Rolling weird music 2020

Oh mom, get back to me, bring me some snacks
What I want to do in Marin is to relax
Oh yeah I dig Marin, the views... are good
And everything is bettering me, I mean I feel, yeah, yeah yeah yeah yeah

God, I love Inflatable Boy Clams.

Same here. I remember playing them for a date once and he was so obsessed with I'm Sorry that we listened to it a few times while getting ridiculously baked. We set the fire alarm off lol

Sarahell will know this person, too, which helps make the story funnier for the two of us.

omg who?!!!!!

table is the table was at the first gig my band played!

the way she sings "horrible mistake" on that song ... sigh, the best.

<3 <3 <3 <3 <3

best fucking band

at the 2004 reunion show in PDX this dude got up on stage, went around, and hugged each member individually. random fan otm.

(I got tons of love for IBC as well, but y'know there's only like 5 songs or w/e)

Sarahell, he's in the Y0ung3r Lover5

ohhhhhhhhhhhhhhhhhhhhhhhhh!

some of you might like this album rolling punk 2020
― flopson, Thursday, August 20, 2020 2:47 AM (six days ago)

I came here to post the home blitz. It's great.

Latecomer to the new Cucina Povers album here. Gonna have to go back and relisten to her previous but this seems like a big leap forwards? Definitely pushing my buttons more than the one before (which I still really liked!) . I don't even really know what's going on but getting strong 'ancient music of a place that's never existed' feels. Multitracked vocals and some sparse synth that's played exactly the way our alien forebears intended, can't even think what else sounds like it really

I guess the glory days of Fonal Records are the neatest point of comparison? Islaja and stuff like that

(perks up ears)

Just noticed the dumb auto correct in my post - it's Cucina Povera obv

Just listened to the first few tracks and my it is gorgeous.

I guess 'weird music' fans might be into the Deathbomb Arc showcase? I didn't manage to follow along on the night but it's archived. Features a certain Soft Pink Dude, among many others.

https://www.youtube.com/watch?v=Fnp7XRXOWqw&

loving the Cucina Povera, thanks. I feel like someone else here tipped me to her recently?

Paolo linked to one of her songs on this very thread a few months back

Thanks for posting that video btw emily! I'm kind of out of touch with things so the only other thing I know from that is TALsounds.

yeh this cucina povera is a really beautiful ep

new eric copeland from a few weeks ago
https://ericcopeland.bandcamp.com/album/dumb-it-down

Constantly trying to resist turning this thread into "Emil.y's Radio Show Promotion Thread" but we've got some guests in for the second half of this month playing rad Ex-Yu/Slavic tunes, I'm dead excited about it: https://www.mixcloud.com/citybeatradio/cryptophasia-013/

kind of enjoying that eric copeland

This Cryptophasia mix is really great thanks. It's so hard to stay on top of weird music - or it is for me at least. Once I became aware of the berserk, sublime dimensionality this substrata of music has expanded to create (and I only feel that way in the most fleeting of glimpses, despite my luck that it's become one of the main planks of my 9-5) I found it disorientating. I feel like the opinion I encountered a lot when I was first a very green, ignorant music writer 17 yrs ago - that we no longer need any kind of interface between us and the music, that all we needed was internet access and our ears - has never been further from the truth. I don't need a return of imperious gatekeepers for sure, but nothing dissolves my critical, aesthetic and emotional faculties like a day spent listening to 14 new tapes, five new streams, and two new LPs, where I have little or no idea of what the provenance is. I need some damn help with my listening. I think one of my new year's resolutions will definitely be to carve out more time to spend listening to shows like this and checking out the shows on Neon Hospice etc. Like, whether this is an obvious thing to say or not, there's surely never been a more important time for rhizomatic connectivity between all points in whatever constitutes the underground.

fully agree. i started this thread recently Keeping Up With Music to attempt to convey the sheer weight of the task upon the serious avant-garde universalist right now. a RYM account alone isn't quite enough; we need guidance, means of 'rhizomatic connectivity' that still does not limit (which is the risk) but which suggests outward paths and lines of deeper inquiry

Hear, hear. Especially in this day and age where it's becoming harder and harder to pass by the self-implied and money-driven gatekeeper that is The Algorithm and Curated Playli$t$. Which suggest only inward paths to swallow you for their personal gain, instead of the outwards paths lj succinctly described. 'We need guidance' is otm.

Emily and Dan's show truly is on the right side here and one to keep a keen eye on!

Ah, thank you!

I definitely get overwhelmed with the amount of music that's out there - I also have some issues that mean I simply can't concentrate on music for as long as I used to/other nerds may do, so I need navigation tools more than ever. Some of that is from relatively traditional modes of journalism, some from here, but I've always found the best way of finding stuff is through actually being involved in music making and "scenes". I don't really mean scenes like cliques, though there is always the risk of that, but if you know people who make stuff then they know other people who make stuff, and you get to know the interconnected underground networks and can follow trails to all sorts of places, rather than getting stuck in a cliquey cul-de-sac. I think the two biggest problems with this, though, are accessibility (not just disability accessibility, but location, age, internet access, a massive pandemic, loads of things), and also that as I've aged my networks have too, and that means that I can completely miss new exciting stuff, because I'm no longer on the same trails as the people who are coming up.

I've spent ages typing this out and now I no longer know if it makes any sense, but oh well, I'm gonna hit send anyway.

thanks for the new dn

I like this album by The Gagmen. Dark/weirdo supergroup with Aaron Dilloway, Nate Young and Andrew WK
https://idealrecordings.bandcamp.com/album/the-gagmen

huge amount of hastily made weird demos by montreal musicians to raise money for a good cause:

https://demofest.bandcamp.com/

haven't listened to many yet but i really enjoyed these ones by my friends

lukie lovechild https://demofest.bandcamp.com/album/lukie-lovechild-couple-demos
marley kay https://demofest.bandcamp.com/album/marlee-kay-i-think-you-love-her-more-than-me
shithead https://demofest.bandcamp.com/album/shithead-piss-and-shit-for-the-children

thanks for this
great stuff

Did we ever get a 2021 thread for this?

Start one!

yeh that;'ll be good
a bit under the weather this week but i have a few links to throw in if one gets going

Here we go: Rolling weird music // time travel // unclassifiable 2021