Got about 3 hours in, it’s wonderful stuff but I need a break, from sitting if nothing else
― Canon in Deez (silby), Monday, 15 February 2021 21:30 (three years ago) link
i guess i'd be curious to hear what the argument is that its not just class tourism.
― nobody like my rap (One Eye Open), Monday, 15 February 2021 21:57 (three years ago) link
Idk it is a less hygienic and abstracted vision of industrial labor than say How It‘s Made
― Canon in Deez (silby), Monday, 15 February 2021 22:00 (three years ago) link
― nobody like my rap (One Eye Open), Monday, February 15, 2021 4:57 PM (one hour ago)
I haven't seen this, but it seems far more incumbent on you to explain why that's the only possible reading of a film you haven't seen and know nothing about.
Anyway here's an essay: https://cinema-scope.com/features/perfect-game-kevin-jerome-eversons-park-lanes/
― rob, Tuesday, 16 February 2021 00:16 (three years ago) link
I was literally soliciting other readings
― nobody like my rap (One Eye Open), Tuesday, 16 February 2021 00:34 (three years ago) link
Hm
The abstraction of each of these workers’ components actually permits us, Everson, and even possibly the workers themselves, to regard these objects from a certain aesthetic distance. The man who is busily fitting lug-nuts at metallic shafts together in uncertain configurations seems to be solving a problem rather than following a lock-step set of orders, and as we watch him put pieces together and take them apart, it looks quite a bit like Jude Law assembling the gristle gun in Cronenberg’s eXistenZ (1999).
― nobody like my rap (One Eye Open), Tuesday, 16 February 2021 00:45 (three years ago) link
listen, lots of things are like Jude Law assembling the gristle gun in Cronenberg’s eXistenZ (1999)
― Daniel_Rf, Tuesday, 16 February 2021 11:32 (three years ago) link
Are any of the Mae West movies worth watching?
― wasdnuos (abanana), Wednesday, 17 February 2021 22:41 (three years ago) link
My Little Chickadee is worth a watch. Great final line.
The only other one I've seen among the Criterion Channel lot is Go West Young Man, which is watchable, but rather tame and not especially funny by Mae standards.
― edited for dog profanity (cryptosicko), Wednesday, 17 February 2021 22:47 (three years ago) link
I'm No Angel is probably the best one; beyond that I would temper my expectations
― Josefa, Wednesday, 17 February 2021 22:59 (three years ago) link
Yeah, I'm slowly working my way through them atm and haven't been bowled over yet. Same with W.C. Fields tbh.
― The Mandolinrainian (Old Lunch), Wednesday, 17 February 2021 23:19 (three years ago) link
Have you watched The Fatal Glass of Beer? Sometimes my pick for the funniest movie ever made (and its only 20 mins long).
― edited for dog profanity (cryptosicko), Thursday, 18 February 2021 00:49 (three years ago) link
don't know about Park Lanes but just watched Jude Law assemble the gristle gun in eXistenZ, that was a strange and unpleasant movie
― Dan S, Thursday, 18 February 2021 01:09 (three years ago) link
fyi everyone this program is wonderful and about the length of a feature, slightly shorter even
https://www.criterionchannel.com/shorts-for-days-women-auteurs-1
― Warmed Regards, (Stevie D(eux)), Monday, 22 February 2021 22:12 (three years ago) link
March titles: https://www.criterion.com/current/posts/7289-the-criterion-channel-s-march-2021-lineup
Usually a flat list of films on FB or Criterioncast beats criterion.com's official post, but not this time.
― Motoroller Scampotron (WmC), Thursday, 25 February 2021 21:34 (three years ago) link
i recommend jules dassin's 'uptight' (1968), streaming as part of the ruby dee collection on CC now. the film transposes the plot of john ford's 'the informer' to a black revolutionary cell in cleveland in 1968, in the days following MLK's assassination (the film opens with dassin's own footage of his funeral in memphis). dee and julian mayfield, who stars as the stool pigeon, co-wrote the screenplay with dassin.
good writeup (with spoilers) here:
https://brightlightsfilm.com/dont-talk-to-us-about-being-killed-uptight-and-the-problem-of-black-cinema-in-hollywood/#.YDgpc5NKiT8
― donna rouge, Thursday, 25 February 2021 23:13 (three years ago) link
cosign on uptight. Score by Booker T and the MGs
― jbn, Friday, 26 February 2021 00:14 (three years ago) link
Full list for March:
The Adventurer, Charles Chaplin, 1917Bandini, Bimal Roy, 1963Behind the Screen, Charles Chaplin, 1916Black Jack, Ken Loach, 1979Black Rodeo, Jeff Kanew, 1972Blood Simple, Joel and Ethan Coen, 1984Boat People, Ann Hui, 1982Boneshaker, Nuotama Frances Bodomo, 2013Brother to Brother, Rodney Evans, 2004Buffalo Soldiers, Charles Haid, 1997 *Cast a Dark Shadow, Lewis Gilbert, 1955Charles and Lucie, Nelly Kaplan, 1979Christmas in July, Preston Sturges, 1940City of Women, Federico Fellini, 1980Cooley High, Michael Schultz, 1975The Count, Charles Chaplin, 1916The Cure, Charles Chaplin, 1917The Damned, Luchino Visconti, 1969Darling, John Schlesinger, 1965Death in Venice, Luchino Visconti, 1971Dementia, John Parker, 1955Despair, Rainer Werner Fassbinder, 1978Devdas, Bimal Roy, 1955The Diabolic Tenant, Georges Méliès, 1909Do bigha zamin, Bimal Roy, 1953Don’t Blink – Robert Frank, Laura Israel, 2015Down on the Sidewalk in Waikīkī, Justyn Ah Chong, 2019Duel at Diablo, Ralph Nelson, 1966Easy Street, Charles Chaplin, 1917Edge of the City, Martin Ritt, 1957Everybody Dies!, Nuotama Bodomo, 2016The Fireman, Charles Chaplin, 1916The Floorwalker, Charles Chaplin, 1916Giuseppe Makes a Movie, Adam Rifkin, 2014Good Bye, Lenin!, Wolfgang Becker, 2003Grace Jones: Bloodlight and Bami, Sophie Fiennes, 2017The Great McGinty, Preston Sturges, 1940Gun Crazy, Joseph H. Lewis, 1950Hail the Conquering Hero, Preston Sturges, 1944Home, Ursula Meier, 2008 *The Immigrant, Charles Chaplin, 1917The Impossible Voyage, Georges Méliès, 1904The In-Laws, Arthur Hiller, 1979The Infernal Cauldron, Georges Méliès, 1903Intervista, Federico Fellini, 1987The Inventor Crazybrains and His Wonderful Airship, Georges Méliès, 1906Joan of Arc, Georges Méliès, 1900Kalewa, Mitchel Viernes, 2018The Killing of a Chinese Bookie, John Cassavetes, 1976The Kingdom of the Fairies, Georges Méliès, 1903The Lady Eve, Preston Sturges, 1941Lāhainā Noon, Christopher Kahunahana, 2014The Last Tree, Shola Amoo, 2019The Legend of Black Charley, Martin Goldman, 1972Let the Sunshine In, Claire Denis, 2017 *Madhumati, Bimal Roy, 1958Mandabi, Ousmane Sembène, 1968Marcello Mastroianni: I Remember, Anna Maria Tatò, 1997Mary Last Seen, Sean Durkin, 2010The Merry Frolics of Satan, Georges Méliès, 1906Miracle of Morgan’s Creek, Preston Sturges, 1943Moloka‘i Bound, Alika Maikau, 2019The Moon and the Night, Erin Lau, 2018Naal, Sudhakar Reddy Yakkanti, 2018A New Leaf, Elaine May, 1971Nights of Cabiria, Federico Fellini, 1957One A.M., Charles Chaplin, 1916Opening Night, John Cassavetes, 1977Other People, Bryson Chun, 2018Pandora and the Flying Dutchman, Albert Lewin, 1951Papa the Little Boats, Nelly Kaplan, 1971The Palm Beach Story, Preston Sturges, 1942The Pawnshop, Charles Chaplin, 1916The Pillar of Fire, Georges Méliès, 1899The Pit Where We Were Born, Alexander Bocchieri, 2018The Pleasure of Love, Nelly Kaplan, 1991Posse, Mario Van Peebles, 1993Relic 0, Larry Achiampong, 2017Relic 1, Larry Achiampong, 2017Relic 2, Larry Achiampong, 2019Relic 3, Larry Achiampong, 2019Rip’s Dream, Georges Méliès, 1905Robinson Crusoe, Georges Méliès, 1903Rock ’n’ Roll High School, Allan Arkush, 1979Rosewood, John Singleton, 1997The Sea Shall Not Have Them, Lewis Gilbert, 1954Sergeant Rutledge, John Ford, 1960Shane, George Stevens, 1953Sister, Ursula Meier, 2012 *Skin Game, Paul Bogart and Gordon Douglas, 1971Song of Freedom, J. Elder Wills, 1936Sujata, Bimal Roy, 1959Sullivan’s Travels, Preston Sturges, 1941A Trip to the Moon, Georges Méliès, 1902The Twentieth Century, Matthew Rankin, 2019 *Unfaithfully Yours, Preston Sturges, 1948The Vagabond, Charles Chaplin, 1916Variety Lights, Federico Fellini, 1950A Very Curious Girl, Nelly Kaplan, 1969Vision Portraits, Rodney Evans, 2019The Visitor, Antonio Pietrangeli, 1965The White Sheik, Federico Fellini, 1952Whimsical Illusions, Georges Méliès, 1910The Witch, Georges Méliès, 1906Women Make Film, Mark Cousins, 2018
― Motoroller Scampotron (WmC), Friday, 26 February 2021 14:57 (three years ago) link
holy shit I am so stoked abt A NEW LEAF and BOAT PEOPLE
― Warmed Regards, (Stevie D(eux)), Friday, 26 February 2021 15:29 (three years ago) link
Sujata, Bimal Roy, 1959
^this is really good iirc
― rob, Friday, 26 February 2021 15:32 (three years ago) link
Be sure to take a few minutes to check out the Méliès stuff. It's magical and helps restore my faith in humanity.
― TO BE A JAZZ SINGER YOU HAVE TO BE ABLE TO SCAT (Jazzbo), Friday, 26 February 2021 16:31 (three years ago) link
does anyone have any specific recommendations from the black westerns collection?
― na (NA), Friday, 26 February 2021 16:50 (three years ago) link
Duel at Diablo is a very good western. It's not really "black" per se... Sidney Poitier is a character in it.
― Josefa, Friday, 26 February 2021 16:55 (three years ago) link
Sergeant Rutledge! A great John Ford "b-side"--one of the smaller movies he made quickly in between the big ones. Woody Strode is great, and it's Billie Burke's last movie (the good witch in Oz)
― flappy bird, Friday, 26 February 2021 18:19 (three years ago) link
― TO BE A JAZZ SINGER YOU HAVE TO BE ABLE TO SCAT (Jazzbo), Friday, February 26, 2021 11:31 AM (three hours ago) bookmarkflaglink
otm
― Warmed Regards, (Stevie D(eux)), Friday, 26 February 2021 19:58 (three years ago) link
April titles:
5 Card Stud, Henry Hathaway, 1968The Adventures of Prince Achmed, Lotte Reiniger, 1926Aladdin and the Magic Lamp, Lotte Reiniger, 1954And Nothing Happened, Naima Ramos Chapman, 2016Animal Crackers, Victor Heerman, 1930Any Number Can Play, Mervyn LeRoy, 1949Apparition, Isabel Sandoval, 2012Arabian Nights, Pier Paolo Pasolini, 1974Araya, Margot Benacerraf, 1959At the Circus, Edward Buzzell, 1939Atlantic City, Louis Malle, 1980 *The Automobile, Alfredo Giannetti, 1971Bad Girls Go to Hell, Doris Wishman, 1965The Big Gundown, Sergio Sollima, 1967The Big Store, Charles Reisner, 1941The Big Trim, John Magary, 2020The Bird with the Crystal Plumage, Dario Argento, 1970Bob le flambeur, Jean-Pierre Melville, 1956Buena Vista Social Club, Wim Wenders, 1999Burn!, Gillo Pontecorvo, 1969California Split, Robert Altman, 1974The Caliph Stork, Lotte Reiniger, 1954Caught, Max Ophüls, 1949 *Chef Flynn, Cameron Yates, 2018 *Chop Shop, Ramin Bahrani, 2007Companeros, Sergio Corbucci, 1970Contempt, Jean-Luc Godard, 1963 *Croupier, Mike Hodges, 1998Dark City, William Dieterle, 1950A Day at the Races, Sam Wood, 1937Days of Heaven, Terrence Malick, 1978Days of Wine and Roses, Blake Edwards, 1962Death Rides a Horse, Giulio Petroni, 1967Did You Wonder Who Fired the Gun?, Travis Wilkerson, 2017Dr. Dolittle: A Trip to Africa, Lotte Reiniger, 1928Dr. Dolittle: Lion’s Den, 1928Duck Soup, Leo McCarey, 1933Duck, You Sucker, Sergio Leone, 1971El Condor, John Guillermin, 1970Experiment in Terror, Blake Edwards, 1962The Flying Coffer, Lotte Reiniger, 1922Force of Evil, Abraham Polonsky, 1948 *The Gambler, Karel Reisz, 1974The Garden, Derek Jarman, 1990Gilda, Charles Vidor, 1946A Girl Missing, Kōji Fukada, 2019Go West, Edward Buzzell, 1940Grand Illusion, Jean Renoir, 1937Hair Wolf, Mariama Diallo, 2018Hard Eight, Paul Thomas Anderson, 1996Harlequin, Lotte Reiniger, 1931Hitch-Hike, Pasquale Festa Campanile, 1977Horse Feathers, Norman Z. McLeod, 1932House of Games, David Mamet, 1987How Green Was My Valley, John Ford, 1941The Human Factor, Edward Dmytryk, 1975The Hustler, Robert Rossen, 1961Investigation of a Citizen Above Suspicion, Elio Petri, 1970The Las Vegas Story, Robert Stevenson, 1952The Leopard, Luchino Visconti, 1963Little Women, Gillian Armstrong, 1994A Loft, Ken Jacobs, 2010The Lost Son, Lotte Reiniger, 1974Machine Gun McCain, Giuliano Montaldo, 1969The Magic Horse, Lotte Reiniger, 1974Man Push Cart, Ramin Bahrani, 2005The Man Who Cheated Himself, Felix E. Feist, 1950Mayor, David Osit, 2020McCabe & Mrs. Miller, Robert Altman, 1971The Mend, John Magary, 2014The Mercenary, Sergio Corbucci, 1968Meshes of the Afternoon, Maya Deren, Alexandr Hackenschmied, 1943The Mission, Roland Joffé, 1986Momma’s Man, Azazel Jacobs, 2008Monkey Business, Norman Z. McLeod, 1931Moonrise, Frank Borzage, 1948New Homeland, Barbara Kopple, 2018A Night at the Opera, Sam Wood, 1935Night Train Murders, Aldo Lado, 1975Oxhide, Liu Jiayin, 2005Oxhide II, Liu Jiayin, 2009Papageno, Lotte Reiniger, 1935Picnic, Joshua Logan, 1955Pink Narcissus, James Bidgood, 1971The Professional, Georges Lautner, 1981A Quiet Place in the Country, Elio Petri, 1968Raining in the Mountain, King Hu, 1979Ripley’s Game, Liliana Cavani, 2002Room Service, William A. Seiter, 1938Rupture, Yassmina Karajah, 2017The Secret of the Marquise, Lotte Reiniger, 1922Señorita, Isabel Sandoval, 2011Shaft, Gordon Parks, 1971Shaft’s Big Score!, Gordon Parks, 1972Smooth Talk, Joyce Chopra, 1985Sons of the Desert, William A. Seiter, 1933 *The Star of Bethlehem, Lotte Reiniger, 1956The Stolen Heart, Lotte Reiniger, 1934Tabula Rasa, Matthew Rankin, 2011That’s Life!, Blake Edwards, 1986To Sleep with Anger, Charles Burnett, 1990The Third Man, Carol Reed, 1949This Is Not a Film, Jafar Panahi, Mojtaba Mirtahmasb, 2011 *Winged Migration, Jacques Cluzaud, Michel Debats, Jacques Perrin, 2001 *A Woman, a Gun and a Noodle Shop, Zhang Yimou, 2009 *Words, Planets, Laida Lertxundi, 2018The World of Gilbert & George, Gilbert & George Passmore, 1981Yellow Fever, Ng’endo Mukii, 2012
― Motoroller Scampotron (WmC), Friday, 26 March 2021 12:44 (three years ago) link
i thought days of heaven was one of the movies that's going away this month? are they taking it away and then adding it back?
― na (NA), Friday, 26 March 2021 13:57 (three years ago) link
i am pumped that mccabe & mrs. miller is coming back, last time i had to turn it off with about a half hour left because i was too tired, forgetting that it was the last day of the month and it would be gone the next day
― na (NA), Friday, 26 March 2021 14:06 (three years ago) link
whoa very excited about all the Lotte Reiniger stuff!
― nobody like my rap (One Eye Open), Friday, 26 March 2021 14:15 (three years ago) link
I really need to carve out more time to use this service. Lots of great stuff. Also maybe I'll finally get around to watching Bob Le Flambeur.
― Nhex, Friday, 26 March 2021 14:23 (three years ago) link
one thing that's great about bob le flambeur is lots of french people saying "bob" in french accents
― na (NA), Friday, 26 March 2021 14:26 (three years ago) link
I wish they'd get Only Angels Have Wings back so I can finish watching it. The prints are so much more beautiful than the other streaming services, I'd always rather just wait. (Also I don't have a Bluray player.)
― Chuck_Tatum, Friday, 26 March 2021 17:10 (three years ago) link
....go get one, bro!
― Nhex, Friday, 26 March 2021 17:44 (three years ago) link
damn the ending is so good too
― nobody like my rap (One Eye Open), Friday, 26 March 2021 17:51 (three years ago) link
I think Days of Heaven was gone for a month...it's not available right now. That happens a fair amount...Blood Simple was coming and going constantly. It's back now but I don't know if it's part of the permanent collection or not.
― Motoroller Scampotron (WmC), Saturday, 27 March 2021 04:00 (three years ago) link
lol I still mix up BOB LE FLAMBEUR and PIERROT LE FOU, I have seen neither and have no idea what either one of them are about but every time I see either of them I'm like "oh yeah that one Godard film"
I saw a screening of BAD GIRLS GO TO HELL a few years ago and it is... rough
― Warmed Regards, (Stevie D(eux)), Saturday, 27 March 2021 21:13 (three years ago) link
Waiting for the WKW sh1t to be ripped and shared
― calstars, Saturday, 27 March 2021 21:44 (three years ago) link
How Green Was My Valley is necessary to show to anyone that dismisses John Ford or doesn't like Westerns--it's probably one of the most visually moving and evocative "memory pieces" I've ever seen. Don't watch it if you don't like Irish people
― flappy bird, Sunday, 28 March 2021 05:28 (three years ago) link
Sergeant Rutledge, fwiw, is a better liberal race 1960s movie than, for example, Guess Who's Coming to Dinner
― flappy bird, Sunday, 28 March 2021 05:29 (three years ago) link
Got a line on 2046, 24 gig rip
― calstars, Sunday, 28 March 2021 17:05 (three years ago) link
Been watching some films with Morricone scores this past week -- Big Gundown, Machine Gun McCain, Bird w/the Crystal Plumage. McCain was the least of the films for sure.
― Motoroller Scampotron (WmC), Tuesday, 6 April 2021 02:20 (three years ago) link
May 2021 titles:
Along for the Ride, Nick Ebeling, 2016Bad Day at Black Rock, John Sturges, 1955**The Backseat, Joe Stankus and Ashley Connor, 2017The Blot, Lois Weber, 1921The Blue Dahlia, George Marshall, 1946The Booksellers, D. W. Young, 2019Butter on the Latch, Josephine Decker, 2013The Cat o’ Nine Tails, Dario Argento, 1971The Chess Players, Satyajit Ray, 1977The Cigarette, Claire Parker and Alexandre Alexeieff, 1933 Cowboy, Delmer Daves, 1958Crossfire, Edward Dmytryk, 1947Dance, Girl, Dance, Dorothy Arzner, 1940Darling, How Could You!, Mitchell Leisen, 1951Day of Freedom, Leni Riefenstahl, 1935Death Takes a Holiday, Mitchell Leisen, 1934Dina, Dan Sickles, Antonio Santini, 2017Discontent, Lois Weber and Allen G. Siegler, 1916The Dumb Girl of Portici, Lois Weber, 1916Easy Living, Mitchell Leisen, 1937The Erl King, Marie-Louise Iribe, 1931Escapes, Michael Almereyda, 2017The Fall, Jonathan Glazer, 2019Falling Leaves, Alice Guy Blaché, 1912The Fate of Lee Khan, King Hu, 1973Fire Will Come, Oliver Laxe, 2019**First Day Out, Josephine Decker, 2016Flames, Zefrey Throwell, Josephine Decker and Zefrey Throwell, 2017Girlfriends, Claudia Weill, 1978The Girl in the Armchair, Alice Guy-Blaché, 1912Gloria, John Cassavetes, 1980The Green-Eyed Blonde, Bernard Girard, 1957He Ran All the Way, John Berry, 1951The Heart of the World, Guy Maddin, 2000Hooligan Sparrow, Nanfu Wang, 2016The Hot Rock, Peter Yates, 1972The House Is Black, Forough Farrokhzad, 1962King Rat, Bryan Forbes, 1965Kitty, Mitchell Leisen, 1945Kitty Foyle, Sam Wood, 1940**The Last Detail, Hal Ashby, 1973The Last Emperor, Bernardo Bertolucci, 1987The Last Movie, Dennis Hopper, 1971The Last Sunset, Robert Aldrich, 1961Lilith, Robert Rossen, 1964Lonely Are the Brave, David Miller, 1962Mabel’s Strange Predicament, Mabel Normand, 1914Making an American Citizen, Alice Guy-Blaché, 1912Mala mala, Dan Sickles, Antonio Santini, 2014The Man in the Gray Flannel Suit, Nunnally Johnson, 1956MASH, Robert Altman, 1970The Mask Task, Josephine Decker, 2018Me the Terrible, Josephine Decker, 2012The Men, Fred Zinnemann, 1950Midnight, Mitchell Leisen, 1939Minnie and Moskowitz, John Cassavetes, 1971Miss Dundee and Her Performing Dogs, Alice Guy-Blaché, 1902Murder at the Vanities, Mitchell Leisen, 1934A Night on Bald Mountain, Claire Parker and Alexandre Alexeieff, 1933 No Man of Her Own, Mitchell Leisen, 1950Odds Against Tomorrow, Robert Wise, 1959On Dangerous Ground, Nicholas Ray, 1951On the Barricade, Alice Guy-Blaché, 1907Our Vines Have Tender Grapes, Roy Rowland, 1945Parabola, Mary Ellen Bute and Ted Nemeth, 1937Patton, Franklin J. Schaffner, 1969The Peasant Women of Ryazan, Olga Preobrazhenskaya and Ivan Pravov, 1927A Pistol for Ringo, Duccio Tessari, 1965Property Is No Longer a Theft, Elio Petri, 1973The Razor’s Edge, Edmund Goulding, 1946Rebecca of Sunnybrook Farm, Allan Dwan, 1938Remember the Night, Mitchell Leisen, 1940The Return of Ringo, Duccio Tessari, 1965Roman Holiday, William Wyler, 1953**The Set-Up, Robert Wise, 1949Shoes, Lois Weber, 1916Skinningrove, Michael Almereyda, 2013The Smiling Madame Beudet, Germaine Dulac, 1923Spartacus, Stanley Kubrick, 1960Spook Sport, Mary Ellen Bute, Norman McLaren, Ted Nemeth, 1940Squeezebox, Josephine Decker, 2010The Star Prince, Madeline Brandeis, 1918A Story Well Spun, Alice Guy-Blaché, 1906Suspense, Lois Weber and Phillips Smalley, 1913Tempest, Paul Mazursky, 1982The Thing, John Carpenter, 1982Thirty Seconds over Tokyo, Mervyn LeRoy, 1944Thou Wast Mild and Lovely, Josephine Decker, 2014To Each His Own, Mitchell Leisen, 1946To the Unknown, Michael Almereyda, 2017Tricheurs, Barbet Schroeder, 1984Welcome Home, Soldier Boys, Richard Compton, 1971What Happened Was . . . , Tom Noonan, 1994What Have You Done to Solange?, Massimo Dallamano, 1972Wild Combination: A Portrait of Arthur Russell, Matt Wolf, 2008The Wild Bunch, Sam Peckinpah, 1969William Eggleston in the Real World, Michael Almereyda, 2005The Woman Condemned, Dorothy Davenport, 1934Wolf, Mike Nichols, 1994
― In my house are many Manchins (WmC), Saturday, 24 April 2021 01:55 (three years ago) link
Girlfriends is GREAT
― flappy bird, Saturday, 24 April 2021 03:55 (three years ago) link
Anyone seen the William eggleston one?
― calstars, Saturday, 24 April 2021 11:40 (three years ago) link
Minnie and Moskowitz is pretty rare on streaming, right? Glad people will have a chance to check it out. Should have a higher profile among his works imo.
― Chris L, Saturday, 24 April 2021 12:22 (three years ago) link
It’s the only major Cassavetes that I’ve never been able to see, so I’m pretty excited about this.
― edited for dog profanity (cryptosicko), Saturday, 24 April 2021 13:14 (three years ago) link
The two "Ringo" westerns by Duccio Tessari are quite good and seldom seen here (both were extremely popular in Italy)
― Josefa, Saturday, 24 April 2021 15:14 (three years ago) link
Something I still remember: an interview with Janet Maslin where she said she thought Nicholson was great for the first half-hour of Wolf.
Interviewer: "What happened then?"Maslin: "He turned into a wolf."
I remember it as being pretty good.
― clemenza, Sunday, 25 April 2021 00:04 (three years ago) link
I remember the scene where he pees on James Spader (iirc) to be pretty great.
― Josh in Chicago, Sunday, 25 April 2021 00:28 (three years ago) link
The only thing I remember about that movie is a gag involving Nicholson's, er, keen sense of smell.
― edited for dog profanity (cryptosicko), Sunday, 25 April 2021 03:25 (three years ago) link