FKA twigs

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This also tells me that, in addition to more acting, Twigs should be doing choreography in ghost/zombie movies

shout-out to his family (DJP), Tuesday, 8 September 2020 13:52 (three years ago) link

three months pass...

https://www.nytimes.com/2020/12/11/arts/music/fka-twigs-shia-labeouf-abuse.html

The lawsuit, filed in Los Angeles by the musician, accuses the actor of sexual battery, assault and infliction of emotional distress.

the serious avant-garde universalist right now (forksclovetofu), Friday, 11 December 2020 17:22 (three years ago) link

quoted at length here for those who are paywalled:

In the lawsuit, FKA Twigs aka Ms. Barnett said that Mr. LaBeouf did not like it if she spoke to or looked at male waiters; in an interview, Ms. Barnett said she learned to keep her eyes down when men spoke to her. She also stated in the suit that Mr. LaBeouf had rules about how many times a day she had to kiss and touch him, which he enforced with constant haranguing and criticism.

Mr. LaBeouf convinced Ms. Barnett to stay with him in Los Angeles, she said, rather than move back to London where she and her professional circle lived. It was a step toward her isolation, she said. And he would often say that her creative team used her, a message that eventually led her to doubt them.

But living with him became frightening, she said. The lawsuit says that he kept a loaded firearm by the bed and that she was scared to use the bathroom at night lest he mistake her for an intruder and shoot her. He didn’t let her wear clothing to bed, and would spin a trifling disagreement — over an artist she liked and he didn’t, for example — into an all-night fight, depriving her of sleep, the suit says.

The situation came just as she was completing what became her most critically lauded album, “Magdalene.” Ms. Barnett said she found herself in stasis, struggling to fulfill her professional duties, and confounding her friends and colleagues. “Twigs is always the driving force behind her career — always a step ahead of everyone else,” said her longtime manager, Michael Stirton. “This was an extreme change in her personality and character.” The album’s release was delayed multiple times, and a tour was rescheduled at great cost, Mr. Stirton said, as Ms. Barnett receded. “I could speak to her,” he said. “But I couldn’t reach her.”

As Ms. Barnett grew more isolated, she said she felt as though her safety nets were unraveling. The gas station incident had happened in public, she said, and no one stepped to her aid; an early attempt she made to tell a colleague was brushed off. “I just thought to myself, no one is ever going to believe me,” she said in an interview. “I’m unconventional. And I’m a person of color who is a female.”

Slowly, with the help of a therapist, she began to strategize her exit. While she was packing to leave in spring 2019, Mr. LaBeouf turned up unannounced and terrorized her, according to a sworn statement from a witness, her housekeeper, in the lawsuit. When Ms. Barnett wouldn’t leave with him, the statement says, he “violently grabbed” her, picked her up and locked her in another room, where he yelled at her.

Escaping him began to seem “both difficult and dangerous,” the lawsuit says. And even as she grew in resolve, she felt overwhelmed, she told her therapist, in an email The Times has reviewed. Though she had the means, it took several attempts for Ms. Barnett to extricate herself, she said in an interview. And it was only afterward that she realized how broken down she had become.

“The whole time I was with him, I could have bought myself a business-flight plane ticket back to my four-story townhouse in Hackney,” in London, she said. And yet she didn’t. “He brought me so low, below myself, that the idea of leaving him and having to work myself back up just seemed impossible,” she said.

In her lawsuit, Ms. Barnett said she plans to donate a significant portion of any monetary damages to domestic-violence charities. “It was actually very expensive, and a massive undertaking of time and resources, to get out,” she said in an interview.

the serious avant-garde universalist right now (forksclovetofu), Friday, 11 December 2020 17:26 (three years ago) link

I know it's beside the point but I got a push alert from the NYT for this on my phone and I imagined a large portion of the world looking at their phone and asking who tf FKA Twigs is

self-clowning oven (Murgatroid), Friday, 11 December 2020 17:26 (three years ago) link

Yeah, got the alert as well, see what you mean.

Robert Gotopieces (James Redd and the Blecchs), Friday, 11 December 2020 17:34 (three years ago) link

fuck, man, this is awful. civil suits alone aren’t enough. abusive motherfuckers like this belong behind bars. but i hope she takes him for all he’s worth.

davey, Friday, 11 December 2020 22:41 (three years ago) link

This is really heartbreaking. Nothing but love and support for Twigs.

Roz, Saturday, 12 December 2020 03:44 (three years ago) link

Aye. Goddam

maf you one two (maffew12), Saturday, 12 December 2020 03:50 (three years ago) link

one month passes...

https://www.youtube.com/watch?v=QJacful-tII

ufo, Tuesday, 26 January 2021 23:23 (three years ago) link

nice

nxd, Wednesday, 27 January 2021 10:11 (three years ago) link

She did an interview with Louis theroux for his podcast too.

candyman, Wednesday, 27 January 2021 12:12 (three years ago) link

three weeks pass...

https://www.elle.com/culture/celebrities/a35460385/fka-twigs-shia-la-beouf-abuse/

more harrowing details of her abuse at labeouf's hands in this piece but also new album details!

During quarantine, she collaborated with powerhouse producer El Guincho, the mastermind behind Rosalía’s breakthrough album, El Mal Querer. Twigs tells me she’s created a “going out” album that features collaborations with Nigerian Afrobeats star Rema, British hip-hop up-and-comer Pa Salieu, and pop darling Dua Lipa. She met the latter on Instagram, and the two decided to collaborate on a dance track, “Why Don’t You Love Me,” which was made for the return to dance floors, post-vaccine.

very excited for the rema & pa salieu collabs

ufo, Thursday, 18 February 2021 01:53 (three years ago) link

https://www.youtube.com/watch?v=ZnmzNmOPSLQ

the dua lipa collab "why don't you love me" was premiered in dua lipa's livestream concert too

ufo, Thursday, 18 February 2021 01:54 (three years ago) link

damn el guincho is having a run right now

That's not really my scene (I'm 41) (forksclovetofu), Thursday, 18 February 2021 04:24 (three years ago) link

She is making a martial arts series, oh hell yeah

https://theface.com/music/fka-twigs-interview-michaela-coel-i-may-destroy-you-pa-salieu-headie-one

change display name (Jordan), Wednesday, 24 February 2021 21:18 (three years ago) link

that's a really fun conversation!

That's not really my scene (I'm 41) (forksclovetofu), Wednesday, 24 February 2021 22:16 (three years ago) link

eight months pass...

New song sounds like one of the best Bond songs ever.

✖✖✖ (Moka), Friday, 19 November 2021 01:22 (two years ago) link

it's for a spy film so she met the brief

ufo, Friday, 19 November 2021 01:45 (two years ago) link

Did not know that. Makes sense.

✖✖✖ (Moka), Friday, 19 November 2021 02:34 (two years ago) link

the song in question - it's great!

https://www.youtube.com/watch?v=bgvTBLA6nA8

Roz, Friday, 19 November 2021 03:36 (two years ago) link

one month passes...

Unexpected new album

Tsar Bombadil (James Morrison), Friday, 14 January 2022 00:44 (two years ago) link

New *mixtape

✖✖✖ (Moka), Friday, 14 January 2022 14:21 (two years ago) link

Plenty to like here but on first listen I love “Careless”.

I like this simple, pop approach she’s taking on most of the mixtape.

✖✖✖ (Moka), Friday, 14 January 2022 14:40 (two years ago) link

It is nice seeing her not take herself so seriously, but when she does her music hits higher highs. This is fun though! Definitely enjoyed the first half this morning.

octobeard, Friday, 14 January 2022 18:37 (two years ago) link

this isn't really grabbing me for the most part idk

ufo, Saturday, 15 January 2022 03:08 (two years ago) link

this is a great look for her imo. i like this a lot. much better than that last LP, i think her bending back towards the mainstream is better for her, she can find some spot where she's a bit on the fringes. she has a unique voice & can write a melody, she doesn't need to go broken pretentious arty arca w/ it, her best stuff is typically the most straightforward i think

J0rdan S., Tuesday, 18 January 2022 23:28 (two years ago) link

I'm the opposite, I loved Magdalene with all its Kate Bush swoops. I think this is fine, a couple of really good tracks.

Same, I really like the mixtape but Magdalene was a classic for her. And unlike the early Arca eps it had a pretty traditional palette, it was mostly piano-based (but treated in a super modern way imo)!

change display name (Jordan), Tuesday, 18 January 2022 23:35 (two years ago) link

New *mixtape

A question because I am old. How is this NOT an album?

Tsar Bombadil (James Morrison), Saturday, 22 January 2022 07:27 (two years ago) link

I think it's just something people say when they release an album but want to deemphasize its importance in their canon. Maybe they didn't take as much time as they would with an 'album', or maybe it's because they don't want to do the full album-cycle work of touring and promotion, or maybe they just didn't clear all the samples? Idk. It's pretty clearly an album, but I get if she wants to convey that it's not the serious follow-up to Magdalene that is yet to come.

change display name (Jordan), Saturday, 22 January 2022 13:55 (two years ago) link

mixtape = EP minus quality control

i cannot help if you made yourself not funny (forksclovetofu), Saturday, 22 January 2022 17:26 (two years ago) link

Lol that's a much better explanation

change display name (Jordan), Saturday, 22 January 2022 17:58 (two years ago) link

Sounds good no matter what it is called

curmudgeon, Saturday, 22 January 2022 19:04 (two years ago) link

xp I prefer your explanation, Jordan

Mixtapes are often cohesive full length efforts, stylistically thematic, and some can be incredible (Clipse's We Got It 4 Cheap series, Kehlani's You Should Be Here, Weeknd's House of Balloons, etc).

But they aren't canonical, often lack singles and tour support, sample clearing, big name production, etc. It's largely divorced from a mixtape's origins of homemade cassette tapes with a cohesive mix of tracks/raps/songs tied together on top of a bunch of hodge podge beats. Honestly when I think of an actual "mix tape" I think more of turntablists like Q-Bert or a DJ mix. Pop mix tapes feel more like full length "demos".

octobeard, Monday, 24 January 2022 03:31 (two years ago) link

these days it usually means it's an early project being given away for free to build hype (not that the 'free' part means a lot in the modern streaming era), or the label doesn't want to give it the same sort of promotional budget, or it's a more casual stopgap release not intended to be the 'proper' follow-up release. rare for any of these to get a physical release

here it seems it's more like the third? it's kinda silly to make the distinction at all these days really

ufo, Monday, 24 January 2022 03:48 (two years ago) link

two months pass...

In non-music news. Can't she just play the Crow instead?

https://www.hollywoodreporter.com/movies/movie-news/fka-twigs-bill-skarsgard-crow-reboot-1235124947/

Ned Raggett, Tuesday, 5 April 2022 15:02 (two years ago) link

That would be better, although I'm still hoping for the FKA Twigs as Highlander reboot.

change display name (Jordan), Tuesday, 5 April 2022 15:27 (two years ago) link

two months pass...

Excellent Briana Younger feature.

https://www.gq-magazine.co.uk/culture/article/fka-twigs-interview

Ned Raggett, Monday, 20 June 2022 18:44 (one year ago) link

Good story. Interesting how she first went to LA to learn more about krumping from the originators.

curmudgeon, Tuesday, 21 June 2022 04:59 (one year ago) link


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