Tango in the Night POLL (Fleetwood Mac)

thrilled that that "big love" performance can still blow minds, as it did mine when i was 13 years old

I still stan for the original too, which sounded nothing like what I heard on the radio in early '87. The dance remix w/the house piano break is hot:

https://www.youtube.com/watch?v=iJh72NlHlmc

Can someone mount a defense of “You and I Pt II”? I always kind of want this record to flicker out exhausted with “When I See You Again” - the closer feels tacked on and inappropriately jaunty to me, but I am no Mac expert so I am keen to know if it works in some way that I don’t understand.

Listen to it this way, with both parts:

https://www.youtube.com/watch?v=A3SOOUtnJWg

Yeah the jauntiness of the second half makes more sense when it emerges out of the first half.

On the album it feels like an endearing but only partly successful attempt to recreate "Never Forget".

Ok I can totally see how the full version would work as a closer - but if I had to trim for time I would keep the first half for sure! I mean if they wanted a nothingy little ditty to finish the album on an up note that’d still work fine!

I am over invested apparently but for me this is a perfect sultry summer evening album and a masterpiece of mood and production as much as songwriting - but that last track always breaks the spell a little.

^agree with the last part. album is on a very short list of default throw-it-on-because-no-one-should-complain lists for me.

idk, that two-parter "You and I" sounds like a bad iteration of "No. 1 Song in Heaven." the two pieces don't fit right at the seams. that full version would've elevated the album, though.

LOVING the two part You & I, tbh

Really digging into extras on the deluxe reissue and damn if there is some good stuff. I have to wonder if Buckingham was on some Prince kick with all of his vocal moves throughout the material.

The subtle changes in the alternate version of “Mystified” have me feeling like that was the kind of sound ABBA would have been putting out if they’d stayed together.

"Little Lies" is such a perfectly constructed song abetted by sympathetic production that I never tire of it. I often think Nicks' nasally TELL ME LIIIES chorus backup vocal is the shrewdest, most moving of her Mac tenure.

Pretty sure huge hunks of the album were patched together with a Fairlight. I was blown away learning from the Replacements book that Jim Dickinson used a Fairlight to cobble together acceptable drum takes, and if even the Replacements were (unwittingly) using the Fairlight for that purpose there is no way that Bucky wasn't doing it the same way (and, coincidentally, the same year), especially given members of the Mac were as fucked up as the Mats (and Bucky, if he had his way, probably would have replaced them all with machines if he could have, anyway).

Agreed. The “Play in the Rain” section of the album especially popped into my head upon hearing the two parter version of “You and I”

Low quality bootleg camcorder recording of "Little Lies" from 1987. Sound quality dicey but comes off well

Better one from 90

https://www.youtube.com/watch?v=dxBP5CnRZwE

(tho obv no Lindsey on either)

Burnette/Vito sounds awful.

I want that Stevie cloak.

yeah they had big shoes to fill and they filled it with....oh u know

Reminds me that I've never checked out any footage from the Campbell/Finn tour. I'm really curious, because I can't imagine the addition of either of those guys ever making something worse.

OK, here's a full show (Little Lies slotted second in the setlist!)

https://www.youtube.com/watch?v=oHmWxsGLNcU

Sounds fine, the biggest problem is that neither Neil nor Mike sound much like Bucky.

Admittedly, Nicks hasn't sounded much like herself for 35 years.

I have my own biases/tastes, but I've seen Fleetwood Mac minus Christine and they sounded great. I've seen Christine and Bucky tour together without the others and their take on Mac stuff sounded great. I've seen Bucky tour with his own band and he sounded great, too, Mac stuff included. As if it hadn't been demonstrated by his absence before, clearly Bucky as constant is pretty key to the Mac sound from S/T on, either by force of will or force of musical imagination.

Of course, I've seen Stevie solo a couple of times, too, and she was pretty good as well, but she doesn't need to lean *too* hard on the Mac stuff, given all her hits. Bucky sort of comes at it from a different perspective, rewarding people with some Mac stuff for putting up with all of his non-hits. Which admittedly are often pretty great, but he knows they're not substitutes, just alternatives.

Man, this quaalude mix of “Mystified” with Lindsey doing Mike Oldfield interludes in the guitar is p dope: https://www.youtube.com/watch?v=558bIK_X1ZY

i wish i'd grabbed the alt-Tango when it came out for RSD, it's £££s on the discogs now