POLL: Best Powell and Pressburger Film.

Mubi UK?

I'm not sure I voted in this one. Back then my vote would've been The Red Shoes but now I'm sure it'd be I Know Where I'm Going or The Life and Death of Col. Blimp. (Or still The Red Shoes.)

Haven't seen Gone to Earth. Black Narcissus has a judicious amount of melodrama, Red Shoes goes way overboard. The earlier films I recall having too much stiff-upper-lip "I say, I say" business. Not Powell's fault that that was the time and place he was born in, but he doesn't overcome it either.
I recall that my father saw Moira Shearer dance the Red Shoes Ballet in London in the 40s.

Sister Clodagh, we may proceed with our plans at Mopu. It will be called Saint Faith.

yeah Mubi UK

Interesting thing that came up recently was Jimmie Rodgers being a big consumer of the scent Black Narcissus.

A rainy morning prompted me to watch A Canterbury Tale. What a strange, beautiful film. I'd agree that John Sweet is too broad but his wide-eyedness, gauche and wooden at the start, is perfect by the end: he's brilliant with the kids, in the cathedral and in the final scenes in the cafe. I haven't really got my head around Colpeper yet. He's a cipher in lots of ways but also the stained glass window of the film (however grubby. I guess it's not a huge leap from 'Colpeper' to 'Peeper'.). Sheila Sim is wonderful.

I've been walking chunks of the Pilgrim's Way over the last few years. I was in a tiny church in a small Hampshire village. I assumed I was alone but as I stood gaping in the doorway a hidden voice murmured 'are you a pilgrim?'. I'm wondering if I'll ever make it to Canterbury but that's quite the question to be asked with all eternity watching on. I'm still shuttling back and forth between yes and no.

lol

Orson on Powell and Pressburger pic.twitter.com/GLuPiq5khm

— John Frankensteiner (@JFrankensteiner) May 7, 2022

https://www.youtube.com/watch?v=J6N8ADDDs0k

a matter of life and death is insane (this is a compliment). the set designs, the special effects, the flamboyant french angel, naked boy tending goats on a beach, giant camera obscura, david niven's face, doctor racing around on a motorcycle, ping pong, time freezes, giant escalator through the universe, the detour into a court proceeding about the character of british people vs american people. not what i was expecting at all.

OTM. But what was it that you did expect exactly?

idk, something a little more traditionally classy/romantic/understated?

Have you seen other films by The Archers before?

I watched The Red Shoes last week and it wasn't quite as insane as I'd been hoping.

I've heard that complaint before, but to me it's a perfectly balanced work. Almost a concerto in that regard.

A Matter of Life and Death, tho, is of course bugfuck insane

Peeping Tom too.

I Know Where I'm Going! is in the classic/romantic vein, more toned down than later Archers productions; to me it's the foundational text for every one of those Wacky Hugh Grant English Comedies in mid '90s theaters.

i've seen a number of them:
peeping tom - multiple times, classic obv
black narcissus - saw a long time ago but remember being impressed, probably due for a rewatch
colonel blimp - just watched a few months ago, excellent, more traditional than a matter of life and death but more effective narratively
i know where i'm going - watched sometime in the past few years, did not make an impession

i started the red shoes at some point but was not in the mood for it and never went back to it

I Know Where I'm Going! is in the classic/romantic vein, more toned down than later Archers productions; to me it's the foundational text for every one of those Wacky Hugh Grant English Comedies in mid '90s theaters.

Watched A Castle for Christmas last year, which is like a transatlantic pop-trash version of I Know. Was trying to puzzle out whether it was deliberate, got nowhere.

I'd disagree about the Grant films just bcz I know is still a pretty weird landscape, curses, dogs, eagles, whirlpools film, to the point where the romance keeps fading into the background for me.

Yeah it's a long way from Hugh Grant.

A Canterbury Tale really is something special.

I'd disagree about the Grant films just bcz I know is still a pretty weird landscape, curses, dogs, eagles, whirlpools film, to the point where the romance keeps fading into the background for me.

― woof, Wednesday, February 7, 2024 3:49 PM (twenty-two minutes ago) bookmarkflaglink

Yeah it's a long way from Hugh Grant.

― The British Boy of Film Classification (Tom D.), Wednesday, February 7, 2024

Well, yeah, I meant the template, not the narrative complications. Hugh Grant would never muss his hair.

The Red Shoes is their best and one of the best movies ever made.

Did anyone else read the memoir by Leo Marx, non-Bletchley Park WWII cryptographer and screenwriter of Peeping Tom?

Leo Marks, sorry

*Not* the author of *The Machine in the Garden* presumably?

Although it's a bit all over the shop - formally, tonally - A Canterbury Tale is the one I think about most often.

a canterbury tale is my fav by a fair margin

Same, there's nothing else like it