Rolling Country 2021

The article references that someone filmed some of the Ozarks jam sessions and has uploaded them to YouTube. The sessions are on hold for now but may resume in the spring in an open-air barn

Rodney Crowell and Friends:
Songs From Quarantine

https://f4.bcbits.com/img/a2871083772_10.jpg

Today Rodney is thrilled to share “Rodney Crowell and Friends: Songs From Quarantine” – a 13-song collection of rarities available for two weeks only on Bandcamp. All proceeds will benefit Music Health Alliance, who offers support to the music community nationwide, including critical mental health and COVID-19 resources in addition to access to healthcare, medicines, diagnostic tests, health-related debt relief and more. Every $1 raised equals $30 in Healthcare Resources to #HealTheMusic!

A very special thanks goes out to Ry Cooder, Elvis Costello, Emmylou Harris, Jeff Tweedy, Keith Urban, Taj Mahal, Lucinda Williams, Steve Earle, Rosanne Cash, John Leventhal, The Milk Carton Kids, Joe Henry, John Hiatt, and Ronnie Dunn for offering their music for a great cause.
https://rodneycrowell.bandcamp.com/album/songs-from-quarantine"> https://rodneycrowell.bandcamp.com/album/songs-from-quarantine

Drag City's idea ov folk-pop-country, haven't heard it yet:

JURKEN ON IT

I Stand Corrected is the debut of a new talent AND a new label, Country Thyme. When a label's formed to release a record, you'll usually hear something crucial upon dropping the needle: in this instance, the sounds of an honest-to-god, old-school song cycle in best riches-to-rags style. Classically uneasy, this claustrophobic journey rises and falls on the songs of E.R. Jurken and his spectral tenor, haunted via multiple overdubs, making heart stopping orchestral pop with the orchestra mostly muted.

I Stand Corrected took some time to stand up. During the 20-teens, E.R. Jurken – known to friends 'n fams ('n us) as Ed – drifted through his thirty-somethings, doing not all that well. This directionless course came to a head in 2012 with a traumatic series of events that hung over subsequently like a mist. Ed sold his belongings and began a series of moves, leading back to his former home of Chicago, where, seeking to rally, he bought a guitar off a stranger and got a referral from an old friend to longtime Drag City factotum Rian Murphy, who was interested in the sound of what Ed had in mind. From wounds just beneath the surface of his skin for so long, songs poured forth, with Ed demoing one per week on his mobile phone, featuring guitar and extensive vocal arrangements. After a few months, it was clear the cycle was complete.


Sessions at The Loft with Murphy and Mark Greenberg (engineer/secret weapon of hundreds of sessions, including Wilco, Andrew Bird, Edith Frost, Mavis Staples, Eleventh Dream Day and Richard Thompson), slowly drew the album into full-fleshed form. The sound of I Stand Corrected is often just acoustic guitar, offset by Ed's tableau of vocal arrangements. Murphy and Greenberg added just a touch of rhythm in spots and Paul Mertens (Paul McCartney, Elton John, Stereolab, The Sea and Cake, Brian Wilson) provided several horn arrangements that exquisitely complement the play of Ed’s guitars, keyboards and vocals.

Throughout the process that made I Stand Corrected, Ed's sense of release from an "erroneous" state to a "corrected" one was a powerful energy pointed suddenly outwards as music, which can now be transferred to the listener through the magic of recording technology. In the field of freaky records made by sensitive folk, E.R. Jurken's I Stand Corrected stands to stand tall.
To Be Released 2021-04-23

https://www.nytimes.com/2021/02/17/arts/music/black-women-country-music.html

Thanks, will read that when get away from email. Considering how many country albums have applied the Mellentemplate of yore, before he started changing it up w various rootsier moves, guess this update is thread-relevant on both counts:

New York, NY (February 16, 2021) – Today, John Mellencamp announces he’s set to unveil his new live album and documentary titled: The Good Samaritan Tour this spring. The documentary, which will be narrated by Academy® Award winner Matthew McConaughey, chronicles Mellencamp’s historic free tour in 2000 when he performed on street corners and in public parks across the country.

In addition, Mellencamp will soon return to the studio to finish recording his 25th album. Prior to the onset of the Global Pandemic, he had already cut ten tracks and plans to record another 17 for the project. Teasing what’s to come, he shared a clip of one new tune, “I Always Lie To Strangers.” Listen to the new track here. Look out for more news on the release date and touring information soon.

The new music is just one of many new projects Mellencamp has been working on including original plays, paintings and more.

His documentary It’s About You is now available to be viewed in full at www.mellencamp.com. The documentary, which came out in 2012, highlights his 2009 No Better Than This tour with Bob Dylan and Willie Nelson.

In addition to music and film, Mellencamp will resume production (Covid pending) for an untitled original play directed by Kathleen Marshall, produced by Scott Landis, and written by Naomi Wallace. Setting the stage, he dropped a video of Connor Antico and Morgan Pereira rehearsing virtually. Watch it HERE.

During the past year-and-a-half Mellencamp has continued to devote much of his time to painting.
Visit www.johnmellencampart.com to see his original artwork.

More release dates for all of the above coming soon!

FOR MORE INFORMATION
Taylor Vaughn
Taylor.Vaughn at umusic.com

thanx to forks for this tasty item on Brandy Clark 12 Stories thread:

n celebration of the one-year anniversary of her critically acclaimed album, Your Life is a Record, eight-time GRAMMY nominee Brandy Clark will release a special new deluxe edition, Your Life is a Record (Deluxe), on March 5 on Warner Records. In addition to all eleven songs from Your Life is a Record, the deluxe album will feature six bonus tracks including “Remember Me Beautiful,” a new song Clark wrote earlier this year as part of NPR’s Morning Edition Song Project. The album will also feature special collaborations with Brandi Carlile (“Like Mine” and “Same Devil”) and Lindsey Buckingham (“The Past is the Past”) as well as live renditions of two album tracks: “Pawn Shop” and “Who You Thought I Was."

Moreover, in honor of the album’s anniversary, Clark will perform her first ticketed Livestream concert Saturday, March 6 at 8/7 CT via Mandolin. Tickets for the show are available now with a selection of purchase options, including a limited number of VIP packages with signed merchandise and a virtual meet & greet. Fans will also have the option to add a digital download of the deluxe album to their Livestream ticket, to be delivered on release day. Full details can be found at https://boxoffice.mandolin.com/collections/brandy-clark.

i'm mostly curious about the live tracks

https://www.youtube.com/watch?v=0CH-ANhSFBA

New Ashley Monroe song “Drive “ from her upcoming album. I like the country- surf guitar and her breathy vocals are ok but the composition kinda feels unfinished

From Miranda Lambert's enewsletter:

Announcing The Marfa Tapes

A project by Jack Ingram, Jon Randall and me. Recorded in Marfa, TX. They’re raw. You can hear the wind blowing, the cows mooing... We wanted you to feel like you were right there with us, sitting around the campfire, escaping the world, disappearing into the music. The first song “In His Arms” is out now. Full album arrives May 7th. Song is streaming in the usual places.

Oh yeah, speaking again of SG Goodman, she's on the first new Mountain Stage show since Before Times, with Chuck Prophet, Kim Richey,and Sierra Ferrell. It started airing/streaming March 5, and if you miss that, the downloadable podcast (full show, w songs cut from broadcast for time, ditto full all-hands-on-deck finale) will soon be in their archive.

https://mcusercontent.com/b5194773f4906d9b6b906584a/images/e190197d-e103-4868-87d4-c34fb1a78b4b.png

Without Getting Killed or Caught: Rodney Crowell sez: I'm happy to have been a part of this documentary about my friends Guy and Susanna Clark. This early virtual screening will be the first public showing of the film after its SXSW Film debut. Join me for the film and for a post-show conversation between myself and the filmmaker. Presented by my friends Kessler Presents, the screening will air on March 23 at 7 Eastern, 6 Central.
Kessler sez:
Screenings will happen in real-time on a device of your choosing. Each will feature an introduction from the filmmaker, the full 90 minute film, and a post-show Q&A with artists near and dear to us.

I'd like to see the ones w Crowell and Steve Earle, since they were part of the Clarks' scene and circle, as shown in the sleeper milestone doc Highways and Heartaches

Screenings continue through April:
https://www.withoutgettingkilledorcaught.com/tickets

I'd never heard Mickey Guyton before, but my wife put on her latest stuff today and ... it's not even a little bit country? Like, it was fine, but I was surprised. More pop than anything else. Apparently she had a good performance last night?

Yeah, I appreciate what she's doing but it's not my cup of tea

The Guy & Susanna Clark documentary is premiering at SXSW. Anyone know if it will get a wider release or picked up by a streaming service?

https://americansongwriter.com/the-story-of-guy-and-susanna-clark-unfolds-in-new-documentary-without-getting-killed-or-caught-the-life-and-music-of-guy-clark/

Not yet available 24/7, but scroll up a little bit and see links for streaming-screening dates, this month and next. I heard that SXSW is going to be largely (maybe all?) virtual this time, so may be more opps to see it then.

lol, i should have read back a few days. i'll get tix to one of the screenings.

that american songwriter article is very good.

Can I just say that I’ve always liked that scene but really dislike Guy Clark. Am I alone here?

I know him mostly via xpost-xcept-I-bungled-the-title Heartworn Highways, 70s various-artists anthologies, an 80s Austin City Limits set, the awes all-star 2011 trib This One's For Him, and his last album of new material (released in his lifetime), My Favorite Picture of You, all of which I like very much.

You might like the tribute---Crowell sounds atypically stiff and self-conscious on the opener, but other scencesters of various generations do purty cool.

Brandi Carlile was on Fresh Air today: 42 minute interview (w good-audio music excerpts), and the part I heard was very engaging---whole thing is here, for streaming and downloading, and adds video of her and the twins in gorgeous three-part harmony that doesn't gloss over the point of the song. The interview references her new memoir, Broken Horses, which I'd like to read:
https://www.npr.org/2021/04/05/983815671/singer-brandi-carlile-talks-ambition-avoidance-and-finally-finding-her-place

new Rhiannon Giddens/Francesco Turrisi album "They're Calling Me Home" out today.. very nice.

anyone checked out Ashley Monroe's two new singles?

First of Erich Church's 3-part album Heart & Soul (1 Heart, 2 &, 3 Soul) is out.

This is surprisingly good

https://www.savingcountrymusic.com/post-malone-covers-sturgill-simpson-w-dwight-yoakams-band/

anyone checked out Ashley Monroe's two new singles?

(Seems pretty likely this is gonna be a disco country album)

Good idea!
First listens: maybe I'm overrating it in comparison w the listless Heart (which does have a few maybe-keepers), but am initially relieved and refreshed by E. Church's also-recent Soul, which is not the bourgie nostalgia I feared, but his own brand of poignant, well-focussed musicality (coulda done w/o last line of Lynyrd Skynyrd Jones," but can't kill the overall good impression).

omg Rose Gold is cosmic country electropop lit yall:
https://www.youtube.com/watch?v=xyMoM1unzKg

Whole alb is there (10 songs, about 30 minutes, all she needs)("Gold" is the least of it, but gives a taste) Oh sorry YouTube slipped some othr shit in there, listen elsewhere)
"The New Me" //www.youtube.com/watch?v=wva9nvii7ik&list=PLf1hrOwqId83LYpuM4QZWTb7yr35372LU&index=3

"See": https://www.youtube.com/watch?v=0IPjdZs-QdY

"Silk": https://www.youtube.com/watch?v=9aybIsyGTzc

I wish I were this enthusiastic.

May 14, 2021—Acclaimed singer, songwriter and musician Kalie Shorr’s new EP, 3x3, Vol 1: The Chicks, is out today on tmwrk records.
Produced by Eric Mallon and recorded in the midst of quarantine, the project features new versions of three songs from The Chicks’ 1999 album Fly: “Cowboy Take Me Away,” “Cold Day In July” and “Hole In My Head.” Today’s release is the first installment of a special three-part series celebrating albums that have greatly impacted Shorr’s life and career. Additional details to come.
Of the EP, Shorr reflects, “The forced solitude of quarantine led to a lot of self-discovery, and rediscovery. My records became my friends, and my living room became a concert hall. I fell back in love with the albums that made me want to be an artist. When the idea came to pay homage to them, I listened to my personal mantra: why the f*** not? The Chicks were the first country artists I ever heard. Fly was the only CD played in my sisters ‘98 Chevy Cavalier, and I remember spending hours reading the lyric booklet and falling in love with the stories they told. They were my first concert when I was 9 at Madison Square Garden. I swore then that I was going to play there one day, and I’ve been trying ever since.”
This in the wake of new single "Amy," for which the term "power-pop" is bandied about. Open Book stormed my Scene ballot, but didn't get memo about the Deluxe Edition 'til this latest news round-up.

Update re the aforementioned and awesom SGG:
Verve Forecast artists Madison Cunningham and S.G. Goodman will embark on a Fall tour with Cunningham as headliner and Goodman as support. The two singer-songwriters will each bring their own unique style and substance to the tour: California native Madison Cunningham is “poised and precise in her singing and ace guitar playing” (NPR Music) and Kentucky born-and-raised S.G. Goodman is an “untamed rock & roll truthteller” (Rolling Stone)
More cosmic country than rock & roll I say, but okay. Is Cunningham good?

Also: new Rhonda Vincent out 5/28---never heard one of her solo albums, though much liked the one w RIP Darryl Singletary.

And, according to Taste of Country: "The album came quicker than I thought," Carlile tells Good Morning America in a new interview. "It's done."

As she's previously mentioned, the process of writing her memoir also helped Carlile write new music. She describes her next record as "very dramatic." What a surprise. No date yer. Wanna read the book too.

My wife listened to the Carlile book as an audiobook - which includes covers and other songs in between chapters. She really enjoyed it.

Wow, hadn't seen it described that way, thanks! Will check it out.

love the idea that Carlile's new album makes her previous work seem *not* very dramatic

(not saying "oooh i'm excited" i'm saying "that's hilarious")

I've only recently begun listening to her music. (Is there really not a thread about her on ILM??) Actually thought the first track on her first album sounded like it could've been on The Bends.

Hey you're right, she doesn't seem to have her own thread! Seems wrong. I liked her singles and some radio-TV performances, but don't think I ever heard a whole album before this one, mentioned on Rolling Country 2015:

One much fresher, only in part because she's much younger: Brandi Carlile, The Firewatcher's Daughter. Nominated for an Americana Grammy; keep thinking she did a CMT Crossroads session with Elton John, but (she and EJ did something else, right?) but no, CMT was Eltie and Ryan Adams. Same idea, though: catchy drama in denim--this is maybe mostly acoustic, but pushy and electric where it counts, especially on "Mainstream Kid< which burns its way through to the floating, observant, recuperative "Beginning To Feel The Years," and "Blood Muscle Skin and Bone," which somehow natcherly follows the pioneer workbreak of "Wilder (We're Chained"---"and when everything else is gone, our love will still remain"--with something like The Band Perry mixing their glam handclaps, and maybe some cowbell, with post-punk rhythm guitar durr-durr-durr, little train chugging by (not too far from the "Petticoat Junction" theme, come to think of it)
It's all hard-won wisdom, philosophical, sometimes rationalizing, sometimes declaiming, clawed back from the brink, while chasing love, and still capable of extravagant (brandy-rich, costly) moves. Rueful and even twangy enough, occasionally, to qualify as young Americana, if not quite young country, as much (but if CMT ever does another Crossroads, I wouldn't be surprised to see her on there---with---?)

― dow, Tuesday, December 22, 2015 9:12 PM (five years ago)

Also there was some talk of the next one on RC 2018---at one point I typed it as By The Way I Frogrive You, and got some Muppets responses, but this is the Rolling Stone mention I pasted in:

She's always sounded like she probably likes Elton John, David Bowie, Patsy Cline: "Americana"? OK!

Album: By the Way, I Forgive You
Release Date: February 16th
On her sixth studio album, Americana heroine Brandi Carlile ramps everything up a notch, working with Waylon Jennings' rebel-yell son Shooter, who co-produced with Dave Cobb. She takes deep dives into her family history ("Most of All") and offers up an anthem for the downtrodden ("The Joke," a chin-up call to arms for anyone feeling oppressed, was blasted out in a recent appearance on Jimmy Kimmel Live!). While largely adhering to her unplugged, modern-Appalachian approach, Carlile also pushes a few musical envelopes: "Harder to Forgive" is swoony, luxurious pop, "Hold Out Your Hand" has a wall-of-drums wallop and "Party of One" wraps up with shivery orchestration. D.B.

She did some good stuff on the Highwomen album too, although overall it seemed uneven, considering all the talent and skill involved---too many cooks, maybe. Some people love the whole thing, and it's def worth checking out.

Carlile's ultra-earnest music has never been the kind of thing internet cool kids paid much attention to, but she flew right past 'em through sheer force of will and a lot of talent ... the Highwomen thing didn't hurt either, of course.

i know how much P4k has changed but even still i did a double-take when they published a review of By The Way, I Forgive You. would be interested to know if Alfred pitched her to them or if she was on their list or whatever.

Thanks for pasting all that. I’ve been listening in chronological order, so far have listened to the first four. All of them are like-not-love but admittedly have not done deep listens of any. The one I listened to today, “Bear Creek”, is the most country-leaning of the ones I’ve heard so far - which scratches the itch I’m most looking for right now. I don’t really know how people rate the overall discography.

You might like this too:
Brandi Carlile was on Fresh Air today: 42 minute interview (w good-audio music excerpts), and the part I heard was very engaging---whole thing is here, for streaming and downloading, and adds video of her and the twins in gorgeous three-part harmony that doesn't gloss over the point of the song. The interview references her new memoir, Broken Horses, which I'd like to read:
https://www.npr.org/2021/04/05/983815671/singer-brandi-carlile-talks-ambition-avoidance-and-finally-finding-her-place

― dow, Monday, April 5, 2021

Stumblin' in after breaking limbs in the hot sun (unexpected bonus session with a tornado tree), I'm especially appreciative of the restorative powers of xpost Ashley Monroe's Rosegold (not, as I'd thought, Rose Gold, which coulda been her emerging alternate identity, going w this new sound and the Prince association, which I'll mention again). It's not, as I impulsively said upthread, cosmic country electropop lit yall in the get-this-party-started sense: here, the candles are lit, all around the tub,, in the love spa, for relationship maintenance, or---if he's a no-show so far, at least, at most (this is crucial!) keeping yourself tuned up, no matter what else is down the road, in the "Groove," of the "Drive," and it's a total sonic experience, not just about the songs per se, which some reviewers are disappointed by---it's the risk of seductive philosophizing in which notes as sung and played) fill in what the words leave out---but again, risk: she never goes for the big extended bedazzlement between the lines, it's all careful dosage (like I said, 10 songs in about 30 minutes), brushing or swooping by, already gone, as the Eagles say. Yes, this is a kind of country, bits of Beatles (little maybe-mellotron here, little cello there) and Prince (Beatles student too, and the different ways conversational phrases go with the beats, which aren't big, but big enough)aside, she sounds like somebody who might have been swirling around behind or beside any number of male country singers from the mid-60s to early-80s, discreetly still, but now assertive enough (also some acoustic guitar picking)(also the breadcrumb brevity is classic country, from when records didn't cost much, and now streams don't have to cost anything, so shuddup and listen).
Anyway, so far, I find it refreshing, also the way she keeps changing it up, to suit where she's at, from The Blade to the somewhut mysterious Sparrow to this (although could do without "Gold" and the mumbklecore finale).

"mumblecore," that is.

And of course the guarded hopefulness of it seems country.

Ashley Monroe's Rosegold: On very first impression, as (Don's words) "modern art-pop country," it's at its best when sounding "art" and evading "pop" and "country," so stronger downplaying or avoiding hooks and refusing to resolve into pretty melody. Might've been better more austere though I don't know that (perhaps without prettiness gooping the thing up, the art'd be monotonous). I like "Siren" best, "Gold" was great when guttural but lost force rising to the upper register. "Til It Breaks," "I Mean It," and "See" are probably keepers, maybe "Drive" too. "Til It Breaks" works as a conventional song, the others'd probably be better uglier. Anyway, the thing's touching me most when I'm perceiving or imagining a low-pitch rumble and an unwillingness to get on with the tune.

I don't know much about American Aquarium, other than (A) they got their name from Wilco, and (B) I'd been under the impression they were kinda a cross between Isbell and a Red Dirt Party Band.

But I just got FB sponsored post for their latest, Slappers, Bangers, And Certified Twangers Vol. I, which-contrary to suggestions of the title-is not a compilation but 10 newly-recorded '90s Country covers.

The tracklisting is <immaculate>, so many pre-Shania era stone-cold classics given fine readings. Kudos also for resisting the urge to hambone their way through some of these (the opening cut is a tongue mostly removed from cheek version of Sammy Kershaw's "The Queen Of My Double-Wide Trailer"). Feels like a nice night out at the Honky Tonk.

Here's to a Vol II with "Small Town Saturday Night", "Wink", "Sacred Ground", "A Good Run Of Bad Luck" and "The Wrong Side of Memphis".

https://americanaquarium.bandcamp.com/album/slappers-bangers-certified-twangers-volume-one

The Pony Bradshaw album is so good.

Yeah that's an album that I like a lot!

Will check those thx

Legendary songwriter James McMurtry is set to release his new album, The Horses and The Hounds, on August 20.

This first collection in seven years spotlights a seasoned tunesmith in peak form as he turns toward reflection and revelation.

“There’s a definite Los Angeles vibe to this record,” McMurtry says. “The ghost of Warren Zevon seems to be stomping around among the guitar tracks. Don’t know how he got in there. He never signed on for work for hire.”

First track from it:
https://www.youtube.com/watch?v=HPYWcdrQPxg

that tris mccall piece is fantastic. thanks for sharing, ALS.

Did Jamey Johnson really say all that on The Guitar Song?? Guess I was just listening to the music. *If* Wallen knows that his revenge fantasies are only that (musical evidence?), then he's in better shape than a lot of the people he's said here to speak for---speaking of whom, I'm surrounded by 'em, like Edd, so maybe musical representation, even IF self-aware, seems close to redundant---and McCall is making me think of The Case For Eminem, Art Appreciation lectures back in the day--but maybe I'll give some of the album another shot---nothing I've heard from it makes me want to attempt 32 tracks jeeeeez

(I liked hip-hop a lot more than bro country, also at least Eminem had a sense of humor, but---I'll try again.)

Although a lot of musical representation comes off as redundant anyway.

Yeah, McCall might not be aware that the folks we're surrounded by in thu South might not think their fantasies are fantasies. As Xgau said recently in a piece about country, the representations are hard to escape because the representations *create* the country environment. At least that's what I think he's saying.

Intoxicants don’t just make people stupid. They corrode morals, too. Give a nonstop supply of whiskey and coke to St. Peter, turn the digital recorder on and roll the camera, and it’s dead certain you’ll catch him saying, or doing, something regrettable, and maybe even cancellable.

Citation needed, I think… I’ve never known/believed that drinks & drugs make ppl racist, antisemitic, or whatever else if they’re not like that already. It just loosens their inhibitions. (But maybe I’m wrong.)

You're not

I know there will be a separate lobbying thread, but I'd be interested if this niche group has any passionate must-vote-for country tracks (or albums) in the ilm poll this year. This is my country SOTY and will be high on my ballot. Only other thing I feel super strongly about is The Marfa Tapes, which I expect to place based on the responses in the Lambert thread.

https://www.youtube.com/watch?v=o5KKh5gFock

My favorite country / country-adjacent albums this year:

Margo Cilker: Pohorylle
Ingram/Lambert/Randall: The Marta Tapes
Gary Louris: Jump for Joy
Charley Crockett: Music City USA
Vincent Neil Emerson: Vincent Neil Emerson
Ashley Monroe: Rosegold
Alexa Rose: Headwaters

Oh yeah, some excellent picks there, though I still need to check several---keep hearing about Charley Crockett---
Meanwhile, I just listened to an artist Edd covered in the Scene, as linked upthread: Jon Byrd, whose Me and Paul features good originals (co-writes and solo), well-chosen covers, good singing, self-accompaniment on that little nylon-string guitar Edd praises, but what really makes it outstanding is all of the above times the pedal steel guitar of Paul Niehaus, def. a subject for further study----same name as a Swiss surgeon, appropriately enough---this gleaming, unstoppable sound keeps coming around Byrd, a big breath-like cycle--and that's it, just two instruments, one voice in between. The damndest thing. "Cash on the Barrelhead" doesn't quite fit, but doesn't disturb the overall vibe. https://jonbyrd1.bandcamp.com/album/me-paul
More conventional, as most country albums would be, is Byrd's Auto Parts. Full combos, maybe from different sessions, and I like it best when the steel player gets plenty of room---is he Niehaus? Who is the effective female duet partner on one track? Who wrote the two songs that sound perfect for Willie Nelson, the one that would be ditto for Gram Parsons? Who else did what? No notes on this one's bandcamp page, or on Byrd's Web site. "Reputation" sounds like one he might have done in his jangle days w Tim Lee and The Windbreakers, but is also a good, neurotic subject for country--and a good little jolt when the narrator suddenly turns and says. "She wants me to tell you---"
Sahm's "Be Real" is another excellent cover, with an arrangement close to the original, but how often do you hear that, and as Dave Van Ronk said, sometimes you can do it the way it was done first, or you can do it the wrong way.The cover of Lennon McCartney's "Don't Let Me Down" starts well, gets a little boring. But I do like most tracks quite a bit.
https://jonbyrd1.bandcamp.com/album/byrds-auto-parts

Had been meaning to check out Pohorylle. Solid - thanks!

Discovered some true gems from the EOY list cycle. From No Depression's top 5, hadn't heard Adia Victoria's A Southern Gothic or Allison Russell's Outside Child - both exceptional works. Also loved the Sierra Ferrell album Long Time Coming (thanks SCM).

It was nice to see Jason Eady's "French Summer Sun" recognized on a few EOY lists. He has been a favorite for many years - a truly gifted songwriter who knows how to say a lot without much, often about subjects already covered ad nauseum.

https://www.youtube.com/watch?v=t1skXt4Q980

Dow, the Jon Byrd "Byrd's Auto Parts" is from 2007. Live these days, he's good if a bit mannered. Another Nashville club regular who isn't very interested in record-making. Much like Davis Raines. Check out Raines' fairly recent song "Dallas" on YouTube. Pretty damn good and the approach is lowkey, much like Byrd's.

https://www.youtube.com/watch?v=8aGY3dHL2rY

https://www.youtube.com/watch?v=8aGY3dHL2rY

Cool, thx. We've got this now btw lxor.com/ILX/ThreadSelectedControllerServlet?boardid=41&threadid=112512 Starts w Chuck Eddy's 2021 ballot and link also incl. his ballots for all previous/actual Scene polls.

oops, sorry---here tis, hopefully: Rolling Country 2022