arthur magazine festival

SUNDAY SEPT 4

** LAWN STAGE SUNDAY SEPT 4**
1:00 doors open
1:45 THE NIGHT PORTER
2:45 RADAR BROS.
3:45 WOLFMOTHER
4:45 SUNBURNED HAND OF THE MAN
5:55 THE BLACK KEYS
- HENRY JACOBS film -
7:25 SLEATER-KINNEY
- HENRY JACOBS film -
9:00 SONIC YOUTH

** PINE STAGE SUNDAY SEPT 4**
1:00 doors
2:20 DOS
3:20 NORA KEYES
4:20 VIKING MOSES
5:20 WINTER FLOWERS
6:20 LAVENDER DIAMOND
7:20 JOSEPHINE FOSTER
8:20 T-MODEL FORD

** BARNSDALL GALLERY THEATRE SUNDAY SEPT 4 **
1:00 doors
2:00 GERONIMO
3:00 RESIDUAL ECHOS
4:00 CIRCLE
5:00 MAGIK MARKERS
6:00 SIX ORGANS OF ADMITTANCE
7:00 POLE
8:00 MERZBOW
8:45 BRIGHTBLACK MORNING LIGHT

MONDAY SEPT 5

** LAWN STAGE MONDAY SEPT. 5 **
1:00 doors
1:40 FUTURE PIGEON
2:30 DEAD MEADOW
3:30 OLIVIA TREMOR CONTROL
4:45 COMETS ON FIRE
5:55 THE JUAN MACLEAN
- Yoko Ono/John Lennon film -
7:25 SPOON
- Yoko Ono/John Lennon film -
8:50 YOKO ONO

** PINE STAGE MONDAY SEPT. 5 **
1:00 doors
2:20 YOUNG JAZZ GIANTS
3:20 JACK ROSE
4:20 MARISSA NADLER
5:20 VETIVER
6:40 [SET BY SECRET GUEST]
8:15 CAT POWER

** BARNSDALL GALLERY THEATRE MONDAY SEPT. 5 **
1:00 doors
2:00 THE TIME FLYS
3:00 FATSO JETSON
4:00 MODEY LEMON
5:00 BRAD LANER
6:00 EARTH
7:15 GROWING
8:15 SUNN O))))

?

Sat, Sept. 3 at Spaceland // $10 // 9pm // 21 & over
WOLFMOTHER
MARISSA NADLER
JACK ROSE

info here:
http://www.myspace.com/arthurfest

My brief breakdown of what I saw --

The Night Porter -- promising, okay
Dos -- REALLY great, reminded me of the last time I saw them -- twelve years ago! Kira and Watt both in high spirits and playing wonderfully
Residual Echoes -- just caught the end, seemed good, I liked the early nineties Flaming Lips jones in the guitar if not the singing
Circle -- as noted.
Majik Markers -- easily the best 'show' in a theatrical sense I saw. Doubt it could be replicated on disc but damn, it worked!
Six Organs -- wunnerful as always, different from the other times I saw him as always, rah
Lavender Diamond -- hey, nice! j rosenberg, which one were you in the band? I find it hard to describe the style to my satisfaction but y'all were definite crowd-pleasers, good band to put a smile on your face
Sleater-Kinney -- wow, they do indeed rock live
Sonic Youth -- heh heh heh. I have a LOT of great photos. And I was one person away from being Thurston Moore's guitar pick.

Great time overall, I think it's a lovely setting for a show like this and it never felt too crowded outside of the understandable crushes at the main stage, and even that was never too bad since you could easily move around the back. Food still seemed a little expensive but much better than other venues -- they need more food booths next time I figure, the lines were a bit long! But everyone got fed in the end.

One thing I think should be mentioned, though -- even though I'm sure it was noticed by everyone, Jay not least -- it's next to impossible to do ins-and-outs for the Gallery Theatre shows. I guess it boils down to there being too few seats for more than the expected amount of people, but I heard that after I got in there for Circle the line to get in took *forever*, and that it was basically luck and timing as to when you got in at all. I was going to see Sunburned Hand of the Man in between Circle and Six Organs but when I realized what was up I figured I'd better stay put. After Six Organs when I did leave I could see they weren't kidding about the length of the line, and checking on it later I saw that it was still there and still pretty extensive well into the evening. Now maybe it moved a lot more quickly than I realized but pretty much it means today I'm going to check out a couple of the opening bands in the open air and then get down there for Fatso Jetson and pretty much *not* leave for the rest of the day, since I wanted to catch Brad L., Earth, Growing and Sunn 0))). I'll regret missing Vetiver and 'the secret guest' but that seems to be how things are shaping up. (At least the theatre has restrooms, a bar and a water fountain!)

Oh yeah, forgot about him and the Jacobs film. Film was cool, Brownstein was, um, all right? I mean, I agree with the sentiments for the most part, I'm just not moved by rabble-rousing spoken word in general (this is why I don't like political gatherings either).

Residual Echoes - no comment
Circle - I'm worried that nothing else this weekend can top Circle

Then we left the theater to see Sunburnd hand of the man which was a mistake. They sucked pretty hard so we decided to get back in line on the chance that we could still see 6 organs and we got back in just in time. Then I saw:

6 Organs - nice
Pole - much better than I expected!
Merzbow - meh
and we stayed for a couple of SY songs but left because we were to far back and the sound sucked. That Brownstein guy was just painfully embarassing.

I saw you in the front row for Circle Ned but I was too shy to say hi.

Yeah Circle set a high bar but I have faith shows today will equal it. Cool to hear that Pole went over well, would have liked to have seen it but Sleater-Kinney called...

Sound for SY/mainstage...yes, true, but I suppose that's unavoidable. Up close, perfect, farther back, eeg.

Highlights for me today were Comets on Fire, Jack Rose (nice Fahey-esque solo guitar), and Growing. Dead Meadow were good and they looked like Spacemen 3 with Ginger Baker on drums. I caught a bit of Vetiver who looked and sounded like they stepped right out of the Royal Tennenbaums. I also watched special guest Devendra from the theater line but I couldn't hear much.

Circle was still the most exciting thing I saw by far.

I saw Yoko and ended up liking it. She kind of has a slick stage show (I heard someone say she's 72, so more power to her) and I didn't like the first thing I heard because of the sappy sentiment, but by the time they got to "Thin Ice" and "Don't Worry Kyoko" I was won over. Also came home with a couple Onochord flashlights, sure to be collector's items! She ended her set saying "See you next year."

I also saw Ned before Brad Laner's show (also front row) but he seemed too involved in the people he was with so I didn't go over. That was a great show, Brad, did you do the visuals too? I took a lot of pictures that looked good on the camera's LCD.

Anyway, so the second day -- got to meet and chat with Mr. Jay Babcock himself, a fine feller; we chatted about the Theatre crunch problems from the first day a bit (as he sagely noted, since it was the only place with a/c, the temptation to stay there was rather strong...). Got up there, poked around a bit and figured that the best thing to do was, indeed, settle into the Theater early. Ended up getting the last open seat in the center front row, which was cool -- some Southern Lord/Sunn O))) fanatics were already there!

So working through the Theater bill:

The Time Flys -- Ramones meets Hellacopters meets opening band for Kiss 1976 (the first, sound; the second, tude; the third, look)

Fatso Jetson -- surprisingly 'normal,' I guess; for the ur-band of stoner/desert rock etc. it was more like heavily amped-up bar-band blooze with off-kilter moments. Did like the sax and harmonica though.

Modey Lemon -- pretty good, got better as it went as they changed from aggro three-piece 1971-noise into Moog-overload on top of same

Brad L. -- like Nick said, really enjoyable, great photos to be taken. Brad said to me afterward, tongue piercing cheek, "Sorry about the Medicine song, maybe you liked it better without the chick singer." ;-) Touche!

Earth -- admittedly I really haven't kept track of them (or Dylan Carlson in particular) over the moons so the transformation into a very meditative/doomy three piece that played like Codeine on even stronger downers and no vocals and distortion (much) was a bit of a surprise to me. Very good but almost overwhelming

Growing -- only half an hour and marred at one point by a technical glitch but damn they were great; reminded me of a more violent sounding Windy and Carl (and this was before I realized they had albums on Kranky!)

Then I had to face my moment of truth -- stick around to at least see the start of Sunn 0)))) or try to catch bits of the other stages, especially since Jay had mentioned needing to see Yoko if at all possible. Since Sunn 0)))) are playing near the end of October I figured 'to heck with it' and went for the other spots. Alas, I think I made the wrong choice in the end -- Spoon, who I never heard before, came across as terribly generic and obvious; crowdpleasers yes but I wasn't pleased. Cat Power I only vaguely noticed and while I was primed to see at least some of Yoko's set, the fact that (as I could notice from my vantage point) it took the roadies 15 minutes to do apparently absolutely nothing with a keyboard proved rather frustrating since by the time everything was about ready to go I had to leave to catch the last train back to OC. Ah well.

Great time overall though! Good to meet Walter and Jay, chatting with Brad briefly was fun, and much thanks to Rogermexico for the crash space, he's a fine feller! More thoughts later, have to go to a co-worker's farewell party...

No, I didn't mean any criticism. I just thought the drummer looked an awful lot like Richie Tenenbaum and the couple of songs I heard sounded like nice Nico-esque chamber pop that wouldn't be out of place on a Wes Anderson soundtrack.

And my on-site purchases were:

An Arthur (as opposed to Arthurfest) T-shirt
The Golden Apples of the Sun comp
Sonic Youth, Hold That Tiger
Circle, Forest
Sunn O)))), The GrimmBold Demos

I am glad to see all this love for Circle. I have wanted to see them for years and they delivered. Dude from Aquarius who was their tour guy said they had sold out of their new album already on the tour and there was a rush to get CDs and shirts after the show -- good signs, I would say! Would love to see them back and doing an even longer set.

other highlights for me were dos, circle, merzbow, earth, and brad laner.

A pisser -- sounds like Growing's problems affected them too. Or maybe both bands were just too loud!

'twas nice to see ya ned, nice savage republic tee : )

And also would have been nice to have a piano there for Steve.

I feel awkward speaking for Jay but I hope he doesn't mind my saying this for now (and please correct me if I'm wrong when you see this!) -- in talking with him about things briefly yesterday, he noted that one reason why the bands in the gallery theatre were there was becase so many were going to be using heavy constant bass tones and drones and etc., which would have caused some problems about noise complaints or worse had they been in the Pine stage location instead. I had overheard someone wondering on the first day why the Pine stage folks weren't in the theatre -- controlled environment and better for the 'quieter' bands -- but perhaps this was the best that could be managed, per Jay's description.

Perhaps that slightly lower location near where the staircases for general entry ended would be better for Pine-stage style bands, being further away and more isolated for sound? Monday morning quarterbacking, I realize, but the Park's such a nice location that if it happens again I'd love to see a repeat of the setting. The flipside is that makes the fest more spread out from the central booth/food zone. Just thinking out loud!

Some of the bands playing in the theater could have and should have been playing for much bigger audiences and at first it seemed strange to me to have a lot of the loud bands in there. On the other hand I thought the theater had the best sound of all three stages and most of the acts in there benefitted from the darkened environment, stage lighting and intimate atmosphere. If the room didn't have seats and more people could have packed in it would have been ideal.

I think all three stages could have been bigger for the crowds that were there, but quite an accomplishment anyway, Jay. How is the video shot during it going to be used?

Cat Power freak out on stage? Why that's as likely as Thurston Moore playing a guitar with a baseball cap!

No, he just took one from a photographer instead. ;-)

The way I see it, ArthurFest took on a general model from get-togethers like Terrastock and ended up making it broader than its various sources of inspiration -- much as I love the Terrastocks, for instance, there's no way the Juan Maclean would have ever been on one of the bills for them. That deserves much credit, and frankly I'd love to see what could happen in going even broader still -- but I am not one of the organizers. ;-)