70s Salsa (was The Fania Label 1970-1980: S/D)

Okay, it was pointed out to me that there was a personal recollection from the violinist Sam Bardfeld, who is a friend of friends and plays with a lot of name acts.

Ugh, don't like the way that sounds.

Been slowly digging into this scene over the last year. Don't know much Pacheco, but i stumbled on some Willie Rosario that I really liked. Justo Betancourt's Leguleya No album is my favorite so far.

Willie Colon's Twitter feed is... disappointing.

there was a period of time when the Zavvi i had access to during my lunch hour was getting in Fania cd reissues overstocks and selling them off for £1 each.
despite not being into salsa at all, i grabbed what i could when i could (about 12 albums in the end).
when the sun comes out i still put them on and enjoy them more and more each time.

A 2020 article on Alegre Records who recorded Pacheco before he later co-founded Fania

https://www.udiscovermusic.com/stories/alegre-records-history/

Here he is with fellow legend, Queen Mother Celia Cruz and his collective Fania All Stars in Zaire in 1974. Johnny Pacheco conducting the musicians and dancing w Celia like a boss. It’s the joy.
RIP Johnny Pacheco. pic.twitter.com/NUKYlxiKgN

— Karla ~ Ovalle (@KarlaValley) February 15, 2021

that rules!!

https://www.nytimes.com/2021/02/17/arts/music/johnny-pacheco-fania-records-playlist.html

Brief bio plus 15 cuts Pacheco was involved with

https://elpais.com/babelia/2021-02-25/johnny-pacheco-del-nuevo-tumbao-al-tumbao-anejo.html?ssm=TW_CC?event_log=oklogin&prod=REGCRARTBAB&o=cerrbab

The Cuban writer Leonardo Padura published last year Los rostros de la salsa (Tusquets), a book in which the author offers an intimate portrait of the genre through conversations with its main icons, such as Rubén Blades, Willie Colón, Juan Formell and Johnny Pacheco. We reproduce in full the one that he maintained in 1995 with the latter, who died on February 16 , in which he reviews his career from his frenetic adventures in New York in the seventies to the creation of the Fania record company and its consolidation as a name indispensable of Latin music.

An interesting interview translated to English

in addition to the charanga I had an ensemble that played in the style of the Sonora Matancera, Arsenio and Chapotín, and in '64 I was left alone with this group. So I started with thatCuban tumbao , but I added a tres and instead of the timbales I included a bongo and that's where "the new Pacheco tumbao " began, which would later be known as the " tumbao ", and now as the " old tumbao ", because I've been 30 years with the same formula. Since I learned it with Cugat, I always say that if a formula works, there is no reason to change it, and with that tumbao I have had the good fortune to record many of the greats of Latin music: Daniel Santos, Julio González, Pete Conde Rodríguez, Héctor Casanova, and my divine goddess, Celia Cruz.

I have the English translation of that book, Faces Of Salsa, and it is a very good read.

I should get that book

Thursday interview 7:30 et with Cita Rodriguez , singer w/ Mambo Legends Orchestra and daughter of Pete El Conde Rodriguez , Fania artist, sponsored by the Hostos Center for Arts & Culture as part of the Conversaciones Musica series

https://www.facebook.com/1661302984112144/posts/2861425087433255/?d=n

RIP Fania label legendary pianist Larry Harlow

https://www.npr.org/2021/08/20/1029760076/larry-harlow-salsa-music-icon-dead

RIP Larry. Have been obsessed with this record for a while.
https://www.youtube.com/watch?v=1y9uwafGrlM

Thanks. So many cool little elements to “Dame un Tipi”— the spoken tone of the woman vocalist, the steady driving clave backbeat via Harlow and others, the various instrumental touches thrown on top

The whole album is delicious. It's a shame it's so ridiculously expensive on Discogs!