene.

I listened to the Chaillou disc in the background. It seemed pretty and well-crafted but didn't make an extremely strong first impression - that's not necessarily a bad thing, though. I will come back to it since it's the kind of thing I've been wanting more of.

It’s nothing earth-shattering but I’m partial to this idiom and Chaillou does justice to it, I think. Also, fwiw, I liked my second encounter with it better – my first was closer to your assessment (and, who knows?, perhaps my third as well).

György Kurtág just turned 95!

To mark this, a new recording of The Saying of Péter Bornemisza, with Tony Arnold and Gábor Csalog, was released today.

BMC records, the Hungarian label, is hosting a four-day Kurtág festival:

https://bmc.hu/en/news/kurtag-95

Amsterdam's Muziekgebouw and Pierre-Laurent Aimard will also be streaming several works of his:

https://www.muziekgebouw.nl/agenda/10508/Asko_Schonberg_Gerrie_de_Vries/Kurtag_95/

Livestream concert at 8:30 Eastern time by Twin Cities new music org 113 Composers: https://www.youtube.com/watch?v=QsBCn3W5DF8

Bandcamp did a contemporary classical list: https://daily.bandcamp.com/best-contemporary-classical/best-of-bandcamp-contemporary-classical-february-2021

It's at a significant remove from my own preferences, but I'm glad they're doing this. The O'Rourke in particular is incredible.

Characteristically terrific, semi-improvised electroacoustic duos between Richard Barrett (composition and electronics) and five musicians: Daryl Buckley (electric lap steel guitar and electronics), Ivana Grahovac (cello), Lori Freedman (bass clarinet), Anne La Berge (flute) and Lê Quan Ninh (percussion):

https://richardbarrett.bandcamp.com

Rewards, even requires close listening, of course. Tim Rutherford-Johnson wrote about it on his Rambler blog:

https://johnsonsrambler.wordpress.com

Wow, "Dysnomia" is certainly promising, for starters...

Dudamel's Ives set won the Grammy for orchestral performance.

A deserving winner, especially since Concurrence by the Iceland Symphony Orchestra & Daníel Bjarnason came out in 2019…

Dudamel's Ives set won the Grammy for orchestral performance.

A covid-era concert of chamber music by the Ensemble InterContemporain, featuring works by Debussy, Kurtág, Saariaho and Sinnhuber:

https://www.youtube.com/watch?v=Gx8GXoMC67I

A few more Q1 favourites if anyone's interested:

Alberto Posadas – Veredas (Ricard Capellino Carlos)

Daniele Pollini – Schumann, Brahms, Schoenberg

Danish String Quartet – Prism III

Ferenc Stnétberger & Keller Quartett – Hallgató

György Kurtág – The Sayings of Péter Bornemisza (Tony Arnold & Gábor Csalog)

Johannes Brahms – Sonatas op. 120 (Antoine Tamestit & Cédric Tiberghien)

José Luis Hurtado – Parametrical Counterpoint (Talea Ensemble, José Luis Hurtado)

Jurgis Karnavičius – String Quartets Nos. 1 & 2 (Vilnius String Quartet)

Michaël Jarrell – Orchestral Works (T. Zimmermann, R. Capuçon, Orchestre National des Pays de la Loire, P. Rophé)

Richard Barrett – binary systems

Toshio Hosokawa – Works for Flute (Yoshie Ueno)

Posadas: six bottomlessly inventive pieces for solo saxophone that I shouldn't care for on paper but that sustain my interest throughout because Posadas is just that good.

Pollini: the son of you-know-who, also a pianist of note and no less remarkable an interpreter, here tackling Carnaval, the Klavierstücke op. 119 and three sets of piano pieces by Schoenberg. Incredible stuff.

Danish String Quartet: the first couple of volumes, pairing Beethoven with Bach and another composer were EOY highlights, and this third entry (featuring Bartók's early 1st SQ) is no exception.

Snétberger (apologies for the typo in my previous post) & Keller Quartett: features excellent performances of weepy classics by Shostakovich (8th SQ), Barber (Adagio) and Dowland, as well as more recent, equally wistful pieces for guitar and string quartet by Snétberger himself. One for the Weltschmerz heads.

Kurtág: a seemingly definitive performance of one of his most important early song cycles, somewhere between Bartók, Webern and Beckett. Hungarian is a notoriously difficult language, and Tony Arnold is astounding here.

Brahms: one of the best living 'star' violists paired with an excellent pianist takes on Brahms's late sonatas, which I personally can't get enough of. The bonus lieder with none other than Matthias Goerne are a nice touch.

Hurtado: MODERNISM'S NOT DEAD says this Mexican-American composer who studied under Davidovsky, Czernowin, Lindberg, Ferneyhough and Lachenmann, and he's damn right about that if these typically demanding works for chamber ensemble are anything to go by.

Karnavičius: an obscure early 20th century Lithuanian composer presented as the missing link between Tchaikovsky and Shostakovich. I was skeptical at first but these are very good works in that late Romantic / early modernist vein I love so much.

Jarrell: Swiss composers are stupidly underrated and Jarrell is no exception, yet there is so much to like about the aesthetic liberalism of these works, which draw as much upon the postwar French tradition as upon its German counterpart. This is music that aspires towards the condition of poetry (whatever that means!).

Barrett: one of my favourite living composers, just relentlessly exploratory in his approach to music-making and one of the few imo whose interest in the intersection between aesthetics and politics comes across as genuinely thought out and convincing. Follow that Rambler link I posted upthread if you're curious.

Hosokawa: another year, another Hosokawa release (in fact the second this year for Kairos), which is of course a very good thing if a less lush and more austere Takemitsu sounds appealing to you (it certainly appeals to me!).

Re: Kurtag is there any legal way to hear or watch fin de partie with English translation/subtitles?

Not to my knowledge, I'm afraid. You could follow along with a copy of Beckett's own English translation (Endgame), but that's hardly ideal.

Hope ECM or someone gets on that.

I assume Manfred Eicher is waiting for Kurtág to complete the work. Time's running out, though...

Vested interest since I'm involved with several events but I think the 21st Century Guitar Conference, entirely virtual this year and starting tomorrow, may be of general interest as well. A lot of performances, new premieres as well as talks and discussions: http://www.21cguitar.com/livestream

Looks cool. I'm too swamped to attend anything these days but thanks for the heads up and have fun!

Speaking of the 21st (and 20th) century guitar, DaCapo just released a monograph devoted to Danish guitarist-composer Lars Hegaard and it's quite lovely, on the gentler, more impressionistic end of high modernism.

Oh thanks, I'll look for that.

Another recently released record that I feel the need to stan for is Caeli by Bára Gísladóttir & Skúli Sverrisson, which is an epic (2h+) sky-touched duo for double-bass and electronics that draws on Scelsi, spectralism, Stefano Scodanibbio, ambient and noise. I'll need to look into Sverrisson's other duos (there's one with Bill Frisell from 2018, for instance).

Alejandro Tentor killing Murail's Tellur rn.

Free/PWYC Angela Hewitt livestream concert at 4:00 EDT today: https://www.thegilmore.org/event/angela-hewitt/

Thinking about it myself.

New Adam Cicchillitti/Steve Cowan album Intimate Impressions/Impressions intimes is all arrangements of music by Ravel, Debussy, Tailleferre, Jolivet, and Mompou: https://open.spotify.com/album/5hWYCrIHZuRpMXmugoQ3vL?si=cZIHrq_KRBKvL8GvGPNpeA . Much softer than Focus but pretty, intricate, and really precisely played and recorded. Adam also played Benjamin Dwyer's first etude at 21CG, which was great.

Here's a video of that Dwyer study, actually:
https://www.youtube.com/watch?v=5RYYWqcNCao

I'm a fan of the repertoire so I'll check out the album for sure.

*micropolyphonically* Nice. pic.twitter.com/rf8Ms4U5uU

— Robert Komaniecki (@Komaniecki_R) April 8, 2021

I wonder if Beethoven also had it in mind when he wrote his third cello sonata?