Hal Willner

Listened today and it’s a mixed bag of course, but I was surprised how many singers followed Bolan’s voice right down to detailing the warble of his trills. (About a quarter of them)

Which didn’t bother me because it made me realize how essential those trills are to putting his lyrics and melodies into stratosphere. So the album made me look at his work in a new way, which I wasn’t expecting but I should have expected since the other Wilner tributes were so special because of that exact knack of his.

Just listened for the first time, and it made me listen to his work in a new way also, elaborating on some elements, which is true to their spiraling stardust tophat tendencies, while staying true to the boogiedelic patterns and prancing, like hands across thee Ocean (incl. ov Tyme) insider-outsider art, "primitive" but nevah crude. In other words, despite my wondering if Bolan's songwriting was up to Weill's and so on's possibility-wise, another Willner mission accomplished, dependable and surprising. Not a Magnum Opus, or a final fiery leap, like black*: this is more like You Want It Darker, El Cohen leaving the building with mission accomplished album-wise one more time, as his conversations with the muse-mistress take a break (working on two or three albums 'til he checked out).
Only spotting a few dud vocals so far, and the musos do pretty well even on those tracks. Really seems like it's close to twice as good as the Pitchfork review indicates (rating of 4.4, I'd say 7.0, at least). also good in spacey associative ways hard to quantify, but if you're already into Willnar and most of his current guests at all, and you think you might like it, you probably will.

Very much looking forward to my copy -- also will be interesting to compare it to the Bolan tribute comp Zorn was behind back in the late 1990s.

https://www.discogs.com/Various-Great-Jewish-Music-Marc-Bolan/release/386274

Listening again, now to the 2-CD, and liking Jett's "Jeepster" better, with Ribot one of the guitarists. Bolan's writing lyrics and tunes, more subtle than I realized---not on that one, but most others so far---also hearing how he and Bowie apparently influenced each other for a while, in effect kind of a Buck Owens-Beatles crosstalk thing (so maybe some creative competition as well). Of course they both worked with Visconti, right?
Where should I start with T.Rex albums? Also Tyrannosaurus Rex and Bolan's later work, since publicity says this project draws from all of that?
(Børns now going toward old Robert Plant at his best, Beth Orton up to the line, maybe a little past, King Khan and organist Brian Mitchell ripping it up on "I Love To Boogie," and so on, the always finewine Gaby Moreno gliding through the rippling "Beltane Walk": "I met a boy, he was God's fool").
U2 actually not sucking on "Bang A Gong," not even Bono.

Uh-oh, he's making these little sounds of desire. But now back into the words, the groove. Good guests too duh.

The sax has to elbow past him later, does.

Where should I start with T.Rex albums? Also Tyrannosaurus Rex and Bolan's later work, since publicity says this project draws from all of that?

Hm, you could get eight million answers here. If you want a very VERY quick album start pack-- first Tyrannosaurus Rex album My People Were Fair and Had Sky in Their Hair... But Now They're Content to Wear Stars on Their Brows, the first three official T. Rex albums as such (self-titled, Electric Warrior, The Slider and the final album, Dandy in the Underworld, which was him refocusing a bit in 1977 before it all ended tragically. That said I have every album, but I would.

In any event, you will also need a good singles comp to get a real sense of things, because his string was pretty incredible at the heights. Problem is there are about eight million comps and for the longest time there were rights issues as well between the first and second halves of his career as such. Thankfully there's one from a couple of years ago, Gold, which actually does span his career in all phases outside of an early solo single and the John's Children era. If anything, start there, then the albums I mentioned -- it's not chronologically ordered per se but it's a good collection of killer singles, some good B-sides and a fine selection of album cuts.

https://www.superdeluxeedition.com/news/t-rex-gold-new-compilation/

I will start there, thanks so much! Xgau mentions T. Rextasy: The Best of T. Rex, 1970-1973, on Warner Bros., apparently from '86 or thereabouts, when he mentions it in Consumer Guide, also, in '82 round-up of singles:
The late Marc Bolan's "You Scare Me to Death" (Cherry Red import), overdubbed on demo tapes by Simon Napier-Bell, has an off-center infectiousness pop postmodernists would give their M.F.A.s for. As for A.A., note this hook: "You scare us to death/With your awful breath."

Just now noticed this on his Amazon page: LP way OOP, but discogs has details, incl. him as associate producer; All performances were recorded live outdoors in the streets and parks of New York City.
https://www.discogs.com/Various-Stars-Of-The-Streets/release/1522484

Listening on a better boombox (Panasonic RX-D55) has clarified several things, incl. that xpost U2-Eltie "Bang A Gong" is actually good all the way through; he and the horns should sign up for a longer tour ov duty, all rootie. Also lots of words, like "Let's do it lik we're friends, do it like we're friends," and maybe that will happen for us as well, and even Emily Haines's vocals all through "The Ballrooms of Mars,", where "John Lennon knows your name and I've seen his," fair enough.

Sorry, listening again and it's "John Lennon knows your name and I've seen his," still fair and also little zing

On the other hand, it's clearer than ever that, while the musos do real good, esp. into finale, Perry Farrell only lends a nerf vocal to what still seem like built-in limitations of "Rock On," heard here as plodding rehash of "Bang a Gong," to which maybe it was the follow-up, like they used to do back then, for inst. whatever it was that was meant to milk a little more "Rhinestone Cowboy" feel and money.
(Perhaps this is more apparent because "Rock On" has to Disc 2's opener, Father John Misty's "Main Man"---and every other strong track, now revealed to be all of Disc 1.

has to *follow* Disc 2's opener

Never really listened to his tribute albums but did go to a Raymond Scott event he was a part of. Saw him on a few panels

2 years after his passing, his wife did a tribute show @ St Ann's in NYC. Tom Waits did some songs as did others

First Tom Waits public performance in a while at a Hal Willner tribute event last night. Three songs: "Shenandoah" (from Willner's pirate-songs album), Sinatra's "I'll Be Seeing You" (name of event), and ??. A few photos from IG, but tell me someone took video… pic.twitter.com/dssLKgcI56

— Ray Padgett (@rayfp) April 7, 2022

https://www.nme.com/news/music/tom-waits-gives-rare-live-performance-at-hal-willner-tribute-event-3201089

I did find some short video clips on IG, but not of Waits. One was of Elvis Costello and John C. Reilly's duet, but they only uploaded the first minute, which is the band slowly starting up and Reilly's opening verse.

A Facebook friend of mine shared a Tom Waits video clip on FB, but she didn't set the privacy for public (only her FB friends can see it)

How had I not heard of this?! Or had I:

Leonard Cohen: I'm Your Man is a 2005 film by Lian Lunson about the life and career of Leonard Cohen. It is based on a January 2005 tribute show at the Sydney Opera House titled "Came So Far for Beauty", which was presented by Sydney Festival under the artistic direction of Brett Sheehy, and produced by Hal Willner. Performers at this show included Nick Cave, Jarvis Cocker, The Handsome Family, Beth Orton, Rufus Wainwright, Martha Wainwright, Teddy Thompson, Linda Thompson, Antony, Kate & Anna McGarrigle, with Cohen's former back-up singers Perla Batalla and Julie Christensen as special guests. The end of the film includes a performance by Leonard Cohen and U2, which was not recorded live, but filmed specifically for the film at the Slipper Room in New York in May 2005.

Antony now Anohni , new alb w the Johnsons out July 7. Perla Betalla had an album that I really liked, didn't seem much like anything else.